The Commencement Speech of Natalie Portman at Harvard University

Transcription

1 The Commencement Speech of Natalie Portman at Harvard University 1. Hello, class of I am so honored to be here today. Dean Khurana, faculty, parents, and most especially graduating students. Thank you so much for inviting me. The Senior Class Committee. It s genuinely one of the most exciting things I ve ever been asked to do. 2. I have to admit primarily because I can t deny it as it was leaked in the WikiLeaks release of the Sony hack that when I was invited, I replied, and I directly quote my own , wow! This is so nice! I m gonna need some funny ghost writers. Any ideas? This initial response, now blessedly public was from the knowledge that at my class day we were lucky enough to have Will Ferrel as class day speaker and many of us were hungover, or even freshly high, mainly wanted to laugh. So I have to admit that today even 12 years after graduation. I m still insecure about my own worthiness. 3. I have to remind myself today you re here for a reason. Today I feel much like I did when I came to Harvard Yard as a freshman in 1999.When you guys were, to my continued shock and horror, still in kindergarten. I felt like there had been some mistake that I wasn t smart enough to be in this company and that every time I opened my mouth, I would have to prove that I wasn t just a dumb actress. So I start with an apology. This won t be very funny. I m not a comedian. And I didn t get a ghost writer. But I am here to tell you today. Harvard is giving you all diplomas tomorrow. You are here for a reason. 4. Sometimes your insecurities and your inexperience may lead you, too, to embrace other people s expectations, standards, or values. But you can harness that inexperience to carve out your own path, one that is free of the burden of knowing how things are supposed to be, a path that is defined by its own particular set of reasons. 5. The other day I went to an amusement park with my soon-to-be 4-year-old son. And I watched him play arcade games. He was incredibly focused, throwing his ball at the target. Jewish mother that I am, I skipped 20 steps and was already imagining him as a major league player with what is his aim and his arm and his concentration. But then I realized what he wanted. He was playing to trade in his tickets for the crappy plastic toy. The prize was much more exciting than the game to get it. 6. I, of course, wanted to urge him to take joy and the challenge of the game, the improvement upon practice, the satisfaction of doing something well, and even feeling the accomplishment when achieving the game s goals. But all of these aspects were shaded by the little 10-cent plastic men with sticky stretchy blue arms that adhere to the walls. That-that was the prize. In a child s nature, we see many of our own innate tendencies. I saw myself in him and perhaps you do, too. 7. Prizes serve as false idols everywhere, prestige, wealth, fame, power. You ll be exposed to many of these, if not all. Of course, part of why I was invited to come to speak today beyond my being a proud alumna is that I ve recruited some very coveted toys in my life, including a not so plastic, not so crappy one: an Oscar. So we bump up against a common trope I think of the commencement address people who have achieved a lot telling you that the fruits of the achievement are not always to be trusted. But I think that contradiction can be reconciled and is in fact instructive. Achievement is wonderful when you know why you re doing it. And when you don t know, it can be a terrible trap. 8. I went to a public high school on Long Island, Syosset High School. 9. Ooh, hello, Syosset!

2 10. The girls I went to school with had Prada bags and flat-ironed hair. And they spoke with an accent I who had moved there at age 9 from Connecticut mimicked to fit in. Florida Oranges, Chocolate cherries. Since I m ancient and the Internet was just starting when I was in high school, people didn t really pay that much of attention to the fact that I was an actress. I was known mainly at school for having a backpack bigger than I was and always having white-out on my hands because I hated seeing anything crossed out in my note books. I was voted for my senior yearbook most likely to be a contestant on Jeopardy or code for nerdiest. 11. When I got to Harvard just after the release of Star Wars: Episode 1, I knew I would be staring over in terms of how people viewed me. I feared people would have assumed I d gotten in just for being famous, and that they would think that I was not worthy of the intellectual rigor here. And it would not have been far from the truth. 12. When I came here I had never written a 10-pape paper before. I m not even sure I ve written a 5-page paper. I was alarmed and intimidated by the calm eyes of a fellow student who came here from Dalton or Exeter, who thought that compared to high school the workload here was easy. I was completely overwhelmed and thought that reading 1000 pages a week was unimaginable, that writing a 50-page thesis is just something I could never do. 13. I had no idea how to declare my intentions. I couldn t even articulate them to myself. I ve been acting since I was 11. But I thought acting was too frivolous and certainly not meaningful. I came from a family of academics and was very concerned of being taken seriously. 14. In contrast to my inability to declare myself, on my first day of orientation freshman year, five separate students introduced themselves to me by saying I m going to be president; remember I told you that. Their names, for the record, were Bernie Sanders, Marco Rubio, Ted Cruz, Barack Obama, Hilary Clinton. 15. In all seriousness, I believed every one of them. Their bearing and self-confidence alone seemed the proof of their prophecy where I couldn t shake my self-doubt. I got in only because I was famous. This was how others saw me and it was how I saw myself. Driven by these insecurities, I decided I was going to find something to do in Harvard that was serious and meaningful, that would change the world and make it a better place. 16. At the age of 18, I d already been acting for 7 years, and assumed I find a more serious and profound path in college. So freshman fall I decided to take Neurobiology and Advanced Modern Hebrew Literature because I was serious and intellectual. 17. Needless to say, I should have failed both. I got Bs, for your information, and to this day, every Sunday I burn a small effigy to the pagan Gods of grade inflation. But as I was fighting my way through Aleph Bet Yod Y shua in Hebrew and the different mechanisms of neuro-response, I saw friends around me writing papers on sailing and pop culture magazines, and professors teaching classes on fairy tales and The Matrix. 18. I realized that seriousness for seriousness s sake was its own kind of trophy, and a dubious one, a pose I sought to counter some half-imagined argument about who I was. 19. There was a reason that I was an actor. I love what I do. And I saw from my peers and my mentors that it was not only an acceptable reason, it was the best reason. 20. When I got to my graduation, siting where you sit today after 4 years of trying to get excited about something else, I admitted to myself that I couldn t wait to go back and make more films. I wanted to tell stories, to imagine the lives of others and help others do the same. I have found or perhaps reclaimed my reason. 21. You have a prize now or at least you will tomorrow. The prize is Harvard degree in your hand. But what is your reason behind it?

3 22. My Harvard degree represents, for me, the curiosity and invention that were encouraged here, the friendships I ve sustained, the way Professor Graham told me not to describe the way light hit a flower but rather the shadow the flower cast, the way Professor Scarry talked about theatre is a transformative religious force, how professor Coslin showed how much our visual cortex is activated just by imaging. 23. Now granted these things don t necessarily help me answer the most common question I m asked: What designer are you wearing? What s your fitness regime? Any makeup tips? But I have never since been embarrassed to myself as what I might previously have thought was a stupid question. My Harvard degree and other awards are emblems of the experiences which led me to them. 24. The wood paneled lecture halls, the colorful fall leaves, the hot vanilla Toscaninis, reading great novels in overstuffed library chairs, running through dining halls screaming: Ooh! Ah! City steps! City steps! City steps! City steps! 25. It s easy now to romanticize my time here. But I had some very difficult times here too. 26. Some combination of being 19, dealing with my first heartbreak, taking birth control pills that have since been taken off the market for their depressive side effects, and spending too much time missing daylight during winter mouths led me to some pretty dark moments, particularly during sophomore year. 27. There were several occasions where I started crying in meetings with professors, overwhelmed with what I was supposed to pull off when I could barely get myself out of bed in the morning, moments when I took on the motto for school work. Done. Not good. If only I could finish my work, even if it took eating a jumbo pack of sour Patch Kids to get me through a single 10-page paper. I felt that I d accomplished a great feat. I repeat to myself. Done. Not good. 28. A couple of years ago, I went to Tokyo with my husband and I ate at the most remarkable sushi restaurant. I don t even eat fish. I m vegan. So that tells you how good it was. Even with just vegetables, this sushi was the stuff you dreamed about. The restaurant has six seats. My husband and I marveled at how anyone can make rice so superior to all other rice. We wondered why they didn t make a bigger restaurant and be the most popular place in town. 29. Our local friend explained to us that all the best restaurants in Tokyo are that small and do only one type of dish: sushi or tempura or teriyaki, because they want to do that thing well and beautifully. And it s not about quantity. It s about taking pleasure in the perfection and beauty of the particular. I m still learning now that it s about good and maybe never done. And the joy and work ethic and virtuosity we bring to the particular can impart a singular type of enjoyment to those we give to and of course, ourselves. 30. In my professional life, it also took me time to find my own reasons for doing my work. The first film I was in came out in Again, appallingly, the year most of you were born. I was 13 years old upon the film s release and I can still quote what the New York Times said about me verbatim. Ms. Portman poses better than she acts. The film had universally tepid critic response and went on to bomb commercially. That film was called The Professional, or Leon in Europe. 31. And today, 20 years and 35 films later, it is still the film people approach me about the most to tell me how much they loved it, how much it moved them, how it s their favorite movie. I feel lucky that my first experience of releasing a film was initially such a disaster by all standards and measures. 32. I learned early that my meaning had to be from the experience of making a film and the possibility of connecting with individuals rather than the foremost trophies in my industry: financial and critical success. And also these initial reactions could be false predictors of your work s ultimate legacy.

4 33. I started choosing only jobs that I m passionate about and from which I knew I could glean meaningful experiences. This thoroughly confused everyone around me: agents, producers, and audiences alike. 34. I made Gotya s Ghost, a foreign independent film and study our history visiting the Prado everyday for 4 months as I read about Goya and the Spanish Inquisition. I made V for Vendetta, studio action movie for which I learned everything I could about freedom fighters whom otherwise may be called terrorists. From Menachem Begin to Weather Underground, I made Your Highness, a pothead comedy with Danny McBride and laughed for 3 months straight. 35. I was able to own my meaning and not have it be determined by box office receipts or prestige. 36. By the time I got to making Black Swan, the experience was entirely my own. I felt immune to the worst things anyone could say or write about me, and to whether an audience felt like going to see my movie or not. 37. It was instructive for me to see, for ballet dancers once your technique gets to a certain level, the only thing that separates you from others is your quirks or even flaws. One ballerina was famous for how she turned slightly off balanced. 38. You can never be the best, technically. Someone will always have a higher jump or a more beautiful line. The only thing you can be the best at is developing your own self. Authoring your own experience was very much what Black Swan itself was about. 39. I worked with Darren Aronofsky, the film s director, who changed my last line in the movie to: it was perfect. My character Nina is only artistically successful when she finds perfection and pleasure for herself not when she was trying to be perfect in the eyes of others. 40. So when Black Swan was successful financially and I began receiving accolades, I felt honored and grateful to have connected with people. But the true core of my meaning, I had already established. And I needed it to be independent of people s reactions to me. 41. People told me that Black Swan was an artistic risk, a scary challenge to try to portray a professional ballet dancer. But it didn t feel like courage or daring that drew me to it. I was so oblivious to my own limits that I did things I was woefully unprepared to do. And so the very inexperience that in college had made me insecure and made me want to play by other s rules now is making me actually take risks I didn t even realize were risks. 42. When Darren asked me if I could do ballet, I told him I was basically a ballerina which, by the way, I wholeheartedly believed. When it quickly became clear that preparing for film, that I was 15 years away from being a ballerina, it made me work a million times harder and of course the magic of cinema and body doubles helped the final effect. 43. But the point is, if I had known my own limitations, I never would take of the risk. And the risk led to one of my greatest artistic personal experiences, and that I not only felt completely free, I also met my husband during the filming. 44. Similarly, I just directed my first film, A Tale of love in Darkness. I was quite blind to the challenges ahead of me. The film is a period film, completely in Hebrew, in which I also act with an eight-year-old child as a co-star. All of these are challenges I should have been terrified of as I was completely unprepared for them, but my complete ignorance to my own limitations looked like confidence and got me into the director s chair. 45. Once here, I have to figure it all out, and my belief that I could handle these things, contrary to all evidence of my ability to do so, was only half the battle. The other half was very hard work. The experience was the deepest and most meaningful one of my career.

5 46. Now clearly I m not urging you to go and perform heart surgery without the knowledge to do so! Making movies admittedly has less drastic consequences than most professions and allows for a lot of effects that make up for mistakes. The thing I m saying is, make use of the fact that you don t doubt yourself too much right now. 47. As we get older, we get more realistic, and that includes about our own abilities or lack thereof, and that realism does us no favors. People always talk about diving into things you re afraid of. That never worked for me. If I am afraid, I run away. And I would probably urge my child to do the same. Fear protects us in many ways. 48. What has served me is diving into my own obliviousness, being more confident than I should be, which everyone tends to decry American kids, and those of us who have been grade inflated and ego inflated. Well. It can be a good thing if it makes you try things you never might have tried. Your inexperience is an asset, and will allow you to think in original and unconventional way. Accept your lack of knowledge and use it as your asset. 49. I know a famous violinist who told me that he can t compose because he knows too many pieces. So when he starts thinking of a note, an existing piece immediately comes to mind. Just starting out of your biggest strengths is, not knowing how things are supposed to be. You can compose freely because your mind isn t cluttered with too many pieces. And you don t take for granted the way things are. The only way you know how to do things is your own way. 50. You here will all go on to achieve great things. There is no doubt about that. 51. Each time you set out to do something new, your inexperience can either lead you down a path where you will conform to someone else s values or you can forge your own path, even though you don t realize that s what you re doing. If your reasons are your own, your path, even if it s a strange and clumsy path, will be wholly yours, and you will control the rewards of what you do by making your internal life fulfilling. 52. At the risk of sounding like a Miss American Contestant, the most fulfilling things I ve experienced have truly been the human interactions: spending time with women in village banks in Mexico with FINCA microfinance organization, meeting young women who were the first and the only in their communities to attend secondary schools in rural Kenya with free the Children group that built sustainable schools in developing countries tracking with gorilla conservationists in Rwanda. 53. It s cliché, because it s true that helping other ends up helping you more than anyone. Getting out of your own concerns and caring about some else s life for a while, remind you that you are not the central of the universe, and that in the ways we re generous or not, we can change course of someone s life. 54. Even at work, the small feat of kindness crew members, directors, fellow actors have shown me, have had the most lasting impact. 55. And of course, first and foremost, the center of my world is the love that I share with my family and friends. I wish for you that your friends will be with you through it all as my friends from Harvard have been together since we graduated. My friends from school are still very close. 56. We ve nursed each other through heartaches and danced at each other s weddings. We ve held each other at funerals, and rocked each other s new babies. We ve worked together on projects, helped each other get jobs, and thrown parties for when we ve quit bad ones. And now our children are creating a second generation of friendship as we look at them toddling together. Haggard and disheveled working parents that we are. 57. Grab the good people around you and don t let them go. The biggest asset this school offers you is a group of peers that will both be your family and your school life. 58. I remember always being pissed at the spring here in Cambridge, tricking us into remembering a sunny yard full of laughing Frisbee throwers after 8 months of dark frigid

6 library dwelling. It was like the school had managed to turn on the good weather. As a last memory, we should keep in mind that would make us want to come back. 59. But as I got farther away my years here, I know the power of this school is much deeper than weather control. It changed the very questions that I was asking. To quote one of my favorite thinkers Abraham Joshua Hechel: To be or not to be is not the question; the vital question is how to be and how not to be. 60. Thank you! I can t wait to see how you do all the beautiful things you will do. 词汇词组 : 1. Genuine['dʒɛnjʊɪn]: 真实的, 真正的 ; 诚恳的例 :And we do have a genuine underlying problem that our debt and deficits are too big. 2. Ghost writer: 受雇代写文章的人 3. Harness['hɑrnɪs]: 利用例 :Turkey plans to harness the waters of the Tigris and Euphrates rivers for big hydroelectric power projects. 4. Carve[kɑrv] out: 开辟, 开拓例 :Website publishers however will have to go back and carve out more space for Facebook. 5. Adhere[əd'hɪr]: 依附, 粘着, 坚持例 :Similarly, they are also encouraged to adhere to treatment guidelines for a number of key conditions. 6. Trope[trop]: 比喻, 转义, 修辞 反复出现的一个主题 7. Flat-ironed: 拉直的 8. Rigor['rɪgɚ]: 严酷, 严厉, 苛刻 9. Frivolous['frɪvələs]: 无聊的, 轻佻的, 琐碎的例 :I just decided I was a bit too frivolous to be a doctor. 10. Prophecy['prɑfəsi]: 预言 11. Effigy['ɛfɪdʒi]: 雕像, 肖像例 :The parade includes the ritual burning of an effigy of King Momo, a bad spirit. 12. Trophy[trofɪ]: 奖品, 纪念品例 :The special trophy for the best rider went to Chris Read. 13. Dubious['dubɪəs]: 可疑的, 不太可靠的例 :This claim seems to us to be rather dubious. 14. Cortex['kɔrtɛks]: 皮质 ( 医学 ) 例 :cerebral cortex 大脑皮层 15. Regime[re'ʒim]: 统治, 政体 ; 文中表示养生法例 :He has a new fitness regime to strengthen his back. 16. Overstuffed['ovɚ,stʌft]: 过多的, 填充过满的例 :It piles up in our basements and cabinets, beneath our beds and in our overstuffed drawers. 17. Depressive[dɪ'prɛsɪv]: 抑郁的, 压抑的例 :a severe depressive disorder 一种严重的抑郁症 18. Marvel['mɑrvl]: 对 感到惊奇例 :Her fellow members marvelled at her seemingly infinite energy.

7 19. Verbatim[vɝ'betɪm]: 逐字的 / 地例 :The president's speeches are regularly reproduced verbatim in the state-run newspapers. 20. Instructive[ɪn'strʌktɪv]: 有益的, 有教育性的例 :The most instructive findings of the report relate to economic damages from extreme weather events. 21. Accolade['ækəled]: 荣誉, 称赞例 :The Nobel Prize has become the ultimate accolade in the sciences. 22. Oblivious[ə'blɪvɪəs]: 遗忘的, 健忘的, 不注意的例 :She lay motionless where she was, oblivious to pain. 23. Drastic['dræstɪk]: 猛烈地, 激烈的例 :Drastic measures are needed to clean up the profession. 24. Fulfilling[fʊl'fɪlɪŋ]: 令人满意的, 能实现个人抱负的例 :It is really fulfilling to have the system accepted so rapidly by the factory floor operators. 25. Haggard['hæɡɚd]: 憔悴的例 :He was pale and a bit haggard. 26. Disheveled[di'ʃevəld]: 凌乱的, 不整洁的例 :She arrived flushed and dishevelled. 重难点句 : 我们这一次就不去刻意的翻译句子了, 把重点的句型词汇讲一下 1. I have to admit primarily because I can t deny it as it was leaked in the WikiLeaks release of the Sony hack that when I was invited, I replied, and I directly quote my own , wow! This is so nice! I m gonna need some funny ghost writers. Any ideas? Primarily 这个副词表示的是主要的意思, 和 because 的意群连在一起, 主要是因为,because 是个连词, 因为, 当什么怎么样的时候, 我是不能去抵赖的 / 否认的 as 引导了一个时间状语从句, 当维基解密放出了一些东西时, 这个东西就是 release of the Sony hack, 然后 that when 等等又是这个 release 的同位语, 这个 release 就是当我被邀请的时候, 我回复说, 而且我直接用我当时的原话, 讲, 那就是, 啊, 这太棒了, 我得需要个枪手代写稿子了, 大家有什么主意么? 2. Sometimes your insecurities and your inexperience may lead you, too, to embrace other people s expectations, standards, or values. But you can harness that inexperience to carve out your own path, one that is free of the burden of knowing how things are supposed to be, a path that is defined by its own particular set of reasons. 前半句里, 你可以把 too 拿出来换成 also 放在 may 后面, 另外, 前半句中的 insecurity,inexperience,expectations,standards 还有 values 这些个名词都要知道他们的意思, 要敢去用这些抽象名词, 真正的英语高手, 我指的是作家, 他们的写作时对名词的应用是非常的到位的 Harness that inexperience to do sth, 利用这种 没有经验 来去作什么,carve out 开拓开辟的意思, 后面都是对这个 path 的补充说

8 明,one that 这是个定语从句,a path that 这也是一个定语从句 要知道 be free of sth 没有 sth 的压力, 不受 sth 的约束 3. So we bump up against a common trope I think of the commencement address people who have achieved a lot telling you that the fruits of the achievement are not always to be trusted. bump up against 通常表示的是遇到什么困难, 但在这儿我们要引申理解为遇到了什么我们所反对的东西,a common trope 中这个 trope 表示的是比喻 / 修辞这么一个概念, 但口语里我们在这儿要理解为一个反复出现的我们并不赞同的观点的意思 I think 其实是个插入语, 所以句子应该是 a common trope of the commencement address, 后面的 people who have achieved a lot. 都是这个 trope 的内容 4. The girls I went to school with had Prada bags and flat-ironed hair. And they spoke with an accent I who had moved there at age 9 from Connecticut mimicked to fit in. 前半句中核心的主语是 the girls, 后面的 I went to school with 是后置定语来修饰 the girls,flat-ironed hair, 就是拉直的头发 后半句中简化一下句式就是 they spoke with an accent I mimicked to fit in accent 本身有一个后置定语来修饰, 在这个后置定语中,i 又有一个定语来修饰就是我刚才写的这个句子和原文比较起来省区的部分 5. Some combination of being 19, dealing with my first heartbreak, taking birth control pills that have since been taken off the market for their depressive side effects, and spending too much time missing daylight during winter mouths led me to some pretty dark moments, particularly during sophomore year. 开头就是一个名词性的成分,some combination of being 19, 一些作为 19 岁的集合症状, 后面的 V-ing 开头引导的句子都是 led me to 的主语, 其中第二个并列, taking birth control pills that have since been taken off the market for their depressive side effects, 简化一下就是 taking birth control pills, 后面的 that 是后置定语来修饰这个 pills 的, 而后置定语中的 for their depressive side effects 是表原因的, 真是因为他们有让人抑郁的副作用才被市场下架的,be taken off the market 6. I was 13 years old upon the film s release and I can still quote what the New York Times said about me verbatim. And 前面的 upon 表示在那个时候, 另一个点就是 verbatim 这个单词, 它既可以做形容词也可以作副词, 表示的是逐字的 / 地 7. People told me that Black Swan was an artistic risk, a scary challenge to try to portray a professional ballet dancer. But it didn t feel like courage or daring that drew me to it. I was so oblivious to my own limits that I did things I was woefully unprepared to do. 前半句没有难度,a scary challenge to try to portray a professional ballet dancer 来进一步解释这个 risk 是什么, 但是第二句中的 that drew me to it 是后置定语来修饰 courage or daring, 理解过来就是, 其实并不是勇气或者胆量让我去做这件事儿的, draw sb to sth, 把什么引导什么,I was so oblivious to my own limits, 我完全忽略了我的限制 / 弱项,that 引导了一个同位语从句, 来说明这个 limits 是什么东西,I did things I was woefully unprepared to do. 我做了一些我很悲哀的并没有准备好做的事, 有点儿绕口, 大家理解一下

9 8. I know a famous violinist who told me that he can t compose because he knows too many pieces. So when he starts thinking of a note, an existing piece immediately comes to mind. Just starting out of your biggest strengths is, not knowing how things are supposed to be. You can compose freely because your mind isn t cluttered with too many pieces. And you don t take for granted the way things are. The only way you know how to do things is your own way. 这一段写得非常好, 建议大家背会, 并且讲话的时候可以随时装逼似的脱口而出, 用于去开导别人很实用的 第三句,just starting out of your biggest strengths is, 这句的开头不太好理解, 它翻译起来会比较麻烦, 表示利用你最大的优势, 怎么利用呢, 就是 not knowing, 无知者无畏讲的就是这个道理,things are supposed to be, 事情本应该有的样子, 也就是大家给你的限制, 常规的条条框框 后面的 because your mind isn t cluttered with too many pieces, 因为你的大脑没有被这无数的一段段乐章阻塞,clutter 这个词特别好, 要会用要敢用 Take for granted the things are, 就理所当然的觉得事儿就是这个样子,take for granted, 这个词组很好 9. Haggard and disheveled working parents that we are. 这个短语就是一个名词性成分, 因为是演讲, 口语性的成分很多 Haggard 和 disheveled 这两个形容词超级棒 haggard 表示憔悴的,disheveled 表示不整洁的, 凌乱的, 我们就是这样的父母 10. To quote one of my favorite thinkers Abraham Joshua Hechel: To be or not to be is not the question; the vital question is how to be and how not to be. 同样的, 这个句子也不难, 但它是个装逼利器, 要背会啊, 下次别人再跟你说莎士比亚的时候, 你就可以这么跟他聊了, 另外要提到的是,vital 这个词, 他表示致命的, 极其重要的意思