PAPER-III COMPARATIVE LITERATURE. Roll No.
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- Amberly Atkinson
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1 Signature and Name of Invigilator 1. (Signature) (Name) 2. (Signature) (Name) 7 2 J 1 4 PAPER-III COMPARATIVE LITERATURE OMR Sheet No. :... (To be filled by the Candidate) Roll No. (In figures as per admission card) Roll No. (In words) Time : 2 1 / 2 hours] [Maximum Marks : 150 Number of Pages in this Booklet : 16 Number of Questions in this Booklet : 75 Instructions for the Candidates Ö üßõööù ÖµÖÖë Ûêú»Ö Ö ìü Ö 1. Write your roll number in the space provided on the top of 1. ÃÖ Öéšü Ûêú ú Ö ü ÖµÖŸÖ Ã ÖÖ Ö Ö ü Ö ÖÖ üöê»ö Ö ²Ö ü»ö ÜÖ this page. 2. ÃÖ ÖÏ Ö- Ö Ö Öë Ö ÖÆü Ö ü ²ÖÆãü ¾ÖÛú» ÖßµÖ ÖÏ Ö Æïü 2. This paper consists of seventy five multiple-choice type of 3. Ö üßõöö ÖÏÖ ü ³Ö ÆüÖê Öê Ö ü, ÖÏ Ö- Öã ßÖÛúÖ Ö ÖÛúÖê êü üß ÖÖµÖêÝÖß ÖÆü»Öê questions. ÖÖÑ Ö Ö Ö ü Ö ÖÛúÖê ÖÏ Ö- Öã ßÖÛúÖ ÜÖÖê»Ö Öê ŸÖ ÖÖ ˆÃÖÛúß Ö Ö»Ö ÜÖŸÖ 3. At the commencement of examination, the question booklet ÖÖÑ Ö Ûêú»Ö üµöê ÖÖµÖëÝÖê, ÖÃÖÛúß ÖÖÑ Ö Ö ÖÛúÖê ¾Ö µö Ûú ü Öß Æîü : will be given to you. 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2 All questions are compulsory. 1. Bride and Prejudice, a Bollywood-style adaptation of Pride and Prejudice released in 2004 and directed by (A) Shekhar Kapoor (B) Gurinder Chadha Deepa Mehta (D) Mira Nair 2. The critic who held the view that what we might call the epic, lyric and dramatic world-view actually had to occur in the particular succession indicated, determined by the ever greater development of individualism, is (A) Schlegel (B) Staiger Schmidt (D) Vesclovsky 3. In Tejaswini Niranjana s work, what is the central intersection of translation studies and post colonial studies? (A) The concept of in-betweeness (B) The hybrid use of the language of the coloniser and the colonised The articulation of gendered identities (D) Power relations expressed through the image of the colonial subject 4. Which two of the following scholars saw the origin of Greek tragedy in terms of social and cultural evolution? I. Jane Harrison II. A.W. Pickard-Cambridge III. George Thomson IV. H.D.F. Kitto The correct combination according to the code is (A) I and II are correct. (B) II and IV are correct. I and III are correct. (D) I and IV are correct. 5. Who among the following coined the term White Mythology? (A) Barthes (B) Foucault Derrida (D) Fanon COMPARATIVE LITERATURE Paper III Note : This paper contains seventy five (75) objective type questions of two (2) marks each. 6. A number of pathbreaking Dalit writers work have been published since the 1970s and translated over the last decades. Two of them are named below : I. Namdeo Dhasal II. Bama III. Rajendra Prasad Singh IV. Jogendranath Mandal The correct combination according to the code is (A) I and IV are correct. (B) I and II are correct. II and III are correct. (D) II and IV are correct. 7. Who among the following poets has suggested that poetry is what gets lost in translation? (A) Mathew Arnold (B) Charles Baudelaire Robert Frost (D) R.N. Tagore 8. The critic who feels that what we need to argue against is a universal geology that by the slieght of hegemony, may turn out to be European or Western genology is (A) Amiya Dev (B) Nagendra Chellappan (D) Sisir Kumar Das 9. Who among the following poets has written a number of poems about music? (A) Osip Mandelstam (B) Peter Porter Dereh Walcott (D) Seamus Heaney Paper-III 2 J-72-14
3 ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ ÖÏ Ö Ö Ö III ÃÖæ Ö ÖÖ : ÃÖ ÖÏ Ö Ö Ö Öë Ö ÖÆü Ö ü (75) ²ÖÆãü- ¾ÖÛú» ÖßµÖ ÖÏ Ö Æïü ÖÏŸµÖêÛú ÖÏ Ö Ûêú üöê (2) ÓÛú Æïü ÃÖ³Öß ÖÏ Ö Ö¾ÖÖµÖÔ Æïü 1. ¾ÖÂÖÔ 2004 Öë ü»öß ÖÌ Ûúß ÝÖ Ô ±ú» Ö ²ÖÎÖ ü Þ ü ÖÏê Öã üãö ÖÖê ÖÏÖ ü Þ ü ÖÏê Öã üãö ÛúÖ ²ÖÖò»Öß¾Öã ü Öî»Öß Öë ¹ý ÖÖ ŸÖ ü Æîü, ÛúÃÖ Öê Ö ìü ÖŸÖ Ûúß Æîü? (A) ÖêÜÖ ü Ûú Öæ ü (B) ÝÖã ü ü ü Ö ËüœüÖ üß ÖÖ ÖêÆüŸÖÖ (D) Öß üö ÖÖµÖ ü 2. ÛúÃÖ Ö»ÖÖê ÖÛú Öê µöæü ¾Ö ÖÖ ü ÖÏÛú ü ÛúµÖÖ ÖÖ Ûú ÖÃÖê Æü Ö ÖÆüÖÛúÖ¾µÖÖŸ ÖÛú, ÝÖߟÖÖŸ ÖÛú Öî ü ÖÖ üûúöÿ ÖÛú ¾Ö ¾Ö- ü  ü ÛúÆü ÃÖÛúŸÖê Æïü, ˆÃÖê ¾ÖÖÃŸÖ¾Ö Öë ¾µÖ ŒŸÖ¾ÖÖ ü Ûêú ³ÖæŸÖ Öæ¾ÖÔ ²ÖéÆü Ö ü ¾ÖÛúÖÃÖ «üö üö Ó ÝÖŸÖ Öî ü Ö ÖÖÔ üÿö ¾Ö Ö ü ¾Ö üöãöÿö Öë Ö üÿö ÆüÖê ÖÖ ÆüÖêŸÖÖ Æîü? (A)»ÖêÝÖê»Ö (B) à êüýö ü Ö ü (D) ¾ÖêÃŒ»ÖÖê¾ÖÃÛúß 3. ŸÖê Ö Ã¾Ö Öß Ö Óü Ö ÖÖ Ûúß Ûéú ŸÖ Öë, Öã¾ÖÖ ü µöµö ÖÖë Öî ü ˆ Ö ü-ˆ Ö Ö¾Öê ÖßµÖ µöµö ÖÖë ÛúÖ Ûëú üßµö Ö»Ö Ö-Ã Ö»Ö ŒµÖÖ Æîü? (A) üöê ÖÖë Ûêú ²Öß Ö ÆüÖê Öê Ûúß ÃÖÓÛú» Ö ÖÖ (B) ˆ Ö Ö¾Öê ÖÛú Öî ü ˆ Ö Ö¾Öê ÖŸÖ Ûúß ³ÖÖÂÖÖ ÛúÖ ÃÖÓÛú ü ˆ ÖµÖÖêÝÖ Ø»ÖÝÖ- Ö üöê ÖŸÖ ÖÆü ÖÖ Ö Ûúß ³Ö¾µÖ ŒŸÖ (D) ˆ Ö Ö¾Öê ÖßµÖ ¾µÖ ŒŸÖ Ûúß û ¾Ö Ûêú «üö üö ³Ö¾µÖŒŸÖ Ö ŒŸÖ ÃÖ ²Ö Ö 4. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê Ûú Ö üöê ¾Ö«üÖ ÖÖë Öê µöæ ÖÖ Öß ÖÖÃÖ üß Ûêú ˆ Ëü³Ö¾Ö ÛúÖê ÃÖÖ ÖÖ ÖÛú Öî ü ÃÖÖÓÃÛéú ŸÖÛú ÛÎú Ö ¾ÖÛúÖÃÖ Ûêú ºþ Ö Öë êüüöö ÖÖ? I. Öê Ö Æîü üßãö Ö II.. ü²»µöæ. ÖÛú Ôü Ûïú ²ÖÎ Ö III. ÖÖò ÖÔ ÖÖê ÖÃÖ Ö IV. Ö. üß. ±ú. Ûú¼üÖê ÛúÖê ü Ûêú ÖãÃÖÖ ü ÃÖÆüß ÃÖÓµÖÖê Ö Ö Æîü : (A) I Öî ü II ÃÖÆüß Æïü (B) II Öî ü IV ÃÖÆüß Æïü I Öî ü III ÃÖÆüß Æïü (D) I Öî ü IV ÃÖÆüß Æïü 5. ¾ÆüÖ ü ÖÖ ÖÖò»ÖÖî Öß ( ¾ÖêŸÖ Ö ÖÛú ÖÖà Ö) ÛúÖ Ö² ü ÛúÃÖ Öê ÖÏ ŸÖ ÖÖ üÿö ÛúµÖÖ Æîü? (A) ²ÖÖ ÖìÃÖ (B) ±æúûúöò» ü êü ü üö (D) ±êú ÖÖò Ö Ûêú ü ÖÛú ÃÖê ÖêÛú Ö Ö-³ÖÓ ÖÛú ü»öÿö»öêüöûúöë Ûúß ü Ö ÖÖ Ñ ÖÏÛúÖ ÖŸÖ ÆüÖêŸÖß üæüß Æïü Öî ü Ö û»öê ü ÖÛúÖë ÃÖê Öã¾ÖÖ üÿö Ûúß ÖÖŸÖß üæüß Æïü Ö Öë ÃÖê üöê Ûêú ÖÖ Ö Öß Öê üµöê ÝÖ Æïü : I. ÖÖ Ö êü¾ö ÖÖÃÖ»Ö II. ²ÖÖ ÖÖ III. üö Öê ü ÖÏÃÖÖ ü ØÃÖÆü IV. ÖÖêÝÖê ü ÖÖ Ö ÖÓ ü»ö ÛúÖê ü Ûêú ÖãÃÖÖ ü ÃÖÆüß ÃÖÓµÖÖê Ö Ö Æîü : (A) I ŸÖ ÖÖü IV ÃÖÆüß Æïü (B) I ŸÖ ÖÖ II ÃÖÆüß Æïü II ŸÖ ÖÖü III ÃÖÆüß Æïü (D) II ŸÖ ÖÖü IV ÃÖÆüß Æïü 7. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Öê µöæü ÃÖã ÖÖ¾Ö üµöö Æîü Ûú Öã¾ÖÖ ü Öë ÖÖê Ûãú û»öã ŸÖ ÆüÖê ÖÖŸÖÖ Æîü ¾ÖÆüß Ûú ¾ÖŸÖÖ Æîü? (A) Öî µöæ ÖÖÔ» ü (B) ÖÖ»ÃÖÔ ²ÖÖò ü»öêµö ü üö²ö Ôü ±ÏúÖòà ü (D) Ö ü. Ö. îüýööê ü 8. ¾ÖÆü Ö»ÖÖê ÖÛú ÛúÖî Ö Æïü ÖÖê ÖÖ ÖŸÖÖ Æîü Ûú ¾Ö üöê Ö Öë ŸÖÛÔú êü Öê Ûêú»Ö Æü Öë êãöê ÃÖÖ¾ÖÔ³ÖÖî ÖÛú Ö Öê»ÖÖò Öß Ûúß Ö¾Ö µöûúÿöö Æîü ÖÖê ÖϳÖ㟾Ö- ÛúÖî Ö»Ö «üö üö µöæ üöê ÖßµÖ µöö ÖÖ ÖÖŸµÖ Ö ÖÖê»ÖÖò Öß Öë ²Ö ü»ö ÃÖÛúŸÖÖ Æîü? (A) ÖµÖ êü¾ö (B) ÖÖÝÖê ü Öê»Ö Ö Ö (D) Ö Ö ü Ûãú ÖÖ ü üöãö 9. ÃÖÓÝÖßŸÖ Ûêú ²ÖÖ êü Öë ²ÖÆãüŸÖ ÃÖß Ûú ¾ÖŸÖÖ Ñ Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Ûú ¾Ö Öê»ÖÜÖß Æîü? (A) Öò ÃÖ Ö Öë ü»öã üö Ö (B) Öß ü ü ÖÖê Ôü ü êü êüæü ¾ÖÖ»ÖÛúÖò ü (D) ÃÖß ÖÃÖ Æüß Öß J Paper-III
4 10. Which of the following genres provides ample instances of productive use by women writers? (A) Tragedy (B) Mock-heroic Autobiography (D) Limeric 11. Translation, according to one of the following critics, puts the original in motion to decanonize it, giving it movement of fragmentation, a wandering of errance, a kind of permanent exile. Identify the critic. (A) Paul de Man (B) Jacques Derrida Susan Bassnett (D) Walter Benjamin 12. New Literary History, the journal which contributed to a new practice of writing history was founded by (A) Dominick La Capra (B) Jonathan Arac Ralph Cohen (D) Herbert Grabes 13. The mapping of modern Indian languages through Western theoretical framework was begun by (A) Ramachandra Shukla (B) William Jones George Grierson (D) Max Muller 14. Who among the following has persistently raised questions regarding translation as a feminist practice? (A) Sherry Simon (B) Carol Maier Julia Kristeva (D) Gayatri Spivak 15. With regard to periodization in literary history, who among the following says that we require the concept of a unified period in order to deny it, and thus make apparent the particularity, local difference, heterogeneity, fluctuation, discontinuity and strife that are now preferred categories for understanding any moment of the past? (A) Asjorn Aarseth (B) Lawrence Besserman David Perkins (D) Frederic Jameson 16. The following scholars are associated with the polysystem theory : Names of Scholars I. Robert Estivals II. Itamar Evan Zohar III. Gidron Toury IV. Niklas Luhmann The correct combination according to the code is (A) I and II are correct. (B) II and IV are correct. II and III are correct. (D) III and IV are correct. 17. The comparative literature discipline grew out of the age old tension between the conservatives and the progressives and the resultant dialectic of imitation and originality in (A) France (B) Germany Italy (D) England 18. The politics of Post-colonial Translation is an essay by (A) Harish Trivedi (B) Ananda Lal C.J.V. Prasad (D) Gayatri Chakravorty Spivak 19. The three-fold division of history carried over from the European political history into Indian literary history is inadequate for Indian literary historiography because (A) it assumes the existence of feudalism disputed by many scholars (B) it looks at classical languages Paper-III 4 J only it assumes an excessive degree of temporal unity across India (D) it ignores the Perso-Arabic tradition 20. Who among the following theorists has dwelt on the ethnocentric violence of translation? (A) Theo Hermans (B) Lawrence Venuti Andre Lefevère (D) Gideon Toury
5 10. Ö Æü»ÖÖ»ÖêÜÖÛúÖë «üö üö Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ ¾Ö ÖÖ Öë ÃÖÖ ÆüŸµÖ ÃÖé Ö Ö Ûêú ÖÏ Öã ü ˆ üöæü üþö Ö»ÖŸÖê Æïü? (A) ÖÖÃÖ üß (B) ¾µÖÓݵÖ-¾Öß üûúö¾µö Öß¾Ö Öß (D) ŸÖ㌟ÖÛú 11. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Ö»ÖÖê ÖÛú Öê Öã¾ÖÖ ü Ûêú ²ÖÖ êü Öë µöæü ÛúÆüÖ Æîü : Öã ËüÃÖ ü Öê ü Ö Ö»Ö Ö ÖÖê Ö Ö æü üûîú ÖÖê ÖÖ Ö ü, ÝÖؾÖÝÖ ü Öæ¾Ö Öë ü Öò±ú ±ÏîúÝ ÖêÞ êü Ö Ö, Ûú ¾ÖÖÓ üø üýö Öò±ú üöóãö, ÛúÖ Ó ü Öò±ú Ö ü ÖÖ Öë ü ŒÃÖÖ»Ö (A) ÖÖò»Ö üß Öî Ö (B) ÖÖêÃÖ êü üß üö ÃÖãÃÖ Ö ²ÖîÃÖ Öê ü (D) ¾ÖÖò» ü ü ²Öë ÖÖ Ö Ö 12. µöæ»ö ü ü üß Æüà Òüß ÖßÂÖÔÛú Ö ÖÛúÖ ÖÃÖ Öê ÃÖÖ ÆüŸµÖ- ŸÖÆüÖÃÖ»ÖêÜÖ Ö Öë Ö Ô Ö»Ö Ö Öë µööêýö üö Ö ÛúµÖÖ Æîü, Ûúß Ã ÖÖ Ö ÖÖ ÛúÃÖÛêú «üö üö Ûúß ÝÖ Ô? (A) üöò Ö ÖÛú»ÖÖ ÛúÖ ÖÏê (B) ÖÖê ÖÖ Ö Ö îüûú üö»±ú ÛúÖêÆêü Ö (D) Æü²ÖÔ Ôü ÝÖÏê²ÃÖ 13. ÖÖ ÖÖŸµÖ ÃÖî üö ŸÖÛú ±Ïêú Ö¾ÖÛÔú Ö ü Ö Öã ÖÛú ³ÖÖ üÿößµö ³ÖÖÂÖÖ Öë Ûêú ÖÖ Ö Ö ÖÞÖ Ûúß Öãºþ ÖŸÖ ÛúÃÖÛêú «üö üö Ûúß ÝÖ Ô? (A) üö Ö Ö ü ÖãŒ»Ö (B) ¾Ö»ÖµÖ Ö ÖÖê ÃÖ ÖÖ ÖÔ ÝÖϵÖÃÖÔ Ö (D) ÖîŒÃÖ Öæ»Ö ü 14. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Öê Öã¾ÖÖ ü ÛúÖê à ֵÖÖê ÖŸÖ ÛúÖµÖÔ ÛúÆüÛú ü ÖêÛú ÖÏ Ö»ÖÝÖÖŸÖÖ ü ˆšüÖ Öê? (A) Öê üß ÃÖ ÖÖê Ö (B) Ûîú üöê»ö ÖÖµÖ ü Öæ»ÖµÖÖ ÛéúßÖê¾Ö (D) ÝÖÖµÖ Öß Ã Öß¾ÖÖÛú 15. ÃÖÖ ÆüŸµÖ- ŸÖÆüÖÃÖ Ûêú ÛúÖ»Ö ¾Ö³ÖÖ Ö Ö Ûêú ÃÖÓ²ÖÓ Ö Öë µöæü ÛúÃÖÛúÖ Ûú Ö Ö Æîü Ûú ÃÖê ÖÛúÖ ü Öê Ûêú»Ö Æü Öë ÛúßÛéúŸÖ ÛúÖ»Ö Ûúß ¾Ö ÖÖ üþöö Ûúß Ö¾Ö µöûúÿöö Æîü Öî ü ÃÖ»Ö ˆÃÖ ¾Ö Ö üÿöö, à ÖÖ ÖßµÖ ¾Ö³Öê ü, ¾ÖÂÖ ÖŸÖÖ, ˆŸÖÖ ü- ÖœÌüÖ¾Ö, ¾Ö û ÖŸÖÖ Öî ü ÃÖÓ ÖÂÖÔ ÛúÖê à Ö ü ²Ö ÖÖ Öê Ûúß Ö¾Ö µöûúÿöö Æîü ÖÖê ³ÖæŸÖÛúÖ»Ö Ûêú ÛúÃÖß ÃÖ ÖµÖ ÛúÖê ÃÖ Ö Ö Öê Ûêú»Ö ¾Ö üßµö ÛúÖê üµööñ Æïü? (A) ÃÖ ÖÖê ÖÔ ÖÃÖìšü (B)»ÖÖ ëüãö ²ÖêÃÖ ü Öî Ö êü ¾Ö ü ÖÚÛúÃÖ (D) ±Ïêú ü üûú Öê ÖÃÖ Ö 16. Ö Ö»Ö ÜÖŸÖ ¾Ö«üÖ Ö ²ÖÆãü¾µÖ¾Öà ÖÖ ÃÖ üö ŸÖ ÃÖê ÃÖÓ²Ö ü Æïü : ¾Ö«üÖ Ö ÛúÖ ÖÖ Ö I. üö²ö Ôü à ü¾öö»ãö II. ŸÖÖ Ö ü ¾ÖÖ Ö ÖÖêÆü ü III. ÝÖ ÒüÖê Ö üöî üß IV. ÖŒ»ÖÖÃÖ»Öã Öî Ö ÛúÖê ü Ûêú ÖãÃÖÖ ü ÃÖÆüß ÃÖÓµÖÖê Ö Ö Æîü : (A) I Öî üü II ÃÖÆüß Æïü (B) II Öî ü IV ÃÖÆüß Æïü II Öî ü III ÃÖÆüß Æïü (D) III Öî ü IV ÃÖÆüß Æïü 17. ¹ý œìü¾öö üµööë Öî ü ÖÏÝÖ ŸÖ Ö߻֟ÖÖ¾ÖÖ üµööë Ûêú ²Öß Ö ÃÖ üµööë ÃÖê Ö»Öß Ö üæüß Ö²Ö Ö Öî ü ÃÖÛêú ±ú»öã¾öºþ Ö ÖãÛú üþö Öî ü ÖÖî»ÖÛúŸÖÖ Ûêú ÜÖÓ ü Ö- ÖÓ ü Ö Ûêú ÛúÖ üþö Öë ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ ÖÖ Ö ÖÖÜÖÖ ÛúÖ ˆ Ëü³Ö¾Ö Æãü Ö (A) ±ÏúÖÓÃÖ (B) Ö ÖÔ Öß ü»öß (D) ÓÝÖ»Öï ü 18. ü ÖÖ»Ö üœãö Öò±ú ÖÖêà ü-ûúöê»ööê ÖµÖ»Ö ÒüÖÓÃÖ»Öê Ö Ö ÖßÂÖÔÛú Ö²ÖÓ Ö ÛúÃÖ Öê»ÖÜÖÖ Æîü? (A) Æü üß Ö Ö¾Öê üß (B) Ö Ö ü»öö»ö ÃÖß. Öê.¾Öß. ÖÏÃÖÖ ü (D) ÝÖÖµÖ Öß ÖÛÎú¾ÖŸÖá à Öß¾ÖÖÛú 19. µöæ üöê ÖßµÖ üö Ö Öß ŸÖÛú ŸÖÆüÖÃÖ ÃÖê ³ÖÖ üÿößµö ÃÖÖ ÆüŸµÖ Ûêú ŸÖÆüÖÃÖ Öë»Öê ÖµÖÖ ÝÖµÖÖ ŸÖÆüÖÃÖ ÛúÖ ŸÖß Ö ÖÏÛúÖ ü ÛúÖ ¾Ö³ÖÖ Ö Ö ³ÖÖ üÿößµö ÃÖÖ ÆüŸµÖ- ŸÖÆüÖÃÖ»ÖêÜÖ Ö Ûêú»Ö ÖµÖÖÔ ŸÖ ÖÆüà Æîü ŒµÖÖë Ûú : (A) µöæü ÖêÛú ¾Ö«üÖ ÖÖë «üö üö ¾Ö¾ÖÖ üÿö ÃÖÖ ÖÓŸÖ¾ÖÖ ü Ûêú ß֟¾Ö ÛúÖê ÖÖ ÖŸÖÖ Æîü (B) µöæü Ûêú¾Ö»Ö ÖÖà ÖßµÖ ³ÖÖÂÖÖ Öë Ö ü J Paper-III Ö ÁÖŸÖ Æîü µöæü Öæ êü ³ÖÖ üÿö Öë ÛúÖ»ÖÖ ÁÖŸÖ ÛúŸÖÖ Ûúß ÖÛú ÖÖ ÖÖ Öë Ûú» Ö ÖÖ Ûú üÿöö Æîü (D) µöæü ±úö üãöß- ü²öß Ö ü Ö üö Ûúß ˆ ÖêõÖÖ Ûú üÿöö Æîü 20. Ö Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ ÃÖ üö ŸÖ ÖÖà Öß Öê Ö ÖÖêÃÖë ÒüÛú ¾ÖÖµÖ»ÖëÃÖ Öò±ú ÒüÖÓÃÖ»Öê Ö Ö ( Öã¾ÖÖ ü ÛúÖ Öé ÖÖŸÖßµÖ Ö üûú ÖÔ Öë ŸÖÖê Ìü Ö üöê Ìü Ûú ü ÖÖ) ÛúÖ ¾ÖÞÖÔ Ö ÛúµÖÖ Æîü? (A) Ö Öê Æü ÖÔ ÃÖ (B)»ÖÖò ëüãö ¾Öê ÖãŸÖß ÖÓ êü»öê±êú¾öîê (D) ÝÖ ü Öê Ö üöî üß
6 21. In his prologue to A History of Indian Literature : , Sisir Kumar Das uses the term Sahitya by stressing its (A) Sense of Literariness (B) Sense of Communality Sense of Aesthetic pleasure (D) Sense of Unity 22. The critic who condemned the whole enterprise of literary relations and influences as irremediably vitiated by an unreflecting positivism is (A) Anna Balakian (B) Van Tieghem Harry Levin (D) René Wellek 23. One of the first important feminist studies of D.H. Lawrence s work was carried out by (A) Kate Millett in Sexual Politics (B) Christopher Caudwell in Studies in a Dying culture Eva Figes in Tragedy and Social Evolution (D) Juliet Mitchell in Woman s Estate 24. Little narratives, according to Lyotard, (A) are self-legitimating (B) follow scientific logic negate differences (D) rule out the incommensurable 25. According to whom a period in literary history has been defined as a time section dominated by a system of norms, whose introduction, spread and diversification, integration and disappearance can be traced? (A) Harry Levin (B) Jean Braisiere René Wellek (D) Andre Jolles 26. The argument that in cross cultural literary transmission, the hospitable elements of the receiving culture are as important as the elements of the donor culture, has been made by (A) Jauss (B) De Zepetnek Durisin (D) Iser 27. That there can be several literary analogies or parallels in which there has been no contact or direct influence has been pointed out by (A) C.L. Wren (B) V.M. Zhirmunsky J.R.R. Tolkien (D) F. Schiller 28. Who among the Indian comparatists first stressed that the term Comparative Literature tended to ignore seventy percent of India s population, who depended on orality? (A) Nabaneeta Dev Sen (B) Chellappan Ayyappa Panikkar (D) Swapan Majumdar 29. The Gothic novel influenced which of the following genres? (A) Cold War Thrillers (B) Horror fiction Detective fiction (D) Inspirational fiction 30. Among the following who was the Hindi poet with the greatest influence of Rabindranath on him? (A) Harivansh Rai Bachchan (B) Maithili Sharan Gupt Suryakant Tripathi Nirala (D) Ramdhari Singh Dinkar 31. Comparative Literature : Where have we been, where are we now, where are we going, and do we want to go there is a recent book on comparative literature by (A) Gayatri Chakravorty Spivak (B) Steven Sondrup Dorothy Figueira (D) Haun Saussy Paper-III 6 J-72-14
7 21. Ö Öß ÖãßÖÛú Æüà Òüß Öò±ú Ó üµö Ö»Ö ü êü Ö ü : Ûúß ³Öæ ÖÛúÖ Öë Ö Ö ü Ûãú ÖÖ ü üöãö Öê ÃÖÖ ÆüŸµÖ Ö ü ÛúÖ ÖϵÖÖêÝÖ ÃÖÛêú Ö ü ²Ö»Ö êüûú ü ÛúµÖÖ Æîü (A) ÃÖÖ Æü ŸµÖÛúŸÖÖ ÛúÖ ³ÖÖ¾Ö (B) ÃÖÖ Öã üö µöûúÿöö ÛúÖ ³ÖÖ¾Ö ÃÖÖï üµöô Ö üûú Ö ÖÓ ü ÛúÖ ³ÖÖ¾Ö (D) ÛúŸÖÖ ÛúÖ ³ÖÖ¾Ö 22. ÃÖÖ Æü ŸµÖÛú ÃÖ ²Ö ÖÖë Öî ü ÖϳÖÖ¾ÖÖë Ûêú ÃÖ ÖæÞÖÔ ˆª Ö ÛúÖê, Ö üö¾öÿöá (µöö ÖÏ ŸÖ ²Ö ²ÖÛú) ÖÏŸµÖõÖ¾ÖÖ ü «üö üö ÃÖÖ µö ºþ Ö ÃÖê ¾ÖÛéúŸÖ ÛúµÖê ÝÖ ºþ Ö Öë ÛúÃÖ Ö»ÖÖê ÖÛú Öê ü ü ÛúµÖÖ Æîü? (A) ÖÖ ²ÖÖ»Ö ÛúµÖÖÓ (B) ¾Öî Ö üß Ö Ö Æêü üß»öê ¾Ö Ö (D) êü Öê ¾Öî»ÖêÛú 23. üß. Ö.»ÖÖò ëüãö Ûúß Ûéú ŸÖµÖÖë Öë ÃÖê ÖÏ Ö Ö ÖÆü ¾Ö ÖæÞÖÔ ÖÖ üß¾öö üß µöµö Ö ÛúÖê Ö Ö»Ö ÜÖŸÖ Ûêú «üö üö Öæ üö ÛúµÖÖ ÝÖµÖÖ Æîü : (A) ÃÖîŒÃÖã»Ö ÖÖê»Ö üœãö Öë Ûêú ü Ö»»Öê ü (B) à Ëü üßãö Ö üö ÓÝÖ Ûú» Ö ü Öë ÛÎúà üöê±ú ü ÛúÖò ü¾öî»ö Òîü Ö üß Þ ü ÃÖÖê Ö»Ö ¾ÖÖê»Öæ Ö Ö Öë ¾ÖÖ ±ú ÖêÃÖ (D) ¾Öæ Öê Ö ÃÖ Ã êü ü Öë Öæ»ÖµÖ ü Ö Öê»Ö 24.»ÖµÖÖê üö Ôü Ûêú ÖãÃÖÖ ü,»ö¼ü»ö Ö êü ü¾ãö (A) þÖ-¾Öî ÖŸÖÖ¾ÖÖ üß ÆüÖêŸÖê Æïü (B) ¾Öî ÖÖ ÖÛú ŸÖÛÔú ÛúÖ ÖÖ»Ö Ö Ûú üÿöê Æïü ³Ö ÖŸÖÖ Öë ÛúÖê ÖÛúÖ üÿöê Æïü (D) ŸÖã»Ö ÖßµÖ ÛúÖê ÖÛúÖ»Ö êüÿöê Æïü 25. ÛúÃÖÛêú ÖãÃÖÖ ü, ÃÖÖ Æü ŸµÖÛú ŸÖÆüÖÃÖ Öë Ûú µöãýö ÛúÖê Ûú ÃÖ ÖµÖ ÜÖÓ ü Ûêú ºþ Ö Öë Ö ü³öö ÂÖŸÖ ÛúµÖÖ ÝÖµÖÖ Æîü ÖÃÖ Ö ü ÖÖ ÖÛúÖë Ûúß ¾µÖ¾Öà ÖÖ ÛúÖ ÖϳÖãŸ¾Ö Æîü, ÖÃÖÛêú ÖÖ»Öæ ÆüÖê Öê ÃÖê, ±îú»öö¾ö µöö ÖÏÃÖÖ ü, ÛúßÛú üþö Öî ü ¾Ö»Öã ŸÖßÛú üþö ÛúÖ ÖŸÖÖ»ÖÝÖÖµÖÖ ÖÖ ÃÖÛúŸÖÖ Æîü? (A) Æêü üß»öê ¾Ö Ö (B) Öß Ö ²ÖÎê ÃÖµÖ ü êü Öê ¾Öî»ÖêÛú (D) ÖÓ êü ÖÖî»ÃÖ 26. µöæü ŸÖÛÔú Ûú µööê µö ÃÖÖÓÃÛéú ŸÖÛú ÃÖÖ Æü ŸµÖÛú ÃÖÓ Ö üþö Öë, ³ÖÝÖÏÖÆüß ÃÖÓÃÛéú ŸÖ Ûêú ÃÖŸÛúÖ ü Öᯙ ŸÖŸ¾Ö ˆŸÖ Öê Æüß ÖÆüŸ¾Ö ÖæÞÖÔ ÆüÖêŸÖê Æïü ÖŸÖ Öê Ûú üöÿöö ÃÖÓÃÛéú ŸÖ Ûêú, ÛúÃÖÛúÖ Æîü? (A) ÖÖîÃÖ (B) üß Öê Öê ü ÖêÛú æü üßãöß Ö (D) Ö ÃÖ ü 27. µöæü ŸÖ µö Ûú ²ÖÆãüŸÖ ÃÖß ÃÖÖ Æü ŸµÖÛú ÃÖÖ ü µöÿöö Ñ µöö ÃÖ ÖÛúõÖŸÖÖ Ñ Æïü Ö Ö Öë ÛúÖê Ô ÃÖ ÖÛÔú µöö ÖÏŸµÖõÖ ÖϳÖÖ¾Ö ÖÆüà üæüö Æîü ÛúÃÖ Öê ²ÖŸÖÖµÖÖ Æîü? (A) ÃÖß.»Ö. êü Ö (B) ¾Öß. Ö. ÖÌß ü ÖÓÃÛúß Öê. Ö ü. Ö ü. üöò»ö ÛúµÖÖÓ (D) ±ú. Öᯙ ü 28. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ ³ÖÖ üÿößµö ŸÖã»Ö ÖÖ ÖÖà Öß Öê ÃÖ²ÖÃÖê ÖÆü»Öê ÃÖ ²ÖÖŸÖ Ö ü ²Ö»Ö üµöö Ûú ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ Ö ü Ö ÖÃÖÓܵÖÖ Ûêú ÃÖ Ö ü ÖÏ ŸÖ ÖŸÖ ÆüÃÃÖê Ûúß ˆ ÖêõÖÖ Ûú üÿöö ÖÏŸÖßŸÖ ÆüÖêŸÖÖ Æîü, ÖÖê ÖÖî ÜÖÛú Ö ü Ö üö Ö ü Ö³ÖÔ ü Öê (A) Ö¾Ö ÖߟÖÖ êü¾ö ÃÖê Ö (B) Öê»Ö Ö Ö µö ÖÖ Ö ÞÖÛú ü (D) Ã¾Ö Ö Ö Ö Öã Ö üö ü 29. ÝÖÖò ÖÛú ˆ Ö µööãö Öë Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ ÖÏÛúÖ ü ÛúÖê ÖϳÖÖ ¾ÖŸÖ ÛúµÖÖ Æîü? (A) ÖߟֵÖã ü ÃÖ ²Ö Öß ÃÖ ÖÃÖ ÖßÜÖê Ö ü Ö ÖÖ Ñ (B) ÆüÖò Ôü ü (µöö ²Öß³ÖŸÃÖŸÖÖ) ˆ Ö µööãö ÖÖÃÖæÃÖß ˆ Ö µööãö (D) ÖÏê üþööÿ ÖÛú ˆ Ö µööãö 30. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Æü üß Ûú ¾Ö Ö ü ü²öß ü ÖÖ Ö ÛúÖ ²ÖéÆü ü Ö Ö ÖϳÖÖ¾Ö Æîü? (A) Æü ü¾öó Ö üöµö ²Ö Ö Ö (B) Öî Ö»Öß Ö üþö ÝÖã ŸÖ ÃÖæµÖÔÛúÖÓŸÖ Ö ÖÖšüß Ö üö»öö (D) üö Ö ÖÖ üß ØÃÖÆü ü ÖÛú ü 31. ÛÓú Ö êü ü¾ö»ö ü êü Ö ü : ¾ÆêüµÖ ü Æîü¾Ö ¾Öß ²Öß Ö, ¾ÆêüµÖ ü Ö ü ¾Öß ÖÖ ú, ¾ÆêüµÖ ü Ö ü ¾Öß ÝÖÖê ÕÝÖ, êþ ü æü ¾Öß ¾ÖÖÓ ü æü ÝÖÖê êüµö ü ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ Ö ü ÃÖ Ö¾Öß Ö ÖãßÖÛú ÛúÖ»ÖêÜÖÛú ÛúÖî Ö Æîü? (A) ÝÖÖµÖ Öß ÖÛÎú¾ÖŸÖá à ־ÖÖÛú (B) à ü¾öê Ö ÃÖÖê Òü Ö üöê üöê Öß ±úýöã üµöö (D) ÆüÖò Ö ÃÖÖîÃÖß J Paper-III
8 32. Julius K. Nyerere has translated the following plays of Shakespeare into Swahili/Kiswahili I. Merchant of Venice II. King Lear III. Julius Caesar IV. The Tempest The correct combination according to the code is (A) I and II are correct. (B) I and IV are correct. I and III are correct. (D) II and III are correct. 33. The first German adaptation of the legend of the Chalk circle was by (A) Herder (B) Klabund Brecht (D) Mann 34. The Indian novelist teasingly described by William Walsh as a wild-eyed Indian Joyce is. (A) G.V. Desani (B) Salman Rushdie Arvind Adiga (D) Anita Desai 35. The locus classicus of the Renaissance theme of love at first sight is. (A) Marlowe s Hero and Leander (B) Heliodorus Ethiopica Martorell s Tirant lo Blanc (D) Cervantes s Don Quixote 36. Which of the two have written poems similar in theme and spirit? I. Vilvamangal II. Jayadeva III. Subramanya Bharati IV. Chandidas The right combination according to the code is (A) II and III are correct. (B) II and IV are correct. III and IV are correct. (D) I and II are correct. 37. A play on Irom Sharmila has been written by (A) Civic Chandran (B) Varvara Rao Mohan Rakesh (D) Vijay Tendulkar 38. The progressive writers movement had its origins in the publication (A) Kallol in Bangla (B) Angare in Urdu Saraswati in Hindi (D) Parimal in Hindi 39. In his The Transposed Heads, Thomas Mann borrows his theme from (A) Hayavadana (B) Aesop s Fables Kathasarit Sagar (D) Charandas Chor 40. Who among the following poets has translated a selection of poems by Tukaram? (A) A.K. Ramanujan (B) Dilip Chitre Saleem Peeradina (D) Arun Kolatkar 41. The term Repressive State Apparatus was coined by (A) Theodor Adorno (B) Walter Benjamin Louis Althusser (D) Mikhail Bakhtin 42. Who among the following wrote medieval Hindi couplets? (A) Mirza Ghalib (B) Maithili Sharan Gupt Abdur Rahim Khan-i-Khana (D) Deenakrushna Das 43. Who is the principal editor of the first journal in the discipline of Comparative Literature? (A) Wellek and Warren (B) Posnett Hugo Meltzl (D) Bandes 44. According to A.K. Ramanujan s challenging essay Three Hundred Ramayanas, what aspect of the various texts based on the Ramayana did the translator/critic find as the most striking trait? (A) Retelling (B) Revision Adaptation (D) Translation Paper-III 8 J-72-14
9 32. Öã»ÖµÖÃÖ Ûêú. ÖÖ êü êü Öê ÖêŒÃÖ ÖµÖ ü Ûêú Ö Ö»Ö ÜÖŸÖ ÖÖ üûúöë ÛúÖ Ã¾ÖÖ Æü»Öß / ÛúþÖÖ Æü»Öß Öë Öã¾ÖÖ ü ÛúµÖÖ Æîü : I. Ö Öì ü Öò±ú ¾Öê ÖÃÖ II. ØÛúÝÖ»ÖµÖ ü III. Öæ»ÖµÖÃÖ ÃÖß ÖÌ ü IV. üß êü Öêà ü Öß Öê üµöê ÛúÖê ü Ûêú ÖãÃÖÖ ü ÃÖÆüß ÃÖÓµÖÖê Ö Ö ²ÖŸÖÖ µöê : (A) I Öî ü II ÃÖÆüß Æïü (B) I Öî ü IV ÃÖÆüß Æïü I Öî ü III ÃÖÆüß Æïü (D) II Öî ü III ÃÖÆüß Æïü 33. ÖÖÛú ÃÖÙÛú»Ö Ûúß ÓüŸÖÛú ÖÖ ÛúÖ ÖÏ Ö Ö Ö ÖÔ Ö ºþ ÖÖ ŸÖ ü Ö Ö»Ö ÜÖŸÖ Öê ÛúµÖÖ ÖÖ? (A) Æü Ôü ü (B) Œ»ÖÖ²ÖãÓ ü ²ÖÎêŒ ü (D) ÖÖ Ö 34. ¾Ö»ÖµÖ Ö ¾ÖÖ» Ö Öê ÛúÃÖ ³ÖÖ üÿößµö ˆ Ö µööãöûúö ü ÛúÖ ¾ÖÞÖÔ Ö ¾ÖÖ» ü- Ö ü üµö Ö ¾ÖÖµÖß ÛúÆüÛú ü ÛúµÖÖ Æîü? (A) Öß. ¾Öß. êüãöö Öß (B) ÃÖ»Ö ÖÖ Ö ü üß ü ¾Ö ü üýöö (D) ÖߟÖÖ êüãöö Ô 35.»Ö¾Ö ü ±úã Ôü ÃÖÖ ü ( ÖÆü»Öß Ö Ö ü Öë ÖÏê Ö ÆüÖê ÖÖ) ÛúÖ Öã Ö¹ý Öß¾Ö Ö Öß Ö ÛúÖ»ÖÖêÛúÃÖ Œ»ÖÖÃÖßÛúÃÖ Æîü (A) ÖÖ ü»ööê ÛúÖ Æüß üöê Þ ü»öß Ó ü ü (B) Æêü»Ö Öê üöê üãö ÛúÖ Ö Öê ÖÛúÖ ÖÖ ü üöê êü»ö ÛúÖ üöµö ïü ü»ööê ²»ÖÖÓÛú (D) ÃÖ ü¾ööóÿöê ÛúÖ üöê Ö Ûú¾ÖêŸÖÖê 36. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê Ûú Ö üöê Ûú ¾ÖµÖÖë Öê ÃÖ ÖÖ Ö ¾ÖÂÖµÖ Öî ü ÖÏÛéú ŸÖ ¾ÖÖ»Öß Ûú ¾ÖŸÖÖ Ñ»ÖÜÖß Æïü? I. ¾Ö»¾Ö ÖÓÝÖ»Ö II. ÖµÖ êü¾ö III. ÃÖã²ÖÎ Ö µö ³ÖÖ üÿöß IV. ÖÞ üß üöãö ÛúÖê ü Ûêú ÖãÃÖÖ ü ÃÖÆüß ÃÖÓµÖÖê Ö Ö Æîü : (A) II Öî ü III ÃÖÆüß Æïü (B) II Öî ü IV ÃÖÆüß Æïü III Öî ü IV ÃÖÆüß Æïü (D) I Öî ü II ÃÖÆüß Æïü 37. üöê Ö ÖÙ Ö»ÖÖ Ûêú ú Ö ü Ûú ÖÖ üûú ÛúÃÖ Öê»ÖÜÖÖ Æîü? (A) ÃÖ ¾ÖÛú Ö ü Ö (B) ¾Ö¾ÖÔ üö üö¾ö ÖÖêÆü Ö üöûêú Ö (D) ¾Ö ÖµÖ ŸÖë ãü»öûú ü 38. ÖÏÝÖ ŸÖ Ö߻ֻÖêÜÖÛú ÖÓ üöê»ö Ö Ûúß Öãºþ ÖŸÖ Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖÛêú ÖÏÛúÖ Ö Ö Ûêú ÃÖÖ Ö Æãü Ô? (A) ²ÖÓÝÖ»ÖÖ Öë Ûú»»ÖÖê»Ö (B) ˆ æôü Öë ÓÝÖÖ êü Æü üß Öë ÃÖ üã¾öÿöß (D) Æü üß Öë Ö ü Ö»Ö 39. ÖÖò ÖÃÖ ÖÖ Ö Öê Ö Öê üß ÒüÖÓÃÖ ÖÖê ûì ü Æêü ËüÃÖ Öë Ö ÖÖ ¾ÖÂÖµÖ ÖÏÃÖÓÝÖ/ Öß Ö Ö Ö»Ö ÜÖŸÖ ÃÖê»ÖµÖÖ Æîü : (A) ÆüµÖÖ¾Ö ü ÖÖ (B) ÃÖÖê Ö ÃÖ ±êú²ö»ãö Ûú ÖÖ ÃÖ üÿö ÃÖÖÝÖ ü (D) Ö üþö üöãö ÖÖê ü 40. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Ûú ¾Ö Öê ŸÖãÛúÖ üö Ö Ûúß Ûú ¾ÖŸÖÖ Öë Ûêú ÃÖÓÝÖÏÆü ÛúÖ Öã¾ÖÖ ü ÛúµÖÖ Æîü? (A).Ûêú. üö ÖÖ Öã Ö Ö (B) ü»öß Ö Ö Öê ÃÖ»Öß Ö Öß üö ü ÖÖ (D) ¹ýÞÖ ÛúÖê»ÖÖ ËüÛú ü 41. ü ÖÏê ÃÖ¾Ö Ã êü ü Ö êü üãö Ö ü ÛúÖ ÃÖé Ö Ö ÛúÃÖ Öê ÛúµÖÖ ÖÖ? (A) ÖµÖÖê üöê ü üöê ÖÖì (B) ¾ÖÖ» ü ü ²Öë ÖÖ Ö Ö»Öæ ÃÖ» ÖãÃÖ ü (D) ÖÜÖÖ»Ö ²Ö ÜŸÖ Ö 42. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Öê Ö µöûúö»öß Ö Æü üß üöêæêü»öüöê Æïü? (A) Ö ÖÖÔ ÝÖÖ»Ö²Ö (B) Öî Ö»Öß Ö üþö ÝÖã ŸÖ ² ãü ü üæüß Ö ÜÖÖ ÖÜÖÖ ÖÖ (D) üß ÖÛéúÂÞÖ üöãö 43. ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ ¾ÖªÖ Ûúß ÖÏ Ö Ö Ö ÖÛúÖ ÛúÖ ÖÏ ÖÖ Ö ÃÖ ÖÖ üûú ÛúÖî Ö ÖÖ? (A) ¾Öê»ÖêÛú Öî ü ¾ÖÖ êü Ö (B) ÖÖêà Öê ü ÆËüµÖæÝÖÖê Öê» Ö (D) ²Öë êüãö 44..Ûêú. üö ÖÖ Öã Ö Ö «üö üö»ö ÜÖŸÖ ÖÐß ÆÓü Òêü ü üö ÖÖµÖ ÖÖ Ö ÖßÂÖÔÛú Ö²ÖÓ Ö Ûêú ÖãÃÖÖ ü, Öã¾ÖÖ üûúöë/ãö³öö»ööê ÖÛúÖë Öê üö ÖÖµÖÞÖ Ö ü Ö ÖÖ üÿö ¾Ö ³Ö Ö ÝÖÏÓ ÖÖë Öë ÛúÃÖ ÖÆü»Öæ ÛúÖê ÃÖ¾ÖÖÔ ÖÛú ˆ»»ÖêÜÖ ÖßµÖ ÖÖ ÖÖ Æîü? (A) Öã ÖÛÔú Ö Ö (B) ÃÖÓ ÖÖê Ö Ö ºþ ÖÖ ŸÖ üþö (D) Öã¾ÖÖ ü J Paper-III
10 45. Which of the following is NOT true of the cultural studies approach? (A) It works to demystify the text. (B) It is concerned with the cultural formation of reader s identities. It tends to focus on the formal aspects of the text. (D) It classifies literature in terms of representative writing. 46. D.R. Bendre of Kannada Literature was profoundly influenced by (A) Sivaram Karanth (B) Masti Venkatesa Iyegar Bankimchandra Chattopadhyay (D) Rabindranath Tagore 47. The centre for contemporary cultural studies was set up within the English Dept. at (A) Manchester University (B) University of Edinburg Birmingham University (D) University of East Anglia 48. In theorising the bases of Comparative Literature as a discipline in India, who among the following uses the notion of differential monologue? (A) Gurbhagat Singh (B) Amiya Dev Sisir Kumar Das (D) Jaidev 49. Which of the following texts introduces the notion of gender as performance? (A) The Second Sex (B) Imperial Leather Gender Trouble (D) Sexual Politics 50. The Italian scholar who produced a critique of thematology was (A) Labriola (B) Gramsci Croce (D) D Annunzio 51. Identify the theorist with whom the critical term hegemony is associated. (A) Adorno (B) Gramsci Habermas (D) Weber 52. From Frenzel s and Trousson s treatment of themes and motifs, it can be argued that (A) themes and motifs are identical (B) motifs relate to situations, while themes relate to characters. motifs reach levels of abstraction not found in themes. (D) motifs are far more numerous than themes. 53. For Foucault, discourse regulates not only what can be said under determinate social and cultural conditions, but also (A) the spiritual outlook of the human agent Paper-III 10 J (B) the limit of human sexuality who can speak, when and where (D) who can act in the circuit of power 54. Thematology had historically been considered a German preserve primarily because (A) the terms of analysis had a German origin (B) it was sustained due to the German folklore mania the influence of Goethe (D) none of the above
11 45. ÃÖÖÓÃÛéú ŸÖÛú µöµö Ö ˆ ÖÖÝÖ Ö Ûêú ÃÖÓ²ÖÓ Ö Öë Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÖî Ö ÃÖÆüß ÖÆüà Æîü? (A) µöæü ÖÖšü ÛúÖê ÃÖãà Ö ü ²Ö ÖÖ Öê ÛúÖ ÛúÖ Ö Ûú üÿöö Æîü (B) µöæü ÖÖšüÛúÖë Ûúß ÖÆü ÖÖ Ö Ûêú ÃÖÖÓÃÛéú ŸÖÛú Ö ÖÖÔÞÖ ÃÖê ÃÖÓ²ÖÓ ÖŸÖ Æîü µöæü ÖÖšü Ûêú Öî Ö ÖÖ üûú ÖõÖ Ûêú ÖÏ ŸÖ Ûëú üÿö ÆüÖêŸÖÖ Æîü (D) µöæü ÖÏ ŸÖ Ö ÖÛú»ÖêÜÖ Ö Ûêú ÃÖÓ ü³öô Öë ÃÖÖ ÆüŸµÖ ÛúÖê ¾ÖÝÖáÛéúŸÖ Ûú üÿöö Æîü 46. Ûú Ö ü ÃÖÖ ÆüŸµÖÛúÖ ü üß. Ö ü. ²Öë êü ÛúÃÖÃÖê ŸµÖ ÖÛú ÖϳÖÖ ¾ÖŸÖ Öê? (A) Ö¾Ö üö Ö ÛúÖ Óü Ö (B) ÖßÖß ¾ÖëÛú êü Ö µöóýö ü ²ÖÓ Ûú Ö ÖÓ ü Ö¼üÖê ÖÖ µööµö (D) ü²öß ü ÖÖ Ö îüýööê ü 47. Öë ÓÝÖÏê Öß ¾Ö³ÖÖÝÖ Ûêú ÓŸÖÝÖÔŸÖ ÃÖÖ Ö µöûú ÃÖÖÓÃÛéú ŸÖÛú µöµö Ö Ûëú ü à ÖÖ ÖŸÖ ÛúµÖÖ ÝÖµÖÖ ÖÖ (A) Öï Öêà ü ü µöæ Ö¾ÖÙÃÖ üß (B) µöæ Ö¾ÖÙÃÖ üß Öò±ú ü Ö²ÖÝÖÔ ²ÖÚ Ö Ö Ö µöæ Ö¾ÖÙÃÖ üß (D) µöæ Ö¾ÖÙÃÖ üß Öò±ú à ü ë ݻֵÖÖ 48. ³ÖÖ üÿö Öë ÖÖ Ö Ûúß Ûú ÖÖÜÖÖ Ûêú ºþ Ö Öë ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ Ûêú»Ö ÃÖ üöóÿößûú üþö Öë Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÖî Ö ¾Ö³Öê üûú ÛúÖ»ÖÖ Ö (þÖÝÖŸÖ-Ûú Ö Ö) ÛúÖ ˆ ÖµÖÖêÝÖ Ûú üÿöö Æîü? (A) ÝÖã ü³öýöÿö ØÃÖÆü (B) ÖµÖ êü¾ö Ö Ö ü Ûãú ÖÖ ü üöãö (D) ÖµÖ êü¾ö 49. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÖî Ö ÃÖß Ûéú ŸÖ Öê Öë ü ü Ûúß ÖÖ üþöö ÛúÖê ÖÂ Ö ÖŸÖÖ Ûêú ºþ Ö Öë ÖÏßÖãŸÖ ÛúµÖÖ Æîü? (A) üß ÃÖîÛêúÞ ü ÃÖêŒÃÖ (B) Öß üµö»ö»öî ü ü Öë ü ü Òü²Ö»Ö (D) ÃÖîŒÃÖã»Ö ÖÖê»Ö üœãö 50. ü»öß¾ööãöß ¾Ö«üÖ Ö Ö ÆüÖë Öê Öß Öê üöê»ööî Öß (Ûú ÖÖ ÖÛú ¾ÖªÖ) Ûúß ÃÖ ÖßõÖÖ ÖÏßÖãŸÖ Ûúß ÛúÖî Ö Öê? (A)»Öê ²ÖÎ Öê»ÖÖ (B) ÝÖÏÖ ÖÃÖß ÛÎúÖêÃÖê (D) êü µöãó Ö Öê 51. Ö»ÖÖê Ö ÖÖŸ ÖÛú Ö ü Æêü Öê ÖÖê Öß ÛúÃÖ ÃÖ üö ŸÖ ÖÖà Öß Ûêú ÃÖÖ Ö ÃÖ ²Ö ü Æîü? (A) üöê ÖÖì (B) ÝÖÏÖ ÖÃÖß Æêü²Ö ü ÖÖÃÖ (D) ¾Öê²Ö ü 52. Öß Ö (Ûú ÖÖ ÖÛú) Öî ü ÖÖê üß±ëúãö ( Öæ»Ö³ÖÖ¾Ö) ÛúÖê ÖÃÖ ÖÏÛúÖ ü ÃÖê ±Ïëú ÖÌ»Ö Öî ü çüãööë Öê»ÖµÖÖ Æîü Öî ü ˆ ÖµÖÖêÝÖ ÛúµÖÖ Æîü ˆÃÖÃÖê µöæü üœìüÿöö Öæ¾ÖÔÛú ÛúÆüÖ ÖÖ ÃÖÛúŸÖÖ Æîü Ûú (A) Öß Ö Öî ü ÖÖê üß±ú ÛúÃÖ Ö Æïü (B) ÖÖê üß±ú Ã Ö ŸÖµÖÖë ÃÖê ÃÖ ²Ö ÖŸÖ Æïü, Ö²Ö Ûú Öß Ö ÖÖ ÖÖë ÃÖê ÃÖ ²Ö ÖŸÖ Æïü ÖÖê üß±ú ÖæŸÖÔŸÖÖ Ûêú êãöê Ã¾Ö üöë ŸÖÛú ÖÖŸÖê Æïü ÖÖê Öß Ö Öë ÖÆüà ÖÖ ÖÖŸÖê Æïü (D) ÖÖê üß±ú, Öß Ö Ûúß ŸÖã»Ö ÖÖ Öë ÛúÖ±úß µöö üö ÆüÖêŸÖê Æïü 53. ±æúûúöê Ûêú»Ö, ÖÏ¾Ö Ö Ö Ö ÃÖ±Ôú ÃÖê ¾Ö ÖµÖ ÖŸÖ Ûú üÿöê Æïü Ûú ÃÖã Ã Ö ü ÃÖÖ ÖÖ ÖÛú Öî ü ÃÖÖÓÃÛéú ŸÖÛú Ã Ö ŸÖµÖÖë Ûêú ŸÖÝÖÔŸÖ ŒµÖÖ ÛúÆüÖ ÖÖ ÃÖÛúŸÖÖ Æîü, Ö ü ŸÖã ÃÖê ³Öß (A) ÖÖ Ö¾Ö Öê ü ÛúÖ Ö µöö Ÿ ÖÛú ü  üûúöêþö (B) ÖÖ Ö¾ÖßµÖ»Öï ÝÖÛúŸÖÖ Ûúß ÃÖß ÖÖ ÛúÖî Ö, Ûú²Ö Öî ü ÛúÆüÖÑ ²ÖÖê»Ö ÃÖÛúŸÖÖ Æîü (D) ÃÖ ÖÖ Ûúß Ö ü Ö Öë ÛúÖî Ö ÛúÖ Ôü¾ÖÖ Ô Ûú ü ÃÖÛúŸÖÖ Æîü 54. Ûú ÖÖ ÖÛú ¾ÖªÖ (µöö Öß Öê üöò»ööê Öß) ÛúÖê ê ŸÖÆüÖ ÃÖÛú ºþ Ö ÃÖê Ö ÖÔ Ö Ö ü ü õöÿö ÃÖÖ ÆüŸµÖ ÃÖ Ö ÖÖ ÖÖŸÖÖ Æîü, Öãܵ֟Ö: ŒµÖÖë Ûú (A) ¾Ö»ÖêÂÖÞÖ Ûúß Ã Ö ŸÖ Ö ÖÔ Ö ˆŸ Ö ŸÖ Ûúß Æïü (B) µöæü Ö ÖÔ Ö»ÖÖêÛúÝÖÖ ÖÖ ÃÖ ÖÛú Ûêú ÛúÖ üþö ÛúÖµÖ Ö üæüß ÝÖÖêµÖŸÖê ÛúÖ ÖϳÖÖ¾Ö (D) ˆ ÖµÖãÔŒŸÖ Öë ÃÖê ÛúÖê Ô ÖÆüà J Paper-III
12 55. The author of Vyāktiviveka is (A) Mahimabhaṭṭa (B) Ānandavardhana Kuntaka (D) Bhartṛhari 56. Which scholar, among the following, gave an important lecture in 1882 entitled What is a Nation? (A) Herder (B) Renan Croce (D) Kant 57. A type of extended allusion or metaphor used in classical Tamil poetry called ullurai means (A) Extended meaning (B) Inner meaning Referential meaning (D) Symbolic meaning 58. The book Tableau de la Littérature an moyen age en France, en Italic, en Espagne et en Angle terre published in 1830, was written by (A) Francois Villemain (B) Jean Jacques Ampere Claudio Guillen (D) Paul Van Tieghen 59. Among the obstacles to the realisation of rasa Abhinava Gupta mentions : I. The look of verisimilitude II. The experience-participant s personal attachment to emotions. III. A highly ornate style. IV. The use of exotic conventions. The right combination according to the code is (A) I and III are correct. (B) II and III are correct. I and II are correct. (D) II and IV are correct. 61. This critic has studied what she calls contact zones areas which allow the intermingling of two or more cultures, Social spaces where cultures meet, clash and grapple with each other, often in contexts of highly asymmetrical relations of power, Identify the critic from the following list : (A) Homi Bhabha (B) Anis Bawarshi Mary Louise Pratt (D) Walter Mignolo 62. In its initial institutional phase, the American perspective on Comparative Literature was based on (A) Linguistic criteria (B) Manifest destiny Inter disciplinarity (D) Politicised readings 63. Match the following : List I (Event) List II (Text) a. Athenian Democracy i. For whom the Bell Tolls b. French ii. Lysistrata Revolution c. Anti-colonial struggles in India d. Spanish Revolution iii. The Gods Must have Blood iv. The Codes : a b c d (A) iv iii ii i (B) ii iii iv i iii ii iv i (D) i iv ii iii Dust Storm and the Hanging Mist 64. The theme of fertility based on religious cult has been used in two historical romances : I. Mary Renault, The King Must Die II. Marion Zimmer Bradley, The Mists of Avalon III. Mary Renault, Funeral Games 60. Among these thematological items, The correct combination according to which one can be used to analyse the code is (A) I and II are correct. recreation / re-telling of a text? (B) III and IV are correct. (A) Kernmotiv (B) Situation I and III are correct. Stoff (D) Heroic theme (D) II and IV are correct. Paper-III 12 J IV. Conn Iggulden, Empire of Silver
13 55. ¾µÖ ŒŸÖ ¾Ö¾ÖêÛú Ûêú»ÖêÜÖÛú Æîü (A) Ö Æü ÖÖ³Ö¼ü (B) Ö Ö ü¾ö ÖÔ Ö ÛãÓú üûú (D) ³ÖŸÖéÔÆü ü 56. ÃÖ ÖË 1882 Öë ¾ÆüÖê üü Ö Öê Ö Ö ÖîÃÖê Ûú ÖÆü ¾Ö ÖæÞÖÔ ÖßÂÖÔÛú Ö ü Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Öê ³ÖÖÂÖÞÖ üµöö ÖÖ? (A) Æü Ôü ü (B) êü Ö Ö ÛÎúÖê Öê (D) ÛêúÞ ü 57. Œ»ÖßÃÖßÛúßµÖ ŸÖ Ö»Ö ÛúÖ¾µÖ Öë ˆ ÖµÖÖêÝÖ ÆüÖê Öê ¾ÖÖ»ÖÖ ¾ÖÃŸÖ üÿö ÃÖÓÛêúŸÖ µöö ºþ ÖÛú ÛúÖ ÖÏÛúÖ ü ÖÃÖê ˆ»»Öã üö ÛúÆüŸÖê Æïü ÛúÖ ÖÔ Æîü (A) ¾ÖÃŸÖ üÿö ÖÔ (B) Ö ŸÖ üûú ÖÔ ÃÖÓ ü³ööôÿ ÖÛú ÖÔ (D) ÖÏŸÖßÛúÖŸ ÖÛú ÖÔ 58. ÃÖ ÖË 1830 Öë ÖÏÛúÖ ÖŸÖ ÖãßÖÛú ŸÖÖ²»ÖÖê ü»öö»ö êü êüÿöã Öê ÖÖê Ñ, Ö, Ñ ±ÏúÖÓÃÖ, Ñ ŸÖ, Ñ ÖÖ µö Ñ ÓÝ»Ö ŸÖê ü ÛúÖ»ÖêÜÖÛú ÛúÖî Ö Öê? (A) ±ÏïúŒ¾ÖÖ ÃÖ ¾Ö»Öê Öê Ö (B) Öß Ö ÖꌾÖêÃÖ Öê ü Œ»ÖÖò üµööê ݾֻÖê Ö (D) ÖÖò»Ö ¾Öî Ö ü Ö 59. üãö Ûúß ˆ Ö»Ö ² Ö Öë ¹ýÛúÖ¾Ö üöë Ûêú ÃÖ ²Ö Ö Öë ³Ö Ö¾Ö ÝÖã ŸÖÖ ²ÖŸÖÖŸÖê Æïü : I. ÃÖÓ³ÖÖ¾µÖŸÖÖ ÛúÖ Ö³ÖÖÃÖ II. Öã³Ö¾Ö-ÃÖÆü³ÖÖÝÖß Ûúß Ö Öß ³ÖÖ¾Ö ÖÖ Öë Ûêú ÃÖÖ Ö ¾µÖ ŒŸÖÝÖŸÖ ÖÃÖ ŒŸÖ III. ŸµÖÖ ÖÛú»ÖÓÛúÖ üûú Öî»Öß IV. µöã ÖÖ ÖÛú ¹ý œìüµööë ÛúÖ ˆ ÖµÖÖêÝÖ ÛúÖê ü Ûêú ÖãÃÖÖ ü ÃÖÆüß ÃÖÓµÖÖê Ö Ö Æîü : (A) I Öî ü III ÃÖÆüß Æïü (B) II Öî ü III ÃÖÆüß Æïü I Öî ü II ÃÖÆüß Æïü (D) II Öî ü IV ÃÖÆüß Æïü 60. Ö Ö»Ö ÜÖŸÖ Ûú ÖÖ ÖÛú ¾ÖªÖ ÃÖ ²Ö Öß Ö üöë Öë ÃÖê ÛúÃÖê, ÝÖÏÓ Ö µöö Ûéú ŸÖ Ûêú Öã ÖÃÖéÔ Ö Ö/ Öã Ö:¾ÖÞÖÔ Ö Ûú ü Öê Öë ˆ ÖµÖÖêÝÖ ÛúµÖÖ ÖÖ ÃÖÛúŸÖÖ Æîü? (A) Ûú ÖÔ ÖÖê üß¾ö (B) Ã Ö ŸÖ ( ÃÖ Öã Ö Ö) à üöò±ú (D) ¾Öß üöê ÖŸÖ ÖÏÃÖÓÝÖ 61. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Ö»ÖÖê ÖÛú Öê ÛÓú îüœ ü ÖÖê ÃÖ, ÖîÃÖÖ ÃÖê ¾ÖÆü ÛúÆüŸÖß Æïü õöê ÖÖë ÛúÖ µöµö Ö ÛúµÖÖ Æîü ÖÖê üöê µöö ÖÛú ÃÖÓÃÛéú ŸÖµÖÖë Ûêú ÖÖ üã Ö üûú Ö»Ö Ö ÛúÖê ÃÖÓ³Ö¾Ö ²Ö ÖÖŸÖê Æïü, ÃÖÖ ÖÖ ÖÛú Ã Ö»Ö ÖÆüÖÑ, ²ÖÆãü ÖÖ ÃÖ Ö ÖŸÖ Ö ŒŸÖ ÃÖÓ²ÖÓ ÖÖë Ûêú ÃÖÓ ü³öô Öë, ÃÖÓÃÛéú ŸÖµÖÖÑ Ûú- ãüãö êü ÃÖê Ö»ÖŸÖß Æïü, üûú üöÿöß Æïü Öî ü ÝÖãŸ Ö ÖÝÖ㟠ÖÖ ÆüÖêŸÖß Æïü? (A) ÆüÖê Öß ³ÖÖ³ÖÖ (B) ÖßÃÖ ²ÖÖ¾Ö Öá Öê üß»öã ÃÖ ÖÏÖ ü (D) ¾ÖÖ» ü ü ÖÝÖ ÖÖê»ÖÖê 62. Ö Öê Ö ü ³ÖÛú ÃÖÖÓà ÖÖ ÖÛú Ö üþö Öë ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ Ö ü Öê üûúß Ö ü ÖÏêõµÖ Ö ü Ö ÖÖ üÿö ÖÖ (A) ³ÖÖÂÖÖµÖß ÖÖ Ö Óü ü (B) ¾µÖŒŸÖ ÖÏÖ ü² Ö ŸÖ ü ¾ÖÂÖµÖÛúŸÖÖ (D) üö Ö Öß ŸÖÛéúŸÖ Öšü Ö-ÃÖÖ ÖÝÖÏß 63. Ö Ö»Ö ÜÖŸÖ ÛúÖ Ö»ÖÖ Ö Ûú ëü : ÃÖæ Öß I ( Ö ü ÖÖ) ÃÖæ Öß II ( ÖãßÖÛú) a. ê Ö ÖµÖ Ö i. ±úöò ü ¾Ææü Ö üß ²Öê»Ö»ÖÖêÛúŸÖÓ Ö b. ±ÏúÖÓ ÃÖÃÖß ÛÎúÖ ŸÖ ii. üöò»ãö»öãöã Òêü üö c. ³ÖÖ üÿö Öë ˆ Ö Ö¾Öê Ö iii. üß ÝÖÖò ËüÃÖ Öà ü Æîü¾Ö ²»Ö ü ¾Ö üöê Öß ÃÖÓÝÖÏÖ Ö d. à Öê Ö Ö ÛÎúÖ ŸÖ iv. üß üã ü à üöî ÖÔ Þ ü üß ÆïüØÝÖÝÖ Öà ü ÛúÖê ü : a b c d (A) iv iii ii i (B) ii iii iv i iii ii iv i (D) i iv ii iii 64. ÖÖÙ ÖÛú ÃÖ ÖÏ üöµö Ö ü Ö ÖÖ üÿö ÖÏ Ö Ö ÖõÖ ÖŸÖÖ ÛúÖ Öß Ö üöê ê ŸÖÆüÖ ÃÖÛú ÖÏê ÖÛú ÖÖ Öë Öë ˆ ÖµÖÖêÝÖ ÛúµÖÖ ÝÖµÖÖ Æïü : I. Öê üß êü ÖÖò» ü, üß ØÛúÝÖ Öà ü üö II. Öê ü Öò Ö Ö Ö ü ²ÖÎê ü»öê, üß Öà üãöë Öò±ú ¾ÖÖ»ÖÖê Ö III. Öê üß êü ÖÖò» ü, µöã Ö ü»ö ÝÖê ÃÖ IV. ÛúÖê Ö ÝÝÖã»Ö êü Ö, ÖÖµÖ ü Öò±ú ÃÖ»¾Ö ü ÛúÖê ü Ûêú ÖãÃÖÖ ü ÃÖÆüß ÃÖÓµÖÖê Ö Ö Æîü : (A) I Öî ü II ÃÖÆüß Æïü (B) III Öî ü IV ÃÖÆüß Æïü I Öî ü III ÃÖÆüß Æïü (D) II Öî ü IV ÃÖÆüß Æïü J Paper-III
14 65. Who turned the Siegfried Myth into a multi-part Opera? (A) Brahms (B) Strauss Wagner (D) Tchaikovsky 66. Eric Auerbach has borrowed his epigraph to Mimesis from (A) Homer (B) Cervantes Montaigne (D) Marvell 67. Tagore s story Naṣṭanīd was filmed by (A) Satyajit Ray (B) Tapan Sinha Gautam Ghosh (D) Hrisikesh Mukherjee 68. Who among the following scholars has run down thematology in the field of Comparative Literature? (A) Susan Bassnett (B) Fernand Baldensperger S.S. Prawar (D) Claudio Guillen 69. Mahasweta Devi s story Draupadi has been set as play in which province of India? (A) West Bengal (B) Gujarat Odissa (D) Manipur 70. The term thematology was coined by (A) Harry Levin (B) Bernedetto Croce Van Tieghem (D) Baldensperger 71. Dialogic heteroglossia is best described as the (A) Singularity of discourse in literary theory (B) Essential relatively of authorto-reader communication Multiplicity of voices in a literary genre (D) Epistemological question of dialogic truth 72. Of the following, which one is a purely political play? (A) Abhij ~ nānaśākuntalam (B) Mṛcchakaṭika Mudrārākṣhasa (D) Ratnāva li 73. In his Republic, Plato makes it explicit that (A) he accepts painting as a source of knowledge (B) he accepts poetry as a source of Paper-III 14 J knowledge he accepts both painting and poetry as providing access to truth. (D) he accepts neither painting nor poetry as a source of knowledge 74. Which of the following texts sets out to connect the comparative with the postcolonial studies? (A) Grounds of Comparison (B) All the Difference in the world Death of a Discipline (D) Modes of Comparison 75. Laura Mulvey s main argument in Visual Pleasure and Narrative Cinema is (A) Hollywood narrative films use women in order to provide a pleasurable visual experience for men. (B) Hollywood narrative films challenge the ideological assumptions of the viewers leading to surprise and pleasure. Hollywood narrative films transcend the limits of the visual imagination the generate pleasure. (D) Hollywood narrative films are structured around images of women resisting the male gaze.
15 65. ÃÖßÝÖ±Ïúß ü Ö ÖÛú ÛúÖê ÛúÃÖ Öê ²ÖÆãü- Ó Öß Öê Öê üö Öë ²Ö ü»ö üµöö Æîü? (A) ²ÖÎÉ (B) à ÒüÖòÃÖ ¾ÖîÝÖ Öê ü (D) Ëü ÖÖµÖÛúÖê¾ÃÛúß 66. üûú Öˆ ü²öêüö Öê Ö Öß ÖãßÖÛú Ö Öê ÃÖÃÖ ÛúÖ Ö ü ÖÔ¾ÖÖŒµÖ ( ÖÝÖÏÖ±ú) ÛúÃÖÃÖê»ÖµÖÖ Æîü? (A) ÆüÖê Ö ü (B) ÃÖê ü¾ööó êüãö ÖÖò êü Ö (D) ÖÖ¾Öì»Ö 67. îüýööê ü Ûúß Ûú ÖÖ Ö ü Öß Ìü Ö ü ±ú» Ö ÛúÃÖ Öê ²Ö ÖÖ Ô Æîü? (A) ÃÖŸµÖ ÖßŸÖ êü (B) ŸÖ Ö Ö ÃÖ ÆüÖ ÝÖÖîŸÖ Ö ÖÖêÂÖ (D) Çü ÂÖÛêú Ö ÖãÛú Öá 68. ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ Ûêú õöê Ö Öë Ûú ÖÖ ÖÛú ¾ÖªÖ / Öß Öê üöò»ööî Öß ÛúÖê Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ ¾Ö«üÖ Ö Öê ãü²öô»ö ²Ö ÖÖµÖÖ Æîü? (A) ÃÖã ÖÌê Ö ²ÖÖÃÖ Öê ü (B) ±ú Öí ü ²ÖÖ» ü ÖÃ Ö ÖÔ ü ÃÖ. ÃÖ. ÖÏÖ¾Ö ü (D) Œ»ÖÖ ü Öê ÝÖ»»Öê Ö 69. ÖÆüÖ ¾ÖêŸÖÖ êü¾öß Ûúß ÛúÆüÖ Öß, üöî Ö üß ³ÖÖ üÿö Ûêú ÛúÃÖ ÖÏÖ ŸÖ Öë ÖÖ üûú Ûêú ºþ Ö Öë ¹ý ÖÖ ŸÖ üÿö Ûúß ÝÖ Ô Æîü? (A) Ö Ö Ö ²ÖÓÝÖÖ»Ö (B) ÝÖã Ö üöÿö Öê ÌüÃÖÖ (D) Ö ÞÖ Öã ü 70. Öß Öê üöê»ööî Öß ÛúÖ Ö² ü ÛúÃÖ Öê ÖÏ ŸÖ ÖÖ üÿö ÛúµÖÖ Æîü? (A) Æêü üß»öê ¾Ö Ö (B) ²Ö ÖÔ êü üöê ÛÎúÖêÃÖê ¾Öî Ö üß Ö Ö (D) ²ÖÖ» ü ÖÃ Ö ÖÔ ü 71. üöµö»ööò ÖÛú Æêü òü üöêý»ööê ÃÖµÖÖ Ûúß ¾µÖÖܵÖÖ Ö Ö ºþ Ö ÃÖê ÁÖêšü Ûúß ÖÖ ÃÖÛúŸÖß Æîü? (A) ÃÖÖ Æü ŸµÖÛú ÃÖ üö ŸÖ Öë ³ÖÖÂÖÞÖ Ûúß ¾Ö Ö üÿöö (B)»ÖêÜÖÛú ÃÖê ÖÖšüÛú ŸÖÛú ÃÖ ÖÏêÂÖÞÖ Ûúß Ö¾ÖÖµÖÔ ÃÖÖ ÖêõÖŸÖÖ ÃÖÖ Æü ŸµÖÛú Öî»Öß Öë ¾Ö ÖÖ üöë Ûúß ²ÖÆãü»ÖŸÖÖ (D) «ü ÖÔÛú ÃÖ Ö ÛúÖ ÖÖ Ö Öß ÖÖÓÃÖßµÖ ÖÏ Ö 72. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÖî Ö ÃÖÖ Ûú üö Ö Öß ŸÖÛú ÖÖ üûú Æîü? (A) ³Ö ÖÖ Ö ÖÖÛãú ŸÖ»Ö ÖË (B) Öé ûûú üûú Öã üö üöõöãö (D) üÿ ÖÖ¾Ö»Öß 73.»Öê üöê Öê Ö Öê ü Ö ²»ÖÛú Öë ÃÖãà Ö ü ÛúµÖÖ Æîü Ûú (A) ¾ÖÆü Ö ÖÛú»ÖÖ ÛúÖê ÖÖ Ö Ûêú ÄÖÖêŸÖ Ûêú ºþ Ö Öë þÖßÛúÖ üÿöê Æïü (B) ¾ÖÆü Ûú ¾ÖŸÖÖ/ÛúÖ¾µÖ ÛúÖê ÖÖ Ö Ûêú ÄÖÖêŸÖ Ûêú ºþ Ö Öë þÖßÛúÖ ü Ûú üÿöê Æïü ¾ÖÆü Ö ÖÛú»ÖÖ Öî ü ÛúÖ¾µÖ üöê ÖÖë ÛúÖê ÃÖŸµÖ ŸÖÛú ÝÖ µöÿöö ÖÏ üö Ö Ûú ü Öê ¾ÖÖ»Öê Ûêú ºþ Ö Öë þÖßÛúÖ üÿöê Æïü (D) ¾ÖÆü Ö ŸÖÖê Ö ÖÛú»ÖÖ ÛúÖê Ö Æüß ÛúÖ¾µÖ ÛúÖê ÖÖ Ö Ûêú ÄÖÖêŸÖ Ûêú ºþ Ö Öë þÖßÛúÖ ü Ûú üÿöê Æïü 74. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ ÖãßÖÛú ÛúÖ ¾ÖÂÖµÖ ŸÖã»Ö ÖÖŸ ÖÛú ÃÖÖ ÆüŸµÖ ÛúÖê ˆ Ö Ö¾Öê ÖßµÖ µöµö ÖÖë Ûêú ÃÖÖ Ö ÖÖê Ìü Öê ÃÖê ÃÖÓ²ÖÓ ÖŸÖ Æîü? (A) ÝÖÏÖˆÞ ËüÃÖ Öò±ú ÛÓú Öê ü Ö Ö (B) Öò»Ö ü ü±ú ëüãö Ö ü ¾Ö» Ôü êü Ö Öò±ú ü ÃÖ»Ö Ö (D) ÖÖê ËüÃÖ Öò±ú ÛÓú Ö ü Ö Ö 75. ¾Ö ÖãµÖ»Ö»Öê Ö ü Þ ü Ö êü ü¾ö ÃÖ Öê ÖÖ Öë»ÖÖò üö Öã»Ö¾Öê ÛúÖ ÖãÜµÖ ŸÖÛÔú Æîü (A) ÆüÖò»Öß¾Öã ü ¾ÖéŸÖÖÓŸÖ ±ú» Öë Öã¹ýÂÖÖë Ûêú»Ö Ö Ö ü üöµöûú ü  üûú Öã³Ö¾Ö ÖÏ üö Ö Ûú ü Öê ÆêüŸÖã Ö Æü»ÖÖ Öë ÛúÖ ˆ ÖµÖÖêÝÖ Ûú üÿöß Æïü (B) ÆüÖò»Öß¾Öã ü ¾ÖéŸÖÖÓŸÖ ±ú» Öë ü ÖÔÛúÖë Ûúß ¾Öî ÖÖ üûú ÖÖ µöÿöö Öë ÛúÖê Öã ÖÖîŸÖß êüÿöß Æîü ÖÖê Ö ÖµÖÔ ŸÖ ÖÖ Ö Ö ü Ûúß Öê ü ÖϾÖéŸÖ Ûú üÿöö Æîü ÆüÖò»Öß¾Öã ü Ûú ÖÖ ±ú» Öë Ö Ö ü ˆŸ Ö Ö Ûú ü Öê Ûêú»Ö ü  üýöÿö Ûú» Ö ÖÖ Ûúß ÃÖß ÖÖ Öë ÛúÖê ÖÖ ü Ûú ü ÖÖŸÖß Æïü (D) ÆüÖò»Öß¾Öã ü ¾ÖéŸÖÖÓŸÖ ±ú» Öë, Öã¹ýÂÖ Ûúß Ö Ö ü ÛúÖ ¾Ö üöê Ö Ûú ü Öê¾ÖÖ»Öß Ã ÖµÖÖë Ûúß ŸÖþÖß ü Ûêú ÖÃÖ- ÖÖÃÖ ÃÖÓ ü ÖŸÖ Ûúß ÖÖŸÖß Æîü J Paper-III
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