Signature and Name of Invigilator OMR Sheet No. :... (To be filled by the Candidate)
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1 Signature and Name of Invigilator OMR Sheet No. :... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (Name) (In words) J Time : 1 1 / 4 hours] PAPER-II PERFORMING ART 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the Test Booklet Number should be entered in the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (A),, and (D). You have to darken the oval as indicated below on the correct response against each item. Example : A B C D Test Booklet No. [Maximum Marks : 100 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50 Instructions for the Candidates Ö üß ÖÖÙ ÖµÖÖë êú»ö Ö ìü Ö 1. ÖÆü»Öê Öéšü êú ú Ö ü ÖµÖŸÖ Ã ÖÖ Ö Ö ü Ö ÖÖ üöê»ö Ö ²Ö ü»ö Ö 2. ÃÖ ÖÏ Ö- Ö Ö Öë Ö ÖÖÃÖ ²ÖÆãü ¾Ö ú» ÖßµÖ ÖÏ Ö Æïü 3. Ö üß ÖÖ ÖÏÖ ü ³Ö ÆüÖê Öê Ö ü, ÖÏ Ö- ÖãÛÃŸÖ úö Ö Ö úöê êü üß ÖÖµÖê Öß ÖÆü»Öê ÖÖÑ Ö Ö Ö ü Ö Ö úöê ÖÏ Ö- ÖãÛÃŸÖ úö ÖÖê»Ö Öê ŸÖ ÖÖ ˆÃÖ úß Ö Ö»Ö ÖŸÖ ÖÖÑ Ö êú»ö üµöê ÖÖµÖë Öê ÖÃÖ úß ÖÖÑ Ö Ö Ö úöê ¾Ö µö ú ü Öß Æîü : (i) ÖÏ Ö- ÖãÛÃŸÖ úö ÖÖê»Ö Öê êú»ö ˆÃÖ êú ú¾ö ü Öê Ö Ö ü»ö Öß úö Ö Ö úß ÃÖᯙ úöê ±úö Íü»Öë Öã»Öß Æãü Ô µöö ²Ö ÖÖ Ã üß ú ü-ã Öᯙ úß ÖãÛÃŸÖ úö þÖß úö ü Ö ú ëü (ii) ú¾ö ü Öéšü Ö ü û Öê Ö ìü ÖÖ ÖãÃÖÖ ü ÖÏ Ö- ÖãÛà ŸÖ úö êú Öéšü ŸÖ ÖÖ ÖÏ ÖÖë úß ÃÖÓ µöö úöê ûß ŸÖ üæü Öî ú ú ü»öë ú µöê Öæ ê ü Æïü üöêâö Öæ ÖÔ ÖãÛÃŸÖ úö Ö Ö Öë Öéšü/ ÖÏ Ö ú Ö ÆüÖë µöö ãü²öö ü Ö Ö ÖµÖê ÆüÖë µöö ÃÖß üµö»ö Öë Ö ÆüÖë ÖÖÔŸÖ úãöß ³Öß ÖÏ úö ü úß Öã ü Öæ ÖÔ ÖãÛÃŸÖ úö þÖß úö ü Ö ú ëü ŸÖ ÖÖ ˆÃÖß ÃÖ ÖµÖ ˆÃÖê»ÖÖî üö ú ü ˆÃÖ êú à ÖÖ Ö Ö ü æüãö üß ÃÖÆüß ÖÏ Ö- ÖãÛÃŸÖ úö»öê»öë ÃÖ êú»ö Ö Ö úöê ÖÖÑ Ö Ö Ö ü üµöê ÖÖµÖë Öê ˆÃÖ êú ²ÖÖ ü Ö ŸÖÖê Ö Ö úß ÖÏ Ö- ÖãÛÃŸÖ úö ¾ÖÖ ÖÃÖ»Ö ß ÖÖµÖê Öß Öî ü Ö Æüß Ö Ö úöê ŸÖ üœÿö ÃÖ ÖµÖ üµöö ÖÖµÖê ÖÖ (iii) ÃÖ ÖÖÑ Ö êú ²ÖÖ ü ÖÏ Ö- ÖãÛÃŸÖ úö úß Îú Ö ÃÖÓ µöö OMR Ö Ö ú Ö ü Ó úÿö ú ëü Öî ü OMR Ö Ö ú úß Îú Ö ÃÖÓ µöö ÃÖ ÖÏ Ö- ÖãÛÃŸÖ úö Ö ü Ó úÿö ú ü ëü 4. ÖÏŸµÖê ú ÖÏ Ö êú»ö ÖÖ ü ˆ Ö ü ¾Ö ú» Ö (A),, ŸÖ ÖÖ (D) üµöê ÖµÖê Æïü Ö Ö úöê ÃÖÆüß ˆ Ö ü êú üß ÖÔ¾Öé Ö úöê Öê Ö ÃÖê ³Ö ü ú ü úö»öö ú ü ÖÖ Æîü ÖîÃÖÖ ú Öß Öê ü ÖÖµÖÖ ÖµÖÖ Æîü ë ˆ üöæü ü Ö : A B C D where is the correct response. 5. Your responses to the items are to be indicated in the Answer Ö²Ö ú ÃÖÆüß ˆ Ö ü Æîü Sheet given inside the Paper I Booklet only. If you mark at 5. ÖÏ ÖÖë êú ˆ Ö ü êú¾ö»ö ÖÏ Ö Ö Ö I êú ü ü üµöê ÖµÖê ˆ Ö ü- Ö Ö ú Ö ü Æüß Ó úÿö any place other than in the ovals in the Answer Sheet, it will ú ü Öê Æïü µö ü Ö Ö ˆ Ö ü Ö Ö ú Ö ü üµöê ÖµÖê ü ß ÖÔ¾Öé Ö êú»öö¾öö úãöß µö not be evaluated. à ÖÖ Ö Ö ü ˆ Ö ü ÖÅ ÖÖÓ úÿö ú ŸÖê Æïü, ŸÖÖê ˆÃÖ úö Ö滵ÖÖÓ ú Ö ÖÆüà ÆüÖê ÖÖ 6. Read instructions given inside carefully. 6. ü ü üµöê ÖµÖê Ö ìü ÖÖë úöê µöö Ö Öæ¾ÖÔ ú ÖœÍëü 7. Rough Work is to be done in the end of this booklet. 7. ú ÖÖ úö Ö (Rough Work) ÃÖ ÖãÛÃŸÖ úö êú Û ŸÖ Ö Öéšü Ö ü ú ëü 8. If you write your name or put any mark on any part of the test 8. µö ü Ö Ö ˆ Ö ü- ÖãÛÃŸÖ úö Ö ü Ö ÖÖ ÖÖ Ö µöö êãöö úöê Ô ³Öß Ö ÖÖ Ö ÖÃÖÃÖê booklet, except for the space allotted for the relevant entries, Ö Ö úß ÖÆü ÖÖ Ö ÆüÖê ÃÖ êú, úãöß ³Öß ³ÖÖ Ö Ö ü ü ÖÖ ÔŸÖê µöö Ó úÿö ú üÿöê Æïü ŸÖÖê which may disclose your identity, you will render yourself Ö üß ÖÖ êú»öµöê µööê µö ÖÖê ÂÖŸÖ ú ü üµöê ÖÖµÖ ë Öê liable to disqualification. 9. Ö Ö úöê Ö üß ÖÖ ÃÖ ÖÖ ŸÖ ÆüÖê Öê Ö ü ÖÏ Ö- ÖãÛÃŸÖ úö ¾ÖÓ OMR ˆ Ö ü- Ö Ö ú 9. You have to return the test question booklet and OMR Answer sheet to the invigilators at the end of the examination Ö üß Ö ú ÖÆüÖê üµö úöê»ööî üö ÖÖ Ö¾Ö µö ú Æîü Öî ü Ö üß ÖÖ ÃÖ ÖÖÛ ŸÖ êú ²ÖÖ ü ˆÃÖê compulsorily and must not carry it with you outside the Ö Öê ÃÖÖ Ö Ö üß ÖÖ ³Ö¾Ö Ö ÃÖê ²ÖÖÆü ü Ö»Öê ú ü ÖÖµÖ Examination Hall. 10. êú¾ö»ö Öß»Öê/ úö»öê ²ÖÖ»Ö ¾ÖÖ Õ ü Öî Ö úö Æüß ÃŸÖê ÖÖ»Ö ú ëü 10. Use only Blue/Black Ball point pen. 11. úãöß ³Öß ÖÏ úö ü úö ÃÖÓ Ö Ö ú ( îú»ö ãú»öê ü ü) µöö» ÖÖ Ö êü²ö»ö Ö ü úö 11. Use of any calculator or log table etc., is prohibited. ÖϵÖÖê Ö ¾ÖÙ ÖŸÖ Æîü 12. There is no negative marks for incorrect answers. 12. Ö»ÖŸÖ ˆ Ö üöë êú»ö úöê Ô Ó ú úö êü ÖÆüà ÖÖ Ñ Öê D-0109 J P.T.O.
2 DANCE / DRAMA / THEATRE Paper II SPECIAL INSTRUCTIONS 1. Candidates are required to answer all the 25 questions in Part-I, which are compulsory. They should also select any one from Part-II and Part-III and answer all the 25 questions of that Part only. Each question carries two marks. 2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part Number which they have selected. PART I Common to Dance / Drama / Theatre 1. Match List I with List II : List I List II (a) narthaki.com (i) Akanth Sabarmati (b) kutcheri.buzz (ii) dance website (c) Satyadev Dubey (iii) music dance website (d) Madhu Rye (iv) Andha Yug (A) (ii) (i) (iv) (iii) (ii) (iii) (iv) (i) (i) (iii) (ii) (iv) (D) (iii) (iv) (i) (ii) 2. The most important thing for an actor or dancer to become better is (A) to learn the computer to speak local language to practice long and hard (D) to study the traditional texts 3. Match List I with List II : List I List II (a) Suresh Avasti (i) Indian Theatre (b) Padma (ii) Asides Subramaniam (c) Adya Rengacharya (iii) Performance Tradition in India (d) N.C. Jain (iv) The Karanas, Sculptures (A) (iv) (iii) (ii) (i) (i) (ii) (iii) (iv) (iii) (iv) (i) (ii) (D) (ii) (i) (iv) (iii) 4. Mattavarani is (A) component of theatre component of dramatic plot aspect of Tan ava (D) aspect of Sthayibhava 5. Match List I with List II : List I List II (a) Prof. Sushil Kumar Saxena (i) Aesthetics (b) Nadira Babbar (ii) Choreographer (c) M.S. Sathyu (iii) Director (d) Kumudini (iv) Setting Lakhia (A) (ii) (i) (iv) (iii) (i) (ii) (iv) (iii) (i) (iii) (iv) (ii) (D) (iii) (ii) (i) (iv) 6. Match List I with List II : List I List II (a) Udaya Shankar (i) Bharath Natyam (b) Tughlaque (ii) Surya Ki Antim Kiran Se Suryaki Pehali Kiran Tak (c) Surender Verma (iii) Alkazi (d) Kittappa Pillai (iv) Kalpana (A) (ii) (i) (iv) (iii) (iii) (iv) (i) (ii) (iv) (iii) (ii) (i) (D) (i) (ii) (iii) (iv) Paper-II 2 J-6510
3 ÖéŸµÖ / ÖÖ ü ú / Óü Ö ÖÓ Ö ÖÏ Ö Ö Ö II ¾Ö ÖêÂÖ ÃÖæ Ö ÖÖ Ñ 1. Ö üß ÖÖ Öá ³ÖÖ Ö-I êú ÃÖ³Öß 25 ÖÏ ÖÖë êú ˆ Ö ü ëü µöæü ³ÖÖ Ö Ö¾ÖÖµÖÔ Æîü Ö üß ÖÖ Öá ³ÖÖ Ö-II Öî ü ³ÖÖ Ö-III Öë ÃÖê úãöß ú ³ÖÖ Ö êú ÃÖ³Öß 25 ÖÏ ÖÖë êú ˆ Ö ü ëü ÖÏŸµÖê ú ÖÏ Ö êú üöê Ó ú Æïü 2. Ö üß ÖÖ Öá Ö Öê ÖµÖ ÖŸÖ ³ÖÖ Ö úöê OMR ˆ Ö ü Ö Ö Öë à Ö ü ºþ Ö ÃÖê Ó úÿö ú ëü ³ÖÖ Ö I ÖéŸµÖ / ÖÖ ü ú / Óü Ö ÖÓ Ö ÃÖ³Öß êú»ö 1. ÃÖæ Öß I úöê ÃÖæ Öß II êú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ 4. Ö Ö¾ÖÖ ü Öß ŒµÖÖ Æîü? úß Ö : (A) Óü Ö ÖÓ Ö úö Ö ü ú ÃÖæ Öß I ÃÖæ Öß II ÖÖ ü ú êú»ööò ü úö Ö ü ú (a) ÖŸÖÔ úß. úöò Ö (i) Ö Óúšü ÃÖÖ²Ö ü ÖŸÖß ŸÖÖ ü¾ö úö Ö Ö (b) ú Öê üß.²ö Ö (ii) ÖéŸµÖ ¾Öê²ÖÃÖÖ ü (D) à ÖÖµÖß ³ÖÖ¾Ö úö Ö Ö (c) ÃÖŸµÖ êü¾ö æü²öê (iii) ÃÖÓ ÖßŸÖ ÖéŸµÖ ¾Öê²ÖÃÖÖ ü 5. ÃÖæ Öß I ÃÖê ÃÖæ Öß II ÃÖã Öê»ÖŸÖ úß Ö : (d) Ö Öã üöµö (iv) Ó ÖÖµÖã Ö ÃÖæ Öß I ÃÖæ Öß II (A) (ii) (i) (iv) (iii) (ii) (iii) (iv) (i) (i) (iii) (ii) (iv) (D) (iii) (iv) (i) (ii) 2. ú ³Ö ÖêŸÖÖ Ö¾ÖÖ ÖŸÖÔ ú úöê ²ÖêÆŸÖ ü ÆüÖê Öê êú»ö úãö ÖÆü ¾Ö ÖæË ÖÔü ²ÖÖŸÖ úß Ö¾Ö µö úÿöö ÆüÖêŸÖß Æîü? (A) Óú µöæ ü ü ÃÖß Ö ÖÖ Ã ÖÖ ÖßµÖ ³ÖÖÂÖÖ ²ÖÖê»Ö ÖÖ üß ÖÔ ÃÖ ÖµÖ ŸÖ ú ³µÖÖÃÖ ú ü ÖÖ (D) ÖÖ Óü Ö ü ú ÖÏÓ ÖÖë úöê ÖœÍü ÖÖ 3. ÃÖæ Öß I ŸÖ ÖÖ ÃÖæ Öß II úöê ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ÃÖã êü Ö ¾Öà Öß (i) ³ÖÖ üÿößµö Óü Ö ÖÓ Ö (b) Ö Ëü ÖÖ ÃÖã²ÖÎ Ö ÖµÖ Ö (ii) ÃÖ ËüÃÖ (c) Ö ËüµÖ Óü ÖÖ ÖÖµÖÔ (iii) ³ÖÖ üÿö Öë ³Ö ÖµÖ Ö Óü Ö üö (d) Ö.ÃÖß. Öî Ö (iv) ú ü Ö, Ö» Ö (A) (iv) (iii) (ii) (i) (i) (ii) (iii) (iv) (iii) (iv) (i) (ii) (D) (ii) (i) (iv) (iii) (a) ÖÏÖê. ÃÖã Öᯙ ãú ÖÖ ü ÃÖŒÃÖê ÖÖ (i) ÃÖÖï üµöô ÖÖÃ Ö (b) ÖÖ ü üö ²Ö²²Ö ü (ii) ÖéŸµÖ Ö ìü Ö Ö (c) Ö. ÃÖ. ÃÖ µöæ (iii) Ö ìü Ö ú (d) ãú Öã ü Öß»ÖÖ ÖµÖÖ (iv) ü µö ü Ö ÖÖ (A) (ii) (i) (iv) (iii) (i) (ii) (iv) (iii) (i) (iii) (iv) (ii) (D) (iii) (ii) (i) (iv) 6. ÃÖæ Öß I ŸÖ ÖÖ ÃÖæ Öß II úöê ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ˆ üµö ÖÓ ú ü (i) ³Ö üÿö ÖÖ ËüµÖ Ö (b) ŸÖã Ö»Ö ú (ii) ÃÖæµÖÔ úß Ó ŸÖ Ö ú ü Ö ÃÖê ÃÖæµÖÔ úß ÖÆü»Öß ú ü Ö ŸÖ ú (c) ÃÖã êü ü ¾Ö ÖÖÔ (iii)» úö Öß (d) úÿö ÖÖ Ö»»Ö Ô (iv) ú» Ö ÖÖ (A) (ii) (i) (iv) (iii) (iii) (iv) (i) (ii) (iv) (iii) (ii) (i) (D) (i) (ii) (iii) (iv) J Paper-II
4 7. Match items in List I with List II : List I List II (a) West (i) Kathputli Bengal (b) Andhra Pradesh (ii) Todde Gombe- Atta (c) Rajasthan (iii) Tolu Bommalatta (d) Karnataka (iv) Putul-natch (A) (iii) (i) (ii) (iv) (i) (ii) (iv) (iii) (ii) (i) (iii) (iv) (D) (iv) (iii) (i) (ii) 8. Select the correct sequence : (A) Sharad, Varsha, Vasant, Grishma. Grishma, Vasant, Sharad, Varsha. Vasant, Grishma, Varsha, Sharad. (D) Vasant, Grishma, Sharad, Varsha. 9. Pick the odd one out. The dance-dramas written by Poet Ravindranath Tagore are (A) Tasher Desh Adhe Adhure Chandalika (D) Dak Ghar 10. Match List I with List II : List I List II (a) World Theatre (i) 29 th April Day (b) World Dance (ii) 6 th June Day (c) Women s Day (iii) 27 th March (d) World (iv) 8 th March Environment Day (A) (ii) (iv) (i) (iii) (iii) (i) (iv) (ii) (iv) (ii) (iii) (i) (D) (i) (iii) (ii) (iv) 11. Assertion (A) : Rasa arises out of Tanmayatā, the self identification with aesthetic object. Reason (R) : Rasa is a pleasure which has no relationship with any real individual. (A) Both (A) and (R) are true. (A) is true, (R) is false. (R) is true, (A) is false. (D) Both(A) and (R) are false. 12. Assertion (A) : Notions of time and space determine the practice and conventions of all the arts. Reason (R) : All the traditional performing arts are ritual and season oriented. (A) (A) is true, (R) is true. (A) is false, (R) is false. (A) is true, (R) is false. (D) (A) is false, (R) is true. 13. Assertion (A) : Actors hide their faces behind masks. Reason (R) : Chau and Balinese masks speak a lot. (A) (A) is true, (R) is false. (A) and (R) are false. (A) and (R) are true. (D) (A) is false, (R) is true. 14. Assertion (A) : The stage lighting is one of the major aspects of a theatrical production. Reason (R) : Normally the back curtain is very dark. (A) (A) and (R) both are false. (A) and (R) both are true. (A) is false, (R) is true. (D) (A) is true, (R) is false. Paper-II 4 J-6510
5 7. ÃÖæ Öß I ŸÖ ÖÖ ÃÖæ Öß II úöê ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ÖÛ Ö Ö ²ÖÓ ÖÖ»Ö (i) úšü ÖãŸÖ»Öß (b) ÖÓ ÖÐ ÖÏ êü Ö (ii) ŸÖÖêøêü ÖÖê ²Öê- Ö Ëü (c) üö Öà ÖÖ Ö (iii) ŸÖÖê»Öã ²ÖÖê Ö»Ö Ö Ëü (d) ú ÖÖÔ ü ú (iv) ÖãŸÖã»Ö ÖÖ Ö (A) (iii) (i) (ii) (iv) (i) (ii) (iv) (iii) (ii) (i) (iii) (iv) (D) (iv) (iii) (i) (ii) 8. ÃÖÆüß Îú Ö Öã ÖµÖê : (A) Ö ü ü, ¾ÖÂÖÖÔ, ¾ÖÃÖÓŸÖ, ÖÏßÂ Ö ÖÏß Ö, ¾ÖÃÖÓŸÖ, Ö ü ü, ¾ÖÂÖÖÔ ¾ÖÃÖÓŸÖ, ÖÏß Ö, ¾ÖÂÖÖÔ, Ö ü ü (D) ¾ÖÃÖÓŸÖ, ÖÏß Ö, Ö ü ü, ¾ÖÂÖÖÔ 9. ¾ÖÂÖ Ö úöê Öã Ö : ú ¾Ö¾Ö ü ü ¾Ö ü ÖÖ Ö îü ÖÖê ü úß»ö Öß Ö韵Ö- ÖÖ ü úö Ñ Æïü (A) ŸÖÖ Öê ü êü Ö Ö Öê Öæ êü ÖÖ üö»ö úö (D) üö ú Ö ü 10. ÃÖæ Öß I úöê ÃÖæ Öß II êú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ¾Ö ¾Ö Óü Ö ÖÓ Ö ü¾öãö (i) 29 ÖÏî»Ö (b) ¾Ö ¾Ö ÖéŸµÖ ü¾öãö (ii) 6 Öæ Ö (c) Ö Æü»ÖÖ ü¾öãö (iii) 27 ÖÖ ÖÔ (d) ¾Ö ¾Ö ÖµÖÖÔ¾Ö ü Ö (iv) 8 ÖÖ ÖÔ ü¾öãö (A) (ii) (iv) (i) (iii) (iii) (i) (iv) (ii) (iv) (ii) (iii) (i) (D) (i) (iii) (ii) (iv) 11. ³Ö ú Ö Ö (A) : üãö, ŸÖ ÖµÖŸÖÖ ÖÖÔŸÖË ú»ööÿ Ö ú ¾ÖßÖã êú ÃÖÖ Ö ŸÖÖ üöÿ µö à ÖÖ ÖŸÖ ú ü Öê ÃÖê ˆŸ Ö Ö ÆüÖêŸÖÖ Æîü úö ü Ö (R) : üãö ú Ö ÖÓ ü Æîü ÖÃÖ úö úãöß µö ÖÖ ÖÔ ¾µÖÛŒŸÖ ÃÖê ÃÖÓ²ÖÓ Ö ÖÆüà ÆüÖêŸÖÖ (A) (A) ŸÖ ÖÖ (R) üöê ÖÖë ÃÖÆüß Æïü (A) ÃÖÆüß Æîü (R) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü (A) Ö»ÖŸÖ Æîü (D) (A) ŸÖ ÖÖ (R) üöê ÖÖë Ö»ÖŸÖ Æïü 12. ³Ö ú Ö Ö (A) : úö»ö ŸÖ ÖÖ Ã ÖÖ Ö úß ÖÖ ü ÖÖ Ñ ú»öö Öë úß ÖÏßÖã ŸÖ ¾ÖÓ ºþ œíüµööë úö Ö ÖÖÔ ü Ö ú üÿöß Æïü úö ü Ö (R) : ÃÖ³Öß ÖÖ Óü Ö ü ú ÖÓ ÖßµÖ ú»öö Ñ ÖãšüÖ ÖÖë ŸÖ ÖÖ ŠúŸÖã Öë êú ÖÏ ŸÖ ˆ Öã Ö ÆüÖêŸÖß Æïü (A) (A) ÃÖÆüß Æîü (R) ÃÖÆüß Æîü (A) Ö»ÖŸÖ Æîü (R) Ö»ÖŸÖ Æîü (A) ÃÖÆüß Æîü (R) Ö»ÖŸÖ Æîü (D) (A) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü 13. ³Ö ú Ö Ö (A) : ³Ö ÖêŸÖÖ Ö Ö Ö Öê ÖêÆü êü úöê Öã ÖÖî üöë êú Öß êû û ÖÖŸÖê Æïü úö ü Ö (R) : ûö ú ŸÖ ÖÖ ²Öê»Öê Öß Ö Öã ÖÖî êü ²ÖÆãüŸÖ ãú û ¾µÖÓ ÖŸÖ ú ü êüÿöê Æïü (A) (A) ÃÖÆüß Æîü (R) Ö»ÖŸÖ Æîü (A) ŸÖ ÖÖ (R) Ö»ÖŸÖ Æïü (A) ŸÖ ÖÖ (R) ÃÖÆüß Æïü (D) (A) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü 14. ³Ö ú Ö Ö (A) : ÖÓ Ö Ö ü ÖÏ úö Ö-¾µÖ¾Öà ÖÖ ÖÓ ÖßµÖ ÖÏßÖã ŸÖ úö ú ÖÏ Öã Ö ÖÆü»Öæ Æîü úö ü Ö (R) : ÃÖÖ ÖÖ µöÿö: ²Öî ú ú ìü Ö ÖÆü êü úö»öê Óü Ö úö ÆüÖêŸÖÖ Æîü (A) (A) ŸÖ ÖÖ (R) üöê ÖÖë Ö»ÖŸÖ Æïü (A) ŸÖ ÖÖ (R) üöê ÖÖë ÃÖÆüß Æïü (A) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü (D) (A) ÃÖÆüß Æîü (R) Ö»ÖŸÖ Æîü J Paper-II
6 15. Assertion (A) : Paper is very costly and not easily available in Orissa. Reason (R) : A lot of paper is used for making Chhau masks. (A) (A) is false, (R) is true. (A) is true, (R) is false. (A) and (R) are false. (D) (A) and (R) are true. 16. Which is the wrong pair? (A) Bhandarkar Research Oriental Institution Sangit Natak Granting Akademi Body University Fellowship Grants Commission (D) Ford Philanthropic Foundation body 17. Pick the odd pair out. (A) Mallika Sita s daughter Sarabhai Girish Hayvadana Karnad Protima Modern Dance Bedi (D) Shyamanand Evam Indrajit Jalan 18. Pick the odd pair out. (A) Kovalan Panikar Jeevan Pani Ratan Thaiyam (D) Veenapani Chawla Sopanam Puppet Drama Adishakti 19. The funding in the area of culture in India is given by (A) India Arts Foundation Nehru Foundation Fulbright Foundation (D) All of the above 20. Identify the correct sequence : (A) Shankuka, Abhinava Gupta, Sharada Tanaya, Pundarika Vitthala. Abhinava Gupta, Shankuka, Sharada Tanaya, Pundarika Paper-II 6 J-6510 Vitthala. Shankuka, Abhinava Gupta, Pundarika Vitthala, Sharada Tanaya. (D) Abhinava Gupta, Sharada Tanaya, Shankuka, Pundarika Vitthala. 21. Krishna is (A) Sāmānya Dhiroddhata Shatha (D) Dheer-lalit 22. The highest award awarded to a performing artist in India, is (A) The Nobel Prize Bharatratna SNA Fellowship (D) Padmavibhushana 23. The chair persons of Central Sangit Natak Akademi were (A) Ram Niwas Mirdha Sonal Mansinh Narayan Menon (D) All of the above 24. Whose brain child is the dance annual Attendance? (A) Mohan Khokar Ashish Khokar Anita Ratnam (D) Ratan Thaiyam 25. Assertion (A) : It is essential for Dancers and Actors to learn Vachika and Angika Abhinaya. Reason (R) : They can project themselves with better make-up. Codes : (A) Both (A) and (R) are true. (A) is true, (R) is false. Both (A) and (R) are false. (D) (A) is false, (R) is true.
7 15. ³Ö ú Ö Ö (A) : úö Ö Ö úß úß ÖŸÖ ²ÖÆãüŸÖ Ö ú Æîü ŸÖ ÖÖ µöæü ˆ ÍüßÃÖÖ Öë ÖÃÖÖ Öß ÃÖê ˆ Ö»Ö² Ö ÖÆüà Æîü úö ü Ö (R) : ûö ú Öã ÖÖî êü êú Ö ÖÖÔ Ö Öë ²ÖÆãüŸÖ Ö ú úö Ö Ö»Ö ÖŸÖÖ Æîü (A) (A) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü (A) ÃÖÆüß Æîü (R) Ö»ÖŸÖ Æîü (A) ŸÖ ÖÖ (R) üöê ÖÖë Ö»ÖŸÖ Æïü (D) (A) ŸÖ ÖÖ (R) üöê ÖÖë ÃÖÆüß Æïü 16. úöî Ö ÃÖÖ µöã Ö Ö»ÖŸÖ Æîü? (A) ³ÖÓ üö ü ú ü Öê ü ü»ö Û Ã ü üµöæ ü ÃÖÓ ÖßŸÖ ÖÖ ü ú úö ü Öß µöæ Ö¾ÖÙÃÖ üß ÖÏÖ ËüÃÖ ú Öß Ö Ö (D) ±úöê Ôü ±úöˆ êü Ö Ö 17. ¾ÖÂÖ Ö úöê Öã ÖµÖê : (A) ÖÛ»»Ö úö ÃÖÖ üö³öö Ô Ö ü Ö ú ÖÖÔ ü ÖÏÖê ŸÖ ÖÖ ²Öê üß (D) µöö ÖÖ Ö ü ÖÖ»Ö Ö ÖÖê Ö Öã üö Ö êü Öê ¾ÖÖ»Öß ÃÖÓà ÖÖ ±êú»ööê Ö Ö»ÖÖê úöê Ö úö ü ú ÃÖÓà ÖÖ ÃÖߟÖÖ Ö üöò ü ü ÆüµÖ¾Ö ü Ö ÖÖò ü ÖÔ üö ÃÖ Ô¾Ö Ö ü ÖŸÖ 18. ¾ÖÂÖ Ö úöê Öã ÖµÖê : (A) úöê¾ö»ö Ö ÖÖ Öß ú ü ÃÖÖê ÖÖ Ö ÖË Öß¾Ö Ö ÖÖ Öß Ö Öê ü üÿö Ö ÖîµÖ ÖË ÖÖ ü ú (D) ¾Öß ÖÖ ÖÖ Öß ÖÖ¾Ö»ÖÖ Ö ü ÖÛŒŸÖ 19. ³ÖÖ üÿö Öë ÃÖÓà éú ŸÖ êú Öê Ö Öë ¾Ö Ö- ÖÖêÂÖ Ö úãö êú «üö üö úµöö ÖÖŸÖÖ Æî? (A) Û üµöö Ö ÔËüÃÖ ±úöˆ êü Ö Ö ÖêÆüºþ ±úöˆ êü Ö Ö ±ãú»ö²öîö ü ±úöˆ êü Ö Ö (D) ˆ Ö üöêœÿö ÃÖ³Öß «üö üö 20. ÃÖÆüß Îú Ö ÖÆü ÖÖ Ö (A) ÖÓ ãú ú, ³Ö Ö¾Ö Öã ŸÖ, ÖÖ ü üöÿö ÖµÖ, ÖãÓ ü ü ú ¾Ö½ü»Ö ³Ö Ö¾Ö Öã ŸÖ, ÖÓ ãú ú, ÖÖ ü üöÿö ÖµÖ, J Paper-II ÖãÓ ü ü ú ¾Ö½ü»Ö ÖÓ ãú ú, ³Ö Ö¾Ö Öã ŸÖ, ÖãÓ ü ü ú ¾Ö½ü»Ö, ÖÖ ü üöÿö ÖµÖ (D) ³Ö Ö¾Ö Öã ŸÖ, ÖÖ ü üöÿö ÖµÖ, ÖÓ ãú ú, ÖãÓ ü ü ú ¾Ö½ü»Ö 21. éúâ Ö Æîü (A) ÃÖÖ ÖÖ µö Öß üöê üÿö Öšü (D) Öß ü»ö»öÿö 22. ³ÖÖ üÿö Öë Óü Ö ÖÓ Ö ú»öö úö ü úöê üµöö ÖÖ Öê ¾ÖÖ»ÖÖ ÃÖ¾ÖÖì Ö ÃÖ ÖÖ Ö (A) ÖÖê²Öê»Ö Öã üã úö ü ³ÖÖ üÿö üÿ Ö ÃÖ. Ö.. ±êú»ööê Ö Ö (D) Ö ¾Ö³ÖæÂÖ Ö 23. úöî Ö- úöî Ö»ÖÖê Ö ëú üßµö ÃÖÓ ÖßŸÖ ÖÖ ü ú úö ü Öß êú µö Ö Öê? (A) üö Ö Ö¾ÖÖÃÖ Ö ÖÖÔ ÃÖÖê Ö»Ö ÖÖ ÖØÃÖÆü ÖÖ üöµö Ö Öê Ö Ö (D) ˆ Ö üöêœÿö ÃÖ³Öß 24. ÖéŸµÖ Ö ü ¾ÖÖÙÂÖ ú ÖÏ úö Ö Ö ëü ëüãö úãö êú ÖÛßÖ ú úß ˆ Ö Ö Æîü? (A) ÖÖêÆü Ö ÖÖê ú ü Ö ÖÂÖ ÖÖê ú ü ÖŸÖÖ üÿ Ö ÖË (D) üÿö Ö ÖîµÖ ÖË 25. ³Ö ú Ö Ö (A) : ÖŸÖÔ úöë ŸÖ ÖÖ ³Ö ÖêŸÖÖ Öë êú»ö ¾ÖÖ Ö ú ŸÖ ÖÖ ÖÓ Ö ú ³Ö ÖµÖ ÃÖß Ö ÖÖ Ö¾Ö µö ú Æîü úö ü Ö (R) : ¾Öê þֵÖÓ úöê ²ÖêÆüŸÖ ü Óü Ö³ÖæÂÖÖ êú ÃÖÖ Ö ¾µÖŒŸÖ ú ü ÃÖ úÿöê Æïü æú ü : (A) (A) Öî ü (R) ÃÖÆüß (A) ÃÖÆüß (R) Ö»ÖŸÖ (A) Öî ü (R) Ö»ÖŸÖ (D) (A) Ö»ÖŸÖ (R) ÃÖÆüß
8 Part II DANCE 26. Pick the odd pair out. 30. The Other Festival is now known as (A) Bharata Sarangadeva Mohan Khokar Natyashastra Sangita Ratnakar Dance of India (A) The Surya Festival One Billion Eyes The (Park) New Festival (D) The Swarnim Festival (D) Matanga Bruhatdesi 27. Pick the odd pair out. (A) Tatkar Ghungaroo Lasyanga Bharatr ava Purvaranga Odissi (D) Natuvangam Talam 31. For Indian Classical dance Queen of Abhinaya is (A) Smt. Kalanidhi Narayan Smt. Balasaraswati Rani Karna (D) Sumyukta Panigrahi 28. The post modern Choreographer who died last year is (A) Chandralekha Merce-Cunningham Alwin Nikolai (D) Martha Graham 29. The government agency, connected to dance education is (A) SNA UGC IGNCA (D) ICCR 32. Match List I with List II : List I List II (a) Vadi (i) Uparupaka (b) Sankirna (ii) Swara (c) Dhrutam (iii) Jāti (d) Charchari (iv) Symbol (A) (ii) (iii) (iv) (i) (iii) (ii) (iv) (i) (i) (iv) (ii) (iii) (D) (i) (ii) (iii) (iv) Paper-II 8 J-6510
9 26. ¾ÖÂÖ Ö úöê Öã ÖµÖê : (A) ³Ö üÿö ÃÖÖ Óü Ö êü¾ö ÖÖêÆü Ö ÖÖê ú ü (D) ÖŸÖÓ Ö ÖÖ ËüµÖ ÖÖÃ Ö ÃÖÓ ÖßŸÖ üÿ ÖÖ ú ü üö ÃÖ Öò±ú Û üµöö ²ÖéÆüŸÖ êüãöß ³ÖÖ Ö II ÖéŸµÖ 30. Ö ü ÖÖë ü ü ü ±êúûã ü¾ö»ö úöê úæüÿöê Æïü (A) ü ÃÖæµÖÖÔ ±êúûã ü¾ö»ö ¾Ö Ö ²Ö»Ö Ö Ö Ö ü ( ÖÖ Ôú) µöæ ±êúûã ü¾ö»ö (D) ü þÖÙ Ö Ö ±êúûã ü¾ö»ö 27. ¾ÖÂÖ Ö úöê Öã ÖµÖê : (A) ŸÖŸ úö ÖãÓ Öºþ»ÖÖõÖÖÓ Ö ³ÖŸÖÖÔ Ö¾Ö Öæ¾ÖÔ Óü Ö Öê üãöß (D) Ö ãü¾öö Ö ÖË ŸÖÖô Ö 31. ³ÖÖ üÿößµö ÖÖà ÖßµÖ ÖéŸµÖ êú»öµöê ³Ö ÖµÖ úß ÃÖÖ ÖÏÖ Öß Æîü (A) ÁÖß ÖŸÖß ú»öö Ö Öß ÖÖ üöµö Ö ÁÖß ÖŸÖß ²ÖÖ»ÖÖÃÖ üã¾öÿöß üö Öß ú ÖÖÔ (D) ÃÖÓµÖ㌟ÖÖ ÖÖ Öß ÖÏÆüß 28. ÖÖêà ü ÖÖò ü ÖÔ úöê ü Öê ÖÏÖ±ú ü, Ö Ö úö ÖŸÖ ¾ÖÂÖÔ êüæüö ŸÖ Æãü Ö (A) ÖÓ ü»öê ÖÖ ÖÃÖÔ úø Ö Ö Ö Û»¾Ö Ö Ö úöê»öö Ô (D) ÖÖ ÖÖÔ ÖÏÖÆü Ö 32. ÃÖæ Öß I úöê ÃÖæ Öß II ÃÖê ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ¾ÖÖ üß (i) ˆ Öºþ Ö ú (b) ÃÖÓ úß ÖÔ (ii) Ã¾Ö ü (c) ÖéŸÖ ÖË (iii) ÖÖ ŸÖ (d) Ö ÖÔ üß (iv) ÃÖÓ ÖÖ 29. ÖéŸµÖ Ö ÖÖ ÃÖê Öã ÍüÖ ÃÖ ü úö üß ÃÖÓà ÖÖ Ö (A) ÃÖ Ö µöæ Öß ÃÖß Ö Öß Ö ÃÖß (D) Ö ÃÖß ÃÖß Ö ü úöê : (A) (ii) (iii) (iv) (i) (iii) (ii) (iv) (i) (i) (iv) (ii) (iii) (D) (i) (ii) (iii) (iv) J Paper-II
10 33. Match List I with List II : List I (a) Kalaghoda Festival (b) Kalakshetra (c) Kabir Festival List II (i) Chennai (ii) Bhopal (iii) New Delhi (d) Ananya Festival (iv) Mumbai 35. Assertion (A) : NS is a text written on Dramatic Criticism. Reason (R) : It is written by practising Indian Classical Musician. (A) (A) is false, (R) is true. (R) is false, (A) is true. (A) and (R) both are true (D) (A) and (R) both are false. (A) (ii) (iii) (i) (iv) (iii) (i) (iv) (ii) (iv) (i) (ii) (iii) (D) (i) (ii) (iv) (iii) 34. Match List I with List II : List I (a) Mallika Sarabhai (b) Leela Sampson (c) Rajendra Gangani (d) Margi Sati List II (i) Acharya (ii) Padmabhushan (iii) Scholar (iv) Director (A) (ii) (iv) (iii) (i) (ii) (iv) (i) (iii) (iv) (iii) (i) (ii) (D) (iv) (i) (ii) (iii) 36. Assertion (A) : Youngsters today learn more than one form of classical dance. Reason (R) : It is appreciated in the reality dance shows on the TV. (A) (A) is true, but (R) is false. (A) and (R) both are true. (A) and (R) both are false. (D) (A) is false, but (R) is true. 37. Identify the correct sequence : (A) Satvika, Angika, Vachika, Aharya. Satvika, Vachika, Angika, Aharya. Angika, Vachika, Aharya, Satvika. (D) Angika, Vachika, Satvika, Aharya. Paper-II 10 J-6510
11 33. ÃÖæ Öß I úöê ÃÖæ Öß II ÃÖê ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I (a) úö»öö ÖÖê ÍüÖ ±êú à ¾Ö»Ö (b) ú»öö Öê Ö (c) ú²öß ü ±êú à ¾Ö»Ö (d) Ö µö ±êú à ¾Ö»Ö (i) ÃÖæ Öß II Öê Ö Ô (ii) ³ÖÖê ÖÖ»Ö (iii) Ö Ô ü»»öß (iv) Öã ²Ö Ô (A) (ii) (iii) (i) (iv) (iii) (i) (iv) (ii) (iv) (i) (ii) (iii) (D) (i) (ii) (iv) (iii) 34. ÃÖæ Öß I úöê ÃÖæ Öß II ÃÖê ÃÖã Öê»ÖŸÖ úß Ö : 35. ³Ö ú Ö Ö (A) : Ö. ÃÖ. ÖÖ ü ú úß ÃÖ ÖÖ»ÖÖê Ö ÖÖ ÃÖê ÃÖÓ²ÖÓ ÖŸÖ ú ÖÏÓ Ö Æîü úö ü Ö (R) : ÃÖ úö»öê Ö Ö ú ÖÏîÛŒ üøãö Ö ³ÖÖ üÿößµö ÖÖà ÖßµÖ ÃÖÓ ÖßŸÖ úö ü Öê úµöö Æîü (A) (A) Ö»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü (R) Ö»ÖŸÖ Æîü, (A) ÃÖÆüß Æîü (A) Öî ü (R) üöê ÖÖë ÃÖÆüß Æïü (D) (A) Öî ü (R) üöê ÖÖë Ö»ÖŸÖ Æïü 36. ³Ö ú Ö Ö (A) : ÖÖî Ö¾ÖÖ Ö Ö Ö ú ÃÖê µöö üö ÖÖà ÖßµÖ Ö韵Ö- ÖÏ úö ü ÃÖß ÖŸÖê Æïü úö ü Ö (R) : üß.¾öß. Ö ü ÖéŸµÖ êú üµö»ö üß ÖÖê Öë ÃÖê µöö üö ÖÃÖÓ ü úµöö ÖÖŸÖÖ Æîü ÃÖæ Öß I (a) ÖÛ»»Ö úö ÃÖÖ üö³öö Ô (b)»öß»öö ÃÖî ÃÖ Ö (c) üö Öê ü ÖÖÓ ÖÖ Öß (d) ÖÖ Öá ÃÖŸÖß ÃÖæ Öß II (i) Ö ÖÖµÖÔ (ii) Ö ³ÖæÂÖ Ö (iii) à úöò»ö ü (iv) üöµö êüœ ü ü (A) (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (A) ¾ÖÓ (R) üöê ÖÖë ÃÖÆüß Æïü (A) ¾ÖÓ (R) üöê ÖÖë Ö»ÖŸÖ Æïü (D) (A) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü (A) (ii) (iv) (iii) (i) (ii) (iv) (i) (iii) (iv) (iii) (i) (ii) (D) (iv) (i) (ii) (iii) 37. ÃÖÆüß Îú Ö ŒµÖÖ Æîü? (A) ÃÖÖÛŸ¾Ö ú, ÖÓ Ö ú, ¾ÖÖ Ö ú, ÖÆüÖµÖÔ ÃÖÖÛŸ¾Ö ú, ¾ÖÖ Ö ú, ÖÓ Ö ú, ÖÆüÖµÖÔ ÖÓ Ö ú, ¾ÖÖ Ö ú, ÖÆüÖµÖÔ, ÃÖÖÛŸ¾Ö ú (D) ÖÓ Ö ú, ¾ÖÖ Ö ú, ÃÖÖÛŸ¾Ö ú, ÖÆüÖµÖÔ J Paper-II
12 38. Identify the correct sequence. (A) Bhava, Anubhava, Vibhava, Vyabhichari. Bhava, Vibhava, Anubhava, Vyabhichari. Bhava, Vyabhichari, Vibhava, Anubhava. (D) Vibhava, Anubhava, Bhava, Vyabhichari. 41. Nitya Raas is performed in (A) Manipuri Kathak Orissi (D) Mohiniattam 39. Assertion (A) : Vedic Hymns are the earliest examples of Sacred Music in India. Reason (R) : Gita Govinda is an important piece of Sacred music in India. (A) (A) is true, (R) is false. (R) is true, (A) is false Both (A) & (R) are true. (D) Both (A) and (R) are false. 42. Miniature paintings are popular for depicting (A) Angahaarās Raga Rāginis Poetry (D) Tāla 40. Match List I with List II : List I List II (a) Mārga (i) Opera (b) Rāmanātakam (ii) Sthānaka (c) Tribhangi (iii) Desi (d) Avalokita (iv) Drish i (A) (ii) (i) (iii) (iv) (i) (iii) (ii) (iv) (iii) (i) (ii) (iv) (D) (iii) (i) (iv) (ii) 43. Assertion (A) : In Kuravanji Natakam, Kuratti performs a lighter form of dance. Reason (R) : Kuravanji is set to both classical music and dance. (A) Both (A) & (R) are false. (A) is true, (R) is false. (R) is true, (A) is false. (D) Both (A) and (R) are true. Paper-II 12 J-6510
13 38. ÃÖÆüß Îú Ö ŒµÖÖ Æîü? (A) ³ÖÖ¾Ö, Öã³ÖÖ¾Ö, ¾Ö³ÖÖ¾Ö, ¾µÖ ³Ö ÖÖ üß ³ÖÖ¾Ö, ¾Ö³ÖÖ¾Ö, Öã³ÖÖ¾Ö, ¾µÖ ³Ö ÖÖ üß ³ÖÖ¾Ö, ¾µÖ ³Ö ÖÖ üß, ¾Ö³ÖÖ¾Ö, Öã³ÖÖ¾Ö (D) ¾Ö³ÖÖ¾Ö, Öã³ÖÖ¾Ö, ³ÖÖ¾Ö, ¾µÖ ³Ö ÖÖ üß 39. ³Ö ú Ö Ö (A) : ¾Öê üöë êú ßÖÖê Ö ³ÖÖ üÿö Öë ÖÖÙ Ö ú ÃÖÓ ÖßŸÖ êú ˆ üöæü ü Ö Æïü úö ü Ö (R) : ³ÖÖ üÿö Öë ÖßŸÖ ÖÖêØ¾Ö ü ÖÖÙ Ö ú ÃÖÓ ÖßŸÖ úö ú ÖÆü ¾Ö Öæ ÖÔ ÖÏÓ Ö Æîü (A) (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü, (A) Ö»ÖŸÖ Æîü (A) ŸÖ ÖÖ (R) üöê ÖÖë ÃÖÆüß Æïü (D) (A) ŸÖ ÖÖ (R) üöê ÖÖë Ö»ÖŸÖ Æïü 40. ÃÖæ Öß I úöê ÃÖæ Öß II êú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ÖÖ ÖÔ (i) Öò Öê üö (b) üö Ö ÖÖ ü ú ÖË (ii) à ÖÖ Ö ú (c) Ö³ÖÓ Öß (iii) êü Öß (d) ¾Ö»ÖÖê úÿö (iv) üûâ ü (A) (ii) (i) (iii) (iv) (i) (iii) (ii) (iv) (iii) (i) (ii) (iv) (D) (iii) (i) (iv) (ii) 41. ÖŸµÖ üöãö úµöö ÖÖŸÖÖ Æîü (A) Ö Ö Öã üß ú Ö ú Öê üßãöß (D) ÖÖê Æü Öß ¼ü ÖË 42. Ö Ö Ö ü ÖëØ ü Ö, Ö Ö»Ö ÖŸÖ Öë ÃÖê úãö êú Ö Ö Ö êú»ö»ööê ú Ö쵅 Æîü? (A) Ó ÖÆüÖ üöë üö Ö- üö Ö ÖµÖÖÑ ú ¾ÖŸÖÖ (D) ŸÖÖ»Ö 43. ³Ö ú Ö Ö (A) : ãú ü¾öó Öß ÖÖ ü ú ÖË Öë ãú ü Ö ÖéŸµÖ êú ú ˆ Ö ºþ Ö úöê ÖÏßÖãŸÖ ú üÿöß Æîü úö ü Ö (R) : ãú ü¾öó Öß Öë üöê ÖÖë ÖÖà ÖßµÖ ÃÖÓ ÖßŸÖ ŸÖ ÖÖ ÖéŸµÖ üöê ÖÖë úöê ÖÏßÖãŸÖ úµöö ÖÖŸÖÖ Æîü (A) (A) ŸÖ ÖÖ (R) üöê ÖÖë Ö»ÖŸÖ Æïü (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (R) ÃÖÆüß Æîü, (A) Ö»ÖŸÖ Æîü (D) (A) ŸÖ ÖÖ (R) üöê ÖÖë ÃÖÆüß Æïü J Paper-II
14 44. Mohiniattam is a style of (A) Bhārati vritti Kaisiki Vritti Sāttvati Vritti (D) Ārabha i Vritti 45. Author of Daśaroopaka (A) Nandikeśwara Dhananjaya Ahobala (D) Sharadatanaya 46. Match List I with List II : List I List II 47. Sequence correctly. (A) Kalākshetra, Kalamandalam, Kathak Kendra, Shanti Niketan Kalāmandalam, Shantiniketan, Kalakshetra, Kathak Kendra. Shanti Niketan, Kalakshetra, Kalamandalam, Kathak Kendra. (D) Kalāmandalam, Kalākshetra, Shānti Niketan, Kathak Kendra. 48. Musical form(s) adopted in classical dance (A) Thumri Tarangam Pada Varnam (a) Kapila Vatsyayan (i) Drums (D) All of the above (b) Pung Cholam (ii) Natya Shastra (c) Kutup (iii) Abhinaya Darpana (d) Nandikeśwara (iv) Scholar (A) (iv) (ii) (iii) (i) (iv) (iii) (ii) (i) (iii) (ii) (i) (iv) (D) (iv) (i) (ii) (iii) 49. Chajja is a folk dance of (A) Rajasthan Bihar Himachal Pradesh (D) Jammu 50. Chandas correspond to (A) Poetic matra Verses Tāla (D) Āvarta Paper-II 14 J-6510
15 44. ÖÖê Æü Öß ¼ü ÖË Öë Æîü (A) ³ÖÖ üÿöß ¾Öé Ö îú ÃÖ úß ¾Öé Ö ÃÖÖŸ¾ÖŸÖß ¾Öé Ö (D) ü³ö Öß ¾Öé Ö 45. ü Öºþ Ö ú úö»öê Ö ú úöî Ö Æîü? (A) Ö üß êú ¾Ö ü Ö ÖÓ ÖµÖ ÆüÖê²ÖÖ»Ö (D) ÖÖ ü üöÿö ÖµÖ 46. ÃÖæ Öß I úöê ÃÖæ Öß II ÃÖê ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I (a) ú Ö»ÖÖ ¾Ö֟õÖÖµÖ Ö (b) ÖãÓ Ö ÖÖê»Ö Ö (c) ãúÿöã Ö (d) Ö üß êú ¾Ö ü ÃÖæ Öß II (i) Òü ÃÖ ( Ö Ö¾ÖÖ ËüµÖ) (ii) ÖÖ ËüµÖ ÖÖÃ Ö (iii) ³Ö Ö¾Ö ü ÖÔ Ö (iv) ¾Ö«üÖ Ö 47. ÃÖÆüß Îú Ö Öë»Ö ÖµÖê : (A) ú»öö Öê Ö, ú»öö ÖÓ ü»ö ÖË, ú Ö ú êú ü, ÖÖÓ ŸÖ Ö êúÿö Ö ú»öö ÖÓ ü»ö ÖË, ÖÖÛ ŸÖ Ö êúÿö Ö, ú»öö Öê Ö, ú Ö ú êú ü ÖÖÛ ŸÖ Ö êúÿö Ö, ú»öö Öê Ö, ú»öö ÖÓ ü»ö ÖË, ú Ö ú êú ü (D) ú»öö ÖÓ ü»ö ÖË, ú»öö Öê Ö, ÖÖÛ ŸÖ Ö êúÿö Ö, ú Ö ú êú ü 48. ÖÖà ÖßµÖ ÖéŸµÖ Öë úãö / ú Ö ÃÖÓ ÖßŸÖ êú þֺþ ÖÖë úö ˆ ÖµÖÖê Ö ÆüÖêŸÖÖ Æîü? (A) šãü Ö üß ŸÖ Óü Ö ÖË Ö ü¾ö ÖÔ ÖË (D) ˆ Ö üöêœÿö ÃÖ³Öß 49. û ÖÖ»ÖÖê ú ÖéŸµÖ Æîü (A) üö Öà ÖÖ Ö ²ÖÆüÖ ü (D) Ö Öæ Æü ÖÖ Ö»Ö ÖÏ êü Ö (A) (iv) (ii) (iii) (i) (iv) (iii) (ii) (i) (iii) (ii) (i) (iv) (D) (iv) (i) (ii) (iii) 50. Óû ü Æîü (A) ú ¾ÖŸÖÖ úß ÖÖ ÖÖ J Paper-II Ö ü ŸÖÖ»Ö (D) Ö¾ÖŸÖÔ
16 Part III DRAMA/THEATRE 26. Match the List I with List II : List I (a) Tamasha (b) Nautanki List II (i) Kerala (ii) Uttar Pradesh (c) Bhagavatmela (iii) Maharashtra (d) Kudiyattam (A) (iii) (ii) (iv) (i) (iv) (i) (ii) (iii) (ii) (iii) (iv) (i) (D) (i) (ii) (iii) (iv) (iv) Tamil Nadu 27. Assertion (A) : An actor must have the knowledge of pitch and rhythm to be a good performer. Reason (R) : Because he/she must have a sense of understanding audience. (A) (A) is true, (R) is false. (A) is true, (R) is true. (A) is false, (R) is true. (D) (A) is false, (R) is false. 28. Which theatre has the multiple stages? (A) Kabuki Greek Globe (D) Roman 29. The correct order of the Karyavastha is (A) Yatna, Ārambha, Niyatāpti, Prāptyā ā, Phalāgama. Ārambha, Niyatāpti, Phalagama, Prāptyā ā, Yatna. Ārambha, Yatna, Prāptyā ā, Niyatāpti, Phalāgama. (D) Phalāgam, Yatna, Prāptyā ā, Ārambha, Niyatāpti. 30. Match the List I with List II : List I (a) Italy (b) England (c) China (d) Japan List II (i) Peking Opera (ii) Globe Theatre (iii) Nōh (iv) Commedia dell arte (A) (iii) (i) (iv) (ii) (iv) (i) (ii) (iii) (ii) (iii) (iv) (i) (D) (iv) (ii) (i) (iii) 31. Assertion (A) : Theatre cannot exist without written text. Reason (R) : Commedia dellarte is the best example of Theatre of improvisation. (A) (A) is false, (R) is true. (A) is true, (R) is false. (A) is false, (R) is false. (D) (A) is true, (R) is true. Paper-II 16 J-6510
17 ³ÖÖ Ö III ÖÖ ü ú / Óü Ö ÖÓ Ö 26. ÃÖæ Öß I úöê ÃÖæ Öß II ÃÖê ÃÖã Öê»ÖŸÖ úß Ö ÃÖæ Öß I (a) ŸÖ ÖÖ ÖÖ (b) ÖÖî Óü úß (c) ³ÖÖ Ö¾ÖŸÖ Öê»ÖÖ (d) ãú üüµöö¼ü Ö (i) êú ü»ö ÃÖæ Öß II (ii) ˆ Ö ü ÖÏ êü Ö (iii) ÖÆüÖ üöâ Òü (iv) ŸÖ Ö»Ö ÖÖ ãü (A) (iii) (ii) (iv) (i) (iv) (i) (ii) (iii) (ii) (iii) (iv) (i) (D) (i) (ii) (iii) (iv) 27. ³Ö ú Ö Ö (A) : ú ˆ Ö Ö ÖÏßÖãŸÖß úÿööô ÆüÖê Öê êú»ö ÃÖã ü-ãÿö ü ŸÖ ÖÖ»ÖµÖ úö ÖÖ Ö Ö¾ÖÖµÖÔ Æîü úö ü Ö (R) : ŒµÖÖë ú ˆÃÖê ü ÖÔ úöë úß ÃÖ Ö Ö ÆüÖê Öß ÖÖ Æü (A) (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (A) ÃÖÆüß Æîü, (R) ÃÖÆüß Æîü (A) Ö»ÖŸÖ Æî,ü (R) ÃÖÆüß Æîü (D) (A) Ö»ÖŸÖ Æîü, (R) Ö»ÖŸÖ Æîü 28. úãö Óü Ö ÖÓ Ö Öë Öê ú ÖÓ Ö ÆüÖêŸÖê Æïü? (A) úö²öã úß ÖÏß ú»ööê²ö (D) üöê Ö Ö 29. úöµööô¾öã ÖÖ úö ÃÖÆüß Îú Ö úöî Ö ÃÖÖ Æîü? (A) µöÿ Ö, Ö ü ³Ö, ÖµÖŸÖÖÛ ŸÖ, ÖÏÖ ŸµÖÖ ÖÖ, ±ú»öö Ö Ö Ö ü ³Ö, ÖµÖŸÖÖÛ ŸÖ, ±ú»öö Ö Ö, ÖÏÖ ŸµÖÖ ÖÖ, µöÿ Ö Ö ü ³Ö, µöÿ Ö, ÖÏÖ ŸµÖÖ ÖÖ, ÖµÖŸÖÖÛ ŸÖ, ±ú»öö Ö Ö (D) ±ú»öö Ö Ö, µöÿ Ö, ÖÏÖ ŸµÖÖ ÖÖ, Ö ü ³Ö, ÖµÖŸÖÖÛ ŸÖ 30. ÃÖæ Öß I úöê ÃÖæ Öß II ÃÖê ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ü»öß (i) ÖêØ ú Ö Öò Öê üö (b) Ó»Öï ü (ii)»ööê²ö ÖµÖê ü ü (c) Öß Ö (iii) ÖÖêÆü (d) ÖÖ ÖÖ Ö (iv) úöò Öê üµöö êü»ööÿöì (A) (iii) (i) (iv) (ii) (iv) (i) (ii) (iii) (ii) (iii) (iv) (i) (D) (iv) (ii) (i) (iii) 31. ³Ö ú Ö Ö (A) :»Ö ÖŸÖ ÖÖšü êú ²Ö ÖÖ Óü Ö ÖÓ Ö úö Ûß֟¾Ö ÖÆüà ÆüÖê ÃÖ úÿöö úö ü Ö (R) : úöò Öê üµöö êü»ööÿöì ÖµÖê ü ü Öò±ú ÖÏÖê¾ÖÖ Öê Ö Ö úö ÃÖ¾ÖÖì Ö Ö ˆ üöæü ü Ö Æîü (A) (A) Ö»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (A) Ö»ÖŸÖ Æîü, (R) Ö»ÖŸÖ Æîü (D) (A) ÃÖÆüß Æîü, (R) ÃÖÆüß Æîü J Paper-II
18 32. Which theatre has the Act Curtain? (A) Proscenium Theatre Thurst-stage Theatre Arena Theatre (D) Roman Theatre 33. Give the correct order of the following Greek plays. (A) Agamemnon, Medea, Oedipus, Lysistrata. Agamemnon, Oedipus, Medea, Lysistrata. Oedipus, Medea, Agamemnon, Lysistrata. (D) Lysistrata, Agamemnon, Oedipus, Medea. 34. Match the List I with List II : List I (a) Shakespeare List II (i) Arms and the Man (b) Bertolt Brecht (ii) Mahabharata (c) Bernard Shaw (iii) Macbeth (d) Peter Brook (iv) Mother Courage (A) (iii) (iv) (i) (ii) (i) (iii) (ii) (iv) (iv) (i) (iii) (ii) (D) (i) (ii) (iv) (iii) 35. Assertion (A) : Western theatre s new concepts are evolved through the life conditions of their practitioners. Reason (R) : Because intellectuals tend to portray real life issues through theatre. (A) (A) is true, (R) is false. (A) is true, (R) is true. (A) is false, (R) is true. (D) (A) is false, (R) is false. 36. Identify the correct sequence of following theatre practitioners who emphasised the role of music in theatre. (A) Ratan Thiyam, B.V. Karanth, K.N. Pannikar, Habib Tanvir. Habib Tanvir, B.V. Karanth, K.N. Pannikar, Ratan Thiyam. B.V. Karanth, Habib Tanvir, K.N. Pannikar, Ratan Thiyam. (D) K.N. Pannikar, Habib Tanvir, B.V. Karanth, Ratan Thiyam. 37. Match the List I with List II : List I List II (a) Ebrahim Alkazi (i) Ghasiram Kotwal (b) K.N. Pannikar (ii) Andhā Yuga (c) Dharmaveer (iii) Tughlaq Bharti (d) Jabbar Patel (iv) Madhyama Vyayoga (A) (iii) (iv) (ii) (i) (iv) (ii) (i) (iii) (ii) (i) (iii) (iv) (D) (i) (iii) (iv) (ii) Paper-II 18 J-6510
19 32. úãö ÖµÖê ü ü Öë êœ ü ú ìü Ö ÆüÖêŸÖÖ Æîü? (A) ÖÏÖê ÃÖ ÖµÖ Ö Ö ü ü Öà Ôü-à êü Ö Ö ü ü êü ÖÖ ÖµÖê ü ü (D) üöê Ö Ö ÖµÖê ü ü 33. Ö Ö»Ö ÖŸÖ µöæ ÖÖ Öß ÖÖ ü úöë úö ÃÖÆüß Îú Ö ŒµÖÖ Æîü? (A) ÖÖ Öê ÖÖê Ö, Öß üµöö, ü ÖÃÖ,»Ö ÃÖà ÒüÖ üö ÖÖ Öê ÖÖê Ö, ü ÖÃÖ, Öß üµöö,»ö ÃÖà ÒüÖ üö ü ÖÃÖ, Öß üµöö, ÖÖ Öê ÖÖê Ö,»Ö ÃÖà ÒüÖ üö (D)»Ö ÃÖà ÒüÖ üö, ÖÖ Öê ÖÖê Ö, ü ÖÃÖ, Öß üµöö 34. ÃÖæ Öß I úöê ÃÖæ Öß II êú ÃÖÖ Ö Ö»ÖÖ : ÃÖæ Öß I (a) ÖêŒÃÖ ÖßµÖ ü (b) ²Ö üöì» ü ²ÖÎê ŸÖ (c) ²Ö ÖÖÔ Ôü ÖÖò (d) Öß ü ü ²ÖÎæ ú ÃÖæ Öß II (i) Ö ÖÔËÃÖ ü ü Öî Ö (ii) ÖÆüÖ³ÖÖ üÿö (iii) Öî ú²öê Ö (iv) Ö ü ü ú êü Ö (A) (iii) (iv) (i) (ii) (i) (iii) (ii) (iv) (iv) (i) (iii) (ii) (D) (i) (ii) (iv) (iii) 35. ³Ö ú Ö Ö (A) : ÖÖ ÖÖŸµÖ Óü Ö ÖÓ Ö úß ÖæŸÖ Ö ¾Ö ÖÖ ü ÖÖ Öë úö ˆ Ëü ¾Ö úöãö ˆ Ö êú Óü Ö úù ÖµÖÖë êú Öß¾Ö Ö úß ÛÃ Ö ŸÖµÖÖë ÃÖê Æãü Ö Æîü úö ü Ö (R) : ŒµÖÖë ú ²Öã ü Öß¾Öß»ÖÖê Ö Óü Ö ÖÓ Ö êú ÖÖ µö Ö ÃÖê ¾ÖÖÃŸÖ ¾Ö ú Öß¾Ö Ö êú Öã Ëü üöë úöê Ö ÖŸÖ ú ü ÖÖ ÖÖÆüŸÖê Æïü (A) (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (A) ÃÖÆüß Æîü, (R) ÃÖÆüß Æîü (A) Ö»ÖŸÖ Æî,ü (R) ÃÖÆüß Æîü (D) (A) Ö»ÖŸÖ Æîü, (R) Ö»ÖŸÖ Æîü 36. ÖµÖê ü ü Öë ÃÖÓ ÖßŸÖ úß ³Öæ Ö úö Ö ü ²Ö»Ö êü Öê ¾ÖÖ»Öê Ö Ö»Ö ÖŸÖ Óü Ö úù ÖµÖÖë úö ÃÖÆüß Îú Ö ²ÖŸÖ»ÖÖ : (A) üÿö Ö ÖµÖ Ö, ²Öß.¾Öß. úö Óü Ö, êú. Ö. ÖÛ Ö ú ü, Æü²Öß²Ö ŸÖ Ö¾Öß ü Æü²Öß²Ö ŸÖ Ö¾Öß ü, ²Öß.¾Öß. úö Óü Ö, êú. Ö. J Paper-II ÖÛ Ö ú ü, üÿö Ö ÖµÖ Ö ²Öß.¾Öß. úö Óü Ö, Æü²Öß²Ö ŸÖ Ö¾Öß ü, êú. Ö. ÖÛ Ö ú ü, üÿö Ö ÖµÖ Ö (D) êú. Ö. ÖÛ Ö ú ü, Æü²Öß²Ö ŸÖ Ö¾Öß ü, ²Öß.¾Öß. úö Óü Ö, üÿö Ö ÖµÖ Ö 37. ÃÖæ Öß I úöê ÃÖæ Öß II êú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ²ÖÎÖ Æü Ö» úö Öß (i) ÖÖÃÖß üö Ö úöêÿö¾öö»ö (b) êú. Ö. ÖÛ Ö ú ü (ii) Ó ÖÖµÖã Ö (c) Ö ÖÔ¾Öß ü ³ÖÖ üÿöß (iii) ŸÖã Ö»Ö ú (d) Ö²²ÖÖ ü Ö êü»ö (iv) Ö µö Ö ¾µÖÖµÖÖê Ö (A) (iii) (iv) (ii) (i) (iv) (ii) (i) (iii) (ii) (i) (iii) (iv) (D) (i) (iii) (iv) (ii)
20 38. Assertion (A) : Music is an important aspect of theatre language. Reason (R) : Because Music is a nonverbal mode of communication. (A) (A) is true, (R) is true. (A) is true, (R) is false. (A) is false, (R) is true. (D) (A) is false, (R) is false. 39. The only traditional theatre form which performs the Sanskrit drama till today. (A) Kathakali Nautanki Kutiyattam (D) Jatra 40. Which sequence is correct in respect of NSD-Heads? (A) Shanta Gandhi, E. Alkazi, B.V. Karanth, B.M. Shah. E. Alkazi, B.M. Shah, B.V. Karanth, Shanta Gandhi. B. V. Karanth, E. Alkazi, B.M. Shaw, Shanta Gandhi. (D) Shanta Gandhi, B.M. Shah, B.V. Karanth, E. Alkazi. 41. Match the items in List I with items in List II. List I (a) Nandikar Festival List II (i) Chennai (b) Surya Festival (ii) New Delhi (c) NSD Fesival (d) Sangamam Festival (iii) Kolkatta (iv) Kerala (A) (i) (ii) (iv) (iii) (ii) (i) (iii) (iv) (iii) (iv) (ii) (i) (D) (iv) (iii) (i) (ii) 42. Pick the odd one out : (A) Ground plan Elevation Perspectives (D) Paintings 43. Assertion (A) : Folk performers do not have the text for the communication. Reason (R) : They never follow oral tradition. (A) (A) is true, (R) is true. (A) is false, (R) is false. (A) is true, (R) is false. (D) (A) is false, (R) is true. 44. Which theatre has the Orchestra circle? (A) Proscenium Theatre Globe Theatre Greek Theatre (D) Roman Theatre Paper-II 20 J-6510
21 38. ³Ö ú Ö Ö (A) : ÃÖÓ ÖßŸÖ Óü Ö³ÖÖÂÖÖ úö ú ÖÆü ¾Ö Öæ ÖÔ Ö Ö Æîü úö ü Ö (R) : ŒµÖÖë ú ÃÖÓ ÖßŸÖ ÃÖÓ ÖûÖ ü úß ú ÖÖî Ö ú üß ŸÖ Æîü (A) (A) ÃÖÆüß Æîü, (R) ÃÖÆüß Æîü (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (A) Ö»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü (D) (A) Ö»ÖŸÖ Æîü, (R) Ö»ÖŸÖ Æîü 39. ú ÖÖ Ö ÖÖ ü Ö ü ú Óü Ö ÖÓ ÖßµÖ Ã¾Öºþ Ö ÖÖê Ö Ö ŸÖ ú ÃÖÓà éúÿö ÖÖ ü ú úö ÖÏßÖãŸÖß ú ü Ö ú üÿöö Æîü : (A) ú Ö ú»öß ÖÖî Óü úß (D) ÖÖ ÖÖ ãú ü Ö¼ü Ö 40. Ö ÃÖ üß êú Ö êü Ö úöë êú Ö ü ÖÏê µö Öë Ö Ö»Ö ÖŸÖ Öë ÃÖê úöî Ö ÃÖÖ Îú Ö ÃÖÆüß Æîü? (A) ÖÖÓŸÖÖ ÖÖÓ Öß, Ô.» úö Öß, ²Öß.¾Öß. úö Óü Ö, ²Öß. Ö. ÖÖÆü Ô.» úö Öß, ²Öß. Ö. ÖÖÆü, ²Öß.¾Öß. úö Óü Ö, ÖÖÓŸÖÖ ÖÖÓ Öß ²Öß.¾Öß. úö Óü Ö, Ô.» úö Öß, ²Öß. Ö. ÖÖÆü, ÖÖÓŸÖÖ ÖÖÓ Öß (D) ÖÖÓŸÖÖ ÖÖÓ Öß, ²Öß. Ö. ÖÖÆü, ²Öß.¾Öß. úö Óü Ö, Ô.» úö Öß 41. ÃÖæ Öß I úß Ö üöë úöê ÃÖæ Öß II úß Ö üöë êú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I ÃÖæ Öß II (a) ÖÖÓ üß úö ü (i) Öê Ö Ô ±êúûã ü¾ö»ö (b) ÃÖæµÖÖÔ ±êúûã ü¾ö»ö (ii) Ö Ô ü»»öß (c) Ö ÃÖ üß (iii) úöê»ö úöÿöö ±êúûã ü¾ö»ö (d) ÃÖÓ Ö Ö Ö ±êúûã ü¾ö»ö (iv) êú ü»ö (A) (i) (ii) (iv) (iii) (ii) (i) (iii) (iv) (iii) (iv) (ii) J Paper-II (i) (D) (iv) (iii) (i) (ii) 42. ¾ÖÂÖ Ö úöê Öã Ö : (A) ÖÏÖˆ ü»öö Ö»Ö¾Öê Ö Ö ÖÃÖÔ ÖêÛŒ ü¾ö (D) ÖëØ ü ÃÖ 43. ³Ö ú Ö Ö (A) :»ÖÖê ú ú»öö úö üöë êú ÖÖÃÖ ÃÖ ÖÏêÂÖ Ö êú»ö úöê Ô»Ö ÖŸÖ ÖÖšü ÖÆüà ÆüÖêŸÖÖ úö ü Ö (R) : ¾Öê ú³öß ³Öß ÖÖî Ö ú Ö ü Ö üö úö ÖãÃÖ ü Ö ÖÆüà ú üÿöê (A) (A) ÃÖÆüß Æîü, (R) ÃÖÆüß Æîü (A) Ö»ÖŸÖ Æîü, (R) Ö»ÖŸÖ Æîü (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (D) (A) Ö»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü 44. úãö ÖµÖê ü ü Öë Ö ìúã ÒüÖ ÃÖÙ ú»ö ÆüÖêŸÖÖ Æîü? (A) ÖÏÖêÃÖê ÖµÖ Ö ÖµÖê ü ü»ööê²ö ÖµÖê ü ü ÖÏß ú ÖµÖê ü ü (D) üöê Ö Ö ÖµÖê ü ü
22 45. Identify the correct sequence. (A) Nāgmandala, Yayāti, Tughlaq. Hayavadana, Hayavadana, Yayāti, Nāgmandala, Tughlaq. Tughlaq, Hayavadana, Nāgmandala, Yayāti. (D) Yayāti, Tughlaq, Hayavadana, Nāgmandala. 46. Match the items in List I with List II : List I (a) Epic Theatre (b) Poor Theatre (c) Dramatic Theatre List II (i) Stanislavsky (ii) Safdar Ha mi (iii) Bertolt Brecht (d) Street Theatre (iv) Grotowski (A) (i) (ii) (iv) (iii) (ii) (iii) (i) (iv) (iv) (i) (iii) (ii) (D) (iii) (iv) (i) (ii) 47. Assertion (A) : Bertolt Brecht does not believe in actor s identification with the character. Reason (R) Aristotle. : Because he was Pro- (A) (A) is true, (R) is false. (A) is false, (R) is true. (A) and (R) both are true. (D) (A) is false, (R) is false. 48. Identify the correct order. (A) Body, Voice, Costume, Makeup. Voice, Body, Make-up, Costume. Costume, Make-up, Voice, Body. (D) Make-up, Costume, Body, Voice. 49. Out of the following who first voiced for the Modern Theatre Director? (A) Adolph Appia Richard Schechner Gorden Craig (D) Elia Kazan 50. Match items in List I with List II : List I (a) Bhāsa List II (i) Mudra Rakshas (b) Vishakhdatta (ii) Mahaveer Charit (c) Bhavbhuti (d) Kalidas (iii) Malvika Agnimitra (iv) Madhyama Vyayoga (A) (i) (ii) (iv) (iii) (iv) (i) (ii) (iii) (ii) (iii) (i) (iv) (D) (iii) (iv) (ii) (i) Paper-II 22 J-6510
23 45. ÃÖÆüß Îú Ö úöê ÖÆü ÖÖ ÖµÖê : (A) ÖÖ Ö Ö ü»ö, ÆüµÖ¾Ö ü Ö, µöµöö ŸÖ, ŸÖã Ö»Ö ú ÆüµÖ¾Ö ü Ö, µöµöö ŸÖ, ÖÖ Ö Ö ü»ö, ŸÖã Ö»Ö ú ŸÖã Ö»Ö ú, ÆüµÖ¾Ö ü Ö, ÖÖ Ö Ö ü»ö, µöµöö ŸÖ (D) µöµöö ŸÖ, ŸÖã Ö»Ö ú, ÆüµÖ¾Ö ü Ö, ÖÖ Ö Ö ü»ö 46. ÃÖæ Öß I úß Ö üöë úöê ÃÖæ Öß II úß Ö üöë êú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ úß Ö : ÃÖæ Öß I (a) Ö ú ÖµÖê ü ü (b) Öã ü ÖµÖê ü ü (c) ÒüÖ Öê ü ú ÖµÖê ü ü (d) à Òüß ü ÖµÖê ü ü ÃÖæ Öß II (i) ßÖÖ ÖûÖÖ¾Öà úß (ii) ÃÖ±ú ü ü ÆüÖ Ö Öß (iii) ²Ö üöì» ü ²ÖÎê ŸÖ (iv) ÖÏÖêŸÖÖê¾Öà úß 48. ÃÖÆüß Îú Ö úß ÖÆü ÖÖ Ö úß Ö : (A) Ö üß ü, Ö¾ÖÖ Ö, ¾Öê Ö-³ÖæÂÖÖ, Óü Ö-³ÖæÂÖÖ Ö¾ÖÖ Ö, Ö üß ü, Óü Ö-³ÖæÂÖÖ, ¾Öê Ö-³ÖæÂÖÖ ¾Öê Ö-³ÖæÂÖÖ, Óü Ö-³ÖæÂÖÖ, Ö¾ÖÖ Ö, Ö üß ü (D) Óü Ö-³ÖæÂÖÖ, ¾Öê Ö-³ÖæÂÖÖ, Ö üß ü, Ö¾ÖÖ Ö 49. Ö Ö»Ö ÖŸÖ Öë ÃÖê úãö Öê Ö Öã Ö ú Óü Ö ÖÓ Ö Ö êü Ö ú êú»ö Ö¾ÖÖ Ö ˆšüÖ Ô? (A) üöê»±ú Û ÖµÖÖ ü Ö Ôü Öê Ö ü ÖÖê Ôü Ö Îêú Ö (D)»ÖµÖÖ ú ÖÌÖ Ö (A) (i) (ii) (iv) (iii) 50. ÃÖæ Öß I ŸÖ ÖÖ ÃÖæ Öß II úß Ö üöë úöê ÃÖã Öê»ÖŸÖ úß Ö : (ii) (iii) (i) (iv) (iv) (i) (iii) (ii) (D) (iii) (iv) (i) (ii) (a) ³ÖÖÃÖ ÃÖæ Öß I (b) ¾Ö ÖÖ Ö ü Ö ÃÖæ Öß II (i) Öã üö üö ÖÃÖ (ii) ÖÆüÖ¾Öß ü Ö üÿö 47. ³Ö ú Ö Ö (A) : ²Ö üöì» ü ²ÖÎê ŸÖ Ö ü Ö êú ÃÖÖ Ö ³Ö ÖêŸÖÖ êú ŸÖÖ üöÿ µö Öë ¾Ö ¾ÖÖÃÖ ÖÆüà ú üÿöê Öê úö ü Ö (R) : ŒµÖÖë ú ¾Öê üãÿöæ êú ÃÖ Ö ÖÔ ú Öê (A) (A) ÃÖÆüß Æîü, (R) Ö»ÖŸÖ Æîü (A) Ö»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü (A) Öî ü (R) üöê ÖÖë ÃÖÆüß Æïü (D) (A) Ö»ÖŸÖ Æîü, (R) Ö»ÖŸÖ Æîü (c) ³Ö¾Ö³Öæ ŸÖ (iii) ÖÖ»Ö ¾Ö úöû Ö Ö Ö (d) úö»ö üöãö (iv) Ö µö Ö ¾µÖÖµÖÖê Ö (A) (i) (ii) (iv) (iii) (iv) (i) (ii) (iii) (ii) (iii) (i) (iv) (D) (iii) (iv) (ii) (i) J Paper-II
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ÓŸÖ üß Öê ü¾öæ ÖÖ Ö µööêÿö Grade B (2.88) (NACC Re-Accredited) ˆ Ö ü ÖÆüÖ üöâ Òü ¾ÖªÖ Ößšü, Öôû ÖÖ¾Ö North Maharashtra University, Jalgaon --------------------------------------------------------------
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