Signature and Name of Invigilator 1. (Signature) (Name) 2. (Signature) (Name) D 9715 PAPER - III RABINDRA SANGEET Time : 2½ hours] [Maximum Marks : 15

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1 Signature and Name of Invigilator 1. (Signature) (Name) 2. (Signature) (Name) D 9715 PAPER - III RABINDRA SANGEET Time : 2½ hours] [Maximum Marks : 150 Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75 Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of seventy five multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) (ii) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the Test Booklet Number should be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (1), (2), (3) and (4). You have to darken the circle as indicated below on the correct response against each item. ÂÚUèÿææçÍüØô ð çü çùîðüàæ 1. â ÂëDU ð ª ÂÚU çùøì SÍæÙ ÂÚU ÂÙæ ÚUôÜU Ù ÕÚU çüç¹ Ð 2. â ÂýàÙ- æ ð  ãžæúu Õãéçß ËÂèØ ÂýàÙ ãñ Ð 3. ÂÚUèÿææ ÂýæÚ UÖ ãôùð ÂÚU, ÂýàÙ-ÂéçSÌ æ æâ ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ ç ÙÅU æâ ô ÂýàÙ-ÂéçSÌ æ ¹ôÜÙð ÌÍæ â è çù ÙçÜç¹Ì Áæ ð çü çîøð ÁæØð»ð, çáâ è Áæ æâ ô ßàØ ÚUÙè ãñ Ñ (i) ÂýàÙ-ÂéçSÌ æ ¹ôÜÙð ð çü ÂéçSÌ æ ÂÚU Ü»è æ»á è âèü æð È æç Üð UÐ ¹éÜè ãé ü Øæ çõùæ SÅUè ÚU-âèÜU è ÂéçSÌ æ Sßè æúu Ù Úð UÐ (ii) ßÚU ÂëDU ÂÚU ÀUÂð çùîðüàææùéâæúu ÂýàÙ-ÂéçSÌ æ ð ÂëDU ÌÍæ ÂýàÙô è â Øæ ô ÀUè ÌÚUã ñ ÚU Üð U ç Øð ÂêÚðU ãñ UÐ ÎôáÂê æü ÂéçSÌ æ çáù ð ÂëDU/ÂýàÙ ãô Øæ ÎéÕæÚUæ æ»øð ãô Øæ âèçúuøüu ð Ù ãô ÍæüÌ ç âè Öè Âý æúu è æéçåuâê æü ÂéçSÌ æ Sßè æúu Ù Úð U ÌÍæ âè â Ø âð ÜUõÅUæ ÚU â ð SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ æ Üð Üð Ð U â ð çü æâ ô Âæ ç ÙÅU çîøð ÁæØð»ðÐ â ð ÕæÎ Ù Ìô æâ è ÂýàÙ-ÂéçSÌ æ ßæÂâ Üè ÁæØð»è õúu Ù ãè æâ ô çìçúuq â Ø çîøæ ÁæØð»æÐ (iii) â Áæ ð ÕæÎ ÂýàÙ-ÂéçSÌ æ æ Ù ÕÚU OMR  æ ÂÚU ç Ì Úð U UõÚU OMR  æ æ Ù ÕÚU â ÂýàÙ-ÂéçSÌ æ ÂÚU ç Ì ÚU Îð Ð 4. ÂýˆØð ÂýàÙ ð çü æúu žæúu çß Ë (1), (2), (3) ÌÍæ (4) çîøð»øð ãñ Ð æâ ô âãè žæúu ð ßëžæ ô ÂðÙ âð ÖÚU ÚU æüæ ÚUÙæ ãñ Áñâæ ç Ùè ð çî¹æøæ»øæ ãñð ÎæãÚU æ Ñ ÁÕç (3) âãè žæúu ãñð Example : where (3) is the correct response. 5. ÂýàÙæð ð žæúu ð ßÜ ÂýàÙ ÂéçSÌ æ ð ÎÚU çîøð»øð OMRU  æ ÂÚU ãè 5. Your responses to the items are to be indicated in the OMR ç Ì ÚUÙð ãñ Ð ØçÎ æâ OMRU  æ ÂÚU çîøð»øð ßëžæ ð Üæßæ ç âè Sheet given inside the Booklet only. If you mark your response at any place other than in the circle in the OMR Ø SÍæÙ ÂÚU žæúu ç ãæ ç Ì ÚUÌð ãñ, Ìô â æ êëuøæ Ù Ùãè ãô»æð Sheet, it will not be evaluated. 6. ÎÚU çîøð»øð çùîðüàæô ô ŠØæÙÂêßü ÂÉ ð UÐ 6. Read instructions given inside carefully. 7. ææ æ (Rough Work) â ÂéçSÌ æ ð ç Ì ÂëDU ÂÚU Úð UÐ 7. Rough Work is to be done in the end of this booklet. 8. ØçÎ æâ OMR  æ ÂÚU çùøì SÍæÙ ð Üæßæ ÂÙæ Ùæ, ÚUæðÜ Ù ÕÚU, 8. If you write your Name, Roll Number, Phone Number or È æðù Ù ÕÚU Øæ æð ü Öè ðâæ ç q çáââð æâ è Âã æù ãæð â ð, ç Ì ÚUÌð put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose ãñ Íßæ ÖÎý Öæáæ æ ÂýØæð» ÚUÌð ãñ, Øæ æð ü Ø Ùéç Ì âæïù æ your identity, or use abusive language or employ any other ÂýØæð» ÚUÌð ãñ, Áñâð ç ç Ì ç Øð»Øð žæúu æð ç ÅUæÙæ Øæ âèð Î SØæãè âð unfair means, such as change of response by scratching or ÕÎÜÙæ Ìæð ÂÚUèÿææ ð çüøð Øæð Ø ƒææðçáì ç Øð Áæ â Ìð ãñ Ð using white fluid, you will render yourself liable to 9. æâ ô ÂÚUèÿææ â æ# ãôùð ÂÚU êü OMR  æ çùúuèÿæ ãôîø ô ÜUõÅUæÙæ disqualification. æßàø ãñ õúu ÂÚUèÿææ â æç# ð ÕæÎ âð ÂÙð âæí ÂÚUèÿææ ÖßÙ âð ÕæãÚU 9. You have to return the original OMR Sheet to the invigilators Ù Üð ÚU ÁæØð Ð ãæüæ ç æâ ÂÚUèÿææ â æç# ÂÚU êü ÂýàÙ-ÂéçSÌ æ ÌÍæ OMR at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are  æ è ÇéUŒÜè ð ÅU ÂýçÌ ÂÙð âæí Üð Áæ â Ìð ãñ Ð however, allowed to carry original question booklet and 10. ð ßÜ ÙèÜð/ æüð ÕæÜU Œßæ ZÅU ÂðÙ æ ãè SÌð æü Úð UÐ duplicate copy of OMR Sheet on conclusion of examination. 11. ç âè Öè Âý æúu æ â» æ ( ñ Ü é ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ æçî æ 10. Use only Blue/Black Ball point pen. ÂýØô» ßçÁüÌ ãñð 11. Use of any calculator or log table etc., is prohibited. 12.»ÜÌ žæúuæð ð çü æð ü Ù æúuæˆ Ùãè ãñ Ð 12. There are no negative marks for incorrect answers. 13. In case of any discrepancy in the English and Hindi versions, 13. ØçλýðÁè Øæ çã Îè çßßúu æ ð æð ü çßâ»çì ãæð, Ìæð»ýðÁè çßßúu æ çì English version will be taken as final. æùæ Áæ»æÐ D-9715!D-9715-PAPER-III! OMR Sheet No. :... (To be filled by the Candidate) Roll No. Roll No. (In figures as per admission card) (In words) 1 P.T.O.

2 RABINDRA SANGEET PAPER - III Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All questions are compulsory. 1. Which opera is the second one written by Rabindra Nath Tagore? (1) Kalmrigaya (2) Mayar Khela (3) Valmiki Prativa (4) Notir Puja 2. The Headquarter of Akashvani (All India Radio) is situated in : (1) Pune (2) Kanpur (3) Delhi (4) Kolkata 3. Tomar Sonar Thalay Sajabo Aj who sang this song in the play Rhinshodh : (1) Shekhar (2) Laksheswar (3) Vijayaditya (4) Sannyasi 4. Trace out the source of musical dialogue between Toper Taper Bandhon Katuk and Oi Ki Ele Akashpare : (1) Nataraj Riturangoshala (2) Shesh Barshan (3) Shravan Gatha (4) Barshamangal 5. Who did Eulogise Dinendranath as Utsavaraaj? (1) Rabindranath (2) Abanindranath (3) Prashanta Chandra Mahalanabish (4) Pramathanath Bisht 6. Kartaveeryarjuna is an important reference point by Tagore as we find in : (1) Sangeet O Kabita (2) Antar Bahir (3) Alap Alochona (4) Sur O Sangati 7. Who wanted improvisation in Tagore song from Tagore himself? (1) Shantidev Ghosh (2) Dilip Kumar Ray (3) Dhurjati Prasad Mukhopadhyay (4) Atul Prasad Sen D-9715!D-9715-PAPER-III! 2 Paper-III

3 ÚUÕè Îý â»èì ÂýàÙ Â æ - III çùîðüàæ Ñ â ÂýàÙ Â æ ð  ãžæúu (75) Õãé-çß ËÂUèØ ÂýàÙ ãñ Ð ÂýˆØð ÂýàÙ ð Îô (2) ãñ Ð âöè ÂýàÙ çùßæøü ãñ Ð 1. ÚUÕè ÎýÙæÍ ÅñU»æðÚU mæúuæ çüç¹ì æñù-âæ»èçì-ùæå UØ Ù æ ÎêâÚUæ»èçÌ-ÙæÅ UØ ãñ? (1) æü ë»øæ (2) æøúu ¹ðÜæ (3) ßæË èç ÂýçÌÖæ (4) ÙæòÅUèÚU ÂéÁæ 2. Ò æ æàæßæ æèó ( æòü ççuøæ ÚðUçÇUØæð) æ é ØæÜØ çsíì ãñ Ñ (1) Âé æð ð (2) æùâéúu ð (3) çîëüè ð (4) æðü æìæ ð 3. ÒÒÌæð æúu âæðùæúu ÍæÜæØð âáæõæð æáóó Ò«æàææðÏÓ ÙæÅU ð â»èì æð ç âùð»æøæ? (1) àæð¹úu (2) ÜÿæðàßÚU (3) çßáøæçîˆø (4) â Øæâè 4. ÒÒÌæðÂðÚU ÌæÂðÚU Õæ ÏÙ æìé ÓÓ æñúu ÒÒ æð ü è Üð æ æàæâæúðuóó ð Õè â»èì â ßæÎ æ dæðì çü¹ð Ñ (1) ÙÅUÚUæÁ «ÌéÚ U»æðàææÜæ (2) àæðá Õáü æ (3) Ÿææß æ»æíæ (4) Õáü»Ü 5. çîùð ÎýÙæÍ è Ò ˆâßÚUæÁÓ ð M  ð ç âùð Âýàæ âæ è? (1) ÚUÕè ÎýÙæÍ (2) ÕÙè ÎýÙæÍ (3) Âýàææ Ì Îý ãüæùõèàæ (4) Âý ÍÙæÍ çõcåu 6. Ò æìüßèøü ÁéüÙæÓ ÅñU»æðÚU æ ãˆßâê æü â ÎÖü çõ Îé ãñ, Áæð çù Ù ð âð ç â ð ÂæØæ ÁæÌæ ãñ? (1) â»èì æð çõìæ (2) ÌÚU ÕæçãÚU (3) æüæâ æüæð Ùæ (4) âéúu æð â»çì 7. æñù æãìð Íð ç ÅñU»æðÚU ¹éÎ ÂÙð»èÌæð æð æñúu Ü ë Ì ÕÙæØð? (1) àææ çìîðß ƒææðá (2) çîüèâ é æúu ÚðU (3) ÏéÁüÅUè ÂýâæÎ é¹æðâæšøæø (4) ÌéÜ ÂýâæÎ âðù D-9715!D-9715-PAPER-III! 3 Paper-III

4 8. Tagore, in his letter, used the term Hermaphroditic. To whom he wrote this letter? (1) Einstein (2) Romain Rolland (3) Dhurjati Prasad Mukhopadhyay (4) Shailojaranjan Mojumder 9. According to Tagore The word Hermaphroditic related to : (1) Indira Devi and Pramatha Chowdhury (2) Tune and Rythem (3) Dinendranath and Kamala (4) The single conjugal form of the Purusha and Prakriti 10. Mention the sequence of the seasons depicted in the song Viswa Veena Rabe : (1) Monsoon - Autumn - Spring (2) Spring - Monsoon - Autumn (3) Spring - Autumn - Monsoon (4) Autumn - Spring - Monsoon 11. Who is the composer of the song - Bimal Probhate Mili Aksathe? (1) Jyotirindranath (2) Satyendranath (3) Rabindranath (4) Devendranath 12. What is the British name of Ratan Devi? (1) Alice Richardson (2) Madam Nelson (3) Madam Albery (4) Marguerite Wilkinson 13. Which one of the following taalas is created by Tagore? (1) Surphank tal (2) Ardha Jhaptal (3) Naba tal (4) Rupak tal 14. Which book, Tagore s all writing on music is compiled? (1) Chhabi o gaan (2) Kabya Parikrama (3) Sangeet Chinta (4) Rabindra Katha D-9715!D-9715-PAPER-III! 4 Paper-III

5 8. ÅñU»æðÚU Ùð ÂÙð  æ ð Ò ÖØçÜ»èÓ àæžî æ ÂýØæð» ç Øæ ÍæÐ Øã  æ ãæð Ùð ç âð çü¹æ Íæ? (1) æ SÅUèÙ (2) ÚUæð æ ÚUæñÜæ (3) ÏéÁüÅUè ÂýâæÎ é¹æðâæšøæø (4) àæñüæðáæú UÁÙ Áê ÎæÚU 9. ÅñU»æðÚU ð ÙéâæÚU Ò ÖØçÜ»èÓ àæžî ç ââð â Õ çïì Íæ? (1) çîúuæ Îðßè æñúu Âý Íæ æñïúuè (2) âéúu æñúu ÌæÜ (3) çîùð ÎýÙæÍ æñúu Üæ (4) ÂéL á æñúu Âý ë çì æ UÜ ßñßæçã SßM  10. ÒÒçßàß ßè ææ ÚUÕðÓÓ»èÌ ð ÂýÎçàæüÌ «Ìé æð æð âãè ý ð çü¹ð Ñ (1) ßáæü - àæúuî - Õâ Ì (2) Õâ Ì - ßáæü - àæúuî (3) Õâ Ì - àæúuî - ßáæü (4) àæúuî - Õâ Ì - ßáæü 11. â»èì ð ÚU çøìæ æñù ãñ - ÒÒçÕ Ü ÂýæðÖæÌð ç Üè âæíðóó? (1) ØæðçÌçÚU ÎýÙæÍ (2) âˆøð ÎýÙæÍ (3) ÚUÕè ÎýÙæÍ (4) Îðßð ÎýÙæÍ 12. ÚUÌÙ Îðßè æ çõýçåuàæ Ùæ Øæ ãñ? (1) çüâ çúu ÇüUâÙ (2) ñçu ÙðÜâÙ (3) ñçu ËÕðÚUè (4) æ»üçúuåu çßüç âù 13. ÅñU»æðÚU Ùð çù ÙçÜç¹Ì ð âð ç â ÌæÜ è ÚU Ùæ è ãñ? (1) âéúuè æ ÌæÜ (2) Ïü ÛæÂÌæÜ (3) ÙÕ ÌæÜ (4) M  ÌæÜ 14. çù ÙçÜç¹Ì ð âð ç â ÂéSÌ ð â»èì ÂÚU ÅñU»æðÚU è âæúuè ÚU Ùæ â çüì ãñ? (1) ÀUÕè æð»æù (2) æžø ÂçÚU ý æ (3) â»èì ç Ìæ (4) ÚUÕè Îý Íæ D-9715!D-9715-PAPER-III! 5 Paper-III

6 15. Which song was the Ashrama Sangeet of Santiniketan, prior to the composition of Amader Santiniketan? (1) Bhubaneswara He (2) Mora Satyero Pore Mon (3) Padaprante Rakho Seboke (4) Deho Gnyan Divya Gnyan 16. Select the correct answer : The Darkly Veiled June has Come Is the translation of the song : (1) Abar Shravan Hoe Ele Phire (2) Abar Esechhe Ashadh (3) Aji Jhorer Rate (4) Ashadh Sandhya Ghonie Elo 17. Select the correct answer : You keep me awake - is the translation of the song : (1) Tomay Gaan Shonabo (2) Tumi Amay Dekechhile (3) Tor Vitore Jagia Ke Je (4) Ebar Amay Dakle Dure 18. Select the correct answer : Here is thy Footstool - is the translation of the song : (1) Tabo Sinhasaner Asan Hote (2) Jodi Amay Tumi Banchao (3) Jethay Thake Sabar Adham (4) Tumi Rabe Nirabe 19. I G G M P D P I G 2 M P D P I I G 2 M P D P I M 2 G 2 2 I Identify the song with the help of this notation. (Notation of 1 st line of the song is given above) (1) Dekhe Ja Dekhe Ja Dekhe Ja Lo Tora (2) Gahana Kusuma Kunja Majhe (3) Sajani Sajani Radhika Lo (4) Manomandirosundori 20. Mention the song, derived from our Gayatrimantra - Om Bhurbhubaswah. (1) Tumi Amader Pita (2) Shuvo Karmapathe (3) Akashe Dui Hate Prem Bilay (4) Akash Hote Akashpothe D-9715!D-9715-PAPER-III! 6 Paper-III

7 15. ÒÒ æ æîðúu àææ çìçù ð ÌÙÓÓ è ÚU Ùæ ð Âêßü æñù âæ»èì àææ çìçù ð ÌÙ æ Ò æÿæ â»èìó Íæ? (1) ÖéÕÙðàßÚU ãð (2) æðúuæ âˆøúuæð ÂæðÚðU æðù (3) ÂæÎUÂýæ Ìð ÚUæ¹æð âðõæð ð (4) Îðãæð ææù çîãø ææù 16. âãè žæúu éùð Ñ ÒÒ æüè ƒæåuæ æð ßæÜæ ÁêÙ æ é æ ãñóó Øã ç â»èì æ ÙéßæÎ ãñ? (1) æõæúu Ÿææß æ ãæðøð Üð çè ÚðU (2) æõæúu âàðu æáæé (3) Áè ÛææðÚðUÚU ÚUæÌð (4) æáæé â ŠØæ ƒææðçùøð Üæð 17. âãè žæúu éùð Ñ ÒÒÌé éûæð Áæ»ýÌ ÚU¹æðÓÓ - ç â»èì æ ÙéßæÎ ãñ? (1) Ìæð æø»æù àææðùæõæð (2) Ìé è æø Îð ð çàuüð (3) ÌæðÚU çöìæðúðu Áæç»Øæ ð Áð (4) ÕæÚU æø ÇUæ Üð ÎéÚðU 18. âãè žæúu éùð Ñ ÒÒØãæ ãñ Ìé ãæúuæ Âæ ßÎUæÙÓÓ- ç â»èì æ ÙéßæÎ ãñ? (1) ÌÕæð çâ ãæâùðúu æâù ãæðìð (2) ÁæðçÎ æ æø Ìé è Õæ æ æð (3) ÁðÍæØð Íæ ð âõæúu Ï (4) Ìé è ÚUÕð çùúuõð 19. I G G M P D P I G 2 M P D P I I G 2 M P D P I M 2 G 2 2 I â SßÚU-â ð Ì (ÙæðÅðUàæÙ) è ÎÎ âð âãè»èì éùð Ñ (»èì è ÂãÜè  ç Ì ð SßÚU-â ð Ì (ÙæðÅðUàæÙ) ª ÂÚU çî» ãñ ) (1) Îð¹ð Áæ Îð¹ð Áæ Îð¹ð Áæ Üæð ÌæðÚUæ (2)»ãÙ é âé é Á æûæð (3) âáùè âáùè ÚUæçÏ æ Üæð (4) Ùæð çîúuæðâ éîúuè 20. ã æúðu Ò»æØ æè æó- ÒÒª ÖéÖéüßÑSßÑÓÓ âð çùñâëì»èì Ù ð âð æñù ãñ? (1) Ìé è æ æîðúu çâìæ (2) àæéöæð üâíð (3) æ æàæð Îé ü ãæìð Âýð çõüæøð (4) æ æàæ ãæðìð æ æàæâæòíð D-9715!D-9715-PAPER-III! 7 Paper-III

8 21. Mention the song of Gitali, composed on a Railway Coach, moving from Bela to Gaya : (1) Nai Ba Dako Roibo (2) Choli Go Choli Go (3) Pantho Tumi Panthojaner Sakha He (4) Ogo Pother Sathi 22. Mention the 1 st Notation of Rabindra Sangeet, composed by Dinendranath : (1) Na bole jeona chole (2) Hasire ki lukabi laje (3) Sara barash dekhi ne ma (4) Banchan banchi maren mori 23. Which one of the following songs is tuned in Hambir Raga? (1) Madhhyadiner Bijan Batayane (2) Madhhya dine Jabe Gan (3) Madhura Rupe Birajo (4) Madhura Basanta Echeshe 24. Which song is based in Ekadashi Tal? (1) Duar mor patha pashe (2) Dujane dekha holo (3) Duyare dao more (4) Dui hridayer nadi 25. Which one of the following songs is tuned in Kafi Raga? (1) Shraban Tumi Batashe Kar (2) Shraban Megher Adhek Duar (3) Abar Shraban Hoye Ele Phire (4) Sakarun Benu Bajaye 26. Pick the odd Taala : (1) Se kon pagol jay pathe tor (2) Sakal belar Aloy baje (3) Nai nai bhay (4) Bachha sahaj kore 27. The great Satyajit Ray was student of Visva Bharati, in : (1) Sangeet Bhavana (2) Kala Bhavana (3) Siksha Bhavana (4) Vidya Bhavana D-9715!D-9715-PAPER-III! 8 Paper-III

9 21. ÒÕðÜæÓ âð Ò»ØæÓ è Øæ ææ ð ÎæñÚUæÙ ÅþðUÙ è âèåu ÂÚU ÚUç Ì Ò»èÌæÜèÓ ð»èì æ ËÜð¹ Úð U Ñ (1) Ùæ Õæ ÇUæ æð ÚUæð Õæð (2) æðüè»æð æðüè»æð (3) Âæ Íæð Ìé è Âæ ÍæðÁæÙðÚU àææ¹æ ãð (4) æð»æð ÂæòÍðÚU âæíè 22. çîùð ÎýÙæÍ mæúuæ ÚUç Ì ÚUÕè Îý â»èì ð ÂýÍ SßÚU â ð Ì (ÙæðÅðUàæÙ) æ ËÜð¹ Úð U Ñ (1) Ùæ ÕæðÜð Áð æðùæ æðüð (2) ãæçâúðu è Üé Õè ÜæÁðð (3) âæúuæ ÕÚUá Îð¹è Ùð æ (4) Õæ Ù Õæ è æúðuù æðúuè 23. çù ÙçÜç¹Ì ð âð æñù âæ»èì Òã ÕèÚUÓ ÚUæ» ð ŠßçÙÌ ãñ? (1) ŠØçÎÙðÚU çõáù ÕæÌæØÙð (2) ŠØ çîùð ÁæÕð»æÙ (3) ÏéÚU M Âð çõúuæáæð (4) ÏéÚU Õâ Ì àæðâð 24. çù ÙçÜç¹Ì ð âð æñù Ò æîàæè ÌæÜÓ ÂÚU æïæçúuì ãñ? (1) Îé æúu æðúu ÂÆUæ Âæàæð (2) ÎéÁÙð Îð¹æ ãæðüæð (3) Îé æúðu Îæ æð æðúðu (4) Îé ü NÎØðÚU ÙÎè 25. çù ÙçÜç¹Ì ð âð æñù âæ»èì Ò æè èó ÚUæ» ð ŠßçÙÌ ãñ? (1) ŸææÕÙ Ìé è ÕæÌæâð ÚU (2) ŸææÕÙ ðƒæðúu Ïð mæúu (3) ÕæÚU ŸææÕÙ ãæð ðüð çè ÚðU (4) âæð æðm Ù ÕðÙé ÕÁæØð 26. çù ÙçÜç¹Ì ð âð çßá ÌæÜ æð éçùøð Ñ (1) âð æðù Âæ»æðÜ ÁæØ ÂÍð ÌæðÚU (2) â Ü ÕðÜæÚU æüæðø ÕæÁð (3) Ùæ ü Ùæ ü ÖæØ (4) ÕæÀUæ âãá æðúðu 27. ãæù âˆøáèì ÚðU çßàß ÖæÚUÌè ð ç â ÖßÙ ð çßlæíèü Íð? (1) â»èì ÖßÙ (2) Üæ ÖßÙ (3) çàæÿææ ÖßÙ (4) çßlæ ÖßÙ D-9715!D-9715-PAPER-III! 9 Paper-III

10 28. Assertion (A) : Rabindranath was the first Vice Chancellor of Viswa Bharati. Reasoning (R) : Rabindranath was a born artiste. (1) Both (A) and (R) are true (2) Both (A) and (R) are false (3) Both (A) and (R) are true, but (R) is not the correct explanation of (A) (4) (A) is true, but (R) is false 29. Who amongst the following artists recorded the song e parabase rabe ke for Satyajit Ray s film Kanchanjhangha? (1) Amiya Tagore (2) Kanika Bandyopadhyay (3) Debabrata Biswas (4) Kishor Kumar 30. The frontispiece drawing of Geetanjali (The song offerings) is designed by : (1) Nandalal Basu (2) Abanindranath (3) William Rothenstein (4) W.B. Yeats 31. Which raga has been found in the song Aaj dhaner kshete Roudrachhayay.. a song based on baulanga? (1) Pancham (2) Bibhas (3) Bahar (4) Khamaj 32. Which of the following songs is based on dhoon tune? (1) Maharaj E Ki Saje Ele (2) Olo Sai, Olo Sai (3) Dibanishi Koriya Jotan (4) Keho Karo Mon Bujhe Na 33. Which new combination of ragas were created by Tagore? (1) Bhim palasree (2) Asawari Bhairavi (3) Asawari (4) Bagesree 34. Identify the correct raga and tal of Timiramayo Nibironisha : (1) Hamir - Kaharwa (2) Megh - Jhaptal (3) Behag - Trital (4) Imankalyan - Teoda D-9715!D-9715-PAPER-III! 10 Paper-III

11 28. çö ÍÙ (A) : ÚUÕè ÎýÙæÍ çßàß ÖæÚUÌè ð ÂýÍ é ÜÂçÌ ÍðÐ æúu æ (R) : ÚUÕè ÎýÙæÍ Á ÁæÌ Üæ æúu ÍðÐ (1) (A) æñúu (R) ÎæðÙæ ð âãè ãñ Ð (2) (A) æñúu (R) ÎæðÙæ ð»üì ãñ Ð (3) (A) æñúu (R) ÎæðÙæð âãè ãñ, Üðç Ù (R), (A) è âãè ÃØæ Øæ Ùãè ãñð (4) (A) âãè ãñ, Üðç Ù (R)»ÜÌ ãñð 29. çù Ùæ ç Ì ð âð ç â Üæ æúu Ùð âˆøáèì ÚðU è çè Ë ÙÁ ƒææ ð çü Ò ÂæÚUæÕæâð ÚUÕð èó»èì ÚðU æçüu ç Øæ Íæ? (1) ç Øæ ÅñU»æðÚU (2) çù æ Õ ÏæðÂæŠØæØ (3) ÎðÕÕýÌ çõàßæâ (4) ç àææðúu é æúu 30.»èÌæ ÁçÜ æ é¹ ç æ (âæò» æòè çú U») ç â ð mæúuæ ÌñØæÚU ç Øæ»Øæ ãñ? (1) Ù ÎÜæÜ Õâé (2) ÕÙè ÎýÙæÍ (3) çßçüø ÚUæðÍð âåuuèù (4) ÇUŽËØê.Õè. ØèÅ Uâ 31. Õæ Ü»æ ÂÚU æïæçúuì»èì Ò æá ÏæÙðÚU ÿæðìð ÚUæñÎýÀUæØæØÓ.. ð æñù âæ ÚUæ» ãñ? (1)  (2) çõöæâ (3) ÕãæÚU (4) ¹ æá 32. çù ÙçÜç¹Ì ð âð æñù-âè»èì ÏêÙ Å UØêÙ ÂÚU æïæçúuì ãñ? (1) ãæúuæá ç âæáð Üð (2) æðüæð âæ ü, æðüæð âæ ü (3) çîõæçùàæè æðçúuøæ ÁæðÌÙ (4) ð ãæð ÚUæð æðù ÕéÛæð Ùæ 33. ÅñU»æðÚU mæúuæ ç â ÙßèÙ ÚUæ» âç Ÿæ æ è ÚU Ùæ è» ü? (1) Öè ÂÜæŸæè (2) âæßúuè ÖñÚUßè (3) âæßúuè (4) Õæ»ðŸæè 34. ÒÒçÌç ÚUæ Øæð çùçõúuæðçùàææóó ð âãè ÚUæ» æñúu ÌæÜ æð Âã æùð Ñ (1) ã èúu - ãúußæ (2) ðƒæ - ÛæÂÌæÜ (3) Õðãæ» - ç æìæü (4) Ù ËØæ æ - çìøæðçuæ D-9715!D-9715-PAPER-III! 11 Paper-III

12 35. The original surname of Tagore was : (1) Kushari (2) Chattopadhyay (3) Dishari (4) Goswami 36. Who had directed the film Natir Puja of Rabindra Nath Tagore? (1) Rabindra Nath Tagore (2) Satyajit Ray (3) Mrinal Sen (4) Tarun Mazumdar 37. Which book has been Authored by Charuchandra Bandopadhyay? (1) Bangaikatan (2) Rabi Rashmi (3) Ananda Sabakaje (4) Rasha Monjari 38. In which Tala the Song Gopan prane ekla Manush.. is based on : (1) Rupak (2) Teoda (3) Sasthi (4) Kaharwa 39. Which one of the following songs is based on Western Tune? (1) Likhana tomar (2) Katabar bhebechhinu (3) Nishidin Bharsha rakhis (4) Nibira Ama timiro hote 40. Tagore composed the song Aro Aro Prabhu Aro Aro for the drama : (1) Mukto dhara (2) Visarjan (3) Prayaschita (4) Raja 41. Which of the following songs is based on Kirtan? (1) KharaBayu Boy Bege (2) Phule Phule Dhole Dhole (3) Sakhi Bohe Gelo Bela (4) Maya bana Biharini Harini 42. In which language lyrics of Bhanu Singher Padavali was composed? (1) Bangla (2) Maithili (3) Nepali (4) Bhojpuri 43. Trace out the correct pair from the following : (1) Amar Jibanopatra - Chitrangada (2) Kaho Kaho More Priye - Mayar Khela (3) Kahare Herilam - Shyama (4) Shravaner Kalo Je Megh - Chandalika D-9715!D-9715-PAPER-III! 12 Paper-III

13 35. ÅñU»æðÚU æ êü ÂÙæ Øæ Íæ? (1) é àææúuè (2) ^æðâæšøæø (3) çîàææúuè (4)»æðSßæ è 36. ÚUÕè ÎýÙæÍ ÅñU»æðÚU è çè Ë ÒÙÅUèÚU ÂéÁæÓ æ çùîðüàæù ç âùð ç Øæ Íæ? (1) ÚUÕè ÎýÙæÍ ÅñU»æðÚU (2) âˆøáèì ÚðU (3) ë ææü âðù (4) ÌL æ Áé ÎæÚU 37. æl Îý Õ ÎæðÂæŠØæØ Ùð çù ÙçÜç¹Ì ð âð ç â ÂéSÌ è ÚU Ùæ è ãñ? (1) Õ» ü ð ÌÙ (2) ÚUçÕ ÚUàæ è (3) æù Î âõ Áð (4) ÚUâ ÁÚUè 38.»èÌ Ò»æðÂÙ Âýæ æð Üæ æùéá..ó ç â ÌæÜ ÂÚU æïæçúuì ãñ? (1) M  (2) ÌðßÇUæ (3) âsíè (4) ãúußæ 39. çù ÙçÜç¹Ì ð âð æñù-âæ»èì Âçà è ÏéÙ ÂÚU æïæçúuì ãñ? (1) çü¹ùæ Ìæð æúu (2) ÌÕæÚU ÖðÕðçÀUÙê (3) çùçàæçîù ÖæÚUâæ ÚUæç¹â (4) çùçõç æ æ çìç ÚUæð ãæðìð 40. ÅñU»æðÚU Ùð Ò ÚUæð ÚUæð ÂýÖé ÚUæð ÚUæðÓ»èÌ æð çù ÙçÜç¹Ì ð âð ç â ÙæÅU ð çüøð ÚU æ ãñ? (1) é Ìæð ÏæÚUæ (2) çßâáüù (3) ÂýæØçà žæ (4) ÚUæÁæ 41. çù ÙçÜç¹Ì ð âð æñù âæ»èì Ò èìüùó ÂÚU æïæçúuì ãñ? (1) ¹ÚUæðÕæØæð ÕæòØ Õð»ðð (2) Èê Üð Èê Üð ÏæðÜð ÏæðÜð (3) â¹è Õæðãð»ðÜæð ÕðÜæ (4) Øæ ÕÙæ çõãæçúu æè ãçúu æè 42. ÒÒÖæÙé çâ»ðúu ÂÎæßÜèÓÓ ð ÕæðÜ ç â Öæáæ ð ãñ? (1) Õ»Üæ ð (2) ñçíüè ð (3) ÙðÂæÜè ð (4) ÖæðÁÂéÚUè ð 43. çù Ù ð âð âãè Øé æ ÂÌæ Ü»æ Ñ (1) æúu ÁèßÙæðÂæ ææ - ç ææ»î (2) ãæð ãæð æðúðu çâýøð - æøúu ¹ðÜæ (3) ãæúðu ãðçúuü - àøæ (4) ŸææßÙðÚU Üæð Áð ðƒæ - ÇUæçÜ æ D-9715!D-9715-PAPER-III! 13 Paper-III

14 44. In which music drama we find Ashok as a Character? (1) Mayar Khela (2) Kalmrigaya (3) Valmiki - Pratibha (4) Tarer desh 45. Name the dance - drama written and published in 1936 : (1) Shyama (2) Chitrangada (3) Mayar Khela (4) Chandalika 46. In which dance drama we find character of Anuchar? (1) Biday - Abhishap (2) Chandalika (3) Chitrangada (4) Tarer desh 47. Single out the song tonally differing from the other three : (1) Amra Milechi Aaj Mayer Dake (2) Ami Shudhu Rainu Baki (3) Shyama Ebar Chere Cholechi Ma (4) Tomar Khola Haoya Lagie Pale 48. Dhular Anchol Bhorechhe aaj paka Fasale is a mid-line of a song used in the play : (1) Natir Puja (2) Bisarjan (3) Malini (4) Rakta karobi 49. Single out the song the metically different from the other three : (1) Amay Khamo He Khamo (2) Hay Hemantalakshmi (3) E Bela Daak Porechhe (4) Shushko taper doityopure 50. Who among great Esraj Artiste came to the Santiniketan Sangeet Bhavan as an artiste in the time of Gurudev Rabindranath Tagore? (1) Nirmal Nandy (2) Ranadhir Roy (3) Ashesh Chandra Bandopadhyay (4) Abanindra Nath Tagore 51. Which song wrote Rabindra Nath Tagore in his earlier Life? (1) He nutan dekha dik Arbar (2) Tumi Kon Bhangoner Pathe ele (3) Dinanta belay seser fashal (4) Keno bajao kakan kana - kana D-9715!D-9715-PAPER-III! 14 Paper-III

15 44. ç â»èì ÙæçÅU æ ð Ò àææð Ó Âæ æ ð M  ð ãñ? (1) æøúu ¹ðÜæ (2) æü ë»øæ (3) ßæË èç ÂýçÌÖæ (4) ÌæÚðUÚU Îðàæ 45. ßáü 1936 ð çüç¹ì ß Âý æçàæì ÙëˆØ-ÙæçÅU æ æ Ùæ ÕÌæ Ñ (1) àøæ (2) ç ææ»î (3) æøúu ¹ðÜæ (4) ÇUæçÜ æ 46. ç â ÙëˆØ-ÙæçÅU æ ð ã Ò Ùé ÚUÓ æ Âæ æ ÂæÌð ãñ? (1) çõîæø çöàææâ (2) ÇUæçÜ æ (3) ç ææ»î (4) ÌæÚðUÚU Îðàæ 47. çù ÙçÜç¹Ì ð âð ßã»èÌ æñù âæ Áæð Ø ÌèÙæð âð Âê æüìñ çöóæ ãñ? (1) ÚUæ ç ÜðçÀU æá æøðúu ÇUæ ð (2) æç âéïé ÚUæðØÙé Õæ è (3) àøæ æ ÕæÚU ÀðUÇ ð æðüðçàu æ (4) Ìæð æúu ¹æðÜæ ãæßøæ Üæç» ÂæÜð 48. ÒÒÏéÜðÚU æ æðü ÖæðÚUÀðU æá Âæ æ È âüðóó ç â ÙæÅU ð ÂýØé Ì»èÌ è Õè è  ç Ì ãñ? (1) ÙÅUèÚU ÂêÁæ (2) çõâáüù (3) æçüùè (4) ÚU¹Ìæ ÚUæðÕè 49. çù ÙçÜç¹Ì ð âð æñù âæ»èì çßáø ßSÌé è ÎëçcÅU âð Ø ÌèÙæð âð çöóæ ãñ? (1) æø ÿæ æð ãð ÿæ æð (2) ãæø ãð ÌÜÿ è (3) ÕðÜæ ÇUæ ÂæðÚðUÀðU (4) àæéc æð ÌæÂðÚU Îæð žææðâéúðu 50. çù ÙçÜç¹Ì ð âð æñù âð ãæù ØàæÚUæÁ Üæ æúu»él Îðß ÚUÕè ÎýÙæÍ ÅñU»æðÚU ð â Ø Üæ æúu ð M  ð àææ çìçù ð ÌÙ â»èì ÖßÙ æ Íð? (1) çù üü Ù Îè (2) ÚU æïèúu ÚUæòØ (3) æàæèá Îý Õ ÎæðÂæŠØæØ (4) ßÙè Îý ÙæÍ ÅñU»æðÚU 51. ÚUÕè ÎýÙæÍ ÅñU»æðÚU ÂÙð ÂêßüßÌèü æü ð æñù âæ»èì çü¹æ Íæ? (1) ãð ÙêÌÙ Îð¹æ çî æúuõæúu (2) Ìé è æðù Öæ»æðÙðÚU ÂÍð Üð (3) çîùæ Ìæð ÕðÜæ àæðáðúu È âü (4) ð Ùæð ÕæÁæ æð æ Ù ææð- ææð D-9715!D-9715-PAPER-III! 15 Paper-III

16 52. Which song Rabindra Nath composed in raga darbari kanhara? (1) Ki gabo ami ki sunabo (2) Ebar nirab kore dao he tomar (3) Hridaye tomaro daya jeno pay (4) Ore bhai phagun legechhe bone bone 53. Which song is of Phalguni? (1) Ami phul tulite alem bone (2) Yadi tare nai chini go (3) Dhire bandhu dhire (4) Jakhon Esechhile Andhakare 54. Mention the song from the following list taala of which is based not on a single taala : (1) Gram chara oi rangamatir path (2) Viswaveena robe (3) Amar Mollikabane (4) Surer guru 55. Match the following : List - I List - II (a) Tumi je surer Aagun (i) Tapati (b) Jago he rudra (ii) Achalayatan (c) Hriday Amar Prakash (iii) Gitimalyo (d) Sakal janamo Bhore (iv) Gitali (1) (i) (ii) (iii) (iv) (2) (ii) (i) (iv) (iii) (3) (iii) (i) (iv) (ii) (4) (iv) (iii) (ii) (i) 56. Match the following two lists : List - I List - II (a) Aachho Apon Mohima loye (i) Aaswas upaparyay (b) Ore bhiru tomar hate (ii) Biswa upaparyay (c) Ki Karili Moher Chholane (iii) Bibidha upaparyay (d) Tumi dhanyo dhanyo he (iv) Puja-o-prarthana (1) (ii) (i) (iv) (iii) (2) (i) (ii) (iii) (iv) (3) (iii) (ii) (i) (iv) (4) (iv) (iii) (ii) (i) D-9715!D-9715-PAPER-III! 16 Paper-III

17 52. çù ÙçÜç¹Ì ð âð æñù âæ»èì ÚUÕè Îý ÙæÍ Ùð ÚUæ» ÒÒÎÚUÕæÚUè ãæúuæóó ð ÚUç Ì è ãñ? (1) ç»æõæð ç ç âéùæõæð (2) ÕæÚU çùúuõ æðúðu Îæ æð ãð Ìæð æúu (3) NÎØð Ìæð æúu ÎØæ ÁðÙæð Âæ ü (4) æðúðu Öæ ü È æ»éù Üð»ðÀðU ÕæðÙð ÕæðÙð 53. æñù âæ»èì È æë»éùè ãñ? (1) ç Èé Ü ÌéçÜÌð Üð ÕæðÙð (2) ØçÎ ÌæÚðU Ùæ ü ç çù»æð (3) çïúðu Õ Ïé çïúðu (4) Áæ¹æðÙ ðâðçàuüð Ï æúðu 54. çù ÙçÜç¹Ì âê è ð âð ßã»èÌ ÕÌæ çáâ æ ÌæÜ Ü ÌæÜ ÂÚU æïæçúuì Ùãè ãñ? (1)»ýæ ÀUæÇ æ æ ü ÚUæ»æ æåuèúu ÂÍ (2) çßàßßè ææ ÚUæðÕð (3) æ æúu æðçëü æõæðùð (4) âéúðuúu»él 55. çù ÙçÜç¹Ì æð âé ðçüì èçá Ñ âê è - I âê è - II (a) Ìé è Áð âéúððuúu æ»éù (i) ÌæÂÌè (b) Áæ»æð ãð L Îý (ii) ÜØæÌÙ (c) NÎØ æ æúu Âý æàæ (iii)»èçì æëøæð (d) â Ü ÁÙ æð ÖæðÚðU (iv)»èìæüè (1) (i) (ii) (iii) (iv) (2) (ii) (i) (iv) (iii) (3) (iii) (i) (iv) (ii) (4) (iv) (iii) (ii) (i) 56. çù ÙçÜç¹Ì ÎæðÙæð âêç Øæð æð âé ðçüì Úð U Ñ âê è - I âê è - II (a) æàuæð æâæðù æðçã æ ÜæðØð (i) æâßæâ ÂÂØæüØ (b) æðúðu çöl Ìæð æúu ãæìð (ii) çõsßæ ÂÂØæüØ (c) ç çúuüè æðãðúu ÀUæðÜæÙð (iii) çõçõïæ ÂÂØæüØ (d) Ìé è Ï Øæð Ï Øæð ãð (iv) ÂêÁæ- æð-âýæíüùæ (1) (ii) (i) (iv) (iii) (2) (i) (ii) (iii) (iv) (3) (iii) (ii) (i) (iv) (4) (iv) (iii) (ii) (i) D-9715!D-9715-PAPER-III! 17 Paper-III

18 57. Match the following : List - I List - II (a) Eso Sarater Amala Mohima (i) Chachoro Chikuro Adho (b) He sakha mamo hridaye (ii) Baje jhanana jhanana (c) Bendhechho premero pashe (iii) Kaishe katungi (d) Timiro Bibhabori Kate (iv) E sakhi Aba Kaise (1) (iv) (ii) (iii) (i) (2) (ii) (iv) (i) (iii) (3) (i) (ii) (iii) (iv) (4) (iii) (ii) (iv) (i) 58. Match the following : List - I List - II (a) Saktirupo hero taro (i) Nachata Trivanga E (b) Hridayo Nandanabone (ii) Sapta Surotina Grama (c) Dao he hriday Bhoredao (iii) Udata Bandana Naba (d) Bipula taranga re (iv) Payela Mujhe Bhari de (1) (i) (ii) (iii) (iv) (2) (ii) (i) (iv) (iii) (3) (iv) (ii) (i) (iii) (4) (ii) (iii) (iv) (i) D-9715!D-9715-PAPER-III! 18 Paper-III

19 57. çù ÙçÜç¹Ì æð âé ðçüì èçá Ñ âê è - I âê è - II (a) âæð âúuæìðúu Ü æðçã æ (i) æ æðúuæð ç é ÚUæð Ïæð (b) ãð â¹æ æð NÎØð (ii) ÕæÁð ÛæÙÙ-ÛæÙÙ (c) Õð ÏðÀUæð Âýð ðúuæð Âæàæð (iii) ñ âð Åé U»è (d) çìç ÚUæð çõöæõæðúuè æåð (iv) ð â¹è Õ ñ âð (1) (iv) (ii) (iii) (i) (2) (ii) (iv) (i) (iii) (3) (i) (ii) (iii) (iv) (4) (iii) (ii) (iv) (i) 58. çù ÙçÜç¹Ì æð âé ðçüì Úð U Ñ âê è - I âê è - II (a) àæç ÌM Âæð ãðúuæð ÌæÚUæð (i) Ù Ì ç æß» (b) NÎØæð Ù ÎÙæðÕæðÙð (ii) âœì âéúuæðçìùæ»ýæ æ (c) Îæ æð ãð NÎØ ÖæðÚðUÎæ æð (iii) ÇUÌ Õ ÎÙ ÙæÕæ (d) çõâéüæ ÌÚ U» ÚðU (iv) ÂæØðÜæ éûæð ÖæÚUè Îð (1) (i) (ii) (iii) (iv) (2) (ii) (i) (iv) (iii) (3) (iv) (ii) (i) (iii) (4) (ii) (iii) (iv) (i) D-9715!D-9715-PAPER-III! 19 Paper-III

20 59. Match List - I with List - II List - I List - II (a) Kato Kal Pare Balo Bharat Re (i) Girindro Mohini (b) Hay Ki Tamoshi Nishi (ii) Dwijendralal Roy (c) Namo Namo Janani Ashesha Gunadharini (iii) Gobinda Chandra Roy (d) Banga Amar Janani Amar (iv) Upendranath Das (1) (i) (iii) (ii) (iv) (2) (iv) (ii) (iii) (i) (3) (ii) (i) (iv) (iii) (4) (iii) (iv) (i) (ii) 60. Match List - I with List - II : List - I List - II (a) Prangane Mor Shirish Shakhai (i) Sandhan (b) Amar Nayan Taba Nayaner (ii) Pratyasha (c) Aji E Nirala Kunje (iii) Abashese (d) Bahir Pathe Bibagi Hiya (iv) Barandala (1) (i) (iii) (ii) (iv) (2) (iv) (ii) (iii) (i) (3) (ii) (i) (iv) (iii) (4) (iii) (iv) (i) (ii) D-9715!D-9715-PAPER-III! 20 Paper-III

21 59. âê è - I æð âê è - II âð âé ðçüì Úð U Ñ âê è - I âê è - II (a) Ìæð æü ÂæÚðU ÕÜæð ÖæÚUÌ ÚðU (i) ç»çúu Îý æðçãùè (b) ãæø ç Ìæ æðàæè çùçàæ (ii) çmáð ÎýÜæÜ ÚUæòØ (c) Ù æð Ù æð ÁÙçÙ àæðàææ»é æïæçúu æè (iii)»æðçõ Î Îý ÚUæòØ (d) Õ» æúu ÁÙçÙ æúu (iv) Âð ÎýÙæÍ Îæâ (1) (i) (iii) (ii) (iv) (2) (iv) (ii) (iii) (i) (3) (ii) (i) (iv) (iii) (4) (iii) (iv) (i) (ii) 60. âê è - I æð âê è - II âð âé ðçüì Úð U Ñ âê è - I âê è - II (a) Âýæ» æð æðúu çàæúuèá â¹æø (i) â ÏæÙ (b) æúu ÙØÙ ÌÕ ÙØÙðÚU (ii) ÂýˆØæàææ (c) Áè çùúuæüæ é Áð (iii) Õàæðáè (d) ÕæçãÚU ÂÍð çõõæ»è çãøæ (iv) ÕÚUæ ÇUÜæ (1) (i) (iii) (ii) (iv) (2) (iv) (ii) (iii) (i) (3) (ii) (i) (iv) (iii) (4) (iii) (iv) (i) (ii) D-9715!D-9715-PAPER-III! 21 Paper-III

22 61. Match List - I with List - II List - I List - II (a) Naha Mata Naha Kanya (i) Khanika (b) Aji kon dhan Hote (ii) Chitra (c) Sakhi Pratidino Hay (iii) Chaitali (d) Krishnakali Ami Tarei Boli (iv) Kalpana (1) (iii) (ii) (i) (iv) (2) (iv) (i) (ii) (iii) (3) (ii) (iii) (iv) (i) (4) (i) (iv) (iii) (ii) 62. Match List - I with List - II : List - I List - II (a) Lajayay Bharat Zash Gaibo (i) Bishnuram Chattopadhyay (b) Balo Aei Ki Sei Bharat (ii) Swarno Kumari Debi (c) Bandi Tomay Bharat Janani (iii) Ganendranath Tagore (d) Shata Kanthe Karo Gan, Jananir Putanam (iv) Sarola Devi (1) (iv) (ii) (iii) (i) (2) (iii) (i) (iv) (ii) (3) (ii) (iv) (i) (iii) (4) (i) (iii) (ii) (iv) 63. Match the following : List - I List - II (a) Rabindra Nath Tagore (i) Kadambari devi (b) Jyotirindra Nath Tagore (ii) Pratima devi (c) Debendra Nath Tagore (iii) Mrinalini devi (d) Rathindra Nath Tagore (iv) Sarada devi (1) (i) (ii) (iii) (iv) (2) (iii) (i) (iv) (ii) (3) (ii) (iii) (i) (iv) (4) (iv) (ii) (iii) (i) D-9715!D-9715-PAPER-III! 22 Paper-III

23 61. âê è - I æð âê è - II âð âé ðçüì Úð U Ñ âê è - I âê è - II (a) Ùæãæ æìæ Ùæãæ Øæ (i) ¹çÙ æ (b) æáè æðù ÏÙ ãæðìð (ii) ç ææ (c) â¹è ÂýçÌçÎÙæð ãæø (iii) ñìæüè (d) ë c æ Üè æ è ÌæÚðU ü ÕæðÜè (iv) ËÂÙæ (1) (iii) (ii) (i) (iv) (2) (iv) (i) (ii) (iii) (3) (ii) (iii) (iv) (i) (4) (i) (iv) (iii) (ii) 62. âê è - I æð âê è - II âð âé ðçüì Úð U Ñ âê è - I âê è - II (a) ÜÁØæØ ÖæÚUÌ Áàæ»æ üõæð (i) çõc æéúuæ ^æðâæšøæø (b) ÕÜæð ü ç âð ü ÖæÚUÌ (ii) Sß æü é æúuè ÎðÕè (c) Õ ÇUè Ìæð æø ÖæÚUÌ ÁÙçÙ (iii)»ùð ÎýÙæÍ ÅñU»æðÚU (d) àæì Æð ÚUæð»æÙ, ÁÙÙèÚU ÂéÌÙæ (iv) âúuæðüæ Îðßè (1) (iv) (ii) (iii) (i) (2) (iii) (i) (iv) (ii) (3) (ii) (iv) (i) (iii) (4) (i) (iii) (ii) (iv) 63. çù ÙçÜç¹Ì æð âé ðçüì èçá Ñ âê è - I âê è - II (a) ÚUÕè Îý ÙæÍ ÅñU»æðÚU (i) æî ÕÚUè Îððßè (b) ØæðçÌçÚU ÎýÙæÍ ÅñU»æðÚU (ii) ÂýçÌ æ Îðßè (c) ÎðÕð Îý ÙæÍ ÅñU»æðÚU (iii) ë ææçüùè Îðßè (d) ÚUÍè Îý ÙæÍ ÅñU»æðÚU (iv) âæúuîæ Îðßè (1) (i) (ii) (iii) (iv) (2) (iii) (i) (iv) (ii) (3) (ii) (iii) (i) (iv) (4) (iv) (ii) (iii) (i) D-9715!D-9715-PAPER-III! 23 Paper-III

24 64. Match the following : List - I List - II (a) Jage Natha jochhonarate (i) Lagi more Thumaka (b) Ananda dhara Bohichhe (ii) Jab Chhor Chale (c) Ore bhai Fagun legechhe (iii) Aaju ranga khelata (d) Kato Kal rabe balo (iv) Erima saba bana (1) (i) (iv) (ii) (iii) (2) (iii) (i) (iv) (ii) (3) (ii) (iii) (i) (iv) (4) (iv) (ii) (iii) (i) 65. Match the following : List - I List - II (a) Sakal belar kunri (i) Rajbijoy (b) Sanshaya timiro majhe (ii) Behag (c) Sakala kalusha tamasha (iii) Multan (d) Shraboner Dharar Mato (iv) Sahana (1) (i) (ii) (iii) (iv) (2) (ii) (iii) (iv) (i) (3) (iii) (i) (iv) (ii) (4) (iv) (i) (iii) (ii) 66. Match List - I with List - II : List - I List - II (a) Ghumer Ghana gahan hote (i) Chitrangada (b) Sab Kichhu Keno nilona (ii) Chandalika (c) Bina Saje Saji (iii) Kalmrigaya (d) Ke jane kotha se (iv) Shyama (1) (i) (ii) (iv) (iii) (2) (iii) (i) (ii) (iv) (3) (ii) (iv) (i) (iii) (4) (iv) (iii) (ii) (i) D-9715!D-9715-PAPER-III! 24 Paper-III

25 64. çù ÙçÜç¹Ì æð âé ðçüì èçá Ñ âê è - I âê è - II (a) Áæ»ð ÙæÍæ ÁæðÀUÙæÚUæÌð (i) Üæ»è æðúðu ÆUéU æ (b) æ æ Î ÏæÚUæ ÕæðçãÀðU (ii) ÁÕ ÀUæðÇ Üð (c) æðúðu Öæ ü È æ»éù Üð»ðÀðU (iii) æáê Ú U» ¹ðÜÌæ (d) Ìæð æü ÚUÕð ßÜæð (iv) ÚUè æ âõ ÕÙæ (1) (i) (iv) (ii) (iii) (2) (iii) (i) (iv) (ii) (3) (ii) (iii) (i) (iv) (4) (iv) (ii) (iii) (i) 65. çù ÙçÜç¹Ì æð âé ðçüì ÚðU Ñ âê è - I âê è - II (a) â Ü ÕðÜæÚU é ÙÚUè (i) ÚUæÁçßÁØ (b) â àæø çåuç ÚUæð æûæð (ii) Õðãæ» (c) â Ü Üéáæ Ìæ æàææ (iii) éëìæù (d) ŸææÕæðÙðÚU ÏæÚUæÚU Ìæð (iv) âãæùæ (1) (i) (ii) (iii) (iv) (2) (ii) (iii) (iv) (i) (3) (iii) (i) (iv) (ii) (4) (iv) (i) (iii) (ii) 66. âê è - I æð âê è - II âð âé ðçüì Úð U Ñ âê è - I âê è - II (a) ƒæé ðúu ƒæùæ»ãù ãæðì (i) ç ææ»îæ (b) âõ ç ÀéU ð Ùæð çùüæðùæ (ii) ÇUæçÜ æ (c) çõùæ âæáð âæáè (iii) æü ë»øæ (d) ð ÁæÙð æðíæ âð (iv) àøæ æ (1) (i) (ii) (iv) (iii) (2) (iii) (i) (ii) (iv) (3) (ii) (iv) (i) (iii) (4) (iv) (iii) (ii) (i) D-9715!D-9715-PAPER-III! 25 Paper-III

26 67. Match List - I with List - II : List - I List - II (a) Diner Belay Banshi (i) Anusthanik (b) Banshi Ami Bajai ni ki (ii) Natyageeti (c) Agni shikha eso eso (iii) Puja (d) Oto Aar phirbe na re (iv) Prem (1) (i) (iv) (iii) (ii) (2) (iv) (ii) (i) (iii) (3) (ii) (iii) (iv) (i) (4) (iii) (iv) (i) (ii) 68. To whom Rabindranath Tagore took back with him from Tripura in 1926 to introduce and to revive Manipuri dance in Kolkata? (1) Guru Bipin Singh (2) Guru Atomlea Singh (3) Guru Nabakumar Singh (4) Guru Amubi Singh 69. Who was the music teacher of Sourendra Mohan Tagore? (1) Kali Prasanna Bandyopadhyay (2) Krishnadhan Bandyopadhyay (3) Radha Mohan Swami (4) Khetra Mohan Goswami 70. Which song is not composed by Rabindra Nath Tagore? (1) Bone Emon phul phutechhe (2) Oi dekha jay bari Amar (3) Gharete Bhramar elo gungunie (4) Ami phul tulite elem bone 71. Which song is not style of Kheyal? (1) Ankhi jal Muchhaile (2) Mon jago Mangal Loke (3) Ami Tarei Khunje Berai (4) Dao he hriday Bhore dao D-9715!D-9715-PAPER-III! 26 Paper-III

27 67. âê è - I æð âê è - II ð âæí âé ðçüì èçá Ñ âê è - I âê è - II (a) çîùðúu ÕðÜð Õ àæè (i) ÙécÆUæçÙ (b) Õ àæè è ÕÁæ ü çù è (ii) ÙæÅ Ø»èçÌ (c) ç Ù çàæ¹æ àææð àææð (iii) ÂêÁæ (d) æðìæð æúu çè ÚUÕð Ùæ ÚðU (iv) Âýð (1) (i) (iv) (iii) (ii) (2) (iv) (ii) (i) (iii) (3) (ii) (iii) (iv) (i) (4) (iii) (iv) (i) (ii) 68. ÚUÕè Îý ÙæÍ ÅñU»æðÚU Ùð Ò æðü æìæ ð ç æâéúuè ÙëˆØÓ æð ÂýæÚ UÖ ÚUÙð ß âð ÂéÙÁèüçßÌ ÚUÙð ð çü ßáü 1926 ð ç æâéúuæ âð ç âð ÂÙð âæí ÜæØæ? (1)»éL çßçâù çâ ã (2)»éL Ì æðüæ çâ ã (3)»éL Ùß é æúu çâ ã (4)»éL éõè çâ ã 69. âæñúðu Îý æðãù ÅñU»æðÚU ð â»èì çàæÿæ æñù Íð? (1) æüè ÂýSæ Ùæ Õ ÎæðÂæŠØæØ (2) ë c æïù Õ ÎæðÂæŠØæØ (3) ÚUæÏæ æðãù Sßæ è (4) ¹ð æ æðãù»æðsßæ è 70. ç â»èì è ÚU Ùæ ÚUÕè ÎýÙæÍ ÅñU»æðÚU mæúuæ Ùãè è»øè ãñ? (1) ÕæðÙð æðù Èê Ü Èê ÅðUÀðU (2) æð ü Îð¹æ Áæ ÕæÚUè æúu (3) ƒæúuìð Öý ÚU Üæð»éÙ»éçÙ (4) ç Èê Ü ÌéçÜÌð Üð ÕæðÙð 71. çù Ù ð æñù âæ»èì ØæÜ è àæñüè Ùãè ãñ? (1) æ ¹è ÁÜ éàuæ Üð (2) Ù Áæ»æð»Ü Üæð ð (3) è ÌæÚðU ¹ éáð ÕðÚUæ ü (4) Îæª ãð NÎØ ÖæðÚðU Îæª D-9715!D-9715-PAPER-III! 27 Paper-III

28 72. Arrange the songs chronologically : (a) (b) (c) (d) Phul bale dhanya ami matir pore Bani mor nahi nahi Tomarei koriachhi jibanero dhrubotara Sakatare oi Kandichhe Sakale (1) (a), (b), (c), (d) (2) (b), (c), (a), (d) (3) (d), (c), (b), (a) (4) (c), (d), (a), (b) 73. Arrange sequentially : (a) (b) (c) (d) Tumi indramonir haar enechho Biswa veena rabe Kanna hasir dol dolano Sahena Sahena Kande Paran (1) (b), (c), (a), (d) (2) (c), (b), (d), (a) (3) (a), (b), (c), (d) (4) (d), (a), (b), (c) 74. Match List - I with List - II : List - I List - II (a) Jara Kache Ache Tara Kache Thak (i) Kari O Komal (b) Ke eshe Jai Phire (ii) Khanika (c) He Nirupama (iii) Naibedya (d) Ogo Shono Ke Bajay (iv) Kalpana (1) (iii) (iv) (ii) (i) (2) (i) (ii) (iv) (iii) (3) (iv) (iii) (i) (ii) (4) (ii) (i) (iii) (iv) D-9715!D-9715-PAPER-III! 28 Paper-III

29 72. çù ÙçÜç¹Ì»èÌæð æð æü ý æùéâæúu ÃØßçSÍÌ Úð U Ñ (a) (b) (c) (d) Èê Ü ÕæðÜð Šæ Ø ç æçåuúu ÂæðÚðU Õæ æè æðú Ùãè Ùãè Ìæð æúuè æðçúuøæàuè çáõæùðúuæð ÏýéßÌæÚUæ â æìæúðu æð ü ÇUèÀðU âæð æüð (1) (a), (b), (c), (d) (2) (b), (c), (a), (d) (3) (d), (c), (b), (a) (4) (c), (d), (a), (b) 73. ý Õh ÃØßçSÍÌ Úð U Ñ (a) (b) (c) (d) Ìé è Îý æðçùúu ãæúu ðùàuæð çßàß Õè ææ ÚUÕð Ùæ ãæçâúu ÇUæðÜ ÇUæðÜÙæð âãùæ âãùæ æ Îð ÂÚUæ æ (1) (b), (c), (a), (d) (2) (c), (b), (d), (a) (3) (a), (b), (c), (d) (4) (d), (a), (b), (c) 74. âê è - I æð âê è - II âð âé ðçüì Úð Ñ âê è - I âê è - II (a) ÁÚUæ æàðu æàðu ÌÚUæ æàðu Ìæ (i) æðúuè æð æð Ü (b) ð àæð ÁæØð çè ÚðU (ii) ¹éçÙ æ (c) ãð çùm  æ (iii) Ù ÕðÎ Øæð (d) æð»æð àææðùæð ð ÕæÁæØð (iv) ËÂÙæ (1) (iii) (iv) (ii) (i) (2) (i) (ii) (iv) (iii) (3) (iv) (iii) (i) (ii) (4) (ii) (i) (iii) (iv) D-9715!D-9715-PAPER-III! 29 Paper-III

30 75. Match List - I with List - II : List - I List - II (a) Sukumari (i) (b) Sarat Kumari (ii) (c) Swarna Kumari (iii) (d) Barnakumari (iv) (1) (i) (ii) (iii) (iv) (2) (iv) (iii) (ii) (i) (3) (iii) (i) (iv) (ii) (4) (ii) (iv) (i) (iii) - o 0 o - D-9715!D-9715-PAPER-III! 30 Paper-III

31 75. âê è- I âð âê è - II æð âé ðçüì Úð U Ñ âê è - I âê è - II (a) âé é æúuè (i) (b) âúuì é æúuè (ii) (c) Sß æü é æúuè (iii) (d) Õ æü é æúuè (iv) (1) (i) (ii) (iii) (iv) (2) (iv) (iii) (ii) (i) (3) (iii) (i) (iv) (ii) (4) (ii) (iv) (i) (iii) - o 0 o - D-9715!D-9715-PAPER-III! 31 Paper-III

32 Space For Rough Work D-9715!D-9715-PAPER-III! 32 Paper-III