ĒRIKS EŠENVALDS. choral anthology 1 BALTICA MUSICA. for mixed choir (SATB) in collaboration with EP 72445

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1 MUSICA ALICA ĒRIKS EŠENALDS horal anthology 1 in ollaboration with for mixed hoir (SA) E 7445 USICA ALICA

2 Leonīds reikšs Leonīds reikšs (108 14) (10814) Kas KAS viņš IŅŠ Who WHO is IS HE He 5 (*177) lute q = 11 m iano q = 11 m l 5 no l, (unis) m Kas a vēl zā lei aug šu augt Kas a vēl ko kiem laukt no Coyright Musia altia 004

3 6 l 1 m, Es gribu stā vēt i ņam klāt, un iņu go di nāt no l 17 S, A no (unis) m Kas avēl zā lei aug šu augt Kas avēl kokiem laukt res l 1 S, A, mf mf Es gri bu stā vēt i ņam klāt, un i ņu go di Es gri bu stā vēt i ņam klāt, un i ņu go di no mf

4 Ilga ērza (*1) Ilga ērza (*1) S A 8 8 Daiļi q qk = 56 ei, Liel māsi u ī ņa te Liel diž Lielue LIELUE (Lielue River) (LIELUE RIER) uī uī te, te, kas ik ta vā tu krāš i ņa ū iz riņā augu i! si! 1 ( (*177) + 177) 8 8 ei, Liel māsi u ī ņa te Liel diž uī uī te, te, kas ik ta vā tu krāš i ņa ū iz riņā augu i! si! 5 Mē Zi melī las a te is, zel za tu ļi lē ma a, ti, Mū ū sa bē densro ra žu sud vai ra biņ' nadziņš Mē Zi melī las a q q = 56 te is, zel za tu lē ļi ma a, ti, Mū ū sa bē densro ra žu sud vai ra biņ' nadziņš bē ra sud ra biņ' ro žu vai nadziņš Ik naksni ņas mēnes ti ņis teē te vī lūkoties Ūdra dēls av' ūru sar ga, Coyright Musia altia 010 n n n n

5 16 O Salutaris Hostia O Salutaris Hostia Con sentimento q»56 Ēriks EŠENALDS ( + 177) Solo I O salu ta ris Quae oe Solo II li Sorano Hos tia Alto Sa lu ta ris Hos ti a Quae oe li enor ass 6 an an dis el la re dis os ti um e la re os ti um el la re munt munt munt Coyright Musia altia 01

6 0 Sorano III Alto I *1 Whistle *1 Whistle ~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~~ Mātes erēzes iemiņai / In Memory Mother eresa iliens ILIENS Okeānā OKEĀNĀ A Dro in the Oean A DRO IN HE OCEAN ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a 0" ( + 177) (*177) Alto II, III * enor * ass U,, ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *1 reathing *1 w simile ater noster, qui es in oelis, santifietur nomen tuum Adveniat regnum tuum iat voluntas tua, *1,, reathing ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ *1 Avoid exat synhroniity in eah stave! * o reate a mystial atmoshere, and should imitate loud breathing ª ª S I S II 4 q»56 Lord, * Lord, make me make a me han nel your *4 *4 a han nel your eae, eae, Where there is Where there S III ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ A I ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ A II, III w siut in oelo et in terra anem nostrum quotidianum da nobis hodie, Et dimitte nobis debita nostra, Siut et nos dimittimus debitoribus nostris ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ * S II div in singing indeendently and nonsynhronously, following the S I as an eho *4 efore the beat Coyright Musia Musia altia, altia w w eae, w w eae,

7 1 S I hat red, let me sow love, Where there is in u ry, S II is hatred, let me sow love, Where there is in u ry, S III ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ A I ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ A II, III Et ne nos induas in tentationem, Sed libera nos a malo Amen ater noster, qui es in oelis, santifietur nomen tuum Whiser nastily love, love, ø ø ø ø in u ry, Whiser nastily nø ø ø ø in u ry, ª ª S I 15 let me sow ar don, sow ar don, iu mosso Where there is dis S II S III A I A II, III let me sow ar don, sow ar don, ar ar don, don, ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Whistle ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Whistle aet until bar Adveniat regnum tuum iat voluntas tua, siut in oelo et in terra anem nostrum quotidianum da nobis hodie, reathing reathing ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

8 4 Sara easdale (18841) EENING AKARS (*177) Sorano I Sorano II Alto I Alto II enor ass Con sensibilità q»56 Eve Eve Eve Eve > And all the eve w And all the eve eve w eve birds in a ho rus shim mer ing w birds in a ho rus shim mer ing w w w w ª ª S I S II 5 sound are eas ing their hearts oy for miles a > round, miles a > A I eve hearts oy for miles a round, miles a > A II sound are eas ing their hearts eve oy hearts oy for miles a for miles a round, miles a > round, miles a > eve w eve hearts hearts oy, oy, oy, > oy, Coyright Musia altia 007

9 HIS IS MY AHER S WORLD ext: Maltbie D abok S A b b b b h = 56 is my a ther s world, and to my lis t ning ears all b is my a ther s world, and to my lis t ning Musi: raditional English melody arranged by ears all is my a ther s world, and to my lis t ning ears all is my a ther s world, and to my lis t ning ears all S 6 b A b b na ture sings, and round me rings the mu si na ture sings, and round me rings the mu si the the sheres sheres b na ture sings, and round me rings the mu si the sheres n na ture sings, and round me rings the mu si the sheres S 11 b is my a ther s world: I rest me in the thought roks and trees, A b is my a ther s world: I rest me in the thought roks and trees, b b is my a ther s world: I rest me in the thought roks and trees, is my a ther s world: I rest me in the thought roks and trees, Coyright Musia altia, 01

ĒRIKS EŠENALDS or me, harmony is most imortant how it flows and beomes a new harmony he melodi line is seondary erhas this is beause my ear is trained rimarily to ereive harmonies Nevertheless I don

them orn in 177 in riekule, Latvia, studied omosition with Selga Mene at the Latvian Aademy Musi He has ontinued his studies with Mihael innissy, revor Wishart, Rihard Ayres and onathan Harvey,

10 ĒRIKS EŠENALDS or me, harmony is most imortant how it flows and beomes a new harmony he melodi line is seondary erhas this is beause my ear is trained rimarily to ereive harmonies Nevertheless I don t want to write simle musi it is imortant for me to reate sounds that I truly feel I onlude that I am onstantly hanging, searhing for new aths, but absolutely not, one having found them, massroduing them orn in 177 in riekule, Latvia, studied omosition with Selga Mene at the Latvian Aademy Musi He has ontinued his studies with Mihael innissy, revor Wishart, Rihard Ayres and onathan Harvey, amongst others or , he holds the osition ellow Commoner in Creative Arts at rinity College, University Cambridge MUSICA ALICA wwwmusiabaltiaom in ollaboration with wwweditionetersom ĒRIKS EŠENALDS horal anthology 1 Edition eters 7445

Latina Christiana I Lesson XV

Latina Christiana I Lesson XV Irregular Verb: Possum Pater Noster Pater Noster qui es in Caelis Sanctificetur nomen Tuum Adveniat regnum Tuum Fiat voluntas Tua Sicut in Caelo et in terra Our Father who