Ordinary Time 2 September 2 December 1, 2012 Year B

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1 In this issue: Resurrection & Contemporary Challenges by Fr. ohn Donahue, S Hospitality at Funerals by Fr. Anthony Krisak Effective Choir Rehearsals by Angela Westhoff-ohnson Cantor Columns by ames Hansen & Melanie Coddington Ordinary Time 2 September 2 December 1, 2012 Year B 1

2 Ordinary Time 2 September 2 December 1, 2012 Year B FROM THE EDITOR Elaine Rendler-McQueeney ASK THE LITURGIST Ansers to your questions on liturgy ORA ET LABORA VALENTINO PIRAN Choosing a career in sacred music BULLETIN NOTES Liturgical catechesis for assembly members FULL, CONSCIOUS, AND ACTIVE PREPARATION Miscellaneous ministry tips NEW AND REVISED MASS SETTINGS: A CLOSER LOOK WHAT COMES NEXT? SAINT PAUL AND CONTEMPORARY CHALLENGES REV. OHN DONAHUE, S The case for resurrection in the Pauline epistles THE WELL-PLANNED CHOIR REHEARSAL ANGELA WESTHOFF-OHNSON Tips for making them efficient and effective AT TIMES OF DEATH: HOSPITALITY AND CONNECTION REV. ANTHONY KRISAK Welcoming seekers in orship SINGING AND CELEBRATING GOD S WORD Glenn c byer Scripture Commentaries for Year B TIPS FOR DOWNLOADING DIGITAL MUSIC Step-by-step instructions for purchasing music online RHYTHMIC NOTATION RICK MODLIN Ho to read it, ho to play it CANTOR AVENUE MELANIE CODDINGTON & AMES HANSEN Weekly commentaries on the responsorial psalm and more ritual notes paul covino Help ith planning ritual moments FEATURED SONGS God s Holy Gifts by Dan Schutte As Morning Breaks by Pedro Rubalcava 36 Tenty-Second Sunday in Ordinary Time 38 Tenty-Third Sunday in Ordinary Time 40 Tenty-Fourth Sunday in Ordinary Time 42 Tenty-Fifth Sunday in Ordinary Time 44 Tenty-Sixth Sunday in Ordinary Time 46 Tenty-Seventh Sunday in Ordinary Time 48 Tenty-Eighth Sunday in Ordinary Time 50 Tenty-Ninth Sunday in Ordinary Time 52 Thirtieth Sunday in Ordinary Time 54 All Saints 56 Thirty-First Sunday in Ordinary Time 58 Thirty-Second Sunday in Ordinary Time 60 Thirty-Third Sunday in Ordinary Time 62 Thanksgiving Day 64 Our Lord esus Christ the King 66 Abbreviations used in music suggestions Cover: All Saints Church, Sherbourne, Warickshire, England, UK. Colin Underhill / Alamy (alamy.com). 26 Cantate angela esthoff-ohnson Choral music for the season 3

3 Rhythmic Notation Rick Modlin Rick Modlin is currently managing music arranger and a recording producer for OCP. At home in many musical styles, he has recorded a azz album (oy to the World, ocp.org/10993), ritten liturgical and choral music, orchestrated a apanese animated TV series, played countless musicals, toured ith a orldmusic ensemble, and arranged and recorded ith many OCP composers. He is an active parish musician in the Archdiocese of Portland in Oregon. Especially in music influenced by azz, pop, and gospel sounds, you may find yourself sometime looking at something like this (figure 1): Figure 1 & 4 4 D. Dsus4 A Bm7 E m D/F G The first time you encounter this style of notation called rhythmic notation can be a little perplexing. So let s break it apart. Rhythmic notation is a short-hand musical notation that relies on the musicians to interpret it for their particular instrument. The above example is not ust for guitarists pianists, bassists, drummers, and percussionists may all read from the same score hen ritten in this style. It s important to kno that although the notes appear on a staff line, they do not specify any pitch. The characteristic hatch-mark and diamond note heads only indicate rhythm. It is standard practice to put them on the middle staff line, but it doesn t mean to play a b note. There are actually to different notational styles present in this example, rhythmic notation and slash notation or slashes. All four measures of the example above contain rhythmic notation, hich specifies the exact rhythm to be played. The first and third bars also have slash notation, hich indicates that some type of rhythm should be played, and for ho many beats it lasts, but doesn t specify hat the rhythm should be. As ith the musical genres from hich this notational style is derived, there is an element of improvisation involved here. There isn t ust one ay to play it correctly, but many possibilities. That can be somehat daunting at first, but like anything else, the more of it you do, the better you get. Here are to possibilities of ho those four bars could be played by a guitarist and by a pianist. In figure 2, notice that both guitar and piano are playing the exact rhythm hen it is specified, and fill in ith other notes and rhythms during the slashes: Figure 2 Guitar Piano & & &? D... Dsus4. A. Bm7 E m D/F G. 24 &.

4 22nd Sunday in Ordinary Time 9/2/2012 year B MUSIC SUGGESTIONS See page 66 for an abbreviation key. For additional music suggestions, visit liturgy.com. ENTRANCE CHANT Here at This Table (Whitaker/Whitaker) BB/MI 312 H NTY 68 SS2 362 OCP I Sing the Mighty Poer of God ellacombe BB/MI 421 CP2 390 GP2 668 H R2 236 R3 191 UC 741 VOZ 598 Sing, O Sing (Schutte) BB/MI 568 GP OCP 9904 For the Beauty of the Earth dix BB/MI 618 CM 133 CP2 383 GP2 704 H NTY 139 R2 293 R3 171 UC 636 VOZ 602 Lord of All Hopefulness slane BB/MI 394 CM 103 CP2 406 GP2 622 H NTY 121 R2 291 R3 280 UC 767 VOZ 654 All People That on Earth Do Dell old hundredth BB/MI 313 CM 101 CP2 473 GP2 535 H UC 476 VOZ 785 As We Gather at Your Table nettleton BB/MI Canticle of the Sun (Haugen) BB/MI 419 CM 152 CP2 386 H 394 R2 242 R3 188 UC 736 All Creatures of Our God and King lasst uns erfreuen BB/MI 549 CM 122 CP2 358 GP2 672 H R2 245 R3 153 UC 738 VOZ 563 All Are Welcome to oaks BB/MI 411 CP2 462 H 544 UC 587 RESPONSORIAL PSALM AND GOSPEL ACCLAMATION Respond and Acclaim (Alstott) A Lectionary Psalter (Schiavone) 157, 245 PRESENTATION AND PREPARATION OF THE GIFTS All Good Gifts heislman BB/MI OCP 9967 Not to Us, Lord (Walker/Freeburg) BB/MI 524 OCP All That Is Hidden (Farrell) BB/MI 521 GP OCP 7161 Come to Me (Norbet) BB/MI 488 CP2 442 GP2 629 H UC 666 VOZ 730 Come to the Water (Foley) BB/MI 626 CM 149 CP2 400 GP2 706 H UC 652 VOZ 613 OCP 9489 Take My Hands (Temple) BB/MI 377 H For the Healing st. thomas (tantum ergo) BB/MI 431 H Let There Be Peace on Earth (ackson/miller) BB/MI 510 CM 161 CP2 449 GP2 655 H R2 221 R3 213 UC 534 VOZ 719 COMMUNION CHANT Blest Are They (Haas) BB/MI 635 CM 167 CP2 397 H 415 R3 140 UC 556 Your Words Are Spirit and Life (Farrell) BB/MI 577 CP2 393 H R3 273 SS1 56 UC 731 VOZ 650 We Have Been Told (Haas) BB/MI 519 CM 166 CP2 460 H 477 UC 544 OCP 8533 Pescador de Hombres/Lord, You Have Come (Gabaráin) BB/MI 522 CP2 458 GP2 580 H NTY 129 R2 272 R3 234 SS1 162 UC 541 VOZ 702 OCP 8419 Taste and See (Moore) BB/MI 333 CM 110 CP2 28 H 114 UC 532 Your Words, Lord, Are Spirit and Life (B. Hurd) BB/MI 757 NTY 40 R3 278 SS2 248 In the Land There Is a Hunger (Lynch) BB/MI Speak, Lord (Uszler/Schoenbachler) BB/MI Lord, You Have the Words (oncas) BB/MI 756 CP2 6 GP2 172 H UC 77 VOZ 141 OCP I Am the Bread of Life/Yo Soy el Pan de Vida (Toolan) BB/MI 343 CM 111 CP2 478 H 504 R2 196 R3 304 UC 505 One Love Released (Frenzel/Keil) BB/MI 344 H OCP This time last year many musicians ere poring over scores, listening carefully to music, talking to other musicians, attending liturgy orkshops, and finally making the decision on a ne Mass setting for their communities, looking toard the implementation of the revised Roman Missal in Advent. Kudos to all of you! Ordinary Time II, 2012, should prove less stressful and more ordinary (if that s possible in the life of a pastoral musician). This people honors me ith their lips, but their hearts are far from me (Mark 7:6). In The Synoptic Gospels Set Free (N: Paulist Press, 2009), esuit Father Daniel Harrington says that esus is critical of the Pharisees and scribes in today s Gospel passage for their lack of focus on the essentials, for their failure to distinguish beteen the important and accidental, and for their abuse of religion (p. 109). The second reading points us toard the essentials: Be doers of the ord and not hearers only (ames 1:22). The second Communion antiphon, based on the Beatitudes, is a perfect segue. We celebrate Labor Day this eekend in the secular calendar. The music suggestions can help you eave the feast and the holiday into prayer through texts such as anèt Sullivan Whitaker s Here at This Table and ohn Foley s Come to the Water, both of hich invite those ho labor to come to the Lord. I Sing the Mighty Poer of God and For the Beauty of the Earth give thanks to God for God s labor creation. Sing, O Sing, Sent Forth by God s Blessing (BB/MI 382), and Christ before Us (BB/ MI 407) all capture today s message of hearing the ord and turning it into action. PS: Be sure to complete and return your Music Issue Survey (see insert in this issue) by September 7, Elaine Rendler-McQueeney SONG OF PRAISE OR SENDING FORTH For the Fruits of This Creation ar hyd y nos BB/MI 422 CP2 385 H R2 238 R3 189 UC 739 VOZ 599 Lord of All Hopefulness slane BB/MI 394 CM 103 CP2 406 GP2 622 H NTY 121 R2 291 R3 280 UC 767 VOZ 654 Go Make a Difference (Angrisano/Tomaszek) BB/MI 515 H 481 NTY 260 SS1 113 City of God (Schutte) BB/MI 373 CM 119 CP2 509 GP2 548 H NTY 9 R2 278 R3 263 SS1 106 UC 572 VOZ 742 OCP 9739 Rene Us in babilone (Coon) BB/MI 535 OCP Lord, Whose Love in Humble Service holy manna BB/MI Beatitudes (Ducote/Balhoff) BB/MI 633 GP We Are Called (Haas) BB/MI 586 CP2 511 H 534 Lead Me, Lord (Becker) BB/MI 636 CP2 398 GP2 715 H NTY 19 R2 284 SS1 107 UC 557 VOZ 619 OCP 8831 Eternal Father, Strong to Save melita BB/MI 652 CP2 523 H VOZ 758 CHORAL Let the Peace of Christ Rule In Your Hearts (D. Hurd) OCP 4621 Prayer for Peace (Thatcher) OCP Make Us Instruments of Peace (C. Walker) OCP

5 Note: Changes made to planning pages cannot be saved. Please remember to print a copy for your records. 22nd Sunday in Ordinary Time 9/2/2012 year B Time Priest Celebrant Music Rehearsal/Liturgical Catechesis Introduction, see Prayer of the Faithful, page 69 THE INTRODUCTORY RITES Entrance Chant Blessing and Sprinkling of Water/Penitential Act Gloria THE LITURGY OF THE WORD First Reading Responsorial Psalm Second Reading Gospel Acclamation Gospel Homily Dismissal of the Catechumens and Elect Universal Prayer, see Prayer of the Faithful, page 69 THE LITURGY OF THE EUCHARIST Presentation and Preparation of the Gifts Eucharistic Acclamations Holy, Holy, Holy The Mystery of Faith Amen The Communion Rite The Lord s Prayer Lamb of God Communion Chant Psalm or Hymn of Praise/Instrumental or Silence THE CONCLUDING RITES Sending Forth Choral Anthem of the Day Prelude/Postlude 2012 OCP. All rights reserved. Permission granted to make copies of this planner for private use only. ENTRANCE ANTIPHON cf. Psalm 86 (85):3, 5 Have mercy on me, O Lord, for I cry to you all the day long. O Lord, you are good and forgiving, full of mercy to all ho call to you. FIRST READINGD deuteronomy 4:1 2, 6 8 (125B) Moses urged the Israelites to be faithful to the commands of the Lord. They ere not to change them in any ay but to follo them isely. RESPONSORIAL PSALM Psalm 15:2 3, 3 4, 4 5 The one ho does ustice ill live in the presence of the Lord. SECOND READING ames 1:17 18, 21b 22, 27 In order for God s ord to take root, believers must do more than merely listen to it. They must act upon it. GOSPEL ACCLAMATION ames 1:18 The Father illed to give us birth by the ord of truth that e may be a kind of firstfruits of his creatures. GOSPEL Mark 7:1 8, 14 15, esus said that nothing coming from outside can make a person impure. Rather, it is the evil coming from ithin that constitutes impurity. COMMUNION ANTIPHON Psalm 31 (30):20 Ho great is the goodness, Lord, that you keep for those ho fear you. Or Matthe 5:9 10 Blessed are the peacemakers, for they shall be called children of God. Blessed are they ho are persecuted for the sake of righteousness, for theirs is the Kingdom of Heaven. 37