PAPER-II PERFORMING ARTS DANCE / DRAMA / THEATRE Signature and Name of Invigilator 1. (Signature) (Name) 2. (Signature) (Name) 65
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1 PAPER-II PERFORMING ARTS DANCE / DRAMA / THEATRE Signature and Name of Invigilator 1. (Signature) (Name) 2. (Signature) (Name) 65 J 1 3 Time : 1 1 / 4 hours] Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) After this verification is over, the OMR Sheet Number should be entered on this Test Booklet. 4. Each item has four alternative responses marked (A),, and (D). You have to darken the circle as indicated below on the correct response against each item. Example : where is the correct response. 5. Your responses to the items are to be indicated in the OMR Sheet given inside the Paper I Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated. 6. Read instructions given inside carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification. 9. You have to return the original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination. 10. Use only Blue/Black Ball point pen. 11. Use of any calculator or log table etc., is prohibited. 12. There is no negative marks for incorrect answers. OMR Sheet No. :... (To be filled by the Candidate) Roll No. (In figures as per admission card) Roll No. (In words) [Maximum Marks : 100 Number of Pages in this Booklet : 20 Number of Questions in this Booklet : 50 Ö üßõööù ÖμÖÖë Ûêú»Ö Ö ìü Ö 1. ÖÆü»Öê Öéšü Ûêú ú Ö ü ÖμÖŸÖ Ã ÖÖ Ö Ö ü Ö ÖÖ üöê»ö Ö ²Ö ü»ö ÜÖ 2. ÃÖ ÖÏ Ö- Ö Ö Öë Ö ÖÖÃÖ ²ÖÆãü ¾ÖÛú» ÖßμÖ ÖÏ Ö Æïü 3. Ö üßõöö ÖÏÖ ü ³Ö ÆüÖê Öê Ö ü, ÖÏ Ö- Öã ßÖÛúÖ Ö ÖÛúÖê êü üß ÖÖμÖêÝÖß ÖÆü»Öê ÖÖÑ Ö Ö Ö ü Ö ÖÛúÖê ÖÏ Ö- Öã ßÖÛúÖ ÜÖÖê»Ö Öê ŸÖ ÖÖ ˆÃÖÛúß Ö Ö»Ö ÜÖŸÖ ÖÖÑ Ö Ûêú»Ö üμöê ÖÖμÖëÝÖê, ÖÃÖÛúß ÖÖÑ Ö Ö ÖÛúÖê ¾Ö μö Ûú ü Öß Æîü : (i) ÖÏ Ö- Öã ßÖÛúÖ ÜÖÖê»Ö Öê Ûêú»Ö Öã ßÖÛúÖ Ö ü»öýöß ÛúÖÝÖ Ö Ûúß ÃÖᯙ / (i) To have access to the Question Booklet, tear off ÖÖê»Ö Öß Ö ²ÖîÝÖ ÛúÖê ±úö Ìü»Öë ÜÖã»Öß Æãü Ô μöö ²Ö ÖÖ Ã üßûú ü-ãöß»ö / the paper seal / polythene bag on the booklet. Do not ²Ö ÖÖ ÖÖê»Ö Öß Ö ²ÖîÝÖ Ûúß Öã ßÖÛúÖ Ã¾ÖßÛúÖ ü Ö Ûú ëü accept a booklet without sticker-seal / without (ii) Ûú¾Ö ü Öéšü Ö ü û Öê Ö ìü ÖÖ ÖãÃÖÖ ü ÖÏ Ö- Öã ßÖÛúÖ Ûêú Öéšü ŸÖ ÖÖ polythene bag and do not accept an open booklet. ÖÏ ÖÖë Ûúß ÃÖÓÜμÖÖ ÛúÖê ûß ŸÖ üæü ÖîÛú Ûú ü»öë Ûú μöê Öæ êü Æïü üöêâö ÖæÞÖÔ Öã ßÖÛúÖ Ö Ö Öë Öéšü/ ÖÏ Ö Ûú Ö ÆüÖë μöö ãü²öö üö Ö ÝÖμÖê ÆüÖë μöö ÃÖß üμö»ö Öë Ö ÆüÖë ÖÖÔŸÖË ÛúÃÖß ³Öß ÖÏÛúÖ ü Ûúß Öã ü ÖæÞÖÔ Öã ßÖÛúÖ Ã¾ÖßÛúÖ ü Ö Ûú ëü ŸÖ ÖÖ ˆÃÖß ÃÖ ÖμÖ ˆÃÖê»ÖÖî üöûú ü ˆÃÖÛêú à ÖÖ Ö Ö ü æüãö üß ÃÖÆüß ÖÏ Ö- Öã ßÖÛúÖ»Öê»Öë ÃÖÛêú»Ö Ö ÖÛúÖê ÖÖÑ Ö Ö Ö ü üμöê ÖÖμÖëÝÖê ˆÃÖÛêú ²ÖÖ ü Ö ŸÖÖê Ö ÖÛúß ÖÏ Ö- Öã ßÖÛúÖ ¾ÖÖ ÖÃÖ»Öß ÖÖμÖêÝÖß Öî ü Ö Æüß Ö ÖÛúÖê ŸÖ üœÿö ÃÖ ÖμÖ üμöö ÖÖμÖêÝÖÖ (iii) ÃÖ ÖÖÑ Ö Ûêú ²ÖÖ ü OMR Ö ÖÛú Ûúß ÛÎú Ö ÃÖÓÜμÖÖ ÃÖ ÖÏ Ö- Öã ßÖÛúÖ Ö ü Ó ÛúŸÖ Ûú ü ëü 4. ÖÏŸμÖêÛú ÖÏ Ö Ûêú»Ö ÖÖ ü ˆ Ö ü ¾ÖÛú» Ö (A),, ŸÖ ÖÖ (D) üμöê ÝÖμÖê Æïü Ö ÖÛúÖê ÃÖÆüß ˆ Ö ü Ûêú ¾Öé Ö ÛúÖê Öê Ö ÃÖê ³Ö üûú ü ÛúÖ»ÖÖ Ûú ü ÖÖ Æîü ÖîÃÖÖ Ûú Öß Öê üüööμöö ÝÖμÖÖ Æîü ˆ üöæü üþö : Ö²Ö Ûú ÃÖÆüß ˆ Ö ü Æîü 5. ÖÏ ÖÖë Ûêú ˆ Ö ü Ûêú¾Ö»Ö ÖÏ Ö Ö Ö I Ûêú ü ü üμöê ÝÖμÖê OMR Ö ÖÛú Ö ü Æüß Ó ÛúŸÖ Ûú ü Öê Æïü μö ü Ö Ö OMR Ö ÖÛú Ö ü üμöê ÝÖμÖê ¾Öé Ö Ûêú»ÖÖ¾ÖÖ ÛúÃÖß μö à ÖÖ Ö Ö ü ˆ Ö ü ÖÅ ÖÖÓ ÛúŸÖ Ûú üÿöê Æïü, ŸÖÖê ˆÃÖÛúÖ Öæ»μÖÖÓÛú Ö ÖÆüà ÆüÖêÝÖÖ 6. ü ü üμöê ÝÖμÖê Ö ìü ÖÖë ÛúÖê μöö Ö Öæ¾ÖÔÛú ÖœÌëü 7. Ûú ÖÖ ÛúÖ Ö (Rough Work) ÃÖ Öã ßÖÛúÖ Ûêú ŸÖ Ö Öéšü Ö ü Ûú ëü 8. μö ü Ö Ö OMR Ö ÖÛú Ö ü ÖμÖŸÖ Ã ÖÖ Ö Ûêú»ÖÖ¾ÖÖ Ö ÖÖ ÖÖ Ö, üöê»ö Ö ²Ö ü, ±úöê Ö Ö ²Ö ü μöö ÛúÖê Ô ³Öß êãöö ÖÅ Ö ÖÃÖÃÖê Ö ÖÛúß ÖÆü ÖÖ Ö ÆüÖê ÃÖÛêú, Ó ÛúŸÖ Ûú üÿöê Æïü Ö¾ÖÖ ³Ö ü ³ÖÖÂÖÖ ÛúÖ ÖÏμÖÖêÝÖ Ûú üÿöê Æïü, μöö ÛúÖê Ô μö Öã ÖŸÖ ÃÖÖ Ö Ö ÛúÖ ÖÏμÖÖêÝÖ Ûú üÿöê Æïü, ŸÖÖê Ö üßõöö Ûêú»ÖμÖê μööêýμö ÖÖê ÂÖŸÖ ÛúμÖê ÖÖ ÃÖÛúŸÖê Æïü 9. Ö ÖÛúÖê Ö üßõöö ÃÖ ÖÖ ŸÖ ÆüÖê Öê Ö ü Öæ»Ö OMR Ö ÖÛú Ö üßõöûú ÖÆüÖê üμö ÛúÖê»ÖÖî üö ÖÖ Ö¾Ö μöûú Æîü Öî ü Ö üßõöö ÃÖ ÖÖ ŸÖ Ûêú ²ÖÖ ü ˆÃÖê Ö Öê ÃÖÖ Ö Ö üßõöö ³Ö¾Ö Ö ÃÖê ²ÖÖÆü ü Ö»ÖêÛú ü ÖÖμÖë ÆüÖ»ÖÖÓ Ûú Ö Ö Ö üßõöö ÃÖ ÖÖ ŸÖ Ö ü OMR Ö ÖÛú Ûúß ãü»ößûêú ü ÖÏ ŸÖ Ö Öê ÃÖÖ Ö»Öê ÖÖ ÃÖÛúŸÖê Æïü 10. Ûêú¾Ö»Ö Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¾ÖÖ Õ ü Öê Ö ÛúÖ Æüß ÃŸÖê ÖÖ»Ö Ûú ëü 11. ÛúÃÖß ³Öß ÖÏÛúÖ ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê ü ü) μöö»ööýö êü²ö»ö Ö ü ÛúÖ ÖÏμÖÖêÝÖ ¾ÖÙ ÖŸÖ Æîü 12. ÝÖ»ÖŸÖ ˆ Ö üöë Ûêú»Ö ÛúÖê Ô ÓÛú ÛúÖ êü ÖÆüà ÖÖ ÑÝÖê J P.T.O.
2 PERFORMING ARTS DANCE / DRAMA / THEATRE Paper II SPECIAL INSTRUCTIONS 1. Candidates are required to answer all the 25 questions in Part-I, which are compulsory. They should also select any one from Part-II and Part-III and answer all the 25 questions of that Part only. Each question carries two marks. 2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part Number which they have selected. PART I Common to Dance / Drama / Theatre 1. Assertion (A) : The Kutiyattam performance departs radically from the text of a play. Reason (R) : Kutiyattam structure lays stress on the introduction of characters and elaboration of the story not found in the act of the written play. (A) (A) is false, (R) is true. (A) is true, (R) is true. (A) is false, (R) is false. (D) (A) is true, (R) is false. 2. Match the items in List-I with the items in List-II : List I List II (a) Rāslila (i) The Ritual Tradition (b) Teyyam (ii) The Folk Popular Tradition (c) Tamasha (iii) The Classical Tradition (d) Kutiyattam (iv) The Devotional Tradition (A) (i) (ii) (iii) (iv) (iv) (i) (ii) (iii) (ii) (iii) (iv) (i) (D) (iii) (iv) (i) (ii) 3. Give the correct sequence in respect of their Geographical Origin from South to North : (A) Bhand Jashna, Nautanki, Veethi Natakam, Krshnattam. Veethi Natakam, Krshnattam, Bhand Jashna, Nautanki. Krshnattam, Veethi Natakam, Nautanki, Bhand Jashna. (D) Nautanki, Bhand Jashna, Krshnattam, Veethi Natakam. 4. Pick the odd one out : (A) Bhavai Nautanki Teyyam (D) Tamasha 5. Mānch is a folk popular tradition which is prevalent in (A) Uttar Pradesh Punjab Rajasthan (D) Madhya Pradesh 6. Assertion (A) : The concepts of nātya, n tya and n tta seem to have one thing in common, namely gātravikshepa or movement of limbs. Reason (R) : All these forms lack the Satvik Abhinaya. (A) (A) is true, (R) is true. (A) is false, (R) is true. (A) is false, (R) is false. (D) (A) is true, (R) is false. Paper-II 2 J-65-13
3 ÖÏ ü ÖÔ ÖÛúÖ üß Ûú»ÖÖ Ö韵Ö/ ÖÖ üûú/ ÓüÝÖ ÖÓ Ö ÖÏ Ö Ö Ö II SPECIAL INSTRUCTIONS 1. Candidates are required to answer all the 25 questions in Part-I, which are compulsory. They should also select any one from Part-II and Part-III and answer all the 25 questions of that Part only. Each question carries two marks. 2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part Number which they have selected. PART I Common to Dance / Drama / Theatre 1. ³ÖÛú Ö Ö (A) : Ûãú ¼üµÖÖ¼ü Ö ÖÏßÖã ŸÖ ÖÖ üûú Ûêú Ö»ÖêÜÖ ÃÖê Öæ»ÖŸÖ:»ÖÝÖ ÆüÖê ÖÖŸÖß Æîü ÛúÖ üþö (R) : Ûãú ¼üµÖÖ¼ü Ö ÃÖÓ ü Ö ÖÖ ÖÖ ÖÖë Ûêú Ö ü ÖµÖ Öî ü Ûú ÖÖ Ûêú ¾ÖßÖé ŸÖÛú üþö Ö ü ÖÌÖê ü êüÿöß Æîü ÖÖê»Ö ÜÖŸÖ ÖÖ üûú Ûêú ÓÛú Öë ÖÆüà ÖÖµÖÖ ÖÖŸÖÖ Æîü (A) (A) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü 2. ÃÖæ Öß-I Öë üß ÝÖ Ô Ö üöë ÛúÖê ÃÖæ Öß-II Öë üß ÝÖ Ô Ö üöë Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûúß Ö : (a) üöãö»öß»öö (i) Ö ÖãÂÞÖ ÖÛú Ö ü Ö üö (b) ŸÖîµµÖ Ö (ii)»ööêûú ¾ÖܵÖÖŸÖ Ö ü Ö üö (c) ŸÖ ÖÖ ÖÖ (iii) Œ»ÖÖÃÖßÛú»Ö ( ÖÖà ÖßµÖ) Ö ü Ö üö (d) Ûãú ¼üüµÖÖ¼ü Ö (iv) ³Ö ŒŸÖ Ö ü Ö üö (A) (i) (ii) (iii) (iv) (iv) (i) (ii) (iii) (ii) (iii) (iv) (i) (D) (iii) (iv) (i) (ii) 3. ü õöþö ÃÖê ˆ Ö ü ŸÖÛú ³ÖÖîÝÖÖê»ÖÛú ˆ ËüÝÖ Ö Ûêú ÃÖ ²Ö Ö Öë ÃÖÆüß ÖãÛÎú Ö ²ÖŸÖÖ µöê : (A) ³ÖÖÓ ü Ö Ö, ÖÖî ÓüÛúß, ¾Öß Öß ÖÖ üûú Ö, ÛéúÂÞÖÖ¼ü Ö J Paper-II ¾Öß Öß ÖÖ üûú Ö, ÛéúÂÞÖÖ¼ü Ö, ³ÖÖÓ ü Ö Ö, ÖÖî ÓüÛúß ÛéúÂÞÖÖ¼ü Ö, ¾Öß Öß ÖÖ üûú Ö, ÖÖî ÓüÛúß, ³ÖÖÓ ü Ö Ö (D) ÖÖî ÓüÛúß, ³ÖÖÓ ü Ö Ö, ÛéúÂÞÖÖ¼ü Ö, ¾Öß Öß ÖÖ üûú Ö 4. ¾ÖÂÖ Ö ÛúÖ ÖµÖ Ö Ûúß Ö : (A) ³Ö¾ÖÖ Ô ÖÖî ÓüÛúß ŸÖîµµÖ Ö (D) ŸÖ ÖÖ ÖÖ 5. ÖÖÓ Ö»ÖÖêÛú ÖÖ ËüµÖ Ö ü Ö üö Æîü ÖÖê Ö Ö»Ö ÜÖŸÖ Öë ÖÏ Ö»ÖŸÖ Æîü : (A) ˆ Ö ü ÖÏ êü Ö ÖÓ ÖÖ²Ö üö Öà ÖÖ Ö (D) Ö µö ÖÏ êü Ö 6. ³ÖÛú Ö Ö (A) : ÖÖ ËüµÖ, ÖéŸµÖ Öî ü Öé Ö Ûúß ¾Ö ÖÖ üþöö Öë Öë Ûú ²ÖÖŸÖ ÃÖ¾ÖÔ Öšü üüöö Ô Ö ÌüŸÖß Æîü, ÖÖ ÖŸÖ: ÝÖÖ Ö ¾ÖõÖê Ö Ö¾ÖÖ ÓÝÖÖë Ûúß ÝÖ ŸÖ ÛúÖ üþö (R) : Ö ÃÖ²Ö ºþ ÖÖë Öë ÃÖÖ Ÿ¾ÖÛú ³Ö ÖµÖ ÛúÖ ³ÖÖ¾Ö Æîü (A) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü
4 7. Match items in List-I with the items in List-II : List I List II (a) Kakshya (i) Voice Modulation in delivery of speeches. (b) Kāku (ii) Graceful mode of dramatic presentation (c) Kaishiki (iii) Zonal division of stage (d) Karyavastha (iv) Stages of Plot Development (A) (i) (iv) (ii) (iii) (iii) (i) (ii) (iv) (ii) (iii) (i) (iv) (D) (iv) (ii) (iii) (i) 8. Which is the correct sequence? (A) Bhāsa, Kālidasa, Ashwaghosha, Bhavbhuti, Shudraka. Kalidasa, Bhavbhuti, Bhāsa, Shudraka, Ashwaghosha. Ashwaghosh, Bhāsa, Kālidāsa, Shudraka, Bhavbhuti. (D) Shudraka, Bhāsa, Ashwaghosha, Bhavbhuti, Kalidasa. 9. Pick the odd one out : (A) Mattavar i Brahmamandala Ragapitha (D) Pataka 10. The word Pusta is described in the context of (A) Angika Abhinaya Vachika Abhinaya Āharya Abhinaya (D) Sattvika Abhinaya 11. Assertion (A) : Experiment kills the tradition. Reason (R) : Art depicts the contemporary requirement and interest of the society. (A) (A) is true and (R) is false. Both (A) and (R) are true. (A) is false, (R) is true. (D) Both (A) and (R) are false. 12. Arrange the correct sequence : (A) Mishra, Khand, Tisra, Sankirn Tisra, Khand, Mishra,Sankirn Khand, Tisra, Mishra, Sankirn (D) Khand, Mishra, Tisra, Sankirn 13. Pick the Odd one out : (A) Shruti Nartanam Chhayanat (D) Kadambini 14. Match items in List-I with items in LIst-II. List I List II (a) Nupi Lan (i) Priti Patel (b) Shravan (ii) Sachin Shankar (c) Malem (iii) Charu Sija (d) Ghost (iv) Kumudini Lakhia (A) (i) (iii) (iv) (ii) (iii) (iv) (i) (ii) (ii) (iii) (i) (iv) (D) (iv) (ii) (i) (iii) 15. Pick the Odd one out : (A) Hallisak Chhalikya Lasya (D) Rechaka Paper-II 4 J-65-13
5 7. ÃÖæ Öß-I Öë üß ÝÖ Ô Ö üöë ÛúÖê ÃÖæ Öß-II Öë üß ÝÖ Ô Ö üöë Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûú ëü : (a) ÛúõµÖÖ (i) ÃÖÓ¾ÖÖ ü ²ÖÖê»Ö Öê Öë Ã¾Ö ü ÛúÖê Ñú ÖÖ- Öß ÖÖ Ûú ü ÖÖ (b) ÛúÖÛæú (ii) ÖÖ üûúßµö ÖÏßÖã ŸÖ ÛúÖ Ö ÖÖêÆü ü œìóüýö (c) Ûîú ÖÛúß (iii) ÖÓ Ö ÛúÖ õöê Ö ¾Ö³ÖÖ Ö Ö (d) ÛúÖµÖÖÔ¾Öà ÖÖ (iv) Ûú ÖÖ ÖÛú ¾ÖÛúÖÃÖ Ûúß ¾Öà ÖÖ Ñ (A) (i) (iv) (ii) (iii) (iii) (i) (ii) (iv) (ii) (iii) (i) (iv) (D) (iv) (ii) (iii) (i) 8. ÃÖÆüß ÖãÛÎú Ö ²ÖŸÖÖ µöê : (A) ³ÖÖÃÖ, ÛúÖ»Öß üöãö, ¾Ö ÖÖêÂÖ, ³Ö¾Ö³Öæ ŸÖ, Öæ üûú ÛúÖ»Öß üöãö, ³Ö¾Ö³Öæ ŸÖ, ³ÖÖÃÖ, Öæ üûú, ¾Ö ÖÖêÂÖ, ¾Ö ÖÖêÂÖ, ³ÖÖÃÖ, ÛúÖ»Öß üöãö, Öæ üûú, ³Ö¾Ö³Öæ ŸÖ (D) Öæ üûú, ³ÖÖÃÖ, ¾Ö ÖÖêÂÖ, ³Ö¾Ö³Öæ ŸÖ, ÛúÖ»Öß üöãö 9. ¾ÖÂÖ Ö ÛúÖî Ö ÃÖÖ Æîü? (A) Ö Ö¾ÖÖ üþöß ²ÖÎÉ ÖÓ ü»ö ÓüÝÖ Ößšü (D) ÖŸÖÖÛúÖ 10. Ö Ö»Ö ÜÖŸÖ Ûêú ÃÖÓ ü³öô Öë ÖãÃŸÖ Ö² ü ÛúÖ ¾ÖÞÖÔ Ö ÛúµÖÖ ÖÖŸÖÖ Æîü : (A) ÖÓ ÝÖÛú ³Ö ÖµÖ ¾ÖÖ ÖÛú ³Ö ÖµÖ ÖÆüÖµÖÔ ³Ö ÖµÖ (D) ÃÖÖ Ÿ¾ÖÛú ³Ö ÖµÖ 11. Ûú Ö Ö (A) : ÖϵÖÖêÝÖ Ö ü Ö üö ÛúÖ ¾Ö ÖÖ Ö Ûú üÿöß Æîü ÛúÖ üþö (R) : Ûú»ÖÖ ÃÖ ÖÖ Ö Ûúß ŸÖŸÛúÖ»Öß Ö Ö¾Ö µöûúÿöö Öî ü ³Öºþ Ö ÛúÖ Ö ÖÞÖ Ûú üÿöß Æîü (A) (A) ÃÖŸµÖ Æîü Öî ü (R) ÃÖŸµÖ Æîü (A) Öî ü (R) üöê ÖÖë ÃÖŸµÖ Æï ü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (D) (A) Öî ü (R) üöê ÖÖë ÃÖŸµÖ Æïü 12. ÃÖÆüß ÛÎú Ö ²ÖŸÖÖ µöê : (A) ÖÁÖ, ÜÖÓ ü, ŸÖÄÖ, ÃÖÓÛúßÞÖÔ ŸÖÄÖ, ÜÖÓ ü, ÖÁÖ, ÃÖÓÛúßÞÖÔ ÜÖÓ ü, ŸÖÄÖ, ÖÁÖ, ÃÖÓÛúßÞÖÔ (D) ÜÖÓ ü, ÖÁÖ, ŸÖÄÖ, ÃÖÓÛúßÞÖÔ 13. ¾ÖÂÖ Ö ÛúÖê Öã ÖµÖê : (A) ÁÖã ŸÖ ÖŸÖÔ Ö Ö ûöµöö Ö ü (D) ÛúÖ ü ²Ö Öß 14. ÃÖæ Öß-I ÛúÖê ÃÖæ Öß-II ÃÖê ÃÖã Öê»ÖŸÖ Ûúß Ö : (a) Öã Ö»Öê Ö (i) ÖÏß ŸÖ Ö êü»ö (b) ÁÖ¾ÖÞÖ (ii) ÃÖ Ö Ö ÖÓÛú ü (c) ÖÖ»Öê Ö (iii) ÖÖ¹ý Ö ÖÖ (d) ÖÖê ü (iv) Ûãú Öã ü Öß»ÖÖ ÜÖ Ö (A) (i) (iii) (iv) (ii) (iii) (iv) (i) (ii) (ii) (iii) (i) (iv) (D) (iv) (ii) (i) (iii) 15. ¾ÖÂÖ Ö ÛúÖê Öã ÖµÖê : (A) Æü»»ÖÃÖÛú ûö»öœµö»ööãµö (D) êü ÖÛú J Paper-II
6 16. Which university does not have department of Dance? (A) Maharaja Seyajirao University Indira Kala Sangeet University Ravindra Bharati University (D) Amity University 17. Select the choreography which Uday Shankar did for Anna Pavlova : (A) Labour and Machine Radha Krishna Panchtantra (D) Indra 18. Assertion (A) : The traditional system of Guru Shishya parampara of teaching requires a very long period apprenticeship. Reason (R) : All institution have considered introducing specialised training in the many professional areas. (A) (A) is false and (R) is true. (A) is true and (R) is false. Both (A) and (R) are true. (D) Both(A) and (R) are false. 19. In which play a competition is held to prove the ability of dance teacher? (A) Abhigyan shakuntalam Karpoormanjiri Malvikagnimitram (D) Ramcharitam 20. Match items in List-I with items in List-II List I List II (a) Banaras (i) Name of Dance (b) Uppu (ii) Name of Gharana (c) Pandanalloor (iii) Name of Instrument (d) Gidda (iv) Name of Bani (A) (iii) (ii) (i) (iv) (ii) (iii) (iv) (i) (i) (iii) (ii) (iv) (D) (iv) (ii) (iii) (i) 21. Pick the Odd one out : (A) Bala Saraswati Yamini Krishnamurthy Johra Sahgal (D) Sanyukta Panigrahi 22. Arrange the correct sequence : (A) Learning, Perfection, Practice, Perform. Paper-II 6 J Practice, Learning, Perfection, Perform. Perfection, Perform, Practice, Learning. (D) Learning, Practice, Perfection, Perform. 23. Assertion (A) : Yoga is in the complete oneness of soul and body. Reason (R) : This oneness can be attain through dance. (A) (A) is true and (R) is false. (R) is true and (A) is false. Both (A) and (R) are true. (D) Both (A) and (R) are false. 24. Match items in List-I with List-II : List I List II (a) Assam (i) Jhanjh (b) Bihar (ii) Pung (c) Gujarat (iii) Dhol (d) Manipur (iv) Kohili (A) (i) (iii) (ii) (iv) (iii) (ii) (iv) (i) (iv) (iii) (i) (ii) (D) (ii) (iv) (i) (iii) 25. Baithaki bhava is a speciality of (A) Kathakali Saraikela Kathak (D) Sattariya
7 16. ÛúÃÖ ¾Ö ¾ÖªÖ»ÖµÖ Öë ÖéŸµÖ ¾Ö³ÖÖÝÖ ÖÆüà Æîü? (A) ÖÆüÖ üö ÖÖ ÃÖêµÖÖ Öß üö¾ö ¾Ö ¾Ö ¾ÖªÖ»ÖµÖ Ó ü üö Ûú»ÖÖ ÃÖÓÝÖßŸÖ ¾Ö ¾Ö ¾ÖªÖ»ÖµÖ ü¾öß ü ³ÖÖ üÿöß ¾Ö ¾Ö ¾ÖªÖ»ÖµÖ (D) Öß üß ¾Ö ¾Ö ¾ÖªÖ»ÖµÖ 17. ˆ üµö ÖÓÛú ü Öê ÖÖ ÖÖ¾Ö»ÖÖê¾ÖÖ Ûêú»Ö ÖéŸµÖ ü Ö ÖÖ Ûúß Öß : (A)»Öê²Ö ü Öî ü Ö Öß Ö üö ÖÖ ÛéúÂÞÖÖ ÖÓ ÖŸÖÓ Ö (D) ü 18. Ûú Ö Ö (A) : ÖÖ ü Ö üûú ÝÖã¹ý ÖÂµÖ Ö ü Ö üö Ûêú ÓŸÖÝÖÔŸÖ Ûú»Ö ²Öê ÃÖ ÖµÖ ŸÖÛú ÖÏ ÖõÖãŸÖÖ Öë üæü ÖÖ Ö ÌüŸÖÖ Æîü ÛúÖ üþö (R) : ÃÖ³Öß ÃÖÓà ÖÖ Öë Öë ¾µÖÖ¾ÖÃÖÖ µöûú õöê Ö Öë ÖÏ ÖõÖÞÖ êü Öê ÛúÖ ¾Ö ÖÖ ü ÖÏßÖÖ ¾ÖŸÖ ÛúµÖÖ Æîü (A) (A) ÝÖ»ÖŸÖ Æîü Öî ü (R) ÃÖÆüß Æîü (A) ÃÖÆüß Æîü Öî ü (R) ÝÖ»ÖŸÖ Æîü (A) Öî ü (R) üöê ÖÖë ÃÖÆüß Æïü (D) (A) Öî ü (R) üöê ÖÖë ÝÖ»ÖŸÖ Æïü 19. ÛúÃÖ ÖÖ üûú Öë ÖéŸµÖ ÝÖã¹ý Ûúß µööêýµöÿöö Ûêú ÖϳÖÖ¾Ö ÆêüŸÖã ÖÏ ŸÖµÖÖê ÝÖŸÖÖ ÆüÖêŸÖß Æîü? (A) ³Ö ÖÖ Ö ÖÖÛãÓúŸÖ»Ö Ö Ûú ÖæÔ ü Ö Ö üß ÖÖ»Ö ¾ÖÛúÖ Ý Ö Ö Ö Ö (D) üö Ö Ö üÿö ÖË 20. ÃÖæ Öß-I ÃÖê ÃÖæ Öß-II ÛúÖê ÃÖã Öê»ÖŸÖ Ûúß Ö : (a) ²Ö ÖÖ üãö (i) ÖéŸµÖ ÛúÖ ÖÖ Ö (b) ˆ Öæ (ii) Ö üö Öê ÛúÖ ÖÖ Ö (c) ÖÓ ü Ö»»Öæ ü (iii) ¾ÖÖª ÛúÖ ÖÖ Ö (d) ÝÖ üö (iv) ²ÖÖÞÖß ÛúÖ ÖÖ Ö (A) (iii) (ii) (i) (iv) (ii) (iii) (iv) (i) (i) (iii) (ii) (iv) (D) (iv) (ii) (iii) (i) 21. ¾ÖÂÖ Ö ÛúÖê Öã ÖµÖê : (A) ²ÖÖ»ÖÖ ÃÖ üã¾öÿöß µöö Ö Öß ÛéúÂÞÖ ÖæÙŸÖ ÖÖêÆü üö ÃÖÆüÝÖ»Ö (D) ÃÖÓµÖ㌟ÖÖ ÖÖ ÞÖÝÖÏÆüß 22. ÃÖÆüß ÛÎú Ö ²ÖŸÖÖ µöê : (A) ÃÖßÜÖ ÖÖ, üõöÿöö, ³µÖÖÃÖ, ÖÏ ü ÖÔ Ö ³µÖÖÃÖ, ÃÖßÜÖ ÖÖ, üõöÿöö, ÖÏ ü ÖÔ Ö üõöÿöö, ÖÏ ü ÖÔ Ö, ³µÖÖÃÖ, ÃÖßÜÖ ÖÖ (D) ÃÖßÜÖ ÖÖ, ³µÖÖÃÖ, üõöÿöö, ÖÏ ü ÖÔ Ö 23. Ûú Ö Ö (A) : Ö üß ü Öî ü ÖŸ ÖÖ Ûúß ÃÖ ÖæÞÖÔ ÛúÖŸ ÖŸÖÖ Öë µööêýö Æîü ÛúÖ üþö (R) : µöæü ÛúÖŸ ÖŸÖÖ ÖéŸµÖ Ûêú «üö üö ³Öß ÖÖµÖß ÖÖ ÃÖÛúŸÖß Æîü (A) (A) ÃÖŸµÖ Æîü Öî ü (R) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü Öî ü (A) ÃÖŸµÖ Æîü (A) Öî ü (R) üöê ÖÖë ÃÖŸµÖ Æïü (D) (A) Öî ü (R) üöê ÖÖë ÃÖŸµÖ Æïü 24. ÃÖæ Öß-I Öî ü ÃÖæ Öß-II ÛúÖê ÃÖã Öê»ÖŸÖ Ûúß Ö : (a) ÃÖ Ö (i) ÖÖÑ Ö (b) ²ÖÆüÖ ü (ii) ÖãÓÝÖ (c) ÝÖã Ö üöÿö (iii) œüöê»ö (d) Ö ÞÖ Öã ü (iv) ÛúÖê Æü»Öß (A) (i) (iii) (ii) (iv) (iii) (ii) (iv) (i) (iv) (iii) (i) (ii) (D) (ii) (iv) (i) (iii) 25. ²ÖîšüÛúß ³ÖÖ¾Ö ¾Ö ÖêÂÖŸÖÖ Æîü (A) Ûú ÖÛú»Öß ÃÖ ü Ûêú»ÖÖ Ûú ÖÛú (D) ÃÖ Ö üµöö J Paper-II
8 PART II DANCE 26. Pindi bandhas are (A) Circular formations Linear formations Choreographic patterns (D) Duet dancing 27. Assertion (A) : Tradition should be the axis of all innovation. Reason (R) : Classical dance can be convincing when it rests on the firm foundation of only tradition. (A) (A) is true, (R) is false. (A) is false, (R) is true. (A) is false, (R) is false. (D) (A) is true, (R) is true. 28. Match items in List-I with List-II. List I List II (a) Chaunfla (i) Bihar (b) Jhumar (ii) Madhya Pradesh (c) Jadur (iii) Garhwal 29. Masked play of Thailand is (A) Wayang Khon Anyein Pwe (D) Penchak 30. Choose the odd one : (A) Kamsanaatakam Chavittunatakam Kaikottikali (D) Kuravanji 31. Which is not an ornament of the ankle? (A) Nupura Angada Kinkini (D) Kataka 32. Identify the correct sequence : (A) Kudiyattam, Krishnattam, Ramanattam, Kathakali. Krishnattam, Kudiyattam, Ramanattam, Kathakali. Kudiyattam, Ramanattam, Krishnattam, Kathakali. (D) Ramanattam, Kudiyattam, Krishnattam, Kathakali. (d) Saila (iv) Punjab (A) (ii) (i) (iii) (iv) (iii) (iv) (i) (ii) (iv) (ii) (iii) (i) (D) (i) (iii) (ii) (iv) 33. Which pair is not correctly matched? (A) Urnanabha Vartita Mandala Hasta Karana Mukhaja Bhinaya (D) Agratalasañcara Pada Bheda Paper-II 8 J-65-13
9 ³ÖÖÝÖ II ÖéŸµÖ 26. Ø Ö üß²öó Ö ŒµÖÖ Æïü? (A) ¾Öé ÖÖÛúÖ ü ÖÙ Ö ÖµÖÖÑ Æïü êüüößµö ÖÙ Ö ÖµÖÖÑ Æïü ÖéŸµÖ ÃÖÓÝÖßŸÖ»Ö Ö Öî ü ÖÔ Æïü (D) µöãýö»ö ÖéŸµÖ 27. ³ÖÛú Ö Ö (A) : Ö ü Ö üö ÃÖ ÖÃŸÖ Ö¾Öß ÖßÛú üþö Ûúß Öã üß ÆüÖê Öß ÖÖ ÆüµÖê ÛúÖ üþö (R) : ÖÖà ÖßµÖ ÖéŸµÖ ¾Ö ¾ÖÖÃÖÖêŸ ÖÖ üûú ÆüÖê ÃÖÛúŸÖÖ Æîü µö ü ¾ÖÆü Ûêú¾Ö»Ö Ö ü Ö üö Ûúß Ö Ö²ÖæŸÖ Öà¾Ö Ö ü Ö ÖÖ üÿö Æîü (A) (A) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîüü (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîüü (R) ÃÖŸµÖ Æîü 28. ÃÖæ Öß-I ÛúÖê ÃÖæ Öß-II Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûúß Ö : (a) ÖÖï»ÖÖ (i) ²ÖÆüÖ ü (b) Öã Ö ü (ii) Ö µö ÖÏ êü Ö (c) Ö ãü ü (iii) ÝÖœÌü¾ÖÖ»Ö (d) ÃÖî»ÖÖ (iv) ÖÓ ÖÖ²Ö (A) (ii) (i) (iii) (iv) (iii) (iv) (i) (ii) (iv) (ii) (iii) (i) (D) (i) (iii) (ii) (iv) 29. ÖÖ»Öï ü ÛúÖ ÖãÜÖÖî üö ÖéŸµÖ Ö Ö»Ö ÜÖŸÖ Æîü : (A) ¾ÖÖµÖÖ ÝÖ ÜÖÖê Ö µöê Ö Öß¾Öê (D) Öê ÖÖÛú 30. ¾ÖÂÖ Ö ÛúÖê Öã Ö : (A) ÛÓúÃÖ ÖÖ üûú ÖË Ö¾Öß¼åü ÖÖ üûú ÖË ÛîúÛúÖê¼üßÛú»Öß (D) Ûãú ü¾öó Öß 31. üüö Öê ÛúÖ Ö³ÖæÂÖÞÖ Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÖî Ö ÃÖÖ ÖÆüà Æîü? (A) Öã Öã ü ÝÖ Ö ØÛú ÛúÞÖß (D) Ûú üûú 32. ÃÖÆüß ÛÎú Ö ²ÖŸÖÖ : (A) Ûãú ÌüßµÖÖ¼ü Ö, ÛéúÂÞÖÖ¼ü ÖË, üö ÖÖ ÖÖ¼ü ÖË, Ûú ÖÛú»Öß ÛéúÂÞÖÖ¼ü ÖË, Ûãú ÌüßµÖÖ¼ü Ö, üö ÖÖ ÖÖ¼ü ÖË, Ûú ÖÛú»Öß Ûéú ÌüßµÖÖ¼ü Ö, üö ÖÖ ÖÖ¼ü ÖË, ÛéúÂÞÖÖ¼ü ÖË, Ûú ÖÛú»Öß (D) üö ÖÖ ÖÖ¼ü ÖË, Ûãú ÌüßµÖÖ¼ü Ö, ÛéúÂÞÖÖ¼ü ÖË, Ûú ÖÛú»Öß 33. ÛúÖî Ö ÃÖÖ µöãý Ö ÃÖÆüß ÃÖã Öê»ÖŸÖ ÖÆüà Æîü? (A) ˆÞÖÔ ÖÖ³Ö ÆüÃŸÖ ¾ÖÙŸÖŸÖ Ûú üþö ÖÓ ü»ö ÖãÜÖ ÖÖ ³Ö ÖµÖ (D) ÝÖÏŸÖ»ÖÃÖÓ Ö ü ÖÖ ü³öê ü J Paper-II
10 34. Assertion (A) : Today s dancers lack problems in pursuit of their art. Reason (R) : The problems result from changes in patrons and audiences. (A) (A) is true, (R) is true. (A) is false, (R) is true. (A) is true, (R) is false. (D) (A) is false, (R) is false. 35. Match items in List-I with List-II : List I List II (a) Lasyanga (i) Unit of movement (b) Karana (ii) Vaksha movement (c) Abhugna (iii) Dance and music (d) Aavritta (iv) Wrist movement (A) (iv) (iii) (i) (ii) (i) (iv) (ii) (iii) (iii) (i) (iv) (ii) (D) (iii) (i) (ii) (iv) 38. The Chitrasabha of Nataraja is in (A) Tiruvalangadu Kuttralam Chidambaram (D) Madurai 39. Choose the odd one : (A) Vicchitti Bibboka Kanta (D) Vilasa 40. Which pair is not properly matched? (A) Manipuri Sankeertan Kummatikali Mask Vilasini Swapnasundari Natyam (D) Kathak Chaali 36. Pick the odd one out : (A) Abhilasha Anusmruti Lila (D) Unmada 37. Identify the correct sequence : (A) Bhaya, Adbhuta, Hasya, Bibhatsa. Bibhatsa, Hasya, Adbhuta, Bhaya. Hasya, Adbhuta, Bibhatsa, Bhaya. (D) Hasya, Bhaya, Bibhatsa, Adbhuta. 41. Assertion (A) : Raslila of Manipur has some common aspects with Raslila of Braj. Reason (R) : Both are understood as acts of devotion and not mere entertainment. (A) (A) is true, (R) is true. Paper-II 10 J (A) is true, (R) is false. (A) is false, (R) is false. (D) (A) is false, (R) is true.
11 34. ³ÖÛú Ö Ö (A) : Ö ÖÛú»Ö Ûêú ÖŸÖÔÛúÖë ÛúÖê Ö Öß Ûú»ÖÖ Ûêú Öê Öê Öë ÃÖ ÖõÖÖ Öë ÛúÖ ÃÖÖ Ö ÖÖ Ûú ü ÖÖ Ö ÌüŸÖÖ Æîü ÛúÖ üþö (R) : µöæü ÃÖ ÖõÖÖ Ñ üöÿöö Öë Öî ü ü ÖÔÛúÖë Öë ²Ö ü»öö¾ö ÃÖê ˆŸ Ö Ö ÆüÖêŸÖß Æïü (A) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÝÖ»ÖŸÖ Æîü (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü (R) ÝÖ»ÖŸÖ Æîü (D) (A) ÝÖ»ÖŸÖ Æîü (R) ÝÖ»ÖŸÖ Æîü 35. ÃÖæ Öß-I ÛúÖê ÃÖæ Öß-II Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûúß Ö : (a)»ööãµööóýö (i) ÝÖ ŸÖ Ûúß ÛúÖ Ô (b) Ûú üþö (ii) ¾ÖõÖ ÝÖ ŸÖ (c) Ö³ÖãÝ Ö (iii) ÃÖÓÝÖßŸÖ Öî ü ÖéŸµÖ (d) Ö¾Öé Ö (iv) Ûú»ÖÖ Ô Ûúß ÝÖ ŸÖ (A) (iv) (iii) (i) (ii) (i) (iv) (ii) (iii) (iii) (i) (iv) (ii) (D) (iii) (i) (ii) (iv) 36. ¾ÖÂÖ Ö ÛúÖê Öã Ö : (A) ³Ö»ÖÖÂÖÖ Öãà Öé ŸÖ»Öß»ÖÖ (D) ˆ ÖÖ ü 37. ÃÖÆüß ÛÎú Ö ²ÖŸÖÖ Ñ : (A) ³ÖµÖ, Ëüü³ÖãŸÖ, ÆüÖõÖ, ²Ö³ÖŸÃÖ ²Ö³ÖŸÃÖ, ÆüÖõÖ, Ëü³ÖãŸÖ, ³ÖµÖ ÆüÖõÖ, Ëü³ÖãŸÖ, ²Ö³ÖŸÃÖ, ³ÖµÖ (D) ÆüÖõÖ, ³ÖµÖ, ²Ö³ÖŸÃÖ, Ëü³ÖãŸÖ 38. Ö ü üö Ö Ûúß Ö ÖÃÖ³ÖÖ Ö Ö»Ö ÜÖŸÖ Öë Æîü : (A) ŸÖß¹ý¾ÖÖ»Ö ÝÖÖ ãü Ûãú ÒüÖ»Ö Ö Ö Óü Ö²Ö ü ÖË (D) Ö ãü üö 39. ¾ÖÂÖ Ö ÛúÖê Öã Ö : (A) ¾Ö Öß Öß ²Ö²²ÖÖêÛú ÛúÖ ŸÖÖ (D) ¾Ö»ÖÖÃÖ 40. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÖî Ö ÃÖÖ µöãý Ö ÃÖÆüß œóüýö ÃÖê ÃÖã Öê»ÖŸÖ ÖÆüà Æîü? (A) Ö ÞÖ Öã üß Ûãú ÖÖ üßûú»öß ¾Ö»ÖÖÃÖß Öß ÖÖ ü ÖË (D) Ûú ÖÛú ÃÖÓÛúߟÖÔ Ö ÖãÜÖÖê êü Ã¾Ö ÖÃÖãÓ ü üß ÖÖ»Öß 41. ³ÖÛú Ö Ö (A) : Ö ÞÖ Öã ü Ûúß üöãö»öß»öö Öë ²ÖÎ Ö Ûúß üöãö»öß»öö Ûêú Ûãú û ÃÖÖ Öê ÖÆü»Öæ ÆüÖêŸÖê Æïü ÛúÖ üþö (R) : üöê ÖÖë ÛúÖê ³Ö ŒŸÖ Ûúß ÛÎúµÖÖ Ñ ÃÖ Ö ÖÖ ÖÖŸÖÖ Æîü Öî ü ÖÖ Ö Ö ÖÖê Óü Ö Ö ÖÆüà ÃÖ Ö ÖÖ ÖÖŸÖÖ Æîü (A) (A) ÃÖŸµÖ Æîü (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü (R) ÝÖ»ÖŸÖ Æîü (A) ÝÖ»ÖŸÖ Æîü (R) ÝÖ»ÖŸÖ Æîü (D) (A) ÝÖ»ÖŸÖ Æîü (R) ÃÖŸµÖ Æîü J Paper-II
12 42. Sarfoji Maharaja wrote (A) Sangeeta Parijat Tristhali Yatrechi Lavani Prahlada Charitram (D) Sita Svayamvara 43. Pick the odd one out : (A) Chakkar Bhramari Utplavana (D) Shuttral 44. Pick the correct sequence from Abhinayadarpana : (A) Mandala, Sthanaka, Utplavana, Chari, Bhramari. Sthanaka, Chari, Utplavana, Mandala, Bhramari. Chari, Mandala, Bhramari, Utplavana, Sthanaka. (D) Mandala, Sthanaka, Utplavana, Bhramari, Chari. 45. Saing is the musical orchestra for dances of (A) Thailand Burma Cambodia (D) Indonesia 46. Match items in List-I with List-II. List I List II (a) Hastamuktavali (i) Tamil (b) Kalitogai (ii) Malayalam (c) Powada (iii) Assamese (d) Kalyanasaugandhi (iv) Marathi kam (A) (iv) (i) (ii) (iii) (i) (iv) (ii) (iii) (ii) (iii) (iv) (i) (D) (iii) (i) (iv) (ii) 47. Penchak is a dance form from (A) Balli Cambodia Laos (D) Kerala 48. Which does not have sanchari elaborations? (A) Oddissi Jatisvaram Ashtapadi (D) Thumri 49. Assertion (A) : Kaishiki Vritti is beautiful costumes worn by women. Reason (R) : Only women can perform Kaishiki Vritti. (A) (A) is true, (R) is false. (A) is true, (R) is true. (A) is false, (R) is false. (D) (A) is false, (R) is true. 50. Which pair is not properly matched? (A) Kumudini Dhabkar Lakhia Kanak Rele Kalyani Asha Asana Coorlawala (D) Chandralekha Chakravyuha Paper-II 12 J-65-13
13 42. ÃÖ ü±úöê ÖÌß ÖÆüÖ üö ÖÖ Öê»ÖÜÖÖ Æîü (A) ÃÖÓÝÖßŸÖ Ö ü ÖÖŸÖ Öà ֻÖß µöö Öê Öß»ÖÖ¾ÖÞÖß ÖÏÆü»ÖÖ ü Ö ü Ö Ö (D) ÃÖߟÖÖþֵÖÓ¾Ö ü 43. ¾ÖÂÖ Ö ÛúÖê Öã Öß : (A) ÖŒÛú ü ³ÖÏ Ö üß ˆŸ»Ö¾Ö Ö (D) ÖãŸ Ö»Ö 44. ³Ö ÖµÖ ü ÖÔÞÖ Öë ÃÖê ÃÖÆüß ÖãÛÎú Ö ²ÖŸÖÖ µöê : (A) ÖÓ ü»ö, à ÖÖ ÖÛú, ˆŸ»Ö¾Ö Ö, ÖÖ üß, ³ÖÏ Ö üß Ã ÖÖ ÖÛú, ÖÖ üß, ˆŸ»Ö¾Ö Ö, ÖÓ ü»ö, ³ÖÏ Ö üß ÖÖ üß, ÖÓ ü»ö, ³ÖÏ Ö üß, ˆŸ»Ö¾Ö Ö, à ÖÖ ÖÛú (D) ÖÓ ü»ö, à ÖÖ ÖÛú, ˆŸ»Ö¾Ö Ö, ³ÖÏ Ö üß, ÖÖ üß 45. ÛúÆüÖÑ Ûêú ÖŸÖÔÛúÖë Ûêú»ÖµÖê ÃÖïÝÖ ÃÖÖÓÝÖß ŸÖÛú ¾ÖÖª-¾Öé ü Æîü? (A) ÖÖ Ô»ÖîÞ ü ²Ö ÖÖÔ Ûú ²ÖÖê ü Ö (D) üöê ÖêÃÖß Ö 46. ÃÖæ Öß-I Öë üß ÝÖ Ô Ö üöë ÛúÖê ÃÖæ Öß-II Ûúß Ö üöë Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûú ëü : (a) ÆüÃŸÖ Ö㌟ÖÖ¾Ö»Öß (i) ŸÖ Ö»Ö (b) Ûú»ÖŸÖÖêÝÖÖ (ii) Ö»ÖµÖÖ»Ö Ö (c) ÖÖò¾Ö üö (iii) ÖÃÖÖ Öß (d) Ûú»µÖÖÞÖÃÖÖîÝÖ ÖßÛú Ö (iv) Ö üöšüß (A) (iv) (i) (ii) (iii) (i) (iv) (ii) (iii) (ii) (iii) (iv) (i) (D) (iii) (i) (iv) (ii) 47. Öë ÖÛú ÛúÆüÖÑ ÛúÖ ÖéŸµÖ ºþ Ö Æîü? (A) ²ÖÖ»Öß J Paper-II Ûú ²ÖÖê üß Ö»ÖÖ ÖêÃÖ (D) Ûêú üö»öö 48. Ö Ö»Ö ÜÖŸÖ Öë ÃÖê ÛúÃÖ Öë ÃÖÓ ÖÖ üß ¾ÖÃŸÖ üþö ÖÆüà Æîü? (A) Öê üüßãöß ÖÖ ŸÖÃ¾Ö ü Ö Âšü Ö üß (D) šãü Ö üß 49. ³ÖÛú Ö Ö (A) : Ûîú ÖÛúß ¾Öé Ö Ã ÖµÖÖë «üö üö ÖÆü Öê ÖÖ Öê ¾ÖÖ»Öß ÃÖã ü ü ÖÖêÂÖÖÛëú Æïü ÛúÖ üþö (R) : Ûêú¾Ö»Ö à ֵÖÖÑ Æüß Ûîú ÖÛúß ¾Öé Ö ÛúÖ ÃÖ ÖÖ ü Ö Ûú ü ÃÖÛúŸÖß Æïü (A) (A) ÃÖŸµÖ Æîü, (R) Ö µöö Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) Ö µöö Æîü (R) Ö µöö Æîü (D) (A) Ö µöö Æîü (R) ÃÖŸµÖ Æîü 50. ÛúÖî Ö ÃÖÖ µöãýö»ö ÃÖÆüß µöã Ý ÖŸÖ ÖÆüà Æîü? (A) Ûãú Öã ü Öß»ÖÖ ÜÖµÖÖ Ûú ÖÛú êü»öê Ö ÖÖ Ûãú»ÖÖÔ¾ÖÖ»ÖÖ (D) ÖÓ ü»öêüöö Ö²ÖÛúÖ ü Ûú»µÖÖÞÖß ÖÃÖ Ö ÖÛÎú¾µÖãÆü
14 26. The plays of Jaishankar Prasad was presented for the first time by (A) E. Alkazi Shambhu Mitra Habib Tanveer (D) B.V. Karanth 27. Match List-I with List-II : List I List II (a) Selectivity (i) Principle of Design (b) Lines (ii) Two dimension (c) Emphasis (iii) Objectives of Art (d) Shape (iv) Elements of Design (A) (ii) (iv) (i) (iii) (iv) (ii) (iii) (i) (i) (iv) (iii) (ii) (D) (iii) (iv) (i) (ii) 28. Presentation of a play follows the order, as below : (A) Costume, Set, Light, Makeup, Show. Set, Costume, Makeup, Light, Show. Costume, Light, Makeup, Show, Set. (D) Light, Costume, Makeup, Set, Show. 29. Assertion (A) : Theatre is always contemporary. Reason (R) : Classical plays can also be performed as contemporary. (A) (A) is True, (R) is True. (A) is False, (R) is True. (A) is True, (R) is False. (D) (A) is False, (R) is False. PART III DRAMA/THEATRE 30. Pick the odd one : (A) Habib Tanveer Political Theatre Badal Sircar Psycophysical Theatre Safdar Hashmi Realistic Theatre (D) B.V. Karanth Theatre Music 31. The famous Light Designer who designed the light and sound programme of Sabaramati Ashram and Purna Quila in Delhi (A) V. Ramamurthi Tapas Sen Prof. G.N. Dasgupta (D) Kanishka Sen 32. Match the items in List-I with the items in List-II. List I List II (a) Badal Sircar (i) Painted curtains (b) Rām Nagar (ii) Thrust stage Ki Rām lila (c) Surabhi (iii) Arena theatre Theatre (d) Jatra of Bengal (iv) Environmental theatre and Orissa (A) (iv) (ii) (i) (iii) (i) (iii) (iv) (ii) (ii) (i) (iii) (iv) (D) (iii) (iv) (i) (ii) 33. Give the correct sequence : (A) Commedia dell arte, Roman Theatre, Elizabeathan Theatre, Church Drama. Elizabeathan Theatre, Roman Theatre, Commedia dell arte, Church Drama. Church Drama, Elizabeathan Theatre, Roman Theatre, Commedia dell arte. (D) Roman Theatre, Church Drama, Commedia dell arte, Elizabeathan Theatre. Paper-II 14 J-65-13
15 26. ÖµÖ ÖÓÛú ü ÖÏÃÖÖ ü Ûêú ÖÖ üûúöë Ûúß ÖÏ Ö Ö ÖÏßÖã ŸÖ Ö Ö»Ö ÜÖŸÖ Ûêú «üö üö Ûúß ÝÖ Ô Öß : (A) Ô.»ÛúÖ Öß ÖÓ³Öã Ö ÖÖ Æü²Öß²Ö ŸÖ ¾Öß ü (D) ²Öß.¾Öß. ÛúÖ ü Ö 27. ÃÖæ Öß-I ÛúÖê ÃÖæ Öß-II Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûú ëü : (a) ÖµÖ ÖÖŸ ÖÛúŸÖÖ (i) ü ÖÖ Ö ÛúÖ ÃÖ üö ŸÖ (b) êüüöö Ñ (ii) üöê ¾Ö ÖÖ Ñ (c) ²Ö»ÖÖ ÖÖŸÖ (iii) Ûú»ÖÖ Ûêú ˆ êü µö (d) ÖÛúÖ ü (iv) ü ÖÖ Ö Ûêú ŸÖ ¾Ö (A) (ii) (iv) (i) (iii) (iv) (ii) (iii) (i) (i) (iv) (iii) (ii) (D) (iii) (iv) (i) (ii) 28. ÖÖ üûú Ûúß ÖÏßÖã ŸÖ Ö Ö»Ö ÜÖŸÖ ÛÎú Ö ÛúÖ ÖÖ»Ö Ö Ûú üÿöß Æîü : (A) ¾Öê Ö³ÖæÂÖÖ, ü µö²öó Ö, ÖÏÛúÖ Ö, ºþ ÖÃÖ ÖÖ, ÖϵÖÖêÝÖ, ü µö²öó Ö, ¾Öê Ö³ÖæÂÖÖ, ºþ ÖÃÖ ÖÖ, ÖÏÛúÖ Ö, ÖϵÖÖêÝÖ ¾Öê Ö³ÖæÂÖÖ, ÖÏÛúÖ Ö, ºþ ÖÃÖ ÖÖ, ÖϵÖÖêÝÖ, ü µö²öó Ö (D) ÖÏÛúÖ Ö, ¾Öê Ö³ÖæÂÖÖ, ºþ ÖÃÖ ÖÖ, ü µö²öó Ö, ÖϵÖÖêÝÖ 29. ³ÖÛú Ö Ö (A) : ÓüÝÖ ÖÓ Ö ÃÖ îü¾ö ÃÖ ÖÛúÖ»ÖÛú ÆüÖêŸÖÖ Æîü ÛúÖ üþö (R) : ÖÖà ÖßµÖ ÖÖ üûú ÃÖ ÖÛúÖ»ÖÛú ÖÖ üûúöë Ûúß ŸÖ üæü ÃÖê ÜÖê»Öê ÖÖ ÃÖÛúŸÖê Æïü (A) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü ³ÖÖÝÖ III ÖÖ üûú / ÓüÝÖ ÖÓ Ö 30. ¾ÖÂÖ Ö ÛúÖê Öã Ö : (A) Æü²Öß²Ö ŸÖ ¾Öß ü üö Ö Öß ŸÖÛú ÓüÝÖ ÖÓ Ö ²ÖÖ ü»ö ÃÖ üûúö ü Ö ÖÖê³ÖÖî ŸÖÛú ÓüÝÖ ÖÓ Ö ÃÖ±ú ü ü ÆüÖ Öß µö ÖÖ ÖÔ¾ÖÖ üß ÓüÝÖ ÖÓ Ö (D) ²Öß.¾Öß. ÛúÖ ü Ö ÓüÝÖ ÖÓ ÖßµÖ ÃÖÓÝÖßŸÖ 31. ü»»öß Öë ÃÖÖ²Ö ü ÖŸÖß ÖÁÖ Ö ŸÖ ÖÖ Öã üö Öê Ûú»Öê Ûêú ÖÏÛúÖ Ö ¾ÖÓ ¾Ö Ö ÛúÖµÖÔÛÎú Ö ÛúÖê ü ÖÖ Ö Ûú ü Öê ¾ÖÖ»Öê ¾ÖܵÖÖŸÖ ÖÏÛúÖ Ö ü ÖÖ Ö ü ÛúÖî Ö Öê? (A) ¾Öß. üö Ö Öã Öá ŸÖÖ ÖÃÖ ÃÖê Ö ÖÏÖê. Öß. Ö. üöãöýöã ŸÖÖ (D) Ûú ÖÂÛú ÃÖê Ö 32. ÃÖæ Öß-I Öë üß ÝÖ Ô Ö üöë ÛúÖê ÃÖæ Öß-II Ûúß Ö üöë Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûú ëü : (a) ²ÖÖ ü»ö ÃÖ üûúö ü (i) Ö ÖŸÖ Ö ìü (b) üö Ö ÖÝÖ ü Ûúß (ii) ÖÐà ü à êü Ö üö Ö»Öß»ÖÖ (c) ÃÖã ü ³Ö Ö ü ü (iii) üß ÖÖ Ö ü ü (d) ²ÖÓÝÖÖ»Ö Öî ü (iv) Ö¾ÖÖµÖ ü Ö Öë ü»ö Öê üãöö ÛúÖ Ö ü ü ÖÖ ÖÖ (A) (iv) (ii) (i) (iii) (i) (iii) (iv) (ii) (ii) (i) (iii) (iv) (D) (iii) (iv) (i) (ii) 33. ÃÖÆüß ÖãÛÎú Ö ²ÖŸÖÖ µöê : (A) ÛúÖê Öê üµöö ü»ö ÖŸÖì, üöê Ö Ö Ö ü ü,»ö ÖÖ²Öê Ö Ö Ö ü ü, Ö ÖÔ ÒüÖ ÖÖ»Ö ÖÖ²Öê Ö Ö Ö ü ü, üöê Ö Ö Ö ü ü, J Paper-II ÛúÖê Öê üµöö ü»ö ÖŸÖì, Ö ÖÔ ÒüÖ ÖÖ Ö ÖÔ ÒüÖ ÖÖ,»Ö ÖÖ²Öê Ö Ö Ö ü ü, üöê Ö Ö Ö ü ü, ÛúÖê Öê üµöö ü»ö ÖŸÖì (D) üöê Ö Ö Ö ü ü, Ö ÖÔ ÒüÖ ÖÖ, ÛúÖê Öê üµöö ü»ö ÖŸÖì,»Ö ÖÖ²Öê Ö Ö Ö ü ü
16 34. Assertion (A) : Art cannot be taught, it can be learned. Reason (R) : All artistes are born as talented artistes. (A) (A) is false, (R) is false. (A) is true, (R) is false. (A) is false, (R) is true. (D) (A) is true, (R) is true. 35. The light which is used to remove patches on the state is called (A) Par Light Fresnel Spot Light Plano-Convex Spot Light (D) Profile Spot Light 36. Match the items in Column-I with the items in the Column-II. List I List II (a) Kimono (i) Elizabeathan Theatre (b) Chiton (ii) Indian Theatre (c) Robe (iii) Nōh Theatre (d) Angavastra (iv) Greek Theatre (A) (iv) (iii) (i) (ii) (iii) (iv) (i) (ii) (ii) (i) (iv) (iii) (D) (i) (iv) (ii) (iii) 37. Give correct sequence according to their appearance : (A) Surrealism, Realism, Naturalism, Expressionism. Realism, Naturalism, Expressionism, Surrealism. Naturalism, Realism, Surrealism, Expressionism. (D) Expressionism, Surrealism, Realism, Naturalism. 38. Assertion (A) : Brecht has written plays by following certain Political Ideology. Reason (R) : Brecht was a politician in theatre. (A) (A) is false, (R) is false. (A) is true, (R) is false. (A) is false, (R) is true. (D) (A) is true, (R) is true. 39. Pick the odd one out : (A) Anju Mallige Tale Dand Kanyashulkam (D) Yayati 40. Theatre of Independence is written by (A) Vasudha Dalmia Anuradha Kapur Rustom Bharucha (D) Aparna Dharwadkar 41. Kisi Ek Phool ka Nām Lo is a play written by (A) Chandrashekhar Kambar Baddal Sircar Satish Alekar (D) Madhu Rye 42. Match the items in List-I with the items in List-II : List I List II (a) Garcia Lorca (i) Italian (b) Samuel Beckett (ii) German (c) Bertolt Brecht (iii) Irish (d) Luigi Pirandello (iv) Spanish (A) (i) (ii) (iii) (iv) (iv) (iii) (ii) (i) (iii) (i) (iv) (ii) (D) (ii) (iv) (i) (iii) Paper-II 16 J-65-13
17 34. ³ÖÛú Ö Ö (A) : Ûú»ÖÖ ÛúÖê ÃÖÜÖÖµÖÖ ÖÆüà ÖÖ ÃÖÛúŸÖÖ Æîü, ÃÖê ÃÖßÜÖÖ ÖÖ ÃÖÛúŸÖÖ Æîü ÛúÖ üþö (R) : ÃÖ³Öß Ûú»ÖÖÛúÖ ü ÖÏ ŸÖ³ÖÖ ÖÖ»Öß Ûú»ÖÖÛúÖ üöë Ûêú ºþ Ö Öë Ö Ö»ÖêŸÖê Æïü (A) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü 35. ÖÓ Ö Ö ü Öî Ö ÛúÖê Æü üö Öê Ûêú»ÖµÖê ÛúÃÖ ÖÏÛúÖ ü Ûêú ÖÏÛúÖ Ö ˆ ÖÛú üþö ÛúÖ ˆ ÖµÖÖêÝÖ ÛúµÖÖ ÖÖŸÖÖ Æîü? (A) ÖÖ ü»öö ü ±ÏêúÃ Ö»Ö Ã ÖÖò ü»öö ü»öê ÖÖê-ÛúÖò Ö¾ÖêŒÃÖ Ã ÖÖò ü»öö ü (D) ÖÏÖê±úÖ»Ö Ã ÖÖò ü»öö ü 36. ÃÖæ Öß-I ÛúÖê ÃÖæ Öß-II Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûú ëü : (a) Ûú ÖÖê ÖÖê (i)»ö ÖÖ²Öê Ö Ö Ö ü ü (b) ÖŸÖÖë (ii) Ó üµö Ö Ö ü ü (c) üöò²ö (iii) ÖÖêÆËü Ö ü ü (d) ÓÝÖ¾ÖÃ Ö (iv) ÝÖÏßÛú Ö ü ü (A) (iv) (iii) (i) (ii) (iii) (iv) (i) (ii) (ii) (i) (iv) (iii) (D) (i) (iv) (ii) (iii) 37. Ö Ö»Ö ÜÖŸÖ Ûúß ÖÏÛú ü Ö Ûêú ÖãÃÖÖ ü ÃÖÆüß ÖãÛÎú Ö ²ÖŸÖÖ µöê : (A) ŸÖµÖ ÖÖ ÖÔ¾ÖÖ ü, µö ÖÖ ÖÔ¾ÖÖ ü, ÖÏÛéú ŸÖ¾ÖÖ ü, ³Ö¾µÖÓ Ö ÖÖ¾ÖÖ ü, µö ÖÖ ÖÔ¾ÖÖ ü, ÖÏÛéú ŸÖ¾ÖÖ ü, ³Ö¾µÖÓ Ö ÖÖ¾ÖÖ ü, ŸÖµÖ ÖÖ ÖÔ¾ÖÖ ü ÖÏÛéú ŸÖ¾ÖÖ ü, µö ÖÖ ÖÔ¾ÖÖ ü, ŸÖµÖ ÖÖ ÖÔ¾ÖÖ ü, ³Ö¾µÖÓ Ö ÖÖ¾ÖÖ ü (D) ³Ö¾µÖÓ Ö ÖÖ¾ÖÖ ü, ŸÖµÖ ÖÖ ÖÔ¾ÖÖ ü, µö ÖÖ ÖÔ¾ÖÖ ü, ÖÏÛéú ŸÖ¾ÖÖ ü, 38. ³ÖÛú Ö Ö (A) : ²ÖÎêÜŸÖ Öê ÛúÃÖß üö Ö Öß ŸÖÛú ¾Ö ÖÖ ü ÖÖ üö ÛúÖ ÖÖ»Ö Ö Ûú üûêú ÖÖ üûú»öüöê Æïü ÛúÖ üþö (R) : ²ÖÎêÜŸÖ Ö ü ü Öë üö Ö Öß ŸÖ Ö ÖÖ (A) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü 39. ¾ÖÂÖ Ö ÛúÖ ÖµÖ Ö Ûú ëü : (A) Ó Öã Ö»»ÖßÝÖê ŸÖ»Öê ü ü Ûú µöö Öã»Ûú Ö (D) µöµööÿöß 40. Ö ü ü Öò±ú Ó ü Öê ü ÃÖ Ö Ö»Ö ÜÖŸÖ Ûêú «üö üö»öüöö ÝÖµÖÖ Æîü : (A) ¾ÖÃÖã ÖÖ üö»ö ÖµÖÖ Öã üö ÖÖ Ûæú Ö ü ¹ýÃŸÖ Ö ³Ö¹ý ÖÖ (D) ÖÞÖÖÔ ÖÖ ü¾öö üûú ü 41. ÛúÃÖß Ûú ±æú»ö ÛúÖ ÖÖ Ö»ÖÖê Ûú ÖÖ üûú Æîü µöæü ÛúÃÖ Öê»ÖÜÖÖ Æîü? (A) Ö ü ÖêÜÖ ü ÛÓú²Ö ü ²ÖÖ ü»ö ÃÖ üûúö ü ÃÖŸÖß Ö»ÖêÛú ü (D) Ö Öã üö 42. ÃÖæ Öß-I Öë üß ÝÖ Ô Ö üöë ÛúÖê ÃÖæ Öß-II Öë üß ÝÖ Ô Ö üöë Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûú ëü : (a) ÝÖÖÙÃÖµÖÖ»ÖÖòÛúÖÔ (i) ü»öß¾ööãöß (b) ÃÖî µöã»ö ²ÖîÛêú ü (ii) Ö ÖÔ Ö (c) ²Ö üöì» ü ²ÖÎêÜŸÖ (iii) Ö ü Ö (d)»öã ÝÖÖê Ö Óü ü»ööê (iv) à Öê Ö¾ÖÖÃÖß (A) (i) (ii) (iii) (iv) (iv) (iii) (ii) (i) (iii) (i) (iv) (ii) (D) (ii) (iv) (i) (iii) J Paper-II
18 43. Assertion (A) : Drama is not considered to be the pure form of literature. Reason (R) : It is a composite Art. (A) (A) is true, (R) is false. (A) is true, (R) is true. (A) is false, (R) is false. (D) (A) is false, (R) is true. 44. Give the correct sequence : (A) Stage, Audience, Text, Performance, Catharsis. Catharsis, Audience, Text, Stage, Performance. Performance, Catharsis, Stage, Audience, Text. (D) Text, Stage, Performance, Audience, Catharsis. 45. Pick the odd one out : (A) Ashadh ka Ek Din Surya ki Antim Kiran se Surya ki Antim Kiran Tak Laheron ka Rajhans (D) Adhe Adhure 46. Nora is a famous character of Isben s (A) An Enemy of the People. The Ghosts The Wild Duck (D) A Doll s House 47. Match the items in List-I with the items in List-II. List I List II (a) Ghasiram (i) Om Shivpuri Kotwal (b) Andha Yug (ii) Mohan Maharshi (c) Evam (iii) E. Alkazi Indrajeet (d) Ādhe (iv) Jabbar Patel Adhure (A) (iv) (iii) (ii) (i) (i) (ii) (iii) (iv) (ii) (i) (iv) (iii) (D) (iii) (iv) (i) (ii) 48. Assertion (A) : Girish Karnad is a modern playwright who has written plays based Myth. Reason (R) : All the plays of Girish Karnard are mythological. (A) (A) is true, (R) is true. (A) is false, (R) is false. (A) is true, (R) is false. (D) (A) is false, (R) is true. 49. Give the correct sequence of the performances of the plays by Habib Tanveer : (A) Agra Bazzar, Charandas Chor, Ponga Pandit, Basantrutu ka Sapna, Hirma Ki Amar Kahani. Charandas Chor, Agra Bazzar, Hirma Ki Amar Kahani, Basantrutu Ka Sapna, Ponga Pandit. Basantrutu ka Sapna, Hirma Ki Amar Kahani, Ponga Pandit, Charandas Chor, Agra Bazzar. (D) Ponga Pandit, Agra Bazzar, Charandas Chor, Hirma Ki Amar Kahani, Basantrutu ka Sapna. 50. Pick the odd one out : (A) King Oedipus Antigone Electra (D) Trojan Women Paper-II 18 J-65-13
19 43. ³ÖÛú Ö Ö (A) : ÖÖ üûú ÛúÖê Öã ü ºþ Ö Öë ÃÖÖ ÆüŸµÖ ÖÆüà ÃÖ Ö ÖÖ ÖÖŸÖÖ Æîü ÛúÖ üþö (R) : µöæü Ö ÁÖŸÖ Ûú»ÖÖ Æîü (A) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü 44. ÃÖÆüß ÖãÛÎú Ö üß ÖµÖê : (A) ÖÓ Ö, ÁÖÖêŸÖÖÝÖÞÖ, Ö»ÖêÜÖ, ³Ö ÖµÖ, ³ÖÖ¾ÖÖê ÖµÖ Ö, ³ÖÖ¾ÖÖê ÖµÖ Ö, ÁÖÖêŸÖÖÝÖÞÖ, Ö»ÖêÜÖ, ÖÓ Ö, ³Ö ÖµÖ ³Ö ÖµÖ, ³ÖÖ¾ÖÖê ÖµÖ Ö, ÖÓ Ö, ÁÖÖêŸÖÖÝÖÞÖ, Ö»ÖêÜÖ (D) Ö»ÖêÜÖ, ÖÓ Ö, ³Ö ÖµÖ, ÁÖÖêŸÖÖÝÖÞÖ, ³ÖÖ¾ÖÖê ÖµÖ Ö 45. ¾ÖÂÖ Ö ÛúÖ ÖµÖ Ö Ûú ëü : (A) ÖÂÖÖœÌü ÛúÖ Ûú ü Ö ÃÖæµÖÔ Ûúß ŸÖ Ö Ûú üþö ÃÖê ÃÖæµÖÔ Ûúß ŸÖ Ö Ûú üþö ŸÖÛú»ÖÆü üöë ÛúÖ üö ÖÆÓüÃÖ (D) Ö Öê Öæ ê ü 46. ÖÖê üö, ²ÖÃÖê Ö Ûêú ÛúÃÖ ÖÖ üûú ÛúÖ ¾ÖܵÖÖŸÖ ÖÖ Ö Æîü? (A) Ö Öê Öß Öò±ú üß Öß Ö»Ö üß ÖÖêà üãöë üß ¾ÖÖ» ü üûú (D) üöò»ãö ÆüÖˆÃÖ 47. ÃÖæ Öß-I Öë üß ÝÖ Ô Ö üöë ÛúÖê ÃÖæ Öß-II Öë üß ÝÖ Ô Ö üöë Ûêú ÃÖÖ Ö ÃÖã Öê»ÖŸÖ Ûú ëü : (a) ÖÖÃÖß üö Ö (i) Öê Ö Ö¾Ö Öã üß ÛúÖêŸÖ¾ÖÖ»Ö (b) Ó ÖÖ µöãýö (ii) ÖÖêÆü Ö ÖÆüÙÂÖ (c) ¾Ö Ö Ó ü ÖßŸÖ (iii) Ô.»ÖÛúÖ ÖÌß (d) Ö Öê Öæ êü (iv) Ö²²Ö ü Ö êü»ö (A) (iv) (iii) (ii) (i) (i) (ii) (iii) (iv) (ii) (i) (iv) (iii) (D) (iii) (iv) (i) (ii) 48. ³ÖÛú Ö Ö (A) : ÝÖ üß Ö Ûú ÖÔ ü Ö Öã ÖÛú ÖÖ üûúûúö ü Æîü ÖÃÖ Öê ÛúÖ» Ö ÖÛú Ûú ÖÖ Ûêú Ö ÖÖ ü Ö ü ÖÖ üûú»öüöê Æïü ÛúÖ üþö (R) : ÝÖ üß Ö Ûú ÖÔ ü Ûêú ÃÖ³Öß ÖÖ üûú ÖÖî üö ÞÖÛú Æïü (A) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü (D) (A) ÃÖŸµÖ Æîü, (R) ÃÖŸµÖ Æîü 49. Æü²Öß²Ö ŸÖ ¾Öß ü Ûêú ÖÖ üûúöë Ûúß ÖÏßÖã ŸÖ ÛúÖ ÃÖÆüß ÖãÛÎú Ö üß ÖµÖê : (A) ÖÝÖ üö ²ÖÖ ÖÌÖ ü, Ö üþö üöãö ÖÖê ü, ÖÖëÝÖÖ ÖÓ üÿö, ¾ÖÃÖ ŸÖ ŠúŸÖã ÛúÖ ÃÖ Ö ÖÖ, Æüß ü ÖÖ Ûúß Ö ü ÛúÆüÖ Öß, J Paper-II Ö üþö üöãö ÖÖê ü, ÖÝÖ üö ²ÖÖ ÖÌÖ ü, Æüß ü ÖÖ Ûúß Ö ü ÛúÆüÖ Öß, ¾ÖÃÖ ŸÖ ŠúŸÖã ÛúÖ ÃÖ Ö ÖÖ, ÖÖëÝÖÖ ÖÓ üÿö ¾ÖÃÖ ŸÖ ŠúŸÖã ÛúÖ ÃÖ Ö ÖÖ, Æüß ü ÖÖ Ûúß Ö ü ÛúÆüÖ Öß, ÖÖëÝÖÖ ÖÓ üÿö, Ö üþö üöãö ÖÖê ü, ÖÝÖ üö ²ÖÖ ÖÌÖ ü (D) ÖÖëÝÖÖ ÖÓ üÿö, ÖÝÖ üö ²ÖÖ ÖÌÖ ü, Ö üþö üöãö ÖÖê ü, Æüß ü ÖÖ Ûúß Ö ü ÛúÆüÖ Öß, ¾ÖÃÖ ŸÖ ŠúŸÖã ÛúÖ ÃÖ Ö ÖÖ 50. ¾ÖÂÖ Ö ÛúÖ ÖµÖ Ö Ûú ëü : (A) ØÛúÝÖ Öê ü ÖÃÖ Ó üßýööê Ö»ÖêŒ ü üö (D) ÒüÖê Ö Ö ¾Öæ Öê Ö
20 Space For Rough Work Paper-II 20 J-65-13
PAPER-III POLITICAL SCIENCE. Ö üß ÖÖÙ ÖµÖÖë êú»ö Ö ìü Ö 1. Write your roll number in the space provided on the top of this page.
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