SWAMI RAMANAND TEERTH MARATHWADA UNIVERSITY, NANDED

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1 SWAMI RAMANAND TEERTH MARATHWADA UNIVERSITY, NANDED (Tenth Maharashtra Inter - University Cultural Youth Festival) November

2 Swami Ramanand Teerth 2

3 MESSAGE FROM THE VICE CHANCELLOR I am very delighted to welcome all the participants of INDRADHANUSHYA 2012 organised by Swami Ramanand Teerth Marathwada University, Nanded. This is a young university committed to academic excellence and social justice. Established in 1994, this University has tried its best to become one of the premier universities of Maharashtra and we also hope to excel at the national level. The beautiful campus of the University sprawls over 500 acres and currently provides a hospitable atmosphere to 2,000 students, nearly 200 highly qualified and committed teachers and teaching associates and a sizable number of well-trained administrative staff. The student profile of this University is diverse and multicultural. The University campus also boasts of hosting the largest number of foreign students in Maharashtra. The University strives to provide students with the best of infrastructure in the form of modern buildings, well-equipped laboratories, etc. for achieving academic excellence. However, we understand well that infrastructure alone does not guarantee quality. We believe that a life of success also has to be a life of quality and values. A pervasive fear felt today is that youth is lost to the glittering world of fashion, entertainment and advertisements. It is also feared that today s youth has moved far from the world of creativity, arts, sports, reading, etc. However, the splendid performance of our young sportspersons at the London Olympics is a ray of hope. The Indian performers at the Olympics have become a source of inspiration for the youth today. The INDRADHANUSHYA 2012 is organised with the belief that enough opportunities should be provided to the students who are hard-working, deserving and diligent. In the fast-changing globalised world, today s youth will have to develop altogether different capabilities and qualities to fulfill their potential. If youth is to be seen as power inthe-making, the colleges and the universities must commit to providing youth not only with world-class facilities, but also with democratic space essential for multidimensional development. I promise to offer you all the best facilities possible and every comfort during your stay on the University Campus. My best wishes are with you. Dr. Sarjerao Nimse Vice-Chancellor 3

4 INDRADHANUSHYA 2012 Hosted by Swami Ramanand Teerth Marathwada University, Nanded It is a great pleasure for the organizers of Indradhanoushya 2012 to host this event here in Nanded. The Indradhanoushya Youth Festival was started with the intention of providing an opportunity to the youth to show their talent and creativity. Many budding artists have had a chance to showcase their potential thanks to this event. This year, the Swami Ramanand Teerth Marathwada University has the honour of oraganising the Tenth Maharashtra Inter-University Cultural Youth Festival from 05 th November to 09 th November The events will be held on the campus of the Swami Ramanand Teerth Marathwada University at Vishnupuri. This brochure will provide a detailed account of the rules and regulations regarding eligibility and events. Various proformas needed for entering the events are also included in the brochure. We request you to go through the brochure carefully and send all entries as per the requirements. The consolidated entry form and list of participants as per proforma (V) may be sent to us before 25 th October 2012, in order to facilitate proper accommodation and travel facilities for the participants. We look forward to your support and co-operation in making Indradhanoushya 2012 a grand success and an event to remember in the years to come! Dr. Dilip Uke Pro Vice Chancellor Prof. Ganesh Shinde Director, Students Welfare Dr T. A. Kadam Registrar Contacts: Phone : (O) / (M) , Fax : ID : dswsrtmun@gmail.com, Shinde100srtmun@gmail.com, Website : 4

5 SWAMI RAMANAND TEERTH MARATHWADA UNIVERSITY, NANDED ABOUT THE S.R.T.M UNIVERSITY The Swami Ramanand Teerth Marathwada University was established at Nanded by bifurcating the erstwhile Marathwada University, Aurangabad, on 17 th September, The University has been named after Swami Ramanand, the doyen of the Hyderabad Liberation Struggle, and also a renowned educationalist and social activist. The University caters to the educational needs of the southern parts of the Marathwada Region of Maharashtra State, specifically, to the districts of Nanded, Latur, Parbhani and Hingoli. In its short period of operation, the University has been granted recognition by the University Grants Commission (UGC) and it has been accredited by the NAAC. The SRTM University was granted recognition by the UGC, the apex educational body of Government of India, under 2(f) in March 1995 and under 12(B) in May 1998, even before completing five years. It has also been reaccredited by the NAAC in 2009 with B grade. 5

6 ABOUT NANDED CITY Nanded is today one of the fastest growing cities of Maharashtra. It is an important political and commercial hub of the Marathwada region. It is also an important centre of higher education in Maharashtra. Nanded is one of the historical places of the Marathwada region in the State of Maharashtra. It is situated on the northern bank of the river Godavari. Nanded is said to have been a part of the Mauryan Empire during the reign of Emperor Ashoka, the Great (272 to 231 B.C.E.). Nanded has also been mentioned in the Lilacharitra, a treatise written about 700 years ago by Mhaimbhatt. Guru Gobind Singhji, the tenth spiritual leader of the Sikhs, came to Nanded, and made it his permanent abode. Maharaja Ranjit Singh ordered and financed the construction of Gurudwara Takhat Sachkhand Sri Huzoor Abchalanagar Sahib around 1835 A.D. and even today, we have a grand Gurudwara over here, in Nanded city. The Huzoor Sahib Sachkhand Gurudwara is as important as the Golden Temple of Amritsar to the Sikhs. Recently, Nanded witnessed the Guru ta Gaddi celebrations which attracted world-wide attention and drew Sikh devotees from across the globe. CONNECTIVITY Nanded is well connected to other parts of the nation. It is connected by air to Mumbai, Delhi and Nagpur. The nearest international airport is Hyderabad. Nanded is well connected via road and rail to the rest of India. 6

7 Here is an overview of the places of historical importance in and around Nanded: Huzoor Sahib Sachkhand Gurudwara The tenth Guru of Sikhism, Guru Govind Singhji came to Nanded, accompanied by his son, and spent a considerable part of his life over here until his final departure. It was he who convinced his followers and declared the Guru Granth Sahib as the final Guru. The Huzoor Sahib Sachkhand Gurudwara, located here in Nanded, has made the city a sacred and pious place. Apart from this, there are several Gurudwaras in Nanded and nearby. Shri Kshetra Mahur Situated at Mahur, at a distance of 140 km from Nanded, is the famous temple dedicated to Renuka Mata. It is 2600 feet above sea level and is a place of great significance for the Hindus. 7

8 Kandhar Fort The Kandhar Fort is situated at a distance of 50 km from Nanded and is spread over 24 acres. It is one of the biggest forts at ground level. The fort was constructed in the 10 century A.D. and consists of fine sculpture art. Hottal Like Kandhar, one comes across fine sculpture art at Hottal which is near Nanded in Degloor taluka. The architectural pattern of the Chalukya dynasty of the 11 th century A.D. is found here. Hottal 8

9 Kaleshwar Temple It is located on the back waters of the Vishnupuri dam. The serenity and beauty of nature can be experienced here. Sahastrakund Waterfalls The Sahastrakund Waterfall is at a distance of 100 km from Nanded, on the way to Kinwat. The waterfall is known to be the most forceful waterfall in the region. Sahastrakund Waterfalls 9

10 MISSION STATEMENT OF THE UNIVERSITY Swami Ramanand Teerth Marathwada University pledges itself to uphold zealously its mission of promoting acquisition and dissemination of knowledge through fearless and sustained pursuit of excellence aimed at moulding personalities of students entering its portals to grow with an upright character filled with enlightenment and to be the value adhering members of a just and humane society. VISION OF THE UNIVERSITY Enlightened Student: A Source of Immense Power Officers: Swami Ramanand Teerth Dr. Sarjerao Nimse Dr. Dilip Uke Dr. T. A. Kadam Dr. V. M. More Dr. Vasant Bhosale Dr. V. M. More Vice Chancellor Pro Vice Chancellor Registrar Director, B.C.U.D Controller of Examinations I/c. Finance & Accounts Officer 10

11 SCHOOLS OF THE UNIVERSITY There are fourteen Schools on the campus of Swami Ramanand Teerth Marathwada University, Nanded catering to the faculties of Sciences, Commerce and Humanities and Arts. 1. School of Chemical Sciences 2. School of Commerce And Management Sciences 3. School of Computational Sciences 4. School of Earth Sciences 5. School of Educational Sciences 6. School of Fine and Performing Arts 7. School of Language, Literature and Culture Studies 8. School of Library Sciences and Information Services 9. School of Life Sciences 10. School of Mathematical Sciences 11. School of Media Studies 12. School of Pharmacy 13. School of Physical Sciences 14. School of Social Sciences 11

12 Swami Ramanand Teerth Marathwada University, Nanded INDRADHANUSHYA 2012 (Tenth Maharashtra Inter - University Cultural Youth Festival) 1. MUSIC RULES & REGULATIONS (A) Classical Vocal Solo : (Hindustani/Karnataki) (1) Only one entry per Institution is allowed. Duration of performance 10 min. (2) Time for stage/ instruments setting is maximum 5 minutes. (3) Maximum number of accompanists is two. (4) Item can be presented in either Hindustani or Karnataki style. (5) Cinema songs are not allowed under this item. (6) Sufficient thought and care must be exercised in the choice of Raga and composition. (7) Judgment will be based on the qualities like tal, selection of raga, composition and general impression. (B) Classical Instrumental Solo (Percussion Tal Vadya) (1) Only one entry per Institution is allowed. Duration of performance 10 min. (2) Time for stage/instruments setting is maximum 5 minutes. (3) Maximum number of accompanists is two. (4) Participants must bring their own instruments. (5) Item can be presented in either Hindustani or karnataki style. (6) Judgment will be based on the qualities like tal, Selection of raga, composition and general impression. (C) Classical Instrumental Solo (Non-Percussion- Swar Vadya) (1) Only one entry per Institution is allowed. Duration of performance 10 min. (2) Time for stage/instruments setting is maximum 5 minutes. (3) Maximum number of accompanists is two. (4) Participants must bring their own instruments, Synthesizer is not allowed. (5) Instruments of western origin adopted to the India raga system are allowed. (6) Item can be presented in either Hindustani or Karnataki style. 12

13 (7) Judgment will be based on the qualities like swara, tal, selection of raga, composition and general impression. (D) Light Vocal (Indian) (1) Only one entry per Institution is allowed. (2) Time for Stage/Institution setting is maximum 5 minutes. (3) The number of accompanists would not be more than two. (4) Duration of the song shall be up to 6 minutes. (5) Only non-film songs/geet/ghazal/bhajan/shabad and abhangas can be presented. (6) Judgment will be made on the qualities like swar, tal, composition and general impression. (E) Western Vocal Solo (1) Only one entry per Institution is allowed. (2) Time for Stage/Instruments setting is maximum 5 minutes. (3) The number of accompanists would not be more than two. (4) Duration of the song shall be up to 6 minutes. (5) Language of the song shall only be English. (6) Judgment will be made on the qualities like, composition, rhythm, coordination and general impression. (F) Group Song (Indian) (1) Only one entry per Institution is allowed. (2) A team has to present two songs, one patriotic and another will be a folk song. (3) There shall be maximum 6 singers in a group and maximum number of accompanists playing instruments shall be three. However, singers may play instruments while singing. (4) The group songs should be taken from Indian songs, which can be in regional language. (5) No film song should be presented as group song. (6) Maximum time allowed for the group song is 10 minutes, which does not include setting time. The setting time for a group shall not exceed 5 minutes. (7) Judging of these items will be on the basis of quality of singing only and not on make-up costumes and actions of the team. 13

14 (G) Group Song (Western) (1) Only one entry per Institution is allowed. (2) Maximum 6 Singers in a group and maximum number of accompanists playing instruments shall be three. (3) The group songs should be taken from English language. (4) Maximum time allowed for the group song is 10 minutes which does not include setting time. The setting time for a group shall not exceed 5 minutes. (5) Judging of these items will be on the basis of quality of singing only and not on make-up costumes and actions of the team. (H) Folk Orchestra (1) Each University can send only one team. (2) The team shall consist of up to 12 participants including accompanists. (3) The group can consist of all boys or all girls or combined. (4) The duration of the performance will be a minimum for 7 and a maximum for 10 minutes. (5) This does not include setting time, which shall not be more than 10 minutes. (6) Up to three professional accompanists are allowed who should be in different dress from the student participants so that they could be easily identified. (7) The professional accompanists shall sit/stand separately from the participants and shall not lead the team. (8) The team may present preferably those folk tunes, which are recognized as folk tunes of the state. 2. DANCE (A) Folk/Tribal Dance (1) Only one entry per Institution is allowed. (2) Maximum 10 participants allowed per team. The team may consist of all boys, all girls or a mixture of both. (3) The Maximum number of accompanists permissible is five. 14

15 (4) The dance can be either primitive or a folk dance (Indian Style) but not a classical one. (5) Duration of dance should not be more than 10 minutes. (6) Three copies of a brief note giving the theme and the text of song if any, is to be submitted along with the entry form at the time of registration. (7) The Participating team will be responsible for removal of their sets/properties etc. immediately after the completion of their performance. (8) Judgment will be based on the basis of Rhythm, Formation, Expression, Costumes, Make-up, sets and overall effect. (9) Time for sets/instruments setting is maximum 10 minutes. (B) Classical Dance (Indian) (1) Each Institute can send only one entry. (2) The Classical dance can be from any of the approved schools of dance. Such as Kathak, Kathakali, Bharat Natyam, Manipuri, Kuchipudi, Mohiniattam, Odissi etc. (3) The duration of performance is up to 15 minutes. (4) Maximum three accompanists are permissible. (5) Judgment will be based on the qualities like Tal, Technique, Rhythm, Abhinaya or Expression, Costumes, Footwork and general impression, etc. (6) Three copies of a brief note on the description of dance story involved in it, if any, and of the accompanying song, with its meaning in Hindi or English must be submitted at the time of registration. 3. LITERARY EVENTS (A) Quiz (1) Each Institute can send a team of three persons. (2) There will be a written preliminary round and teams will be elected for the final round. (3) Finals will be oral with audio-visual questions. (4) The Specific rules regarding evaluation procedure, time to reply a particular answer and the type of round will be given before the actual start of the competition. 15

16 (B) Elocution (1) Each Institute will be represented by one speaker. (2) Medium of expression will be Hindi, English or Marathi. (3) Each speaker will be allowed to speak for maximum five minutes. (4) Subject / Topic of of Elocution will be announced in the managers meeting. (5) The presentation shall be in the form of prose or poetry and not song. (6) The sequence of speakers will be decided by a draw of lots. (C) Debate (1) Each Institute will be represented by the two debaters; one will speak FOR, while another will speak AGAINST the motion. (2) Medium of expression will be Hindi, English or Marathi. (3) Topic of Debate will be announced in team Manager s meeting. (4) Each debater will be allowed to speak for maximum five minutes. (5) Paper reading is not allowed. 4. THEATRE (A) One Act Play (1) Only one entry shall be accepted from each Institution. (2) The duration of the play should not exceed 30 minutes. (3) Time will be counted as soon as the signal is given or the team starts giving introduction, whichever is earlier. Empty stage to empty stage shall be followed strictly, for stage setting and removal of set and properties, maximum 10 minutes will be given after taking charge of the stage. (4) The number of participants should not exceed nine and the maximum number of accompanists should not exceed three. The participating teams shall bring their own set/ stage property make up material etc. Lights and general property such as ordinary furniture may be provided on advance information. (5) Participants may speak in Hindi, English or Marathi. (6) The participating team/team manager must report to the in-charge of the competition at least one hour before the commencement of the competition. (7) Judgment will most likely be based on the qualities of the play like theme, work on acting, stagecraft, design and general impression etc. 16

17 (8) Accompanists will either speak from the background or will play upon musical Instruments for background music. They shall not appear on the stage. (B) Skit (1) Only one team per institute will be allowed. (2) Maximum six participants are allowed in this event. (3) Maximum time allotted for each team is 10 minutes. (4) Use of make-up, drapery and background music is allowed. No personal remarks, aspersions, character assassination etc. is allowed. (5) Participating team should submit three copies of the synopsis / theme of Skit, at the time of registration. (6) The item will be judged basically on the qualities like theme, work on acting, stagecraft, design and general impression. (7) Vulgarity or bitter insinuations in presentation should be avoided. Only innocent satire or humour is expected. (C) Mime (1) Only one team per institute will be entertained. (2) Maximum six participants are allowed in this event. (3) Judgment will most likely be based on the qualities like idea. creativity of presentation, use of make-up, music and general impression. (4) Duration of performance shall be maximum 5 minutes. (5) Maximum two accompanists are allowed. (6) It is desirable to perform wearing white/black skintight dresses, faces painted and with raised eyebrows and broadened lips. (D) Mimicry (1) Only one entry per institution is allowed. (2) Each student artist shall be given maximum 5 minutes. (3) Participants may mimic sound of machines and voices of well-known personalities etc. including film personalities. (4) Marking will be based on: (i) Skill of imitation. (ii) Variety of sounds and voices imitated. (iii) Presentation. 17

18 5. FINE ARTS (A) On the Spot Painting (1) Each Institute will be represented by one participant. (2) Event will be conducted on the spot and participants will be required to make a Painting on the subject given by the In-charge (s) of the competition. (3) Duration will not be more than 2 hours and 30 minutes. (4) Size of the painting will be half imperial size drawing paper i.e. 22 x 15. (5) Painting can be done in oil, water, poster or pastel colours. (6) Candidate shall bring their own material like brushes, paints etc. Only the paper/sheet will be provided by the host institute. (B) Collage (1) Each Institute will be represented by one participant. (2) Item will be conducted on the spot on the given topic/subject, sheet size (3) Duration will not be more than 2 hours and 30 minutes. (4) Participants shall bring their own scissors, pasting and other material required for the contest. (5) Collage has to be prepared from old magazines. The host University will provide the drawing paper of the size (C) Poster Making (1) Each Institute will be represented by one participant. (2) Item will be conducted on the spot and the participants will be requested to do a poster making on the subject / topic/theme given by the In-charge of the competition. (3) Duration will not be more than 2 hours and 30 minutes. (4) Participants shall bring their own material. Only the Drawing paper/sheet will be provided by the organizers. (D) Clay Modeling (1) Each Institute will be represented by one participants (2) Item will be conducted on the spot. (3) Duration will not be more than 2 hours and 30 minutes. (4) Topics/size and other specific rules shall be announced on the spot. (5) Clay shall be provided by the host institute. 18

19 (E) Cartooning (1) Each Institute will be represented by one participant. (2) Item will be conducted on the spot on the given subject/idea. (3) Duration will not be more than 2 hours and 30 minutes. (4) Participants shall bring their own material. Only the Drawing paper will be provided by the host University. (F) Rangoli (1) Each Institute will be represented by one participant. (2) Duration will not be more than 2 hours and 30 minutes. Participants shall bring their own material. (3) Only one medium shall be used- Rangoli Powder and Coloured Powders or Flower Petals or Saw-dust or Pulses or Rice without pasting. (4) The Participants shall have to prepare a Rangoli within the space provided by the organizers. (G) Spot Photography (1) An institution can send one participant. (2) The participant has to bring his/her own digital camera of not more than 12 mega pixels. (3) The digital camera should have a memory card which will be formatted by the judges before the commencement of the contest. (4) The time limit will be 2.30 hours. (5) The participant has to capture 5 photographs on the theme announced on the spot by the judges. (6) No mixing, matching or morphing of photographs will be permitted. (7) Software such as Photoshop etc. for enhancing images not permitted. (8) The organizers will have all rights for the use of these pictures as and when they deem fit. (9) Digital images are evaluated on the basis of (i) IMPACT (ii) COMPOSITION (iii) TECHNICAL QUALITY, and (iv) SUITABILITY for the specific theme. (10) The additional instructions will be announced on the spot. 19

20 IMPORTANT: The participants/team managers are requested to study the rules and regulations for the various events given above. Any clarification regarding the rules should be obtained from the Director Student s Welfare, Swami Ramanand Teerth Marathwada University before 25 th Oct No complaints/objections shall be entertained thereafter. The venues/timings of the events may be changed in case of certain unforeseen circumstances. The decision of the judges appointed for different events shall be final and binding upon all. 20

21 DISQUALIFICATION FOR VIOLATION OF ELIGIBILTY RULES Any disqualification of a participant on the ground of ineligibility may result in the automatic scratching of the contingent for that academic year. The contingent may also be debarred from participating in the Youth Cultural Activities to be held in the following years. Strength of Contingent: Maximum 40 per University: Note: Accompanists would preferably be the students, who will be given participation certificates. However, outsiders may be allowed if suitable students are not available. Participating universities are strongly requested not to bring any extra person. No extra person shall be entertained at any cost. Contingent Incharge : Participating University shall send a maximum of two persons as contingent Incharge / Team Manager, Lady Team Manager is essential for girl participants. Officials will be included in the contingent of 40. Identity Card: Identity Cards with photographs signed by the appropriate authorities of the respective University should be carried by the participants. University Flags & Trophies: The Contingent leader shall have to deposit his/her two University flags with the host University. Last year winners and runners shall bring the rotating trophies with them. Travelling Expenses: The participating University will have to bear the travelling expenses. University may avail of Railway concession if they desire, as festivals are a part of the National Integration camp scheme. Food: Food shall be provided from the afternoon of 04th November 2012 till the dinner time on the 9 th November 2012 Boarding & Lodging: Free boarding and lodging would be provided for the participating teams during Indradhanushya Youth Festival. Participating troups from the Universities could be housed as guests in students hostels, utilizing common rooms, verandahs, etc. 21

22 Clothing: It is advised that sufficient worm bedding, blankets, woolen clothes, medicines and locks, etc. should be brought by the contingents. Discipline : If the behavior of any contingent is found contrary to the objectives of the festivals the host University may take suitable action against members concerned and an individual/ team be debarred from participation in the future youth festivals. No official or any member University shall go to press on any controversial issue. Consumption of liquor, Eve Teasing, influencing the adjudicators, indecent behavior inside the campus and venue is strictly prohibited. Those violating this clause shall be liable to disciplinary action which may be to the extent of debarring the concerned University Team. Stamp Size Photos: Two stamp Size photographs of each participant, accompanists and official delegates are required to be sent to the host University in advance. OTHER RULES 1. A cultural Procession/March past of participating Universities shall be organized on inaugural day after the formal inaugural ceremony. Participating Teams are required to bring their flags/banners placards for this event. 2. Participating teams are also advised to bring their Local/Regional Costumes for the purpose of reflecting their culture in cultural Procession/ March past. 3. Participating Universities are informed that the use of fireworks/arms is strictly prohibited. However, if it is unavoidable for cultural performance, their imitation may be used with the prior permission of the organizing committee. 4. Recorded music/audio cassettes are not permitted during the Folk/Tribal and Classical dance. 5. A sum of Rs. 1000/- refundable caution money shall be deposited by each team at the time of Registration. The cost of any loss of stores / damage to the property issued but not returned shall be deducted out of it. 6. Rs. 1000/- will be charged as Protest Fee. 7. Each team should bring the necessary locks for the rooms. 8. Social cultural procession rally will be organized as per the theme Viewing Maharashtra through Folk Art 22

23 Swami Ramanand Teerth Marathwada University, Nanded PROFORMA I INDRADHANUSHYA 2012 (TENTH Maharashtra Inter - University Cultural Youth Festival) Name of the Participating University (IN BLOCK LETTERS) : - Participation Confirmation - The Participation of University in the Indradhanushya 2012 Tenth Maharashtra State Inter University Cultural Youth Festival to be organized by Swami Ramanand Teerth Marathwada University, Nanded During 05 th to 09 th November, 2012 is hereby confirmed. Signature of D.S.W. / Cultural Coordinator Place : Date : / /2012 Registrar (Signature With Seal) Please send the confirmation immediately to Prof. Ganesh Shinde Director, Students Welfare Department, Swami Ramanand Teerth Marathwada University, Dnyanteerth, Vishnupuri, Nanded ID: dswsrtmun@gmail.com Contact No , Website: 23

24 Swami Ramanand Teerth Marathwada University, Nanded INDRADHANUSHYA 2012 (Tenth Maharashtra Inter - University Cultural Youth Festival) PROFORMA - II Contingent Break-up 1. Name of the University 2. Name and Residential address with Phone No. of Contingent in charge 3. Name, Address and Contact No. of Participating University 4. Arrival at Nanded Railway Station/ Bus Stand - Date: / / 2012 Time: 5. Mode of Journey: Road / Train (If Train, Please Specify Train Name Train No. ) Details of Contingent 01 Participants Male Female 02 Accompanists Male Female 03 Team Manager Sign. of Cultural Coordinator / D.S.W with Seal Note: 1. Please use BLACK INK OR type in thick black. 2. Total Number of Contingent should not exceed 40 persons including participants, Accompanists and in charges. 3. Mail immediately to Director Students Welfare and Organizing Secretary at dswsrtmun@gmail.com 24

25 PROFORMA - III Curriculum Vitae of Participant / Accompanying Artist (This proforma is to be filled in by each member of the contingent) 1. Name : 2. University : 3. Class Studying : Paste your recent PP photo 4. Residential Address : Phone No 5. Items Participating : No. of times participated in : 1. Indradhanushya Festival (With Dates) Performance and Distinction : Earned in the field : 8. Distinction in other fields, : (if any) Note: 1. Please make photo copies as per the number required 25 Signature Participant / Accompanist 2. This form shall be filled in by all members of the contingent and submitted at the time of registration.

26 PROFORMA-IV Eligibility Certificate for Participants / Accompanists Note: This Proforma is to be filled in by each member of the contingent (Eligibility criteria as per A.I.U. Rules) Important: Please bring attested photocopy of proof of passing + 2 Exam and date of birth 1) Participating University : 2) Name in Block Letters : 3) Parentage in Block Letters : 4) Date of Birth : 5) Age as on 1 st July 2012 : 6) College/Department : 7) Class : Roll No.: Registration No.: 8) Year of Passing + 2 Examinations : 9) Item (s) of participation : 10) Item in which acting as Accompanist : 11) Address : 12) Contact No. : Ph. No.: Mob. Signature of the Student Certified that the particulars as given above have been verified and found to be correct to the best of my knowledge and belief. Signature of Cultural Coordinator with Seal Note: Please make photo copies as per the number required For the office use of S.R.T.M.U., Nanded Eligible / Not Eligible - Reason, if not eligible Name and Signature of the Organizing Secretary or Registration Committee member 26

27 PROFORMA - V Event - Wise Participation Name of the University: Event Category: Music Dance Literary Theatre Fine Arts Event: (Please use separate forms for different events) Names of Participants in this Event Sr. No. Names of the Participants (Please check the spelling) Other items in which participating Items in which you are an accompanist Names of the Student Accompanists Sr. No Names of the Participants (Please check the spelling) Other items in which participating Items in which you are an accompanist Names of the Non-Student Accompanists Sr. No Names of the Participants (Please check the spelling) Other items in which participating Items in which you are an accompanist Kindly make the required number of photocopies Signature & Seal Cultural Coordinator /D. S. W. / Registrar 27

28 PROFORMA VI INDRADHANUSHYA (Tenth Maharashtra Inter - University Cultural Youth Festival) EVENT WISE ENTRY Sr. No Names of the Students (Maximum 40 per University) 1. Music 2. Dance 3. Literary Events 4. Theatre 5. Fine Arts a b c d e f g h a b a b c a b c d a b c d e f g The participants are bonafide students of our University and they fulfill the eligibility and other criteria. It is understood that any misbehaviour / misconduct by any member of our contingent will be liable for disciplinary action. (Fax or this to above mentioned numbers) University seal Director of Students Welfare 28

29 (Tenth Maharashtra Inter-University Cultural Youth Festival) Sr. No Event Participants Accompanists No. P+A Min. Time (Minutes) Max. Time (Minutes) 1 Music (a) Classical Vocal Solo (Hindustani or Karnataki) (b) Classical Instrumental Solo (Percussion) (c) Classical Instrumental Solo (Non- Percussion) (d) Light Vocal (Indian)* (e) Western Vocal (Solo)* (f) Group Song (Indian) (g) Group Song (Western) (h) Folk Orchestra Dance (a) Folk / Tribal Dance (b) Classical Dance Literary Events (a) Quiz (b) Elocution* (c) Debate* Theatre (a) One Act Play (b) Skits (c) Mime (d) Mimicry* Fine Arts (a) On the Spot Painting hrs 2 ½ hrs (b) Collage hrs 2 ½ hrs (c) Poster Making hrs 2 ½ hrs (d) Clay Modeling hrs 2 ½ hrs (e) Cartooning hrs 2 ½ hrs (f) Rangoli hrs 2 ½ hrs (g) Spot Photography hrs 2 ½ hrs Please note that Five Events which have been star Marked (*) above shall get 15 seconds Grace Time after the completion of the Maximum Time Limit. However, for all other Events the Grace Time Limit shall be 30 seconds. 29

30 Swami Ramanand Teerth Marathwada University, Nanded INDRADHANUSHYA 2012 (Tenth Maharashtra Inter - University Cultural Youth Festival) Venue : Daywise Time Table - 05 th to 09 th November 2012 Date Event Venue Time 4 th Nov th Nov. 11 Registration Opening ceremony S.R.T.M.University, Nanded Stage No 1 : Rajaram Bapu Kadam Gondhali Stage Main Stage (Dikshant Stage) Onwards am 6 th Nov. 11 Team Managers Meeting (Senate Hall) 3.00 pm Social Cultural Procession Rally Quiz Written Test One Act Play Vishnupuri to University Campus Stage No 4: Narhar Kurundkar (Auditorium Hall No. 311) Stage No 2 : G. N. Ambekar Stage (Cap Building) 4.00 pm 9.00 am am Debate Stage No 4: Narhar Kurundkar (Auditorium Hall No. 311) 1.00 pm Cartooning Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) 9.00 am On the Spot Painting Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) 1.00 pm Poster Making Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) 5.00 pm Classical Instrumental Solo (Percussion Tal vadya) Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) 9.00 am Classical Instrumental Solo (Non Percussion Swar vadya) Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) 1.00 pm Classical Vocal (Solo) Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) 4.00 pm Classical Dance Stage No 1 : Rajaram Bapu Kadam Gondhali Stage Main Stage (Dikshant Stage) am 7 th Nov. 11 Folk Orchestra Stage No 1 : Rajaram Bapu Kadam Gondhali Stage Main Stage (Dikshant Stage) am 30

31 Elocution Stage No 4: Narhar Kurundkar (Auditorium Hall No. 311) 9.00 am Quiz Final Stage No 4: Narhar Kurundkar (Auditorium Hall No. 311) 2.00 pm Collage Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) 9.00 am Clay Modeling Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) 1.00 pm Rangoli Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) 5.00 pm Western Vocal (Solo) Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) 9.00 am Western Group Song Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) am Group Song (Indian) Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) 3.00 pm Mimicry Stage No 2 : G. N. Ambekar Stage (Cap Building) 9.00 am Mime Stage No 2 : G. N. Ambekar Stage (Cap Building) am Skit Stage No 2 : G. N. Ambekar Stage (Cap Building) 3.00 pm Lavni Event Stage No 1 : Rajaram Bapu Kadam Gondhali Stage Main Stage (Dikshant Stage) 05.00PM 8 th Nov. 11 Folk/Tribal Dance Light Vocal solo (Indian) Stage No 1 : Rajaram Bapu Kadam Gondhali Stage Main Stage (Dikshant Stage) Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) 9.00 am 9.00 am 9 th Nov. 11 Poster, Paintings, Models & Photographs Display Valedictory Collection of certificates & Refund of Deposit Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) Stage No 1 : Rajaram Bapu Kadam Gondhali Stage Main Stage (Dikshant Stage) Indradhanushya Office Check Out - Full Day am 2.00 pmto 3.00 pm 3.00 pm Onwards *** The time table is subject to change in case of any unforeseen circumstances. *** 31

32 Swami Ramanand Teerth Marathwada University, Nanded INDRADHANUSHYA 2012 (Tenth Maharashtra Inter - University Cultural Youth Festival) Venue Time Table (5 th November to 9 th November 2012) Stage No 1 : Rajaram Bapu Kadam Gondhali Stage Main Stage (Dikshant Stage) 5 th Nov 6 th Nov 7 th Nov 8 th Nov 9 th Nov AM Opening Ceremony 9.00 AM Classical Dance AM Folk Orchestra 9.00 AM Folk/Tribal Dance AM Valedictory 3.00 PM Team Managers Meeting (Senate Hall) 4.00 PM Social Cultural Procession Rally PM Cultural Programme PM Lavni Event Stage No 2 : G. N. Ambekar Stage (Cap Building) 6 th Nov 7 th Nov 8 th Nov AM One Act Play 9.00 AM Mimicry AM One Act Play AM Mime 3.00 PM Skit PM One Act Play Stage No 3: Annasaheb Gunjkar Auditorium (Senate Hall) 6 th Nov 7 th Nov 8 th Nov 9.00 AM Classical Instrumental Solo (Percussion Tal vadya) 1.00 PM Classical Instrumental Solo (Non Percussion Swar vadya) 4.00 PM Classical Vocal (Solo) 9.00 AM Western Vocal (Solo) AM Western Group Song 3.00 PM Group Song (Indian) 9.00 AM Light Vocla solo (Indian) Stage No 4: Narhar Kurundkar (Auditorium Hall No. 311) 6 th Nov 7 th Nov 9.00 AM Quiz Written Test 1.00 PM Debate 9.00 AM Elocution 2.00 PM Quiz Final Stage No 5: Triyambak Wasekar Auditorium (M. B. A. Seminar Hall) 5 th Nov 6 th Nov 7 th Nov PM Spot Photography 9.00 AM Rangoli 1.00 PM On the Spot Painting 5.00 PM Poster Making AM Collage 1.00 PM Clay Modeling 5.00 PM Cartooning

33 banz/kuq"; & 2012 djhrk xfbr fofo/k lfer;kaph ;knh vk;kstu fujh{k.k lferh v- dz- Ukko in 1 MkW- ujsnz tk/ko leuo;d 2 MkW- v:.k ikvhy lnl; 3 MkW- ds- Mh- xjdg lnl; forrh; O;oLFkkiu lferh v- dz- Ukko in 1 MkW- iqj.k esjke leuo;d 2 MkW- Mh- ds- xk;dokm lnl; 3 MkW- feyhan Hkxr lnl; leuo;d v-dz- Ukko eksckbzy dza- 1 MkW- izkpk;z <kscgs Ogh- Ogh & ;olfkkiu ifj"kn lnl; ) vk;kstu lferh v-dz- Ukko in 1 MkW- ltszjko fuels & dqyxq: v/;{k 2 MkW- fnyhi Åds & iz-dqyxq: lnl; 3 MkW- Vh-,- dne & dqylfpo lfpo 4 izk- x.ks k f kns& lapkyd]fo kfkhz dy;k.k fohkkx lfpo 5 MkW- Ogh-,e- eksjs& lapkyd] ch-lh-;q-mh- lnl; 6 MkW- olar Hkkslys & ijh{kk fu;a=d lnl; 7 MkW- izkpk;z <kscgs Ogh- Ogh & O;oLFkkiu ifj"kn lnl; lnl; 8 MkW- ikuldj Mk- ck & O;oLFkkiu ifj"kn lnl; lnl; 9 MkW- dy;k.kdj,u- Ogh-& O;oLFkkiu ifj"kn lnl; lnl; 10 MkW- lnkorsz,l-,y-& O;oLFkkiu ifj"kn lnl; lnl; 11 MkW- lksuh vk kksd th& O;oLFkkiu ifj"kn lnl; lnl; 12 MkW- Jherh lkro jtuhrkbz & O;oLFkkiu ifj"kn lnl; lnl; 33

34 13 MkW- ns keq[k iznhi,u& O;oLFkkiu ifj"kn lnl; lnl; 14 MkW- vkacknkl dne& O;oLFkkiu ifj"kn lnl; lnl; 15 MkW- iraxs fodze vkj& O;oLFkkiu ifj"kn lnl; lnl; 16 MkW- ltszjko f kans& O;oLFkkiu ifj"kn lnl; lnl; 17 MkW- HkkLdj ekus & fdzmk lapkyd lnl; 18 MkW- egkcksys es?kk& O;oLFkkiu ifj"kn lnl; lnl; 19 MkW- vacknkl dkacgs & flusv lnl; lnl; 20 MkW- fnid f kans & lapkyd] ehmh;k ladqy lnl; 21 MkW- vkj-mh-fcjktnkj & lapkyd] okf.kt; o O;oLFkkiu ladqy lnl; 22 Jh- v:.k ikvhy & dk;zdkjh vfhk;ark lnl; 23 MkW- ch- vkj- >Vs & lapkyd nqjf k{k.k fohkkx lnl; 24 MkW- larqd gkacmsz & midqylfpo] ijh{kk fohkkx lnl; 25 Jh- fob`by pkfydokj& midqylfpo] vklfkkiuk fohkkx lnl; 26 Jh- drykdqvs th- ch-& mi&forr o ys[kkf/kdkjh lnl; 27 Jh- gq kkjflax lkcgs&lgk-dqylfpo] laink lnl; 28 MkW- ost;ark ikvhy&lapkyd] f'k{k.k'kkl= ladqy lnl; 29 Jh- v kksd dne&ekfgrh o tulaidz vf/kdkjh lnl; 30 dq- f kyik lq;zoa kh & v/;{k fo kihb fo kfkhz ifj kn lnl; 31 Jh- lqjs k tk/ko & lfpo fo kihb fo kfkhz ifj kn lnl; 2) i=o;ogkj lferh 1 izk-x.ks'k f'kans ek- lapkyd fo kfkhz v/;{k dy;k.k fohkkx Jh- ekf.kd tk/ko lnl; Jh- jkejko iksrnkj lnl; Jh- ckykth f'kans lnl; Jh- lqfuy dkacgs lnl; ) fuea=.k lferh 1 MkW- ch- vkj- >Vs v/;{k MkW- ds'ko ns'keq[k lfpo MkW- ok.kh ykrwjdj lnl; MkW- laxhrk ekdksus lnl; MkW-,p- Mh- nsoljdj lnl; MkW- Ogh-,e- ok?k lnl; 7 MkW- ih- fob~by lnl;

35 8 Jh- v'kksd dne lnl; Jh- pkyhdokj Ogh- vkj- lnl; Jh- jkenkl lkagqds lnl; Jh- fo".kq Hkqlkjs lnl; ) ifjlj ltkov] ik.kh iqjobk o LoPNrk lferh 1 Jh- v#.k ikvhy ¼eq[; vfhk;ark½ v/;{k Jh- rkukth gqllsdj lfpo Jh- ok?kekjs ts- lnl; Jh- cksjkgs vkj-ds- lnl; Jh- ts-ds- ckxms lnl; Jh- FksVs,l- th- lnl; Jh- x.kir yqvs lnl; lks- egkek;k dne lnl; Jh- lq;zoa'kh ih-,e- lnl; Jh- izhkkdj dkums lnl; lksnkxj,l- ch lnl; Jh- Hkxoku ns'keq[k] lnl; Jh- O;daV ikapkg] lnl; Jh- is#dk,y-,u- lnl; Jh- HkjkMh;k ih-,l- lnl; Jh- dsykl gacmsz lnl; Jh- v#.k baxksys lnl; ) Lokxr lferh 1 MkW- Vh-,-dne dqylfpo v/;{k MkW- Ogh-,e- eksjs lapkyd]e-fo-fo-e v/;{k MkW- olar Hkkslys ijh{kk fu;=ad v/;{k izk-mkw-ch-vkj->vslapkyd]nqjf'k{k.k fohkkx v/;{k Jh- v kksd dne lfpo Jh- v:.k ikvhy lfpo

36 6) forr o ys[kk lferh 1 MkW- Ogh-,e- eksjs v/;{k Jh- th- ch- drykdqvs lfpo ) uksan.kh lferh 1 MkW- HkkLdj ekus fdzmk lapkyd v/;{k MkW- eqgs vfudsr lfpo Jh- xqykc gacmsz lnl; Jh- lahkk xk;dokm lnl; izk- fufru nkjdqams lnl; izk- MkW- m kk lkaxgs lnl; Jh- iokj Mh- th lnl; Jh- eqthc ibk.k lnl; Jh- jk.kksth gacmsz lnl; ) ik=rk lferh 1 MkW- ost;ark ikvhy lapkyd] f'k{k.k'kkl= ladqy v/;{k MkW- ckohldj lj lfpo MkW- lqfurk ikvhy lnl; MkW- fxufxus,-ih- lnl; izk- Jh-egs'k tks'kh lnl; 6 MkW- dksvxhjs ewme lnl; izk- iz'kkar pogk.k lnl; 8 izk- vfhkthr ljukbzd lnl; 9 izk- 'kfezyk vkseizdk'k lnl; 10 Jh- fouk;d tk/ko lnl; 9) okgu O;oLFkk lferh 1 Jh- f=hkqou,e-,p- midqylfpo v/;{k Jh- gq kkjflax lkcgs lgk-dqylfpo lfpo

37 3 egeen 'kdhy lnl; Jh- O;daV ukxjxksts lnl; Jh- Mksaxjs,p-vkj- lnl; Jh- nsojko gacmsz lnl; Jh- izdk'k fprrs lnl; Jh- txfn'k fprrs lnl; Jh- ukjk;.k gacmsz lnl; Jh- jkek tksxnam lnl; Jh- rh#irh gacmsz lnl; ) Hkkstu O;oLFkk lferh 1 MkW- Mh- ch- ikuldj v/;{k MkW- fnid f'kans lfpo MkW- d`".kkekpk;zyq lnl; MkW-,e- ds- ikvhy lnl; 5 MkW-?ku%';ke ;sg.ks lnl; MkW-,l-,l- ikvksms lnl; MkW- Ogh-,e- ok?k lnl; MkW-,-ch-Hkkslys lnl; MkW-,-,l-dne lnl; izk- ok;- ih- yksyxs lnl; MkW- ih-,e- [kmds lnl; izk- uandqekj cks/kxhjs lnl; ) fuokl O;oLFkk lferh 1 MkW- vkj- Mh- fcjknkj v/;{k MkW- larqd gacmsz lfpo MkW- oh.kk ykrwjdj lnl; izk- rqiisdj jkts'k lnl; MkW- ;ksxhuh lkrkjdj lnl; MkW- eq/kksgdj ch-,l- lnl; izk- ch-ds-eksgu lnl; 8 izk- /kkams,u-lh- lnl;

38 9 izk- rsgjk vkj-ogh- lnl; Jh- m/no gacmsz lnl; ) eami o O;klihB lq'kksfhkdj.k lferh 1 MkW- [kehrdj,l- Mh- v/;{k MkW- Jhdkar va/kkjs lfpo MkW- lqjols lnl; 4 Jh- yks[kams,l-,u- lnl; 5 Jh- ijkx Hkkypanz lnl; 6 Jh- esdsokm,l- vkj- lnl; 7 Jh- QMsokj,p-,l- lnl; 8 Jh- iou okluhd lnl; 9 Jh- vkuan xogk.k lnl; 10 izk- iqtk dne lnl; 11 Jh- lanhi Vkd.k[kkj lnl; Jh- iokj Mh-,p- lnl; 13 Jh- larks k Qqykjh lnl; 13) /ouh{ksi.k $ fo qr iwjobk lferh 1 Jh- v#.k /kkdms v/;{k lks- T;ksrh cmxhjs lfpo Jh- tk/ko lat; lnl; Jh- larks"k isn~es o loz fo qr fohkkxkrhy dezpkjh lnl; ) Nk;kfp=] ndjko; fp=hdj.k] tulaidz o izfl/nh lferh 1 izkpk;z] MkW- >Vs vkj-ch- v/;{k Jh- v'kksd dne lfpo MkW-,e-ds-ikVhy lnl; 4 MkW- i`fohjkt rksj lnl; MkW- laxhrk ekdksus lnl; izk- vkj- Ogh- {khjlkxj lnl; 38

39 7 MkW- ih-fob~by lnl; izk- lfpu ujxays lnl; izk- vthr xkxjs lnl; MkW- ostukfk vueqyokm lnl; Jh- jkenkl lkagqds lnl; Jh- xksfoan gacmsz lnl; Jh- f'kok pkan.ks lnl; ) csbd O;oLFkk lferh 1 ek- Jh- rkukth gqllsdj v/;{k Jh- izhkkdj dkums lfpo Jh- ok?kekjs,p-,- lnl; Jh- cksjkgs vkj- ds- lnl; Jh- ts-ds- ckxms lnl; Jh- FksVs,l- Mh- lnl; Jh- izeksn ns keq[k lnl; Jh- Jhfuokl ika<js lnl; 9 lksnkxj,l- ch- lnl; Jh- dsykl gacmsz lnl; Jh- Hkxoku ns'keq[k lnl; Jh- is#dk,y-,u- lnl; Jh- ikapkg Ogh- ih- lnl; Jh- HkjkMh;k ih-,l- lnl; Jh- baxksys v#.k lnl; Jh- lq;zoa'kh ih-,e- lnl; Jh- nkljko gacmsz lnl; Jh- eksmos lnl; ) Li/kkZ la;kstu lferh 1 MkW- fnyhi Åds iz&dqyxq#] v/;{k 2 izk- x.ks'k f'kans lfpo MkW- fv-,-dne] dqylfpo lnl; MkW- vacknkl dne lnl;

40 5 MkW- vacknkl dkacgs lnl; MkW- Mh-ch-ikuldj lnl; MkW- nrrk?kqxs lnl; 8 MkW- jktsanz xksukjdj lnl; MkW- jkepanz ksgd lnl; 10 Jh- fodze iarxs lnl; ) 'kkshkk;k=k lferh 1 MkW- jkepanz 'ksgds v/;{k MkW- joh ljksns lfpo MkW- raxyokm Mh-,e- lnl; MkW- lqgkl ikbd lnl; Jh- dkgck guors lnl; Jh- f'kok pkan.ks lnl; Jh- fd'kksj gacmsz lnl; ) fudky lferh 1 izk- x.ks'k f'kans v/;{k MkW- vacknkl dkacgs lfpo MkW- ts-,u- lkgqads lnl; MkW- dksbkons ukf'kd lnl; MkW- vacknkl dne lnl; ) Le`rhfpUgs $ izek.ki= $ c{khl okvi lferh 1 izkpk;z MkW-ch-vkj->Vs v/;{k MkW-,- ch- Hkkslys lfpo 3 MkW-,p- ts- Hkkslys lnl; 4 MkW-,p-,l-QMsokj lnl; 5 MkW- eqykuhlj lnl; Jh- Hkqlkjs fo".kq lnl; Jh- vrqy dksevokj lnl;

41 8 Jh- Kkus'oj iq;m lnl; Jh- rqdkjke ckjls lnl; ) jkaxksgh] fni iztoyu lferh 1 flerk pkojs fo/kh vf/kdkjh v/;{k MkW- 'ksytk okmhdj lfpo izk- m kk lkaxgs lnl; lks- ljhrk ;Uukokj lnl; izk-,l- ;q- dne lnl; 6 MkW- ;ksxhuh lkrkjdj lnl; ) Le`rhfpUgs $ izek.ki=s [kjsnh o NikbZ lferh 1 MkW-,l- th- xv~vk.kh v/;{k Jh- gq kkjlhax lkcgs lfpo MkW- [ksjukj vkj-,l- lnl; MkW- pks/kjh th- Ogh lnl; izk- 'ksys'k ivosdj lnl; MkW- cqvys,l-vkj- lnl; izk- vkj-,l-equ lnl; izk- x.ks k f kans lnl; ) f'klr] lqj{kk] Lo;alsod vkf.k okgurg O;oLFkk 1 MkW- fladq dqekj lhax v/;{k MkW- jkts'k rqiisdj lfpo 3 MkW- mn; pogk.k lnl; 4 MkW- Jhdkar dqekj lnl; 5 izk- dsaxkys ch-mh- lnl; 6 Jh- Hkkslys lnl; 23) os fd; lgk:;rk lferh 1 MkW- iokj,l-,e- os dh; vf/kdkjh v/;{k

42 2 MkW- isdeokj lat; lq/kkdj lfpo 24) lrdkj & mn?kkvu o lekjksi 1 izk- x.ks'k f'kans v/;{k MkW- vacknkl dkacgs lfpo MkW- vacknkl dne lnl; MkW- ek-ek- tk/ko lnl; izk- fo'ok/kkj ns'keq[k lnl; ) Lejf.kdk lferh 1 MkW- ltszjko fuels] dqyxq# v/;{k 2 MkW- fnyhi Åds iz&dqyxq#] v/;{k 3 MkW- Vh-,-dne dqylfpo lfpo MkW- Ogh-,e- eksjs lapkyd]e-fo-fo-e lfpo MkW- olarhkkslys]ijh{kk fu;=ad lfpo MkW- ds'ko ns'keq[k lfpo izk- x.ks'k f'kans lfpo MkW- Hkxoku tk/ko lfpo MkW- fnyhi pogk.k lnl; MkW- uhuk xksxvs lnl; Jh- gq'kkjlhax lkcgs lnl; ) osgki=d lferh 1 izk- x.ks'k f'kans v/;{k MkW- vacknkl dkacgs lfpo MkW- vacknkl dne lnl; MkW- ek-ek- tk/ko lnl; Jh- v'kksd dne lnl; Jh- fo ok/kkj ns keq[k lnl;

43 27) rdzkj fuokj.k lferh 1 MkW- ltszjko fuels] dqyxq# v/;{k 2 MkW- fnyhi Åds iz&dqyxq#] lfpo 3 MkW- fv-,-dne dqylfpo lfpo MkW- Ogh-,e- eksjs ch-lh-;q-mh- lfpo izk-x.ks'k f'kans] lapkyd] fo kfkhz dy;k.k lfpo ) lqj{kk lferh 1 MkW- jkts'k xpps v/;{k MkW- no.ks ch-,l- lfpo 3 MkW- raxyokm Mh-,e- lnl; lks- dksvxhjs Ogh- Mh lnl; ) ladsrlfkg lferh 1 Jh- n kzudj vt; v/;{k Jh- tk/ko,l-,l- lfpo Jh- lafni Vkd.k[kkj lnl; ) lald`frd dk;zdze lferh 1 MkW- vacknkl dkacgs v/;{k MkW- vacknkl dne lfpo izk- jkeizlkn rksj lnl; 4 MkW- lqfuy O;ogkjs lnl; 43

44 izfr] ek-lapkyd loz d`"kh o vd`"kh fo kihbs] egkjk"vª jkt;- fo"k; %& ^banz/kuq";&2012* jkt;lrjh; ;qod egksrloke/;s ^yko.kh* Li/kkZ lq# dj.;kckcr- egksn;] ojhy fo"k;h vki.kkl dgfo.;kr ;srs dh]2 twu 2012 jksth jkthkou ;sfks >kysy;k lyykxkj lferhp;k csbdhr BjY;kizek.ks Lok-jk-rh-e-fo kihb] ukansm ;sfks laiuu gks.kk&;k 10 O;k ^banz/kuq";* ;qod egksrlokiklwu yko.kh gh Li/kkZ lq# dj.;kfo"k;h ppkz >kyh gksrh- R;k vuq"kaxkus yko.kh Li/ksZps fu;e o vvh r;kj dj.;kr ;soqu yko.kh Li/ksZpk banz/kuq";ke/;s vlysy;k brj dykizdkjkp;k xq.kkaoj dkagh Qjd im.kkj ukgh- brj loz dykizdkj t'kkl rls Bsowu,d vf/kdph Lora= Li/kkZ vk;ksthr dsyh tk.kkj vkgs- lozlkeku; fotsrsin o mifotsrsin ;klkbh yko.khps xq.k x`ghr /kjys tk.kkj ukghr- rkri;z] banz/kuq";pk iwozor pkyr vkysyk vkjk[kmk t'kkp;k rlk Bsowu,d osxgh Lora= Li/kkZ izk;ksfxd rrokoj yko.kh gh Li/kkZ lq# dj.;kph ijokuxh ek-egkefge jkt;iky egksn;kus fnyh vkgs- rjh vkiy;k fo kihbkpk yko.khpk la?k Li/ksZlkBh ikbfo.;kr ;kok gh fouarh- ;k lanhkkzrhy Li/ksZpk ifjp;] fu;e] vvh] xq.knku rdrk lkscr ikbfor vkgksr- /ku;okn! izk-x.ks'k f'kans lapkyd fo kfkhz dy;k.k fohkkx 44

45 ** ^banz/kuq";* jkt;lrjh; vkarj fo kihb ;qod egksrlo & 2012 ** jkt;lrjh; vkarj fo kihb ^banz/kuq";&2012* gk ;qod egksrlo ;ko"khz Lokeh jkekuan rhfkz ejkbokmk fo kihb] ukansm ;sfks fn- 5 rs 9 uksogsacj 2012 ;k nje;ku laiuu gksr vkgs- ;k ;qod egksrloke/;s yko.kh lq# djkoh dk? v'kk izdkjph ppkz jkthkou ;sfks fn-2 twu 2012 jksth laiuu >kysy;k csbdhe/;s >kyh- R;k vuq"kaxkus iqugk fn- 7 vkwxlv 2012 jksth eqacbz fo kihbke/;s egkjk"vªkrhy loz fo kihbkp;k lapkyd] fo kfkhz dy;k.k ;kaph MkW-izeksn ikczsdj ;kap;k v/;{krs[kkyh csbd >kyh vkf.k ;k csbdhe/;s ^banz/kuq";* e/;s yko.kh lq# djkoh vls loz lapkydkaps er iq<s vkys o rsfks vlsgh Bjys dh] ^banz/kuq";* gk ;qod egksrlo jkthkoukus ^if'pe fohkkxh; ;qod egksrlokph* iqozr;kjh Eg.kwu lq# dsyk xsyk vkgs- oslv >ksu e/;s yko.kh gk izdkj ukgh- R;keqGs yko.kh gh Li/kkZ vf/kdph Bsokoh o ;k yko.khyk Lora= cfglfk Bso.;kr ;kos- yko.kh gh Li/kkZ Lora= osxgh Li/kkZ jkghy yko.khps xq.k Lora= jkgkrhy- banz/kuq";ke/;s lozlk/kkj.k fotsrsin o mifotsrsin fuomhlkbh yko.kh ;k dykizdkjkp;k xq.kkapk lekos'k ulsy- i.k yko.khyk ;s.kkjs Li/kZd ek= banz/kuq";lkbh fuom dsysy;k la?kkisdhp vlrhy rs osxgs vl.kkj ukghr- yko.kh Li/ksZr xq.kkuqdzes vkysy;k fo kf;kzaph fuom if'pe fohkkxh; ;qod egksrloklkbh dj.ks iq<s Li/kkZ uly;keqgs ca/kudkjd vl.kkj ukgh- banz/kuq";p;k iqohzp;k vkjk[km;kyk /kddk u ikspork yko.kh gh Li/kkZ lq# djko;kph vkgs- ^yko.kh* gh egkjk"vªkph ikjaikfjd jatukred yksddyk@yksdu`r; izdkj vly;kus egkjk"vªkrp uogs Hkkjrkrp uogs rj ijns'kkrgh egkjk"vªkp;k ukokoj izfl/n vkgs- tlk iatkcpk ^HkkaxMk* xqtjkrpk ^xjck* caxkypk ^NkÅ* gs ikjaikfjd yksdu`r; vkivkiy;k izkarkps izfrfu/khro djrkr- rlsp egkjk"vªkph yko.kh gh izfrfu/khro djrs Eg.kwu gk dykizdkj lq# d#u ;k dysyk izksrlkgu n;kos vls okvrs- ts.ksd#u vlraxr gksr tk.kkú;k ikjaikfjd yksddyk izdkjkps 'kklukp;k 45

46 vkf.k fo kihbkp;k ikrghoj lkald`frd n`"v;k tru Ogkos gk ewg gsrw gh yko.kh lq# dj.;kekxs vkgs- ^yko.kh* gk egkjk"vªkpk vr;ar yksdfiz; yksddyk izdkj vlwu rks,d rek'kkpk?kvd vkgs- rks fu[kg jatuklkbh mn;kyk vkysyk vkgs- iqohz rek';krwu L=h;k dke djr ulk;p;k R;k,soth ukps iksjs ¼iq#"k½ gs L=h;kaph Hkwfedk obor vlr- rek'kk yksdjaxhkwehoj ukekafdr 'kkghj gs xk;dgh vlk;ps] ljnkj lksaxkmsgh vlk;ps R;kp cjkscj u`r;kph is'kd'kgh djk;ps Eg.kwu ikjaikfjdrk ti.;kpk jkt;'kklukpk o fo kihbkpk,d izkekf.kd iz;ru vly;keqgs fo kf;kze/;s ;k yksddyspk izpkj gks.ks xjtsps vkgs- yko.kh dyk izdkjkps fu;e o vvh ======================= 1½ yko.kh pk osg dehr deh ikp fefuvs o tklrhr tklr vkb fefuvkapk 2½ 3½ 4½ vlsy- lwpuk?kavk ¼okWjuhax csy½ lgko;k fefuvkyk gksbzy- yko.khr Li/kZd la[;k dehr deh,d tklrhr tklr lgk vlrhy- yko.khyk oknd lkfkhnkj la[;k rhu vlsy 5½ yko.khe/;s eqys&eqyh fdaok dsog eqyh fdaok dsog eqys lknfjdj.k d# 6½ 7½ 8½ 9½ 'kdrkr- yko.khe/;s v'yhy gkohkko ulkosr- yko.kh lknfjdj.kkp;k lq#okrhyk ok kaph tqxycanh eqtjk vis{khr vkgs- yko.kh lknfjdj.kke/;s os'khkq"kke/;s uåokjh lkmh] 'kd; vly;kl c/k.khph fdaok f'koysyh vlkoh- yko.kh L=h fdaok iq#"k dks.khgh xkå 'kdrkr- 10½ jsdkwmzoj yko.kh lknj djrk ;s.kkj ukgh- 11½ <ksydh] isvh] rq.krq.ks] [katsjh] dmh] VkG]?kqax#] ik;isvh] MQ] ckljh vknh ikjaikfjd Hkkjrh; ok kapk okij djrk ;sbzy- 46

47 12½ yko.kh Li/ksZP;k lknfjdj.kkdfjrk ik'pkr; ok kapk okij djrk ;s.kkj ukgh- 13½ yko.kh gh ejkbh Hkk"ksrp vlyh ikfgts- 14½ ijh{k.kklkbh xq.k fohkkxk.kh rdrk- 1½ os'khkq"kk 10 xq.k 2½ rky]y;]laxhr 10 xq.k 3½ inu;kl o gkohkko 10 xq.k 4½ lknjhdj.k 20 xq.k ===================,dq.k 50 xq.k 15½,dk fo kihbkyk,dp yko.kh lknj djrk ;sbzy- ojhyizek.ks fu;e o vvh yko.khp;k lanhkkzr vlrhy- Lokeh jkekuan rhfkz ejkbokmk fo kihbkr gks.kkú;k 10 O;k jkt;lrjh; ^banz/kuq";* ;qod egksrlokiklwu ek-egkefge jkt;iky egksn;kus izk;ksfxd rrokoj yko.kh lq# dj.;kl ijokuxh fnyh vkgs- yko.khps c{khl izfke] f}rh;] r`rh; vls Lora= ns.;kr ;srhy- yko.kh lknj dj.kkjs fo kfkhz banz/kuq";lkbh ikbfoysy;k la?kkisdhp vlrhy- ;klkbh osxgs ok<ho fo kfkhz?kså u;sr- rjh vkiy;k fo kihbkpk la?k ikbowu lgdk;z djkos gh fouarh- /ku;okn! izk-x.ks'k f'kans lapkyd fo kfkhz dy;k.k fohkkx 47

48 HOW TO REACH STAGE STAGE NO. 5 STAGE NO. 2 DINING HALL STAGE NO. 1 STAGE NO. 4 HALL NO. 311 MAIN STAGE NO. 3 BUILDING 48