Art 125 Slide List: Section IV (China, Southeast Asia, Japan, Korea)

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1 Art 125 Slide List: Section IV (China, Southeast Asia, Japan, Korea) For each exam know the CULTURE/STYLE (listed below in CAPS), ARTIST (if known, in bold, first or last name ), TITLE (italics), Medium (material), and city (FOR ARCHITECTURE ONLY). CHAPTER 7: LOOKING OUTWARD: THE SIX DYNASTIES AND SUI AND TAN DYNASTIES (Make sure you are able to analyze the distinct formal elements of each artist) 16. Colossal Attendants of the Buddha, Tang Dynasty, Fengxian Temple, Cave 19, Longmen Grottoes, Luoyang Henon province, , limestone, fig. 7-1 (see 7-24) 17. Gu Kaizhi (?), Admonitions of the Court Instructress to the Palace Ladies, Six Dynasties, , handscoll ink and color on silk, fig Colossal Shakyamuni and Smaller Buddha, Northern Wei Dynasty, , Yungang Grottoes, Daton, Shanxi Province, fig Western Pure Land, Northern Qi Dynasty, , Xiangtangshan Caves, Fenfen, Heibei province, fig Zhan Ziqian, Spring Outing or Traveling in Spring, Song Dynasty, handscroll, ink and color on silk, fig Yan Liben, The Thirteen Emperors, or Scroll of the Emperors, Tang Dynasty, handscroll, ink and color on silk, fig Zhou Fang, Palace Ladies Tuning the Lute, Tang, handscroll, ink and color on silk, fig Main Hall, Nanchan Temple, Wutaishan, Shanxi province, 782, Tang Dynasty, 782. Fig Ewer, Tang Dynasty, , earthenware with three color (sancai) glaze, fig CHAPTER 8: ART, CONQUEST, AND IDENTITY: THE FIVE DYNASTIES PERIOD AND THE SONG AND YUAN DYNASTIES. (Make sure you are able to analyze the distinct formal elements of each artist) 25. Gu Hongzhong, Night Revels of Han Xizai, Southern Song, , handscroll, ink and color on silk, fig Guo Xi, Early Spring, N. Song, 1071, ink on silk, fig Emperor Huizong, Five-Colored Parakeet on Blossoming Apricot Tree, Northern Song, 1110, handscroll, ink and color on silk, fig Ding Ware: Bowl with Carved Decoration of Lotus, Flowers, and Leaves, Song Dynasty, , porcelain with clear glaze and copper. Fig Ma Yuan, Viewing Plum Blossoms by Moonlight, S. Song, , fan mounted as an album leaf, ink and color on silk, fig

2 30. Zhou Jichang, The Rock Bridge at Mt. Tiantai, S. Song, 1178, hanging scroll, ink and color on silk, fig Anige, White Stupa, Buddhist, Miaoying Temple, Beijing, 1279, fig Wang Zhenpeng, Dragon Boat Festival, Yuan Dynasty, 1308, ink on silk, fig Qian Xuan, Wang Xizhi Watching Geese, Yuan Dynasty, 1295, ink and color on paper, fig Fan Kuan, Travelers among Mountains and Streams, N. Song, 1000, handing scroll, ink and color on silk, fig Wang Meng, Dwelling in Reclusion in the Qingbian Mountains, Yuan Dynasty, 1366, hanging scroll, ink on paper, fig CHAPTER 9: The City and th Market in Chinese Art: The Mind and Qing Dynasties 1. Hall of Supreme Harmony, Beijing, 1406/1697, Ming/Qing, fig. 9-2/3. 2. Arrow Vase with Persian Inscriptions and Floral Scrolls, Ming, , porcelain, fig Three String Vase, Qing, , porcelain with peach-bloom glaze, fig Dai Jin, The Hermit Xu You Resting by a Stream, Ming, ink and color on silk, fig Zhou Chen, Beggars and Street Characters (detail), Ming, 1516, ink and color on paper, fig Chen Hongshou, Lady Xuanwenjun Giving Instructions on the Classics, Ming, 1638, fig Shen Zhou, Poet on a Mountaintop, Ming, , ink and color on paper, fig Chen Chen, Hills and Streams After Rain, Ming, ink and color on paper, fig Dong Qichang, Qingbian Mountains, Ming, 1617, ink on paper, fig Chen Su, Flowers (detail), Qing, ink on paper, fig Lang Shining, Inauguration Portraits, Qing, 1736, ink and color on silk, fig Ren Xiong, Self Portrait, Qing, ink and color on paper, fig CHAPTER 10: THE PUSH FOR MODERNIZATION 1912 TO THE PRESENT 13. Chen Hengke, Viewing Paintings at an Exhibition, Early Republic, 1917, ink and color on paper, fig Hu Yichuan, To The Front!, Social Realism, 1932, woodblock print, fig Ding Cong, Images of Present Times, Social Realism, 1944, gouache on paper, fig Sun Zixi, In Front of Tiananmen, Social Realism, 1964, oil on canvas, fig

3 17. Shi Lu, Fighting in Northern Shaanxi, Social Realism, 1959, ink and color on paper, fig Let Philosophy Be Transformed into a Sharp Weapon in the Hands of the Masses, Social Realism, 1971, poster, fig Luo Zhongli, Father, Social Realism, 1980, oil on canvas, fig Fang Lijun, Series 2, No. 3, Postmodern, oil on canvas, fig Yu Youhan, A Pocket Western Art History about Mao, Postmodern, acrylic on canvas, fig Cai Guo-Qiang, Project to Extend the Great Wall by 10,000 Meters, Postmodern, 2/27/93, fig Ai Weiwei, Dropping a Han Dynasty Urn, Postmodern, 1995, fig Lin Tianmiao, Mother s!! No. 6 sitting, Postmodern, 2008, mixed media, fig CHAPTER 5: AT THE CROSSROADS: THE ARTS OF SOUTHEAST ASIA 1. Shwe Dragon Pagoda, Buddhist, Yongon, Burma, fig Ban Chiang Painted Pots, Thailand, ceramic, fig Ngoc Lu drum, Dong Son, Vietman, bronze, fig. 5-4ab 4. Pangolin, Sa Huynh Culture, 3 rd century cbe-2 nd ce, bronze, fig Ling-ling-o, Sa Huynh culture, Vietnam, 3000 b.c.e., jade, fig Torajan House, South Sulawesi, Indonesia, fig Yene (Ancestor Figure), South Moluccas, Indonesia, 19 th early 20 th century, wood, fig Hinggi (Man s Cloth), 1920, cotton, Indonesian, 1920, fig Avalokiteshvara, Buddhist, Cambodia, 7-8 th century, sandstone, fig Great Stupa, Borobudur, Java, Buddhist, 8-9 th century, fig Kung Uposadha Distributing Alms, Borobudor, Java, Buddhist, 8-9 th century, volcanic stone, fig Manjushri, Central Java, Buddhist, early 10 th century, silver fig Angkor Wat, Siem Reap province, Cambodia, Hindu, 12 th Century, fig (see details) 14. Walking Buddha, Sukhothai, Thailand, Buddhist, bronze, fig Wayang Puppet, Thailand, 1900, Hindu, buffalo hide, gold leaf, pigment, fig PART III: KOREA AND JAPAN

4 25. Crown, Silla, 5-6 th century, gold and jade, fig Comb-Patterned Vessel, Neolithic, 3000 b.c.e., earthenware, fig Stele of King Gwanggaeto of Goguryeo, Korean, granite, fig Dancing Scene, Goguryeo, wall painting, fig Bodhisattva Seated in Meditation, Silla, 6-7th Century, Bronze, fig Seated Buddha at Seokguram Cave Temple, Silla, granite, fig Ewer in shape of a bamboo shoot, Goryeo, , celadon, fig Maebyeong Bottle, Goryeo, 12th-13th century, celadon, fig Sungnymun, Joseon, Seoul, 1398, fig (see and 19). 34. Jar with Grapevine Decoration, Joseon, 17th century, porcelain, fig The Arhat Deokswei, Joseon, 1562, ink and color on silk, fig Yi Myeong-gi, Portrait of Oh Jaesun, Joseon, 1791, color on silk, fig Sin Yunbok, WOmen on Tano Day, 18th century, ink and color on paper, page Lady Sin Simdang, Mice Nibbling at a Watermelon, Joseon, 16th century, ink and color on silk, fig The Aftermath of Fighting in Seoul, Documentary Photography, 1950, fig Mansudae Studio, Kim Il-Sung, 1972, bronze, fig Han Jun-bin, We re the Happiest in the world, Social Realism, ink on paper, fig Park Seo-bo, Work No Abstract Expressionism, 1959, cement, hemp, oil on canvas, dig Paik Nam June, TV Buddha, 1974, Fluxus, fig Yun Suk Nam, The Kitchen, 1999, Postmodern, mixed media, fig Lee Bul, The Secret Sharer, 2011, Postmodern, mixed media (see textbook), fig Wedded Rocks, Futamigaura, Ise-Shima National Park, fig Main Hall, Inner Shrine, Ise-jingu, Mie Prefecture, 1 st century c.e. (last rebuilt 2013), fig Vessel, Middle Jomon, earthenware, b.c.e., fig (compare to Dogu (Clay Figurine), Middle Jomon, b.c.e., earthenware, fig Dotaku, Late Yayoi, 3 cenury b.c., bronze, fig Vessel, Late Yayoi, 1 st -3 rd century c.e., terracotta, fig

5 4. Tumulus of Emperor Nintoku, Kofun period, Sakai Osaka, Japan, 4 th century, fig Sueki vessel, Kofun period, 6 th century, pottery, fig Haniwa figure, Kofun period, 6 th century, terracotta, fig (see 12-19) 7. Horyu-ji, Asuka period, Nara Prefecture, Japan, 7 th century, fig (see and 25). 8. Tori Busshi (Master Craftsman Tori), Shaka triad, Asuka period, bronze, 623 b.c., fig Tamamushi Shrine, Asuka period, mid 7 th century, page 294. CHAPTER 13: EXTERNAL INFLUENCES AND INTERNAL EXPLORATIONS: THE NARA AND HEIAN PERIODS 10. Five-stringed Lute (Biwa), China Tang Dynasty, 8 th century, red sandalwood, fig Buddha Roshana, Nara Period, 8 th century, fig Juichimen Kannon (11 headed Avalokiteshvara), Late Nara/Heian period, 8-9 th century, painted wood, fig Shukongo-Jin, Nara Period 8 th century, clay with polychromy and gold leaf, fig Womb Mandala, Heian period, , color on silk, fig a. 15. Red Fudo and attendants, Fudo, Heian period, 9th century, colors on silk, fig Kondo (Main Hall), Muro-ji, Nara prefecture, Heian period, 9 th century, fig Phoenix Hall, Byodo-in, Uji, Kyoto prefecture, Heian Period, 1053, fig Amida Buddha, Phoenix Hall, Byodo-in Heian Period, 1053, gold leaf and lacquer on wood, fig Shinto Goddess, Heian Period, 9 th century, wood, fig CHAPTER 14: STRIFE AND SERENITY: KAMAKURA, MUROMACHI, AND MOMOYAMA PERIODS 20. Yoroi (suit of armor), Late Kamakura period, 14 th century, iron, fabric, leather, fig Unkei and Kaikei, Kongo Rikishi (Ungyo), Kamakura Period, 1203, painted wood, fig Fujiwara Takanobu, Minamoto no Yoritomo, Kamakura period, , ink and colors on silk, fig The Hell of Dissections, (from the Jigoku zoshi (Hell Scrolls), Kamakura period, 12 th century, handscroll ink and color on paper, fig

6 24. Kogaku Soko and Soami, Garden of the Daisen-in, Muromachi period, 16 th century, fig Great Amida Buddha (Daibutsu), Kamakura Period, Japan, 1253 (see powerpoint) 26. Himeji Castle, Hyogo prefecture, Momoyama period, 1581/1601-9, fig Kano Eitoku, Cypress Tree, Momoyama period, 1590, color, ink and gold leaf on paper, fig Noh Robe, Momoyama period, 16 th century, gold foil on purple plain weave silk, fig and Sen no Rikyu, Tea Room (Tai-an tea room of Myokian), Kyoto prefecture, Momoyama period, 1583, fig CHAPTER 15: FROM ISOLATION TO INTERNATIONALISM: EDO PERIOD TO THE PRESENT 30. Tawaraya Sotatsu, Waves at Matsushima, Edo Period, 17 th century, ink, miner, silver and goldleaf on paper, fig Ogata Korin, Red and White Plum Blossoms, Edo period, , color, silver and gold leaf on paper, fig Maruyama Okyo, Pine Trees in the Snow (detail), Edo Period, late 18 th century, ink and light colors on paper, fig Kitagawa Utamaro, Couple in Upstairs Room (Poem of the Pillow) Edo Period, 1788, fig Toshusai Sharaku, Otani Oniji II as Yakko Edobei in the Play the Two Colored Reins, Edo Period, 1794, woodblock print, fig Katsushika Hokusai, The Great Wave off Kanagawa (36 Views of Mount Fuji), color woodblock print, 1831, fig Shozo Shimamoto, Hurling Colors, Gutai Group, 1956, fig Morimura Yasumasa, A Requiem: Spinning a Thread, Postmodern, 2010, fig (see 15-33, 35). 38. Takashi Murakami, Tan Tan Bo Puking- A.K.A. Gero Tan, Postmodern, 2002, fig Yayoi Kusama, Infinity Mirrored Room Filled with the Brilliance of Life, Postmodern, 2012, fig

PART II CHINA. Chapter 6: Ritual and Elite Arts: The Neolithic Period to the First Empires

PART II CHINA. Chapter 6: Ritual and Elite Arts: The Neolithic Period to the First Empires Art 125 Short Answer Questions: SECTION #2 These questions will help you prepare for questions on the quiz and also in writing your essay for Section II. Answers to these questions can be found in textbook,