DEPARTMENT OF MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA

Size: px

Start display at page:

Download "DEPARTMENT OF MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA"

Claribel Long
6 years ago
Views:

1 DEPARTMENT OF MUSC & DANCE KURUKSHETRA UNERSTY KURUKSHETRA From: to (E-lesson Plan) Dated: Days Classes Paper Unit Topic of / (Revision) Monday MPA () Sec-B Raag Bhairav Raag Bhairav ntroduction Tunning-Steel Tarang, Kasth Tarang] Ghanta, Ghanti Raag Aabogi Kanra Methods of Tunning of your nstrument MPA () M.PHL. Opt. Raag Bhairav ntroduction Raag Bhairave (Revison) Raag Aabogi Kanra Raag Aabogi Kanra Raag Khamaj Raag Bhuqpal Todi Wednesday MPA () Raag Bhairav Revision Bharav Revision Raag Aabogi Kanra Raag Aabogi Kanra Raag Khamaj M.PHL. Raag Bhairav Revision Raag Bhairav - Revison Tunning-Jai Ghanta, Jhanj and Chimta Raag Aabogi Kanra Raag Bhatiyar M.PHL. Opt. Raag Bhairav Revision Raag Puriya Raag Aabogi Kanra Raag Aabogi Kanra Raag Bhupal Todi MPA ( Raag Bhairav - Revison Raag Bhairav ntroduction Dr. Sanjeev Sharma

2 Days Classes Paper Unit Topic of / Monday M.A.(P) M.A.(F) - Raag Nat Bhairav (Revision) - Music in Shiksha Granth (Revision) - Raag Bhimplasi-vilambit M.A.(P) M.A.(F) MPA- - Raag Nat Bhairav (Drut Khayal) - Raag Bhimplasi- with alap and Taan in ilambit Khayal Wednesday M.A.(P) MPA- M.A.(F) - Raag Nat Bhairav (Alap and Taan). Drut Khayal of Rag Nat Bhairav M.A.(P) - Raag Nat Bhairav- Practice M.A.(F) M.Phil. - Raag Bhimplasi- Salow Khayal with alap - Raag Shree Revision M.A.(P) M.A.(F) Revison of Nat Bhairav - Raag Bhimplasi Detailed Practice M.Phil. mportance of Resarch in Music M.A.(P) M.A.(F) M.Phil. - Music in Upanishad Granth mein Sangeet - Raag Bhimpalasi Practice - Preparation of Synopsis Prof. Shuchismita 2

3 Days Classes Paper Unit Topic of / Monday i. Project work (File Work) ii. Rag Darbari, Taan and Alap iii. Project work (File Work) i. Project work (File Work) ii. Project work (File Work) Wednesday i. Project work (File Work) ii. Project work (File Work) Theo- i. Music in Patanjali Treatise Theo- ii. Meaning and Definition of composition Prac. Prac. iii. iv. Rag Darbari, Revision Practice Theo- Prac. Theo- Prac. i. mportance of Recording place (Open & Studio ii. Rag Darbari, Taan and Alap iii. Music in Patanjali Treatise (Wrtten test) iv. Practice Theo- Prac. Theo- i. mportance of Recording place (Open & Studio ii. Practice iii. Musical oice Dr. Ashok Kumar Yaman 3

4 Days Classes Paper Unit Topic of / Monday M.PHL - Taals Daspran of Sangeet Rattnakar - Raag Nat Bihag Drut Gat - Raag Nat Bihag Drut Gat - Raag Rageshree Revision - Raag Rageshree Revision M.PHL M.PHL MA(p) -mportance of Taal and Laya - Raag Gujari Todi Revision Critical and Comparative Study of Ragas Shudh Sarang and Madhumad Sarang Wednesday M.PHL - Raag Shana Kanada Raza Khani and Masit Khani Gat - Raag Nat Bihag Drut Gat - Raag Nat Bihag Drut Gat - Raag Nat Bihag Drut Gat M.PHL - Raag Shana Kanada Theoretical Study of Raga Puriyadhanashree and Multani -Revision of Raga Bageshree - - Raag Nat Bihag Drut Gat - - Raag Nat Bihag Drut Gat M.PHL - Raag Shana Kanada Taan and Tode - Demonstrate Taas by hand Teen Taal and Rupak - Demonstrate Taas by hand Teen Taal and Rupak Critical and comparative study of Raag Shuddh Saran and Madhumadh Sarang Prof. Shakuntla Naagar 4

5 DAYS CLASSES PAPER UNT TOPCS MON & MPA PRACTCAL Raga rindavani Sarang Drut khayal Sathai Antra with Taans. TUE & MPA MPA PRACTCAL PRACTCAL SEC.A Raga Chandrakouns lambit Khayal Sathai Antra&Alaps. ntroduction of Raga Miyan Malhaar Dhrupad. & MPA PRACTCAL Raga Shuddha Sarang ilambit & Drut Khayal with Alaps & Taans. WED MPA PRACTCAL Raga Devgiri Bilawalsathai,Alaps & Antra. & MPA THUR MPA MPA MPA FR MPA MPA MPA MPA PRACTCAL THEORY PRACTCAL THEOREY PRACTCAL PRACTCAL PRACTCAL THEORY PRACTCAL SEC.A SEC.A 2 SEC.A SEC.A 2 Raga Shudh Kalyan Khayal Sathai Alaps & Antra with 2 Sargems. Taals Ektaal & Choutaal Raga Kamod Drut Khayal Sathai. General Study of Raga Nat Bihag. Raga Asawari ilambit Khayal Sathai,Alaps & Antra. Revision of Raga Kamod Sathai & Antra. Raga rindavani Sarang ilambit & Drut Khayal with Alaps & Taans. General Study of Raga Nat Bihag. Raga Suddha Sarang Tarana. SAT MPA MPA THEORY PRACTCAL SEC.B SEC.A Taal Dhamar. Revision of Raga Asawari ilambit Khayal Sathai,Alaps & Antra. DR. SUSHL KUMAR 5

6 Days Classes Paper Unit Topic of / Revision Monday M.PHL Sitar MPA() Sitar -ii b - Raag Bairagi Bhairav - Raag Chandrakauns Slow Gat - Raag Chandrakauns -Shruti Swar Relationship - Raag Chandrakauns Slow Gat - Raag Alhiya Bilawal Slow Gat - Raag Chandrakauns with Todas Wednesday M.PHL Sitar -- -ii -- - Raag Bairagi Bhairav - Raag Chandrakauns Slow Gat - Shruti Swar Relationship -Principle of Orchestration Accompaniment with dance MPA() Sitar -ii b - Raag Chandrakauns Slow Gat - Raag Alhiya Bilawal with Jhala - Raag Chandrakauns with Jhala M.PHL Sitar -- -ii b -- - Raag Bairagi Bhairav with Jhala - Raag Alhiya Bilawal with Jhala -Contribution to ndian Music of Matang and Sharang Dev - Raag Alhiya Bilawal with Jhala Accompaniment with dance Sitar Sitar Sitar -ii -Principle of Orchestration -Contribution to ndian Music of Matang and Sharang Dev - Raag Alhiya Bilawal with Jhala Dr. Lalit Kumar Kaushal 6

7 Days Classes Paper Unit Topic of / (Revison of All) Monday -a - Raag Shudh Kalyan -v B - Raag Dhun MPA() - Raag Miyan ki Todi MPA() - Raag rindavanisarang -a - Raag Shudh Kalyan -v b - Raag Dhun MPA() - Raag Bilaskhani Todi Jhala MPA() - Raag rindavanisarang MPA() Accompaniment with dance Wednesday -a - Raag Shudh Kalyan Todas -v b - Raag Bihag MPA() - Raag Miyan ki Todi MPA() - Raag rindavanisarang -v b - Raag Bihag with Todas MPA() - Raag rindavanisarang MPA() Prac. Sec-a - Raag Bihag MPA() -- Accompaniment with dance MPA () Sec.A - Raag Bihag with Todas Prac. -v b - Raag Bihag with Todas Pract. -a - Raag Miyan ki Todi MPA() Pract. - Raag Bilaskhani Todi MPA() Pract. Sec.A - Raag Bihag with Todas Dr. Saloni Kaushal 7

8 Days Class Paper Unit Topic of / Monday M.P.A M.P.A M.P.A MAHABHARTA Wednesday M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A HENRY AUGHAN" THE RETEAT F YOU ARE WRONG ADMTT JOHN DRYDEN SHADWELL MHAHBHARTA F YOU ARE WRONG ADMTT ALEXANDER POPE KNOW THEN THEYSELF BLOW BLOW THOU WNTER WND STREAMLNNG TRANSLATON FROM HND TO ENGLSH BLOW BLOW THOU WNTER WND STREAMLNNG TRANSLATON FROM HND TO ENGLSH BLOW BLOW THOU WNTER WND THE WESTERN NTELLECTUAL RUBBSH TRANSLATON FROM HND TO ENGLSH BLOW BLOW THOU WNTER WND THE WESTERN NTELLECTUAL RUBBSH ibha 8

9 Days Class Paper Unit Topic of / Monday M.P.A ehjkckbz M.P.A fnudj M.P.A y[ehpun Wednesday M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A M.P.A ehjkckbz fnudj y[ehpun fcgkjh fo kfuoklh fej lk/kqjke fcgkjh fo kfuokl fej lk/kqjke izlkn ve`rjk; czgekuun ljlorh izlkn ve`rjk; czgekuun ljlorh SUDHA MEHLA 9

10 Day Class Paper Topic Monday MPA st Raag Asavari Roopak Taal Practice MPA 4 th Nuendo Software Practice MPA 5 th MPA st Window Movie Maker Practice Raag Asavari Roopak Taal Practice MPA 4 th Nuendo Software Practice MPA 5 th Wednesday MPA st MPA 4 th MPA 5 th Window Movie Maker Practice Jeevani Pt. Ravi Shankar.. Revision Nuendo Software Practice Window Movie Maker Practice MA (Pre.) MPA 4 th Raag Pooriya Kalyan Slow gat Nuendo Software Practice Relationship of Singar and Microphone MPA 5 th MPA 4 th Window Movie Maker Practice Nuendo Software Practice MPA 5 th Window Movie Maker Practice MA (Pre.) MPA 4 th Raag Pooriya Kalyan Slow gat Nuendo Software Practice MPA 5 th Window Movie Maker Practice Relationship of Singar and Microphone Revision Dr. Purushotam Kumar 0

11 Day Class Paper Unit Topic Monday MA (p) MPA 4 th MPA 3 rd st Sec. C Raag Yaman Aalap and Drut gat with Toras Popularization music in society MPA 5 th MPA 2 nd P- 4 th Sec A Folk music of different states.revision Raag Kedar, Aalap and introduction MPA 5 th MPA 3 rd P- 4 th Sec A Folk music of different states.revision Raag Miyan Malhar Aalap and introduction st Raag Megh Malhar Aalap and Drut gat with Toras Wednesday MA (p) MPA 4 th MPA 4 th MPA 3 rd P- st 5 th Sec A Raag Yaman Aalap and Drut gat with Toras A historical knowledge of the Musical instruments Raag Miyan Malhar Aalap and introduction MPA st Sec A Raag Hameer Aalap and introduction MPA 5 th MPA 4 th P- 5 th Dhun Pahadi, aalap with Layakaries A historical knowledge of the Musical instruments MPA 2 nd Sec A Raag Kedar, Aalap and introduction MPA st Sec A Raag Hameer Aalap and introduction MPA 5 th MPA 2 nd Sec A Dhun Pahadi, aalap with Layakaries Raag Kedar, Aalap and introduction MPA st Sec B adkon ke gun dosh..revision st Raag Megh Malhar Aalap and Drut gat with Toras MPA 2 nd Sec B Swambhu Nad.. Revision Dr. Ashu Gautam (Asst. Prof. Sitar)

12 DAYS CLASS UNT SEC TOPC MON MPA v MPA M.A.(F) 4 SEC- A SEC - A PRACTCE OF SOLO 3 BEATS. TUKDE N JHAPTAAL. THEKA N EKTAAL TAAL WTH BHARA. TUE MPA MPA 4 SEC- A SEC- A PRACTCE OF TUKDA 3 BEATS. PRACTCE OF TAL KHAL N HAND WED MPA MPA MPA 4 SEC- A SEC- A PRACTCE OF TAL KHAL N HAND. LECTURE ABOUT LAYKAR PRACTCE OF PLAYNG THEKA OF JHOOMRA TAAL. THU MPA MPA MPA PRACT. PRACT. PRACTCE OF JHOOMRA TAAL N HAND. PRCTCE OF ACCOMPANMENT WTH OCAL..PRACTCE OF DRUT TEENTAAL. FR MPA MPA MPA MPA M.A.(F) THE. THE THE. PRACT NTRODUCTON OF FARRUKHABAAD GHARANA AND TS PLANG STYLE. A LECTURE ON DES TAAL SYSTEM. A LECTURE ON PARAN AND TS TYPE. PRACTCE OF LAHRA ON HARMONUM. PLAYNG OF THEKA N LAMBT ROOPAK TAAL. SAT MPA MPA MPA MPA PRACT THE. THE. PRACT TUKDA N EKTAAL. A LETURE ON DEFFRENT STYLE OF GHARANA. PRACTCE OF LAYKAR N WRGHTNG. PRCTCE OF DEFERENT GAT N TEENTAAL.. DR.GYAN SAGAR SNGH 2

13 Day Classes Paper Unit Topic Monda M.P.A- Revision of vilambit theka of jhumara taal. y M.P.A- B Revision of kayada in 9 Beats. M.P.A- B Comparison of Bhatkhande & paluskar taal system. Tuesd ay Wedn esday Thurs day M.P.A.- - Crop the recording. M.P.A- Sec B(c) Contribution of ustd Aafaq hussain khan in music. M.P.A- B Revision of Bant in in 9 beats. M.P.A- B Palta of kayda in Rupak taal. M.P.A- B(b) Development of north ndian taal system. M.P.A- - ntroduction of c.d. writer. M.P.A- B Rela in 9 beat. M.P.A- H Tukara in Ek taal revision. M.P.A- B(b) Gati bhed in karnatak taal system. M.P.A- - Use of head phones in listning. M.P.A- B Rivison of Uthan in 9 beats. M.P.A- (i) ilambit theka of EK taal in 24 beats M.P.A- B Revision of uthan in Teen taal. M.P.A- B Palta of kayada in rupak taal. Saturd ay M.P.A- b Palta of kayada in teental. M.A.Prev. Hobby class - Demonstration of Dadara taal. Dr. ivek kumar Jain 3

14 Days Classes Paper Unit Topic of / Monday M.P.A th M.P.Ath A A -Playing fard in teentaal. lecture Gat & its type. M.P.A A Playing uthan in teentaal. M.P.A th A Playing kayda in 7 beats Tal. Wednesday M.P.A. th A Lecture on marg taal paddhati. M.P.A. st A Playing tihai in teen tal. M.P.A. th B -Playing Tukra in teentaal. M.P.A. nd B playing kayda in ektaal. M.P.A. st A lecture on kayada pashkar. M.P.A. th C Playing kamali chakkardar in Teen Tal. M.P.A. nd A Playing Tukara in EK Taal. M.P.A. th D Playing Farmaishi paran in Teentaal. M.P.A. B Lecture on suddha & vikrit swar. M.P.A. st A Playing sooltal dogun,,tigun, chaugun. Dr. Seema Johri 4

15 Days Classes Paper Unit Topic of / Monday rd Practice of Raga Begeshwari Dhrupad Laykaries nd Practice of Raga Miyan ki Malhar Dhrupad Laykaries M.Phil Opt. Practice of Raga Sur Malhar nd 2 Revisition Of Talas rd Practice of Raga Begeshwari Dhrupad Laykaries rd Practice of Raga Miyan ki Malhar Dhrupad Laykaries Wednesday rd Practice of Raga Rageswari nd 2 Test of Talas th Practice of Raga Puria Dhanashri rd nd Practice of Raga Rageswari Revision of Topic Unit- M.Phil Opt. Practice of Raga Sur Malhar th 5

16 M.Phil th Opt. rd nd Practice of Raga Kafi Practice of Raga Puria Dhanashri & Megh Malhar Practice of Raga Bhatiar Practice of Raga Megh Malhar Revision of Topic Unit- Dr. Aarti Sheokand 6

17 Days Classes Paper Unit Topic of / Monday MPA(st) rd Sec. A(b) of Rag Allaiya Bilwal MPA( st ) rd Sec. A(b) of Rag Allaiya Bilwal MPA(4 th ) MPA(5 th ) nd st 5th 5th Teaching of Music in Sangeet idyalas A Study of Total Tilwara Wednesday MPA(st) rd Sec. A(b) Practice of Raga Kafi MPA(5 th ) nd 5th Knowledge of Harmony MPA(2 nd ) rd Sec.A(b) Practice of Raga Bhairav MPA(5th) st 5th A study of Taal Tivra MPA(2 nd ) rd Sec. A(b) Detail description of Rag Chhayanat MPA(4 th ) st Revision of comparative study MPA(5 th ) st 5th Revision of Taal MPA(2 nd ) rd Sec.A(b) Practice of Rag Chhayanat MPA(4 th ) st Theoretical study of Rag 7

18 Bhairav and Kafi MPA(5th) nd 5 th Revision of Taals Dr. Shalu Rani 8

19 Days Classes Paper Unit Topic/ Practice of (Bhavepaksh) All Syllabus (Cont.) A Chakkardar Paran A Simple Paran Monday A Shiv Paran D Relationship between performance & accompanying Artist A Chakkardar Toda E Taal Parichay of Dadra & Kehrwa A Practice of simple paran A Practice of Shiv Paran - Thumri in Abhinaya Paksh D Study of Folk Dance of ndia-bihu A Practice of Chakkardar Paran E Notation of the following-arh-3/2, Kuarh 5/4 Wednesday A Practice of Shiv Paran - Practice of Thumri in Abhinaya Paksha D Study of Garba Folk dance E ntroduction of Chautaal & Raas Taal. - Practice of Thumri in Abhinaya Paksha - Composition of Kathak Nriya in Teentaal D Relation between performance & accompanying artist. A Practice of Chakkardar Toda D Study of Bihu Folk Dance - Practice of Stage performance - Composition of Kathak Nritya in Teentaal D Selection and role of accompanying artist A Anaghat Tukda. D Study of Lavani Folk Dance. - Practice of stage performance. - Composition of Kathak Nritya. D Selection and role of accompanying artist A Practice of Chakkardar Toda D Study of Lavni Folk Dance Miss. Amarjeet Kaur 9

20 Day Classes Paper Unit Topic - Revision (Bhavepaksh) Monday M.P.A- A ShikharTaal (7 Matra) in Tatkar & Thaat Continuous M.P.A- - B Ektaal (2Matra) in Tatkar- Thaat Continuous. M.P.A- A ShikharTaal (7 Matra) Contnious... M.P.A- - B Ektaal (2Matra) Continuous. M.P.A- - B Jhaptaal in Tatkar & that Continuous. Wednesday M.P.A- - A ShikharTaal (7 Matra) in Tatkar, Thaat & Tihai Continuous. M.P.A- - B Ektaal (2 Matra) in Tatkar, Thaat & tihai. - A Total mpact of the Performance Continuous. M.P.A- - B Jhaptaal (0 Matra) in Tatkar & Thaat Continuous. M.P.A- - B Teentaal (6 Matra) in Tatkar & Thaat Continuous. M.P.A- - iva A ShikharTaal (7 Matra) in Tatkar, Thaat & Aamad Continuous. - A Role of Lord Shiva (Natraja) in Dance Continuous. M.P.A- - B Ektaal (2 Matra) in Tatkar- Thaat, Aamad & Tihai Continuous. - A(a) Total mpact of the Performance. M.P.A- - B Jhaptaal (0Matra) in Tatkar, Thaat & Tihai Continuous. M.P.A- - B Teentaal (6Matra) in Tatkar- (Thah, Dugun with Chaugan Layakaries) &Tihai. M.P.A- - A Ashtmangal ( Matra) in Tatkar- (Thah, DugunLayakaries) & Tihai. M.P.A- - Ektaal (2 Matra) in Tatkar, That & Aamad. - B Role of Lord Shiva (Natraja) in Dance Continuous. M.P.A- - A(a) Total mpact of the Performance Continuous.. M.P.A- - C(B) Survey and assential characteristics of BharatNatyam. M.P.A- - C Study of NayakBheda. M.P.A- - A Ashtmangal (Matra) in Tatkar- (Thah, Dugun withchauganlayakaries). M.P.A- - A TandavaNritya of natraajshiva Continuous. M.P.A- - Project Work- Composition of kathak Dance in Teentaal. Mr. Santosh Kumar 20

B.A. I. SEMESRER-II Paper-III Theory (Fundamental Study of Music) M.M hrs. Paper-IV Practical (Stage-Performance & Viva-Voce) M.M.

B.A. I. SEMESRER-II Paper-III Theory (Fundamental Study of Music) M.M hrs. Paper-IV Practical (Stage-Performance & Viva-Voce) M.M. B.A. I (INSTRUMENTAL IN MUSIC) SCHEME OF EXAMINATION SEMESTER-I Max. Marks Time Paper I Theory (Fundamental Study of Music) M.M. 30 3 hrs. Paper-II Practical(Stage-Performance & Viva-Voce) M.M. 60 SEMESRER-II