Maha Kumbabishekam(Consecration) Ceremony- 1 May 2015 Devotees-Guide

Transcription

1 SRI SELVA VINAYAKAR KOYIL (GANESHA TEMPLE) BRISBANE (South Maclean) Maha Kumbabishekam(Consecration) Ceremony- 1 May 2015 Devotees-Guide Temple Website: Sri Selva Vinayakar Koyil, , Mt Lindesay Highway, South Maclean, Queensland-4280, Australia, Phone:

2 SRI SELVA VINAYAKAR KOYIL (GANESHA TEMPLE) BRISBANE (South Maclean) Maha Kumbabishekam(Consecration) Ceremony-2015 Dear Devotees of Sri Selva Vinayakar, The Temple of Lord Ganesha is established in Brisbane the Capital City of the Sunshine State of Queensland in the continent of Australia after undergoing complete renovation inside out has grown bigger towers in all four directions. The Temple now looks and feels like heaven filled with devotion. The Temple is going to be reopened with the Consecration Ceremony. The ceremony involves rituals of Bathing of the Bowls on Top of the Temple Towers and re-establishing Deities and their consorts. This is happening on the auspicious day in the Hindu calendar year called Manmatha,which is on the 18 th day of the solar month of Aries, Chithirai or Mesha. And also is the 13 th day of waxing moon in the morning from 9.10am to am (the hour of Gemini or Mithuna Rasi). We, HASQ, request devotees be part of this great rare event and to get the blessings from Lord Ganesha. Temple Ritual Program The Programme Schedule - 1 May am o Performance of Section 8 of Yagna Poojai, Mahapoornahuthi or Completion Offering, Andhar Bali, Pahir Bali or Inner & Outer Sacrifices, Special Deepa Aradhanai, Vedha Parayanam, Thirumurai Parayanam, Travel Donations, Tooshika Poojai, Departure of Sanctified Bowls. 8.55am o Performance of Sthoobi Abhishekam, Promenading with the Sanctified Bowls. Before morning 9.40am o Performance of Ten Visions, Master Bathing Ceremony, Grand Bathing Ceremony, Special Poojai, Blessings, Remunerations 6:00pm o Performance of Weddings of the Lords in the new Spring Hall, Special Poojai, Lords Stroll around the Temple Temple Cultural & VIP Program 10:30am: o Violin Duet by Sri Amaresh Ravirajah & Kumari Amritha Murali 10:45am: o Bhartha Natyam by Smt Meena Ilankumaran of Nadanalaya Acadamy of Indian Clasical Dance(Melbourne) 11:30am: o VIP Program: The QLD Governor, State & Federal MPs, Councilors and other dignitaries. o Bharatha Natyam by the Students of The Nadananjali School of Dance (Brisbane) Choreography by Smt Chitra Yogi Srikantha 11:45am: o Bharatha Natyam by Students of The Eswaralaya Kalikoodam (Brisbane). Choreography by Smt Manga Surendran 2

3 Maha Kumbabishekam will be performed by our special Team of Priests : Chief Priest Establishment of Deities: Siva Sri Naguleswara Sri Gangathara Gurukkal supported by other Australian Priests. All Performances Conducted By: Vedagama Booshanam Sivagama Ratna Brham Sri Vishvanarayana Gurukkal (Colombo, Sri Lanka) All Deliverances By: Siva Sri Laskshmi Narayana Gurukkal (Neer Colombo, Sri Lanka) Chief Temple Architect: Visva Brahma Sri M. Senthil Sthapathi (Thirvenkadu) Strategist: Sri Vamanan Nambhoodhri (Kallaampalli, Kerala, India) Glory be to the graceful feet of Selva Vinayakar It is believed that there were six forms of worship in the religious culture of the ancient Tamils. This fact is reinforced by the reference Pathar s Apirami Anthathi to religions six. Of these religions, the fifth refers primarily to the worship of Vinayakar. Lord Ganesha has been glorified by devotees as the lord of wisdom. It is the Hindu tradition to commence any act with the worship of Vinayakar. All Tamil poetry commences with a forward to Vinayakar right from the time of Thirumular through to Avaiyar and Parathi. The lifestyle of Tamils is so entwined with Ganesha worship that it has spread all of the world and lives in the hearts of all Tamils wherever they live. Testimony to this fact is the Vinayakar temple building activity that is taking place in all these countries. In this respect, the Vinayakar temple built in the picturesque and naturally peaceful riverside setting of the city of Maclean in Logan takes pride of place. The structural beauty of this temple not only captures the sight and soul of all beholders but also has within it exquisite sculptures of Rama, Sita, the three Goddesses: Lakshmi, Saraswati and Durga as well as, Thirumal, Vegadavar, Sakarathalvar, Iyappan and more which all add an abundance of beauty and splendour. Built according to the rules of religious scriptures and architectural traditions of Tamil culture, the five tiered tower of this graceful temple stands majestically over the scenic beauty of the area. The entrance to the front tower is 16 feet high and is made of Burma teak. The steps of the main entrance bear the sculpture of ancient Simma Elephant connected in the shape of a lotus flower. The primary entrance to the tower is the east entrance. The north entrance is the gateway to Heaven and Thirumal; the south entrance is for Kailas and is built to accommodate the dancing activity of the poison tainted throat of Siva; the west entrance of Sakthi does not have a passageway. The prime room of this temple is constructed in black stone inscribed with cultural sculptures of the Chola period although the use of black for temple steps is a Pallava tradition. The holy abode of Selva Vinayakar has five steps whilst the abodes of other gods have only three. The cultural excellence embodied in the god s statues of temple is a constant source of wonder. The lotus shaped building housing the Navagrahas excels in design and beauty and brings to mind Barathi s immortal poem Vellai Thamarai Poovilirupal. The Navagraha dome contains the stone made signs of the twelve Rasis. Those responsible for the building of this temple have, in an effort to portray the sculptural greatness of the Tamils to Queenslanders, sculptured the many diverse religious legends on the surrounding outer wall of the temple. The following scenes engraved on the wall have the capacity to inflame the religious fervour of the viewers: Churching of the sea of milk Thasavathara figurines The six battle fields of Lord Murugan The wedding sculpture of Madurai Meenachi and Sundareswarar The wedding of lord Seenivasagar and Pathmavathy. The scene of Markandeya conquering death Kamathenu, the giver of anything wished Rameswaram and Distroying Ravanan Removal of the Pramma hathi Curse Hindu Saint Manicka vasagar Lord Natarajar Lord Thanvanthri Giving treatment to Lord Shiva Lord Shiva relax with Goddess Uma Devi. Through the above cultural means, the younger Tamil generation of Queensland has been given the opportunity to learn, understand and treasure the epic literary works of Tamils and their cultural heritage. There is absolutely no doubt that this temple, its structural excellence and cultural exhibits will inspire genuine devotion and endless joy in the hearts and souls of all Queensland Hindu devotees. All those who dedicated themselves to the physical effort and financial assistance of this project are worth of immense praise. Glory be to Selva Vinayakar 3

4 Temple Map 4

5 Legend 5

6 KUMBHABHISHEKAM - (THE CONSECRATION CEREMONY OF TEMPLE ) 1. Sanatana Dharma, popularly known as Hindu Religion gives us the liberty to worship the Supreme in many forms of which Prathima Upaasana and Praatika Upasana are widely prevalent. One should begin by seeking God at least in one object (Saligraama, Linga, Sculpture, SriChakra etc) through concentration, which is the rationale behind Prathima Upasana, concentration through the medium of consecrated idol or symbol. The other form of worship is the meditation through sound symbols, like OM. Both these forms are conveniently practiced in Temples, where one can feel the presence of God (Sannidhyam) that leads one s thoughts to greater heights in a spiritual atmosphere. The sunrays contain a lot of heat energy. If we keep a piece of cloth in the sun it does not catch fire. But, if we place a lens and focus the sunrays on the piece of cloth, after sometime it will catch fire. Similarly, in order to get the grace of omnipresent Lord, we have to build temples where we can focus the power of the Lord in a consecrated idol. The process of the consecration is called Praana Pratishta. The devotee or the learned Priest, on behalf of the devotee, performs Aatma pooja first, that is, he meditates on his inn inner Self encased in his body. By appropriate mantras he first purifies his body including his life forces (praanas) and his sense organs. The vital airs and the organs of perception and activity animating in him as the microcosm of the universe, which is the macrocosm, are transferred by gestures to the accompaniment of mantras on to the idol or the image, wherein the manifestation of the supreme (ishta devathas) is devoutly invoked. The following prayer is uttered before the Praana Pratishta : Svaatma-samstham ajam suddham twaa-madhya Parameswara Aranyaa-miva havyaasam moortau aavaahayaam-yaham Oh Lord of the world, you are unborn and pure; Thou art in my heart; I invoke you in my concentration even as fire in arani wood comes out by friction. The Aagama texts deals with the manner of conducting the kumbhabhishekam ceremony ( pouring the consecrated waters on the deity and the temple Gopurams (steeples)) at the end of Praana Prathista periodically which consists of a group of rituals beginning with the selection of site up to and including the installation of the deity. The process of homogenizing, synergising and uniting the mystique powers of the idol (vigraha) of the Lord constitutes Kumbhaabhishekam. Kumbha means head and denotes Shikara or crown of the temple. On the appointed day and at the auspicious time fixed thereto, the Kumbha is bathed with the charged sanctified 6 holy waters in the sanctified pots and by a mystique process the life forces (Praanic powers) trickle down a silver wire and enter the Deity installed in the sanctum sanctorum of the temple. Kumbhabhishekam consists of a number of rituals that may extend from one to nine days. Navaaham sowkhyadam proktam saptaaham devikam param, Panchaaham saantikam proktam, trayaaham tu sivapriyam; Ekaaham rogasaantyartam tasmat sampoojaye Sivam Nine days of ceremony will bring in well being; seven days will please Devi (Goddess); Five days will bring peace. Three days will please the Lord Siva. One day will cure you of all diseases, so it is said and therefore worship accordingly. 2. The word aagama generally refers to Vedas. However, the descriptive literature under the heading Aagama is a discipline describing various forms of worship, esoteric rituals for installation of the deity, rules of building temples, role of priests etc. Aagama is called so because it has come from the five faced Lord Shiva, understood by Goddess Parvathi and acceptable to Lord Vishnu. Aagatam Panchavakrathu gatancha Girijaanana Matancha Vaasudevasya tasmaad-aagamamuchyathe Aagamas are divided into three categories- Saiva, Vaishnava and Sakta. Saiva temples(siva worshippers) use the Saiva aagamaas to perform this consecration and Vaishnava temples (Vishnu worshippers) use the Vaishnava aagamaas. Devi (Goddess) worshippers use the Sakta aagamas in Devi temples to invoke the image or symbol in the female form. The Pratishta ritual begins with Karshana, ploughing done when the temple site is selected, followed by Vaastupooja * and finally Kumbhabhishekam. After the consecration, the image in the sanctum is no more looked upon as a stone image. Now it is the Lord Himself worshipped in all His powers and Glory. The Aagama shastras, ordain performance of a punar-uddhaarana kumbhabhishekam of every temple once in twelve years. Sometimes, major repair works have to be carried out to the temple at this time, then it is called Jeernoddhaarana Kumbhabhishekam. This ritual is required to be performed to all the deities, in the garbhagrahas of all temples in a temple complex. Through the medium of an elaborate chain of Yaagas and Yagnas (fire sacrifices) the full potencey of infused powers (Sannidhyam) is restored to the idols at the appropriate muhurtam (time) on an auspicious day. Through the redress of genuine difficulties and grievances of the discerning and deserving devotees, the inherent and infused spiritual

7 powers of the installed idols are diminished over a period of time. It is also possible that through unintended deficiencies (apacharaas) while conducting of poojas, prayers, aaraadhanaas etc., to the installed deities in the sanctum sanctorum, by either, in the absolute merits and physical purity of the performing priests or in the improper pronunciation and recital of the prescribed number of mantras or a host of other related factors, the installed idol s omnipotence (sannidhya) gets progressively diminished and demand rejuvenation or restoration. This is the purpose with which Kumbhabhishekam is done periodically. The Kumbhabhishekam ceremony consists of the erection of Balaalayam, japas, chants of Vedas, sanctifying Kalasaas (pots of water), Homas and Yagnas. The finale is the pouring of the sanctified water from the kalasas over the stupis (steeple) on the top of the central Vimaana or the sanctum sanctorum, the gopurams and the main and other deities, by the priests. 3. BALAAALAYAM: During the Jeernoddhaarana (renovation period), the divine presence of the Murtis (idols) must be transferred to the holy waters contained in the Kalaasas. Pooja is done to these Kalaasaas and Ustava deities (bronze idols taken out in processions). The kalasaas remain in a miniature structure known as Balaalayam. Baala means mini and aalaya means temple or structure in Sanskrit. During this time the devotees will not be able to see or do poojas to the stone sculpted moola vigrahas (idols). The scheduled poojas will be done only to Utsava moortis. The divine presence of the Lord will remain here until it is transferred back to the Moola vigrahas. Scheduled Poojas to Moola vigrahas will start only on the Mahaa Kumbhaabhishekam day. According to Kaaran-aagama, for this transfer to happen, depending on the time required for the renovation (Jeernodharana), kalasaas with water may be provided for a month long duration, a sword for two months, photo of a deity for six months period, or a wooden carved figure for a year in the Balaalayam. Eka maasancha kumbhancha, dwou maasou khadgamevacha, Shaan maasaaha pratimaachaiva, samvatsaram daaru bimbancha, Baalaalaye pratishtitaha Usually the kalasa of water is widely installed as the renovation is done expeditiously. During the Jeernoddharana (restoration and renovation) time, important temple repair work is carried out around the pedestals of the idols that are installed. During this process, natural glue specially prepared consisting of eight ingredients called Ashtabandhana is used to cement the idol firmly to the pedestal. Priests perform a special pooja called the Ashtabandhana pooja prior to the construction work in the shrine around the vigrahas. Experienced Shilpis (temple sculptors) participate in this and are graced with 7 temple honors. An Aacharya who is sufficiently experienced in conducting such spiritual rituals is identified and the temple management requests him to conduct the kumbhabhishekam. Recitation of the Vedas inside the temple premises is an important prerequisite for this ceremony. A Yagnasala is built by the side of the main temple. Apart from the pedestal for the main kalasa at the center of the yagna shala, five homa kundas are generally prepared for the main deity, besides individual homa kundas for the other deities. These five homakundas are intended for the five forms of fire- Sabhya, Aahavaniya, Anvaharya, Garhapatya and Avasathya. The main kunda is sanctified by the performance of the various homas. Along with the Kumbhabhishekam done to the main deity, the same is being repeated to the other deities of the temple simultaneously. Vimaana (steeple), Dwjasthamba (flag post) and Balipeetha (sacrificial pedestal) abhishekams are also done at the same time. After this ceremony is over, the priests come around, sprinkling this holy water over all the devotees present. This is considered very auspicious and is called Prokshanam. 4. Homas, ordained in the Aagama sastras, to be performed during this time, are performed with due ritualistic care and attention. Poornahuti and Mahaa Deepa-aaradhana are performed at the end of the proceedings. At the conclusion of the ceremony the power secured by the performance of the various Homas are transferred to the main homakunda. Thereafter, rituals follow to transfer the divine power accumulated in the main homakunda to the main kalasa installed at the center of the Yaagasala. The sacred fire of the Homakunda is extinguished thereafter. Elaborate poojas are conducted to kalasaas to energize the same with all the power. The highlight of this process is bathing of the Vimaana (steeple) and all the deities from the water of the kalasaas, by the priests. The Aacharyas are the center of attraction with their prominent turbans. Mahadeepa Aradhana to the sanctified deities after the kumbhabhishekam, and performing Shodashopachara (sixteen steps) Pooja is a memorable sight. Theertha, prasada distribution and Annadhaana (free food distribution) bring down the curtain to the grand ritual of great significance. Traditionally, the Kumbhabhishekam ceremony is followed by special poojas for the benefit of society and mankind as a whole. Accordingly, on the evening of this ceremony Kalyana utsavams (marriage ceremonies) are performed followed by taking the deities in a procession. According to the Aagama sastras that guide temple rituals Mandala Abhishekam must be performed for over a month (normally 45 days) after the completion of the Mahaa-Samprokshanam or Maha Kumbhabhishekam. The Mandala pooja enhances the

8 divine presence in the consecrated (recharged) archana and moola (main) vigrahaas. Kumbhabhishekam ceremony has everlasting effect on the society as a whole, besides on devotees. Aagama sastras mention, Sarvaroga nivrityartham, sarva yaaga phalapradam Sarva sampathkaram nreenam putrapoutrabhi vardhanam, It is conducted with the sole purpose of eradicating all illness, obtaining good benefits from various Yagaas, deriving rich benefits for the well being and for the healthy propagation of the progeny. The kumbhabhishekam brings all-round prosperity not only to any particular group or devotees but also to the society as a whole. As we all know Sanatana Dharma postulates Vasudheka kutumbakam the whole world is one family and Eko vipraha Bahuda vadanti, wise men call the ONE (Supreme) by many names and forms. (By Dr Somash from modernhinduculture.com) 8