DOWN FROM ABOVE. A Drama in Two Acts. by Jeff Richards. Performance Rights

Transcription

1 DOWN FROM ABOVE A Drama in Two Acts by Jeff Richards Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Encore Performance Publishing, LLC. Call the publisher for additional scripts and further licensing information. The author s name must appear on all programs and advertising with the notice: Produced by special arrangement with Encore Performance Publishing. PUBLISHED BY ENCORE PERFORMANCE PUBLISHING encoreplay.com 1994 by Jeff Richards Download your complete script from Eldridge Publishing

2 - 2 - STORY OF THE PLAY Several people come back from Heaven to tell others about their lives on Earth, and the changes they experienced through God s love and grace. The stories tell of the spirit of forgiveness and salvation that the Lord offers all of us. As Penny says, Remember, there s a celebration at the end of the road. And it goes on forever. About 70 minutes. ORIGINAL PRODUCTION was originally presented in November of 1992 by the Performing Artists of Chapel Hill with the following cast: PASTOR: Paul Twedt EMILY: Allison Tigard JOHNNY: Herb Davenport TOMMY: Nadine Thompson FIGURE: Bill McMonnies MARTHA: Marlene Fullerton SARAH: Kimberly Schertzer PENNY: Lois McMonnies THELMA: Susan Nordman CRYSTAL: Heidi Calhoun SOLDIER: Jack Newton BOBBY: Ty Newton

3 - 3 - CAST OF CHARACTERS (5 m, 6 w, 1 flexible) PASTOR JACK: A man in his later years. EMILY PATTERSON: A girl in her early teens. JOHNNY HOLIDAY: A middle-aged man. TOMMY DONLEY: A nightclub comic. THE FIGURE: A man or woman of any age. MARTHA: A middle-aged woman. SARAH GLEESON: A handicapped girl in her teens. PENNY THURSTON: A refined, middle-aged woman. THELMA: A woman of any age. CRYSTAL WATERS: A woman in her mid-twenties. SOLDIER: A man in his forties. BOBBY: A young man. He is unseen.

4 - 4 - SETTING A single interior. The setting should represent a secret meeting place such as a warehouse, factory, or abandoned building. The set should be simple, stark, and realistic. Furniture should be limited to a simple table and five chairs, stools, or boxes. NOTES ON PRODUCTION It is important that the actors and director approach the characters with as much realism as possible. They should be real people and nothing less. Any attempt at stylization will lessen the impact of the play. These people should not be ghosts, spirits, or any sort of other-worldly beings. We should be able to see as much of ourselves in them as the actors are capable of portraying. The setting, while not specific in location, should be realistic as well. Flames, smoke, or any sort of special effect would only lessen the impact of the here and now.

5 - 5 - ACT I (The stage is in darkness. A PASTOR can be seen standing in the darkness. A LIGHT comes up center, but he is not in it.) PASTOR: Over here. I m over here. (The LIGHT stays center. HE starts to move into it. Just as he reaches it, the LIGHT goes out and comes back up where he just had been.) Very Funny. Very funny. (Peering into the darkness.) Who s running this show? VOICE: You are, sir. PASTOR: No. No. I mean yes, you re right. I said I was running this show, but who is runnin these fancy gizmos up here? (Pointing to the lights.) VOICE: You mean the instruments, sir? PASTOR: Instruments? What in the blue moon is an instrument? VOICE: The lights, sir. The stage lights. PASTOR: Yes, son. The stage lights. VOICE: I am, sir. I m running them. PASTOR: (Out to audience.) What s that saying? A mind is a terrible thing to waste? (To Voice.) I know that you are running them, son. I just thought that I might find out what you name is? VOICE: Oh sure. Sorry, sir! I didn t understand... I thought... Bobby, sir. It s Bobby. (Pause.) I m not in trouble, am I, sir? PASTOR: No trouble, Bobby. I just like to know a person s name. That s the beginning of a relationship. Know what I mean, Bobby? BOBBY: Yes, sir. (Long pause.) PASTOR: (To audience.) He s thinking about it. I can smell the brain cells churning away. BOBBY: Uh... what... what s your name, sir?

6 - 6 - PASTOR: (To audience.) Ahh! The predictability of youth! (To Bobby.) In a minute, son! I ve got a whole fancy introduction worked out here, OK? BOBBY: Yes, sir! PASTOR: You just keep those instruments planted right on this old kisser, OK, Bobby? BOBBY: Yes, sir! PASTOR: (To audience.) Good kid. (Pause.) Well, at last we meet. Good evening. My name s Jack. As you can see, I used to be a pastor. Pastor Jack. I know. Has kind of a funny ring to it, doesn t it? Pastor Jack! Sounds like I should ve been hosting a kiddy show or maybe sailing a pirate ship. (In his best pirate voice.) Arghh maties! It s I, Captain Jack! Keelhaul that scurvy sea dog and bring the young damsel to me! I always appreciated a pretty damsel! (Pause.) But, I m getting sidetracked. That happens a lot down here, I forgot. (Pause.) I need to set the stage, so to speak. Now, some of what I m about to tell you may sound strange... even unbelievable to some... but no matter. I m here, you are all out there, and I hope and pray that we have a meeting of the minds. In fact, why don t we do just that. Pray, I mean. Best way to start off anything. Now those of you who may not know of the Lord just yet, don t get all squirmy and sweaty in your seats. You came for a show and we ll give you one. There s nothin mystical or mysterious about prayer. In fact, it s the most natural thing I know. All right, here we go... oh, don t worry... I was a Presbyterian pastor, so I ll keep it short. Dear Lord: I pray that what I and the others say here tonight will be what You want, when You want, and how You want. Work through us so that these folks listenin will be touched by Your Spirit and Your love. In Jesus name we pray. Amen. All right! Now you ve probably been wonderin why I ve used all these past tense words when referrin to myself. The answer is simple: I m dead. (Pause.) Yep. You heard me right. In fact, every person you will see up here tonight is dead. I kind of hate to use that word, cause it s not really accurate. But you can understand best if I put it this way.

7 - 7 - PASTOR: (Continued.) You see, we are all dead to the Earth. Our lives are over here. We are still very much alive, but not down here with you. In fact, some of us even had some pretty dramatic endings down here. (Pause.) Now, we re not ghosts. That s a whole nother thing that I don t even want to get into. No, we are people who have been given a very special privilege and responsibility. We have been allowed to revisit the Earth and talk to you for this evening only. We are going to relay our stories to you. We have a pretty stiff price to pay for the ability to do this, but I ll explain that in a little bit. The important thing is that we tell our stories. Some are quite colorful. Some are downright funny and a few are... well, they re not so funny. (Pause.) Now it is important for you to understand that these people did this of their own free will. You see, we make choices and decisions just like you do. Our hope is that through us, you might see a little of yourself. (Pause.) Now then, you need to understand the price we paid to do this, because it will affect the way we feel and the things you hear tonight. Number one: not to boast, but we have come from a place beyond your comprehension. It is a place of incredible beauty, peace, excitement, joy, love, friendship, compassion,... uhmm... color... light... (Pause.) well. (Laughs to himself.) Well, I guess that s the point, isn t it? You see, I can t describe it. There are no words that even come close. I mean, there are words that can give a sort of Earthly equivalent, but that s like... well, well, imagine trying to describe sunrise on a beach in summertime by shining a flashlight on a tub full of bathwater. Anyway, there are some things that might be somewhat describable, and it s those very things that we are forbidden to describe. You ll see it when you see it, and not before. Same as we did. (Pause.) We can t describe the Lord, either. Big no-no. You see, we are with Him. All the time. But we are absolutely forbidden to try and explain what that is like. So... while the price you pay for hearing our stories is the inability to find out about where we live and the company we keep, the price we pay is a bit more painful.

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