Romantic Poets. British Literature. Name:

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1 1 Romantic Poets British Literature Name:

2 2 The Romantics Introductory Reading from England in Literature - 3 Robert Burns Brief Biography - 7 A Red, Red Rose -8 Auld Lang Syne -8 William Blake Brief Biography - 9 The Lamb and The Tiger - 10 The First is from Songs of Innocence, the second from Songs of Experience A New Jerusalem -12 William Wordsworth Brief Biography - 13 The World is Too Much With Us -14 Nuns Fret Not -15 Samuel Taylor Coleridge Brief Biography -16 Kubla Khan The Knight s Tomb - 19 George Gordon, Lord Byron Brief Biography - 20 She Walks in Beauty -21 Don Juan, Cantos 1 thru 7-22 Percy Bysshe Shelley Brief Biography -24 Ozymandias - 25 The Indian Serenade -26 John Keats Brief Biography -27 Ode on a Grecian Urn Honors- 28 La Belle Dame Sans Merci 29 Bright Star - 30 All page numbers listed above.

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15 15 Sonnet NUNS fret not at their convent's narrow room; And hermits are contented with their cells; And students with their pensive citadels; Maids at the wheel, the weaver at his loom, Sit blithe and happy; bees that soar for bloom, High as the highest Peak of Furness-fells, Will murmur by the hour in foxglove bells: In truth the prison, unto which we doom Ourselves, no prison is: and hence for me, In sundry moods, 'twas pastime to be bound 10 Within the Sonnet's scanty plot of ground; Pleased if some Souls (for such there needs must be) Who have felt the weight of too much liberty, Should find brief solace there, as I have found. William Wordsworth 1803

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19 19 The Knight's Tomb BY SAMUEL TAYLOR COLERIDGE Where is the grave of Sir Arthur O'Kellyn? Where may the grave of that good man be? By the side of a spring, on the breast of Helvellyn, Under the twigs of a young birch tree! The oak that in summer was sweet to hear, And rustled its leaves in the fall of the year, And whistled and roared in the winter alone, Is gone, and the birch in its stead is grown. The Knight's bones are dust, And his good sword rust; His soul is with the saints, I trust.

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22 22 Don Juan By Lord Byron Cantos I-VII I I want a hero: an uncommon want, When every year and month sends forth a new one, Till, after cloying the gazettes with cant, The age discovers he is not the true one; Of such as these I should not care to vaunt, I'll therefore take our ancient friend Don Juan We all have seen him, in the pantomime, Sent to the devil somewhat ere his time. II Vernon, the butcher Cumberland, Wolfe, Hawke, Prince Ferdinand, Granby, Burgoyne, Keppel, Howe, Evil and good, have had their tithe of talk, And fill'd their sign posts then, like Wellesley now; Each in their turn like Banquo's monarchs stalk, Followers of fame, "nine farrow" of that sow: France, too, had Buonaparté and Dumourier Recorded in the Moniteur and Courier. III Barnave, Brissot, Condorcet, Mirabeau, Petion, Clootz, Danton, Marat, La Fayette, Were French, and famous people, as we know: And there were others, scarce forgotten yet, Joubert, Hoche, Marceau, Lannes, Desaix, Moreau, With many of the military set, Exceedingly remarkable at times, But not at all adapted to my rhymes. IV Nelson was once Britannia's god of war, And still should be so, but the tide is turn'd; There's no more to be said of Trafalgar, 'T is with our hero quietly inurn'd; Because the army's grown more popular, At which the naval people are concern'd; Besides, the prince is all for the land-service, Forgetting Duncan, Nelson, Howe, and Jervis.

23 23 V Brave men were living before Agamemnon And since, exceeding valorous and sage, A good deal like him too, though quite the same none; But then they shone not on the poet's page, And so have been forgotten: I condemn none, But can't find any in the present age Fit for my poem (that is, for my new one); So, as I said, I'll take my friend Don Juan. VI Most epic poets plunge "in medias res" (Horace makes this the heroic turnpike road), And then your hero tells, whene'er you please, What went before by way of episode, While seated after dinner at his ease, Beside his mistress in some soft abode, Palace, or garden, paradise, or cavern, Which serves the happy couple for a tavern. VII That is the usual method, but not mine My way is to begin with the beginning; The regularity of my design Forbids all wandering as the worst of sinning, And therefore I shall open with a line (Although it cost me half an hour in spinning) Narrating somewhat of Don Juan's father, And also of his mother, if you'd rather.

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26 26 THE INDIAN SERENADE by: Percy Bysshe Shelly ( ) ARISE from dreams of thee In the first sweet sleep of night, When the winds are breathing low, And the stars are shining bright. I arise from dreams of thee, And a spirit in my feet Hath led me -- who knows how? To thy chamber window, Sweet! The wandering airs they faint On the dark, the silent stream-- And the Champak's odours [pine] Like sweet thoughts in a dream; The nightingale's complaint, It dies upon her heart, As I must on thine, O belovèd as thou art! O lift me from the grass! I die! I faint! I fail! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas! My heart beats loud and fast: O press it to thine own again, Where it will break at last!

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28 28 Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunt about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter: therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold lover, never, never canst thou kiss, Though winning near the goal - yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. ODE ON A GRECIAN URN As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," - that is all Ye know on earth, and all ye need to know. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought

La Belle Dame Sans Merci by John Keats Oh what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing.

29 La Belle Dame Sans Merci by John Keats Oh what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. Oh what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel's granary is full, And the harvest's done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried - 'La Belle Dame sans Merci Hath thee in thrall!' I saw their starved lips in the gloam, With horrid warning gaped wide, And I awoke and found me here, On the cold hill's side. And this is why I sojourn here Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing. I met a lady in the meads, Full beautiful - a faery's child, Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan. I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery's song. She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said - 'I love thee true'. She took me to her elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. And there she lulled me asleep And there I dreamed - Ah! woe betide! - The latest dream I ever dreamt On the cold hill side.

30 Bright star! would I were steadfast as thou art Not in lone splendour hung aloft the night, And watching, with eternal lids apart, Like Nature s patient sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth s human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors No yet still steadfast, still unchangeable, Pillow d upon my fair love s ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever or else swoon to death. 30

On a Grecian Urn (Annals of the Fine Arts MDCCCXIX) appeared January 1920 Signed with a cross. (Annals)

On a Grecian Urn (Annals of the Fine Arts MDCCCXIX) appeared January 1920 Signed with a cross. (Annals) 2 nd publication, 1820 in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) Ode on a