The performer as shaman: an auto ethnographic performance as research project
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1 The performer as shaman: an auto ethnographic performance as research project A Research Report submitted towards a MAAD by Course Work and Research Report Name: Jacob J. Sakaria Student number: Date: 21st September 2015 University of Witwatersrand Wits School of the Arts Supervisor: Mwenya Kabwe Co Supervisor: Warren Nebe
2 Plagiarism declaration: 1. I know that plagiarism is wrong. Plagiarism is to use another s work and to pretend that it is one s own. 2. I have used the author date convention for citation and referencing. Each significant contribution to and quotation in this essay from the work or works of other people has been acknowledged through citation and reference. 3. This essay is my own work. 4. I have not allowed and will not allow anyone to copy my work with the intention of passing it off as his or her own work. 5. I have done the word processing and formatting of this assignment myself. I understand that the correct formatting is part of the mark for this assignment and that it is therefore wrong for another person to do it for me. Signature Date
3 Acknowledgements Special thanks to my supervisor Mwenya Kabwe for the advice, encouragement and support during my journey. I appreciate the space and time you gave me to experiment and take ownership of my process. Thank you for your patience and trusting me to deepen my thinking. You have inspired me. To my co supervisor Warren Nebe, thank you for your guidance and faith in me and my work. You have played a significant role in my journey of self discovery and personal growth. Thanks to everyone at Drama for Life for their endless support. It has been a huge honour to be part of this dynamic and remarkable team. Thanks to Rosa Namises, the Namibia Eagle Traditional Healers Association (NETHA), Ousie Paulina Hangara and Sibali Kgobetsi. Thanks to Ben Bell, Esmerelda Cloete, Nonkululeko Kesolofetse Zandamela, Zabalaza Mchunu, Onthatile Matshidiso, Nthabiseng Malaka, Ernest Kondjara, Ungwang Boiteto, Tulonga Wahengo, Fellemon Ndongo for their conceptual and technical assistance in my creative process. Thanks to Evans Mathibe and Vilho Nuumbala for capturing beautiful moments from performances. my Finally, I would like to thank my parents, siblings and family at large for believing in my passion and investing in it. I dedicate this project to you.
4 I imagine a world where race, ethnicity, class, gender and sexual orientation intersect; a world where language and performance empower, and humans can become who they wish to be, free of prejudice, repression and discrimination. Those who write culture using reflexive interviews are learning to use language in a way that brings people together. The goal is to create critically empowering texts which demonstrate a strong fondness... for freedom and an affectionate concern for the lives of people (Joyce, 1987: 344). These texts do more than move audiences to tears. They criticize the world the way it is, and offer suggestions about how it could be diff erent (Denzin, 2001:24)
5 Contents CHAPTER1: INTRODUCTION Traditional healing background Performative writing Methodology: From performance as ethnography to performance as auto ethnography Data collection...9 CHAPTER 2: Making theatre as an act of shamanism CHAPTER 3: Transforming space/becoming relational to space/in healing space Site related theatre Theatre Making process Transforming through ritual CHAPTER 4: Performing Eenganga 4.1 The act of 'becoming' and 'being present' Telling the stories/revelations of shamans Embodying the shaman as storyteller Embodying two spirited realms/gender and sex fluidity CONCLUSION...26 APPENDIX BIBLIOGRAPHY...42
CHAPTER 1: Introduction
CHAPTER 1: Introduction My calling is to be a performer of things. I work on it everyday. Being aware of my calling and nurturing can be complex and difficult. Like other shamans, I also have to negotiate
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere
Kabi Thulo th...day of...december
DECLARATION I declare that this report is my own unaided work. It is being submitted in partial fulfilment of the degree of Master of Arts in Dramatic Art to the University of the Witwatersrand, Johannesburg.
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere
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