Historical Context and the Life of the Playwright. By Dylan, Klarissa, Michael & Shamaya

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Historical Context and the Life of the Playwright By Dylan, Klarissa, Michael & Shamaya

France in 1944 The Nazis invaded northern France in 1940. By 1944 they controlled the entire country. The French people fled south when the Nazis broke through their military defense line. People were scared and unhappy with Nazi occupation to say the least. The land was ravaged in the wake of the Nazis. The dead lay everywhere and anything that was grown went right to the occupying military and government. By 1944 the French were fed up and a large underground resistance was formed. It was in this environment that No Exit was published. Soon after, the Normandy beaches were taken by the Allies, quickly followed by the liberation of the rest of France.

Social Effects of Nazi Occupation The Vichy France regime ruled in coalition with the Nazis, who resided militarily in Northern France Petain, Leader of the Vichy, took note from the Nazis in removing any undesirables, leading to heavily French interactions in the Holocaust, internment camps and even eugenics German presence was essentially everywhere in urban societies and affected the laws and administrations of France significantly The Germans respected French culture and economy (some saw it as like a vacation) The French were rather flustered at the German foreigners, yet a large amount of the population supported Nazi occupation Many French people felt by 1944 that Nazi occupation was a severe hindrance and oppressor of their culture, individual rights and freedoms, diversity, feeling trapped and watched all the time (Gestapo/Secret Police), inability to have power over your own life and others, etc. Cinema and stage prospered as people used them primarily as means of escapism A strong French resistance formed, composed of young men who fled to the hillside to escape the German influence in the cities. Many of these men were socialists/communists They often travelled around as fugitives, fighting back against the Nazis and even receiving aid from Great Britain. This eventually led to a large scale civil battle and heavily influenced the Invasion of Normandy (which happened only a month after No Exit was premiered)

Literary Criticism 1. Clave James, an author of numerous books of criticisms, says: Sartre is a devil s advocate to be despised more than the devil, because the advocate was smarter. What do you think he means by this? Do you agree with James s opinion on Sartre? Why or why not? 2. Michel Rybalka, one of the authors of Writings Of Jean Paul Sartre, states: Sartre is arguably the best known philosopher of the 20th century. What evidence can you provide to support Rybalka s statement? If you disagree, what evidence can prove your argument? 3. Simon Critchley is the editor of How am I to read How to Read, which says Sartre s idea of the theatre as a way to show human beings that they are capable of changing the world. Keeping this in mind, how might No Exit have been received when it was published? What does this mean to you as readers of the play, now that you have more context? What might Sartre want people to do differently after examining his characters?

Discussion Questions 1. Jean Paul Sartre won a Nobel Prize for Literature, but refused to accept his award. Why do you think Sartre did not accept his award? And in what ways can it connect to existentialist ideas? 2. If No Exit was published today, do you believe people's reactions to it would be different? Would the play have as much meaning as it did being published in 1944? Why does the year of publication have an impact? 3. What was Sartre s purpose in contradicting some existentialist ideas in No Exit? Do you believe that this helped emphasizes the importance of existentialist ideas or did it only stray away from it?