THE SHEPHERDS WHO GATHER

Similar documents
TIME FOR CHRISTMAS. By Rachel Cloer Lukhard. Performance Rights

THE MISPLACED CHRISTMAS

The Jesus Stocking. by Kathleen Conner Combass. Performance Rights

Miracle at Christmas Camp

A FATHER S VOICE. By Dorothy Dunham and Kyle Dunham. Performance Rights

THE SPIRITS OF CHRISTMAS

Abiding in the Fields

ANOTHER Christmas Eve

The Road to Bethlehem

THE MESSIAH INQUEST. By Carol Shively and Jim Ineson. Performance Rights

WHY CHRISTMAS? By Elinor Brown. Performance Rights

HEAVEN HELP US. By Tambra Kay Petrie. Performance Rights

STRANGERS AT THE INN

THE HISTORY of the World

A Perfect Tree. By Tim Snyder. Performance Rights

THE NIGHT BEN FILBERT WAS TOUCHED BY AN ANGEL

He Sent Us an Angel. By Beverly S. Carter. Performance Rights

HOLLY S CHRISTMAS DETOUR

WHY CHRISTMAS? By Elinor Brown. Performance Rights

Between Death and Life

Hiriam, The Innkeeper!

The Twelve Plays of Christmas

HIS GENTLE TOUCH. By David Dunlap. Performance Rights

WHO IS THIS MAN? By David Dunlap. Performance Rights

Through the Eyes of Faith

BETHLEHEM BOUND. by Margery Peterson. Performance Rights

MR. SCROOGE AND THE SPIRITS OF CHRISTMAS FIRST

I Am Angel. By Alaska Reece Vance. Performance Rights

THE DIVIDING TREE. A Play in Two Acts. by Mark D. Ogle. Performance Rights

The Three Strangers. Adapted by Burton Bumgarner. from the short story by Thomas Hardy. Performance Rights

A Slight Change of Plan

Hey! That's My Donkey

Before Abraham Was, I Am

A SHOWER FOR BABY JESUS

A Children s Christmas Musical

Martin and Malcolm: How Long Must We Wait?

CHRIST, the LIGHT of the WORLD

Psalmba. A Musical Story of David. Book, Music and Lyrics by Jeff Combe. Performance Rights

THE CHRISTMAS PLAY. By Craig Howard. Performance Rights

GUILTY AS CHARGED. By Tambra Petrie. Performance Rights

THINK THANKS. By Dolores Steger. Performance Rights

THE HOPE CRADLE. A Christmas Play. By Melanie R. Sita. Performance Rights

Return to Christmas. by Stephen J. Martin. Performance Rights

Good Will Two Men. By Brian Shoop. Performance Rights

The Desert. A One-Act Play. By Ed Young. Performance Rights

Twelve Angry Teachers

THE CURSE AND THE CROWN

SCROOGE HAS LEFT THE BUILDING

A LIFE LENT TO THE LORD

Monologues that Minister

Barabbas. By Hilary Mackelden. Performance Rights

Upon This Night. By Terri Dill. Performance Rights

BLESS THIS BREAD. An Audience-Participation Play. by Craig Sodaro. Performance Rights

Fire in the Bones. By Thomas F. Rogers. Performance Rights

JUST AN OBSERVER. By Kaye Loughridge. Performance Rights

In Search of the Holy Grill

Today You Will Be With Me in Paradise

THE CAPRICIOUS PEARLS

THE NIGHT THAT STARTED IT ALL

Wise Men. The Two-Man Play about Three Wise Men. By Joey Martineck. Performance Rights

Noah s Rainbow. A Play for Young Audiences. By Thomas J. Gardiner. Performance Rights

The Revenge of Ichabod Crane

PRAYER OF THE PATRIOT

DOWN FROM ABOVE. A Drama in Two Acts. by Jeff Richards. Performance Rights

A Comfort Falls Christmas

A CHRISTMAS CAROL.COM

Dateline: Jerusalem DATELINE: JERUSALEM. By Michelle Van Loon. Performance Rights

THE TWENTY-FIVE CENT MINISTRY

LITTLE WOMEN. Dramatized by L. Don Swartz. From the novel by Louisa May Alcott PERFORMANCE RIGHTS

MONOLOGUES that Minister

THE WORD: SOMETHING TO CHEW ON

TWO GENTLEMEN OF VERONA

EXTRA! EXTRA! Book, Music, and Lyrics by STEVE COOPER

ST. FRANCIS AND THE ANGEL

The Blind Spot. A Play in One Act. By Steven Stack. Performance Rights

CAKES GALORE! A Comedy by Laurie Allen. Performance Rights

THE STAR CHILD. adapted by Burton Bumgarner. from the story by Oscar Wilde. Performance Rights

Christmas With a Twist

SCROOGED UP! A Holiday Comedy in One Act. by Dan Roberts. Performance Rights

If We Had Only Known

In Light of Everything

ANGEL IN THE PARK. By Maxine Minson. Performance Rights

A POTPOURRI OF CHRISTIAN DRAMA FOR EASY MINISTRY

NO TRUMPETS BLOWING STORY OF THREE SHEPHERDS. By Alberta Hawse. Performance Rights

THE GRIFFIN AND THE MlNOR CANON

MELCHIOR S JOURNEY. by Susan A. J. Lyttek. Performance Rights

HAIL to CHIEF. By Craig Sodaro

IN A WEEK S TIME. by Marilyn D. Bacon

Before Juliet. A Study of Love. By Nelly E. Cuellar-Garcia. Performance Rights

You Want What? Penny Petersen

ASHES FOR REMEMBRANCE

Ghost of a Christmas Chance

The Stolen Sword. By Neal Barth by Neal Barth ALL RIGHTS RESERVED Duplication Prohibited

Hiding Christmas. The Original Stageplay. Cleveland O. McLeish

A Birthday in Bethlehem

The Homecoming? By Courtney Walsh

HARK THE ANGEL SANG OFF KEY. by Ann W. Yeager

ADVENT ANGELS. by William Dohle

NORMALCY By Bobby Keniston

NORMALCY A TEN MINUTE MONOLOGUE. By Bobby Keniston

Transcription:

THE SHEPHERDS WHO GATHER By Mark Anderson Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for additional scripts and further licensing information. The author's name must appear on all programs and advertising with the notice: "Produced by special arrangement with Eldridge Publishing Co. PUBLISHED BY Eldridge Publishing Company PO Box 14367 Tallahassee, FL 32317 95church.com 1994 by Eldridge Publishing Company Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=431

- 2 - Dedication I would like to dedicate this play to my family, Reverend and Mrs. R. J. Anderson, Kitty, Jane, Tim, Joann, and Sandy. Thanks for your love and support. Most of all, thank you, God, my heavenly father, for the talent you have so richly blessed me with. Mark Anderson, playwright STORY OF THE PLAY The Shepherds are a family in name only. Tyler, a minister who s lost sight of his calling, and Dylan, a cynical news reporter who rejects all religion, are stepbrothers who cannot get along even when their parents and wives try to get them to work out their differences. Needless to say, fireworks are set when Dylan is assigned to cover the Christmas cantata at Tyler s church, where a well-known (but self-centered) gospel singer is going to appear. When every detail has to be perfect, everything that can go wrong does. But thanks to the help of a stranger named Mary, more than one soul is saved this Christmas Eve. Like the first Christmas, when Jesus birth brought the shepherds of the field together, God brings these Shepherds together, too. Members of the original cast and crew: Kevin Lambert, Tony Roberts, Judy McPeake, Mona Lambert, Judy Henderson, Joshua Compton, Jeff Russell, Rich Compton, Genia Manicure, Paula Compton, Barbara Parker, Pam Compton, and Sandra Roark.

- 3 - CAST OF CHARACTERS (5 m, 6 w, 1 child) DYLAN SHEPHERD: A reporter. Very cynical and bitter towards his family and Christianity. Has let his ambition blind him. Father of Shayne. Mid 20s. TYLER SHEPHERD: A preacher who s lost sight of his calling. Only interested in his church membership growing... no matter what! Wants to be well known. Late 20s. BLAKE SHEPHERD: Father of Dylan. Adopted Tyler when he married Judith. A Christian concerned over his sons attitudes toward each other. Late 40s. JUDITH SHEPHERD: Mother of Tyler who s tried to be a mother to Dylan. She wants the family differences straightened out. A Christian lady. Mid 40s. CLAIRE SHEPHERD: Tyler s wife, a Christian. Tries to be understanding of her demanding husband. Wants a nice, peaceful Christmas at home. Mid 20s. CHELSEA SHEPHERD: Dylan s wife. A new convert, tries desperately to get Dylan interested in God. Mother of Shayne. Late 20s. SHAYNE SHEPHERD: Dylan and Chelsea s son. (Or daughter with name/pronoun changes) Wants Daddy home for Christmas. Age anywhere from 5-10. RACHEL ALEXANDER: Gospel star, very self-centered. Demands the star treatment wherever she goes. Belittles anyone who doesn t agree with her. AMANDA ADAMS: Her assistant. A patient Christian who is concerned about Rachel. Mid 20s. KYLE GRANT: Dylan s camera man. A quiet Christian who never admits his Christianity to Dylan. Mid 20s. LUKE WILLIAMS: Maintenance man at church. A softspoken Christian who is strong in his beliefs. Early 30s. MARY: A saintly stranger brought in from the snow storm. Shows everyone at church what Christmas is all about. A very caring person. Late 40s.

- 4 - SYNOPSIS SCENE 1: Christmas Eve, late afternoon. SCENE 2: Later that evening. SCENE 3: Later that night. PLAYING TIME: 50 minutes. SETTING In the sanctuary of Tyler s church, with a Nativity scene and piano at one side. COSTUMES Modern dress. Everyone wears nice church clothes and coats except Dylan who wears blue jeans and boots and Mary who wears simple clothes and has no coat. PROPS Briefcase; camera equipment; costumes to carry; handkerchief; manger and star.

- 5 - SCENE 1 (AT RISE: LUKE and CLAIRE are in the sanctuary straightening up). LUKE: OK? So now you want the lights put up over the manger, right? CLAIRE: Yes, we need to give it the glowing effect of stars. LUKE: Stars? Where are they? CLAIRE: Oh, you mean you haven t found the big star or the little ones yet? LUKE: No. I ve looked with the other decorations CLAIRE: (Interrupts.) Go check the storage room, Luke. Look behind the Christmas tree box. LUKE: OK, I ll go see if I can find them. (Exits.) TYLER: (Enters checking watch.) Well, it s after four, where is he? He knows Rachel will be here shortly for our Christmas cantata tonight. I can t believe him. He is going to try to ruin this for me. CLAIRE: Calm down, honey. Dylan will be here. I mean you requested him to cover the cantata tonight. And his producer, Steve, said he would schedule him to cover Rachel s concert tonight. TYLER: Yes, but I only requested him at Mom and Dad s insistence. CLAIRE: Now look, Tyler, it s Christmas. Leave it alone. You and Dylan can fight the other 364 days of the year. But you are taking Christmas off. TYLER: We ll see. Where are the costumes? CLAIRE: Chelsea will be bringing them. She had to go pick them up for me. It saves me a trip back home. TYLER: Well, we only have two hours to get things fixed up before people start coming in. CLAIRE: Yes dear, I know. (Pauses, looks around.) I m going to the airport. Rachel s plane lands at 5:15. Is there anything I need to do before I come back?

- 6 - TYLER: No. Just get Rachel back here as soon as possible. I don t want anything to go wrong, and see to it that she doesn t stop and sign autographs. I don t want her to get stopped by some over-zealous fan. I know how crowded the airport gets during the holidays. CLAIRE: Now dear, she s a popular Christian recording artist. She s had national television coverage. I just can t throw her in the car and take off. TYLER: (Sternly.) Well. Just do it! I can t do everything, you know! CLAIRE: (Wearily.) Oh, all right! I ll be back shortly! (SHE exits.) TYLER: Now to get those lights working. Luke? Luke? Where is he? We need those lights fixed up now! I feel a headache coming on. (HE exits.) (DYLAN and KYLE enter with a briefcase and camera equipment.) DYLAN: I am not looking forward to this, Kyle. I can t believe Steve. There were other reporters who could have done this interview. I have my street talk segment to work on. This is definitely not a hot story. Rachel Alexander... Gospel Star! I can see it now! Somebody else should have covered this! KYLE: Perhaps. But why not let our star reporter cover a star? (Ironically.) I mean, I can see Chris or Lane trying to cover Rachel Alexander, the prima donna of gospel music. DYLAN: Well, you ve got a point there. But why would Steve send us here? He knows I don t like any topic that deals with religion. Especially here at this church with my family! KYLE: All I know is that Tyler requested that you cover the event. DYLAN: Oh, he did huh? I wonder what that snake has up his sleeve now? KYLE: He s a preacher! DYLAN: Same difference in my book. KYLE: Dylan... he s your brother!

- 7 - DYLAN: Shhhh! Not so loud. Someone may hear you! Please, Kyle, this is supposed to be a happy holiday. Don t spoil it for me. KYLE: This feud is going to destroy both of you. What happened between you two? DYLAN: To answer that as politely as I can, that s ancient history and it s none of your business. KYLE: You ve been on edge for the last month. What s eating at you? DYLAN: Would you give it a rest? I don t want to talk about it with you or anybody else. KYLE: Sorry! OK, let s talk business. Where do you want to conduct the interview? DYLAN: Let s see. During the concert get most of the stage, and I will interview Rachel after everyone goes back for refreshments. KYLE: Sounds good to me. I ll go get the rest of the equipment. (Exits.) DYLAN: (Looks around.) So this is what Tyler s church looks like (JUDITH and BLAKE enter. DYLAN has his back to them.) JUDITH: Well, you made it! (DYLAN jumps and yells.) Sorry, I didn t mean to startle you. BLAKE: Hello, son! Isn t this going to be an exciting event tonight? DYLAN: (Sarcastically.) Oh yeah, Dad! I ve looked forward to this all year! I m very excited. I just can t wait! JUDITH: Don t be cynical, Dylan. It s Christmas. (DYLAN shrugs.) Have you seen Tyler? DYLAN: No. So far so good. JUDITH: Dylan, really! DYLAN: I d rather be somewhere else you know. BLAKE: (Irritably.) And no doubt covering a murder or robbery or something. (DYLAN stares at BLAKE.)

End of Freeview Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=431 Eldridge Publishing, a leading drama play publisher since 1906, offers more than a thousand full-length plays, one-act plays, melodramas, holiday plays, religious plays, children's theatre plays and musicals of all kinds. For more than a hundred years, our family-owned business has had the privilege of publishing some of the finest playwrights, allowing their work to come alive on stages worldwide. We look forward to being a part of your next theatrical production. Eldridge Publishing... for the start of your theatre experience!