GUJARAT UNIVERSITY. INDIAN CULTURE-INDOLOGY M.A. SEMESTER-3 Studies in Indian Epigraphy-1 INCL- 501

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Studies in Indian Epigraphy-1 INCL- 501 UNIT -1 1. Epigraphy definition Indian Epigraphy 2. Beginning of Epigraphy in India 3. Epigraphy as a source of History 4. History of the decipherment of ancient Indian scripts 1. Antiquity of the art of writing in India 2. The salient features of Indus valley script 3. The origin of the Brahmi script 4. The characteristics and origin of the Kharosthi script 1. Evolution of scripts from Brahmi to Nagari 2. The alphabets of the Maurya, the Ksatrupa 3. The Gupta and the Maitraka Period 4. Materials for engraving 1. Numerical systems 2. Languages of the inscriptions Prakrit and Sanakrit languages 3. Dravidian languages 4. Neo Indo-Aryan languages INCL-501 Books recommended 1. Sirar, D.C. : Indian Epigraphy (Delhi, 1965) 2. 3. Pandey, B.C. : Indian Paleography, Part I (Banaras, 1952) 4. Chhabra, B.C. : Diplomatic of Copper Plate Grants (New Delhi, 1961) 5. Sircar, D.C. : Selected Inscriptions (Culcutta, 1942) 6. 7. 8. 9. 10.

Studies in Indian Numismeties-1 INCL- 502 1. Currency system and is earliest traces 2. Coins as a source of History 3. The antiquity of coinage in India 4. Denominations, methodology and weight standards 1. The different methods and technique of manufacturing coins 2. Punch-marked coins 3. Coins of Janapadas and gana-rajyas 4. Coins of the Indo- Greeks 1. Coins the Scytho-Parthians 2. Coins of the Western Ksatrapas 3. Coins of the Kushanas 4. Coins of the Satavahanas 1. Coins of the Gupta Sovereigns 2. Main types of the coins of Samudragupta 3. Main types of the coins of Chandragupta II,- Kumaragupta I 4. Main types of the coins of Skandagupta INCL-502 Books recommended 1. Brown, C. J. : Coins of India 2. 3. Altekar, A. S. : The Coinags of the Imperial Guptas 4. Taylor, G. P. : The Coins of Ahmedabad 5. Taylor, G. P. : The Coins of Gujarat Sultanate 6. Hodiwala : Historical Study in Mughal Namismatics 7. Chakraborthy, S. K. : A study of Ancient Indian Numismaties 8. Bhandarkar, D. R. : Lectures on Ancient Indian Numismaties 9. Elliot, Sir Walter : Coins of Southern India 10. Sircar, D. C. : Studies in Indian Coins 11. Gupta, P. L. Coins Ahmedabad 12. 13. Hodiwala : History and matereolagy of Mughal Coins 14. Cunnigham : Coins of Ancient India

Studies in Indian Iconography-1 INCL- 503 1. Art and Beauty in Indian sculpture 2. Iconography as a source of Cultural History 3. Literary sources for the study of Indian Iconography Puranas, Agamas, Tantras, Shipashastra works etc 4. Archaeological sources epigraphical and sculptural 1. Sources for the study of Indian Iconography 2. The concept and development of image and image-worship in India 3. The antiquity of image worship in India 4. Material for making image 1. Classification of the images 2. Mudras (Poses of hand) Asanas (sitting postures) 3. Weapons and implements 4. Costumes, ornaments, talamana and vahanas 1. Linga worship and Iconographic features of Shiva-Linga 2. Images of pacific forms of Shiva 3. Images of terrific forms of Shiva 4. Nat raja INCL-503 Books recommended 1. Agrawal, V. S. : Indian Arts, Volume I 2. Agrawal, V. S. : Studies in Indian Art 3. Agrawal, V. S. : 4. Rao Gopinath : Elements of Hindu Iconography, Volumes I-IV 5. Shuka, D. N Vastushastra Volume II 6. Shuka, D. N.: 7. Benerjee, J. N. : Develompment of Indian Iconograph 8. Saraswati, S. K. : Survey of Indian Sculpture 9. Bhattacharya, B. : Indian Buddhist Icongraphy 10. Bhattacharya, B. : Jain Icongraphy 11.. 12. 13. 14

Studies in Indian Painting-1 INCL- 504 1. Art in general and in Painting as a tine art 2. Definition and salient features of Indian Painting 3. Sources of Indian Painting literary and archaeological 4. Principal texts which deal with this art natyashatra ascribed to Bharata, vishnudharmottara purana, Abhilashitarthachintamani or Mansollasa Samaranganasutradhara and Aparajitaprucha 1. References of painting in the classical Sanskrit literature (up to 1000 A.D.) 2. Tools and materials of painting 3. Types of Indian painting as described in the ancient texts 4. The Sadangas of painting 1. The measurements and proportion of human, non-human and animal figures in Indian painting 2. Painting and Aesthetics 3. The doctrine of Rasa and its application to painting 4. Rasa elastic and their use in painting 1. Pre historic paintings 2. Proto-historic paintings on the pottery of the Harappan Civilization 3. Pre and proto-historic paintings of Gujarat 4. Cultural life as depicted in the pre and proto historic Paintings of India INCL-504 Books recommended 1.Brown, Percy, Indian Painting, Calcutta,1947 2.Sukla, D. N. Cannons of Indian Painting, 3.Jonh, Marshall, Bagh Caves 4. C. Sivramamurti. Indian Painting National Book Trust, India Delhi, 5. Panta, Balasaheb, Ajanta 6. R.S.S Gupte. Ajanta and Ellora Bombay, 1962 7. Ajanta Murals. Ed. A. Ghosh, New Delhi,1967 8. Raya Krisnadas, Bhartiya Chitrakala(Hindi) 9. Avinasha Sharma, Bhartiya Chitrakalaka Itihas(Hindi),Bareli,1968

Studies in Indian Music & Dance-1 INCL- 505 1. The origin and development of Indian Music 2. Pre-Vedic, Vedic and post-vedic periods 3. Medieval period 4. Modern period 1. Main Schools of Indian Music 2. Uttar Hindustani 3. Karnataki 4. Their theories and practice 1. Different types of Indian Musical instruments 2. Tantuvadya and Ghanavadya 3. Charmavadya 4. Sushirvadya 1. The origin and development of Indian dance 2. Pre-Vedic, Vedic and post-vedic period 3. Medieval and modern period 4. The Three forms of Nartan-Natya Nritta and Nrutya art INCL-505 Books recommended Bharat,The Natyashasrta, Vols. 1, 11,(Tran. M.M. Ghosh,Culutta,1951 Bandopadhyaya,S., The Music of India,Bombay,1958 Goswami, The Story of Indian Music Benerji,P. Folk Dances of India Allahabad,1959 Mrunalini Sarabhai, Undersanding Clsical Dances Keith, The Sanskrit Drama, Bombay,1961 Mankad, D.R.,TheTypes of Drama, Karachi, 1936 Jagirdar, R.V., Drama in Sanskrit Literature

Project Report INCL- 506 Report-Field Work and Visit 1. To Museums 2. To monuments 3.To Archaeological site 4. To Excavation site 5.To Indological Institute