Religion and Politics in Indian Art and Architecture Global Seminar in India 2010

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Religion and Politics in Indian Art and Architecture Global Seminar in India 2010 How did religion, ritual, patronage, and politics combine to influence art and architecture in India? We will examine architectural stylistic developments, and the emergence of new ideas produced under the political authority exercised by different religious groups. Patterns of patronage that developed under Islam and European rule in India had powerful consequences for art and architecture on the subcontinent. At the same time, enduring distinctions of caste, class, and race differences surfaced in architectural form and function. Students will develop their understanding of these intersectional histories by studying some of India's most remarkable architectural sites, including: the 5th century Buddhist cave monastery at Ajanta, the 8th century rock cut Jain and Hindu temples at Ellora, the temples of the Chola dynasty in and near Madurai, the grand monumental architecture of the Mughals in Agra and Fatehpur Sikri, and colonial and post-colonial architecture in Goa, Mumbai and Delhi. Though the seminar is primarily based in Goa, the center of Portuguese rule in India, we will spend ten days in Madurai, where students will have the opportunity to meet artists who continue to work in traditional ways. Requirements Daily readings from the course pack and Vidya Dehejia s Indian Art (Phaidon) Active participation in class discussions based on the readings Each week 4 hours community work at Mother Theresa s Home in Goa and in Madurai working with the Indian National Trust for Art and Cultural Heritage Midterm exam One Final paper (approximately 1200-2500 words) Grades Participation in class: 30% Midterm: 30% Final paper: 40% Schedule Saturday 5 June Arrival in Goa Pick up from the Goa Dabolim Airport Hotel Fidalgo, Panaji, Goa: http://www.hotelfidalgo-goa.com/ Sunday 6 June 08.00 Breakfast and orientation Week 1 Monday 7 June: 10.00 11.30 Seminar: Introduction 13.00 14.30 Seminar: Early town planning Reading: Vidya Dehejia: Chapter 1 and Chapter 2 (pp. 25-36) 1

Tuesday 8 June:. 10.00 11.30 Seminar: Deities and the Oral Tradition 13.00 14.30 Seminar: The Epics Vidya Dehejia: Chapter 2 (pp. 36-48) and 3 Wednesday 9 June: 10.00 11.30 Seminar: Early Buddhist stupas and sculpture 13.00 14.30 Gandhara and a discussion on Aniconism Vidya Dehejia: Chapter 4 Susan Huntington, Early Buddhist Art and the Theory of Aniconism, in Art Journal (Winter 1990), pp. 401-408. Vidya Dehejia, Aniconism and the Multivalence of Emblems, in Ars Orientalis 21 (1991), pp. 45-66. Thursday 10 June: 08.00 09.15 Hindi language instruction 09.30 11.00 Seminar: Cave monasteries and temples Vidya Dehejia: Chapter 5 Sonit Bafna, On the Idea of the Mandala as a Governing Device, in Indian Architectural Tradition in Proceedings, ACSA West Regional Meeting (1999), pp. 308-314. Departure from Goa for Aurangabad Friday, Saturday and Sunday: Weekend excursion to the 5 th century rock cut monasteries and 8 th century temples in Aurangabad, Ajanta and Ellora Week 2 Monday 14 June: 10.00 11.30 Seminar: Darshan - Image and Temple 13.00 14.30 Seminar: Visit to the local temple for darshan Vidya Dehejia: Chapter 6 Michael W. Meister, Fragments From a Divine Cosmology: Unfolding Forms on India's Temple Walls," in Gods, Guardians, and Lovers: Temple Sculptures from North India A.D. 700-1200, Vishakha N. Desai and Darielle Mason (eds.), (New York: The Asia Society Galleries 1993) pp. 94-115. Tuesday 15 June: 10.00 11.30 Seminar: Representation and Spectatorship in early Indian art 2

13.00 14.30 Discussion: Feminine images in Indian art Vidya Dehejia: Chapter 7 Darielle Mason, A Sense of Time and Place, Style and architectural Disposition of Images on the North Indian Temple, in Gods, Guardians, and Lovers: Temple Sculptures from North India A.D. 700-1200, Vishakha N. Desai and Darielle Mason (eds.), (New York: The Asia Society Galleries 1993) pp. 116-37. Wednesday 16 June: 10.00 11.30 Seminar: Temples and Bronze Images 13.00 14.30 Discussion: The Sensuous is Sacred Vidya Dehejia: Chapter 9 Padma Kaimal, Early Chola Kings and Early Chola Temples: Art and the Evolution of Kingship, in Artibus Asiae, Vol. 56, No. 1/2 (1996), pp. 33-66. Thursday 17 June: 10.00 11.30 Seminar: Temples Cities 13.00 14.00 Seminar: Vijayanagara Vidya Dehejia: Chapter 10 Mallica Kumbera Landrus, Vijayanagara art: A Political and Historical Metaphor, in Sagar 10 (2003) 78 101. Friday 18 June, Saturday 19 June and Sunday 20 June: Explore on your own Students may choose to explore several possibilities including visiting cities such as Mumbai (direct trains [7 hours] and flights [1 hour] from Goa). You could also stay in Goa, and explore its many towns, villages, and beaches. Week 3 Monday 21 June: 08.30 09.45 Midterm Exam 10.00 11.30 Seminar: Islam on the subcontinent 13.00 14.30 Seminar: Sultanate art and architecture Vidya Dehejia: Chapter 11 Tuesday 22 June: 10.00 11.30 Seminar: Islamic art and architecture on the Iberian Peninsula I 13.00 14.30 Seminar: Early Mughal art and architecture 3

Oleg Grabar, Two Paradoxes in the Islamic Art of the Spanish Peninsula, in The Legacy of Muslim Spain, Salma Khadra Jayyusi ed. (Leiden: E.J. Brill, 1994), pp. 583-591. Vidya Dehejia: Chapter 13 (pp. 299-319) Wednesday 23 June: 10.00 11.30 Seminar: Islamic art and architecture on the Iberian Peninsula II 13.00 14.30 Seminar: The Height of Mughal art and architecture Oleg Grabar, Architecture and Art, in The Genius of Arab Civilization: Source of Renaissance, John R. Hayes, ed. (Oxford: Phaidon Press, 1976), pp. 77-102. Ebba Koch, Netherlandish naturalism in Imperial Mughal painting, in Apollo, No. 152, November 2000, pp. 29-37 Vidya Dehejia: Chapter 13 (pp. 319-334) Thursday 24 June: 10.00 11.30 Seminar: Monumental Memorials 13.00 14.30 Discussion session Wayne Begley, The Myth of the Taj Mahal and a New Theory of its Symbolic Meaning, in The Art Bulletin 61, No. 1 (Mar., 1979), pp. 7-37. Friday, Saturday and Sunday: Weekend excursion to the 16 th and 17 th century Mughal monuments in and around Agra. [Late Thursday evening or early Friday morning departure from Goa] Week 4 Monday 28 June: 10.00 11.30 Seminar: Politics, Religion and Society in early Portuguese Goa 13.00 14.30 Seminar: Architecture under Portuguese rule in Goa P.P. Shirdokar, Socio-Cultural Life in Goa During 16th Century, in Goa and Portugal: their cultural links, Charles J. Borges, Helmut Feldmann eds. (New Dehli: Ashok Kumar Mittal, 1997), pp. 23-40. Mallica Kumbera Landrus, Taking ownership with Architecture, in Vanamala (2006), pp. 97 107. Tuesday 29 June: 10.00 11.30 Seminar: Portugal and the World in the 16 th and 17 th centuries 13.00 14.40 On site discussion: Churches in the city of Old Goa Encompassing the Globe: Portugal and the World in the 16th &17th Centuries II (Washington, DC: Smithsonian Institution, 2008) 4

Dauril Alden, The Making of an Enterprise: the Society of Jesus in Portugal, its empire, and beyond: 1540-1750 (Stanford: Stanford University Press, 1996), pp. 41-52. Glenn J. Ames, Pedro II and the "Estado da India": Braganzan Absolutism and Overseas Empire, 1668-1683, in Luso-Brazilian Review, Vol. 34, No. 2 (Winter, 1997), pp. 1-13 Wednesday 30 June: 10.00 11.30 Seminar: Hybridization under colonial rule 13.00 14.30 Seminar: Portuguese legacy on Goan architecture Gauvin Alexander Bailey, Jesuit Art and Architecture in Asia, in The Jesuits and the Arts, 1540-1773, John W. O Malley and Gauvin Alexander Bailey eds. (Philadelphia: Saint Joseph s University Press, 2005), pp. 313-332; 349-355. Paul Axelrod, Michelle A. Fuerch, Flight of the Deities: Hindu Resistance in Portuguese Goa, in Modern Asian Studies, Vol. 30, No. 2 (May, 1996), pp. 387-421. Thursday 1 July: 10.00 11.30 Seminar: The British Raj 13.00 14.30 Seminar: Corbusier in Chandigarh Giles H.R.Tillotson, "Orientalizing the Raj. Indo-Saracenic Fantasies," in Marg vol.46, pp. 15-34 Sunand Prasad, Le Corbusier in India, in Le Corbusier Architect of the Century, pp. 278-337. Friday 2 July An optional day trip will be organized to visit Hindu temples in Goa, including the only surviving temple that predates Portuguese rule Saturday 3 July Prepare to leave Goa for Madurai Sunday 4 July: Flight to Madurai Madurai Orientation Week 5 Monday 5 July: 07.30 Leave hotel to Visit the early Jain caves near Madurai 10.45 12.15 Impressions of Jainism on the religion and visual culture of Tamil Nadu 12.30 13.30 Lunch 14.30 16.30 Community work Cort, John, Open Boundaries, Jain Communities and Cultures, in Indian History, John Cort (ed.), (Albany: State University of New York 1995) Tuesday 6 July: 5

08.00 9.00 Preparatory lecture about the temple at the hotel. 09.15 leave for the temple. 09.45 12.00 Noon Lecture and Discussion session on site at the Meenakshi Amman temple 12.15 13.30 Lunch 14.30 16.30 Community work Ramanujan, A.K., Introduction, in Speaking of Siva (Penguin Books 1973), pp. 19-55. Fuller, C.J., Gods and Goddesses, in The Camphor Flame (Princeton University Press 1992) pp. 29-56. Wednesday 7 July: 08.00 10.15 Visit Alagar Koil a temple dedicated to Vishnu 10.30 12.00 Lecture and Discussion at Alagar Koil 12.00 13.00 Lunch 18.00 19.30 Bharatha Natyam: Dance recital on the Dasavatharam (Optional) Lecture demonstration on religious symbolism for Saivites, Vaishnavites and Saktas. The Karanas depicted in sculptures and used in Dance forms. The Professor has Choreographed three dance pieces to bring out all these hand gestures, expressions and dance postures. Huyler, Stephen P., The Experience: Approaching God in The Life of Hinduism, John Stratton and Vasudha Narayanan eds. (Berkeley: University of California Press 2006) pp. 33-41. Frykenberg, Robert Eric, Construction of Hinduism as the Nexus of History and Religion in Defining Hinduism A Reader, J. E. Llewellyn (Routledge 2005), pp. 125-147. Thursday 8 July 08.30 10.00 The Stapatis and Stonemasons fusion between the Aryan and Dravidian art and architecture 10.30 12.15 Discussion session with the sculptors at work at the Meenakshi temple 12.30 13.30 Lunch Branfoot, Crispin, Expanding Form: The Architectural Sculpture of the South Indian Temple, ca. 1500-1700 in Artibus Asiae, Vol. 62, No. 2 (2002), pp. 189-245. Leave Madurai around 3 PM for Thanjavur Friday 9 July: 08.00 10.30 Visit the Bragadeshwara temple 11.00 14.00 Visit Saraswathi Mahal Library and Museum 15.30 Leave for Kumbakonam 19.30 Dinner in Kumbakonam 20.30 Leave for Tanjavur. Saturday 10 July: 07.30 in the morning leave for visit the Darasuram and Gangai Konda Cholapuram Sunday 11 July: 08.30 12.00 Visit the Tanjore Painters and Veena makers 12.30 Lunch 14.00 Leave for Madurai. 6

Week 6 Monday 12 July 08.30 10.00 The Nayaka period and the Kutal Alakar Temple 10.30 12.15 Discussion on the Kutal Alakar and other temples in the area 12.15 13.30 Lunch 14.30 16.30 Community service Reading: Branfoot, Crispin, Approaching the Temple in Nayaka-Period Madurai: The Kūṭal Aḻakar Temple in Artibus Asiae, Vol. 60, No. 2 (2000), pp. 197-221. Tuesday 13 July 8.30 10.00 Meet the potter priest Arivanandam at his village temple Hands on experience with a Potter's wheel 10.30 12.15 Discussion with local scholars on a typical Dravidian place of worship 12.15 13.30 Lunch Wednesday 14 July: Submit Final Paper Evening at Seed Thursday 15 July: Leave Madurai for Delhi Friday 16 July: Explore Delhi independently Saturday 17 July Departure from Delhi for the US Note: Depending on flights and other travel plans for fieldtrips, times listed may be adjusted at a later day. 7