poems by Bob Hostetler copyright by Bob Hostetler cover art by Curio Press

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Jordan River Anthology poems by Bob Hostetler copyright by Bob Hostetler cover art by Curio Press

Jordan River Anthology The rabbis in the Temple. The wedding guest at Cana. The upper room servant. The boy whose lunch fed five thousand people. The mother of Judas. We know them only as nameless characters in the crowded days of Jesus life. Some are mentioned in the Bible. Others, while never mentioned, may be inferred, such as the census taker at Bethlehem. Jordan River Anthology, in the tradition of Edgar Lee Masters s classic, Spoon River Anthology, is a collection of brief poetic monologues which present varying, sometimes conflicting, views of Jesus as seen through the eyes of his contemporaries. The ninety-three entertaining and thought-provoking poems of this volume offer fresh perspectives on the Gospels and on their central character, Jesus of Nazareth. Bob Hostetler s poetry has appeared in many publications, including The War Cry, Writer s Digest, Broken Streets, Purpose, Grit, and others. His books include the award-winning Don't Check Your Brains at the Door, and The Bone Box (a novel).

The Carpenter's Mother I could only shake my head. Midway through the engagement something went wrong. But that mule-headed man would not listen to reason: "The law says, Joseph, the law says. The shame would kill her anyway. Stoning will be merciful. It happens all the time, Joseph. Think of the family, son, think of our name. Put her out, Joseph. You must at least put her out Or you are no son of mine." But he only shook his head.

The Caravanserai Guest Little more than girl, she entered with her husband the caravanserai courtyard, the cacophonous crowd of travelers; wide her weary eyes at raucous laughter, vulgar whispers, bleating and stamping of beasts and men. Under awning's faded stripes folding, unfolding hands on her round belly I offered my chair and she rested a while.

The Midwife She lay on his woolen cloak folded back over her legs in the small, dark cave, warmer than most, and the man had filled a stone manger with straw. The girl was frightened but didn't want the husband to know. He, frightened himself, didn't want the girl to know. I, frightened for them both, couldn't let either know. The girl clamped his arm when pain seared her form. I tore a length of cloth and balled it in her mouth to prevent her tongue from being bitten off. The wailing life poured out at length, the boy lay loudly, indignantly on rough cloth til I neatly cut the pulsing cord, bathed him, rubbed him down with salt, wrapped him, placed him in his mother's arms and said goodnight.

The Shepherd The sky ripped open that night, and gave birth to angels who told us of another birth, making noise enough to wake the whole city. The city slept on, but we found the newborn. He slept, too, while we wondered at all the trouble heaven went to for a little baby.

The Silent Shepherd The others, on the way back, couldn't stop carrying on about the angels, their song, and who was first to find the one the angels announced lying in a rude cave, with mother and father a few animals and a manger-bed of hay. I kept quiet the whole time, apparently the only one disappointed. The baby wasn't at all the king I had in mind.

The Census Taker One man. One woman. One child. So they were to me. No more.

Magus A swaddled paradox awaited us. A bundled mystery to end our quest When all our kingly entourage arrived At end of many months' long journey west. The story no one seems to wish to tell Is how when first we found the promised sight We balked. And only after many words, Would leave convinced that we had sought aright.

The Infant Killer Hateful duty; no battle cry ever froze my blood like the mournful mother-wails when infant cries were cut. I had my orders. I could not leave until the babies' bloody gurglings stopped. No explanation was given us, but some said we hunted a new-cradled king, a pretender to Herod's throne. He's dead now, of course, whoever he was. Pity. No king could be worse Than he who made me murder babies.

The Egyptian The Jew, the boy, so suddenly halted I nearly rammed him through the statue. He stood, stone still, and studied there a nude Apollo cast in bronze with Roman head and human form. I almost passed to leave him there, but stayed, arrested, magnetized (as flames will hold and hypnotize) by this young boy, still but a child, intensity drawn across his face, there etched with more artistic lines than earthly sculptor ever traced. The boy stood back as men will do When taking the measure of a foe.

The Neighbor The little one had been stomping among brambles and before long, as I watched, came running with bloody palm. While the mother sought to still his childish cries, an unwarranted pale bleached her face. And I thought, my word, it's only a thorn.

The Customer Woodworkers, builders, craftsmen in stone, in the shop next the smith, the front room of a home, with plumbline to measure, plane to make smooth, midst curlings and shavings of soft-scented wood, knotted and grained, olivewood, oak, with bow drill and bit, wood mallet and awl to mold table and chair, threshing-board, plow, winnowing fork, yoke, a child's handhewn toy: sweat-streamed, leather-wrapped, side by side they stood with ax and adz to chisel and chip to hammer, scrape, grind, file and sand and polish the wood, till their craftsmanship shone and their work pronounced good.