As You Like It Jaques complete text

Similar documents
Nightwood Theatre Lawyer Show 2011 As You Like It Men s Monologues X 5

Act Five, Scene Four. SCENE IV. The forest. Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER, and CELIA DUKE SENIOR

Passage 16. Before I knew thee, Hal, I knew nothing, and now am I, if a man should speak truly, little better than one of the wicked.

THE SEVEN AGES OF MAN

Act Four, Scene One. SCENE I. The forest. Enter ROSALIND, CELIA, and JAQUES JAQUES. I prithee, pretty youth, let me be better acquainted with thee.

SENIOR COLLEGE PREP JCA SUMMER READING PROGRAM

Lisa will be casting the production in advance of her arrival here. To be considered for a role in "As You Like It":

ORLANDO (speech 1, verse)

English 11 Honors. December 16 & 19, 2016

The Merchant of Venice. William Shakespeare. Act 2, Scene 2

As You Like It 6th Grade Adapted by Barbara Cobb from

Shakespeare paper: The Tempest

Shakespeare paper: The Tempest

Shakespeare s. As You Like It. adapted by Alexander & Jessica Sovronsky. PROLOGUE. TV Reporters

Station 2: Medici Snapshot Biography

Pride. Theme revision grid Much Ado About Nothing by William Shakespeare. Theme Quotation Interpretation Context

To find the mind s construction in the face. He was a gentleman on whom I built An absolute trust. Enter MACBETH, BANQUO, ROSS and ANGUS

Act III, Sc. 3. Macbeth Macbeth, Witches, Banquo, Rosse, Angus

As You Like It. by William Shakespeare AUDITION SIDES. March 26th & 27th, 2018 Queen Anne's County Arts Council

Macbeth. William Shakespeare. Act 1, Scene 3

Shakespeare paper: Macbeth

APEMANTUS I was directed hither: men report Thou dost affect my manners, and dost use them. TIMON Consumption catch thee!

The Open Shakespeare Edition of. As You Like It. William Shakespeare

As You Like It. A Play By. William Shakespeare

Romeo and Juliet Cut to Activity: Variation # 1 Variation # 2

Shakespeare paper: As You Like It

Macbeth Act V. Act V, Scene i takes place late at night in Macbeth s castle.

[As HAMLET and OPHELIA act out scene, voice over:]

The Tragedy of Julius Caesar By. William Shakespeare. Act II, Scene II

CONTENTS. Establishing the world 2. Exploring actors interpretive 4 choices. Registered charity no Page 1 of 6 RSC

MIRANDA (speech 1) MIRANDA (speech 2)

As You Like It. Settings: The mismanaged de Boys estate, the corrupt court of Duke Frederick, and the Robin Hood-type woodland of Arden.

Introduction to Shakespeare...4. Introduction to As You Like It...6. Character Log...8. Act I Act II: Scenes Act II: Scenes

Shakespeare paper: Much Ado About Nothing

Shakespeare and the Mind. Miranda Anderson University of Edinburgh

DON PEDRO DON JOHN CLAUDIO

Act II Scene II: Caesar s House

The Shakespeare Conspiracy. Eve Siebert

As you like it. By William Shakespeare DRAMATIS PERSONAE.

The Blue Mountains From the Yellow Fairy Book, Edited by Andrew Lang

SCENE III. A heath near Forres.

SIDE 1 BENVOLIO and MERCUTIO

As You Like It William Shakespeare

AS YOU LIKE IT AS YOU LIKE IT

The Excellent and Lamentable Tragedy of Romeo and Juliet Act II Scene 2 lines Scene 2 {Romeo comes forward.}

Act I, sc. 2 (line 82 - intercut)

Romeo and Juliet. William Shakespeare. Act 2, Scene 3

Act 1, Scene 1. Act 1, Scene 2

Macbeth. William Shakespeare. Act 4, Scene 2

As You Like It. Original verse adaptation by. Richard Carter. Richard Carter 1731 Center Road Lopez Island, WA 98261

The Tragedy of Julius Caesar Casca complete text

Much Ado About Nothing Act 1 Scene 1

Julius Caesar 2: Ethos and Pathos

Doctrine of Parables. Interpreting Parables. 1. The Parable of the Prodigal Son is often called the Parable of the Lost Son.

OTHELLO ACT I. Venice. A street. [Enter RODERIGO and IAGOat midnight, secretly watching the very private marriage of Othello to Desdemona]

The Tragedy of King Lear

(The Light Princess( >.> 14 ~ This Is Very Kind of You. Created for Lit2Go on the web at fcit.usf.edu

CHRIST S GREATEST TROPHY

I ll tell you a story Of Jackanory And now my story s begun I ll tell you another Of Jack and his brother And now my story s done.

Shakespeare paper: Richard III

BLANK PAGE. KS3/03/En/Levels 4 7/Macbeth 2

ACT 4. Scene 1 Enter Sebastian and Feste, the Fool.

Sir James the Rose. Of all the Scottish northern chiefs Of high and warlike fame, The bravest was Sir James the Ross, A knight of mighty fame.

AS YOU LIKE IT 11/6/14

SCENE II. Another part of the wood.

SCENE III. A room in Polonius' house.

The End Times The Seven Seals Survey The Political (Human) Element Rev

Speech 1 (Act 3, Scene 2, Lines 12-33) Read Brutus s Speech that he used to start the funeral.

The Boston Massacre: Analyzing the Evidence

Year 11 Summer Homework Booklet

Much Ado About Nothing

Literary Terms Imagery- Paradox- Foreshadowing- Aside- Soliloquy-

The Christmas Tree Forest

THE DISCIPLES ARGUE ABOUT WHO WOULD BE THE GREATEST

AS ENGLISH LITERATURE B

Renaissance Poetry. What is a sonnet? - lines - Iambic pentameter. o Iamb: beats per foot ( syllable followed by. syllable) o Penta: feet per line

HAMLET. From Beautiful Stories from Shakespeare. By E. Nesbit

Carroll English II Julius Caeser

BLANK PAGE. KS3/04/En/Levels 4 7/Twelfth Night 2

Page 141 BRUTUS Cassius, be constant Calm and steady. Very surprising because his body language and state of mind show otherwise in Act Two.

Arguing for Justice. Types of Appeals

Act IV Scene i King Queen Rosencrantz Guildenstern. Act IV Scene ii Hamlet Rosencrantz Guildenstern. Act IV Scene iii King Rosencrantz Hamlet

St John s Anglican Church

SHAKESPEARE PIECES MEN

Briar Rose a play for First Grade

SAUL, The Self-Acclaimed Fool

As You Like It. by William Shakespeare. Characters in the Play. OLIVER, the eld est son of Sir Rowland de Boys

VOCABULARY - Julius Caesar

The Priesthood of Christ Rev Jeremy Bergstrom

JEHOVAH- ELYON = Jehovah most high Psalms 7:17, 47:2, 97:9

Sonnets of William Shakespeare

Chester Cycle 1572/2010 A.F. Johnston. ed. Play 18 1

Bethel Pulpit. Sermon 78. The Walls of Jericho

Act 2 Study Guide Romeo and Juliet

Carols for a Christmas Eve

Psalms 1:1 1 Psalms 2:5. The Psalms 1

JULIUS CAESER JULIUS CAESAR

Contents. 1 The End of Billy Bones Flint s Treasure Map Long John Silver On Treasure Island Defending the Stockade...

Intertextuality and the context of reception:

Act V scene ii Roles. Hamlet Horatio Osric Lord King Queen Laertes Fortinbras Ambassador

Transcription:

As You Like It Jaques complete text Jaques. More, more, I prithee, more. Jaques. I thank it. More, I prithee, more. I can suck melancholy out of a song, as a weasel sucks eggs. More, I prithee, more. Jaques. I do not desire you to please me; I do desire you to sing. Come, more; another stanzo: call you 'em stanzos? Jaques. Nay, I care not for their names; they owe me nothing. Will you sing? Jaques. Well then, if ever I thank any man, I'll thank you; but that they call compliment is like the encounter of two dog-apes, and when a man thanks me heartily, methinks I have given him a penny and he renders me the beggarly thanks. Come, sing; and you that will not, hold your tongues. Jaques. And I have been all this day to avoid him. He is too disputable for my company: I think of as many matters as he, but I give heaven thanks and make no boast of them. Come, warble, come. SONG. Who doth ambition shun All together here And loves to live i' the sun, Seeking the food he eats And pleased with what he gets, Come hither, come hither, come hither: Here shall he see No enemy But winter and rough weather. Jaques. I'll give you a verse to this note that I made yesterday in despite of my invention. Jaques. Thus it goes:-- If it do come to pass page 1

That any man turn ass, Leaving his wealth and ease, A stubborn will to please, Ducdame, ducdame, ducdame: Here shall he see Gross fools as he, An if he will come to me. Jaques. 'Tis a Greek invocation, to call fools into a circle. I'll go sleep, if I can; if I cannot, I'll rail against all the first-born of Egypt. Jaques. A fool, a fool! I met a fool i' the forest, A motley fool; a miserable world! As I do live by food, I met a fool Who laid him down and bask'd him in the sun, And rail'd on Lady Fortune in good terms, In good set terms and yet a motley fool. 'Good morrow, fool,' quoth I. 'No, sir,' quoth he, 'Call me not fool till heaven hath sent me fortune:' And then he drew a dial from his poke, And, looking on it with lack-lustre eye, Says very wisely, 'It is ten o'clock: Thus we may see,' quoth he, 'how the world wags: 'Tis but an hour ago since it was nine, And after one hour more 'twill be eleven; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot; And thereby hangs a tale.' When I did hear The motley fool thus moral on the time, My lungs began to crow like chanticleer, That fools should be so deep-contemplative, And I did laugh sans intermission An hour by his dial. O noble fool! A worthy fool! Motley's the only wear. Jaques. O worthy fool! One that hath been a courtier, And says, if ladies be but young and fair, They have the gift to know it: and in his brain, Which is as dry as the remainder biscuit After a voyage, he hath strange places cramm'd With observation, the which he vents In mangled forms. O that I were a fool! I am ambitious for a motley coat. Jaques. It is my only suit; Provided that you weed your better judgments Of all opinion that grows rank in them That I am wise. I must have liberty page 2

Withal, as large a charter as the wind, To blow on whom I please; for so fools have; And they that are most galled with my folly, They most must laugh. And why, sir, must they so? The 'why' is plain as way to parish church: He that a fool doth very wisely hit Doth very foolishly, although he smart, Not to seem senseless of the bob: if not, The wise man's folly is anatomized 7 Even by the squandering glances of the fool. Invest me in my motley; give me leave To speak my mind, and I will through and through Cleanse the foul body of the infected world, If they will patiently receive my medicine. Jaques. What, for a counter, would I do but good? Jaques. Why, who cries out on pride, That can therein tax any private party? Doth it not flow as hugely as the sea, Till that the weary very means do ebb? What woman in the city do I name, When that I say the city-woman bears The cost of princes on unworthy shoulders? Who can come in and say that I mean her, When such a one as she such is her neighbour? Or what is he of basest function That says his bravery is not of my cost, Thinking that I mean him, but therein suits His folly to the mettle of my speech? There then; how then? what then? Let me see wherein My tongue hath wrong'd him: if it do him right, Then he hath wrong'd himself; if he be free, Why then my taxing like a wild-goose flies, Unclaim'd of any man. But who comes here? Enter ORLANDO, with his sword drawn Jaques. Why, I have eat none yet. Jaques. Of what kind should this cock come of? Jaques. An you will not be answered with reason, I must die. Jaques. All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, page 3

His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. Re-enter ORLANDO, with ADAM Jaques. I thank you for your company; but, good faith, I had as lief have been myself alone. Jaques. God be wi' you: let's meet as little as we can. Jaques. I pray you, mar no more trees with writing love-songs in their barks. Jaques. Rosalind is your love's name? Jaques. I do not like her name. Jaques. What stature is she of? Jaques. You are full of pretty answers. Have you not been acquainted with goldsmiths' wives, and conned them out of rings? Jaques. You have a nimble wit: I think 'twas made of page 4

Atalanta's heels. Will you sit down with me? and we two will rail against our mistress the world and all our misery. Jaques. The worst fault you have is to be in love. Jaques. By my troth, I was seeking for a fool when I found you. Jaques. There I shall see mine own figure. Jaques. I'll tarry no longer with you: farewell, good Signior Love. Jaques. [Aside] O knowledge ill-inhabited, worse than Jove in a thatched house! Jaques. [Aside] A material fool! Jaques. [Aside] I would fain see this meeting. Jaques. [Advancing] Proceed, proceed I'll give her. Jaques. Will you be married, motley? Jaques. And will you, being a man of your breeding, be married under a bush like a beggar? Get you to church, and have a good priest that can tell you what marriage is: this fellow will but join you together as they join wainscot; then one of you will prove a shrunk panel and, like green timber, warp, warp. Jaques. Go thou with me, and let me counsel thee. Jaques. I prithee, pretty youth, let me be better acquainted with thee. Jaques. I am so; I do love it better than laughing. page 5

Jaques. Why, 'tis good to be sad and say nothing. Jaques. I have neither the scholar's melancholy, which is emulation, nor the musician's, which is fantastical, nor the courtier's, which is proud, nor the soldier's, which is ambitious, nor the lawyer's, which is politic, nor the lady's, which is nice, nor the lover's, which is all these: but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry's contemplation of my travels, in which my often rumination wraps me m a most humorous sadness. Jaques. Yes, I have gained my experience. Jaques. Nay, then, God be wi' you, an you talk in blank verse. Exit Jaques. Which is he that killed the deer? Jaques. Let's present him to the duke, like a Roman conqueror; and it would do well to set the deer's horns upon his head, for a branch of victory. Have you no song, forester, for this purpose? Jaques. Sing it: 'tis no matter how it be in tune, so it make noise enough.song. Jaques. There is, sure, another flood toward, and these couples are coming to the ark. Here comes a pair of very strange beasts, which in all tongues are called fools. Jaques. Good my lord, bid him welcome: this is the motley-minded gentleman that I have so often met in the forest: he hath been a courtier, he swears. Jaques. And how was that ta'en up? Jaques. How seventh cause? Good my lord, like this fellow. Jaques. But, for the seventh cause; how did you find the page 6

quarrel on the seventh cause? Jaques. And how oft did you say his beard was not well cut? Jaques. Can you nominate in order now the degrees of the lie? Jaques. Is not this a rare fellow, my lord? he's as good at any thing and yet a fool. Jaques De Boys. Let me have audience for a word or two: I am the second son of old Sir Rowland, That bring these tidings to this fair assembly. Duke Frederick, hearing how that every day Men of great worth resorted to this forest, Address'd a mighty power; which were on foot, In his own conduct, purposely to take His brother here and put him to the sword: And to the skirts of this wild wood he came; Where meeting with an old religious man, After some question with him, was converted Both from his enterprise and from the world, His crown bequeathing to his banish'd brother, And all their lands restored to them again That were with him exiled. This to be true, I do engage my life. Jaques. Sir, by your patience. If I heard you rightly, The duke hath put on a religious life And thrown into neglect the pompous court? Jaques De Boys. He hath. Jaques. To him will I : out of these convertites There is much matter to be heard and learn'd. To DUKE SENIOR You to your former honour I bequeath; Your patience and your virtue well deserves it: To ORLANDO You to a love that your true faith doth merit: To OLIVER You to your land and love and great allies: To SILVIUS You to a long and well-deserved bed: To TOUCHSTONE And you to wrangling; for thy loving voyage Is but for two months victuall'd. So, to your pleasures: page 7

I am for other than for dancing measures. Jaques. To see no pastime I what you would have I'll stay to know at your abandon'd cave. Exit page 8