The lights on the bedroom fade up as PRESENT speaks. PRESENT I am the Ghost of Christmas Present. Come and know me better, man!

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(frightened, looking around the room) I am here. Who are you? Where are you? The lights on the bedroom fade up as speaks. I am the Ghost of Christmas Present. Come and know me better, man! The bedroom has been transformed into a Christmas display case! Holly, ivy, mistletoe the works! Seated on a chair, like a throne, is CHRISTMAS. is dressed in the traditional costume of a rich, green velvet robe, lined with fur, and a holly wreath around the head. also carries with him a torch of peace and good-will that will be used during the scene. is surrounded by food turkey, game, breads, and luscious fruits as befitting a grand holiday celebration. Music ends. Look upon me! You have never seen the like of me before! Never! Have you never met the younger members of my family? I don t think I have. Have you had many brothers, Spirit? More than eighteen hundred! So many mouths to feed! I don t like large families. CHRISTMAS rises and steps toward. They aren t so fond of you, either. Touch my robe! does, and, immediately, music begins. 39

ON THIS MERRY CHRISTMAS MORNING, ON THIS BLESS-ED CHRISTMAS DAY! After the applause, we immediately hear church bells ringing. Music begins. #14 O Come, All Ye Faithful Medley (CHORUS, ) #14 O Come, All Ye Faithful Medley (CHORUS, ) Selected CHORUS members immediately begin to move toward a church service. It is not necessary that all CHORUS members are there only a small representation, with the rest singing in the dark from other parts of the stage. The church represented is small and simple a Wesleyan, separatist congregation. As music continues: What is happening? Where are they all going? To worship, of course! Christmas is not only a holiday, Mr. Scrooge. It is a holy day! Perhaps you forgot? CHORUS (Singing as they make their way) O COME, ALL YE FAITHFUL, JOYFUL AND TRIUMPHANT. O COME YE, O COME YE TO BETHLEHEM. COME AND BEHOLD HIM, BORN THE KING OF ANGELS. O COME, LET US ADORE HIM, O COME LET US ADORE HIM, O COME, LET US ADORE HIM, CHRIST, THE LORD. (Arriving into their places as the service begins) THE FIRST NOWELL THE ANGEL DID SAY WAS TO CERTAIN POOR SHEPHERDS IN FIELDS WHERE THEY LAY. IN FIELDS WHERE THEY LAY KEEPING THEIR SHEEP ON A COLD WINTER S NIGHT THAT WAS SO DEEP. NOWELL, NOWELL, NOWELL, NOWELL. BORN IS THE KING OF ISRAEL 42

Music continues underneath. A MINISTER stands before them, dressed simply, with an open Bible, miming reading aloud to the congregation. Seated last, toward the back, is BOB CRATCHIT and TINY TIM. Spirit? Look, there! Is that my clerk, Bob Cratchit? Yes. So glad that you noticed him. And the boy... the crippled one... is that his son? Yes. Tiny Tim. MINISTER And the angel said unto them, Fear not! For behold, I bring you good tidings of great joy which shall be to all people. For unto you, is born this day in the city of David, a Savior, which is Christ the Lord. And this shall be a sign unto you, Ye shall find the babe wrapped in swaddling clothes, lying in a manger. And suddenly there was with the angel a multitude of the heavenly host, praising God, and saying, Glory to God in the highest, and on earth, peace, good will toward men. CHORUS GOOD CHRISTIAN MEN, REJOICE WITH HEART AND SOUL AND VOICE! GIVE YE HEED TO WHAT WE SAY: JESUS CHRIST IS BORN TODAY. OX AND ASS BEFORE HIM BOW, AND HE IS IN THE MANGER NOW: CHRIST IS BORN TODAY, CHRIST IS BORN TODAY! The people stand and begin to leave, singing as they go. gets caught up in the moment and blends his voice with theirs. & CHORUS GOOD CHRISTIAN MEN, REJOICE WITH HEART AND SOUL AND VOICE! NOW YE NEED NOT FEAR THE GRAVE: JESUS CHRIST WAS BORN TO SAVE; 43

CALLS YOU ONE AND CALLS YOU ALL TO GAIN HIS EVERLASTING HALL. CHRIST WAS BORN TO SAVE, CHRIST WAS BORN TO SAVE! (Orchestral ending as the scene continues.) Mr. Scrooge?! So you do know the carols of Christmas? I learned them as a boy. Yet you never sing them! (submissively) Spirit, conduct me where you will. I went forth last night on compulsion and I learned a lesson that is working now. Tonight, if you have something to teach me, let me profit by it. Walk with me... and see a Christmas dinner, delightful to behold! Music begins. #14 Cratchit Underscore 1 (ORCHESTRA) Underscore 1 (ORCHESTRA) They move to another area of the stage as the lights fade up on the home of Bob Cratchit. MRS. CRATCHIT, and the Cratchit children are preparing for Christmas dinner. The Cratchit home is certainly one that belongs to a poor family. Yet, it is clean and warm. It has been decorated, albeit cheaply, but joyfully, for Christmas., unseen by the Cratchits, moves toward them and sprinkles the house with his torch. Is there a peculiar flavor in what you sprinkle from your torch? There is. My own. 44

Would it apply to any kind of dinner on this day? To any kindly given, but to a poor one most of all. Why to a poor one most? Because it needs it the most. This is a poor one, indeed. Where are we, Spirit? Bob Cratchit s. The house is so small and all these children? How do they live? Excellent question! How do they live on just fifteen shilling a week, Mr. Scrooge? The lights fade up more fully on the Cratchit house. Music ends. MRS. CRATCHIT What could be keeping your Father and Tiny Tim? And Martha wasn t as late last Christmas Day by half-an-hour! ELIZABETH Oh, I hope they will be home soon! Mother, are there presents? MRS. CRATCHIT There are a few. But dinner comes first, dear. (looking out the door, or window) Here s Martha, mother! BELINDA MARTHA enters. 45

Music begins. #18 God Bless Christmas Reprise (FRED, VIRGINIA) FRED He told me to keep Christmas in my own way, and so I shall, Uncle Scrooge, so I shall... (singing) GOD BLESS CHRISTMAS! WE NEED IT, SO HEED IT! VIRGINIA GOD BLESS CHRISTMAS! THIS IS THE VERY DAY! FRED & VIRGINIA IT WON T BRING US A SCRAP OF GOLD, STILL, WE BELIEVE WHAT WE VE BEEN TOLD: THAT CHRISTMAS DOES US GOOD AND SO WE SAYGOD BLESS CHRISTMAS ANYWAY! Lights fade on Fred s house. During this last musical sequence, has moved out of the light to another part of the stage, where he has also hidden the two children - IGNORANCE and WANT - inside his robe. Spirit... must we leave now? (looking around) Spirit, where are you? You can t leave me here in the middle of the street without a word! Spirit! Is your life so short? (from across the stage) My life upon this globe, is very brief. It ends tonight. Tonight! Tonight at midnight. Hark! The time is drawing near. Clock chimes ring out. walks toward. 58

Forgive me if I am mistaken... but I see something strange, and not belonging to yourself, protruding from your skirts. (opening his robe) Look here! Oh, man! Look here, look down here! Two children, IGNORANCE and WANT, step out, from inside s robe. They are sickly, poor and dirty, and, most of all, sad. is repulsed by them and begins to unconsciously walk backwards, away from them. Spirit! Are they yours? They are Man s... and they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Have they no refuge or resource? (in a dramatic cry) Are there no prisons? Are there no workhouses? The clock chimes twelve, loudly. exits quickly. Music begins. #19 Christmas Future (ORCHESTRA) #19 Christmas Future (ORCHESTRA), alone onstage, staggers about. Smoke, as before, begins to flood the stage. Spirit! Where are you going?! Will you not answer me? Spirit! Jacob! Marley! I beg of you, I repent, I say, I repent! What #19 59