Name. I, Too (p. 925) by Langston Hughes. I, too, sing America.

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Name Mizerak 1 I, Too (p. 925) by Langston Hughes I, too, sing America. I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Tomorrow, I ll be at the table When company comes. Nobody ll dare Say to me, Eat in the kitchen, Then. Besides, They ll see how beautiful I am And be ashamed I, too, am America. Harlem (p. 926) by Langston Hughes What happens to a dream deferred? Does it dry up like a raisin in the sun? Or fester like a sore And then run? Does it stink like rotten meat? Or crust and sugar over like a syrupy sweet? Maybe it just sags like a heavy load. Or does it explode?

The Weary Blues (p. 927) by Langston Hughes Mizerak 2 Droning a drowsy syncopated tune, Rocking back and forth to a mellow croon, I heard a Negro play. Down on Lenox Avenue the other night 5 By the pale dull pallor of an old gas light He did a lazy sway... He did a lazy sway... To the tune o' those Weary Blues. With his ebony hands on each ivory key 10 He made that poor piano moan with melody. O Blues! Swaying to and fro on his rickety stool He played that sad raggy tune like a musical fool. Sweet Blues! Coming from a black man's soul. O Blues! In a deep song voice with a melancholy tone I heard that Negro sing, that old piano moan-- "Ain't got nobody in all this world, 20 Ain't got nobody but ma self. I's gwine to quit ma frownin' And put ma troubles on the shelf." Thump, thump, thump, went his foot on the floor. He played a few chords then he sang some more-- 25 "I got the Weary Blues And I can't be satisfied. Got the Weary Blues And can't be satisfied-- I ain't happy no mo' 30 And I wish that I had died." And far into the night he crooned that tune. The stars went out and so did the moon. The singer stopped playing and went to bed While the Weary Blues echoed through his head. 35 He slept like a rock or a man that's dead.

My City (p. 941) by James Weldon Johnson Mizerak 3 When I come down to sleep death's endless night, The threshold of the unknown dark to cross, What to me then will be the keenest loss, When this bright world blurs on my fading sight? Will it be that no more I shall see the trees Or smell the flowers or hear the singing birds Or watch the flashing streams or patient herds? No, I am sure it will be none of these. But, ah! Manhattan's sights and sounds, her smells, Her crowds, her throbbing force, the thrill that comes From being of her a part, her subtle spells, Her shining towers, her avenues, her slums-- O God! the stark, unutterable pity, To be dead, and never again behold my city!

Any Human to Another (p. 942) by Countee Cullen The ills I sorrow at Not me alone Like an arrow, Pierce to the marrow, Through the fat And past the bone. Mizerak 4 Your grief and mine Must intertwine Like sea and river, Be fused and mingle, Diverse yet single, Forever and forever. Let no man be so proud And confident, To think he is allowed A little tent Pitched in a meadow Of sun and shadow All his little own. Joy may be shy, unique, Friendly to a few, Sorrow never scorned to speak To any who Were false or true. Your very grief Like a blade Shining and unsheathed Must strike me down. Of bitter aloes wreathed, My sorrow must be laid On your head like a crown.

If We Must Die (p. 946) by Claude McKay Write down two tone words: Mizerak 5 If we must die let it not be like hogs Hunted and penned in an inglorious spot, While round us bark the mad and hungry dogs, Making their mock at our accursed lot. If we must die oh, let us nobly die, So that our precious blood may not be shed In vain; then even the monsters we defy Shall be constrained to honor us though dead! Oh, Kinsmen! We must meet the common foe; Though far outnumbered, let us show us brave, And for their thousand blows deal one deathblow! What though before us lies the open grave? Like men we'll face the murderous, cowardly pack, Pressed to the wall, dying, but fighting back! A Black Man Talks of Reaping (p. 947) by Arna Bontemps I have sown beside all waters in my day. I planted deep, within my heart the fear that wind or fowl would take the grain away. I planted safe against this stark, lean year. I scattered seed enough to plant the land in rows from Canada to Mexico but for my reaping only what the hand can hold at once is all that I can show. Yet what I sowed and what the orchard yields my brother's sons are gathering stalk and root; small wonder then my children glean in fields they have not sown, and feed on bitter fruit.

TPCASTT Mizerak 6 Directions: Choose your favorite poem or one you are more interested to understand. Complete the chart over this poem. Poem I chose: What to Look for Title Questions to answer in next column. What is its literal meaning? Answer the question(s). Always be thinking of under the surface meaning here. Paraphrase Connotation diction and symbolism imagery metaphors and similes rhyme scheme end rhymes and internal rhymes alliteration assonance consonance allusions punctuation personification Attitude (author s tone) What does the poem say? This is a surface read. Do not read into the words yet. Write down the terms used and go back to the poem and underline/highlight and label each one. Find a minimum of three. How is the writer speaking? (Go back to its page and write a paraphrase next to or below this poem.) Shifts (in tone, action, rhythm) How do the shifts affect the poem? Title (yes, again) Theme Reevaluate the title as it pertains to what you have discovered. What does the poem mean? What is it saying? How does it relate to life?