THE NIGHT THAT STARTED IT ALL

Similar documents
HEAVEN HELP US. By Tambra Kay Petrie. Performance Rights

A FATHER S VOICE. By Dorothy Dunham and Kyle Dunham. Performance Rights

He Sent Us an Angel. By Beverly S. Carter. Performance Rights

GUILTY AS CHARGED. By Tambra Petrie. Performance Rights

The Jesus Stocking. by Kathleen Conner Combass. Performance Rights

BETHLEHEM BOUND. by Margery Peterson. Performance Rights

THE MISPLACED CHRISTMAS

A Children s Christmas Musical

STRANGERS AT THE INN

THE SHEPHERDS WHO GATHER

Good Will Two Men. By Brian Shoop. Performance Rights

The Road to Bethlehem

THE CHRISTMAS PLAY. By Craig Howard. Performance Rights

THE SPIRITS OF CHRISTMAS

THE HISTORY of the World

Wise Men. The Two-Man Play about Three Wise Men. By Joey Martineck. Performance Rights

THINK THANKS. By Dolores Steger. Performance Rights

Return to Christmas. by Stephen J. Martin. Performance Rights

The Blind Spot. A Play in One Act. By Steven Stack. Performance Rights

TIME FOR CHRISTMAS. By Rachel Cloer Lukhard. Performance Rights

A POTPOURRI OF CHRISTIAN DRAMA FOR EASY MINISTRY

A SHOWER FOR BABY JESUS

I Am Angel. By Alaska Reece Vance. Performance Rights

WHY CHRISTMAS? By Elinor Brown. Performance Rights

Psalmba. A Musical Story of David. Book, Music and Lyrics by Jeff Combe. Performance Rights

The Twelve Plays of Christmas

Miracle at Christmas Camp

WHY CHRISTMAS? By Elinor Brown. Performance Rights

Hey! That's My Donkey

Hiriam, The Innkeeper!

Noah s Rainbow. A Play for Young Audiences. By Thomas J. Gardiner. Performance Rights

Between Death and Life

JUST AN OBSERVER. By Kaye Loughridge. Performance Rights

THE NIGHT BEN FILBERT WAS TOUCHED BY AN ANGEL

WHO IS THIS MAN? By David Dunlap. Performance Rights

ANOTHER Christmas Eve

MR. SCROOGE AND THE SPIRITS OF CHRISTMAS FIRST

EXTRA! EXTRA! Book, Music, and Lyrics by STEVE COOPER

PRAYER OF THE PATRIOT

The Three Strangers. Adapted by Burton Bumgarner. from the short story by Thomas Hardy. Performance Rights

THE HOPE CRADLE. A Christmas Play. By Melanie R. Sita. Performance Rights

Twelve Angry Teachers

THE TWENTY-FIVE CENT MINISTRY

THE CAPRICIOUS PEARLS

THE STAR CHILD. adapted by Burton Bumgarner. from the story by Oscar Wilde. Performance Rights

Today You Will Be With Me in Paradise

Discussion and brainstorming page. Match the pictures and the words. bells a stocking a star a Christmas tree gifts Santa Claus candles decorations

THE MESSIAH INQUEST. By Carol Shively and Jim Ineson. Performance Rights

A Perfect Tree. By Tim Snyder. Performance Rights

ST. FRANCIS AND THE ANGEL

Advent and Christmas (Matthew 1:18-25; 2:1-12; Luke 1:26-58; 2:1-20)

A Comfort Falls Christmas

A Slight Change of Plan

Abiding in the Fields

A CHRISTMAS CAROL.COM

CAKES GALORE! A Comedy by Laurie Allen. Performance Rights

The Desert. A One-Act Play. By Ed Young. Performance Rights

CHRIST, the LIGHT of the WORLD

A LIFE LENT TO THE LORD

Through the Eyes of Faith

THE CURSE AND THE CROWN

HIS GENTLE TOUCH. By David Dunlap. Performance Rights

HOLLY S CHRISTMAS DETOUR

THE DIVIDING TREE. A Play in Two Acts. by Mark D. Ogle. Performance Rights

The Worst Christmas Play Ever!

SCROOGE HAS LEFT THE BUILDING

Christmas With a Twist

Dateline: Jerusalem DATELINE: JERUSALEM. By Michelle Van Loon. Performance Rights

Fire in the Bones. By Thomas F. Rogers. Performance Rights

Upon This Night. By Terri Dill. Performance Rights

Before Abraham Was, I Am

His Story by Carrie Varnell

In Search of the Holy Grill

DOWN FROM ABOVE. A Drama in Two Acts. by Jeff Richards. Performance Rights

Monologues that Minister

P R E M I S E. C A S T / C O S T U M E DIRECTOR: The leader of the group. JESSIE LEVASHEFF [Black long-sleeved shirt or jacket and black pants or

MELCHIOR S JOURNEY. by Susan A. J. Lyttek. Performance Rights

THE WORD: SOMETHING TO CHEW ON

The. Instant Nativity

The. Instant Nativity

Martin and Malcolm: How Long Must We Wait?

Barabbas. By Hilary Mackelden. Performance Rights

Hiding Christmas. The Original Stageplay. Cleveland O. McLeish

NO TRUMPETS BLOWING STORY OF THREE SHEPHERDS. By Alberta Hawse. Performance Rights

BLESS THIS BREAD. An Audience-Participation Play. by Craig Sodaro. Performance Rights

If We Had Only Known

OLDER CHOIR WORSHIP SCRIPT. Copyright 2016 LifeWay Worship, Nashville, TN All rights reserved. Printed in the United States of America.

ASHES FOR REMEMBRANCE

The Boxies Advent. A Christmas Advent Series for Kids by Ginny Neil

LESSON 28 Faithfulness

Mary Meets an Angel. Who? What? When & Where? Why? Teacher Challenge: Read Matthew 1:18-25; Luke 1: Goals for each child.

In Light of Everything

Ghost of a Christmas Chance

MONOLOGUES that Minister

SCROOGED UP! A Holiday Comedy in One Act. by Dan Roberts. Performance Rights

TWO GENTLEMEN OF VERONA

THE GRIFFIN AND THE MlNOR CANON

The Revenge of Ichabod Crane

The Stolen Sword. By Neal Barth by Neal Barth ALL RIGHTS RESERVED Duplication Prohibited

Stable Relationships: The Innkeeper and His Wife by Susan Greenwood

Transcription:

THE NIGHT THAT STARTED IT ALL by Tambra Kay Petrie Performance Rights It is an infringement of the federal copyright law to copy this script or perform this play without an official license. The license granted to the original purchaser may not be transferred or used by any other individual, church, group or organization. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for complete licensing information. On all programs and advertising, the author s name must appear as well as this notice: Produced by special arrangement with Eldridge Publishing Co. PUBLISHED BY ELDRIDGE PUBLISHING COMPANY 95church.com 2000 by Eldridge Publishing Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=764

2 STORY OF THE PLAY Imagine the perfect Christmas program, written with great care by a charter member of the congregation, and to be directed by the Youth Pastor, who has an enormous amount of directing experience. Everything should run smoothly, efficiently, perfectly. Yeah, right! In a perfect world! Now, imagine the Christmas story written, directed and performed by teenagers! Candy canes used for shepherd staffs? Gingerbread men dressed as cows? Wise men as computer geeks? Snow... in Bethlehem? Follow the antics of CJ, the author of this wild and crazy nativity scene, along with Amos and Jordy, two idiotic stagehands, as they try to retell the story of the nativity from a teenager s point of view. After watching a rehearsal and weathering an emotional explosion from Mrs. Carter, the Pastor reminds CJ and the rest of the teens that, although it is okay to laugh and have fun in the Christmas program, there is still a holiness about the entire event that should never be toyed with. The final act provides a glimpse of the revised script by CJ. He ends the actual program with a touching summation of what the birth of Jesus meant to the world and to himself, recapturing the spirit of the original event. (Playing time: 90 minutes)

3 CAST OF CHARACTERS (5 m, 5 w, 1 flexible, 2 boys, 1 girl, many extras) PASTOR: A friendly, young-at-heart man who relates well to teenagers; 35-40 years old. Dresses in shirt, tie and suit pants. JOYCE CARTER: Approximately 50 years old. Very animated. She is a very strong Christian and takes her role as author of the annual Christmas pageant very seriously. Dresses in suits with matching hats, jewelry, and shoes. Even though she loses her temper in one scene, her change of heart and kindness should come across as genuine. CJ: 14-16-year-old boy or girl; very creative, quick-witted, with leadership abilities. Dresses very casually. During actual performance, she/he wears dress clothes. MARCY: 14-16-year-old-girl; intelligent, well-organized, a leader. Dresses in plain skirts and blouses with vests. Intelligent looking. BRAD: 14-16-year-old boy; sarcastic, argumentative, leadership abilities. Dresses in polo shirts with Dockers. TERRI: 14-16-year-old girl; sensible, intelligent, wears glasses, plain clothes, hair pulled back in a ponytail. During performance, she is dressed in a Biblical costume, as Mary. WHITNEY: 14-16-year-old girl; very attractive, airhead blonde type, very emotional. Dresses very preppy and with latest fads. During performance, she wears an angel costume. CAITLIN: 14-16-year-old-girl; talks a mile-a-minute, extremely emotional, bubbly, happy. During the performance, she wears a nice dress. She can double as Angel or as one of the Teen Narrators in the last act. AMOS: 14-16-year-old boy; a surfer type, complete with surfer voice. Dresses the same as Jordy during the performance. The rest of the time he wears jeans, canvas tennis shoes, and oversized T-shirt. He can double as one of the Soldiers and/or a Teen Narrator.

4 JORDY: A clone of Amos. Also a 14-16-year-old surfer type. Wears oversized T-shirts, oversized blue jeans, canvas tennis shoes, sock caps. During performance, wears dark brown or black pants, dark brown or black oversized T-shirt, dark brown or black stocking cap that can pull over his face with eye and mouth holes, dark brown or black baseball cap, turned backwards; dark shoes; white socks. He can double as one of the Soldiers and/or a Teen Narrator. DOUG: 14-16-year-old boy; runs the spotlight from back of auditorium for the performance. Very few lines. Dresses in jeans, T-shirt and tennis shoes for the rehearsal; wears dress clothes with tie for the actual performance. MIKEY: 6-year-old boy; loud voice, hyper and stubborn. During the performance he should wear a dinosaur costume the first time, a hand-made donkey costume. The rest of the time he wears a T-shirt, blue jeans and tennis shoes. CINDY: 6-year-old girl; whiny, loud voice. During the performance she should wear a hand-made rabbit costume the first time; a sheep costume the second time. JIMMY: 6-year-old boy; loud, hyper, stubborn. During the performance he should wear a poorly made penguin costume the first time, a hand-made cow costume the second time. CHILDREN S CHOIR EXTRA KIDS: Can serve as nativity characters including three shepherds, three wise men, Herod, Joseph, and young child as Jesus. Time: Present Day, mid-october December. Place: A mid-sized church in California. See additional production notes at the end of the script.

5 Scene 1 (AT RISE: TEENS are talking on stage of church auditorium, in choir loft. It is a Sunday night in October.) PASTOR: (Enters, hurriedly.) Hey! Thanks for sticking around to meet with me. Sunday nights are hectic with all the different meetings going on after church. So, I really appreciate you guys being so patient. Okay! If everyone will take their seats, we can get started. (KIDS sit in choir loft. JORDY and AMOS pick up chairs and head for door.) PASTOR: Something has come up that I need to... AMOS: Uh, where should we take em? BRAD: He meant sit down and shut up, you bozo! AMOS/JORDY: Kay. (Sit down quickly exactly where they are.) PASTOR: Well, thank you, Brad. Not quite the way I would have put it, but effective. BRAD: No problem. PASTOR: In case you haven t heard, Brother Rick was called out of town for a family emergency, and we re not sure when he ll be back. KIDS: Why? What happened? Etc. CAITLIN: (Speaks very fast, almost without breathing.) Oh! Oh! Oh! I know! I know! Let me tell it! Please?! Oh, please, please, please!!!!! PASTOR: (Chuckles.) All right, Caitlin, go ahead. CAITLIN: (Very excited speaking very fast, without breathing.) Okay, so, I heard my mom, like, talking to Pat Jones, who heard from Sherry England, who was on the phone with Karen Wright, who heard from Eileen Banks, who heard from Brother Rick, who got the call from his mom last night that, like, his dad was working out in the yard, shoveling snow and stuff. Then, he, like, grabbed his chest and fell over you know, like Shelly Marks did last week in study hall when she tripped on the overhead

6 CAITLIN: (Continued.) projector cord and fell flat on her face. There was blood everywhere! So, the paramedics show up and rush to the emergency room, and then they find out it was, like, a really bad heart attack, and he died, like, three times in the emergency room, but the doctor brought him back. So, Brother Rick went to Cincinnati and... AMOS: (Interrupting.) I saw Shelly this morning. She didn t look dead. CAITLIN: Brother Rick s dad! AMOS: Brother Rick s dead? JORDY: Man, I didn t even notice him in study hall. AMOS: Who would, with Shelly s blood all over him. JORDY: So, why d Shelly go to Cincinnati? CAITLIN: Brother Rick s DAD is in Cincinnati! AMOS: But, you said the doctor brought him back here. CAITLIN: No! No! No! The doctor brought him back to life! AMOS: Brother Rick? CAITLIN: His dad! JORDY: Hey, did he have one of those out-of-body experiments? AMOS: Ooh, yeah, the one with the bright light? I LOVE that one! CAITLIN: HELLO????? I was telling a story here. PASTOR: Thank you, Caitlin. I ll take it from here. CAITLIN: But, I wasn t finished. They kept interrupting me. KIDS: Ahhh, too bad, poor baby, etc. PASTOR: Okay, listen up! Brother Rick s father had a massive heart attack last night and is in critical condition at the Cincinnati Medical Center. Which means that Brother Rick will be gone for quite a while. We need to keep them in our prayers right now. AMOS/JORDY: Ohhhhhh. CJ: So, what you re saying is, he won t be able to teach our class for a while. No problem. I ll teach. KIDS: As if! Yeah, right! In your dreams! Etc. PASTOR: Actually, I ve found a substitute for your class. It s the Christmas program that has me worried. MARCY: What about Mrs. Carter?

7 PASTOR: Well, Mrs. Carter s husband is having health problems right now. She turned the directing portion over to Brother Rick for this year. I m afraid asking her to take it back on such short notice would be a little too much to ask. At least she s written the program, which eliminates a lot of work. (AMOS and JORDY drop heads and snore loudly.) PASTOR: Come on now, it s not that bad. AMOS/JORDY: Sorry, your pastor-ship. CJ: Looks like you ll be calling off the program this year. MARCY: Well, that stinks. BRAD: No, it doesn t. Think about it... no program, no lines to memorize. WHITNEY: But, I like being an angel. I look great in white. BRAD: Yeah, but I bet the halo gets kinda tight stretched around those horns, don cha know! (Laughs and highfives CJ.) WHITNEY: Ha, ha, ha. PASTOR: I didn t want to call it off. I was hoping that maybe I could talk... (Scans TEENS with eyes, then looks at CAITLIN.)... YOU into taking over the Christmas program. CAITLIN: (Overly-excited.) Me? You want ME to take it over? Oh, my goodness! My first calling! I m so excited! CJ: You want motocross-mouth to lead the Christmas program? Oh, this outta be good. BRAD: Yeah, just make sure she uses subtitles. JORDY/AMOS: Oooh, foreign film-age!!!! PASTOR: No! Yes! I mean... what I meant was... I want ALL of you to take it over. (Silence, as KIDS look at each other in shock.) PASTOR: Hello? (Pause.) Someone say something. (Silence, as TEENS look down or away with no response.) CAITLIN: (Excitedly.) We ll do it! BOYS: I don t think so! Yeah, right! Etc.

End of Freeview Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=764 Eldridge Publishing, a leading drama play publisher since 1906, offers more than a thousand full-length plays, one-act plays, melodramas, holiday plays, religious plays, children's theatre plays and musicals of all kinds. For more than a hundred years, our family-owned business has had the privilege of publishing some of the finest playwrights, allowing their work to come alive on stages worldwide. We look forward to being a part of your next theatrical production. Eldridge Publishing... for the start of your theatre experience!