AN INSCRIBED MONUMENT FROM THE OCOSINGO VALLEY

Similar documents
MAYA CHRONOLOGY: THE FIFTEEN TUN GLYPH

玛雅沃美克文 (A) (B)

The Ritual Participation of Elite Children in the Classic Maya Period. Finding material evidence for participation of children and young people

Capture and Sacrifice at Palenque

W J MCGEE. The Syntphony of Aye. By HENRY WOOD. Boston : Lee & Shepard, Pages 3-302, 12.

Maya Dynastic Territorial Expansion: Glyphic Evidence from Classic Centers of the Pasion River, Guatemala

Classic Maya deities have been explored by numerous scholars over the past several decades.

Chapter 6: Early Societies in the Americas

The "Holmul Dancer" Theme in Maya Art

Report 20 February A Tale of a Tail: The GII Prefix

REFORMED EGYPTIAN AND MAYAN GLYPHS. By Mark F. Cheney. September 2014

Some Problems in the Interpretation of the Mythological Portion of the Hieroglyphic Text of the Temple of the Cross at Palenque

BREAKING THE MAYA CODE Transcript of filmed interview Complete interview transcripts at LINDA SCHELE

No. 36, 2011 WAYEB NOTES A RARE FORM OF THE "SI" SYLLABLE. Luís Lopes

NOTES FURTHER NOTES ON PRASAT MUANG SINGH, KANCHANABURI PROVINCE. M.C. Subhadradis Diskul

The Origins of the Maya: A Comparative Analysis of Narratives

BREAKING THE MAYA CODE Transcript of filmed interview Complete interview transcripts at DAVID H. KELLEY

EHER 9194 Field to South of Sewage Works at Bures St Mary National Grid Ref: TL919333

The History of Xkuy, an Unidentified Southeastern Center 1

GILLETT GRIFFIN. Interview transcript

THE QUADRIPARTITE BADGE: NARRATIVES OF POWER AND RESURRECTION IN MAYA ICONOGRAPHY. VICTORIA ANN INGALLS B.S. Texas State University, 2009

A FURTHER READING FOR THE HOBAB INSCRIPTION FROM SINAI

2013 NRC Regular Category BOROBUDUR SHRINE RESTORATION

THE SIGNIFICANCE OF COSTUME IN THE HOWIE FAMILY PORTRAIT

Thematic and Compositional Variation In Palenque-Region Incensarios

The Hauberg Stela: Bloodletting and the Mythos of Maya Rulership

Maya Unit. Introduction: Assignment:

Interview transcript

architecture, and archaeology. For me, the critical questions have concerned how human beings organize societies, create ideologies, encode their

exchange between Ed Barnhart and John Major Jenkins, July 2010

The Celestial God of Number MERLE GREENE ROBERTSON Adjunct Curator of Pre-Columbian Art, Fine Art Museums of San Francisco

ì<(sk$m)=bdeggd< +^-Ä-U-Ä-U

The Rulers of Palenque

DOWNLOAD PDF AN EPIGRAPHERS ANNOTATED INDEX TO CHOLAN AND YUCATECAN VERB MORPHOLOGY

The Order of Days: The Mayan 2012 Phenomenon

The Forms of Glyph X of the Lunar Series

Finding aid for Views of Sri Lankan archaeological sites by Scowen & Co. and Joseph Lawton

Neil Steede first traveled to Mexico in the late 1960s where he attended the University

The countdown to

PYRAMID SCIENCE ON ALMOST EVERY CONTINENT EXIST PYRAMIDS AND PYRAMIDS-LIKE MONUMENTS

BYU Studies Quarterly

Function and Meaning in Classic Maya Architecture

Glyph Dwellers. Report 42 May Two Maya Inscribed Limpet Pendants. Matthew Looper Yuriy Polyukhovych

Glyph Dwellers. A Macaw Face Headband Dance on Site R Lintel 5. Report 18 April 2004 MATTHEW G. LOOPER

The Bolon Yokte Reference on the Copán Hieroglyphic Stairway

arrative Structure of Hieroglyphic Texts at Palenque

Meteorological Basis of Mayan Sacred Calendar Postulated

(El Arbolillo, Zacatenco, etc.), the southern Mara Towlands (Mamom), and. lits of 40 or 50 manuscript pages), analytically critical, and imaginatively

Epigraphic Notes on a Chiusine Cinerary Urn in the British Museum

Biblical Archaeology

세계통일교선교본부 Unification Church World Mission Headquarters

Writing in Maya Glyphs

SECRETS OF THE MAYA... UNLOCKED!

World Leaders: Hammurabi

During the later months of 2006 while browsing Justin

Singing Images of Creation

The Way of God L: The Princeton Vase Revisited.

Mallory Matsumoto University of Oxford

Maya Culture in Intercultural Communication

The Covenant Codex By David B. Brown

Wavespells of the year White Planetary Wizard

Maya Numbers & The Maya Calendar

Crystal Moon. How can I dedicate myself to all that lives? Heptad 45. Heptad 46. Heptad 47. Heptad 48. Weekly Codon. Codon 51. Codon 21.

PAGE(S) WHERE TAUGHT (If submission is not text, cite appropriate resource(s))

Why should we remember the Maya?

ON GENERAL CHARACTERISTICS OF THE WRITING CULTURE OF PRE-MASHTOTSIAN ARMENIA. Summary

2012: The End of the World as We Know It?

GLYPHS G AND F: IDENTIFIED AS ASPECTS OF THE MAIZE GOD 1

Early New Mexico License Plates Newsletter #2

Aztec, Inca, and Maya [5th grade]

INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS Janpath, New Delhi ,

NOTES NOTES ON RECENT EXCAVATIONS AT PRASAT MUANG SINGH M.C. SUBHADRADIS DISKUL

Mark McEntire Belmont University Nashville, Tennessee

The Comalcalco Brick - A Reference to 2012?

Into the Minds of Ancients: Advances in Maya Glyph Studies

Morley's Diary, April 11 Monday

THE HISTORY OF WRITING. Anne Pallant. 13 June 2007

Wives and Daughters on the Dallas Altar

E XPLORING MAYA COPÁN 1841

Churchyard Regulations Guidance for the erection of memorials

A Resource to Accompany

During the summer of 1974 the Instituto Nacional de

Church Furniture Store

New and Old Light on Shawabtis from Mesoamerica

The New Synagogue of Poznań

US History, Ms. Brown Need Help? or Call

[PDF] The Modern Scholar: The Incas: Inside An American Empire

book reviews city deseret book co1988 america but with some significant differences in the location of specific lands and cities book of

The Bones of K inich Janaab Pakal: A History of the Controversy Over His Age At Death

Development and Interaction of Cultures (CUL) Early Civilizations

Maya Harvest Festivals and the Book of Mormon: Annual FARMS Lecture

2012: The Return of Quetzalcoatl, Daniel Pinchbeck

Early Medieval Art. Carolingian Art 8 th -9 th Centuries, France & Germany Ottonian Art 10 th -Early 11 th Centuries, Germany

Introduction to the New Testament (NT500; 3 credit hours) Trinity School for Ministry, spring 2018

"This extraordinary book offers a new way to do and to write anthropology,

Atlantis - archaeological evidences

Interview Transcript

When you stand on the

Bennu and Shehkinah By David B. Brown 2012

THE MYTHOLOGY OF THE SHASTA-ACHOMAWI' By ROLAND B. DIXON

Transcription:

AN INSCRIBED MONUMENT FROM THE OCOSINGO VALLEY GARYW. PAHL UCLA Latin American Center Among the monument types typical of Tonina and the Ocosingo Valley (figure 1) in the western periphery of the Classic Period Maya area are rectangular cut stone slabs with circular holes carved through the center. Franz Blom and Oliver La Farge ( 1927: 275) who made survey visits to the Ocosingo Valley published these stone monuments as "bases for stelae." This nomenclature is somewhat misleading because the stelalike monuments at Tonina are actually statuary carved in full and 3/4 round. Inscriptions on these statues are carved on the backs of the statues, on the loin clothes draped down the front of the statues, and sometimes on arms and legs as tatoos. The perforated "bases" served as sockets for the tenoned &HIAPAS. MEXICO Ocosingo Piedras Negras 0 San Cristobal FIGURE 1. Map of the Tonim1 area. The Ocosingo Valley is demarcated by the stippled area. 20km

182 ESTUDIOS DE CULTURA MAYA stone tabs extending downward from the bases of the statuary. These were also inscribed with hieroglyphic texts on their sides. One such perforated slab (figures 2 and 3) with inscriptions was spirited out of an unknown site in the Ocosingo Valley by a private collector in the Los Angeles area. The collector contends that the monument was looted from Tonina proper but textual information on the monument suggest otherwise. Normally, it would not please me to see plundered monuments published, but the hieroglyphic text of the monument offers information which may prove to be important to the understanding of the Maya civilization's structure and operation in the Ocosingo Valley. The text is relatively straight forward. The text begins (figure 3 and table 1) with a clear Calendar Round date of 4 Ahau 18 Xul (AI-CI) which yields a Long Count date of 0.18.15.15.0 or 10.1.8.10.0. TABLE 1: Thompson numbers from the hieroglyphic text on the sides of the Ocosingo Valley monument. AI IV Ahau Bl G3 of the G Series or Lords of the Night Cl XVIII Xul D 1 819 day calendar symbol El 61: 568.756v (521 or 544 in human sacrifice? mouth) Fl 281:23.528:116 reversed function unclear Gl III Katuns HI Glyph X of the Lunar Series? 11 36.168: no number in Thompson Catalog. 116:131 (emblem glyph) Jl 24.117:1030v function unclear Kl 16.67lv:?:181 name? L1 59.125:19 as mainsign name? Ml 117.168:671:116 (possible emblem glyph) N1 28:528.513 function unclear Material: yelow sandstone (the same material type found at Tonina) Length: 56 em. Width: 43 em. _ Thickness: Perforation: 16 em. 21.5 em. (diameter) Glyph Height: 10 em. Incision:.75 em. (depth)

AN INSCRIBED MONUMENT 183 The earlier date is confirmed by the Lunar Series Glyph G3 at BI. Thompson (personal communication) noted that the free "use of Glyphg to date Calendar Round dates is typical of Chiapas." Thompson originally demonstrated the Calendar Round confirmation technique wit hthe G Series in 1942. The glyph at Dl is of interest because it almost always occurs in monumental texts with the 819 day calendar notations. On both the monumental texts and in the codices the 819 day count is associated with world directions. But here there seems to be no directional association unles F1, T281: 23. 528:116:24, or Yellow Year is used as a directional indicator of some sort. The Kan-cross, T281, is frequently associated with the T23 affix, al, which is a common terminal affix for "color names-chacal, zacal, kanal when they are used adjectivally" (Thompson 1962: 67). The glyph compound at El, T61: 568.756v ( 521 or 544 in mouth) is not clear in this context as T568 is usually accepted as connotating human sacrifice, especially in the company of a bat glyph. Perhaps the compound indicates that a sacrifice is associated with the date of the monument. An unusual expression of the Katun sign follows the Kana} haabil (Fl) expression at Gl. The numerical coefficient, three, and the winged ka element, T28, are normal, but a female head (TIOOOv) and a postfix not included in the Thompson catalog replace the expected Tun mainsign. The compound at Hl is apparently a variant of Glyph X of the Lunar Series although its function here ~~cl~ ' The compound at II is an emblem glyph which has not been certainly identified to date. The mainsign of the emblem glyph is similar to T644, the seating glyph, but the diagonal band between the circle at the top and the bottom of the mainsign set it apart from the Thompson Catalog holdings. From the form of the monument and the reported provenience of the monument, it might be suggested that the emblem glyph is a variant of the known Tonini emblem glyph (Baudez and Becquelin 1975) which employs an Ich mainsign. An emblem glyph which closely resembles the Tonina emblem glyph and the one on this monument is illustrated by Michael Coe (1973: 33) on the sides of a stone box containing a jade head (El ). Unfortunately, the provenience for the box and head are unknown as they are also contraband. Coe suggests that the box and head are from the Usumacinta region but are rendered in the style of Palenque workmanship. Without too much difficulty the emblem glyph on the

FIGURE 2. Sandstone monument reputed to be from the Ocosingo Valley photograaphed in Los Angeles area.

A B c D E F G H I J K L M N FIGURE 3. Photographs and drawings of the hieroglyphic text inscribed on the sides of the Ocosingo monument. The glyps appear as A N.

AN INSCRIBED MONUMENT 185 box can be identified as the Tonina emblem glyph. At the same time the form of the Ich mainsign is quite close to that of the emblem glyph on the Ocosingo monument dealt with here. Two possible interpretations for the provenience of the emblem glyph and the monument result from this line of reasoning. First, it seems quite possible that a site of such size and importance as Tonina might have more than one variant form of emblem glyph. Case in point are Tikal and Palenque which display several emblem glyphs. Palenque in particular (Marcus 1976: 94) refers to itself in the texts with seven different forms of emblem glyph: T570, 590b, 1040, 793a, 1043, 1045, 1046. Tonina may thus have had two versions of its emblem glyph, one with the Ich mainsign and the other version on the monument in question. Second, Baudez and Becquelin ( 1975: 12) have reported that there are 2 sites in the valley near Tonina which they identify as probable secondary centers to Tonin:l. The emblem glyph on the Ocosingo monument may identify one of these two secondary centers. A similar inscribed stone monument to the one discussed here (even including measurements) was found by Franz Blom (1957: figura 35), in Santot6n, Chiapas some 10 km from Tonina. If the similar measurements of the Santot6n stone and an emblem glyph (illustration not available) in the text of that monument could be matched with the emblem glyph discussed here on the Ocosingo monument, the identity of the emblem glyph and the monument might be resolved. A second possible emblem glyph on the Ocosingo monument is carved at Ml. It lacks the customary water-group prefix but still may operate in an emblem glyph with its Manik mainsign and the customary T168 superfix. Heinrich Berlin (personal communication) rightly feels that this compound should not be seriously considered as an emblem glyph without the proper affixes and at least two other citations of the same compound elsewhere to confirm it as an emblem glyph. The nature of the glyph compounds at J1, K1, Ll, is uncertain but they may operate as nominal glyphs. It may be of significance that both the compound at Kl and the possible emblem glyph at Ml have Manik mainsigns. The function of the terminal compound, T28: 528.513 remains unclear. It might be a replacement of the Imix-comb-Imix compound which frequently terminates glyph clauses. The text of the stone box illustrated by Michael Coe ( 1973: 33) which carries the Tonina emblem glyph ends with a separate Muluc compound and Cauac compound which is reminiscent of the

186 ESTUDIOS DE CULTURA MAYA single terminal Muluc-Cauac compound terminating the Ocosingo text. Both of these terminal combinations seem to duplicate the Imix-comb-imix function. BIBLIOGRAPHY BAUDEZ, C. F. and PIERRE BECQUELIN 1975 Une cite Maya au Mexique: Tonina, Archeologia, 80 Mars: 10-22. BAUDEZ, D. F. and PIERRE BECQUELIN 1973 Recherches Archeologiques a Tonina, Chiapas, Mexique. Journal de la Societe des Americanistes, LXI:255-257. BERLIN, HEINRICH (Personal Communication) BLOM, FRANZ 1957 La Selva Lacandona. Mexico. BLOM, FRANZ and 0. LA FARGE 1926-1927 Tribes and Temples. Middle American Research Series, Pub. 1. Vols. 1 and 2. New Orleans. CoE, MrcHAEL D. The Maya Scribe and his World. The Grolier Club. MARCUS, JOYCE 1976 Emblem and State in the Classic Maya Lowlands: An Epigraphic Approach to Territorial Organization. Dumbarton Oaks, Washington, D.C. THOMPSON, J.E.S. (Personal Communication) 1942 "Observations on Glyph G of the Lunar Series." Notes on M iddle American Archaeology and Ethnology, No.7. 1962 A Catalog of Maya Hieroglyphs. Norman.