BLESS THIS BREAD. An Audience-Participation Play. by Craig Sodaro. Performance Rights

Similar documents
The Jesus Stocking. by Kathleen Conner Combass. Performance Rights

CAKES GALORE! A Comedy by Laurie Allen. Performance Rights

He Sent Us an Angel. By Beverly S. Carter. Performance Rights

WHO IS THIS MAN? By David Dunlap. Performance Rights

STRANGERS AT THE INN

The Twelve Plays of Christmas

THINK THANKS. By Dolores Steger. Performance Rights

THE CAPRICIOUS PEARLS

THE MISPLACED CHRISTMAS

THE SPIRITS OF CHRISTMAS

The Road to Bethlehem

BETHLEHEM BOUND. by Margery Peterson. Performance Rights

A FATHER S VOICE. By Dorothy Dunham and Kyle Dunham. Performance Rights

Return to Christmas. by Stephen J. Martin. Performance Rights

ANOTHER Christmas Eve

THE CHRISTMAS PLAY. By Craig Howard. Performance Rights

A Children s Christmas Musical

HEAVEN HELP US. By Tambra Kay Petrie. Performance Rights

Miracle at Christmas Camp

In Search of the Holy Grill

TIME FOR CHRISTMAS. By Rachel Cloer Lukhard. Performance Rights

A Perfect Tree. By Tim Snyder. Performance Rights

THE SHEPHERDS WHO GATHER

HIS GENTLE TOUCH. By David Dunlap. Performance Rights

Good Will Two Men. By Brian Shoop. Performance Rights

THE NIGHT BEN FILBERT WAS TOUCHED BY AN ANGEL

Abiding in the Fields

WHY CHRISTMAS? By Elinor Brown. Performance Rights

The Three Strangers. Adapted by Burton Bumgarner. from the short story by Thomas Hardy. Performance Rights

Hey! That's My Donkey

WHY CHRISTMAS? By Elinor Brown. Performance Rights

A Slight Change of Plan

THE CURSE AND THE CROWN

The Blind Spot. A Play in One Act. By Steven Stack. Performance Rights

THE MESSIAH INQUEST. By Carol Shively and Jim Ineson. Performance Rights

JUST AN OBSERVER. By Kaye Loughridge. Performance Rights

Barabbas. By Hilary Mackelden. Performance Rights

THE DIVIDING TREE. A Play in Two Acts. by Mark D. Ogle. Performance Rights

I Am Angel. By Alaska Reece Vance. Performance Rights

THE HISTORY of the World

Between Death and Life

The Revenge of Ichabod Crane

EXTRA! EXTRA! Book, Music, and Lyrics by STEVE COOPER

Through the Eyes of Faith

HOLLY S CHRISTMAS DETOUR

Fire in the Bones. By Thomas F. Rogers. Performance Rights

Monologues that Minister

THE STAR CHILD. adapted by Burton Bumgarner. from the story by Oscar Wilde. Performance Rights

THE TWENTY-FIVE CENT MINISTRY

GUILTY AS CHARGED. By Tambra Petrie. Performance Rights

Martin and Malcolm: How Long Must We Wait?

Psalmba. A Musical Story of David. Book, Music and Lyrics by Jeff Combe. Performance Rights

A LIFE LENT TO THE LORD

SCROOGE HAS LEFT THE BUILDING

Noah s Rainbow. A Play for Young Audiences. By Thomas J. Gardiner. Performance Rights

CHRIST, the LIGHT of the WORLD

Wise Men. The Two-Man Play about Three Wise Men. By Joey Martineck. Performance Rights

Twelve Angry Teachers

LITTLE WOMEN. Dramatized by L. Don Swartz. From the novel by Louisa May Alcott PERFORMANCE RIGHTS

A CHRISTMAS CAROL.COM

MONOLOGUES that Minister

A SHOWER FOR BABY JESUS

SCROOGED UP! A Holiday Comedy in One Act. by Dan Roberts. Performance Rights

The Desert. A One-Act Play. By Ed Young. Performance Rights

THE GRIFFIN AND THE MlNOR CANON

HAIL to CHIEF. By Craig Sodaro

DOWN FROM ABOVE. A Drama in Two Acts. by Jeff Richards. Performance Rights

TWO GENTLEMEN OF VERONA

THE WORD: SOMETHING TO CHEW ON

Before Abraham Was, I Am

ST. FRANCIS AND THE ANGEL

THE HOPE CRADLE. A Christmas Play. By Melanie R. Sita. Performance Rights

Today You Will Be With Me in Paradise

Before Juliet. A Study of Love. By Nelly E. Cuellar-Garcia. Performance Rights

A POTPOURRI OF CHRISTIAN DRAMA FOR EASY MINISTRY

Who is the Holy Spirit?

A Comfort Falls Christmas

Christmas With a Twist

THUNDER OVER THE HOUSE

PRAYER OF THE PATRIOT

In Light of Everything

A Birthday in Bethlehem

Hiriam, The Innkeeper!

ANGEL IN THE PARK. By Maxine Minson. Performance Rights

The Stolen Sword. By Neal Barth by Neal Barth ALL RIGHTS RESERVED Duplication Prohibited

Dateline: Jerusalem DATELINE: JERUSALEM. By Michelle Van Loon. Performance Rights

MR. SCROOGE AND THE SPIRITS OF CHRISTMAS FIRST

MELCHIOR S JOURNEY. by Susan A. J. Lyttek. Performance Rights

IN A WEEK S TIME. by Marilyn D. Bacon

NO TRUMPETS BLOWING STORY OF THREE SHEPHERDS. By Alberta Hawse. Performance Rights

Jesus and the Last Supper

ASHES FOR REMEMBRANCE

Hiding Christmas. The Original Stageplay. Cleveland O. McLeish

If We Had Only Known

Cry of the Native Children

Saying Grace. from Pew Prompters By Lawrence & Andrea Enscoe. A Sketch for Thanksgiving

THE NIGHT THAT STARTED IT ALL

Upon This Night. By Terri Dill. Performance Rights

Freedom Train The Courage of Mandy Kate Brown

LAST WILL & TESTAMENT

Transcription:

BLESS THIS BREAD An Audience-Participation Play by Craig Sodaro Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co. Inc. Call the publisher for additional scripts and further licensing information. The author s name must appear on all programs and advertising with the notice: Produced by special arrangement with Eldridge Publishing Co. ELDRIDGE PUBLISHING COMPANY 2007 by Craig Sodaro Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=906

- 2 - STORY OF THE PLAY Is this play a fund-raiser, an audience-participation mystery, or just entertainment for a potluck dinner? Well, one thing is for sure, it s fun no matter how you use it! Rev. Longacre is gathering a small group of church members together at a potluck dinner to broach the subject of starting a building fund. Duty-bound Hazel arrives first to set up everything and tell the Reverend she hasn t yet found out who s been sending him anonymous love letters. Jenny, a local politician, and Cornelia, a local poet, arrive next, followed by Annie, the church secretary who is hiding something under her coat and it s not a covered dish. Malcomb, the head of the building drive, brings his famous lasagna, and is followed by the most liberal member of the congregation, Della, who has brought her hot wings. The final member to arrive except for the audience, of course is the richest woman in town, Lillian Kingsley. Before Rev. Longacre is able to give his two-hundred-plus reasons for the drive, Lillian startles the members by saying she is giving the church $1.5 million in jewelry so there won t even need to be a fund drive. All are stunned. But when Lillian s purse is retrieved from the cloakroom, it is empty of jewels. A thief has struck! Well-versed by reading so many mystery novels, Rev. Longacre begins an investigation that leads his church members and yours! to unveil the culprit who has made good use of the covered-dish supper. (A complete description of clues for the audience to find is included at the end of the script.)

- 3 - CAST OF CHARACTERS (2 m, 6 w) REV. GAVIN LONGACRE: 28, new pastor of Fairhaven Community Church, an energetic, single man who loves mysteries. HAZEL HOLGATE: 40s, the real head of the church, she is present at every event and runs the show. She knows everyone and, she thinks, everything that s happening. JENNY LOU JEFFERSON: 30s, a local politician running on the fact that she is a direct descendant of Thomas Jefferson. Unfortunately, she s a bit on the ditzy side. CORNELIA ST. JEROME: 30s, the local poet who tries to appear as ethereal as possible. ANNIE CHRISTIE: 20s, the church secretary, a shy, almost naïve young lady who seems like a minnow in a pool of sharks. MALCOMB PENDLETON: 40s, a new member of the church who has volunteered for the thankless task of heading up the building fund drive. DELLA DRINKWATER: 30s, provocative in appearance and action, she s got a good head on her shoulders for business and for spotting hypocrites. LILLIAN KINGSLEY: 60, the richest woman in Fairhaven who revels in her wealth and power. CASTING NOTE: The ages of the characters can be adjusted, if necessary, to fit your available actors. SYNOPSIS OF SCENES Act I Fairhaven Community Church hall, a winter s evening. Act II The same, following the dinner.

- 4 - SETTING The Fairhaven Community Church hall. (If desired, change the name to your actual church name.) Entrance right leads to cloakroom, offices, and restrooms. Entrance left leads to outside and the church itself. At center stands a table covered with a long tablecloth ready to receive the covered dishes. Smaller tables left and right each set with four chairs that the cast may use as blocking dictates. Upstage, to the right of the food table, stands a podium. Décor should simulate a typical church hall. If actually performed in a church hall, use the space as is and simply adjust the blocking so that there is one way to enter from outside and another exit to accommodate the cloakroom and so on. COSTUMES Except for the Reverend, all characters wear modern, everyday clothes, coats, and, if desired, gloves and hats. The women should carry purses. Lillian should wear a fur coat along with sparkling jewelry, including rings on all fingers. Della should dress more provocatively than the other ladies. Hazel should dress more conservatively and perhaps wear an apron. PROPERTIES (See back of script for a complete list of clues to hide for the audience to find.) Covered dishes for each character except the Reverend. (All the dishes can be empty containers which are covered. Put a couple of damp towels inside to give the dish weight.) Note cards Bouquet of fake flowers Paper plates, napkins, cups, silverware Gift bag holding an Agatha Christie mystery Folder Large purse (decorated with a poodle) containing an empty wooden jewelry box and cell phone Glass of water Cell phone Tissue Coffee cup Baskets of bread Large, flashy ring Phone book Glittering necklace and other jewelry hidden in covered dish

- 5 - ACT I (AT RISE: HAZEL bustles on left carrying a covered dish.) HAZEL: Reverend! Rev. Longacre! Where ARE you? (GAVIN pops up from under the table. HAZEL screams.) GAVIN: Sorry! HAZEL: What are you doing under there? Playing Sherlock Holmes? GAVIN: Oh, no this would have been small potatoes for Mr. Holmes. I I dropped my note cards. (Gathering up note cards.) HAZEL: Whatever are those for? GAVIN: (HE rises.) My my speech. HAZEL: Good heavens, Reverend! You give us a sermon every week and you don t need note cards! GAVIN: Well, when I m preaching, the word of God inspires me. Tonight, I m talking about money, and you know what God thinks of money. Consider the lilies of the field, Ms. Holgate. HAZEL: Yes, well, easy for Him to say! He doesn t have to replace the roof of Fairhaven Community Church! (Sets dish on table.) There! GAVIN: And what do you have in your covered dish? HAZEL: Cold pea salad! My grandmother s recipe from the Great Depression. Healthy and easy on the pocketbook! (Bustles off right.) GAVIN: Oh, Ms. Holgate? Ms. Holgate? (HAZEL enters right carrying a large bouquet of fake flowers which she sets in center of the table.) HAZEL: We need some lilies of the field, Reverend, don t you think? GAVIN: Yes, well, very nice. Have you have you had a chance to you know ask around? HAZEL: Oh, about your problem?

- 6 - GAVIN: (Nervously.) Shhhhhh! HAZEL: Nobody else here yet. I always get to these things first. Somebody s got to set up! (Exits right.) GAVIN: (Calling off right.) Well, have you, Ms. Holgate? (HAZEL enters right carrying paper plates and napkins, which she sets on one side of the table.) HAZEL: Have I what? GAVIN: Had a chance to you know? HAZEL: Sorry, but I don t have a thing to report. Nobody knows a thing about them. GAVIN: Have you been discrete? HAZEL: Really, Reverend I m the soul of discretion! (HAZEL exits right as JENNY LOU and CORNELIA enter left, each with a dish.) JENNY: Evenin, Rev. Longacre! GAVIN: Ms. Jefferson! How nice of you to come. And Ms. St. Jerome, welcome. JENNY: Any luck finding out who s been sending you those letters? GAVIN: (Covering.) Letters? What letters? CORNELIA: The ones Hazel s been asking everybody about. JENNY: (Coyly.) Sounds to me like you ve got a girlfriend! (HAZEL enters right carrying a tray of silverware.) HAZEL: I told him they re harmless. GAVIN: I thought you were the soul of discretion, Ms. Holgate. HAZEL: Well, I haven t told the newspapers yet. Look, do you want to find out who s sending em or not? (Slams silverware down on table.) You two go on and put your coats and things in the cloakroom. We don t need em cluttering up the dining room. CORNELIA: Dining room! Reverend, like the Bible says, you can t make a silk purse out of a sow s ear.

- 7 - GAVIN: Well, once we get the new church and hall built, we will have a dining room. JENNY: (Sighing.) Just in time for the Second Coming! (JENNY and CORNELIA exit right as ANNIE enters left with a grocery bag. She s also discretely hiding a gift bag under her coat.) ANNIE: Evening, Reverend! GAVIN: I told you, Annie call me Gavin. I ve told everybody that. ANNIE: Oh, but well. HAZEL: Good girl, Annie. The church secretary needs to keep a proper distance. What d you bring? ANNIE: I I don t really know how to cook. (Glancing nervously at GAVIN.) Yet. GAVIN: Nice of you to bring something anyway. ANNIE: You like chips and salsa? GAVIN: Everybody loves chips and salsa. HAZEL: I don t. It s cold pea salad that keeps the pipes working. (JENNY and CORNELIA enter right.) JENNY: Why, Annie Christie! CORNELIA: I just love your name. It s so so literary. ANNIE: My parents loved Tolstoy. JENNY: Who s he? Your uncle? (MALCOMB enters left, carrying a dish and a manila folder. ANNIE rushes off right to hang up her coat and hide the gift bag.) MALCOMB: Hello, all! The party can start now. Malcomb Pendleton s lasagna has arrived! JENNY: Smells delicious! HAZEL: What d you two bring, Jenny and Cornelia? JENNY: As a proud descendant of President Thomas Jefferson

End of Freeview Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=906 Eldridge Publishing, a leading drama play publisher since 1906, offers more than a thousand full-length plays, one-act plays, melodramas, holiday plays, religious plays, children's theatre plays and musicals of all kinds. For more than a hundred years, our family-owned business has had the privilege of publishing some of the finest playwrights, allowing their work to come alive on stages worldwide. We look forward to being a part of your next theatrical production. Eldridge Publishing... for the start of your theatre experience!