Medieval Art 17/02/2017. Wednesday, September 19, 2012 Course Outline. Early Christian/Byzantine Art. Romanesque Art. Gothic Art

Similar documents
Medieval Art. Medieval Art. Key Notions 22/09/2017. Or, the Hold of the Church St. Lawrence, 9/21/2017

Time Periods for this chapter include:

Early Christian Art. Sarcophagus = Tomb Junius Bassus = Roman Prefect. From the period soon after Christianity becomes legal

UNIT 3. Christian and Islamic Traditions and Art

Chapter 15. The Age of Faith

Chapter 6, lesson 3 CULTURE of the MIDDLE AGES

Stone Age through Gothic ( ) Fall Calendar of course work for Fall 2011 Second half of course

Gothic Art. Early Gothic High Gothic Late Gothic

Roman Art 14/02/2017. Sunday, September 16, 2012 Course Outline. The Roman Empire. Influences on Roman Art. Roman Architecture.

Roman Art. Key Notions 14/02/2016. Sunday, September 16, 2012 Course Outline. -Arch/vault/dome -Basilica -Equestrian statue -Forum -Oculus

Beowulf was written in Old English between the 8 th and 11 th centuries; the oldest known copy is from 1010.

Early Christian, Byzantine & Islamic Art. The Middle Ages

Middle Ages: The Reign of Religion. The Dark Ages-truly anything but dark!!

Describe the Romanesque style in France, Italy, England, and Norway. What stylistic similarities and differences do they

By: Gina Sanson. French Cathedrals

1. What was meant by the white robe of churches? 2. What advantage did stone vaults have over wooden roofs?

ART381 Exam 3 Chapter 8 Spring 2007

ROMANESQUE ART ART AND CULTURE DURING THE FEUDAL AGE

Katz English 11:8. Canterbury Cathedral was first built in 597 A.D. due to the coming of the first

Set up a new TOC for the 2 nd 6 weeks

Art History: Medieval Europe THE GOTHIC PERIOD Miss O Hart

Assessment: The Roman Catholic Church in Medieval Europe

Pages Great Architecture of the World

Throughout the Middle Ages, France experienced the slow deterioration of law, order,

Speyer Cathedral I ; Speyer II

Byzantine Review. What are the key elements of Byzantine architecture? What are the key elements of Byzantine art?

Test Strategies and Concepts for ROMANESQUE ARCHITECTURE

Romanesque. Dates:

EARLY CHRISTIANITY. Early Christianity AD. outline. Catacombs

Study Guide: The Middle Ages

Chapter Nine: The Rise of Medieval Culture Charlemagne: Ruler and Diplomat ( )

AKA the Medieval Period with knights, castles and the Black Plague. 8/12/2012 1

Notre Dame de Paris. The most famous Gothic Cathedral

Chapter 12: Crusades and Culture in the Middle Ages

Beginnings of Christianity

+ To Jesus Through Mary. Name: Per. Date: Eighth Grade Religion ID s

Study Charts January 13, 2013

Content Area 3: Early Europe and Colonial Americas. Byzantine

Icon of St. Matthew 2017

3. Compare and contrast the centrally planned Early Christian churches with the longitudinal, Latin Cross plan churches.

Society, Religion and Arts

Piero Scaruffi Copyright The principles of Christian art Foundations of Christian architecture Mosaics Illuminated

History of Interior Design

The Significance of Paris. Center of Western civilization ( ) Distinct cultural expression. Chapter Ten: High Middle Ages

Reading Essentials and Study Guide

Early Medieval Art. Carolingian Art 8 th -9 th Centuries, France & Germany Ottonian Art 10 th -Early 11 th Centuries, Germany

The Roman Catholic Church. World History (Wednesday, November 2 nd, 2011)

The double-headed eagle is a common symbol in heraldry. It is most commonly associated with the Byzantine Empire. In Byzantine heraldry, the heads

Excerpted from Adams, A History of Western Art. New York: McGraw-Hill, 1997, 166-7, 193-5, 206-7, 247-9

Gothic was a label placed on this style since it broke drastically from the Classical ideal. It was an insult given by Renaissance architects and it

Public Building Design I. 2016! Sacred buildings - TOMBS, MAUSOLEUMS !! - TEMPLES, CHURCHES !! - MONASTERIES. 1! Zoltan Schrammel

Overview

The Dark Ages, Middle Ages or Medieval Times?

Cultural Achievements of Western Europe During the Middle Ages

Dream of Constantine Piero della Francesca fresco cycle The Legend of the True Cross Bacci Chapel, Church of San Francesco, Arezzo

Religious Walking Tour in Palma de Mallorca

Year Course Programme Early Medieval:

HRS 131: MEDIEVAL CULTURE Professor Mary Doyno Fall 2015 Tuesdays 10:30-11:45am Calaveras 123 Thursdays (on-line)

n_ - - -:-.^--^^- - --

Feudal Europe From the Atlantic ocean until Russia, from the North and Baltic seas until the Mediterranean.

The Byzantine Empire

History of The Catholic Church Part II

CONTENTS. Letters to the Students Letter to the Teacher A Classical Approach to Education

A. After the Roman Empire collapsed, western Europe was ruled by Germanic tribes.

Churches Walking Tour in Pisa

EVOLUTION OF THE LITURGY

WORLD HERITAGE LIST Cologne Cathedral NO 292rev

OME coin collectors like to collect coins according to a theme. For example, they will collect coins with an

Dark Ages High Middle Ages

Early Byzantine Europe 50, 51, 52, 54

17 THE AGE OF PILGRIMAGES

Economic Educational Religious Artistic

Now consider your building.

The Church of Hagia Sophia, meaning Holy Wisdom, was Justinian s imperial place of worship in Constantinople.

Church History to the Reformation

HRS 131: MEDIEVAL CULTURE Professor Mary Doyno Fall 2017 Mondays and Wednesdays 3-4:15pm Alpine 218

Sacraments and Salvation in the Middle Ages

Can you describe the typical Byzantine church (plan, elevation and ornamentation) and explain how it changed from the Early to Late Byzantine period?

CHAPTER 9. Medieval Civilization

Religious Art. Overview of Judaism, Christianity, Islam and Asian Religions Imperial Christian Art and Architecture Early Jewish Art and Architecture

Spirituality and Art. Part 2

3. Which institution served as the main unifying force of medieval Western Europe?

Rebirth. Responses to the changing demographics and increases in wealth also manifested themselves in art and thinking the Renaissance.

Economic Educational Religious Artistic

Discovering the Renaissance

The Trail of Churches Pilgrimage

World History Exam Study Guide

Unit 3 pt. 3 The Worlds of Christendom:the Byzantine Empire. Write down what is in red. 1 Copyright 2013 by Bedford/St. Martin s

Churches Walking Tour in Coimbra

CHAPTER 8 TEST LATE MIDDLE AGES. c. leading the Normans to victory in the Battle of Hastings.

Which of the following statements BEST describes Clovis?

Baptism in Art and Architecture

ICOMOS. That the proposed cultural property be included on the World Heritage list on the basis of criteria II, IV and VI.

Archaeologia Cantiana Vol BBABOUKSTE OHDBOH, BBOM IHE SOUTH-WEST.* BRABOURNE CHURCH.

Bentley Chapter 16 Study Guide: The Two Worlds of Christendom

Light and Colour SOUTH AMBULATORY NORTH AMBULATORY

ART IN CONTEXT: The Age of Faith. ART 121 Lecture 13

IES VILATZARA Javier Muro

The Fall of rome The rest of the world

Monday September 19, 2016

Transcription:

Medieval Art Or, the Hold of the Church St. Lawrence, 2/17/2017 Wednesday, September 19, 2012 Course Outline Early Christian/Byzantine Art Romanesque Art Gothic Art 1

313 Edict of Milan legalizes Christianity 320-327 St. Peter s Basilica 527-565 Justinian rule 547 Church of San Vitale 1000 Viking settlement in America 1000-1200 Romanesque art c. 1000-1100 St. Sernin 1095-1099 First Crusade 1122-1151 Suger, Abbot of St. Denis 1147-1149 Second Crusade 1150-1400 Gothic art c. 1100-1200 Chartres 1337-1453 100 Year s War 1378-1417 The Great Schism 17/02/2017 Key Notions -Apse -Contrapposto -Flat tint -Flying buttress -Illumination -Nave -Transept -Vault Timeline Early Christian (100-500) and Byzantine Art (500-1453) Source: 4 2

The Emperor Constantine Capitoline Museum, Rome Constantine with Sol Source: 9 Early Christian/Byzantine Roman basilica to church Christ as the Good Shepherd Meeting of 2 worlds Mosaics Old Basilica of St. Peter Rome, 324-354, 63 x 108 x 32 m 3

St. Paul Outside the Walls Detail of nave, Rome, 386; view of façade Source: 3 Early Christian/Byzantine Romanesque Gothic The Good Shepherd, Catacombs of Saints Pietro and Marcellino, Rome, 4th century Source: 2 Early Christian/Byzantine Romanesque Gothic Versions of The Good Shepherd Source: 2 Early Christian/Byzantine Romanesque Gothic 4

Sarcophagus of Junius Bassus St. Peter, Rome, c. 359, Marble, 118 x 244 cm Source: 3 Early Christian/Byzantine Romanesque Gothic Sarcophagus of Junius Bassus Detail, Christ with Peter and Paul Source: 10 Early Christian/Byzantine Romanesque Gothic San Vitale Ravenna, 526-547; View of the apse Source: 3 Early Christian/Byzantine Romanesque Gothic 5

San Vitale: plan and capital Nave Apse Source: 3 & 7 Early Christian/Byzantine Romanesque Gothic Jesus Calling the First Apostles Sant Appollinare Nuovo, Ravenna, VI, detail of mosaic of north wall, Scala, Florence Source: 3 Early Christian/Byzantine Romanesque Gothic Sarcophagus of Theodorus Sant Appolinare, Ravenna, VII, Marble, 100 x 206 cm Source: 2 Early Christian/Byzantine Romanesque Gothic 6

Romanesque Art Or, Pilgrimages to Holy Sites Romanesque Art (1000-1200) Source: 4 St. Sernin, Toulouse, XI-XII Source: 4 7

St. Sernin: nave and plan Source: 3 Apocalyptic Christ Moissac, XII, 47,8 cm Source: 4 St. Peter Receiving the Keys Book of Periscopes of Henry II, 26 x 19 cm, Bayerische Staatsbibliothek, Munich Illumination Mainly manuscript drawing Flat tint (especially background) Fish eyes/flappy feet Little regard for space/depth Sculptural for fixed drama Emphasis over realism Source: 2 8

Gothic Art Or, Reaching for the Heavens Gothic Art (1150-1400) Source: 4 Chartres, Amiens, and Reims Source: 1 9

Robert de Luzarches, Amiens Cathedral XIII-XVI Source: 4 Amiens Cathedral: vaulted ceiling Rib vault Source: 4 The Last Judgment Central portal of west façade of Amiens, c. 1220-30 Source: 2 10

Anonymous, Chartres Cathedral, XII-XIII Source: 9 & 12 Chartres Cathedral: North Portal Source: 13 Chartres Cathedral: section Source: 4 & 11 11

Chartres Cathedral, Three tiers wall Source: 9 Chartres Vs. Vézelay Source: 9 Gothic Romanesque The Good Samaritan Window Chartes, XIII, Stained Glass Source: 2 12

North Rose Window The Glorification of the Virgin Chartes, XIII, Stained Glass Source: 9 Conclusion -Early Christian art blended the formal aspects of classical art with Christian content, then evolved into symbolic representation, dropping the classical form -Romanesque art returned to Roman aesthetics, namely the rounded arch, which involved buttressing, giving the works a massive and heavy presence -Gothic art lightened the structures by first relying on the pointed arch, which permitted higher vaults, then on stainedglass windows that gave the whole experience an otherworldly touch Suggested readings -Gombrich, The Story of Art, p. 103-109; 119-153 -Cleaver, Art, an Introduction, p. 136-178 -Fiero, The Humanistic Tradition, vol. 2. p. 17-35; 116-137 -Kleiner, Gardner s Art through the Ages, p. 301-322; 325-354; 447-518 13

Bibliography and Sources 1. Adams, Exploring the Humanities 2. Cleaver, Art, an Introduction 3. Fiero, The Humanistic Tradition, vol. 2 4. Kleiner, Gardner s Art through the Ages 5. Gombrich, The Story of Art 6. University Laval Course Notes 7. www.tripadvisor.com 8. loki.stockton.edu 9. www.wikipedia.com 10. www.religionfacts.com 11. www.panoramio.com 12. www.chaircreative.com 13. www.paradoxplace.com 14

2024 © religiondocbox.com Privacy Policy | Terms of Service | Feedback