Bibliography Flower Adornment Sutra Preface. Trans. The Buddhist Text Translation Society. Ukiah: The Sino-American Buddhist Association.

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Appendix 1: Table of sixty-four hexagrams Eight Trigrams Ch ien K un Chên Sun K an Li Kên Tui Ch ien Ch ien 1 T ai 11 Ta Chuang 34 Hsiao Ch u 9 Hsü 5 Ta Yu 14 Ta Ch u 26 Kuai 43 K un P i 12 K un 2 Yü 16 Kuan 20 Pi 8 Chin 35 Po 23 Ts ui 45 Chên Wu Wang 25 Fu 24 Chên 51 I 42 Chun 3 Shih Ho 21 I 27 Sui 17 Sun Kou 44 Shêng 46 Hêng 32 Sun 57 Ching 48 Ting 50 Ku 18 Ta Kuo 28 K an Sung 6 Shih 7 Hsieh 40 Huan 59 K an 29 Wei Chi 64 Mêng 4 K un 47 Li T ung Jên 13 Ming I 36 Fêng 55 Chia Jên 37 Chi Chi 63 Li 30 Pi 22 Ko 49 Kên Tun 33 Ch ien 15 Hsiao Kuo 62 Chien 53 Chien 39 Lü 56 Kên 52 Hsien 31 Tui Lü 10 Lin 19 Kuei Mei 54 Chung Fu 61 Chieh 60 K uei 38 Sun 41 Tui 58

Appendix 2: The Primal Beginning or t ai chi t u Source: 1950. The I Ching or Book of Changes. Richard Wilhelm Translation. Trans. Cary F. Baynes. Routledge & Kegan Paul: London. p. 298 This is also known as the Yin-Yang diagram, symbol of the two great balancing forces that keep the universe in being. The dynamic tension between them is apparent in the seed of change contained in each (Page 1989:12).

Appendix 3: Diagram of Ho T u, the Yellow River Map Fire Earth Wood Metal Water Source: 1950. The I Ching or Book of Changes. Richard Wilhelm Translation. Trans. Cary F. Baynes. Routledge & Kegan Paul: London. p. 309

Appendix 4 Summer S Ch ien Tui Sun Spring E Li Autumn W K an Chên Kên Winter N K un Sequence of Earlier Heaven, or Primal Arrangement Summer S Li Sun K un Spring E Chên Autumn W Tui Kên Ch ien K an Winter N Sequence of Later Heaven, or Inner-World Arrangement Source: 1950. The I Ching or Book of Changes. Richard Wilhelm Translation. Trans. Cary F. Baynes. Routledge & Kegan Paul: London. p. 266 & p. 269

Appendix 5: Diagram of Lo Shu, the Writing from the River Lo SOUTH Wood Fire Summer Earth 9 4 2 EAST Wood 3 5 7 Autumn WEST Spring Metal 8 6 1 Earth Water NORTH Winter Metal Source: 1950. The I Ching or Book of Changes. Richard Wilhelm Translation. Trans. Cary F. Baynes. Routledge & Kegan Paul: London. p. 310

Appendix 6: A Mind Map of the Chinese writing system as illustrated by the Array typing method 土 門 十 小 木 ㄑ 女 ㄙ ㄋ 工 力 一 不 日 Chinese Writing system (Array) 立 ` 之 ; = 口月 = 虫目 貝 手 = 火 乂 金 八 The ten categories represent ten main forms which constitute the Chinese writing system. The Mind Map is an attempt to show how the ideographic Chinese characters are evolved from the main forms (the central row of the keyboard) as branches out of the ten categories. Of course, there is more than one Chinese character under each category, but I have chosen only one character in each key to represent the basic form of each category and its branches.

Appendix 7: Dynamic unity of polar opposites YIN TAO YANG Source: F. Capra. 1975. The Tao Of Physics: An Exploration of the Parallels Between Modern Physics and Eastern Mysticism. Berkeley: Shambhalap. p.147.