Out of Darkness into Light: A Novel Approach. Review of Books on the Book of Mormon 4/1 (1992): (print), (online)

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Title Author(s) Reference ISSN Abstract Out of Darkness into Light: A Novel Approach Richard H. Cracroft Review of Books on the Book of Mormon 4/1 (1992): 216 19. 1050-7930 (print), 2168-3719 (online) Review of Out of Darkness (1991), by Keith C. Terry (with Maurice R. Tanner).

Keith C. Terry (with Maurice R. Tanner), Out of Darkness. N.p.: JBM International, 1991. 372 pp. $14.95. Oul of Darkness into Light: A Novel Approach Reviewed by Richard H. Cracroft The Problem: How to retrieve and issue in a fonn which is palatable to a larger reading public the recent and remarkable textual discoveries about the Book of Monnon, findings which point up the authenticity of the book's antiquity and its divine origin and message? The (Unlikely) Solution: Write a novel. In Out of Darkness, Keith C. Terry (with Maurice R. Tanner) has done just that. He has written a novel into which he has folded the findings of F.A.R.M.S.-sponsored studies on evidences in the Book of Monnon of wordprints, chiasmus, Hebraisms, Near Eastern thought and language, ancient warfare, Hebrew culture, and ancient olive cultivation, while managing to fix the reader and the focus of the book on the centrality of the Holy Spirit to the individual's personal response to the Book of Monnon. Terry has lightened the book's considerable load of intellectual message by packing it into a popular plot: Thomas Kline, a wealthy copper baron, who has come back very late to his Monnon roots and new-found testimony of the Book of Monnon, establishes a $3 million trust to be administered by Dr. Peter Polk, BYU emeritus professor of religion, who brings together a handful of independent and accomplished scholars from a variety of fields of expertise to earn a cool $100,000 each for a seven-week investigation of the Book of Monnon, "to detennine if the Book of Monnon has sufficient evidence to qualify it as a work of antiquity" (p. 67). The initial group of eight (pared by anger and ill-health first to six, then to five) begins its study, guided by lectures presented by other well-paid, independent scholars who report to the group the results of their own six-month studies of an unnamed and anonymously written work (the Book of Monnon) as a work of antiquity. After presenting the findings of Book of Mormon scholars over the past decade, these independent lecturers conclude, one after another, that the book is indeed ancient, and launch the handful of scholars onto their individual

TERRY. our OF DARKNESS (CRACROfT) 217 inquiries into such topics as the uncanny authenticity of the book of Jacob's full and accurate depiction of olive culture among the Nephites (an art unknown in the United States until the midnineteenth century), and the presence and meaning of chiasmus, word prints, ancient Near Eastern and Hebrew cuhure and language, and ancient warfare in the Book of Mormon. After delving into the available sources, with computers, and taking whirlwind side-trips to upstate New York and to the olive groves of Israel, the scholars all present, onc after another, their thoughtful and detailed summaries of these various investigations. They conclude, with careful scholarly stipulations. that the book is a work of antiquity. Before issuing their fmal report, however, the group insists that Lewis Granger, a leading anti-mormon writer, be brought in to muster opposing evidences that the book was written in the nineteenth century. By this point, however, the scholars are so knowledgeable and so far on the way to conviction about the book's antiquity that they ravage Granger' s conclusions about the Solomon Spaulding manuscript and Michael Coe's Central American Archaeology (but omit discussion of some notable theories, such as Ethan Smith' s View o/the Hebrews), send him packing, and prepare to write their report. En route to this consensus the plot thickens. Craig Kline, Thomas's greedy and nonbelieving son, attempts to stall, then cancel, the project by freezing the money designated by his father, who dies just as the project gets underway. In an exciting cat-and-mouse pursuit, Craig must first find the topsecret location of the estate where the project is centered. Meanwhile, Stephen Thorn, with a Ph.D. in communications, the only non scholar of the group (who is standing in for his televangelist father-in-law, the Reverend Robert Moore), threatens the others' scholarly objectivity by coming to believe in the divinity of the Book of Monnon, apart from all of the evidences the group is studying. His conversion and his desire to be baptized, aided by a bishop-neighbor-jogging companion, threaten the stability of his marriage to Anney, the Rev. Moore's daughter, whose views about Monnonism have been skewed by a former beau, a faithful Monnon who would not marry her out of the faith. Her faith in her father's integrity and sincerity is shaken, however, when Craig Kline, with a large cash payoff, induces the vain and sha1low Moore to reveal the location of the scholars' retreat, and Anney begins to relent and repent.

218 REVIEW OF BOOKS ON nte BOOK OF MORMON4 (1992) Stephen Thorn's story-the fictional overlay-though facile, popularly written, and unconvincing as fiction, not only provides a framework on which Terry and Tanner can hang these hitherto too-linle-accessible and excellent summaries of the convincing and faith-promoting findings of Book of Mormon scholars over the past decade, but also succeeds in reminding the reader that evidences for the authenticil)' of the Book of Mormon can never replace individual testimony through the Holy Ghost; that mere truth can never replace Truth. Still, the juxtaposition of fact and fiction is jarring and may lead the reader of this occasionally carelessly edited book (punctuation, grammatical, and spelling errors) to hope for a single F.A.R.M.S volume which presents the findings-to-date without neglecting the spiritual essence and purpose of the Book of Mormon. Truly, the findings which Terry and Tanner summarize in the novel are compelling and persuasive. Individually and collectively they build impressively on the foundations which Hugh Nibley laid forty years ago in Lehi in the Desert and The World of the Jaredites. 1 But presented in a frame of fiction? Using fiction as a genre to gentle or make more digestible the teaching of gospel principles of Mormonism is not new. The fictional-tract (ficto-tract?) seems first to have emerged in Parley P. Pratt's wonderful mockery of Lucifer in "A Dialogue between Joseph Smith and the Devil," in the January 1, 1844, New York Herald.2 Pran's imaginative tour deforce may have influenced the publication of the popular perennial ficto-tract, Mr. Durrant of Salt Lake City, which in turn may have suggested the popular Trial of the Stick of Joseph, wherein the Book of Mormon is placed. on trial before a jury- and wins. Nephi Anderson's Added Upon (1898) and Octave Ursenbach's The Quest (1947) are tracts cum novels. and could also be categorized as fictotracts. Though there are a number of novels which render stories from the Book of Monnon as fictional redactions and not as doctrinal treatises, such as B. H. Roberts's Corianton: A Hugh W. Nibley. Lehi in the Desert and The World of the Jaredites (Salt Lake City: Bookcraft. 1952), reprinted as Lehi in the Desert/The World of the iaredileslthere Were Jaredites, vol. 5 in The Collected Works of Hugh Nibley (Salt Lake City: Deserct Book and F.A.R.M.S., 1988). 2 Richard H. Cracroft and Neal E. Lambert, A Believing People: The Literature of the Laller-day Saints (Provo, UT: Brigham Young University Press, 1974), 133-39.

TERRY. our OF DARKNESS (CRACROFT) 219 Nephite Story (1889) and Robert H. Moss's current Nephite Chronicles series,3 I am not aware of other works which have attempted a Book of Monnon fieto-tract in the manner of Out of Darkness. In this ficto-tract. however, the fiction does not enhance these recent, remarkable discoveries about the Book of Monnon. primarily because of what could be called a mixed---or muddled-paradigm: the conversion of the fictional protagonist is fictional (thus fictitious), while the evidences that lead him from truth to Truth are fact. The reader may be confused by a fictional (and thus less compelling) conversion arising from the literal (and thus compelling) facts. and the one may diminish the other. For some readers. no doubt. the fiction will enhance the experience, but others will fmd it a diverting obstacle in the way of the remarkable internal evidences of the antiquity of the Book of Monnon. which Out 0/ Darkness delineates so very well. 3 See my review of Robert H. Moss's works in Review of Books on t~ Book of Mormon 2 (1990): 107-17.