MEAT AND POTATOES. By Kathleen Nelson

Similar documents
FLOWERS FROM OUR FATHER By Carl L. Williams

OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton

368 FRIENDS By Bradley Walton

DEAR, I JUST WANT YOU TO KNOW...WE NAMED OUR SON AFTER AN OBSOLETE COMPUTER

I M NOT NORMAL By Camila Vasquez

NORMALCY By Bobby Keniston

MY FORENSICS COACH IS NOT A JELLYBEAN By Bradley Walton

WHAT WOULD GRISSOM DO? By Leon Kaye

THE TWISTING TURNING DEATH MACHINE By Alan Haehnel

OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton

THE MAGIC OF MADNESS By Jules Tasca

THE LAST PROMISE By Mia Karr

THE MOST HUMAN. By Catherine Rhoden-Goguen. Copyright 2018 by Catherine Rhoden-Goguen, All rights reserved. ISBN:

THE REVENGE OF RAINBOW SHEEP

ADVENT ANGELS. by William Dohle

ADVENT ANTICIPATION. by Linda Allen

SHIP OF FOOLS By Patrick Gabridge

GLOWING WITH ADVENT. by Gail Gaymer Martin

A CAPITAL C-H-R-I-S-T-M-A-S. by Gail Gaymer Martin

A WORLD OF CHRISTMAS CUSTOMS. by Gail Gaymer Martin

CHRISTMAS SPIRT? LET S HEAR IT! by Tilda Balsley

I M NOT OKAY. By Bradley Walton

THE TIGER IN THE PIT By John Byrne

IN A WEEK S TIME. by Marilyn D. Bacon

HARK THE ANGEL SANG OFF KEY. by Ann W. Yeager

ANGELO AND ANGELICA, ANGEL APPRENTICES. by Christine Ferguson

I LL ALWAYS KNOW WHERE YOU ARE

THE SKY IS FALLING By Patrick Gabridge

BETHLEHEM SPEAKS. by Rochelle Pennington

THE BURDEN. by Greg Sullivan

THE CASE OF THE EMPTY TOMB. by Kent Syverson

PRESIDENT S DAY By A.J. Ferguson

THEY RE REWRITING MY LIFE By Jerry Rabushka

JOGGING WITH MY WIFE

PUT ASUNDER. by Craig Allan Pospisil

NORMALCY A TEN MINUTE MONOLOGUE. By Bobby Keniston

SHOW AND TELL CHRISTMAS. by Mary Ann Smith

A LIVING ADVENT CALENDAR. by Judy Gattis Smith

THE AWFUL SILENCE OF GOD. by Donald M. Stewart

HEAD GAMES A DARK COMEDY IN ONE ACT. By Brian Feehan. Copyright MMXI by Brian Feehan All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

WISHING MOON. By Shawn Deal

NEVER CALL ME A LADY By Rusty Harding

THE ANGELS SPEAK. by Galen R. Hackman

ADVENT ATTITUDES. by M. K. Boyle

I M STUCK IN A ROUND OF SERIOUS DRAMATIC INTERPRETATION AND I REALLY HAVE TO PEE

A NEW DRESS By Julie Riggs

PERFORMANCE RIGHTS AND ROYALTY PAYMENTS:

MARVIN AND JULIUS TEN MINUTE PLAY. By Steven Bergman. Copyright MMVII by Steven Bergman All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

THE death of the hired man

NO WAY AROUND BUT THROUGH BY SCOTT CAAN

THE BABY KING. by Mary Joyce Love

LAST RIGHT BEFORE THE VOID

A STAR IS BORN. by Wallace N. Davis

THE housekeeper. by ROBERT FROST. adapted for the stage by WALTER WYKES CHARACTERS RUTH CHARLES JOHN

THE SKY IS FALLING A One-Act Comedy Play

GHOSTLY TRINKETS By Charron Contival

A scene from WHEN WE DEAD AWAKEN. by HENRIK IBSEN. adapted for the stage by WALTER WYKES. CHARACTERS RUBEK: A sculptor IRENE: A former model

AM I GUILTY? by Audrey Surma

SIXTY YEARS, TO LIFE

ALL ROADS LEAD TO THE STABLE. by Carl Kelly

IT AIN T NO HONEYMOON

THE TRUE ROYAL. by Beth Troop

BETTER LIVING THROUGH REINCARNATION

BREATH & IMAGINATION DANIEL BEATY THE STORY OF ROLAND HAYES DRAMATISTS PLAY SERVICE INC. A MUSICAL BY

The Tiger, The Brahman And The Jackal

SHOES R US. by Dawn E. Conroy

WONDER ON PAPER. By Mary Hall Surface. Inspired by the Second Commandment by Mary Hall Surface

CHRISTMAS MORNING LIVE! by Nancy Moore

THE ROAD TO CHRISTMAS. by Mary Ann Smith

IT S ABOUT TIME. by Wallace N. Davis

A LENTEN JOURNEY. by Linda Allen

BROADCASTING CHRISTMAS! by Marti Kramer Suddarth

ADVENT OUT LOUD. by Linda Allen

What Easter Means to Me

I SAW HIM. by Emily Pardue

THE GAMES PEOPLE PLAY. by Mary Ann Smith

WE, THE WITNESSES. by Wayne Fowler

LOVELIGHT. by Janet Litherland

WHOSE CROSS IS IT, ANYWAY? by Mark & Karla Jensen

ORDINARY SINNERS. by Louise Munro Foley

I MISSED THE MANGER. by Jan Overton

COUNT SPATULA. A short comedy by Keegon Schuett

THE ADVENT TREE. by Jan Brown

PERSEPHONE RULES! Adventures of a Teenage Goddess

S lichot by Kim Yaged. RUTH LEVY, Mom, mid 50s, flighty but grounded, attempts to be stern but can almost never pull it off.

GOOD TIDINGS TIMES THREE. by Casey Smith & Sharon Smith

What is the purpose of these activities?

The Ins and Outs of an Inner Vow Part Two

Carolyn Larsen, LIttle Boys Bible Storybook for Fathers and Sons Baker Books, a division of Baker Publishing Group, 2001, Used by permission.

AUDIENCE OF ONE. Praying With Fire Matthew 6:5-6 // Craig Smith August 5, 2018

WWJD-TV PRESENTS... by J. Eric Jackson

PRODIGAL SON JOHN PATRICK SHANLEY

IN REMEMBRANCE OF ME. by Carol Feickert

The Genesis of Jesus by Susan Greenwood

The Homecoming? By Courtney Walsh

GOOD FRIDAY GRACE. by Teryl Cartwright

Hiding Christmas. The Original Stageplay. Cleveland O. McLeish

Copyrighted material

* * * And I m actually not active at all. I mean, I ll flirt with people and I ll be, like, kissing people, but having sex is a whole different level.

KYRA S LEGACY By Deborah Karczewski

Transcription:

MEAT AND POTATOES By Kathleen Nelson Copyright MMX by Kathleen Nelson, All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC ISBN: 978-1-60003-540-1 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-english languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Heuer Publishing LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Heuer Publishing LLC. Questions concerning other rights should be addressed to Heuer Publishing LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Heuer Publishing LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. AUTHOR CREDIT: All groups or individuals receiving permission to produce this Work must give the author(s) credit in any and all advertisement and publicity relating to the production of this Work. The author s billing must appear directly below the title on a separate line where no other written matter appears. The name of the author(s) must be at least 50% as large as the title of the Work. No person or entity may receive larger or more prominent credit than that which is given to the author(s). PUBLISHER CREDIT: Whenever this Work is produced, all programs, advertisements, flyers or other printed material must include the following notice: Produced by special arrangement with Heuer Publishing LLC. COPYING: Any unauthorized copying of this Work or excerpts from this Work is strictly forbidden by law. No part of this Work may be reproduced, stored in a retrieval system, or transmitted in any form, by any means now known or yet to be invented, including photocopying or scanning, without prior permission from Heuer Publishing LLC. HEUER PUBLISHING LLC P.O. BOX 248 CEDAR RAPIDS, IOWA 52406 TOLL FREE (800) 950-7529 FAX (319) 368-8011

2 MEAT AND POTATOES MEAT AND POTATOES By Kathleen Nelson SYNOPSIS: One character, male or female, describes to the audience his or her passion for keeping things short and to the point with very little extra information - ironically, he or she says all of this in a ten minute monologue that gives snippets of the character's history. NARRATOR (m/f) CAST OF CHARACTERS

KATHLEEN NELSON 3 NARRATOR: I am a meat and potatoes person. Not that I mean I demand thick juicy seasoned steak and a double helping of potatoes at every dinner. Though I wouldn t mind that. In fact, in that sense, I really am a meat and potatoes person. Salads are too dainty for me, not filling! And there s nothing better than biting into a hot, tender, well-seasoned piece of beef with the juices running all over your tongue but that s not the point! I mean in this sense, I want to get right to the heart of things. No stalling. No preliminaries. Just give me the basics outright and I m happy. I mean don t you hate it when someone s trying to get to a point, and they just trail on and on and on like this one time! I was reading a story and the opening was just this one guy going on and on and on about some opinion he has that had nothing to do with the point of the story and I kept thinking, Who cares! I m not reading this to hear your little rants, so just get on with the plot! I mean honestly, do those people think others just want to sit around and hear them gossip and complain? I have this one friend who can t tell a single story unless she goes into every detail and all kinds of back-stories and histories that I simply do not care about! For example: this one time she was complaining about her ex-boyfriend, Josh- she and Josh dated for over a year. It was really nice at first; you could tell they were really happy. I was kind of jealous; my own love life wasn t going so well, I hadn t had a date in months. But I wasn t exactly trying, you know? I d had enough of those really awkward dates when you can tell the other person is uncomfortable, and they d rather be somewhere else, and they won t make eye contact with you and all you can do is smile and think oh my gosh they must hate me! and just retreat into your shell. I ve had lots of dates like that. I guess I m not very romantic. But I mean, really, what is romantic? It s all relative, subjective I mean, for some people, romance is nothing short of a Disney fairytale for others, it could just be going to McDonalds, telling jokes, and sharing a large order of fries. I had a date like that once. Except it was at a Wendy s, not a McDonalds. I wasn t really in the mood for a McHeart Attack. But anyway. This date. It was well, magical. You see? I can be romantic if I want. I

4 MEAT AND POTATOES just remember sitting there, looking into their eyes. They weren t afraid to make eye contact with me. They didn t want to be somewhere else. They didn t hate me. There was a real special connection between us, you know, and I could just feel it But that s a different story. You know how it goes. You meet someone, you talk, you get to know them, you think, wow, maybe this time it s for real and then it all just comes back and smacks you in the face. I don t even know what that date is up to anymore. I can t remember their name, either. Started with a B I don t know, I can t remember. It was all so long ago. Things like that get hazy for me after a while, you know? Not like my friend. Not like when she was complaining about Josh. Geez, she just went on and on and on! Telling me some story he told her from before they were dating. Something about a fourth grade project he copied from someone else. And she was saying something like, I should have known even then that he was no good! I should have listened to my mother! She always knows what s best for me! I mean, honestly, why does it matter? You broke up with the guy, who cares about some story like that now! I mean the fourth grade? Really? And honestly, who remembers stuff like that? She was giving me exact dates he told her, for crying out loud. How does she remember that? How does he? I mean, I can hardly remember back to my college years, getting my masters in Grecian Architecture. It s all a blur! Not that I was drunk for most of it, mind you. That wasn t my style. No, I was sober through my college years. I was the one who studied in their dorm, alone, while everyone else went to Frat parties and got in trouble with the cops I was the one that everyone came to for answers, but no one came for a social visit not that I m complaining! I disliked having distractions from my studies (I mean, come on, Grecian Architecture? Gorgeous as it is, it gets really boring really fast, and distractions can be as slight as a door creaking.) But maybe I was lonely and I blocked it out, and that s why I don t remember but that s not the point!

KATHLEEN NELSON 5 And really, her mother always knows what s best for her? How old is she, five? Does her mother still dress her, too? I can t remember the last time I went to my mother for advice. She wasn t really good at it, you know? She d just try to quote other witty sounding sayings, and fail miserably. When life gives you lemons, don t forget to smile, because the world s a stage and when you laugh, God opens a window for you! No joke. She seriously told me that one once. I think it was after my first major break up. I was crying on the phone. I mean, my heart was in pieces! The love of my life had just destroyed me. We d dated for years. It was really romantic how we met, too. I know I said I m not the romantic type, but really, this was so perfect It was raining. But it was still sunny. Don t you love that weather? There s nothing quite like it. It s beautiful. But anyway. It was raining and I was trying to run for cover. I literally bumped into them on the street. I looked up at them to apologize and I gasped. Their eyes were sparkling in the sun, and the clear drops of rain reflected rainbows all around us, like diamonds falling from the sky it was pretty romantic. We had a great thing going, too, and I was ready for the next step but what do you think happens, but they go and fall in love with their ex from college. I was devastated. I guess I should be happy, though. The two got married. I got invited to their wedding. I didn t go of course; I thought it was really callous of them to ask me! But last I checked they were still married and happy. So good for them. I hope it lasts. I love it when things like that last but anyway. I guess I thought my mother was the best option at the time which is odd. I mean, my mother and I don t exactly talk, you know? Oh sure, we keep in touch, but nothing major. Nothing ground breaking. Just still like what I had for dinner or what book she s read recently. One thing we have in common: our hatred of people who stray from the point. Our conversations are brief, to the point, and

6 MEAT AND POTATOES meaty. Or, whatever meaty information my mother and I can share with each other in such a distant relationship- literally and figuratively. She lives in Iowa; I live in upstate New York. But that s all right. I like that. I wish people knew how to keep things short! You know, it s a funny story how I moved to New York. I meant to try my hand at the Big Apple. I mean, it s an apple, what harm could it do? I bet that s what Eve thought. You know, when she took the apple from the snake. Or was it an apple? I don t think it s ever really mentioned in the Bible. I think it s always referred to as the Forbidden Fruit. Where did the idea of the apple come from anyway if it s not from the Bible? Who was the first person that decided that apples embody all sin? Probably it was someone from New York City itself. That place is terrifying. Enthralling, thrilling, all that jazz! But I wasn t up to the hustle and bustle of it all. I m more of a homey type person; the city life isn t for me. To me, it was just as tempting- and just as eye opening and dangerous- as the apple must have been to simple, innocent Adam and Eve. I soon grew irritable and lonesome for my hometown in Iowa. But I m stubborn as anything. I wasn t going to leave one state just because I was slightly intimidated! So I headed north. I mean, why not? It s as good as anything else and in the north it s kind of small town like. Kind of like Mayberry from the Andy Griffith show. That town is so pleasant, so sweet, and so simple. It s kind of like that here. And that s why I love it! I m really glad I left Iowa for this. It s a funny story, actually but didn t I say that? It doesn t matter, that s not the point! The point is I m not going into the details of a story. Why bother? It s just a load of nonsense that doesn t even mean anything, it s just filler. Why have salad- or soup, or an appetizer, or crackers, or olives, or cottage cheese, or that weird pink stuff that s in the Shoney s salad bar that tastes so good but terrifies me to look atwhen I can just have the meat and potatoes? Just eat, get my fill, get the check and go. And that s exactly my point! And it leaves

KATHLEEN NELSON 7 you something to think about. A satisfied, full feeling that leaves you content. All that weird pink stuff does for you is make you wonder just what the heck you shoved in your mouth. THE END