CULT OF SILVANUS IN SINGIDUNUM AREA

Similar documents
ASOCIAŢIA ARHEO VEST TIMIŞOARA ARHEOVEST V 1 -IN HONOREM DOINA BENEA- Interdisciplinaritate în Arheologie și Istorie. Timişoara, 25 noiembrie 2017

PETER F. DORCEY SILVANUS VILICUS? aus: Zeitschrift für Papyrologie und Epigraphik 79 (1989) Dr. Rudolf Habelt GmbH, Bonn

Babeş-Bolyai University

The form of inscriptions from Roman Dacia Abstract

Agriculture and Worship A Contribution to the Study of Daily Life in Roman Singidunum and its Environs

California State University, Sacramento Religions of the Roman Empire Spring 2009

Chapter 10 Rome from City-State to Empire

Myths are stories that reveal important questions about birth and death, love and hate, hardship and justice. Mythology is the study of these stories

ART OF THE HIGH ROMAN EMPIRE ROMAN ART

The mithraeum at Lucus Augusti (Hispania Tarraconensis). By Celso Rodríguez and Jaime Alvar.

Augustus of Primaporta

Faith and Culture in the Ancient Near East Wonders of Arabia

IES VILATZARA Javier Muro

Phalerae of Emperor Trajan

4th Lesson: The origins of the Western Legal system ( II ) The first Western Jurists: Rome and the origins of legal science

A MONASTIC CHARTER DESCRIPTION of THE HERMITAGE REMAINS In GAUBER HIGH PASTURE RIBBLEHEAD

Illustrated by Karen Birchak

The Archaeology of Faith

The Rise of Civilization: Art of the Ancient Near East C H A P T E R 2

Exodus. The Tabernacle ~ Part 6 Various Passages

4 To what extent is the divide between public and private life reflected in evidence for public worship in Roman Italy?

Indigenized Nāga concepts: Study about wall paintings in Wasammale. R.D. Aruna Shantha

The Failure of the Republic

Discipleship: People of the Spirit, People of Hope GOSPEL PORTRAITS OF THE DISCIPLES AND DISCIPLESHIP

Ancient Rome Bingo. Educational Impressions, Inc.

CLAS 3720: HISTORY AND ART OF ANCIENT ROME MAYMESTER Chiara Sulprizio (Classical and Mediterranean Studies)

The Roman Empire. The crowd broke into a roar It was he who brought all this wealth and glory to Rome. Rise of the Empire

FROM REPUBLIC TO EMPIRE

NOTES NOTES ON RECENT EXCAVATIONS AT PRASAT MUANG SINGH M.C. SUBHADRADIS DISKUL

GREEK SCULPTURE THE MOTHER OE BUD-

Social: classes, status, hierarchy, gender, population (demography)

Early Umayyad art The Dome of the Rock: Islam as a synthesis A new meaning for the dome Aniconism Abbasids mosques and their structure

The Gods and Goddesses of Olympus

Roman Contributions: Culture and Lifestyle. Rome. Culture + Lifestyle. Painting depicting a banquet in Pompeii. Circa 1 st Century CE

cci 212 spring 18 upon successful completion of this course students will be able to:

Rise of the Roman Empire 753 B.C.E. to 60 C.E.

Antonine Art and Architecture. Dr. Doom

JOURNAL OF NORTHWEST SEMITIC LANGUAGES

Ancient Greek Religion

Context. I. The Stone Age. A. Paleolithic Period (Old Stone Age)

Chapter 6: Rome and the Barbarians

CHAPTER TWO HISTORY S NEW COKE (THE BYZANTINE EMPIRE)

MYTHOLOGICAL SCENES FROM DACIA PROVINCE: PERSEUS KILLING GORGON MEDUSA AND ZEUS SEDUCING LEDA

Label the following: Adriatic Sea Alps Corsica Ionian Sea Italian Peninsula Mediterranean Sea Po River Rome Sardinia Sicily Tiber River Carthage

GENERAL CONGREGATION 36 rome // 2016

LATIN 20. Course Overview. communicate with others? How do I understand what others are trying

Nan Paya Temple, A.D. 11th century

SOL 6 - WHI. The Romans

The Fall of Rome. Chapter 9, Section 2. Fall of the Roman Empire. (Pages ) 170 Chapter 9, Section 2

AP ART HISTORY ARTWORKS

Chapter 3 Empire. I found a city of brick, and left it a city of marble. Augustus

41st Annual PEF Family Evangelism Conference-Milligan College, Elizabethton, TN July 13th -18th

life Stories Belonging Newsletter of the Ong family serving in Malawi, Africa a duiker named BAMBI MEEKNESS and MAJESTY

I. AUGUSTUS A. OCTAVIAN 1. CAESAR'S ADOPTED SON 2. FOUGHT FOR POWER. a. 17 YEARS OF CIVIL WAR IN ROME 3. MARC ANTONY

Chapter 2. The First Complex Societies in the Eastern Mediterranean, ca B.C.E.

PSALM 140. & b Slow «««««« «««« ««« ˆ_«l ˆ« ˆ_«l « j ˆ««ˆ ˆ« ˆ«« l ˆ«. ˆ« nˆ_ « ˆ ˆ ˆ. -ˆ l ˆ« «. ˆˆ ˆ ˆ«« j ˆ ˆ ˆ« ˆ_ nˆ_ˆ_ «««« ˆ ˆ ˆ«.

SANGRĀHIKĀ. Year 3, Issue 1, Jan-Mar 2017 e-newsletter on the museums of ASI ARCHAEOLOGICAL SURVEY OF INDIA

Marcus Aurelius By Marcus Aurelius

SLAVERY AND EXPLOITATION

On Carnuntum and the Historiography of the Roman Legions on the Danube Frontier 1

Robinson Crusoe. Daniel Defoe

The Rise and Fall of ROME

Early Medieval Art. Carolingian Art 8 th -9 th Centuries, France & Germany Ottonian Art 10 th -Early 11 th Centuries, Germany

The Roman Empire & the Fall of Rome OBJECTIVE: TO UNDERSTAND WHAT LED TO THE FALL OF ROME

AGE OF AUGUSTUS: GRS 315

*X013/12/01* X013/12/01 CLASSICAL STUDIES HIGHER NATIONAL QUALIFICATIONS 2014 FRIDAY, 9 MAY 1.00 PM 4.00 PM

DOCUMENT JUSTIFICATIV

Roman Art. Key Notions 14/02/2016. Sunday, September 16, 2012 Course Outline. -Arch/vault/dome -Basilica -Equestrian statue -Forum -Oculus

Roman 3: Roman Britain

Ancient Religions: Public worship of the Greeks and Romans

Chapter 11. The Roman Empire and the Rise of Christianity in the West, 31 B.C.E. 800 C.E.

ARCH 0412 From Gilgamesh to Hektor: Heroes of the Bronze Age

THE BOOK OF 1 PETER The Epistle of Living Hope

Thursday 4 June 2015 Afternoon

BALCANICA XXXIV ANNUAIRE DE L INSTITUT DES ETUDES BALKANIQUES. Rédacteur LJUBINKO RADENKOVIĆ Directeur de l Institut des Etudes balkaniques

Mother Goddess, Male World, Myriad Social Classes: The Cult of Cybele s Impact on Phrygian Culture

MWF 9:30-10:20 Office Hrs. M 2:30-3:30;

Cornelia Fortunata, Tomi. 2 nd Century CE. Sunday, February 27, 2011

Sample file. by Lucia Raatma

Table of Contents. Church History. Page 1: Church History...1. Page 2: Church History...2. Page 3: Church History...3. Page 4: Church History...

New wine in Joel. by Douglas E. Cox. Joel described an invading army which has devastated the land. They have teeth of lions.

Roman Art 14/02/2017. Sunday, September 16, 2012 Course Outline. The Roman Empire. Influences on Roman Art. Roman Architecture.

Eclipsing Empire: Paul, Rome, and the Kingdom of God. John Dominic Crossan. Participant Reader by

CRISIS AND REFORMS CRISIS AND REFORMS DIOCLETIAN ( )

Midst the sands of central Syria lie the ruins of the ancient city of Palmyra, the Bride of the Desert. Located on principal trade routes that in

Legend. Romulus founds Rome 753 BCE Rome may come from a word for river Importance of this legend: Latin woman and the war god Mars

The Church of Panagia Podithou (Virgin Mary of Podithou) at

National Quali cations 2014

GLIGOR M SAMARDŽIĆ 1 ORIGINAL SCIENTIFIC PAPER 904:625.7"652"(398) 930.2: =124'02(497.6)"00/02"

This material has been copied and communicated to you by or on behalf of La Trobe University under Part VB of the Copyright Act 1968 (the Act).

Serpents in Art and Religion

Lessons are prepared by Ledeta LeMariam Sunday School Alexandria, Virginia

Psalm 23: The Good Shepherd

An Introduction To Ephesians Landon Rowell / General Prison Epistles / Church at Ephesus; Ephesus / Ephesians 1:22 23

History and Culture of Iran

Psalm 100 (Part 2) 29 th January 2017 am Hill and Arcadia. Serve the Lord with gladness

Ancient Rome and the Rise of Christianity (509 B.C. A.D. 476)

Studia Graeco-Parthica

Ecce Romani III 2009

The Dome of the Rock (Qubbat al-sakhra) Share this article

Transcription:

CULT OF SILVANUS IN SINGIDUNUM AREA Radmila Zotović* * Institute of Archaeology, Belgrade; rzotovic@eunet.rs Rezumat. În zona Singidunum cultul lui Silvanus a fost identificat doar pe două monumente votive. Motivaţia absenţei acestuia trebuie căutată în puţinele cercetări arheologice realizate pentru această zonă. Monumentele în care este menţionat Silvanus fac trimitere la atributele sale de Silvester şi Augustus Conservator, protector al pădurii sau cel care protejează şi păzeşte. Aceste atribute se potrivesc cu natura sa, fiind cunoscută calitatea sa de protector al pădurilor, crângurilor şi al animaleor care creşteau acolo, pentru a deveni ulterior un zeu al câmpurilor, al plantelor şi protector al graniţelor. Atributul de sfânt şi protector subliniază aspectele legate de caracteristicile ce-l fac pe Silvanus o divinitate a pantheonului roman ca şi protector al graniţelor. Monumentele descoperite pot fi încadrate cel mai probabil la începutul secolului al II-lea dhr. Cuvinte cheie: perioada romană, Singidunum, Silvanus, cult, al pădurii, sfânt, protector al granițelor. In the area of Singidunum only two votive monuments dedicated to Silvanus 1 have been identified to date. The reason for this may be insufficient archaeological explorations of Singidunum whose urban centre lies underneath the urban centre of modern day Belgrade (Fig. 1). On the other hand, however, when we look at the findings dedicated to god Jupiter, as numerous as in any other urban centres of the Roman Empire, we may wonder whether it is the only reason. The other reason may be that god Silvanus was not widely worshipped in the area of Singidunum and that dedications to him were rather sporadic. God Silvanus was primarily god of forests and flocks grazing in the forests, and then also god of fields, crops and all vegetation, and he was also venerated as a protector of boundaries (tutor finium) 2. Therefore he was primarily seen as god of uncultivated land and boundaries separating fields from forests 3. It is believed that this deity originated from separation of epithets of gods Faunus (silvicola Faunus) or Mars (Marti Siluano). Since Mars was initially god of vegetation and flocks, when he later became god of war his attributes developed into an independent deity, Silvanus. Since he was also seen as a deity of forests, flocks and all vegetation, he was often identified with Faunus or Pan. However, he was venerated as a protector of boundaries, so each house 1 Вулић, 1931, p. 7, n. 7; Mirković, Dušanič, 1976, p. 56-57, n. 22, p. 130, n. 108. 2 Замуровић, 1936, p. 374. 3 Срејовић, Цермановић Кузмановић, 1979, p. 383. 417

Fig. 1. Central Serbia in the roman period. had three of his statues. One of the statues was connected to the house (Silvanus Larum or domesticus), the other to the fields (Silvanus agrestis), and the third was placed on the boundary where two or more estates began (Silvanus orientalis or custos) 4. As he most often and with most pleasure dwelled in thick and dark forests and used to frighten lonely travellers at night by his cries, it was such travellers who invoked him for protection. That was probably why he was later also favoured among the military men. Soldiers invoked him asking him for blessing and protection. Silvanus, as a protector of homes, could also frighten women in labour, and that is why they invoked him along with Devera who protected women in labour from Silvanus noise 5. As a god of forests and flocks Silvanus was also musical, so he appeared in the company of Pans and nymphs, and flute was dedicated to him. The first fruits were sacrificed to him, grapes, ears of wheat, wine, milk, meat, and bacon. He was most often depicted as an old man in love with goddess Pomona, with a sickle in his left hand and a twig in his right, wearing a wreath of various field flowers on his head. Sometimes he was depicted also as a boy or a youth, but such images were quite rare. In the territory of Serbia there was one such figurine from the area of Požega 6. He was represented also as Aegipan since he was identified with the Greek Pan, as halfman half-goat deity, most often in the company of a dog. One such votive relief is kept in the National Museum in Užice, but the location of this find is unknown 7. 4 Замуровић, 1936, p. 375. 5 Срејовић, Цермановић Кузмановић, 1979, p. 105-106. 6 Zotović, 1995, p. 102-104; Zotović 2016, p. 22. 7 Zotović, 1994, p. 177-178; Zotović 2016, p. 22. 418

Silvanus was also very much present in interpretatio romana, with the deities of native tribes, especially of Dacia, Dalmatia, Pannonia and Africa 8. He appeared particularly often in interpretatio romana of the deities of native tribes in the interior part of Dalmatia province 9. The closest analogies to the findings from Singidunum were the votive monuments dedicated to Silvanus from Viminacium. Four votive monuments dedicated to Silvanus were identified in Viminacium, three of them belonging to independent Silvanus cult 10. There Silvanus was designated as silvestris, sacrum domestico and domestico. The forth monument was dedicated to the joint cult Diana Apollo Silvanus, and there Silvanus was without attributes 11. Diana and Silvanus were often in joint cults because of the link to forests and pastures and also the company of nymphs. In this case Apollo is in a joint cult with them because of music and the sibling relationship with Diana. Votive monuments dedicated to Silvanus from Singidunum show a classical Roman model in their morphological tectonics sense. Although the capital of the first monument is partly damaged (Fig. 2), it is obvious that the monument had the capital as the canopy. The second monument is better preserved (Fig. 3) and acroteria are visible in the corners of the capital. This shows that these monuments were influenced by classical Roman plastic art where votive monuments represented stylised and rather simplified front of the temple 12. In such simplicity and austerity the capital was the actual roof of the temple, and the body of the votive monument was the temple pillar. In these two monuments Silvanus was designated as Silvanus silvestri and Augusto conservatori. Thus, in the former case, Silvanus, frightening the travellers and soldiers, but also protecting them in the dark forests, was venerated and asked to be merciful. In the latter, Silvanus is a sacred guardian and protector, which certainly refers to the boundaries, limits between two or more estates. Such characteristics showed him in his natural position of the Roman Silvanus, with no influence of native beliefs. Onomastic formulae of the dedicants indicate that Silvanus was venerated as far back as the Trajan times (Fig. 3). Such early veneration of Roman Silvanus in the area of Singidunum might have been due to increased circulation of population in the area of Singidunum, and thus also potential relocation of already Romanised population to the area of Singidunum. Finally, it may be concluded that in this period the Roman Singidunum most probably had no temple of the god Silvanus and that his rare and sporadic votive monuments were contributed to the temple of some other deity. As for belief in god Silvanus, it is obvious that it corresponds to the full Romanisation of the dedicants, and thus god Silvanus was worshiped in his natural position of Roman Silvanus, god of all vegetation and forests, and protector of boundaries. 8 Срејовић, Цермановић Кузмановић, 1979, p. 384. 9 Imamović, 1977, p. 54, 55-82. 10 Mirković, 1988, p. 80, 197-198, 201, n. 41, 300, 310. 11 Mirković, 1988, p. 196-197, n. 297. 12 Zotović, 2016, p. 7. 419

1. Ara, limestone, dimensions: 0.47 0,24 0, 25 m. Capital partly damaged. Location: Belgrade, Vračar area. Silvano/ Silvestr[i]/ Iul(ius) Se<p>tu/mus v(otum) p(osuit). 13 Fig. 2. 2. Ara, limestone, dimensions: 0,39 0, 26 0,12 m. Primitive workmanship. Acroteria are visible in the corners of the capital. Location: Guberevac. Silvano Au(gusto)/ Conservato(ri)/ M. Ulp(ius) Teren/tius cum sui<s>/ v(otum) s(olvit) l(ibens) m(erito). 14 Fig. 3. 13 Вулић, 1931, p. 7, n. 7; IMS, I, p. 56-57, n. 22. 14 IMS, I, p. 130, n. 108. 420

Imamović, 1977 Mirković, Dušanič, 1976 BIBLIOGRAPHY Enver IMAMOVIĆ, Antički kultni i votivni spomenici na području Bosne i Hercegovine, Veselin Masleša, Sarajevo, 1977, 518 p. Miroslava MIRKOVIĆ, Slobodan DUŠANIČ; sous la direction de Fanula PAPAZOGLOU, Inscriptiones de la Mésie Supérieure, vol. I: Singidunum et le nord-ouest de la province, Centre d études épigraphiques et numismatiques de la Faculté de Philosophie de l Université de Beograd, Beograd, 1976, 172 p. Mirković, 1986 Miroslava MIRKOVIĆ; sous la direction de Fanula PAPAZOGLOU, Inscriptiones de la Mésie Supérieure, vol II: Viminacium et Margum, Centre d études épigraphiques et numismatiques de la Faculté de Philosophie de l Université de Beograd, Beograd, 1986, 234 pg. Срејовић, Цермановић Кузмановић, 1979 Вулић, 1931 IMS, I Замуровић, 1936 Zotović, 1992 Zotović, 1994 Zotović, 2016 Драгослав СРЕЈОВИЋ, Александрина ЦЕРМАНОВИЋ КУЗМА- НОВИЋ, Речник грчке и римске митологије, Српска Књижевна задруга, Београд, 1979, 574 p. Никола ВУЛИЋ, Антички споменици наше земље, In: Споменик Српске Краљевске академије, LXXI, p. 4-259. Inscriptions de la Mesie Superieure, sous la direction de Fanoula PAPA- ZOGLOU, Centre d'études épigraphiques et numismatiques, Beograd, I. Singidunum et le nord-ouest de la province (Miroslava MIRKOVIĆ, Slobodan DUŠANIĆ), Beograd, 1976, 172 p. Александар ЗАМУРОВИЋ, Митолошки речник, Г. Кон, Београд, 1936, 464 pg. Radmila ZOTOVIĆ, Two Bronze Objects from Antique Collection from National Museum in Užice, In: Glasnik Srpskog arheološkog društva, 8, Beograd, p. 102-104. Radmila ZOTOVIĆ, A Relief of Silvan and Some Aspects of His Cult, In: Starinar, XLIII-XLIV, p. 177-183. Radmila ZOTOVIĆ, Corpus of Roman Votive Monuments from Eastern of Dalmatia Province, Lambert Academic Publishing, Saarbrücken, 2016, 56 p., ISBN 9783659834172, 978-3659834172. 421