The Linji Lu and the Creation of Chan Orthodoxy: The Development of Chan's Records of Sayings Literature (review) Mario Poceski Philosophy East and West, Volume 61, Number 2, April 2011, pp. 395-399 (Article) Published by University of Hawai'i Press DOI: 10.1353/pew.2011.0027 For additional information about this article http://muse.jhu.edu/journals/pew/summary/v061/61.2.poceski.html Access provided by National Taiwan University (17 Jul 2013 04:25 GMT)
sublations is the sublation of the self itself, leading to action and a way of life that is so-of-itself (ziran 自然 ), for, as it turns out, the self itself is of-itself [Selbst das Selbst is von-selbst] (p. 255). Not only is Günter Wohlfart s Die Kunst des Lebens und andere Künste sharp and powerful in its expression; it also offers us a particularly timely and challenging meditation while facing the debris of a world torn asunder through the neoliberal glorification of the ego. Translations of this fine work into English and other l anguages, however difficult due to its subtle style, would be most desirable. Such translations, or, indeed, successive German editions, would further profit from the inclusion of Chinese characters in its many references to Chinese expressions from the philosophical classics. Their omission is, on occasion, somewhat of an obstacle to delving further into the fascinating sources employed by Wohlfart in this appealing and h ighly recommendable work. Notes 1 Camus wrote that the age of philosophers concerned with philosophy was followed by the age of professors of philosophy concerned with philosophers (Carnets 1942 1951, trans. Philip Thody [London: Hamish Hamilton, 1966], p. 44). 2 Analects 2.4. 3 John Stuart Mill, Utilitarianism, esp. chap. 3, Of the Ultimate Sanctions of the Principle of Utility. The Linji Lu and the Creation of Chan Orthodoxy: The Development of Chan s Records of Sayings Literature. By Albert Welter. Oxford and New York: Oxford University Press, 2008. Pp. xiii + 236. Hardcover $65.00. Reviewed by Mario Poceski University of Florida Linji Yixuan 臨濟義玄 (d. 866), also known as Rinzai in Japan, is one of the bestknown historical figures associated with the Chan and Zen traditions of East Asian Buddhism. He is widely regarded as a paradigmatic exemplar of the novel type of iconoclastic Chan ethos invented by a cluster of dynamic and charismatic Chan masters that supposedly burst onto the Chinese religious scene during the glorious heyday of the Tang dynasty (618 907). Linji s posthumous fame is largely based on the success of later generations of prominent disciples in transforming the Linji School 臨濟宗, which traced its spiritual ancestry back to him, into the dominant Chan faction and main representative of Chan orthodoxy, not only in China but also throughout the rest of East Asia. Much of the popular lore and iconoclastic imagery associated with Linji, along with the common knowledge about his life and teachings, are based on the Linji yulu 臨濟語錄 (Record of the sayings of Linji), a text composed during the Song era (960 1279). Ever since its initial compilation in the early eleventh century, Linji s Record has enjoyed great popularity and revered status Philosophy East & West Volume 61, Number 2 April 2011 395 399 395 2011 by University of Hawai i Press
as an essential repository of timeless Chan wisdom, to which the numerous modern translations testify, including several different versions in both English and Japanese. While the Linji yulu is conventionally regarded as a record of the life and teachings of Linji, in his important new book The Linji Lu and the Creation of Chan Orthodoxy: The Development of Chan s Records of Sayings Literature, Albert Welter presents us with a fundamentally different way of looking at the text s provenance and function. He argues that it is best to view Linji s record of sayings as product of a protracted process of religiously inspired and ideologically inflected mythmaking. At its core, this process involved the retroactive refashioning of Linji s image as a prominent patriarchal figure, which was undertaken by the Linji School (or faction) in the course of its rise to unparalleled preeminence and power in the socioreligious world of Song China. Welter succeeds in compellingly telling the interwoven stories of the creation of a hagiographical narrative about an illustrious monk from the Tang era and the formation of a Chan movement that, to a large extent, established its claims to legitimacy by tracing its spiritual ancestry back to that same monk. The book is primarily concerned with the complex literary processes and assorted historical exigencies especially social and political circumstances, along with ideological imperatives that shaped the gradual creation of a corpus of Chan writings centered on Linji. These relatively short texts underwent various changes and editorial revisions, until the compilation in the twelfth century of the standard version of the Linji yulu, which became widely circulated and was subsequently included in the Chinese Buddhist canon. By situating the creation of Linji s record into a broader historical framework, the book also serves as a study of the evolution of the records of sayings (yulu 語錄 ) as a distinct literary genre that served as one of the linchpins of the new Chan ideology that developed during the Song era. As a result, Linji the man and his Tang context largely recede into the background. For the most part the book is also not concerned with the contents of his sermons or the doctrinal underpinning of his thought. On the whole, this is an excellent book that makes noteworthy contributions to the study of Chan history and literature, and sheds helpful light on the political, religious, and literary worlds of Song China. It nicely complements Welter s outstanding Monks, Rulers, and Literati: The Political Ascendancy of Chan Buddhism (Oxford, 2006), and helps establish its author as one of the leading scholars in the field of Chan/Zen studies. The main body of the book consists of five chapters, which are accompanied by an introduction and a conclusion. The first chapter explores the conception and nature of orthodoxy within the Chan tradition, as it was articulated by leading Chan teachers and framed in seminal texts, most of which were compiled during the early Song period. Welter introduces interesting perspectives on Chan s broad historical trajectories during the late Tang, Five Dynasties (907 960), and Song eras, and points to the emergence of multiple conceptions of Chan orthodoxy. On the other hand, this is perhaps the weakest chapter in the book. Among other things, some of the initial discussions of modern Japanese constructions of Zen orthodoxy centered on the dated writings of Suzuki Daisetsu 鈴木大拙 and their links with modern forms of 396 Philosophy East & West
Japanese nativism are a bit out of place (pp. 15 24). That is especially the case with the somewhat extensive summaries of Yanagita Kunio s 柳田国男 study of Japanese folk culture and Motoori Norinaga s 本居宣長 essentialist arguments about the pure Shinto heritage of Japan. Chapter 2 contains insightful analysis of the early origins of the records of sayings genre. After a useful discussion of the general definition and basic characteristics of this genre, including its contents and form, Welter goes on to link the gradual development of the records of sayings literature with the Chan School s fashioning of a distinct identity that highlighted its uniqueness vis-à-vis o ther Buddhist traditions. The whole process was purportedly to a large degree influenced by the concerns and predilections of the Song literati, many of whom embraced Chan as their favorite form of Buddhism. The narrower focus on Linji s written records starts in earnest in chapter 3, which explores the earliest textual fragments that allege to record Linji s teachings and provide information about his life. Especially noteworthy is Welter s astute analysis of the historical contexts and forces that affected the fluid communal remembrances of Linji s life and teachings. That involved an ongoing refashioning of his religious persona via the creation or reworking of (presumably) fictional stories about him. Among the remarkable materials marshaled as evidence are the varied accounts about Linji s early study with Huangbo 黃檗 (d. 850?), traditionally regarded as his main teacher. These and other related stories changed over time in ways that reflected the evolving ideological orientations and institutional needs of the nascent Linji School, which was in the process of constructing its identity as a distinct branch of the larger Chan movement that represented the main line of orthodox transmission. The highlighting of his somewhat tentative association with Huangbo was an important step in bolstering Linji s spiritual pedigree, as that made him a direct descendant of the supposedly orthodox line of transmission that went back to the illustrious Mazu Daoyi 馬祖道一 (709 788), whose Hongzhou School 洪州宗 came to dominate the Chan movement during mid-tang period. In chapter 4, the shortest of the five chapters, the focus of attention shifts to the compilation of the Linji yulu, which exists in two similar versions (compiled in 1029 and 1120). The author treats the text as a significant element in a campaign aimed at promoting a distinctive form of Chan orthodoxy centered on the burgeoning Linji School, and explores the reasons and implications of the different arrangements of the contents of the two versions of Linji s record of sayings. Finally, chapter 5 links the creation of Linji s fragmentary records and the development of the records of sayings genre. That involved a noteworthy move from conventional sermonizing to interactive verbal (and physical) exchanges of the kind that became epitomized by the encounter dialogues of classical Chan lore. Welter points to the fictional background of the popular encounter dialogues and argues that Chan records such as the Linji yulu are primarily literary artifacts, rather than verbatim records of the teachings and acts of noted monks from the Tang era. Their creation underscored the increasing popularity of the encounter dialogues as a quintessential Chan form that supposedly conveyed the essence of enlightenment. The chapter also includes a discussion of the development of chuanqi 傳奇, short fictional tales about marvelous occurrences that Book Reviews 397
became popular in literati circles. Although the consideration of these tales might be relevant or interesting in other contexts, here it is somewhat superfluous, given that the author is not able to establish any direct connections between the literati s writing of these tales and the formation of the records of sayings genre, although Welter s main point about the fictional character of the encounter dialogues is quite compelling. Most of the materials presented in the book were originally developed as independent papers that were presented at various conferences, and parts of it have already appeared in print (see p. xi). While these discrete parts are products of superb research and are for the most part well written, at times their overall integration into a conceptually and thematically coherent volume leaves some room for improvement. For instance, there are a number of unnecessary repetitions and superfluous arguments, which seem to indicate that the putting together of the book as a whole was a bit rushed. Especially striking are the almost verbatim repetitions of fairly long sections in different parts of the book. A case in point is the first paragraph on page 82 (top half of the page), which simply repeats a number of sentences that appear on pages 3 and 4. There is even more of the same kind of verbatim repetition on pages 135 137, which basically duplicates whole paragraphs that already appeared on pages 87 89. On the whole, this is an excellent book that makes substantial contributions to the field of Chan studies. The author should be commended on his careful historical and textual analyses, as well as his firm grasp of primary and secondary sources, especially the publications of leading Japanese scholars such as Yanagida Seizan 柳田聖山. Nonetheless, given the nature of the available sources and the complexity of the subject matter, it should not come as too much of a surprise that one might take issue with some of his interpretations of particular texts or topics, or disagree with the some of his judgments and assumptions. Among the book s shortcomings is a pervasive tendency to overstate the roles of political considerations and social factors in the formulation of Chan teachings or the compilation of texts that affirmed specific visions of Chan orthodoxy. The author tends to put emphasis on the pervasive influences of the government and the literati on the institutional growth of Chan and the public presentation of its soteriological formulations, at the expense of considering the inner religious dynamics that shaped the ongoing evolution of Chan teachings and practices. Undoubtedly, political expediency, economic patronage, and social prestige were prominent factors in the shaping of Chan history. However, an overly cynical reading or construal of that history might be almost as one-sided as the familiar normative narratives and apologetic accounts, which paint an unduly romanticized picture of a unique religious tradition led by extraordinary virtuosi, dedicated to the pursuit of supreme wisdom and the transmission of the essence of Buddhist enlightenment. There might more to (some of ) the teachings presented in Chan texts such as the Linji yulu than the kind of ideological posturing that has been noted by modern scholarship. We might also want to consider the internal logic of their doctrinal formulation and practical prescriptions, and perhaps be a bit more open to the p ossibility 398 Philosophy East & West
that genuine religious convictions or pieties were also involved in the initial formulation and ensuing diffusion of Chan teachings, which primarily took place within the context of monastic communities. To some extent Welter is aware of these issues and concerns, and at times he adds pertinent caveats and qualifications. Here, I am basically raising the question of appropriate balance and perspective which is applicable to much of recent American scholarship on the subject rather than suggesting serious inadequacy in the overall interpretive approach taken by Welter. I am afraid I cannot fully agree with Welter s assertion that the story of the Linji yulu is not the story of Linji the man, but a story of the later movement that created the text. It is both. It is true that Linji s life is to some extent shrouded in mystery probably a reflection of the fact that during his lifetime he was a relatively minor figure within the broader Chan movement but recent publications, which include two books on the Hongzhou School, have demonstrated that there was much more to Tang Chan than is sometimes assumed by some Western scholars. Accordingly, this book would have benefited if the author had taken a bit more seriously the lively socioreligious milieu of Tang Chan, in which Linji and the people around him were active participants, and which produced the earliest records of his teachings in a literary format that was prevalent at the time. Notwithstanding the aforementioned caveats and limitations, I would like to end this review by stressing that this is a remarkable book that should be required reading for all serious students of Chan/Zen history and literature. Welter s study goes a long way toward dispelling entrenched misunderstandings and quixotic imaginings about key aspects of Chan Buddhism. Besides illuminating the complex textual history of Linji s record of sayings, the book also enhances our understanding of the complex changes that marked the Chan movement s distinct historical trajectories during the Tang-Song transition. It is also highly recommended for anyone interested in the intersections between Buddhism and the literary, political, and social milieus of Song China. Mengzi: With Selections from Traditional Commentaries. Translated by Bryan W. Van Norden. Indianapolis and Cambridge: Hackett Publishing Company, 2008. Pp. xliv + 207. Paper. Reviewed by Yuet Keung Lo National University of Singapore Despite a recent resurgent interest in traditional Chinese classics in the Chinese speaking world, the work of Mengzi seems to be neglected. Kongzi (Confucius), the master of Confucianism, appears to monopolize the limelight. Thus, Professor Bryan Van Norden s new English translation of the Mengzi should be received with great delight. It has the added value of including parts of the insightful commentary of the Neo-Confucian master Zhu Xi, which was required reading for the civil service examination in China from 1313 to 1905. Van Norden also interweaves his own com- Philosophy East & West Volume 61, Number 2 April 2011 399 402 399 2011 by University of Hawai i Press