SCROOGED UP! A Holiday Comedy in One Act. by Dan Roberts. Performance Rights

Similar documents
SCROOGE HAS LEFT THE BUILDING

MR. SCROOGE AND THE SPIRITS OF CHRISTMAS FIRST

Christmas With a Twist

The Twelve Plays of Christmas

THE NIGHT BEN FILBERT WAS TOUCHED BY AN ANGEL

A Children s Christmas Musical

The Jesus Stocking. by Kathleen Conner Combass. Performance Rights

WHO IS THIS MAN? By David Dunlap. Performance Rights

STRANGERS AT THE INN

He Sent Us an Angel. By Beverly S. Carter. Performance Rights

ANOTHER Christmas Eve

Good Will Two Men. By Brian Shoop. Performance Rights

THE MESSIAH INQUEST. By Carol Shively and Jim Ineson. Performance Rights

THE SPIRITS OF CHRISTMAS

A Perfect Tree. By Tim Snyder. Performance Rights

A CHRISTMAS CAROL.COM

Abiding in the Fields

Between Death and Life

BETHLEHEM BOUND. by Margery Peterson. Performance Rights

THINK THANKS. By Dolores Steger. Performance Rights

A CHRISTMAS CAROL: The Ghost Story of Christmas. By Charles Dickens. Adapted by Stephen Keep Mills. Music and sound by Kinny Landrum

In Search of the Holy Grill

Return to Christmas. by Stephen J. Martin. Performance Rights

THE WORD: SOMETHING TO CHEW ON

THE SHEPHERDS WHO GATHER

THE CAPRICIOUS PEARLS

THE MISPLACED CHRISTMAS

TIME FOR CHRISTMAS. By Rachel Cloer Lukhard. Performance Rights

Hey! That's My Donkey

HIS GENTLE TOUCH. By David Dunlap. Performance Rights

A SHOWER FOR BABY JESUS

THE CURSE AND THE CROWN

I Am Angel. By Alaska Reece Vance. Performance Rights

Miracle at Christmas Camp

BLESS THIS BREAD. An Audience-Participation Play. by Craig Sodaro. Performance Rights

A FATHER S VOICE. By Dorothy Dunham and Kyle Dunham. Performance Rights

The Road to Bethlehem

A Comfort Falls Christmas

A Slight Change of Plan

The Three Strangers. Adapted by Burton Bumgarner. from the short story by Thomas Hardy. Performance Rights

Psalmba. A Musical Story of David. Book, Music and Lyrics by Jeff Combe. Performance Rights

WHY CHRISTMAS? By Elinor Brown. Performance Rights

A REVERSE CHRISTMAS CAROL. TIME: 5 minutes CAST BREAKDOWN: 9M, 2F. THEME: Christmas; Birth of Jesus. SCRIPTURE REFERENCE: Isaiah 9:6-7

EXTRA! EXTRA! Book, Music, and Lyrics by STEVE COOPER

Through the Eyes of Faith

CAKES GALORE! A Comedy by Laurie Allen. Performance Rights

THE CHRISTMAS PLAY. By Craig Howard. Performance Rights

Before Abraham Was, I Am

The Blind Spot. A Play in One Act. By Steven Stack. Performance Rights

THE HISTORY of the World

Martin and Malcolm: How Long Must We Wait?

Twelve Angry Teachers

WHY CHRISTMAS? By Elinor Brown. Performance Rights

Study Guide. For 6th to 9th grade students

A POTPOURRI OF CHRISTIAN DRAMA FOR EASY MINISTRY

Monologues that Minister

LITTLE WOMEN. Dramatized by L. Don Swartz. From the novel by Louisa May Alcott PERFORMANCE RIGHTS

A LIFE LENT TO THE LORD

GUILTY AS CHARGED. By Tambra Petrie. Performance Rights

JUST AN OBSERVER. By Kaye Loughridge. Performance Rights

ANGEL IN THE PARK. By Maxine Minson. Performance Rights

DOWN FROM ABOVE. A Drama in Two Acts. by Jeff Richards. Performance Rights

THE STAR CHILD. adapted by Burton Bumgarner. from the story by Oscar Wilde. Performance Rights

TWO GENTLEMEN OF VERONA

Colonnade Newsletter

THE HOPE CRADLE. A Christmas Play. By Melanie R. Sita. Performance Rights

HEAVEN HELP US. By Tambra Kay Petrie. Performance Rights

Barabbas. By Hilary Mackelden. Performance Rights

STAVE ONE: MARLEY S GHOST. Marley was dead, to begin with there s no doubt about that. He was as dead as a doornail.

A DICKENS TALE. No space of regret can make amends for one life s opportunity misused. -Charles Dickens, A Christmas Carol.

Upon This Night. By Terri Dill. Performance Rights

CHRIST, the LIGHT of the WORLD

Wise Men. The Two-Man Play about Three Wise Men. By Joey Martineck. Performance Rights

Name: Period: ENG I Advanced Sullivan A Christmas Carol

Fire in the Bones. By Thomas F. Rogers. Performance Rights

Today You Will Be With Me in Paradise

THE GRIFFIN AND THE MlNOR CANON

Abridged from the original 1843 Text by Charles Dickens. Curriculum Guide

PRAYER OF THE PATRIOT

MELCHIOR S JOURNEY. by Susan A. J. Lyttek. Performance Rights

NO TRUMPETS BLOWING STORY OF THREE SHEPHERDS. By Alberta Hawse. Performance Rights

Visual Story for the Relaxed Performance of A Christmas Carol at

Dateline: Jerusalem DATELINE: JERUSALEM. By Michelle Van Loon. Performance Rights

Quiz time A Christmas Carol by Charles Dickens

The Revenge of Ichabod Crane

HOLLY S CHRISTMAS DETOUR

A Christmas Carol By Charles Dickens Episode 9: The end of it

Family Plays. Excerpt Terms & Conditions. This excerpt is available to assist you in the play selection process.

The Desert. A One-Act Play. By Ed Young. Performance Rights

HAIL to CHIEF. By Craig Sodaro

Hiriam, The Innkeeper!

A Birthday in Bethlehem

Upgrade your Lessons in a minute!

Before Juliet. A Study of Love. By Nelly E. Cuellar-Garcia. Performance Rights

OUR FAVORITE (CREEPY) CLASSIC HOLIDAY TALE

Ghost of a Christmas Chance

THE DIVIDING TREE. A Play in Two Acts. by Mark D. Ogle. Performance Rights

DO NOT WRITE ON THIS TEST! DO NOT WRITE ON THIS TEST! 7th Grade Drama Summative Assessment

Outside of the Bible, Charles Dickens A Christmas Carol is probably the most famous Christmas Story that timeless tale about the passing of time.

Sundog Theatre Presents: From the Page to the Stage Bringing Literature to Life Teacher and Student Activities Guide for Grades K-5

Transcription:

SCROOGED UP! A Holiday Comedy in One Act by Dan Roberts Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co. Inc. Call the publisher for additional scripts and further licensing information. The author s name must appear on all programs and advertising with the notice: Produced by special arrangements with Eldridge Publishing Co. ELDRIDGE PUBLISHING COMPANY www.histage.com 2007 by Dan Roberts Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?pid=1144

- 2 - DEDICATION To all of those companies who keep struggling against sometimes insurmountable odds to keep the tradition of quality theater alive. The Playwright, Dan Roberts STORY OF THE PLAY The Hillsdale Community Theater wants to produce A Christmas Carol, but they don t have enough actors to play the extraordinarily large number of parts. So their undaunted director, being resourceful (if not totally realistic), has triple and quadruple-cast the roles. And since everyone in sight has been recruited, the cast also fills in as costumers, stagehands and technicians. The impossibility of this situation brings tensions to a comical head as the final rehearsal invites one calamity after another. provides a dickens of a time for everyone! ORIGINAL PRODUCTION The premiere of "" was presented under the direction of the playwright Dan Roberts by the Academy of Performing Arts Repertory Troupe at the Academy Theater on December 18, 2006, in Grandview, Missouri. Original Cast of "" Claude: Dan Roberts; Evelyn: Wendy Swearingin; Frank: V ion Mitchell; Larry: Kenneth Roller; Lester: Chris Scott; Phyllis: Angela Livingston; Marge: Elizabeth Golden; Bert: Tony Livingston; Mable: Hayley Nelson; Wilma: Cynthia Livingston; Ben: Luke Swearingin.

- 3 - CAST OF CHARACTERS (4 m, 5 w, 1 flexible, 1 child) CLAUDE (CLAUDIA): The director. EVELYN: Actress who serves as the narrator. FRANK: Actor who portrays Ebenezer Scrooge. LARRY: Stage Manager and Ben s father. He portrays Bob Cratchit. LESTER: Portrays Fred, Cratchit Boy, and Rag Seller. PHYLLIS: Actress who portrays Charity Lady 1 and Maid. MARGE: Actress who portrays Charity Lady 2, Ghost of Christmas Past, Martha, and Ghost of Christmas Future. BERT: Actor who portrays Marley s Ghost and Ghost of Christmas Present. MABLE: Actress portrays Cratchit Girl and Fred s Wife. WILMA: President of the theatre association who portrays Mrs. Cratchit and Merchant 1. BEN: Small child who portrays Tiny Tim. PERFORMANCE TIME: About 25 minutes. SYNOPSIS OF SCENES Scene 1: Scrooge s Counting House Scene 2: Scrooge s Bedchamber Scene 3: The Cratchit Home Scene 4: The Streets of London and a Churchyard Scene 5: The Cratchit Home

- 4 - SETTINGS For the set there are four units against curtained backdrop. Sc 1: The Counting House: Desks with chairs are SL and SR. A wood burning stove is UC. A trash basket is left of the SR desk. A coat tree is UR. Sc. 2: Scrooge s bedchamber: A four-poster bed is SR, with a chair on the left. There is room to walk US of both the bed and the chair. A table and chair are SR. A bowl, spoon and cup are on the table. Sc. 3: The Cratchit home: A simple dining table and chairs. Tiny Tim s stool is UC. The table is set. Sc. 4: The streets of London/Churchyard: A bench UR and a streetlamp DL. The streetlamp needs to be placed first. For the churchyard, a tombstone which catches fire. Sc. 5: The Cratchit home as before, except the table now displays a large turkey and more bountiful food. PROPS Large book for Evelyn Quill pen and papers on Scrooge s desk Small cooked goose on platter and a few food dishes Large cooked turkey on platter and dishes of heaping food Script for Phyllis Damaged phone receiver for Evelyn Bag containing men s and women s underwear for Phyllis Fire extinguisher for Larry

- 5 - Scene 1: Scrooge s Counting House (AT RISE: EVELYN, as narrator, stands at center. FRANK, as Scrooge, is working at his desk. If MUSIC is desired, play God Rest Ye Merry, Gentlemen and fade under monologue.) EVELYN: (Reading from a large book.) Jacob Marley was dead. Seven years dead on that Christmas Eve. Ebenezer Scrooge never painted out old Marley s name on their sign. There it stood, years afterward, above the warehouse door: Scrooge and Marley, Counting House. Scrooge was tightfisted: a squeezing, grasping, covetous old sinner. Heat and cold had little effect on him. No wind blew that was bitterer than he. Nobody ever greeted him on the streets, but what did he care? It was the very thing he liked: to edge his way along the crowded paths of life, warning all human sympathy to keep its distance. (LARRY, as Cratchit, enters SL and removes his coat and hat. He holds them in his hand as he starts to wander the set.) EVELYN: (Continued.) Now on the best of all the good days of the year, on Christmas Eve, old Scrooge sat busy in his counting house. It was cold, bike, bleating weather. CLAUDE: (From a front row seat.) Bleak, biting. EVELYN: (Looking toward him.) What, dear? CLAUDE: Bleak, biting. You said, bike, bleating. EVELYN: No, I didn t. CLAUDE: Yes, you did. EVELYN: No, I didn t. CLAUDE: It doesn t matter. Take the line again, please, Evelyn. EVELYN: Now on the best of all the good days of the year, on Christmas Eve, old Scrooge sat busy in his counting house. It was cold, blike, beating weather. FRANK: She said, blike, beating. EVELYN: No, I didn t. FRANK: Blike, beating. That s what you said. EVELYN: I did not.

- 6 - (LARRY is now SR, retrieving the coat tree and starting to carry it to SL.) CLAUDE: Never mind! Larry! What are you doing with the coat tree?! LARRY: It s supposed to be stage left, Claude. It s always been stage left. CLAUDE: But you don t place it during the scene! Throw your coat over the chair or something! LARRY: It s always been stage left, Claude. Why was it over thar? PHYLLIS: (Entering SL.) It s my fault, Claude. I found it backstage and put it there. CLAUDE: See, Larry? You re supposed to place your own props, and you didn t do it. Phyllis had to do it for you. LARRY: I m sorry, Phyllis. PHYLLIS: No problem, Larry. (Exits.) LARRY: (To PHYLLIS.) It s jest that (To CLAUDE, who periodically attempts to respond ad lib.) It s jest that I git confused havin t be stage manager and play two parts to boot. Heck, I git confused jest bein stage manager. Now I gotta be Bob Cratchit, and then thet merchant feller, an I gotta member whar the coat tree goes, an t morrow there s gonna be people out here, Claude! There s gonna be people. An they re gonna know I forgot the danged coat tree, cause I ll be standin thar with m coat in one hand an m hat in t other, an I won t member whacha said bout throwin it on the chair, cause all I ll be thinkin bout is whar is the danged coat tree! CLAUDE: (Finally spotting an opening, stands.) I ll place the coat tree! It ll be there, okay? LARRY: It s jest that I gotta be Bob Cratchit. CLAUDE: I know, Larry. Let s try to get past this, okay? LARRY: Okay, Claude. CLAUDE: Okay. Sit. (LARRY does.) Evelyn, take it from, Just then, Scrooge s nephew. (Returns to his seat.) EVELYN: Just then, Scrooge s nephew, Fred, strode into the shop.

- 7 - (LESTER, as Fred, enters SL.) LESTER: A Merry Christmas, Uncle! God save you! CLAUDE: Cut! Lester, you re wearing Young Man Scrooge! LESTER: I am? They look so much alike. CLAUDE: That s Young Man Scrooge, Scene 4. This is Fred, Scene 1! LESTER: Does it matter? CLAUDE: Integrity, Lester! LESTER: You want me to go change? CLAUDE: No, we don t have time. Just get it right tomorrow. Let s cut to, I ask nothing of you. LESTER: (To SCROOGE.) I ask nothing of you. Can t we just learn to get along? FRANK: (Beat.) What? (To CLAUDE.) My nephew is Rodney King? LESTER: What did I do? CLAUDE: It s Why can t we be friends. LESTER: Same thing. CLAUDE: We re not doing the modern English version here, Lester. This is Charles Dickens. No paraphrasing. LESTER: Claude, I m lucky I even got that out! It s hard enough delivering mail all day and trying to learn one part. You didn t tell me at the auditions I was going to have to learn three! CLAUDE: The production committee made the choice, and you agreed. Either we do another insipid play about Santa Claus being stressed out, or the same old whatever happened to the spirit of Christmas rubbish, or we try to do something with a little class! EVELYN: Claude s right. We all agreed to take the challenge. LARRY: Easy for you to say, Evelyn. All you gotta do is be Narrator. LESTER: And you don t even have to memorize anything, for cripe s sake! EVELYN: This book is just a prop. LESTER: Oh yeah? (Grabs the book and drops it into the trash basket.) Say bleak, biting three times fast!

End of Freeview Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?pid=1144 Eldridge Publishing, a leading drama play publisher since 1906, offers more than a thousand full-length plays, one-act plays, melodramas, holiday plays, religious plays, children's theatre plays and musicals of all kinds. For more than a hundred years, our family-owned business has had the privilege of publishing some of the finest playwrights, allowing their work to come alive on stages worldwide. We look forward to being a part of your next theatrical production. Eldridge Publishing... for the start of your theatre experience!