RUXANDRA ZENIDE REVUE DE PRESSE DU FILM RYNA

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Elefant Films 10, rue Jean Jaquet - 1201 Genève - Suisse Tél +41 22 301 65 00 - Fax +41 301 65 01 Calea Mosilor 123 - District 2 - Bucarest - Roumanie Tél +40 746 242 635 - Fax +40 21 313 39 47 info@elefantfilms.ch RUXANDRA ZENIDE REVUE DE PRESSE DU FILM RYNA

IL ÉTAIT UNE FOIS DANS L EST, Migros Magazine n 44, 1 er novembre 2005

«RYNA», MIRACLE SUISSE EN ROUMANIE, Le Temps, 5 avril 2006

DANUBE BLUES, Le Courrier, 8 avril 2006 JAHRMARKT DER WEIBLICHKEITEN, Bazelkultur, 18 mai 2006 RUXANDRA ZENIDE, UNE GENEVOISE EN COMPETITION, La Tribune de Genève, 27-28 août 2005

L ASCENSION ETONNANTE D UN PETIT FILM SUISSE, GHI, 26-27 octobre 2005 RUXANDRA ZENIDE ET RYNA PRENNENT LEUR ENVOL, Swissinfo, 1 er novembre 2005

RYNA, L Hebdo, 13 avril 2006 DAILY NEWS, 3-13 novembre 2005 LA GRACE DE RYNA, 24 Heures, 12 avril 2006 ENTRE COMPETITION ET SERIES, COUP D ENVOI CE SOIR, La Tribune de Genève, 31 octobre 2005

RUXANDRA ZENIDE, LA CINEASTE SUISSE QUI VIENT DE L EST, La Tribune de Genève, 2 novembre 2005 UNE SUISSESSE EN COMPETITION À CINÉMA TOUT ÉCRAN, ELLE, non daté

PALMARÈS SUISSE POUR CINÉMA TOUT ECRAN, La Tribune de Genève, 7 novembre 2005 UNE JEUNE SUISSESSE EMPORTE LES LAURIERS DE CINEMA TOUT ECRAN, Le Courrier, 7 novembre 2005

RYNA, Variety, 30 août 2005 ww.variety.com/review/ve1117928021.html?c=31 Posted: Tue., Aug. 30, 2005, 8:52pm PT Ryna (Romania-Switzerland ) A correction was made to these credits on Sept. 20, 2005. A Pacific Films/Strada Film/Elefant Films/TSR co-production. Produced by Erifc Garoyan, Xavier Ruiz, Catalin Mitulescu. Directed by Ruxandra Zenide. Screenplay, Marek Epstein, Andreea Valean. Ryna - Dorotheea Petre Father - Valentin Popescu Grandfather - Nicolae Praida By DEBORAH YOUNG A girl forced to grow up in boy's clothing breaks away from her oppressive family in "Ryna," a striking feature debut by Romanian helmer Ruxandra Zenide. Much of the pic's strength is in leaning on the frail shoulders of newcomer Dorotheea Petre, who is insightful and refreshingly contemporary as a boy-girl-woman searching for her identity. Original plotting and a moody atmosphere should help push the film beyond fest screenings to reach selected arthouse auds. In a grubby Romanian backwater on the Danube delta, 16-year-old Ryna pumps gas and works as a mechanic for her hard-drinking, slave-driving dad. She's adept at repairing motors, soldering metal and driving trucks. Over her mother's ineffectual protests, she's forced by her father to wear overalls and crop her hair -- to live as a boy and work like a horse. But she finds a way to steal time for her hobby, photography, as well as clandestine meetings with a lovelorn mailboy. Ever night she drives to town to drag her drunken father home from the local bar. Old beyond her years, marked by the poverty and hardship of her life, she is the one who keeps her family under control. One day, a young Frenchman turns up to research a university thesis. His topic is the origins of the Latin civilization, which he somehow plans to discover by measuring the arms, hands and fingers of the local population. He, too, becomes interested in the fascinating Ryna. So is the town mayor, a seedy character who can't take his eyes off her. Climax of the film comes one night at a fair, where her three admirers each make their play for her. Her innocent delight in wearing a dress for the first time in her life ends in the worst way possible, as the men betray her. Yet Ryna shows she's tough enough to pull through, in a dramatically and emotionally satisfying conclusion very much in keeping with film's feminist, individualist spirit. Zenide shows a steady hand directing a varied cast, which includes a kindly but senile grandfather (Nicolae Praida) and a good-hearted doctor and his wife. Her focus is always on Petre, however, whose sensual, impish face looks stylish and mischievous even in her rough work clothes. Not surprisingly, her perf won debut kudos at the Transylvania film fest in Cluj early this year. Marius Panduru's widescreen lensing captures the poverty of the delta region, as well as its wide-open fields and empty beaches, while his lighting explores deep into the characters' faces. With: Matthieu Roze, Aura Calarasu, Theodor Delciu, George Custura, Radu Romaniuc, Constantin Ghenescu, Dana Talos, George Robu, Oxana Moravec. Camera (color, widescreen), Marius Panduru; editors, Ioachim Stroe, Jean-Paul Cardinaux; production designer, Dniel Raduta; costume designer, Isabelle Fraysse; sound (Dolby digital), Alexandru Dragomir, Sebastian Zsemlye;. Reviewed at Sarajevo Film Festival (competing), Aug.24, 2005. Running time: 93 MIN.

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MOMENTE DES UMBRUCHS, Bazkulturmagazin, 17 mai 2006

DEN BLICK WEIT OFFEN, Sonntagsblickmagazin, 14 mai 2006 SEELISCHES ERWACHEN, 20 minuten, 24 mai 2006

DIE ZWEI VON DER TANKSTELLE, Luzern, 2 juin 2006

WÄR ICH EIN JUNGE, P.S Die linke Zürcher Zeitung, 26 mai 2006 EIN LEBEN IM VERBORGENEN, Züritipp, 25 mai 2006

DIE TOCHTER, DIE EIN SOHN SEIN MUSS, Tages Anzeiger, 26 mai 2006 EINE REISE INS INNERE, Tele, 20 mai 2006

RYNA, NZZamSonntag, 21 mai 2006 RYNA, Oberzimmentaler, 11 mai 2006 RYNA, Brigitte, 10 mai 2006

AUF DER STRASSE DER HOFFNUNG, Der Landbote, 24 mai 2006

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RYNA, UN FILM SUISSE PROMETTEUR, TSR.ch, 6 mai 2006 ECLORE EN ROUMANIE, Profil, 2005