Psalmba. A Musical Story of David. Book, Music and Lyrics by Jeff Combe. Performance Rights

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Psalmba A Musical Story of David Book, Music and Lyrics by Jeff Combe Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co. Inc. Call the publisher for additional scripts and further licensing information. The author s name must appear on all programs and advertising with the notice: Produced by special arrangement with Eldridge Publishing. PUBLISHED BY Eldridge Christian Plays and Musicals PO Box 14367, Tallahassee, FL 32317 www.95church.com 2005 by Jeff Combe Download your complete script from Eldridge Publishing http://www.95church.com/playdetails.asp?pid=1010

-2- Dedication To my father, who read to me when I was young; and to my wife, who listens to me now that I m old. Cast of Characters Approx. 7 male, 2 female, 11 flexible, and ensemble. Much doubling possible. SAMUEL: Serves as a narrator. DAVID: His story, from a boy to a king. SAUL: The king, a tough, craggy old soldier. 1ST CRONEY: (M or F) Saul s henchman. 2ND CRONEY: (M or F) Another. LACKEY: (M or F) Delivers bad news to Saul. JESSE S NEIGHBOR: (M or F) Announces invasion. JESSE: A sheep rancher, David s father. JESSE S SONS: (2-7, M and/or F) David s brothers. GOLIATH: Slain by David with a rock. JONATHON: Saul s son, the crown prince. MICHAL: Saul s daughter. 1ST HIT MAN: (M or F) A murderer. 2ND HIT MAN: (M or F) A murderer. WITCH OF ENDOR: (F) Big, mean and ugly. GHOST OF SAMUEL: (M or F) JOAB: Captain of David s guard. SERVANT: (M or F) A courtier. Other roles: Sheep Lion Bear Philistine soldiers Israelite soldiers Israelites Members of Royal Court

-3- SETTING This play is meant to be more or less in the spirit of the old English mystery and morality plays. Its set, therefore, is not realistic, but may be a wagon or simply a series of platforms that may become any location suggested by the libretto. There is a large rack of eclectic, often anachronistic, costumes in plain view of the audience. MUSIC 1. Overture 2. Ballad of the Little Shepherd 2a All Day Long 3. David s Anointing 4a. Entrance of the Philistines 4b. Entrance of the Israelites 5. Scene One Finaletto: David and Goliath 5a. Scene change/underscoring (Opening, Scene 2) 5b. Jonathon s entrance /Israelite exit 5c. Introduction to Michal 6. Heaven 7. Pagan Kings Get All o the Fun 8. David s Hymn 8a. Scene change/underscoring (Opening, Scene 4) 9. Can This Be Love? 9a. Scene Change (End of Scene 4) 10. Samuel s Death 10a. Scene change (Opening of Scene 6) 11. The Witch of Endor 11a. Scene Change/underscoring (Opening, Scene 7) 12. The Fight underscoring 13. Psalmba 14. Bows 15. Exit Music

-4- MUSIC - Overture SCENE 1 -- A FIELD NEAR BETHLEHEM (AT RISE: SAMUEL, who may be dressed in any modern representation of religious authority, watches the audience as they enter. He quietly approaches various members of the audience and invites them to join in the play. These, of course, are the cast members. EACH CAST MEMBER, after being chosen by Samuel, goes to the costume rack with more or less alacrity and much ad libbing and chooses costume pieces that may appropriately suggest the character each one has been asked to play. The CRONIES, for instance, may wear Napoleon hats and costume jewelry. SAUL may be dressed in military fatigues. JESSE may look like an old Idaho rancher. Discretion is left to the director and the costumer. After the performers are ready, SAMUEL begins.) SAMUEL: (Addressing audience.) In this play, I represent many things. For now, let s pretend that my name is Samuel, and that I wrote a book called The Book of Samuel. It was a book about a king who became the father of many kings, and a shepherd who was the son of a shepherd. (As HE sings, DANCERS, who are dressed as SHEEP, and DAVID enter and act out the song.) #2 - Ballad of the Little Shepherd / #2a - All Day Long SAMUEL: A LITTLE SHEPHERD SAT ALONE ON A HILL, IN ONE HAND A HARP, IN THE OTHER A QUILL. WHILE HIS SHEEP SAFELY GRAZED, THE CLOUDS SLOWLY RAISED, AND HE STARED AT THE SKY UNTIL HE SANG DAVID: GOD IS MY SHEPHERD, GOD IS MY LIGHT, WHEN I AM IN TROUBLE, GOD FIGHTS MY FIGHT. SAMUEL: A LITTLE SHEPHERD SAT ALONE IN THE NIGHT, IN ONE HAND A LUTE, IN THE OTHER A LIGHT. AS THE SHEEP SAFELY SLEPT, THE NIGHT BREEZES SWEPT THE CLOUDS FROM THE HILLS; AND THEIR FLIGHT MADE HIM SING

-5- DAVID: GOD GRANTS ME PASTURE, GOD GIVES ME FEED. WHEN I PLANT MY VINEYARD, GOD GIVES ME SEED. (TWO DANCERS dressed as a LION AND A BEAR come on and threaten the SHEEP.) SAMUEL: A LITTLE SHEPHERD HAD TO FIGHT FOR HIS LAMBS. HE HAD NO WEAPON BUT HIS HARD SHEPHERD S HANDS. AND WHEN THE BEAR CAME, WHEN THE LION CAME, HE FOUGHT THEM BOTH ALONE. (In a dance/pantomime, DAVID fights with and kills the LION and the BEAR. The SHEEP celebrate.) DAVID: YEA, THOUGH I WALK THROUGH THE VALLEY OF THE SHADOW OF DEATH, I WILL NOT FEAR A THING, FOR THE LORD GIVES ME BREATH. SAMUEL: A LITTLE SHEPHERD SAT ALONE ALL NIGHT LONG, IN ONE HAND A FLUTE, IN THE OTHER A GONG. AS THE LAMBS SAFELY LAY, THE SEA BREEZES PLAYED THE HARMONY OF HIS SONG. SAMUEL: (Spoken.) The shepherd s name was David. He was the youngest of eight sons of a shepherd named Jesse. David wrote songs, psalms, poems, and music. DAVID: (Sings.) I VE ALWAYS WANTED TO WRITE A HAPPY SONG, A SONG THAT FLOATS ON A SUMMER BREEZE, LIKE A THOUSAND BIRDS FELT SO GOOD THEY COULDN T SAY IT IN WORDS, JUST WHISTLE AND LA-DE-DAH ED, WHISTLE AND LA-DE-DAH ED ALL DAY LONG. I VE ALWAYS WANTED TO SING A HAPPY SONG. A SONG THAT MAKES YOU TINGLE INSIDE LIKE YOU RE EIGHTY FEET TALL, AND, LOOKING DOWN TO THE WORLD, YOU WHISTLE AND LIFT IT UP. WHISTLE AND LIFT IT UP ALL DAY LONG (As the song ends, SAUL comes storming out, followed by his two CRONIES. SAUL, the king, is a craggy old soldier, tough and vulgar. The CRONIES are the sort of people that give diplomacy a bad name.)

-6- SAUL: (Angry.) Don t tell me what Samuel says! I don t care what Samuel says! I m the king I ll do what I want. Samuel can just go -- (A LACKEY runs on and grovels his way to SAUL S heels.) LACKEY: (Obviously frightened.) Your Majesty. (SAUL ignores him.) Your greatness. Deem to look on this dog, your servant. (SAUL continues ignoring him.) Your Holiness (SAUL smiles broadly on the LACKEY.) SAUL: Speak, worm. SAMUEL: (To the ACTORS.) Wait a moment, please. (EVERYONE but SAUL relaxes. SAUL is not pleased with the interruption. To the audience, indicating Saul.) This man is Saul, the present king of Israel. You ll hear more about him later. But first I want to tell you what I told Israel about having a king. I said this: (HE assumes a public speaking pose.) Mark what I say, Israel. The last time you had a king, you were in Egypt, and you know how that worked out. (HE raises his hands as though to quiet objections.) Now, look. I know the Philistines and the Ammonites and all those others all have kings. And I know that they mock you because you don t have a king. If you really want a king, the Lord will let you have one. But let me warn you: too much power can do awful things to a human being. If you have a king, you will regret it. (Normal voice.) But they wanted a king, so I went and found the best man in the country. (Indicating SAUL.) And this is what he turned into. SAUL: (Sarcastically.) Are you finished? SAMUEL: Yes. Go ahead with what you were doing. SAUL: (To LACKEY, in former tone.) What is it, worm? Speak! SAMUEL: (To audience.) You get the idea. LACKEY: Your Majes er, Holiness a message from Samuel the Prophet. (Pause. The CRONIES look worried.) SAUL: (To CRONIES.) Relax. What difference does a message from that two-bit fortuneteller mean to me? (SAMUEL rolls his eyes.) (To LACKEY.) Give me your message, worm. (The LACKEY is too scared to speak.) Talk! LACKEY: (Scared beyond reason.) This is the message: God has rejected Saul because of his repeated disobedience. (CRONIES gasp. LACKEY grins sheepishly and begins to crawl away, backwards.)

-7- SAUL: (To CRONIES.) Don t get your bowels in an uproar. No reason to panic. After all, who s in charge around here anyway, me or Samuel? CRONIES: Oh, yeah. That s right. Dumb old fortuneteller anyway. Wait! What re we gonna do with this lackey, here? SAUL: Kill him. LACKEY: What!? CRONIES: Goodie! (The LACKEY crawls faster, but the CRONIES grab him and carry him off, screaming. SAUL exits after them. SAMUEL watches a moment, sighs, then turns to the audience.) SAMUEL: At one time, Saul was a good man, but his power went to his head, and he forgot he wasn t God. So, I was sent to choose another king. (To DAVID.) You, boy! Come here. (DAVID, who has been aware of the proceedings, mimes, Who me? ) Yes, you. Come here, please. (DAVID goes to HIM.) Do you know who I am? DAVID: I think so. I m not sure. SAMUEL: I am Samuel the Prophet. (DAVID kneels.) Don t kneel to me, boy. (DAVID stands up.) Let me tell you something. The first thing you have to do is learn the difference between a man and God. DAVID: Yes, sir. SAMUEL: It s an important lesson. You ll pick it up as you go along. DAVID: Yes, sir. SAMUEL: Now, young man, what is your name? DAVID: David ben Jesse, sir. SAMUEL: Your father, then, is Jesse? The one who lives in Bethlehem? DAVID: Yes, he is. SAMUEL: I know your father. DAVID: You do? SAMUEL: Yes. He is a good man. I know many things about you, you know. DAVID: You do? SAMUEL: Yes. You live in Bethlehem with your father and seven brothers. You are the youngest, and you keep the sheep for the family. I have met all your brothers, but, until today, I have not met you. I m not sure how to put this to a young man like yourself, but the Lord has sent me here for a reason.

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