horal Series Based on the Pentecost Sequence Sorano Alto Baritone 5 INTRO reely (Come, Holy it) Ve ni π 4 4 4 SSAAB Choir, Solo, Congas, and Claves π π U u U U Ve ni, Brad Croushorn U u i tus i tus Si ri tus! i tus i tus Si ri tus! U U i tus i tus Si ri tus! 2015, Brad Croushorn (ASCAP) Pulished y OCP, 556 NE Hassalo, Portland, OR 9721 All rights reserved 18005488749 ocorg
2 uilantly (q = ca 98) 10 Congas 14 17 RERAIN 20 Alto Œ A Œ Œ S Claves Ó Œ Œ Ó Baritone Ho ly it, Œ come Come, Ho ly Edition 01670
22 24 Πit Ho ly it, # Ve come ΠSan 27 cte ΠΠCome, Ho ly Πit ni, Come, Ho ly it!
4 VERSE 1 29 Œ Ó Œ Ó Ó Œ Ó R Œ R 2 Sorano Solo 1a 1 S A B Most Kin Oo, less ed Ra diance, en light en dle a lame ith the light o Œ R Come, Ho ly it! 1a 1 our minds your love Œ Ó Œ Ó Cast out Hearts, cold Oo, the and shad os o lie less, ig Come, Ho ly it! Ó Œ Ó R sel ish de sire nite ith your ire
5 5 ΠR 1 ΠR 2 Π8 1 1 2 Π2 Come, Ho ly it! Come, O Ho ly it, come! it, come! RERAIN Come, come, Ho ΠCome, Ho ly ly it, come! it it
6 41 44 Ó Ho ly it, Œ # Ho ly it, it it come come Œ Come, Ho ly it! Œ Come, Ho ly it! Come, Ho Œ Come, Ho ly ly
7 VERSE 2 47 Œ Ó Œ Ó Ó Œ Ó R Œ R 50 2a Might y 2 Sot en Oo, Wind, lo our ills all to the e Œ R Come, Ho ly it! dust rom our ormed as you Œ Ó Œ Ó souls ant 2a Cleanse us rom all that ould 2 Come and e ter nal ly Oo, Come, Ho ly it! Ó Œ Ó R kee sing us in a art our hearts
8 5 Œ R Œ R 56 Come, O Ho ly it, come! BRIDGE Ó Œ Ó Œ su Ve ni, Sancte su Ó Œ Œ Œ P Come, Ho ly it! Œ Ó Œ Ó Œ Œ Œ Ó P P
9 59 Ó Œ Œ Œ Œ Œ Ó Œ Œ Œ 62 Come, Ho ly it Come, Ho ly it! Œ Ó Œ Ó Œ Ó Œ Œ Come, O Ho ly it, come! div Œ Ó Œ Ó
10 INAL RERAIN 64 67 Ó Ó Ho ly it, come Come, Ho Œ Ho ly it, come Come, Ho it Ho ly it, Ó Œ # it Ho ly it, ly ly come come
11 70 7 Come, Ho Πly Come, Ho ly S A B it Ve su it reely ni div ΠSi ri tus U u U ΠΠu Ve ni, U Ve ni,
12 77 cresc Si ri tus! cresc Si ri tus! cresc Sorano Solo Si ri tus! ƒ a temo Come, Ho ly it! a temo a temo a temo > > > > ƒ ƒ ƒ
Comoser Notes 1 ust as the Holy it aears in many ays, rom gentle reeze to rushing ind, tiny sark to roaring lames, comorting calm to oisterous elation, musically exlores some o these ossile maniestations The anthem starts and inishes ith the choir singing in a rhythmically ree ashion, somehat chantlike as the choir invokes the Holy it s resence The notated rhythm in these sections serves as a guide It is est erormed according to the natural rhythm o the text and inluenced y motion suggested y the harmonic rogression rom the irst note, let it take shae as i the singers are oining their voices into a sound already virating in the air, increasing intensity steadily rom the onset No single voice art should dominate in the eginning or ending, and do take care to sing the Latin ith the urest o voels During the verses the soloists text alays takes recedence over the choir s harmony ( Oo ) The choir should e ale to clearly hear and understand every ord o the soloists; i not, the choir is likely too loud Whenever the ercussion sounds alone, the instrumentalists should lay ith unounded enthusiasm, articularly in measures 28, 46, 55, and 7 When laying ith the vocalists, underin them gently and unotrusively ith recise rhythmic suort In the inal measure, hold nothing ack! Aove all, kee u the energy throughout the entire iece It may hel to think o the iece as eing in a constant loo Put another ay, kee in mind the eel o the last to measures as you egin the anthem, and let that distilled energy shae the entire song Brad Croushorn
14 CONGAS and CLAVES Brad Croushorn 1 INTRO reely 4 4 4 RERAIN 8 U Si ri tus! uilantly (q = ca 98) Congas 2 Ó Œ 5 6 7 8 9 Claves 20 Œ Œ Congas 2 4 5 6 VERSE 1 26 7 8 Œ Ó Œ Ó 1 Œ R Œ R Œ Ó Œ Ó 5 Œ R Œ R 1 2 Ó Œ Ó R Ó Œ Ó R Œ 2015, Brad Croushorn (ASCAP) Pulished y OCP, 556 NE Hassalo, Portland, OR 9721 All rights reserved
15 RERAIN 8 Œ Œ 2 4 5 6 7 8 VERSE 2 46 Œ Ó Œ Ó Ó Œ Ó R Œ R Œ R 51 Œ Ó Ó Œ Œ Ó Ó R Œ R Œ R 54 2 Œ 59 Ó Œ Œ Œ INAL RERAIN 64 69 Ó Œ Œ Œ Œ Œ BRIDGE Ó Œ Ó Œ 1 Ó Œ Œ Œ Œ Œ Œ Œ 2 4 5 6 7 8 reely 74 5 a temo Come, Ho ly it! ƒ ƒ > > > >