Decomposition. Eagle Scholar. University of Mary Washington. Sarah Kinzer. Student Research Submissions. Spring

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University of Mary Washington Eagle Scholar Student Research Submissions Spring 4-27-2018 Decomposition Sarah Kinzer Follow this and additional works at: https://scholar.umw.edu/student_research Part of the Creative Writing Commons Recommended Citation Kinzer, Sarah, "Decomposition" (2018). Student Research Submissions. 241. https://scholar.umw.edu/student_research/241 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact archives@umw.edu.

Contents Split The Potter Trout Teeth Feather Survival Three Days After Philando Castile Outside the Church Decomposition Remains

Split Examining the spotted grout between decaying bricks, he only sees the possum that he d hit departing from the tar-black drive that splits his wild Virginian yard in two. He d hoped its death was just its beastly game. A selfish joke. It sat to rot for days, the body stripped, rain-washed of all its blood beneath a stream of cars. He sips his tar-black coffee at the bar.

The Potter She said the cup was bonedry: as hard as clay can get before the kiln. I dropped it on the concrete floor. It broke into a small and smaller half. She heard the shatter from the livingroom. Dust from the broken vessel held the air.

Trout The eternal fishermen belong as much to the riverscape as the gulls, the sand, the trout splayed red across the salted dock. The trees not quite as tall as that concrete bridge, half-moons of air between its joints, the train on its steel spine. A silver line pulls tight against its rod, catches the sun. The surface drifts upstream, betrays its coastal lure. Makes a girl wonder which way she d float, pockets lined with plastic, hair wild like branches wrapped around a trunk.

Teeth A dancer floated cold into my dreams. Her body bent over itself, folded where the bones might have been. I watched the architect erase whole cities line by line. I marveled at her eternal patience, caught in the gleam of her golden watch. The dentist pulled every tooth from the mouth of the dead man, left him unable to bite. He dropped them one by one into a metal bin. Dust clinging to the yellow floor. The receptionist refused to meet my gaze, pretended not to see my hand on her counter. I didn t know where else to put my hands.

Feather I watched a kid run screaming at a bird. I m telling you it s what I saw. Listen, he chased the thing until he couldn't breathe. I saw him gasping, sun-bent on his knees like morning mass. I think I might have seen a feather folded in his unwashed hands. The bird makes no sense of living in ruin, pecks at trash from a cart in the lot.

Survival Show me where he put his hands. Here. Here I did not move. Here the should, here the show, here the fabric wearing thin. To say survival: to suggest the stinger sometime dropping from the yellowed body. I want a bee to sting his hands, to poison, to police. Time resists passing, resists dropping from, persists. Remember when we took the Sunday train to see the cherry trees, the children playing in the falling blossoms, the blossoms melting like snow in their hands. Survival touches every part to live, to stay packed into snow.

Three Days After Philando Castile Hey Sarah, this is Sara. I was calling about a couple things. The first, least important thing is I wanted you to know that I stayed in your room over at Liz s for a couple of nights while you were gone. I m driving to DC now, so I won t be in town, but I wanted to let you know that in case the bed or room wasn t as you had left it when you had left it, and to know that I stayed over there. And the reason I stayed over there was because, so I put a Black Lives Matter sign in my window, and there has been a lot of intimidation and retaliation, nothing really bad, somebody put an All Lives Matter sign over it. I just felt much safer staying over at Liz s. So I also wanted just to let you know when you get back in to not work in the office, Ian s not going to, at least tomorrow, and Sara s not going to be in the office tomorrow, and I know you won t be, but whatever day you get back. So don t work in the office until we ve had a chance to talk. It s okay if you need to pop in and grab something, or something like that, but at least until we sort of put our heads together and figure out what we want to do, just to make sure we re feeling safe, and things might be just fine by then, but I just want to be careful. Okay? You don t have to call me back. Just wanted to give you this message, but if you need anything, I m in DC tomorrow and Tuesday, we ll be driving back on Wednesday. Feel free to text me or give me a call, and if I can t answer, leave a voice message and I ll get back to you as soon as I can. Okay, I hope you have a good trip back and had a great weekend. Bye.

[voicemail transcript] Hey Sarah, this is Sara. I was calling about a couple things. The first, least important thing is I wanted you to know that I stayed in your room over at Liz s for a couple of nights while you were gone. I m driving to DC now, so I won t be in town, but I wanted to let you know that in case the bed or room wasn t as you had left it when you had left it, and to know that I stayed over there. And the reason I stayed over there was because, so I put a Black Lives Matter sign in my window, and there has been a lot of intimidation and retaliation, nothing really bad, somebody put an All Lives Matter sign over it. I just felt much safer staying over at Liz s. So I also wanted just to let you know when you get back in to not work in the office, Ian s not going to, at least tomorrow, and Sara s not going to be in the office tomorrow, and I know you won t be, but whatever day you get back. So don t work in the office until we ve had a chance to talk. It s okay if you need to pop in and grab something, or something like that, but at least until we sort of put our heads together and figure out what we want to do, just to make sure we re feeling safe, and things might be just fine by then, but I just want to be careful. Okay? You don t have to call me back. Just wanted to give you this message, but if you need anything, I m in DC tomorrow and Tuesday, we ll be driving back on Wednesday. Feel free to text me or give me a call, and if I can t answer, leave a voice message and I ll get back to you as soon as I can. Okay. I hope you have a good trip back and had a great weekend. Bye.

Outside the Church The pastor s son convinced me to chew a pine twig, held it to my mouth. Tasted like bitter oranges. I lied, claimed I swallowed, then spat into the sweet communion wine. Not one of those catholics saw the trick, kept reddening their solemn lips, mouthing along to some distant hymn. I slipped downstairs through the silent kitchen with that cornbread yellow sink, gold shining through. There, muffled between the devoted and the world, what sounded like god made its way through the wall.

Decomposition We are born into An elastic landscape. A trillion vagrant bags pass through the landfills, cities, seas. Each zero no- thing. A friend dies with grocery bags packed tight in her cold throat, wrapped honey-thick around her head. The world floats past our comprehension. The blue film snags on branches, takes one thousand years to photodegrade, sun- split by halves into smaller toxic bits. One by one, the oceans disappear.

Remains There s something sort of sacred in a grave. I don t mean the body; of course the body s sacred. Perhaps the words, the faded epitaph. Or else the margins, openings between language shift and language death. The nothing that surrounds the written self. What s left of me, forsaken on a rock.