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PSALM 16: KEEP ME SAE, O O RERAIN: ( = ca. 88) 1st time: antor, All repeat; thereafter: All Melody Keyboard od, VERSE 1: antor () 1. O Lord, I take it 1 is 1.. 2, 3 to Verses 1, 2 you who are my por.. tion and cup; 2, 3 it is you to Verses 1, 2 your Text: Based on Psalm 16:1, 5, 8, 9 10, 11. Refra, Paul Inwood, b. 1947, 1985, 1992, Paul Inwood. Published by OP. All rights reserved. Verses 1963, The rail (England). All rights reserved. Used with permission of A.P. Watt, Ltd. Music: Paul Inwood, 1985, 1992, Paul Inwood. Published by OP. All rights reserved. 22611-Z1

PSALM 16: KEEP ME SAE, O O, cont. (2) 1. self who are my prize. I keep the Lord VERSE 2: 2. And 2. bod antor [] y 1. ev er my sight: so my heart re shall rest /B /B.. sce he is at my right hand I shall stand firm... joic es, my soul is glad; e ven my safe ty. or you will not leave my

PSALM 16: KEEP ME SAE, O O, cont. (3) /B sus4 to next Refra 2. soul a mong the dead, nor let your be lov ed know de cay. to next Refra RERAIN: All* al al 1 1 to Verse 3 to Verse 3 *After 2 measures beg two-part canon (second voice cue-size notes)

PSALM 16: KEEP ME SAE, O O, cont. (4) e me safe, O e VERSE 3: antor 3. You will show E 3. joy your pres 3. right hand me the path ence, hap E7 pi ness for at your ev of er. life, the full ness of right hand, at your.s. al fe.s. al fe

PSALM 16: KEEP ME SAE, O O RERAIN: ( = ca. 88) 1st time: antor, All repeat; thereafter: All VERSE 1: 1. O VERSE 2: antor [] 2. And so my heart re joic es, my soul 1. I antor [] Lord, keep me the Lord safe, it is you who are my por tion and cup; O ev er my sight: sce 1 is glad; /B he is at my right hand e ven my bod /B it is you y.. shall rest safe your 2, 3 self who are my /B I shall stand firm. ty. to Verses 1, 2 prize... or sus4 to Refra, next page 2. you will not leave my soul a mong the dead, nor let your be lov ed know de cay. Text: Based on Psalm 16:1, 5, 8, 9 10, 11. Refra, Paul Inwood, b. 1947, 1985, 1992, Paul Inwood. Published by OP. All rights reserved. Verses 1963, The rail (England). All rights reserved. Used with permission of A.P. Watt, Ltd. Music: Paul Inwood, 1985, 1992, Paul Inwood. Published by OP. All rights reserved. 22611-Z2

PSALM 16: KEEP ME SAE, O O, cont. (2) RERAIN: All* od, VERSE 3: antor E7 I take 3. You will show me 3. at your right hand, *After 2 measures beg two-part canon (second voice cue-size notes) the path at your of life, right hand the full od, I take ness of hap pi ness for joy ev er. your E to Verse 3 pres ence, to al Refra

PSALM 16: KEEP ME SAE, O O, cont. (3) INAL RERAIN: All* me safe, O Soprano escant my od. me safe, O my od. me safe, O my od. my od. my od. me safe, O *After 2 measures beg two-part canon (second voice cue-size notes)

PSALM 16: KEEP ME SAE, O O RERAIN: ( = ca. 88) 1st time: antor, All repeat; thereafter: All VERSE 1: 1. O VERSE 2: antor [] 2. And so my heart re joic es, my soul 1. I antor [] Lord, keep me the Lord safe, it is you who are my por tion and cup; O ev er my sight: sce 1 is glad; /B he is at my right hand e ven my bod /B it is you y.. shall rest safe your 2, 3 self who are my /B I shall stand firm. ty. to Verses 1, 2 prize... or sus4 to Refra, next page 2. you will not leave my soul a mong the dead, nor let your be lov ed know de cay. Text: Based on Psalm 16:1, 5, 8, 9 10, 11. Refra, Paul Inwood, b. 1947, 1985, 1992, Paul Inwood. Published by OP. All rights reserved. Verses 1963, The rail (England). All rights reserved. Used with permission of A.P. Watt, Ltd. Music: Paul Inwood, 1985, 1992, Paul Inwood. Published by OP. All rights reserved. 22611-Z2

PSALM 16: KEEP ME SAE, O O, cont. (2) RERAIN: All* od, VERSE 3: antor E7 I take 3. You will show me 3. at your right hand, *After 2 measures beg two-part canon (second voice cue-size notes) the path at your of life, right hand the full od, I take ness of hap pi ness for joy ev er. your E to Verse 3 pres ence, to al Refra

PSALM 16: KEEP ME SAE, O O, cont. (3) INAL RERAIN: All* me safe, O Soprano escant my od. me safe, O my od. me safe, O my od. my od. my od. me safe, O *After 2 measures beg two-part canon (second voice cue-size notes)