SPECULATION, IMAGINATION AND MISINTERPRETATION (TEL AVIV, MAR 15)

Similar documents
GLORIOUS CITIES (JERUSALEM, 30 APR-3 MAY 18)

Research Workshop of the Israel Science Foundation and the Israel Institute for Advanced Studies

Dr Neta Bodner. Contact Details. Research Interests

Jerusalem Elsewhere: The German Recensions A Mobile Symposium

Associate Professor of Law and Legal History, Modern Legal History, Israeli history, Comparative Law, Political and

The 15 th KCMCW. Karniel Computational Motor Control Workshop Ben-Gurion University of the Negev

Department of History St. Lawrence University Spring The Ottoman Empire and the Early Modern World

Week 1 The Age of Süleyman: An Introduction to Artistic Orientations

WHII 2 a, c d, e. Name: World History II Date: SOL Review Day 1

From Operative Masonry to Speculative Masonry. Why was there a connection?

Nirit Ben-Aryeh Debby February, Personal Details Nirit Ben-Aryeh Debby

CV Michal Ben-Horin, Ph.D

CHAPTER 3: The Humanist Approach

Rethinking Jewish and Non-Jewish Relations

The Golden Haggadah. 9/13/2015 (2) Learn the Golden Haggadah Medieval art in Europe Khan Academy

Philosophy, Culture, and Traditions

IYUNIM BITKUMAT ISRAEL SOCIETY AND ECONOMY IN ISRAEL: HISTORICAL AND CONTEMPORARY PERSPECTIVES

DEREE COLLEGE SYLLABUS FOR: AT 3007 BYZANTINE ART AND ARCHITECTURE. (Previously AT 3007 Early Christian and Byzantine Art and Architecture)

Tawfiq Da adli Curriculum vitae

Julie E. Cooper. Department of Political Science Tel Aviv University Ramat Aviv P.O.B Tel Aviv Israel

The Byzantine Empire

WORLD HISTORY CHAPTER 12 PACKET: RENAISSANCE AND REFORMATION (1350 CE CE)

EARLY MEDIEVAL ART (G 4319) Fall 2002 Tuesdays, 6:10-8:00 pm Schermerhorn Hall, Room 612

Religious Icons at the Metropolitan Museum of Art

Name: Hour: RenaLssance L 4

Seven Last Words: A God Who Understands Us By James Martin READ ONLINE

Reiki Inspired Art. THOUSANDS OF YEARS before art for art s sake became

Rebirth. Responses to the changing demographics and increases in wealth also manifested themselves in art and thinking the Renaissance.

Stephen Holmgren 2019 / Sermon for Epiphany 2 C 19, Jan. 20, 2019!1

ANNE M. CARPENTER, PH.D

The Virgin Who Points the Way Luke 1:26-38

A Pilgrim People The Story of Our Church Presented by:

The Symbiotic Relationship of Religion and Art

Timeline to the Renaissance

Classical and Worldly Values. By: Moe Berro Hashim Sufyan Moe Basma

HEBREW ANNUAL REVIEW. Volume I

Worship. Teach Your Child How to Adore God

DBQ FOCUS: The Renaissance

Arabic and Arab Culture on Israeli Campuses: An Updated Look

Nirit Ben-Aryeh Debby (October 2015)

1. Base your answer to the question on the cartoon below and on your knowledge of social studies.

Uniwersytet Papieski Jana Pawła II w Krakowie

Student ID: MAKE SURE YOU BUBBLE THE STUDENT ID ON YOUR ANSWER SHEET. Unit 1: Europe Quiz

Entry Task: Look over your graded test. Announcements: Test Grades: is an A is a C is a B is a D.

Communiqué of the Fifth Theological Conference of the Porvoo Communion of Churches Meeting in Riga, Latvia, October, 2016

Hagia Sophia (St. Sophia Church - Ayasofya Museum) In Istanbul By Serif Yenen READ ONLINE

ISRAEL STUDIES IN ZIONISM AND THE STATE OF ISRAEL HISTORY, SOCIETY, CULTURE

Chapter 3. Classical Antiquity: Hellenistic ( BCE) & Roman (31 BCE CE) Worlds

This Week in Venice. Joan L. Roccasalvo, C.S.J. Week of April 23

SACRED AND SECULAR IN LIFE AND ART

The Art Of The Byzantine Empire : Sources And Documents (MART: The Medieval Academy Reprints For Teaching, No. 16) By Cyril Mango READ ONLINE

Holy Land Pilgrimage June 4-14, 2018

Postgraduate Diploma in Theology, Imagination & Culture

Byzantine Libraries. Roxanne M. Renteria LIS 612

People come to Church for all sorts of reasons. 26

We approve the request to drop A-H 312 and A-H 313, together with CLA 312 and CLA 313.

Johnathan E. Alvarado Beulah Heights University 892 Berne St. SE P.O. Box Atlanta, GA (O)

Ori Yehudai Curriculum vitae

FILM AND PRE-APOLOGETICS: How Noah Raises Questions Only Christianity Can Answer

The Renaissance. The Rebirth of European Progress

BIBLE BACKGROUND JOURNEY 5: Do You Want to Get Baptized? Jesus Launches His Mission

The Renaissance. Chapter 15

WORLD ORT 70for70 Mission to Israel October 18-21, 2018

Advanced - Curatorial Education Programme. October 15 19, 2017 Venice // Italy

In 730, the Byzantine Emperor banned the use of icons. The Pope was outraged to hear that the Byzantine Emperor painted over a painting of Jesus.

The Pauline Epistles (06NT520/01) Paul S. Jeon, Ph.D. August 28 December 11

M 11:50 a.m. - 12:50 p.m. or by appointment Telephone:

Trier Religious Sights Walk

TOURS AND ACTIVITIES FOR SCHOOLS AND STUDENTS

HAIM WEISS- CURRICULUM VITAE AND LIST OF PUBLICATIONS

The Byzantine Empire and Russia ( )

Medieval Europe, About 1300

THE SUI AND TANG DYNASTY

Due to copyright restrictions, this image is only available in the print version of Christian Reflection.

CORSI DI LICENZA IN INGLESE LICENTIATE COURSES IN ENGLISH

CURRICULUM VITAE. Date of Birth: Family Status: married, father of three

Reformation Church History

World History Grade: 8

WESTERN ESOTERICISM IN EAST-CENTRAL EUROPE OVER THE CENTURIES

LIFE & LUDLOW

IYUNIM BITKUMAT ISRAEL. IN THE EYE OF THE STORM Essays on Ze ev Jabotinsky

Discovering the Renaissance

Workshop Leo Baeck Fellowship Programme. Freudental 10. July to 13. July 2016

Catholica Summer Program. Forming Young Men into Confident, Catholic Gentlemen

TOGETHER LET OUR HEARTS AGREE. By Clinton Ricketts

Curriculum Vitae and List of Publications

Haifa Center for Mediterranean History

Life, Automata and the Mind-Body Problem

What time period followed the fall of the Roman Empire?

Read Chapters from your textbook. Answer the following short answer and multiple choice questions based on the readings in the space provided.

Topic: Mirror, Mirror On the Wall

Laila Abed Rabho. Dr. Laila Abed Rabho Site

ISRAEL STUDIES IN ZIONISM AND THE STATE OF ISRAEL HISTORY, SOCIETY, CULTURE

B.A in Jewish Thought and Philosophy The Hebrew University of Jerusalem M.A in Jewish Thought The Hebrew University of Jerusalem

European Renaissance and Reformation

International Conference

Definition, Location, Family, & Culture

The Renaissance and Reformation

Chapter 4: The Exchange of Ideas (Pg. 78)

The MARS Undergrad Minor

Transcription:

1 5 SPECULATION, IMAGINATION AND MISINTERPRETATION (TEL AVIV, 22-23 MAR 15) Tel Aviv University, Art History Department, March 22-23, 2015, Tel Aviv University Speculation, Imagination and Misinterpretation in Medieval and Renaissance Art IMAGO annual Conference March 22-23, 2015 Tel Aviv University Faculty of the Arts Art History Department Mexico Building, room 206A Art history, as we knew it, had changed in 1989 with the publication of two major contributions: David Freedberg's The Power of Images and Hans Belting's Likeness and Presence. These books redirected our understanding as to the relations between humans and crafted images, in the context of response, ritual, manifestation, and communication. Image production and consumption became a crossroads of cultural practices and forces, projected upon and through, tempting their users to ascribe to them thought, act, and impact. Rethinking these seminal works, the IMAGO annual conference seeks to explore the role of imagination, speculation, and misinterpretation of images; it attempts to unravel the processes by which phantasy becomes a res, which, in turn, generates an artistic reality and presence. Do images simulate a possible reality, one that could have existed, as advocated by Aristotle? Or, do they generate the reproduction of a distorted actuality? Is the power of imagination synthetic, reflexive, passive, or is it imbued with corporeal intercreative forces? If God was genitum non-factum, were images factum, non genitum, and therefore open to continuously changing speculations? If images produce presence in the form of imaginative actualitas, do they intentionally encourage misinterpretation? Keynotes Speakers: Professor Hans Belting, Hochschule für Gestaltung, Karlsruhe Professor David Freedberg, Columbia University Professor Stephen Perkinson, Bowdoin College, Brunswick Sunday, March 22, 2015

10:15 Greetings Chair: Assaf Pinkus, Head of the Art History Department, Tel Aviv University Nurith Kenaan-Kedar, Tel Aviv University Dorothy Cohen Shoichet 2 5 10:45 11:45 Opening Lecture Chair: Katrin Kogman-Appel, Ben-Gurion University of the Negev Recognize Yourself: Reflections on Selfhood and the Macabre in Pre-Modern Europe Stephen Perkinson, Bowdoin College 11:45 12:15 Coffee Break 12:15 13:45 Session 1 Likeness Chair: Na ama Shulman, Tel Aviv University Speculating on (Self-)Projected Humility in the Memento Mori Memorials of the Late-Medieval English Social and Religious Elite (c1420-1558): Carved Cadavers and the Power of the Crafted Image of the Human Likeness Christina Welch, University of Winchester A Site of Imagination: The Imperial Balcony at Mühlhausen Assaf Pinkus, Tel Aviv University Portraying the Unportrayable: Somatic Presence and Imagination in a Renaissance Bust Jeanette Kohl, University of California, Riverside 13:45 15:00 Lunch Break 15:00 16:30 Session 2 Objects Transformed Chair: Galit Noga-Banai, The Hebrew University of Jerusalem Imagined Miracles, or Manufactured Efficacy? Titian s Pietà Christopher J. Nygren, University of Pittsburgh From Ariadne s Sleep to Cleopatra s Death: the Consequences of Rosso Fiorentino s Misinterpretation Sefy Hendler, Tel Aviv University Eclecticism in Baroque Painting: Reconsidering the Validity of a Label Daniel M. Unger, Ben-Gurion University of the Negev 16:30 17:00 Coffee Break 17:00 18:30 Session 3 Factum, non genitum

Chair: Adi Louria Hayon, Tel Aviv University 3 5 Factum and Frame. Side Notes to the Iconography of the Vision of Dominic in Soriano Isabella Augart, University of Hamburg Creating and Copying a Miraculous Image: the Case of St. Dominic of Soriano Laura Fenelli, Kunsthistorisches Institut in Florenz Seven Wonders of the World: How to Remember Destroyed Artworks Francesco Del Sole, University of Salento 18:30 19:00 Coffee Break 19:00 Keynote Lecture Chair: Assaf Pinkus, Head of the Art History Department, Tel Aviv University Greetings: Zvika Serper, Dean of the Faculty of Arts, Tel Aviv University Still Images and Motor Imagination David Freedberg, Columbia University Monday, March 23, 2015 10:15 12:15 Session 1 Mirabilia and Miraculous Sites of Memory Chair: Sefy Hendler, Tel Aviv University The Sarajevo Haggadah: Medieval and Modern Interpretations and Misinterpretations Adam S. Cohen, University of Toronto Memories from Constantinople: Imagining Venetians and Ottomans Nirit Ben-Aryeh Debby, Ben-Gurion University of the Negev A Horse and a Groom to Aid the Queen Secular Figures at the Goldene Rössl Dafna Nissim, Ben-Gurion University of the Negev Holy Sites, Diverse Memories: The Murals of the Resurrection Church at Abu Gosh (Emmaus) and its Audiences Gil Fishhof, Tel Aviv University 12:15 14:00 Lunch Break 14:00 15:30 Session 2 Making Space, Chair: Sarit Shalev-Eyni, The Hebrew University of Jerusalem Architecture as Imago? Architecture and the Council of Constance. From Art consecrated by the Court in the 14th Century to the Municipal Mediality of Architecture in the 15th Century

Richard Nemec, University of Bern 4 5 Misunderstanding Vitruvius: Antonio da Sangallo the Younger and the Original Sin of Early Modern Theory of Architecture Francesco Benelli, Columbia University The Miscue as a Medieval Hermeneutic Operation (or, the Modern Misreading of the Hereford Map) Marcia Kupfer, Independent Scholar, EURIAS Fellow, Israel Institute for Advanced Studies 15:30 16:00 Coffee Break 16:00 16:30 IMAGO Business Meeting 16:30 18:00 Session 3 Praesentia Chair: Linda Safran, Pontifical Institute of Medieval Studies; EURIAS Fellow, Israel Institute for Advanced Studies The Power of the Imagination, Inward and Outward Berthold Hub, University of Vienna Innocent Idols and Idolized Innocents Mateusz Kapustka, University of Zurich Metempsychosis of Martyrdom: The Eucharist and the Eschatological Concepts of Martyrdom and the Pictorial Idioms at the Ss. Savin and Cyprien Crypt Ruhama Danziger, Tel Aviv University 18:00 18:30 ICMA Reception Greetings: Linda Safran, Editor of Gesta (with Adam S. Cohen) 18: 30 19:30 Keynote Lecture Chair: Bianca Kühnel, The Hebrew University of Jerusalem From Trace to Face. The invention of the Christ Icon Hans Belting, Karlsruhe University of Arts and Design Prof. Assaf Pinkus Chair of the Art History Department The Yolanda and David Katz Faculty of the Arts Tel Aviv University Ramat Aviv Tel Aviv 69978 Israel REFERENCE: CONF: Speculation, Imagination and Misinterpretation (Tel Aviv, 22-23 Mar 15). In: ArtHist.net, Mar 19, 2015

(accessed Dec 12, 2018), <https://arthist.net/archive/9756>. 5 5