Capstone Evidence Word-Bank. Beside the pool [Jack s] sinewy body held up a mask that drew their eyes and appalled them.

Similar documents
1. Kids names, said Merridew. Why should I be Jack? I m Merridew (21).

Close Reading of Macbeth Act I Scene 7

LORD OF THE FLIES FINAL EXAMINATION ANSWER SHEET

COME YOU SPIRITS (LADY MACBETH) AN EDITED SCRIPT COMPRISING EXTRACTS FROM MACBETH ACT 1 SCENES 5 AND 7

Lord of the Flies by William Golding

BLANK PAGE. KS3/03/En/Levels 4 7/Macbeth 2

Lord of the Flies. Chapter 8: Reading Notes

Macbeth Study Questions

Lord of the Flies Reading Questions

Shakespeare paper: Macbeth

Lord of the Flies William Golding Literary Connections Study Guide #1

Lord of the Flies Introduction and Background

Macbeth. [Aside] If chance will have me king, why, chance may crown me, Without my stir. (1.3) What thou art promised: yet do I fear thy nature;

Theme #2-Evil lives in everyone and it is only rules and moral integrity (sticking to

Starting with this extract, how does Shakespeare present Macbeth as a powerful character?

2. he unseam'ʹd him from the nave to the chops The bloody Sergeant'ʹs description of Macbeth'ʹs killing of the rebel Macdonwald.

Close Reading Chapter 4. Pages Answer Key

English Literature GCSE Knowledge Organiser Year 11, Term 1 Macbeth

Macbeth: Post-Reading Activities

Imaginary Girl Absolute Religion End of Desperation Heart Attack... 07

Shakespeare s views and values: THEMES, SYMBOLS AND MOTIFS

A Level English Literature Summer Work

The bell invites me that summons thee to heaven or hell. As I descend.

LOTF Theme Jigsaw. As a Class: Part A: Part B:

Tan Line. Will Gawned. to watch the sugar sink into the milk foam. I can t help running his appearance past

[Simon saw] the picture of a human at once heroic and sick.

Sample Macbeth essay on key scene turning point

Who Knew? GRIT AND GRACE EVE. The Bible says Adam lived 930 years. No mention of how long Eve lived. Eden is thought to mean fruitful, well-watered.

Side 1: Lady Macbeth LADY MACBETH

The Battle with the Dragon 7

And she responded by contributing to Jesus ministry out of her resources and following him. Luke says she was a woman of means, like other women who

The Symbolism of the Conch. is innately evil. William Golding poses this question in his realistic novel

Gentleness Rejects Violence

SEVEN WOMEN ON HOLY SATURDAY JAMES HANVEY, SJ

Memphis. richard wright

Vocabulary Definition List

THOUGHTS OF A SHARK VOLUME TWO PSYCHO WASTELAND. Jerry W. Milburn, II Sharky

The Ogre of Rashomon

14 Moments with Jesus: On the Way of the Cross

Trouble was a-brewing. I d been feeling it for days, an uneasy, restless

William Blake ( ) Excerpts from Songs of Innocence and of Experience. The Ecchoing Green (from Songs of Innocence)

Lord of the Flies Beast From Air. Chapter 6 - Arielle, Manoj, Robbie, Yana

Crucify Him! James E. Bogoniewski, Jr.

Macbeth Act V. Act V, Scene i takes place late at night in Macbeth s castle.

Crying Out To God. Luke 18:7 And shall not God avenge his own elect, which cry day and night unto him, though he bear long with them?

Renascence. Millay, Edna St. Vincent,

Task and instructions

Lord of the Flies LESSON 3: POINT OF VIEW THURSDAY, JULY 23

Worship Schedule Spring Session

Lord of the Flies: Chapter 6. Ali Hasan, Chloe Tabakin, Olivia Freschi and Stephanie Tam

Eisenkopf. The Crimson Fairy Book

Lord of the Flies. Sample Guide Not for sale or distribution. Study Guide. CD Version. by Michael Gilleland and Calvin Roso

The Way of the Cross Through the Voice of Victims Supporting Victims of Clergy Sexual Abuse

Henry the Gentle Giant Faces the Seaweed Sea Serpent

Culminating Project Lord of the Flies

The Storms of Life by Rev. Kathy Sides (Preached at Fort Des Moines UMC )

A Stone Is A Strange Thing

Brother and Sister. Brothers Grimm German. Intermediate 14 min read

Act 1, Scene 6. Act 1, Scene 6, Page 2. No Fear Shakespeare Macbeth (by SparkNotes) -13-

Stars Within the Shadow of the Moon. No way! he yelled. His face was turning red with anger at the disobedience of his

QOUTE 1 QOUTE 2 QOUTE 3 QOUTE 4 QOUTE 5 The Prince of. step which o'erleaps itself perfect. prophecies have come

Into Orbit Propaganda Child Look Up, I'm Down There Sunset Devastation Open With Caution Furious Numbers...

The Farmer and the Badger

The Rescuing Hand Matthew 14:22-33

ENTRANCE HYMN (Sing a New Song) Sing a new song unto the Lord Let your song be sung From mountains high Sing a new song unto the Lord Singing alleluia

we put our fingers on the triggers and let our bullets fly, we laid our bodies down for freedom, it made our people happy, happy, happy...

Lord of the Flies Chapter 7 Psychoanalytic. Emily Braby

Shruti parasher - poems -

A Gypsy Song. Constance Eykman. Is going home a dream? Roamings of the inner Child

The Murders in the Rue Morgue

Act I, Scene vii. A room in Macbeth's castle

Eagle Trapping Wolf Chief 1

My God, My God, why have You forsaken Me? (Mark 15:34)

Sing of The White Lady, and her wicked schemes against the boy who did not fear her.

June, This zine was produced as part of Writers in the Community, a program run by the Quebec Writers Federation.

lists. Thomas helped him with the list and even added some items of his own: Monopoly, road map, spare film for the camera. While they were making up

Lyrics Fallen Legion Downfall Escapegoat. you are going through all this hell because of me ha. walk away and take my token but not my life

Shakespeare paper: Richard III

STOP THE SUN. Gary Paulsen

Reflections on the Stations. Words of Welcome & Introduction: Opening Hymn: First Station

Summer Reading Project for English 11 Honors Tuesdays with Morrie and Lord of the Flies

The King and The Tamarind Drum

SERMON Saint Margaret s Episcopal Church Pentecost 13 Sunday, August 10, 2008 Fr. Benjamin Speare-Hardy II

A Student Response Journal for. Lord of the Flies. by William Golding

Stations of the Cross GOOD FRIDAY REFLECTIONS. Good Friday Midday Reflections

LOOKING FOR PEACE By Daniel Vang. Grace, mercy, and peace are yours from God our Father, and from our Lord and

LADY MACBETH/MACBETH. Enter MACBETH

and two or three of us muscled it over to expose what was growing up in the woods of the Pacific Northwest making forts

AMAZING GRACE. 1. Amazing grace! How sweet the sound that saved a wretch like me! I once was lost, but now am found; was blind, but now I see.

24 June 2018 LSUMC The Beginning of the Good News Mark 3-5; Hebrews 2:10-18

STATIONS OF THE CROSS

#528 A Shelter in the Time of Storm

presents The Juniper Tree From "The Fairy Book" by Miss Mulock - 1 -

CHAPTER XVII. Within twenty-four hours we arrived, one morning, eager and anxious, at the landing but Charlie and the boat were gone.

Allison Moorer Crows Lyrics Sheet

BOOK 3. Pacific Press Publishing Association Nampa, Idaho. Oshawa, Ontario, Canada

WEEKLY CHILDREN S DEVOTIONAL PLAN

I n 1811, a young man named Henry Martyn arrived

To find the mind s construction in the face. He was a gentleman on whom I built An absolute trust. Enter MACBETH, BANQUO, ROSS and ANGUS

WHITE QUEEN OF THE CANNIBALS The Story of Mary Slessor of Calabar

Transcription:

Capstone Evidence Word-Bank Lord of the Flies by William Golding Beginning of Savagery: Beside the pool [Jack s] sinewy body held up a mask that drew their eyes and appalled them. He began to dance and his laughter became a bloodthirsty snarling. He capered toward Bill, and the mask was a thing on its own, behind which Jack hid, liberated from shame and selfconsciousness (63-64). [Jack] tried to convey the compulsion to track down and kill that was swallowing him up. I went on. I thought, by myself ' The madness came into his eyes again. I thought I might kill (51) [Jack s] mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink (70). When pretending that Robert was a pig: All at once, Robert was screaming and struggling with the strength of frenzy. Jack had him by the hair and was brandishing his knife. Behind him was Roger, fighting to get close. The chant rose ritually, as at the last moment of a dance or a hunt. Kill the pig! Cut his throat! Kill the pig! Bash him in! Ralph too was fighting to get near, to get a handful of that brown, vulnerable flesh. The desire to squeeze and hurt was over-mastering (114-15). Jack was on top of the sow, stabbing downward with his knife. Roger found a lodgment for his point and began to push till he was leaning with his whole weight. The spear moved forward inch by inch and the terrified squealing became a high-pitched scream. Then Jack found the throat and

the hot blood spouted over his hands. The sow collapsed under them and they were heavy and fulfilled upon her (135). On Jack s side of the beach before killing Simon: While Roger mimed the terror of the pig, the littluns ran and jumped on the outside of the circle. Piggy and Ralph, under the threat of the sky, found themselves eager to take a place in this demented but partly secure society. They were glad to touch the brown backs of the fence that hemmed in the terror and made it governable (151-52). Killing of Simon: The beast struggled forward, broke the ring and fell over the steep edge of the rock to the sand by the water. At once the crowd surged after it, poured down the rock, leapt on to the beast, screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws (153). The attack by Jack to steal the glasses: Then there was a vicious snarling in the mouth of the shelter and the plunge and thump of living things. Someone tripped over Ralph and Piggy s corner became a complication of snarls and crashes and flying limbs. Ralph hit out; then he and what seemed like a dozen others were rolling over and over, hitting, biting, scratching (167). Ralph fight back against attack above: He was torn and jolted, found fingers in his mouth and bit them. A fist withdrew and came back like a piston, so that the whole shelter exploded into light. Ralph twisted sideways on top of a writhing body and felt hot breath on his cheek. He began to pound the mouth below him, using

his clenched fist as a hammer; he hit with more and more passionate hysteria as the face became slippery (167). Just before piggy is killed: Ralph shouted against the noise. Which is better, law and rescue, or hunting and breaking things up? Now Jack was yelling too and Ralph could no longer make himself heard. Jack had backed right against the tribe and they were a solid mass of menace that bristled with spears (180). Ralph stood facing them, a little to one side, his spear ready. By him stood Piggy still holding out the talisman, the fragile, shining beauty of the shell. The storm of sound beat at them, an incantation of hatred. High overhead, Roger, with a sense of delirious abandonment, leaned all his weight on the lever (180). After killing piggy: Suddenly Jack bounded out from the tribe and began screaming wildly. See? See? That s what you ll get! I meant that! There isn t a tribe for you anymore! The conch is gone. He ran forward, stooping. I m chief! Viciously, with full intention, he hurled his spear at Ralph. The point tore the skin and flesh over Ralph s ribs, then sheared off and fell in the water (181). [Ralph] argued unconvincingly that they would let him alone, perhaps even make an outlaw of him. But then the fatal unreasoning knowledge came to him again. The breaking of the conch and the deaths of Piggy and Simon lay over the island like a vapor. These painted savages would go further and further. Then there was that indefinable connection between himself and Jack; who therefore would never let him alone; never (184).

[Ralph] knelt among the shadows and felt his isolation bitterly. They were savages it was true; but they were human, and the ambushing fears of the deep night were coming on (185-86). Ralph fighting for survival: A smallish savage was standing between him and the rest of the forest, a savage striped red and white, and carrying a spear. He was coughing and smearing the paint about his eyes with the back of his hand as he tried to see through the increasing smoke. Ralph launched himself like a cat; stabbed, snarling, with the spear, and the savage doubled up (195). Trying to kill Ralph: Now the fire was nearer; those volleying shots were great limbs, trunks even, bursting. The fools! The fools! The fire must be almost at the fruit trees what would they eat tomorrow? (198). The savage peered into the obscurity beneath the thicket. You could tell that he saw light on this side and on that, but not in the middle there. In the middle was a blob of dark and the savage wrinkled up his face, trying to decipher the darkness (199). Ralph screamed, a scream of fright and anger and desperation. His legs straightened, the screams became continuous and foaming. He shot forward, burst the thicket, was in the open, screaming, snarling, bloody. He swung the stake and the savage tumbled over; but there were others coming toward him, crying out (199). They were all running, all crying out madly. He could hear them crashing in the undergrowth and on the left was the hot, bright thunder of the fire. He forgot his wounds, his hunger and

thirst, and became fear; hopeless fear on flying feet, rushing through the forest toward the open beach (199-200). Ralph after being rescued / saved: The tears began to flow and sobs shook him. He gave himself up to them now for the first time on the island; great, shuddering spasms of grief that seemed to wrench his whole body. [ ] And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of man s heart, and the fall through the air of the true, wise friend called Piggy (202).

The Tragedy of Macbeth by William Shakespeare Lady Macbeth expresses her need to act like a typical man: Come, you spirits / That tend on mortal thoughts, unsex me here, / And fill me from the crown to the toe top-full / Of direst cruelty. Make thick my blood. / Stop up the access and passage to remorse (I. v. 30-34). Come to my woman s breasts, / And take my milk for gall, you murd'ring ministers, / Wherever in your sightless substances / You wait on nature s mischief. Come, thick night, / And pall thee in the dunnest smoke of hell, / That my keen knife see not the wound it makes (I. v. 37-42). Lady Macbeth Trying to get her husband to kill Duncan: Look like th' innocent flower, / But be the serpent under t. He that s coming / Must be provided for; and you shall put / This night s great business into my dispatch, / [ ] Only look up clear. / To alter favor ever is to fear. / Leave all the rest to me (I. v. 56-60, 63-65). From this time / Such I account thy love. Art thou afeard / To be the same in thine own act and valor / As thou art in desire? Wouldst thou have that / Which thou esteem st the ornament of life, / And live a coward in thine own esteem, / Letting I dare not wait upon I would, / Like the poor cat i' th' adage? (I. vii. 38-45). What beast was t, then, / That made you break this enterprise to me? / When you durst do it, then you were a man; / And to be more than what you were, you would / Be so much more the man. Nor time nor place / Did then adhere, and yet you would make both. / They have made themselves, and that their fitness now / Does unmake you (I. vii. 47-55).

I have given suck, and know / How tender tis to love the babe that milks me. / I would, while it was smiling in my face, / Have plucked my nipple from his boneless gums / And dashed the brains out, had I so sworn as you / Have done to this (I. vii. 55-60). We fail? / But screw your courage to the sticking-place, / And we ll not fail (I. vii. 59-61). Leading her husband to respond with Bring forth men-children only, / For thy undaunted mettle should compose / Nothing but males (I. vii. 72-74). The killing of Duncan: Infirm of purpose! / Give me the daggers. The sleeping and the dead / Are but as pictures. 'Tis the eye of childhood / That fears a painted devil. If he do bleed, / I ll gild the faces of the grooms withal, / For it must seem their guilt (II. ii. 52-57). My hands are of your color, but I shame / To wear a heart so white (II. Ii. 64-65). Lady talking to her husband after Duncan s death: Naught s had, all s spent, / Where our desire is got without content. / 'Tis safer to be that which we destroy / Than by destruction dwell in doubtful joy (III. ii. 6-9). Oh, these flaws and starts, / Impostors to true fear, would well become / A woman s story at a winter s fire, / Authorized by her grandam. Shame itself! / Why do you make such faces? When all s done, / You look but on a stool (III. iv. 66-71).