Traditional, adapted by Columba Kelly, OSB. won-drous love. this, O my

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1 WHAT WONDROUS LOE IS THIS Traditional, adapted by Columba Kelly, OSB Columba Kelly, OSB 5 Tenor I Tenor II 10 Bass ERSE 1 Mosso (h = ca. 54) (stagger breathing) this, that F on-drous love is (stagger breathing) on-drous love is caused the Lord o bliss soul, O my on-drous love send such per - ect is peace to my 2005, St. Meinrad Archabbey. Published by Trinitas, 5536 NE Hassalo, Portland, OR All rights reserved. Edition 4609-Z

2 3 15 soul, to my ERSE 2 Tenor I/II a tempo 20 Bass P F a tempo Faith - ul soul, cross, peer - less and on- drous love here be - lo can O on-drous love is is send such di - vine. sho us per - ect tree o glo - ry! p such Not That - - peace to my soul, O my a Tree all a gar - den caused the King o tree ith such kings to hang rom a tree, That caused the King o

3 price - less load. kings, O my sho us tree or my ERSE 3 p on-drous love Not soul, O my p. such on-drous love is. is a soul, a gar - den tree ith such That soul, O my here be - lo can hang rom a U price - less U load. caused the Lamb o

4 God. to God, O my. soul, or my ERSE 4 62 T I T II Bass. thirst or my soul, O my. That caused the soul, That soul, Lamb o God to Lamb, I ill Lamb, I ill sing, I ill sing, I ill caused the Lamb o thirst or my U seek my soul. U Lamb, I ill sing, I ill

5 b is the great I is the great I is the great I sing, I ill sing, I ill sing, I ill Lamb, I ill Lamb, I ill Lamb, I ill sing, sing, sing, AM, AM, AM, Christ the Son o Christ the Son o Christ the Son o Christ the Son o Christ the Son o b Christ the Son o Man, I ill Lamb, ho Lamb, Lamb, ho ho Man, I ill Man, I ill Man, I ill Man, I ill b Man, I ill

6 7 ERSE Solo Instrument Unison Organ Pedal Yea, no rom death no rom death set set # ree, e ll sing ree, e ll sing on, e ll sing Yea, b Yea,, no rom death set

7 8 90,. 95 ree, e ll on, e ll sing rise and joy - ul on,, be, through e - ter - ni - through e - ter - ni - #. ty, ty, e ll sing e ll sing

8 9 CODA Allegro mosso (h = ca. 76) 100 T I T II B Timpani. Yea,.... no rom death set >... Yea, no rom.. ree, e ll sing.. death set ree, on, Yea, no rom

9 sing on,, sing death set ree, on, Yea, no rom death set death set... ree, e ll ree, We ll

10 allargando - - molto rise and joy - ul rise and joy - ul rise and joy - ul be, be, be, through e - ter - ni - allargando through e - ter - ni - allargando through e - ter - ni - allargando allargando ty, molto molto molto molto e ll sing - - ty, e ll sing b - - ty, b e ll sing - - b - - # # Ÿ~~~~~~~

11 12 COMPOSER NOTES The settings o the hymn tune Wondrous Love contained in this octavo ere originally composed as chorale-like responses to various scenes o a larger composition entitled The Passion o Our Lord Jesus Christ According to John. They unctioned much like the chorale responses that J.S. Bach inserted into his passion settings. erses to and three make use o the Latin hymn tune Crux idelis ith an English text as a counterpoint to the hymn Wondrous Love. The congregation as their response to the passion, sang verse 5 hen this passion setting as used at St. Meinrad on Good Friday. These settings ould be appropriate or a uneral Mass or a ake service, as ell as part o a Lenten service. It ould also be appropriate or the Sunday ater Easter ith its theme o divine mercy. It could be used as a piece during the preparation o the gits hen the readings include the theme o God s love. For parishes ith an SAB choir the olloing adaptations are suggested: In verse 1, the Tenor I part ould be played by a solo instrument; and the Bass part by the organ, or another solo instrument. In verses 2 and 3, the treble (tenor) cle parts could be sung by the omen s voices ith the men singing the bass cle parts. In verse 4, the Tenor I part could be sung by the Sopranos and the Tenor II part sung by the Altos. In the Coda, the same arrangement as indicated above or verse 4 could be used. Columba Kelly, OSB Holy Thursday 2007

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