SAMPLE SAINT MEINRAD. Entrance and Communion Antiphons for Cathedral Rituals. Modal Settings of Roman Missal Texts in Modern Notation

Transcription

1 SAINT MEINRAD Entrance and Communion Antiphons for Cathedral Rituals Modal Settings of Roman Missal Texts in Modern Notation COLUMBA KELLY, OSB Edition KEYBOARD ACCOMPANIMENTS BY RAYMOND HENDERSON

2 Saint Meinrad Entrance and Communion Antiphons for Cathedral Rituals Music settings y Fr. Columa Kelly, OSB Keyoard accompaniments y Raymond Henderson 2017, OCP 5536 NE Hassalo, Portland, OR (503) liturgy@ocp.org ocp.org Antiphon texts from the English translation of The Roman Missal 2010, International Commission on English in the Liturgy Corporation, Washington, D.C. All rights reserved. Used ith permission. Psalm texts from The Revised Grail Psalms 2010, Conception Aey/The Grail, administered y GIA Pulications, Inc. All rights reserved. Used ith permission. texts y Columa Kelly, OSB, 2012, Saint Meinrad Archaey. Pulished y OCP. All rights reserved. Psalm tones 1973, 1993, Saint Meinrad Archaey. All rights reserved. Used ith permission. All Antiphon and settings y Columa Kelly, OSB; keyoard accompaniments arranged y Raymond Henderson, 2017, Saint Meinrad Archaey. Pulished y OCP. All rights reserved. None of the pages in this ook may e reproduced in any ay ithout ritten permission from the pulisher. CREDITS Wade Wisler, Pulisher Joanne Osorn, Manager, Pulishing Plan Rick Modlin, Manager, Music Development Ken Canedo, Music Development Specialist John Vogler, Director, Product Development Angela WesthoffJohnson, Manager, Music Editorial Craig Kingsury, Project Editor Travis Poers, Editing Assistance Tia Regan, Manager, Music Engraving William Strau, Engraver Judy Uren, Art Director Stephanie Bozanich, Graphic Designer Photograph/Cover Art courtesy of Saint Meinrad Archaey Other OCP Editions of the Saint Meinrad Antiphons: Entrance and Communion Antiphons for the Church Year (Assemly Edition)...edition Compact Disc (Excerpts)...edition Cantor/Keyoard Edition: Advent/Christmas Season...edition Cantor/Keyoard Edition: Lent/Holy Week...edition Cantor/Keyoard Edition: Easter through Pentecost...edition Cantor/Keyoard Edition: Ordinary Time, Sundays edition Cantor/Keyoard Edition: Ordinary Time, Sundays edition Cantor/Keyoard Edition: Solemnities and Proper of Saints...edition Cantor/Keyoard Edition: Sacraments and Parish Rituals...edition Edition Edition

3 Tale of Contents Introduction... 4 Rite of Election Entrance Antiphon... 6 Communion Antiphon... 8 Chrism Mass Entrance Antiphon Communion Antiphon Ordination of Bishops Entrance Antiphon Communion Antiphon Ordination of Priests Entrance Antiphon Communion Antiphon Ordination of Deacons Entrance Antiphon Communion Antiphon Ordination of Deacons and Priests Entrance Antiphon Communion Antiphon Blessing of an Aot or an Aess Entrance Antiphon Communion Antiphon Religious Profession Entrance Antiphon Communion Antiphon Perpetual Profession Entrance Antiphon Communion Antiphon Scriptural Index Assemly Editions Edition

4 Introduction The texts for these antiphons have een taken directly from the ne Roman Missal, Third Edition, hile the Psalm verses are from The Revised Grail Psalms. The antiphon melodies are, for the most part, inspired y the Latin Gregorian chants as found in the Roman Gradual. They follo the modality and imitate the melodic patterns of the original Latin chants; no, hoever, they use the rhythm and flo of American English. The s are ased on the antiphons to hich they are attached. Singing the Antiphons and s The chants should e sung as if speaking the text ith great conviction, in the natural rhythm of the spoken ord. When there are to or more notes over a syllale, move quickly from the first note to the last note, hich is then given the full length of time for the syllale. Repeated notes over a single syllale (the first note ill usually have a staccato mark over it) should e sung as separate voel sounds; for example, at the eginning of the Communion Antiphon for the Ordination of Bishops, Father ould e sung as FahAHther. The note at the end of an internal slur alays receives some emphasis, or extra tension, the effect of hich ill e like that of alking ith a ounce in your step! A tenuto mark (a small dash) over a note indicates a roadening out of that ord or note. A tenuto over a repeated note indicates that the note is to e lengthened slightly and given greater intensity. An incise mark (the vertical line that cuts only the top staff line) should e interpreted as adding some lengthening to the preceding note, reaking the sound y taking a quick reath, and adding a slight delay efore picking up speed again ith the next phrase. These incise marks indicate a sense unit in the text that needs a reak in sound to make the phrasing audile for the listener. A Rehearsal Exercise To help reak the hait of singing every note ith equal eight and duration, choirs and cantors might practice the Entrance antiphon for Rite of Election y speaking the text in the folloing manner: 1) Start ith a full reath hile singing your right arm from 6 o clock to 3 o clock; 2) Sing your arm ack from 3 o clock to 9 o clock hile saying Let the hearts 3) Sing your arm ack from 9 o clock to 3 o clock hile saying that seek the Lord 4) Continue singing ack and forth eteen the folloing underlined accents (hen there are multiple accents in a line, circle ack to 9 o clock for the second accent (etc.), and ack again for the final accent of the line): rejoice; turn to the Lord and his strength; constantly seek his face. 5) Repeat the four steps hile singing the melody of the Entrance Antiphon. Sing the ord accents ith greater intensity and a leaning forard toard each ne accent, then coast to the last accent of each phrase ith a softening of the voice. Sing the nonaccented ords and syllales very lightly and quickly. The danger ill e to sing these pieces too sloly and in too evenedout a manner. Rememer that chant is really a form of sung speech. Edition

5 Singing the Saint Meinrad Psalm Tones Like the Antiphons, the Saint Meinrad psalm tones should produce an effect of sung speech. Each ord accent is given its due intensity and lengthening, hile all the other syllales flo rapidly either to or from that accent. The final ord accent of each line in the psalm ill e softer and ill ring the line to a gentle ending. End each line ith a full reath that acts as a springoard to the next line. The overall impression should e that of a Roman arch, as each line egins ith increasing intensity and speed, then coasts to a quiet rest. For the cantors it should produce the physical feeling of a pendulum singing from one accent to the next until it comes to rest at the end of each line. Accompanying the Antiphons, Refrains, and Psalms Keyoard accompaniments are provided to support the pitch and provide harmonic ackground; they do not drive the rhythm or the variations in intensity of the chanted texts. Accompaniments should only e noticed hen the singers stop singing! Raymond Henderson s accompaniments that are provided in this edition give just such a ackground for singing these antiphons, refrains and psalm verses. In the psalm verses, it ould e etter for the accompanist to omit the one or to lack notes that occur efore the last open note at each doule ar; these notes should e sung quickly and lightly y the cantor. Guidelines for structuring the use of these Antiphons and Refrains The antiphon may e sung: Alone as a Call to Worship or efore a hymn: Antiphon is sung y choir or cantor, then a hymn is sung y the assemly. Repeated ith psalm verses: Antiphon is sung y choir; psalm verse is sung y cantor; antiphon is then repeated y choir, etc., concluding ith the antiphon. As a complete Entrance or Communion procession: Antiphon is sung y choir or cantor, folloed y the sung y a cantor and repeated y the assemly; psalm verses are sung y cantor, alternating ith, and then the antiphon is again sung y the choir or cantor to conclude. 4. In simpler form, hen resources and/or rehearsal time are limited: is sung first y a cantor and then repeated y the assemly. The cantor continues ith psalm verses alternating ith community s refrain as needed. The antiphon is omitted. Columa Kelly, OSB Edition

6 Rite of Election Entrance Entrance Antiphon Mode 8 Speech tempo, phrasing and emphasis Let the hearts that seek the Lord re joice; Lord and his strength; Seek the face of the Lord al ays. con stant ly seek his face. ẇ Cf. Psalm 105(104):3 4 turn to the Edition

7 Rite of Election, cont. (2) VERSES: Psalm 105(104):2 7 O sing to him, Turn to the LORD O children of Ara Glory in his Rememer the onders he, the LORD, sing and ham, ho he is his his his praise; strength; servant, tell all his onder constantly seek O descendants of the Jaco ful his he orks! face. chose, ly name; let the hearts that seek the LORD re has done, his marvels and his ords of our God; his judgments are in all the joice. judgment. earth. 7 Edition

8 Rite of Election, cont. (3) Communion Communion Antiphon Mode 8 Speech tempo, phrasing and emphasis In Christ,.. e have re demption y his Blood and for. give ness of our sins, in ac cord ith the rich es of his.. grace.. Ephesians 1:7 Edition

9 Rite of Election, cont. (4) Seek the face of the Lord al ays. VERSES: Psalm 105(104):2 7 O sing to him, Turn to the LORD O children of Ara Glory in his Rememer the onders he, the LORD, sing and ham, ho he is his his his praise; strength; servant, tell all his onder constantly seek O descendants of the Jaco ful his he orks! face. chose, ly name; let the hearts that seek the LORD re has done, his marvels and his ords of our God; his judgments are in all the joice. judgment. earth. Edition

10 chrism Mass Entrance Entrance Antiphon Mode 1 Speech tempo, phrasing and emphasis Je sus Christ has made us in to a king dom, n. n priests n. n po n n n n n n Revelation 1:6 for his God and Fa ther. To him e glo ry and A er for ev er and ev er. A. men.. Edition

11 Chrism Mass, cont. (2) You are God s priests for ev er and ev er. VERSES: Psalm 110(109):1, 2, 4 The LORD s reve la The The LORD has sorn an oath he until I make your rule in the midst in the line LORD ill foes of of your your Mel tion send ill to from not footstool. foes. chizedek. my lord: Sion change: Sit at your scep You are a my ter priest right of for hand, poer: ever, 11 Edition

12 Chrism Mass, cont. (3) Communion Communion Antiphon Mode 7 Speech tempo, phrasing and emphasis I ill sing for ev er of your mer cies, O Lord; ẇ a through ges my mouth ill pro claim your fi del i ty. Psalm 89(88):2 all I ill sing for ev er of your mer cies, O Lord. Edition

13 Chrism Mass, cont. (4) VERSES: Psalm 89(88):2 7 I ill sing forever of your mercies, With my chosen one I have made The heavens praise your onders, claim Da semly your vid of fi my your O a O LORD; covenant; LORD, through all ages my mouth ill pro I have sorn to your fidelity in the as delity. I have declared your mercy is esta lished for servant: I ill estalish your descen dants for holy ones. For ho in the skies can compare ith the your fidelity stands firm and set up your throne or ho is like the LORD among the heav as through the all en ly heavens. ages. poers ever; ever, LORD, Edition

14 ordination of Bishops Entrance Entrance Antiphon Mode 7 Speech tempo, phrasing and emphasis The Spir it of the Lord is up on me, for he has a noint ed me and sent me. to heal. to preach... the good nes. to the poor, the ro kenheart ed. Al le lu ia. Cf. Luke 4:18 Edition

15 Ordination of Bishops, cont. (2) May the Spir it of the Lord come up on us. VERSES: Psalm 110(109):1, 2, 4 The LORD s revelation The LORD ill send The LORD has sorn an oath he ill until I make your rule in the midst in the line foes of of your your Mel to from not my lord: Sion change: footstool. foes. chizedek. ( ) your ( ) Sit at scep You are a my ter priest right of for hand, poer: ever, 15 Edition

16 Ordination of Bishops, cont. (3) Communion Communion Antiphon Mode 2 Speech tempo, phrasing and emphasis. Ho ly Fa ther, con se crate them. in the truth. John 17:17 18 you sent me in to the orld, so I sent them in to the orld, says the Lord. ẇ Al le lu ia. As Edition

17 Ordination of Bishops, cont. (4) Send them as light and truth VERSES: Psalm 34(33):12 17 Come, Guard your The LORD turns his Who Turn aside from The LORD turns his children, tongue eyes to is it that evil face a in to the orld. and from the hear me, evil, just, that I may teach you the fear of the and your lips from speak ing de and his ears are open to their de sires life and longs to see prosper and do good. Seek after peace, and gainst the icked to destroy their re memrance from ous pur the LORD. ceit. cry. days sue it. earth. Edition

18 ordination of Priests Entrance Entrance Antiphon Mode 8 Speech tempo, phrasing and emphasis. I ill ap point o ver you shep af ter my on heart, herds... ho ill shep herd you ise ly.. Al le lu ia. Jeremiah 3:15 and pru dent ly. Edition

19 Ordination of Priests, cont. (2) We are God s peo ple, VERSES: Psalm 100(99): Cry out ith joy to the LORD, Kno that he, the Enter his gates Indeed, ho good Come efore him, We are his people, the Give thanks to him, and He is faithful from the sheep of his flock. all LORD, ith is singing sheep of less age the is thanks the for his his to earth. God. giving LORD, joy. flock. name. age. Serve the LORD He made us; e elong and his courts ith songs eternal his merci ith to of ful gladness. him. praise. love. 19 Edition

20 Ordination of Priests, cont. (3) Communion Communion Antiphon Mode 7 Speech tempo, phrasing and emphasis. Mark 16:15; Matthe 28:20 Go. in to all the orld, and pro claim the Gos pel.. I am ith you al ays,. Al le lu ia.. says the Lord.. ẇ 20 Edition

21 Ordination of Priests, cont. (4) Shep herd my peo ple, VERSES: Psalm 110(109):1, 2, 4 The LORD s revelation The LORD ill send The LORD has sorn an oath he ill until I make your rule in the midst in the line foes of of your your Mel feed my flock. to from not footstool. foes. chizedek. my lord: Sion change: ( ) your ( ) Sit at scep You are a my ter priest right of for hand, poer: ever, 21 Edition

22 Ordination of Deacons Entrance Antiphon Mode 2 Entrance Speech tempo, phrasing and emphasis. Who ev er serves me must fol lo me,. and here I am, there al so ill my ser vant e. Al le lu ia. May e al ays fol lo the Lord. John 12:26 Edition

23 Ordination of Deacons, cont. (2) VERSES: Psalm 111(110):1 6 I ill praise the Majestic and He gives food to LORD ith all glorious those my his ho Great are the orks of He has given us a memorial of His mighty orks he has shon to heart, ork; fear him; the his his LORD, in the meeting of the just and the his justice stands firm keeps his covenant ev er onders. people to e pondered y The LORD is y giving them the all ho gracious heritage as for in de and of semly. ever. mind. light in them. merciful. nations. Edition

24 Ordination of Deacons, cont. (3) Communion Communion Antiphon Mode 1 Speech tempo, phrasing and emphasis The Son of Man did not come to e served and to give his life A Al le lu ia. n ut to serve n as a ran som for man y. Matthe 20:28 n ẇ Edition

25 Ordination of Deacons, cont. (4) May e al ays serve one an oth er. ẇ VERSES: Psalm 111(110):1 6 I ill praise the Majestic and He gives LORD ith glori food to all ous my his heart, ork; in the meeting of the just and his justice stands the firm as for those ho fear him; keeps his covenant ev er in Great are the He has given us a me orks of morial of the his LORD, onders. to e pondered y The LORD is all gra His mighty orks he has shon to his people y giving them the heri ho cious tage de and of semly. ever. mind. light in them. merciful. nations. Edition

26 Ordination of Deacons and Priests Entrance Entrance Antiphon Mode 2 Speech tempo, phrasing and emphasis. Who ev er serves me must fol lo me,. and here I am, there al so ill my ser vant e. Al le lu ia. May e al ays fol lo the Lord. John 12:26 Edition

27 Ordination of Deacons and Priests, cont. (2) VERSES: Psalm 111(110):1 6 I ill praise the Majestic and He gives food to LORD ith all glorious those my his ho Great are the orks of He has given us a memorial of His mighty orks he has shon to heart, ork; fear him; the his his LORD, in the meeting of the just and the his justice stands firm keeps his covenant ev er onders. people to e pondered y The LORD is y giving them the all ho gracious heritage as for in de and of semly. ever. mind. light in them. merciful. nations. Edition

28 Ordination of Deacons and Priests, cont. (3) Communion Communion Antiphon Mode 1 Speech tempo, phrasing and emphasis Ho ly Fa ther, con secrate them n n A in the truth.. As you sent me in to the orld, so I sent them in to the orld, says the Lord. ẇ John 17: n. n. Al le lu ia. n Edition

29 Ordination of Deacons and Priests, cont. (4) May e live your truth in love. VERSES: Psalm 34(33):12 17 Come, ( ) The LORD turns his Who Turn aside from The LORD turns his ( ) chil Guard your eyes is it that de evil and face against dren, tongue to and from the hear me, evil, just, that I may teach you the fear of the LORD. and your lips from speak ing de ceit. and his ears are open to their cry. sires life and longs to see pros per ous do good. Seek after peace, and pur the icked to destroy their re memrance from the days sue it. earth. Edition

30 Blessing of an Aot or an Aess Entrance Entrance Antiphon Mode 2 Speech tempo, phrasing and emphasis It as not you ho chose me,. and appoint ed you. A fruit that ill last. says the Lord, n n ut I ho chose you n n Cf. John 15:16. to go and ear fruit,. Al le lu ia. Edition

31 Blessing of an Aot or an Aess, cont. (2) I chose you VERSES: Psalm 98(97):1 4 O sing a ne The LORD has made All the ends of the song to knon his earth His right He has rememered his Shout to the LORD, to go and ear fruit. the LORD, sal vation, have seen for he has shon his deliverance the salvation has to of orked the our hand and his ho ly arm have rought sal mer ci ful love and his truth for the house of all the earth; reak forth into joy ous onders. nations. God. vation. Israel. song. Edition

32 Blessing of an Aot or an Aess, cont. (3) Communion Communion Antiphon Mode 6 Speech tempo, phrasing and emphasis. Where true char i ty is dell ing, God is pres ent there.. By the love of Christ Al le lu ia. e have een rought to geth er. Edition

33 Blessing of an Aot or an Aess, cont. (4) In Christ e are one od y. VERSES: Psalm 111(110):1 6 I ill praise the LORD ith Majestic and glori He gives food to all my heart, in the meeting of the just and the as ous his ork; his justice stands firm for those ho fear him; keeps his covenant ev er in Great are the orks of the LORD, to e pondered y all ho He has given us a me morial of his onders. The LORD is gra cious His mighty orks he has shon to his people y giving them the heri tage de and of semly. ever. mind. light in them. merciful. nations. Edition

34 Religious Profession Entrance Antiphon Mode 1 Speech tempo, phrasing and emphasis. Be hold,.. ill.. your la n n I come, O Lord, n n n O my God, Entrance A that I may do your A. I have voed it,. Cf. Psalm 40(39):8 9 lies deep ith in me. Al le lu ia. and Edition

35 Religious Profession, cont. (2) I have come to do your ill. VERSES: Psalm 40(39):7 10 You delight not in sacri fice and offerings, ut in an o pen Then I said, See, I have come. In the scroll of the ook it stands rit ten of Your justice I have pro claimed in the great as ( I delight to do your My lips I ill, O have my not ) God; sealed; You do not your in you ask for holo caust and struction lies deep ith kno it, O ear. me: semly. victim. in me. LORD. Edition

36 Religious Profession, cont. (3) Communion Communion Antiphon Mode 8 Speech tempo, phrasing and emphasis Whoev er does the ill of God is my roth er and sis ter and moth er, says the Lord. Your ill, O God, Mark 3:35 Al le lu ia. is my de light. Edition

37 Religious Profession, cont. (4) VERSES: Psalm 34(33):12 17 Come, chil dren, Guard your tongue The LORD turns his eyes to and from the hear me, evil, just, that I may teach you the fear of and your lips from speaking and his ears are open to Who is it that de sires life and longs to see prosper Turn aside from evil and do good. Seek after peace, and The LORD turns his face a gainst the icked to destroy their re memrance from the de their ous pur the LORD. ceit. cry. days sue it. earth. Edition

38 perpetual Profession Entrance Entrance Antiphon Mode 7 Speech tempo, phrasing and emphasis. I re joiced hen they said to me: Let us go to the house of the Lord.. No our feet are stand ing ith in your gates, Cf. Psalm 122(121):1 2 O Je ru sa lem. Al le lu ia. ẇ Edition

39 Perpetual Profession, cont. (2) No our feet are stand ing VERSES: Psalm 122(121):1 5 I rejoiced hen they said Jerusalem is uilt as For Israel s itness And no our It is there that the There ere set the to a it feet tries thrones in your house, O Lord. are go for me, city is Let us go to the ( ) to praise the standing up, judgment, ( ) house onded as name ithin your gates, the tries the thrones of the of one of O of house the to the Je the of LORD. gether. LORD. rusalem. LORD. David. 39 Edition

40 Perpetual Profession, cont. (3) Communion Communion Antiphon Mode 2 Speech tempo, phrasing and emphasis I am cru ci fied ith Christ yet I live, no long er I,. ut Al le lu ia. Christ. Galatians 2:19 20 lives in me. ẇ Edition

41 Perpetual Profession, cont. (4) No long er I, But you, O LORD, do not I ill tell of your You are my praise in the ut Christ lives in me. VERSES: Psalm 22(21):20, 22, 23 24, 26, 27c Save my life from the You ho fear the They shall praise the stay a name to great jas LORD, LORD, of give those far off; my kin, as semly. the him ho lion, praise; seek him. my strength, make and praise you in the midst of My vos I ill pay efore my poor soul from the all descendants of May their hearts live on for haste the those to as ho horns of Jaco, give ever help me! semly; fear him. ild him and ulls. glory. ever! Edition

42 Scriptural Index Psalm 22(21):20, 22, 23 24, 26, 27c Psalm 34(33): , 29, 37 Psalm 40(39): Psalm 40(39): Psalm 89(88):...12 Psalm 89(88): Psalm 98(97): Psalm 105(104): , 9 Psalm 105(104): Psalm 110(109):1, 2, , 15, 21 Psalm 111(110): , 25, 27, 33 Psalm 122(121): Psalm 122(121): Jeremiah 3: Matthe 20: Matthe 28: Mark 3: Mark 16: Luke 4: John 12: John 12: John 15: John 17: , 28 Galatians 2: Ephesians 1:7...8 Revelation 1: Edition

43 Assemly Editions RITE OF ELECTION Entrance Antiphon Seek the face of the Lord al ays. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon Seek the face of the Lord al ays. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. CHRISM MASS Entrance Antiphon You are God s priests for ev er and ev er. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon I ill sing for ev er of your mer cies, O Lord. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. 43 Edition

44 Assemly Editions, cont. (2) ORDINATION OF BISHOPS Entrance Antiphon May the Spir it of the Lord come up on us. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon Send them as light and truth in to the orld. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. ORDINATION OF PRIESTS We are God s peo ple, Entrance Antiphon the sheep of his flock. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Shepherd my peo ple, Communion Antiphon feed my flock. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Edition

45 Assemly Editions, cont. (3) ORDINATION OF DEACONS Entrance Antiphon May e al ays fol lo the Lord. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon May e al ays serve one an oth er. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. ORDINATION OF DEACONS AND PRIESTS Entrance Antiphon May e al ays fol lo the Lord. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon May e live your truth in love. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. 45 Edition

46 Assemly Editions, cont. (4) BLESSING OF AN ABBOT OR AN ABBESS Entrance Antiphon I chose you to go and ear fruit. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon In Christ e are one od y. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. RELIGIOUS PROFESSION Entrance Antiphon I have come to do your ill. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon Your ill, O God, is my de light. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Edition

47 Assemly Editions, cont. (5) PERPETUAL PROFESSION Entrance Antiphon No our feet are stand ing in your house, O Lord. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. No long er I, Communion Antiphon ut Christ lives in me. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. 47 Edition