SAMPLE SAINT MEINRAD. Entrance and Communion Antiphons for Sacraments and Parish Rituals. Modal Settings of Roman Missal Texts in Modern Notation

Transcription

1 SAINT MEINRAD Entrance and Communion Antiphons for Sacraments and Parish Rituals Modal Settings of Roman Missal Texts in Modern Notation COLUMBA KELLY, OSB KEYBOARD ACCOMPANIMENTS BY RAYMOND HENDERSON

2 Saint Meinrad Entrance and Communion Antiphons for Sacraments and Parish Rituals Fr. Columa Kelly, OSB Keyoard accompaniments y Raymond Henderson 2017, OCP 5536 NE Hassalo, Portland, OR ( liturgy@ocp.org ocp.org Antiphon texts from the English translation of The Roman Missal 2010, International Commission on English in the Liturgy Corporation, Washington, D.C. All rights reserved. Used with permission. English translation of Procession to the Place of Committal from The Order of Christian Funerals 1989, 1985, International Commission on English in the Liturgy Corporation, Washington, D.C. All rights reserved. Used with permission. Psalm texts from The Revised Grail Psalms 2010, Conception Aey/The Grail, administered y GIA Pulications, Inc. All rights reserved. Used with permission. texts y Columa Kelly, OSB, 2012, Saint Meinrad Archaey. Pulished y OCP. All rights reserved. Psalm tones 1973, 1993, Saint Meinrad Archaey. All rights reserved. Used with permission. All Antiphon and settings y Columa Kelly, OSB; keyoard accompaniments arranged y Raymond Henderson, 2017, Saint Meinrad Archaey. Pulished y OCP. All rights reserved. None of the pages in this ook may e reproduced in any way without written permission from the pulisher. CREDITS Wade Wisler, Pulisher Joanne Osorn, Manager, Pulishing Plan Rick Modlin, Manager, Music Development Ken Canedo, Music Development Specialist John Vogler, Director, Product Development Angela WesthoffJohnson, Manager, Music Editorial Craig Kingsury, Project Editor Travis Powers, Editing Assistance Tia Regan, Manager, Music Engraving William Strau, Engraver Judy Uren, Art Director Stephanie Bozanich, Graphic Designer Other OCP Editions of the Saint Meinrad Antiphons: Entrance and Communion Antiphons for the Church Year (Assemly Edition...edition Compact Disc (Excerpts...edition Cantor/Keyoard Edition: Advent/Christmas Season...edition Cantor/Keyoard Edition: Lent/Holy Week...edition Cantor/Keyoard Edition: Easter through Pentecost...edition Cantor/Keyoard Edition: Ordinary Time, Sundays edition Cantor/Keyoard Edition: Ordinary Time, Sundays edition Cantor/Keyoard Edition: Solemnities and Proper of Saints...edition Cantor/Keyoard Edition: Cathedral Rituals...edition Edition

3 Tale of Contents Introduction... 4 Confirmation Entrance Antiphon... 6 Communion Antiphon... 8 Marriage Entrance Antiphon Communion Antiphon Dedication of a Church Entrance Antiphon Communion Antiphon Dedication of an Altar Entrance Antiphon Communion Antiphon Funeral (Outside of Easter Season Entrance Antiphon Communion Antiphon Funeral (During Easter Season Entrance Antiphon Communion Antiphon Procession to the Place of Committal (In Paradisum May the angels lead you Scriptural Index Assemly Editions... 33

4 Introduction The texts for these antiphons have een taken directly from the new Roman Missal, Third Edition, while the Psalm verses are from The Revised Grail Psalms. The antiphon melodies are, for the most part, inspired y the Latin Gregorian chants as found in the Roman Gradual. They follow the modality and imitate the melodic patterns of the original Latin chants; now, however, they use the rhythm and flow of American English. The s are ased on the antiphons to which they are attached. Singing the Antiphons and s The chants should e sung as if speaking the text with great conviction, in the natural rhythm of the spoken word. When there are two or more notes over a syllale, move quickly from the first note to the last note, which is then given the full length of time for the syllale. Repeated notes over a single syllale (the first note will usually have a staccato mark over it should e sung as separate vowel sounds; for example, at the eginning of the Entrance Antiphon for the Dedication of a Church, God would e sung as GahAHD. The note at the end of an internal slur always receives some emphasis, or extra tension, the effect of which will e like that of walking with a ounce in your step! A tenuto mark (a small dash over a note indicates a roadening out of that word or note. A tenuto over a repeated note indicates that the note is to e lengthened slightly and given greater intensity. An incise mark (the vertical line that cuts only the top staff line should e interpreted as adding some lengthening to the preceding note, reaking the sound y taking a quick reath, and adding a slight delay efore picking up speed again with the next phrase. These incise marks indicate a sense unit in the text that needs a reak in sound to make the phrasing audile for the listener. A Rehearsal Exercise To help reak the hait of singing every note with equal weight and duration, choirs and cantors might practice the Entrance antiphon for Funerals Outside of Easter Time y speaking the text in the following manner: 1 Start with a full reath while swinging your right arm from 6 o clock to 3 o clock; 2 Swing your arm ack from 3 o clock to 9 o clock while saying Eternal 3 Swing your arm ack from 9 o clock to 3 o clock while saying rest 4 Continue swinging ack and forth etween the following underlined accents (when there are multiple accents in a line, circle ack to 9 o clock for the second accent (etc., and ack again for the final accent of the line: grant unto them, O Lord, and let perpetual light shine upon them. 5 Repeat the four steps while singing the melody of the Entrance Antiphon. Sing the word accents with greater intensity and a leaning forward toward each new accent, then coast to the last accent of each phrase with a softening of the voice. Sing the nonaccented words and syllales very lightly and quickly. The danger will e to sing these pieces too slowly and in too evenedout a manner. Rememer that chant is really a form of sung speech. 4

5 Singing the Saint Meinrad Psalm Tones Like the Antiphons, the Saint Meinrad psalm tones should produce an effect of sung speech. Each word accent is given its due intensity and lengthening, while all the other syllales flow rapidly either to or from that accent. The final word accent of each line in the psalm will e softer and will ring the line to a gentle ending. End each line with a full reath that acts as a springoard to the next line. The overall impression should e that of a Roman arch, as each line egins with increasing intensity and speed, then coasts to a quiet rest. For the cantors it should produce the physical feeling of a pendulum swinging from one accent to the next until it comes to rest at the end of each line. Accompanying the Antiphons, Refrains, and Psalms Keyoard accompaniments are provided to support the pitch and provide harmonic ackground; they do not drive the rhythm or the variations in intensity of the chanted texts. Accompaniments should only e noticed when the singers stop singing! Raymond Henderson s accompaniments that are provided in this edition give just such a ackground for singing these antiphons, refrains and psalm verses. In the psalm verses, it would e etter for the accompanist to omit the one or two lack notes that occur efore the last open note at each doule ar; these notes should e sung quickly and lightly y the cantor. Guidelines for structuring the use of these Antiphons and Refrains The antiphon may e sung: Alone as a Call to Worship or efore a hymn: Antiphon is sung y choir or cantor, then a hymn is sung y the assemly. Repeated with psalm verses: Antiphon is sung y choir; psalm verse is sung y cantor; antiphon is then repeated y choir, etc., concluding with the antiphon. As a complete Entrance or Communion procession: Antiphon is sung y choir or cantor, followed y the sung y a cantor and repeated y the assemly; psalm verses are sung y cantor, alternating with, and then the antiphon is again sung y the choir or cantor to conclude. 4. In simpler form, when resources and/or rehearsal time are limited: is sung first y a cantor and then repeated y the assemly. The cantor continues with psalm verses alternating with community s refrain as needed. The antiphon is omitted. Columa Kelly, OSB 5

6 Confirmation Entrance Entrance Antiphon Mode 8 Speech tempo, phrasing and emphasis Thus says the Lord: w up on you.. Ezekiel 36:25 26 I will pour clean wa ter.. and I will give you a new heart; new spir it I will put with in you. Al le lu ia. During Easter season During Easter season a 6

7 Confirmation, cont. (2 Re new your Spir it with in us, O Lord. VERSES: Psalm 51(50:10 15 Let me hear rejoic Create a pure heart for Restore in me the joy of Turn away your face Do not cast me away I will teach transgress ing me, and O gladness, God; that the ones you have crushed may renew a steadfast spirit ex with your sal vation; sustain in me a will ing from my sins, and lot out from your presence; take not your holy ors your ways, that sinners may re all spirit turn my from to ult. in me. spirit. guilt. me. you. 7

8 Confirmation, cont. (3 Communion Communion Antiphon Mode 7 Speech tempo, phrasing and emphasis # & # & # # & # & # # & # & #.. Look towards him.. not e aashed. w w w,, Taste and see w w w. and e ra di ant; let your fac. es Cf. Psalm 34(33:6, 9. that the Lord is good.. Blessed the man who seeks ref uge in him. Al le lu ia... w ẇ During Easter season During Easter season 8

9 Confirmation, cont. (4 # &. Taste and see that the Lord is good. # &. # VERSES: Psalm 34(33:2 3, 6 9 # & # & # # & # & # I will less the LORD at Look toward him and The angel of the LORD is In the LORD my soul shall This lowly one called; Taste and see that the all e en make the LORD times; radiant; camped its LORD is oast; heard, good. praise of him is let your faces around those who always not fear the humle shall and rescued him from Blessed the man who seeks in e him, hear all ref my a to and his uge mouth. ashed. rescue them. e dis in glad. tress. him. 9

10 Marriage Entrance Entrance Antiphon Mode 2 Speech tempo, phrasing and emphasis May the Lord send you help from the ho ly place and give you sup port from Si on. your hearts de sire May he grant you w w Cf. Psalm 20(19:3, 5 n n n n n and ful fill ev ery one of your designs. Al le lu ia. w Aw May the Lord grant us w ẇ our hearts de sire. During Easter season During Easter season 10

11 Marriage, cont. (2 VERSES: Psalm 20( May the LORD answer you in time of trial; may the name of Jaco s God pro May he re memer all your offerings, and receive your sacri fice with May we ring out our Now I know the LORD joy at saves his your a victory, nointed, and raise anners in the name and answers from his of ho our ly Some put their trust in chariots or horses, ut we in the name of the LORD, our tect you. favor. God. heaven God. ( ( ( 4. ( May he send you May he ( ( They 5. Grant sal vation to the help from the ho ly place, give you your heart s de sire, will col lapse and fall, king, O LORD, ( ( ( ( ut we shall and give you sup and ful May the LORD with the mighty give answer on the rise up port fill every one of grant all victory of day and hold from your your his we firm. Sion. plans. prayers. hand. call. 11

12 Marriage, cont. (3 Communion Communion Antiphon Mode 7 Speech tempo, phrasing and emphasis Christ her, w ẇ loved the Church. and hand ed him self o ver for Cf. Ephesians 5:25, 27 to pre sent her as a ho ly and. w spot w w.. w w less ride for him self. Al le lu ia. Love one an oth er w w.. as I have loved you, says the Lord. During Easter season During Easter season 12

13 Marriage, cont. (4 VERSES: Psalm 128(127 Blessed are all who fear Your wife like a fruit May the LORD less you ( your children like all the the ful from shoots of days of By the laor of your hands Indeed thus ( you shall LORD, vine Sion. the your shall e olive life! eat. lessed and walk in the heart May you see Jeru in of sa ( around May you see your chil You will e the On his your lem your dren s ways! house; prosper tale. children. less ed and man who fears the Is ra el, prosper. LORD. peace! 13

14 Dedication of a Church Entrance Entrance Antiphon Mode 2 Speech tempo, phrasing and emphasis. God is in his ho ly place, God who u nites. w w dwell in his house; w w.. strength.. n. n. w w n. he him self. Cf. Psalm 68(67:6, 7, 36 those who gives might and to his peo ple. Al le lu ia. During Easter season During Easter season 14

15 Dedication of a Church, cont. (2 How awe some is God s house! VERSES: Psalm 68(67:4 5, 6 7, 8 9a, 9c But the just shall rejoice at the presence of God; they shall exult with glad Father of orphans, de fender of widows: such is God in his ho O God, when you went forth efore your people, when you marched out a cross O sing to God; make music God gives the desolate a the earth tremled, heavens to his home to poured down name. dwell in; rain: Extol the One who he leads the prisoners at the face of re ly the rides on forth into God, the God joicing. place. desert, the clouds. pros perity. of Israel. 15

16 Dedication of a Church, cont. (3 Communion Communion Antiphon Mode 6 Speech tempo, phrasing and emphasis My house in that house, shall e a house of prayer,. Cf. Matthew 21:13; Luke 11:10 says ev ery one who asks receives,. w w and the one who seeks.. knocks,... finds,... the Lord:.. and to the one who the door will e o pened. Al le lu ia. w w During Easter season During Easter season 16

17 Dedication of a Church, cont. (4 My house shall e a house of prayer, VERSES: Psalm 68(67:4 5, 6 7, 8 9a, 9c says the Lord. But the just shall rejoice at the pres ence of God; they shall exult with glad re Father of orphans, defend er of widows: such is God in his ho ly O God, when you went forth e fore your people, when you marched out a cross the O sing to God; make God gives the the earth tremled, music desolate a heavens to home poured his to down name. dwell in; rain: Extol the One who he leads the prisoners at the face of rides forth in God, the joicing. place. desert, on the to pros God of clouds. perity. Israel. 17

18 Dedication of an Altar Entrance Entrance Antiphon Mode 7. Speech tempo, phrasing and emphasis Turn your eyes,. w w our God, our shield, w w look on the face of your a noint ed one; w. day w. Psalm 84(83:10 11 and one with in your courts is et ter than a w thou sand else where. Al le lu ia. w w w ẇ During Easter season During Easter season w w w 18

19 Dedication of an Altar, cont. (2 Let us go to the al tar of God. VERSES: Psalm 84(83:5 6, 9 10, 11 Blessed are they who dwell in O LORD God of hosts, hear One day within Blessed the people whose strength Turn your eyes, O The threshold of the your my your is God, house house, prayer; courts in our of you, shield; God forever sing give ear, O is etter than a whose heart is look on the I prefer to the ing God thou set on face of dwellings your of sand praise. Jaco. elsewhere. pil grim ways. your of a the nointed. wicked. 19

20 Dedication of an Altar, cont. (3 Communion Communion Antiphon Cf. Psalm 128(127:3 Mode 3 Speech tempo, phrasing and emphasis Like shoots of the ol ive, may the chil dren of the Church e gath ered w w w w w a round the ta le of the Lord. Al le lu ia. During Easter season During Easter season Bless ed are they who dwell in your house, sing ing your praise. 20

21 Dedication of an Altar, cont. (4 VERSES: Psalm 84(83:2 3, How lovely is your dwell O LORD God of hosts, hear One day within For the LORD God is a sun, My soul is long ( ( He will not withhold ing an My heart and my flesh Turn your eyes, O God, The threshold of the house O LORD of hosts, ing my your a place, prayer; courts shield; O give ear, O is etter than a the LORD will give us his fa LORD God thou vor and yearning for the courts of the ( ( y good to those who walk with out cry our of how out shield; God lessed ( look on the I prefer to the is the of of sand and ( to the face of dwellings man who liv your of trusts ing a the in hosts. Jaco. elsewhere. glory. LORD. lame. God. nointed. wicked. you! 21

22 Funeral (Outside Easter Time Entrance Entrance Antiphon Mode 6 Speech tempo, phrasing and emphasis E ter nal rest grant un to them, O Lord, and let per pet u al light (him/her w w shine up on them. (him/her w ẇ Bless ed are they w w whom you choose to dwell in your courts. Cf. 4 Esdras 2:

23 Funeral (Outside Easter Time, cont. (2 VERSES: Psalm 65(64: Praise is To you all Blessed is he whom you With wondrous deliver due flesh choose ance To you we pay our vows ( We are filled with the good things 4. You are the hope of to will and you in of all you come. call answer us, Je rusalem, your house, the earth, in Si on, Our evil deeds are too heav y to dwell in O God O for your our ( you who hear our ut our trans gressions you wipe a ( of your ho ly and of far dis tant ( God. us, courts. savior. prayer. way. temple. isles. 23

24 Funeral (Outside Easter Time, cont. (3 Communion Communion Antiphon Mode 6 Speech tempo, phrasing and emphasis Cf. 4 Esdras 2:34 35 Let per pet u al light shine up on them, with your Saints for ev er, (him/her for you are mer ci ful. E ter nal rest grant un to them, O Lord, (him/her w w w and let per pet u al light shine up on them, (him/her ev w w er, for you are mer ci ful. w w w w with your Saints for 24

25 Funeral (Outside Easter Time, cont. (4. With the Lord there is lov ing mer cy.. w w VERSES: Psalm 130(129: Out of the depths I cry to If you, O LORD, should I long for More than watch O let your But with My soul For with the 4. LORD ears you is hopes you, mark you, men e found in there at for the is O in O for LORD; iquities, LORD, dayreak, Lord, Lord, my soul longs let Israel hope hear who for for my could his the tentive to the sound of my giveness, that you may e re Lord more than watch men for mercy, in him is plenti ful re voice! stand word. LORD. pleadings. vered. dayreak. demption. 25

26 Entrance Antiphon Mode 2 Speech tempo, phrasing and emphasis Funeral (During Easter Time Just as Je sus died and rose a gain, ring with him all die, al le lu ia. 1 Thessalonians 4:14; 1 Corinthians 15:22 so, through Je sus, w w God those who have fall en a sleep; and as in Ad am w w so al so in Christ w w Entrance w w will will all e rought to life, 26

27 Funeral (During Easter Time, cont. (2 Come, O Lord, VERSES: Psalm 65(64: Praise is To you all Blessed is he whom you With wondrous de To you we pay our ( We are filled with the You are the. and ring us all to life e ter nal.. due flesh choose liverance vows good things hope of to will and you in of all you come. call answer us, Je rusalem, your the house, earth, in Si Our evil deeds are too heav to dwell O you who ut our transgressions you of your and of on, y in God hear wipe ho far dis O for your our our a ly tant God. us, courts. savior. prayer. way. temple. isles. 27

28 Funeral (During Easter Time, cont. (3 Communion Communion Antiphon Mode 2 Speech tempo, phrasing and emphasis. I am the Res ur rec tion. w w.. and the Life,. Who ev er e lieves in me, e ven though he dies,. live, me says w w the Lord. John 11:25 26 and ev ery one who lives and e lieves in will w w w will not die for ev er, al le lu ia. 28

29 Funeral (During Easter Time, cont. (4 In the Lord s own house w w VERSES: Psalm 130(129: Out of the depths I If you, O I long for More than O let your But with My soul For with the 4. LORD shall I dwell for ev er. cry to you, LORD, should mark you, watchmen ears you is hopes e found in there at for the is O in O for LORD; iquities, LORD, dayreak, Lord, Lord, my soul longs let Israel hope hear who for for my could his the tentive to the sound of my giveness, that you may e re Lord more than watchmen for mercy, in him is plentiful re voice! stand word. LORD. pleadings. vered. dayreak. demption. 29

30 Procession to the Place of Committal (In Paradisum Mode 7 Speech tempo, phrasing and emphasis May the an gels lead you in to par a dise; w w w w w you may the mar tyrs come to welcome. and take you to the ho ly cit y, the new and e ter nal Je. w w w w w ru sa lem. May choirs of an gels wel come you w w Mode 8 and 30

31 Procession to the Place of Committal, cont. (2 lead you to the os om of A ra ham; w w and where Laz a rus is poor no long er may you find e ter nal rest. w w.. w w 31

32 Scriptural Index Psalm 20( Psalm 20(19:3, Psalm 34(33:2 3, Psalm 34(33:6, Psalm 51(50: Psalm 65(64: Psalm 65(64: Psalm 68(67:4 5, 6 7, 8 9a, 9c...15, 17 Psalm 68(67:6, 7, Psalm 84(83:2 3, Psalm 84(83:5 6, Psalm 84(83: Psalm 128( Psalm 128(127: Psalm 130(129: , 29 Ezekiel 36: Esdras 2: , 24 Matthew 21: Luke 11: John 11: Corinthians 15: Ephesians 5:25, Thessalonians 4:

33 Assemly Editions CONFIRMATION Entrance Antiphon Re new your Spir it with in us, O Lord. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. & #. Communion Antiphon Taste and see that the Lord is good. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. MARRIAGE Entrance Antiphon May the Lord grant us our hearts de sire. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Love one an oth er Communion Antiphon as I have loved you, Columa Kelly, OSB says the Lord. 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. 33

34 Assemly Editions, cont. (2 DEDICATION OF A CHURCH Entrance Antiphon How awesome is God s house! Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. My house Communion Antiphon shall e a house of prayer, says the Lord. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. DEDICATION OF AN ALTAR Entrance Antiphon Let us go to the al tar of God. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon Columa Kelly, OSB Bless ed are they who dwell in your house, sing ing your praise. 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. 34

35 Assemly Editions, cont. (3 Bless ed are they FUNERAL (Outside Easter Time Entrance Antiphon Columa Kelly, OSB whom you choose to dwell in your courts. 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved.. Communion Antiphon With the Lord there is lov ing mer cy. Columa Kelly, OSB 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Come, O Lord, FUNERAL (During Easter Time Entrance Antiphon Columa Kelly, OSB. and ring us all to life e ter nal. 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. Communion Antiphon Columa Kelly, OSB In the Lord s own house shall I dwell for ev er. 2012, St. Meinrad Archaey. Pulished y OCP, 5536 NE Hassalo, Portland, OR 9721 All rights reserved. 35