CELEBRATIONS INDEX. Thursday of the Lord's Supper December25 20 (Holy Thursday): At the Evening Mass The Nativity of the Lord (Christmas):

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2 CELEBRATIONS INDEX First Sunday of Advent Ash Wednesday November29 4 February Second Sunday of Advent First Sunday of Lent December6 6 February The Immaculate Conception of Second Sunday of Lent the Blessed Virgin Mary February Decembers 8 Third Sunday of Lent Our Lady of Guadalupe February December RCIA Option: Third Sunday of Lent Third Sunday of Advent February December Fourth Stmday of Lent Fourth Sunday of Advent March 6 50 December20 14 RCIA Option: Fourth Sunday of Lent The Nativity of the Lord (Christmas): March 6 52 At the Vigil Mass Fifth Sunday of Lent December24 16 March 13 The Nativity of the Lord (Christmas): RCIA Option: Fifth Sunday of Lent At the Mass during the Night March December25 18 Palm Sunday of the Passion of the Lord The Nativity of the Lord (Christmas): March At the Mass at Dawn Thursday of the Lord's Supper December25 20 (Holy Thursday): At the Evening Mass The Nativity of the Lord (Christmas): March At the Mass during the Day Friday of the Passion of the Lord December25 22 (Good Friday) March The Holy Family of Jesus, Mary and Joseph December27 24 The Easter Vigil in the Holy Night March Solemnity of Mary, the Holy Mother of God January 1 26 Easter Sunday of the Resurrection of the Lord At the Mass during the Day The Epiphany of the Lord March January 3 28 Second Sunday of Easter The Baptism of the Lord (or Sunday of Divine Mercy) January April 3 78 Second Sunday in Ordinary Time Third Sunday of Easter January April Third Sunday in Ordinary Time Fourth Sunday of Easter January April Fourth Sunday in Ordinary Time Fifth Sunday of Easter January April Fifth Sunday in Ordinary Time Sixth Sunday of Easter February 7 38 Mayl Celebrations Index I Scriptural Index I Common Psalm Index I Ritual Index I Alphabetical Index 54

3 CELEBRATIONS INDEX, cont. (2) The Ascension of the Lord 22nd Sunday in Ordinary Time May5 88 August Seventh Sunday of Easter May8 90 Pentecost Sunday: At the Vigil Mass May rd Sunday in Ordinary Time September th Sunday in Ordinary Time September Pentecost Sunday: At the Mass during the Day May15 25th Sunday in Ordinary Time The Most Holy Trinity September May th Sunday in Ordinary Time The Most Holy Body and Blood of Christ ( Corpus Christi) September May th Sunday in Ordinary Time October 2 10th Sunday in Ordinary Time 138 Junes th Sunday in Ordinary Time 11th Sunday in Ordinary Time October June th Sunday in Ordinary Time 12th Sunday in Ordinary Time June October th Sunday in Ordinary Time October th Sunday in Ordinary Time June th Sunday in Ordinary Time 31st Sunday in Ordinary Time July October th Sunday in Ordinary Time All Saints July November th Sunday in Ordinary Time July th Sunday in Ordinary Time July nd Sunday in Ordinary Time November rd Sunday in Ordinary Time November th Sunday in Ordinary Time July Our Lord Jesus Christ, King of the Universe 19th Sunday in Ordinary Time November August Thanksgiving D ay 20th Sunday in Ordinary Time November August Rite of Entrance The Assumption of the Blessed Virgin Mary: into the Order of Catechumens 158 At the Vigil Mass August Selected Psalm for Weddings 160 The Assumption of the Blessed Virgin Mary: Selected Psalm for Funerals 161 At the Mass during the Day August Selected Common (Seasonal) Psalm for Ordinary Time st Sunday in Ordinary Time August Copyrights & Credits Celebrations Index I Scriptural Index I Common Psalm Index I Ritual Index I Alphabetical Index

4 Home I Indexes LIST OF PAGE NUMBERS s so

5 INTRODUCTION PRACTICAL INFORMATION FOR SINGING THE PSALMS Accompaniments and Choral Arrangements These musical settings are written to be accompanied by keyboard and/or guitar. While some guitar chords reflect a harmony different from the notated keyboard/choral harmony, the chords and keyboard part are compatible and function well together. Some chords have been bracketedthese may be omitted by the guitarist when playing alone. Choral arrangements with descants are provided for all Responsorial Psalms and Gospel Acclamations. Psalm Responses and Gospel Acclamations All Psalm Responses and Gospel Acclamations offered in Respond & Acclaim match those found in Today's Missal, Heritage Missal, Companion Missal, Breaking Bread and the English portion of Unidos en Cristo/United in Christ. Spanish responses and acclamations by various composers are available in the OCP resource Responde y Aclama. Psalm and Gospel Verses Psalm verses are designed to be sung by a cantor or a vocal ensemble. They are not intended for use by the assembly. If it is not practical for the verses to be sung, they may be spoken while the accompaniment is played softly as a background to the spoken word. At the end of each verse, the assembly sings the response. Gospel verses are sung in the same manner as the psalm verses. It should be noted that according to the General Instruction of the Roman Missal, if the Gospel Acclamation or Verse before the Gospel is not sung, it may be omitted altogether (GIRM 63c). On the Singing of Chant Verses The first preparation for singing the verses is done without the music-they should be read, understood, and allowed to emanate from a place of prayer in the hearts of the singers. The verse settings are chant tones which by their very nature flow in long, lyrical lines. While the tones do not draw attention to themselves, these verses should come across as an important part of the whole, not just as "filler" until the next repetition of the response, and should be sung in a way that reflects the character of the individual response. In cases where the number of phrases in a psalm verse is not consistent throughout the psalm, dashed lines in parentheses are shown. In order to maintain the proper harmonic progression, the accompaniment may still be played under the dashed lines even though there is no sung text. The cantor would then resume singing at the next appropriate phrase. Choose a tempo that will not disrupt the flow of the music. Singers must proclaim the verses with clarity so that the text is understood and its meaning is clear. A cantor can easily make use of rubato to emphasize specific words; a choir, however, will have to spend time on coordination to achieve the same effect. Whoever sings the psalm verses plays a vital role in the assembly's participation at this point in the Liturgy of the Word. LITURGY PREPARATION ASSISTANCE LicenSing Online Did you know you need a license to create worship aids and project lyrics for your community? IicenSing Online gives you access to FREE assembly downloads* for the Respond & Acclaim responses, as well as thousands of today's most popular songs! Downloadable accompaniments, MP3s and other resources to support your ministry are also available for purchase. Enjoy the security of knowing you're always in compliance with copyright law and ensure composers receive fair compensation for their work. Start an annual license today-visit LicenSingOnline.org or call Single-song and weekly licenses are also available. *FREE assembly downloads available with an annual license. Assembly responses may be reproduced in weekly bulletins or periodic handouts. Copies are for use solely by the pastoral musician's own parish. Music must be reproduced as it appears, with the composer's name and complete copyright information. Today's Liturgy Prepare engaging liturgies at church, home or on the go with this best-selling quarterly magazine. Over two-thirds of Catholic music ministers and liturgists rely on Today's liturgy for insightful articles, music suggestions for each Sunday and holy day, helpful tips from trusted contributors and more. The choice is yours! Receive print issues by mail or start an online annual subscription, featuring modifiable planning pages, sheet music previews, links to sound samples and more-in the convenience of an interactive PDF. Visit ocp.org/tl or call us at LITURGY ( ). Respond & Acclaim Indexes Scriptural, alphabetical, and ritual indexes are provided beginning on page 163 for easy reference. You'll find a common (seasonal) psalm index on page 164. While as a rule the designated psalm of the day is to be used, common (seasonal) psalms are provided by the Church as options. This is so that the assembly may repeat a psalm over several celebrations in the same season and therefore participate more readily (Introduction to the Lectionary for Mass 89, GIRM 61). 3

6 FIRST SUNDAY OF ADVENT November 29 Responsorial Psalm: Psalm 25:4-5, 8-9, 10, 14 (3) Response: (Organ/SATB) Optional Descant To you, eapo2: (D) E (Bm7) C#m7 To you, 0 Verses: (Cantor or SATB) (D) known to me; teach me, _--) LORD; justice, constancy fear him, 1. Teach me For you are God nd for you I wait all 2. Thus he shows sinners And teaches the humble 3. Toward those who keep his covenant and his And his covenant, for their... your my the the his de in - - (A7) B7 paths, savior, day. way. way. crees. struction. 4

7 Gospel Acclamation: Psalm 85:8 Acclamation: (Organ!SATB} No. IV Optional Descant Home I Indexes I List of Page Numbers FIRST SUNDAY OF ADVENT, cont (2) Al - le - ia, al - le - tu ia, at le tu ia. Capo 1: (G) Ab (D) Eb Verse: (Cantor) (G) Ab (D) Eb tion. sic: Owen Alston OCP. All rights reserved. 5

8 SECOND SUNDAY OF ADVENT December 6 Responsorial Psalm: Psalm 126:1-2, 2-3, 4-5, 6 (6) Response: (Organ/SA TB) Verses: (Cantor or SA TB) in forth re Zion, laughter, nations, us; LORD, tears weeping, joicing, C ou ue 2. 'The LORD has done great things We are glad 3. Like the torrents in the Shall reap 4. Carrying the seed to Carrying men re for in south - ern re be their dreaming. joicing. them." deed. desert. joicing. sown, sheaves. -6-6

9 Gospel Acclamation: Luke 3:4, 6 Acclamation: (Organ/SA TB) No. VII SECOND SUNDAY OF ADVENT, cont (2) Al - le - tu ia, al - le - tu ia, al - le - tu ia. Music: Owen Alstott, 1977, 1990, OCP. All rights reserved. 7

10 RESPOND & ACCLAIM COPYRIGHTS & CREDITS Responsorial Psalms and Gospel Acclamations for use with the Second Typical Edition of the Lectionary for Mass Year C: November 29, 2015-November 26, 2016 Musical settings by Owen Alstott Arranged for Choir and Assembly with Organ and Guitar Accompaniment by Randall DeBruyn and Marie Phillippi Concordat cum originali: t Alexander K. Sample, Archbishop of Portland in Oregon Published with the approval of the Committee on Divine Worship, United States Conference of Catholic Bishops. Music 1977, 1990, OCP, 5536 NEHassalo, Portland, OR All rights reserved. None of these compositions may be reproduced in any form without written permission from the publisher. The English translation of some psalm responses, some alleluia and gospel verses, and the Lenten gospel acclamations from the Lectionary for Mass, 1969, 1981, 1997, International Commission on English in the Liturgy Corporation (ICEL). All rights reserved. Used with permission. Excerpts from the Lectionary for Mass for Use in the Dioceses of the United States, 1970, 1997, 1998, Confraternity of Christian Doctrine, Inc., Washington, D.C. All rights reserved. Used with permission. No portion of this text may be reproduced without pe1mission in writing from the copyright holder. Cover Art Make a Joyful Noise Too. Watercolor on paper. 2015, Mark A. Jennings. Copyright law prohibits use of this publication beyond November 26, Publisher: John J. Limb Director of Product Development: John Vogler Music Development and Outreach Director: Eric Schurnock Project Editor: Wade Wisler ebook Production: Robert Koglin, Christy Kuiken, Eddie Osborn, Paul Raspa, Tia Regan, Monica Rodriguez, Wade Wisler Layout: Christy Kuiken Engraving Manager: Tia Regan Editorial Assistants: Anne Connors, Monica Rodriguez, Melissa Schmidt, Mary K. Straub Music Engravers: Scott Hall, Laura C. Kantor, Christy Kuiken, Daniel Partridge Art Director: Judy Urben Graphic Designer: Le Vu 2015, OCP 5536 NE Hassalo, Portland, OR Phone: (503) liturgy@ocp.org ocp.org Respond & Acclaim 2016:... edition RA hole punched edition:.... edition RD-161 CD [3-CD set]:... edition ebook:... edition ISBN