King Cotton. by: John Philip Sousa. Original Copyright: 1895 By: John Church. BandMusic PDF Library. Chester Nettrower Collection
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1 King Cotton Sousa, John Philip King Cotton by: John Philip Sousa Original Copyright: 1895 By: John Church BandMusic PDF Library Chester Nettrower Collection Music Preservation Team: Tom Pechnik, Senior Archivist; Mary Phillips; Wayne Dydo; Bill Park, Director; Marcus Neiman, Program Notes
2 John Philip Sousa DOB: November 6 th, 1854 (Washington, DC) DOD: March 6 th, 1932 (Reading, PA) John Philip Sousa wrote the most famous American military marches of all time, including "Stars and Stripes Forever," earning him the nickname "the March King"; he was also known as a great bandleader, and organized the famed concert and military group, Sousa's Band. Born in Washington, D.C., on November 6, 1854, Sousa followed in the footsteps of his father, a musician in the U.S. Marine Corps, and enlisted by the age of 14. Before this, Sousa had studied violin with John Esputa. While active in the Marines, he composed his first march, "Salutation." Around the age of 16, Sousa began studying harmony with G.F. Benkert, then worked as a pit orchestra conductor at a local theater, followed by jobs as first chair violinist at the Ford Opera House, the Philadelphia Chestnut Street Theater, and later led the U.S. Marine Corps Band ( ). Although most famous for his marches, Sousa composed in other styles as well, including a waltz, "Moonlight on the Potomac"; a gallop, "The Cuckoo" (both in 1869); the oratorio "Messiah of the Nations" (1914); and scores for Broadway musicals The Smugglers (1879), Desiree (1884), The Glass Blowers (1893), El Capitan (1896; which was his first real scoring success), American Maid (1913), and more. Sousa formed his sternly organized marching band in 1892, leading them through numerous U.S. and European tours, a world tour, and an appearance in the 1915 Broadway show Hip-Hip-Hooray. Sousa's Band also recorded many sides for the Victor label up through the early '30s. His most famous marches include "The Stars and Stripes Forever" (1897), "U.S. Field Artillery March," "Semper Fidelis" (written in 1888, it became the Marine Corps anthem), "Washington Post March" (1889), "King Cotton" (1895), "El Capitan" (1896), and many more. In addition to writing music, Sousa also wrote books, including the best-seller Fifth String and his autobiography, Marching Along. Actor Clifton Webb portrayed Sousa in the movie about his life entitled Stars and Stripes Forever. The instrument the sousaphone was named after this famous composer and bandleader. ~ Joslyn Layne, All Music Guide King Cotton (march) was published in 1895 by the John Church Company and assigned to the Theodore Presser Company in It is a curious fact of the music world that marches written for fairs and expositions almost always fade into oblivion. Two notable exceptions are Mr. Sousa s King Cotton and The Fairest of the Fair. The former was written for the Cotton States and International Exposition of 1895, and the latter for the Boston Food Fair of Mr. Sousa and his band had great drawing power at fairs and expositions and were much sought after. But, officials of the Cotton States and International Exposition in Atlanta attempted to cancel their three-week contract with the Sousa Band because of serious financial difficulties. At Mr. Sousa s insistence, they honored the contract, and at the first concert they became aware of their shortsightedness. Atlanta newspapers carried rave reviews of the band s performance. For example: The band is a mascot. It has pulled many expositions out of financial ruts. It actually saved the Midwinter Fair in San Francisco. Recently at the St. Louis and Dallas expositions Sousa s Band proved an extraordinary musical attention, and played before enormous audiences. It is safe to predict that history will repeat itself in Atlanta, and that the band will do the Exposition immense good.
3 A great many people in South Carolina, Alabama and Georgia have postponed their visit to the Exposition so as to be here during Sousa s engagement, and these people will now begin to pour in. Sousa s latest march, King Cotton, has proved a winner. It has been heard from one end of Dixie to the other and has aroused great enthusiasm and proved a fine advertisement for the Exposition. 1 The Sousa Band did indeed bring the exposition out of the red, and the same officials who had tried to cancel Sousa s engagement pleaded with him to extend it. King Cotton was named the official march of the exposition, and it has since become one of the perennial Sousa favorites. 2 Program note researched by Marcus L. NeimanMedina, Ohio Additional information on either the composer or composition would be welcomed. Please send information to marcusneiman@zoominternet.net 1 Atlanta Commercial, November 19, Bierley, Paul. The Works of John Philip Sousa, (Integrity Press, 1984), p. 66.
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30 F Horn 4 & bb 8 6 j œ œ. > œ. œ j. œ. œ œ œ. œ. œ. > œ > J œ œ. œ. œ. œ Œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ ƒ f 12 & bb œ œœ 1. ^ œ œ^ œœ œ œ œœ œ œ œœ œ œ œœ ^ ^ œ œ œœ œ œ œb œ œ.. œ œ œ œ œ 2. œ œ œ œ œœ œ ƒ p ƒ > ƒ 23 & bb œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ j > œ œ œ> œ J œ œ œ> œ J œ j œ œ j œ œ & bb œ œœ œ œ œœ œ. b œ œœ œ œ œ. œ Œ b b. œ œœ œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ F & bb b œ œœ œ œ œœ œ œ œœ œ œ œœ œ œ œœ œ. œ œ œ œ œ œ œ œ œ œœ œ œ œœ œ œ Œ œ Œ & bb b. 68 & bb b j > # œ œ œ> ƒ j j bœ œ œn œ œ. œ. œ> J j œ > > J œ j œ > j n œ œ> > œ j b> œ > œ j J b> œ > œ J j œ œ j œ œœ œ Ï bœ. œœ j ƒ sosten. j bœœ œ j bœ. œœ j bœ j œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ & b b 1. b. œ j j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ Œ 2. œ œ > 79 King Cotton con tutta forza Original Copyright 1895 John Church Co. Sousa Transcribed part by Tom Pechnik
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