AND. HIST0RY r SONGS' WITH. SKETCHor^AUTHORS. f TUNES* HYMNS

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2 AND HIST0RY r SONGS WITH SKETCHor^AUTHORS f TUNES* HYMNS A

3 PITTS THEOLOGY LIBRARY Gft from Raymond C. Hamrck 2005 EMORY UNIVERSITY ATLANTA, GEORGIA 30322

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6 UNION HARP AND HISTORY OF SONGS Bref Sketch of the Authors of Tunes and Hymns Newly Arranged Tune and Song Book Consstng of Sacred Tunes, Songs and Anthems Prepared for Churches, SundaySchools, Sngng Schools, Conventons and all Publc Gatherngs As Well as Prvate Classes and the Home Arranged so as to be easly understood by amateurs and new as begnners, well as muscans. Up proved methods, and made attractve. Every cessfully sng or play the musc. ease. Full rudments, specally arranged, and tune arranged so as to present at sght everythng necessary new way of locatng the key, note, letters and leadng to date m to suc notes wth Showng how to render musc n any notaton, four, seven or other numbers of notes, regardless of ther shape, and a hstory of the author of word.; and musc, prnted n connecton wth each tune.

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8 Musc s an art and scence whch has attracted the attenton of the human famly almost from the creaton of man, and wll contnue ts work n the world as long as tme shall last. PREFACE We pre sent ths volume as a part of our contrbuton to ts advancement, wth a hope that our efforts wll not be n van. It s beleved by the author that t contans more standard hymns than any other volume of ts sze yet publshed. The musc, taken as a whole, s second to none, f t s con sdered wth a vew of gettng the real value and usefulness of t as sacred songs. It supples a long needed want and amply flls such need n the form presented n ths work. When farly under SPECIAL In all tunes used n ths volume, where the copyrght of the tunes us^d have not expred, we have used the tune by permsson of the composer or those ownng the copyrght. The copyrght obtaned on these varous tunes, n 908 and 909, by us, s a copyrght of the form of such tunes as they are presented n ths book, ncludng the hstory and date of the composng of the hymn, An examnaton of ts pages wll constood and consdered, we beleve t wll be apprecated by mus cans and all admrers of sacred musc. In the Introductory followng ths preface s set forth many of ts advantages over smlar volumes. Detaled of ts merts are gven. explanaton of some We extend our sncere thanks, grattude and apprecaton to the Commttee apponted by the Unted Sacred Harp Muscal Asso caton for ts valuable assstance and ad n the work necessary to be done n gettng out ths book, and for ts hearty endorsement of the same. Douglasvlle, Ga. Aprl, 909. NOTICE ENDORSEMENT OF COMMITTEE J. S. JAMES. the author and date of the musc, and also the Scrpture reference as t s appled n the partcular tune to whch t s attached. All the tunes that are copyrghted by the undersgned the copyrght extends to all the forms as they are presented n ths book. J. S. JAMES. The undersgned, members of the Revson Commttee, ap ponted n pursuance of a resoluton adopted by the Unted Sacred Harp Muscal Assocaton, on revsng the Sacred Harp and to su perntend the complaton of other smaller musc books, provded fur n sad resoluton, proceeded wth ther duty and have asssted n the complaton of the " Unon Harp and Hstory of S<>ngs. " We beleve that t amply supples a great needed want for the sngers and players of sacred musc. We also beleve t possesses all mert clamed for t by ts author, and heartly commend t as a frstclass musc volume. vmce any lover of musc of ts superorty and advantage over other musc books. Respectfully submtted, J. H. Tyson, C. H. Newton, W. J. Long, M. D. F ARRIS, S. W. EVERETT, S. M. Denson, J. C. Moore, T. J. Denson, W. H. Bell, J. W. Hardng, A. J. McLen>on, J. E. Eajson, C. J. Grggs, J. D. Lammnack T. B. Newton, T. M. Payne, B. S. Akn, A. Ogletree. J. C. Brown, M. F. McWhorter.^erfvY Uuj.f.k. <tfor;t; "B. Ihxn.L.

9 INTRODUCTORY In complng ths musc book several thngs have been upper most, whch may, n part, be detaled as follows :. To get together a large number of the best hymns, suta ble for relgous worshp n the Churches, Sundayschools, Con ventons and other relgous gatherngs, and sutable for the homes of the people who apprecate the best hymns. A glance at the hymns and words wll convnce an unbased mnd of ther superorty for such purposes. 2. To brng nto use only such sacred tunes as are at the head of the lst. Most all of the tunes heren contaned are geneally ac knowledged to have come from the hghest sources and best com posers. Proof of ther standng s, that they have been adopted and are beng used n the leadng churches n ths and many other countres, wherever Chrstanty s adhered to, or ts prncples contended for. No musc book of ts sze contans <. greater number of lvng sacred songs and standard hymns. It needs no argument to con vnce those who are ported of the ndspensable value of the older melodes presented, when tested as sacred tunes. They have es tablshed themselves to be hgh tl ss sacred musc. The modern musc has been carved out of a large mass of tunc*, and selected on account of ts popularty among o people. The tunes never before prnt* generally run up to a hgh standard, and when tred wll prove ther own value for usefulness as sacred songs. 3. The am has been also to furnsh the lovers of musc, who sng and play, an nsght nto the character of the composers of the musc, and authors of the words, and to prnt the same n con necton wth each tune, so that we can understand what we sng, play or hear. Ths plan has been carred out as far as possble, and wth few exceptons we have gven at least a sketch or synopss of theauthors of the words and musc. Ths, we beleve, wll be helpful to those who admre sacred songs, especally among the people who are not accessble, so they can acqure accurate knowledge about them. So far as we are aware, ths plan has never been attempted before, and s now presented for the frst tme. How far we have been successful n ths effort wll reman for an abdng publc to settle. The correct dates of the musc, and the wrtng of the words, have been gven n each tune, doubtless there are some naccura ces n some of them. To fnd the name of the authors, dates of musc, and of words, has been an onerous, burdensome task, and has requred unlmted research, as much so as f we had ntended wrtng a book of two thousand pages of hstorcal matter. One reason that makes t more troublesome to ascertan the dates and authorshp of the musc and words s, n the publshed hstores, t appears, that many composers have made slght changes n the words and musc n a large number of tunes, and have clamed them as ther own productons. Ths has made t very hard ndeed to get at the orgnal composers of many of the older melodes and hymns, and besdes, there are many errors n some of the hstores

10 INTRODUCTORY Contnued about the authorshp of hymns and tunes Our am has been to get at the correct authors of both musc and hymns. 4. We have added addtonal lnes of poetry, or the balance of the hymn, n cases where needed. 5. We have tred to gve each tune the proper key so t can be played on the pano, organ or other nstrument, and placed the key on the top of the page, so t can be easly seen by the per former. 6. We have quoted the Scrpture reference to almost every tune, represented by the sentment of the words, and ths has been no lttle task. 7. Certan verbal errors and glarng naccuraces n some of the old tunes have been corrected, we have stayed, however, near the old land marks of the standard hymns and tunes, whch have so successfully stood n the past, and wll n the future stand all adverse crtcsm. Wherever correctons have been made, they are beleved to be absolutely necessary to meet the severe crtcsm of the modern harmonsts, and whch wll n no way nterfere wth the old deas, harmony, melody and general plans. They have stood as they are for years, and pleased the musclovng peo ple. We prefer not to make the fatal mstake, made by our muscal brethren, n radcally changng these standard tunes to make them conform to what they are pleased to call modern harmony. In nearly every case the alteraton, n place of beneft ng the tunes, have greatly mpared the melody of them, and to a consderable extent, destroyed the sacredness of the song. errors we have tred to avod. some of Such 8. The tunes and hymns n ths volume have been carefully selected, on account of ther popularty, wth a vew and hope that they wll be apprecated by the church people. Hardly wthout an excepton, they stand rght up at the top of the best sacred tunes. Nearly all of the new tunes come tnm sources that wll convnce any one, who nvestgates t, that the authors are devoted to the cause of musc, and are dong what they can to advance ts nter est, as well as the Masters cause, n the varous sectons where they resde. EXPLANATION In nearly all tunes we use four staffs ; the lowest staff, Bass, the next to the lowest suff, Tenor, Soprano (or the lendng part) next to the top staff, Alto, ( t Counter). The top staff, treble. All tunes have four shaped headed notes, "Me, Faw, Sol, Law." In major musc, the key note s Eaw, n the mnor musc t s Law. Generally when four staffs are used n wrtng musc n the Vmtcd States, the dfferent parts : are placed on separate staffs. leadng part) s placed on the top staff. Bass, tenor, alto and treble In sonc of the books, the tenor (or 0. The rudments of musc n ths volume speak for them selves. It s beleved that no such a full explanaton and as easy to understand, as they contan, has before been prnted. Specal attenton s called to them.. Ths complaton has been made and carred on n pursu ance of a resoluton adopted by the Unted Sacred Harp Muscal Assocaton, at ts thrd annual sesson, held n Atlanta, Ga., Sep tember, 9U7, and under the supervson of the commttee of sad assocaton then apponted. We call specal attenton to the en dorsement of ths commttee. The followng plan of ndexng has been made, and wll greatly ad the sngers and performers n fnd ng what they want wthout trouble.. General ndex to tunes and ther authors.

11 v INTRODUCTORY Contnued 2. General ndex to words, hymns and ther authors. p. Alphabetcal ndex to authors and ther hstory, words and tr*es. jects. 4. Index to metrcal tunes, alphabetcally arranged. 5. Index to Scrpture references. 6. All tunes and words are dvded under approprate sub HISTORY OF THE NAME OF HARP AS USED IX SOXG BOOKS A perusal of song books wll show grrat smlarty n the names of a large number of those composed and publshed n the Unted States. Wthout enterng nto detals on the subject, t wll suffce to say that many of the composers have been specally fond of havng the word " Harp " connected n some way wth ther song books. Begnnng as far back as 805, to the present year, 909, we fnd a large number of them, and for the nforma ton of those who may be nterested n the subject, we gve the names of a partal lst of books, dates and names of the authors : Columban Harp, 805, by Jeremah Ingalls. Weslyan Sacred Harp, 820, McDonald & Hubbard. Western Sacred Harp, S.H, by Samuel Wakefeld. Western Harp, S3, lj Mary 3. B Dana. Harp of Davd, N42 and 844, by (.,,,. Kngsly. Amercan Harp, SJMS32, Clas. Zuncr. The Sacred Harp, S34, T. B. Mason. Amercan Harp, 827, N C. Bochsa. Sacred Harp, 834.X49, James Ilckol;. Oho Sacred Harp, , T. B. Mason. Chrstan Harp, S36, Samuel Wakefeld The Chrstan Hap, 837, 7^. P.. M Cam. Zon Harp, S3X, Church, Smon Jopln. Northern Harp, 838, Henry E. Moore. Zon Harp, S3S, Sundayschool, J. A, Getze. Epscopal Harp, , Dr Tuckerman. Western Harp, about S40, Mrs. S. B. Shndler. Harp of the West, 840, Webster & Sharp. Davds Harp, 842, H. W. Day. Harp of Juclah, 840S55, L. O. Emerson. Congregatonal Harp, 84, L. P. Barnes. Harp of Prase, 842, Leonard Marshall. New Congregatonal Harp, S43, L. P. Barnes. The Sacred Harp, S , 859, S69, frst by B. F. Whte and E. J Kng, the three last revsons by B F. Whte. Young Lades Harp, S49, George Kngsly. Harp of Columba, 848, 85, Swan & Swan. Hesperan Harp, begnnng 837, completed, 848, Wm. Houser. Amercan Church Harp, X4S, W. H. Rhnehart. Harp of the South, about 849, T. B, Woodbury. Chrstan Harp, 850, Renbush & Kefer. Modern Harp, 850, E. L. Whte & G. L. Gauld. Masonc Harp, supposed to be between ls;5, 845. Geo. W Chase. Southern and Northern Harp, date not known. Northern Harp, about 860, Mary S. B. Dana. New Harp, between S35 and 847, A. D. & J. H. Fllmore. Taras Harp, 843, J. A, Get/e. Harpseord, 852, L. Marshall. Socal Harp, by John G, McCury, 855. The Harp, date and composer unknown. New Sacred Harp, S79, J. L. Whte and B. F. Whte. Harp of the South, 895, A. J. Showalter et al. Sk Weeks Harp. Sabbath Harp, Chas. F. Henburu. Zon Harp, Mar) B. Dana. Golden Harp, Olver Holden. about 88. Western Harp. Ozas Harp, Ozaus. Temple Harp, Allebach and Ilunsberger. Peters Catholc Harp, W. C. eters.

12 INTRODUCTORYConrtmW v The Sacred Harp, 909, now n process of revson by J. L,. Whte etal., beng a revson of the Sacred Il.rp of E. F. Whte and E.J. Kng, and B. F. Whte, mentoned n ths lst. "Unon Harp and Hstory of Songs/ ths volume, 909. From 830 to 860, the authors of song books often used the word "Harp" as wll appear n the above lst. There are many other books than those mentoned above, havng smdar names, but we have been unable to get suffcent data about them. Parts of the old books are destroyed, and of the others, only fragments reman. The frst part of the books are torn off and destroyed, and no dates of ther publcaton, or names of composers, can be found. We gve the above lst, as there are so many people n Georga and Ala bama and other states, who have sung so long, and used what s now called the " Old Sacred Harp," by B. F. Whte, they would lke to know somethng about the orgn of the namng of books n connecton wth the word " Harp." We name ths volume Unon Harp and Hstory of Songs," the name beng selected for the followng reasons :. The commttee apponted by the U. S. H. JM. A. to revse the Sacred Harp and prepare some smaller books suggested t to the Author. 2. A number of the older standard tunes heren contaned were frst publshed n some of the bocks mentoned n the above lst, and a great many of them appear n several of these dfferent books. 3. We have placed these older melodes, appearng n the lst of books above named, wth valuable tunes of more recent dates, and along wth the tunes never before publshed. Takng all the tunes as well as the hstory of them shows a great congenalty among the tunes, whch also suggests the name of "Unon Harp and Hstory of Souks." It h s been done wth the further vew of untng the old standard melodes wth those melodes of a more recent date and assocatng the old wth the new tunes never before publshed, and blendng the unon of all together. And as the complaton s the outcome and product of the many sngng asso catons and membershp of theu. S. H. M. A., t s beleved that the suggeston of the commttee, who selected t, came to the prop er concluson n dong so. OLD AND NEW HARMONY We have allowed the older tunes n ths book to retan the harmony as well as melody, as when composed. To have changed them, would largely have destroyed ther dentty, f not greatly mpared ther usefulness. We have also prnted the new musc furn shed us practcally as t was composed. Whle we have corrected a few errors n some of the tunes, we have not undertaken to change the harmony or melody, or even the form of them, belevng t best to follow the dea of the composer and let the tunes appear as they really came from the hands of the authors. A number of songs have no Alto. Some of them mght be mproved by addng Alto, but n order to do so successfully t would requre the changng of the other parts to a consderable extent, so much so as to nterfere wth ther present harmony and melody, hence we beleve we wll get better results by allowng the tunes to stand just as they are, belevng that n ther present shape they wll please more than they wll dsplease. J. S. JAMFS

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14 Ledger Rudments of Musc. By Joe S. James.. On what s musc wrtten? Musc s wrtten on fve equdstant, parrallel, and horzontal straght lnes and ther ntervenng spaces whch s called a 5th lne. 4th lne. 3rd lne. 2nd lne. Ist Une. Staff. 4th space 3rd space, 2nd space. st 6pace, 2. How many parts are there to musc? In vocal and most nstrumental musc there are POUR PARTS, sometme* only three, vz; Bass, Tenor, Alto and Treble. These parts are sometmes called other names; When only three parts are used, Alto s generally left out 3. How can you tell when these dfferent parts are to be sung or played together? These varous parts of musc are all ncluded n a character placed at the begnnng of the composton called a TREBLE. ALTO. It s sometmes called a STAVE, Ths staft can be enlarged when t becomes necessary by addng thereto ddtonal lnes called LEDGER LINES and ther accrueng spaces, thus; lt TENOR Space abovs. lnes above. BASS, Space below. Ledger lnes below. 4. Arehere degrees n musc? Yes, each one of these lnes and spaces s called a Degree.

15 4 5. Do the lnes and spaces represent degrees, numbers and dstnct sounds? The lnes and spaces of the musc staff do not only represent separate de grees, but separate numbers and dstnct sounds, and ths apples t added lnes and ther accrung spaces as do the frst fve lnes and ntervenng apaces; There are therefore NINE DEGREES on ths musc staff, Thus; The Degree Staff. t 6, Are the frst seven letters of the alphabet placed on the staff? On ths staff are also placed the Frst seven letters of the alphabet, A, B, C, D, E, F, G. These letters and the staff upon whch they are placed are always statonary. If the seven letters are not suffcent to reach hgh or low enougb for the tune, you repeat the letters as occason may requre, always n ther regular order Lettered Staff. "D C "B" NOTE. In reckong the degrees Letters,ect, of the musc staff, we always ;ount upward, 7. How many sounds or tones are there sad to be n nature? There are only Seven Prmary Tones when an eghth tone s used t s a repeton of the frst one of the seres. 8. What s ths seres of egkt tones saled? It Is called The Scale. 9. What are the tones of the scale named from? The FIRST EIGHT NUMERALS, the lowest beng called ONE; the next above t TWO; the next, THREE; and so on. The hghest Is called EIGHT; the next belcw t SEVEN; the next SIX; and so on. 0. What s ths hghness and lowness o tones called? The hghness and lowness or the dstance up and down between any two tones s called an Interval.. How many ntervals are there n the scale, and how many knds? There are seven ntervals whch are of Two Knds. LARGER and SMALLER. 2. The small ntervals beng only half as great as the larger ones what are they called for the sake of convenence? Steps and HalfSteps. there beng FIVE WHOLE STEPS, and TWO HALFSTEPS. 3. Where do the halfsteps occur? Between Three and Four And Seven and Eght. 4. What s the order of ntervals n the scale? The human voce naturally makes a whole step from One to Two; And from Two to Three a whole step, from Three to Four a halfstep, from Four to Fve a whole step, from Fve to Sx a whole step, from Sx to Seven a whole step and frcm Seven to Eght a halfstep.

16 l5. What arses from the seven tones of the scale? From ths reason arose what s called n musc octaves. An octave s an n terval of eght degrees. The frst octave begns on number one and ncludes egt, as follows; There s a general scale n whch the tones extends not only L. 8 from one to eght, but from one to ffteen; Ths s called The Extended Scale. Number eght of the frst octave s number one of the second octave, vz:. 7 f**44* So t.e frst octave numbers from " one to eght " and the second octave from "eght to ffteen" ad the thrd from "ffteen to twentytwo" ect In the general scale, n the same way wlh all addtonal tones or ffteen octaves, beng number one of the thrd octave, twentytwo number one of the "" jrth octave, ect. 6. What other character or sgns are placed at the begnnng of the tunes 7 On ths staff, at the begnnng are placed characters called clefs, G, C, and Fclefs. A cljf s a character used to determne the name and ptch of notes en the staff to whch t s prefxed. The letters are placed on the staff, accordng to tne G clef, thus: G G, s on the second lne, when the G clef s used r E F Iff " \\jt\u o ^ E G A B C, s on the thrd lne when the C cl3f s used. B * F G A C " G When the F, clef s used, F Is on the fourth lne and space below. Muscal Notes. F u A 5 7. Are there any sgns or characters n musc called notes? What do they represent? How are they placed on the stjht? What are they known n musc to be? There are characters n musccalled notes;these notes are placed on the staff, and are representatves of muscal sounds or tones, and are placed on the staff so arranged as to make the tune desred. The poston of the notes on the btaff s what s known n musc as ptch of tones IS Wh.t are these notes called? Gve the uame of them n each system v nether fr> or seven notes are used. I \, headed notes they are called M, f ^, gol *, La>, Four n numn round, or seven shaped notes, they are called Do A, Ray*, Mt_*, d*, Sol *, La*, See, (by some )Tee, However all tunes can be played or sung to four or seven notes, whether they be round or shaped

17 6 The followng examples shows the poston of the notes on the staff when the four shape system s used TENOR OR TREBLE STAFF. (GClef.) G Sol & Space above. F Fa fa Ffth lne. E La D Fourth space. D Sol g Fourth lne. C Fa ^ Thrd space.\ 3 Me $, Thjrd lne A La D Second pace. ~~G Solf? Second lne. F Fa fa Frst space. La BFrst lne. Sol & Space below. The C, or Alto clef shows the poston of the notss as follows. G A La D Space above. Sole3*Ffth lne. F Fa fa Fourth space. E La S Fourth lne, D Sol & Thrd spacegf C FafaThrd lne. B Me ^ Second space. LaBSecond lne. A F G Sol? Frst space. FafaFrst lne. E La q Space below. The F clef or Bass clef, O^ ^ D s for male voces, and sh«ws the notes thus : E F G B Me & Space above. ALaBFfth Lne. Sol ^ Fourth space, FafaFonrth lne. La Thrd pace. SohS^Thrd lne. C Fa fa Second space. B Me^ Seccndllne, * A La Frst spac. G Scl^Frst lne. F Fa fa Space below. The Seven Shaped Notes. The followng examples shows the poston of the notes on the staff n the dfferent notatons. Shape Notes. Key of C. G Clef. Do, or One, s on added lne below. EEE^[^E?S== I I. Do, Ra, Me, Fa, Sol,La, Se, Do. Do, Se, La, Sol, Fa, Me, Ra. Do. Round Notes (Read by ther poston on the staff.) Key of E flat. B, E and A flat,(three flats.) Round notes. ^^=m Do, Ra, Me, Fa, Sol La, Se, Do. Do, Se, La, Sol, Fa, Me, Ra, Do.

18 The Scale or Gamut, four shape notes. Names and poston of the four shape notes on the G clef staff. (Key of C.) A table of the comparatve length of notes. A whole note & s equal n length to Two halves & fc or Fa, Sol, La, Fa, Sol, La, Me, Fa, Me, La, Sol, Fa, La, Sol, Fa. Fourquarteas or I 9. Does the shape of a note make any dfference about ts poston on the musc staff? No, the shape of the notes do not have anythng to do wth her poston on the staff; They occupy the same lne or space on the staff, regardless of the shape of the note, whch s seen by reference to the staff set out above. Comparatve Length of Notes. 20. Can you exp an the shape and color of the head of each note? Yes, they are as follows A whole not <5? s whte wth no stem. A half note A quarter note An eghth note f r Z A sxteenth note 4 A thrty second note 9 s whte wth a stem. s black wth a stem. s black wth a stem and one flag s black wth a stem and two flags. s black wth a stem and three flats. Dotted Notes. 2. Are there any longer notes than these? Yes, when a dot s set to the rght of the note t adds one half to ts length. A dotted whole note s equal n length to three half notes, ect. A dotted whole note g» s equal toaaorcjorlbb I I l~l I I : I A dotted half note n s equal to QB or or* HI D B & B A dotted quarter note * s equal to or or V // ^S^ 22. When you sng or play round or shape notes how are the notes fxed? As stated above they are called Do, Ra, Me, Fa, Sol, La, Se. But then lengths as to whole, half, quarter, ect. are the same n all the books.

19 " ~ There mu fet.nu mudes of tmc that takes a dotted sem How ma.y notes of dfferent lengths are there used n musc There are sx, 24. In what way do we consder these notes n musc n relaton to tme and what are the dfferent names of fhem? We consder these notes n relaton to the tme of each, they all dffer n tme. They are called Sembreve, MnunL, Crochet, Quaver, Semquaver, and Demsemquaver The followng shows the proporton each note bears another as they appear n the songs regardless of notaton. One Sembreve s equal n tme to The Semltwe * no.. Lne umes nule n musc ;md s culled a neab,re note reve to fll a neature. 25. Are there any leadng notes and key notes n musc? In each tune wrtten on the staff there s a Leadng note and Key note. The leadng note s always on some one lne or space of the musc staff and so s the key note. When the leadng note s dscovered, then the key note s on the next lne or space above or below t, aud wherever you fnd the key note t s always No How many knds of musc s wrtten and n use, and what are they called? Eght Four >">" Quaven, Semquavers, ^m^f/^mnff Demsemquavers Two knds of musc are n use Major jbo?ohusandand Mnor sfss* When Major musc g wrtten, the key note a on the frst lne or pace above the leadng note. In Mnor musc the key note s on the lne orspac be low the leadng note (Further explanaton made under head of" MAJOR and MINOR".) 27 When you sng one, two, three or four parts, what s t called? When one, two, three or four parts are sung or played, t s called a Tune. 28. What s a tune? An Ar, A Melody; A successon of measured sounds, agreeable to the ear and possessng a dstnct and strkng character; to brng nto harmony.

20 29 What are the dfferent parts of musc called? They are called as follows:. BASS, The lowest part. 2. TENOR, The leadng part. 3. ALTO, next to lowest part, 4. TREBLE, wrtten on Tenor staff. NOTE; The ALTO, sometmes called COUNTER s sung by female vocet of low regster BASS, s sung by male voces of low regster. TENOR, the leadng part (Cantus, song,) s sung by male voces of hgh regster. Ths part, by some wrters s called SOPRANO, and s sung by female voces of hgh regster. 30. Ifthe Bass, Tenor.Alto and Treble are all sounded at the same tlmeand cord wth each other, what s t called? It s called Harmony HARMONY s the art of bndng tones nto cords and treatng those cords accordng to certan rules. Note. Harmony s the foundaton of Melody and we must have a knowledge of one to apprecate the other. One s not complete wthout the other, f we bear a successon of harmones we cannot fal to detect n t a perfect flow of melody. BASS. mm 3. What la m.lody? MELODY s known to be a successon of harmones n a tune When harmonc cords successfully blend nto each other, t s sad to be perfect melody. MELODY s a successon of smple tones so arranged as to produce a pleasng effect upon the ear, {See example under head of MELODY.) 32. How s the key note changed on the staff? The key note s changed on the staff by characters called SHARPS AND FLATS.

21 o Sharps and Flats v Appear just after the clefs, n the begnnng of the tune, f any are used, and are called the SIGNATURE. among them are common, trple, compound and others. Mode ol tme la a partcular system or conatltutng sound, by whch the oc Ure Is dvded Into certan ntervals accordng to arrangement of the tune or notea on the scale In major or mnor key. 35. Are there any fgures at the begnnng of a tuner Yea, there are fgures placed at the begnnng of a tune when un derstood, wll tell Into how many part the measure la dvded. 36. I the staff above referred to of fve Itnea dvded Into meas ures? Yea, t Is dvded nto measures by placng a amall bar aeroas th» lnes ot the staff, each of these subdvsons by these small bar* la When the key note s dscovered ether n ts natural place or by sharps or flats, they always come n ther regular order on the staff. The changng of key note changes all other notes so as to follow n ther regular order after the key note on the lnes and spaces of the staff. called * MEASURE. Note: Further explanaton of sharps and flats, leadng notes, ect, wll appea under head of SHARPS, FLATS, LEADING and KEY NOTES. 33. When you emphasze or stress any part of the musc, what s t called? In renderng musc ths emphass s ealled Accent. There are certan sgns n musc placed on the staff showng, where and how the tune s to be accented, the words or poetry used n the composton n many tunes often drects the place for natural accent by the sentment of the words 34. Is there any tme to musc? Yes, there s what s called tme n musc, and there s alway.. placed on the musc stall sgns showng what knd of tme the musc 8 set to, ths s called MODES OF TIME There axe numbers of them; And the amall bars across the stsff are called MEASURE BARS. 37. Is thers any beatng or tme n musc? In each of these measures tbere s what Is called Beatng Tme. Ths beatng of tme s done wth the hand, and accordng to each mode ot tme, the beats are earned on. In some of the modes there are three beats, down, lert and up. In some musc book there are four and sx fats to the measure. When we have four beats t s down, left, rght and up. If e beats, down, down, left, rght, up and up. In all of these dfferent classfcatons t s called beatng tme. 38. How many classes of musc a.re there? In all books tnere are two classes. 39. Name them.

22 There Is tne Major key and Mnor key 4o Key? How do we fnd out the key note and what s t In the Major The key note In the Major scale s called Taw, and n the Mnor It s called la. 4. What Is a. Key note It Is tne TONIC; number one of any key. Chef fundamental groundtone or frst note of the Scale. 42. What s a Leadng Note? It s the Major seventh of any scale; the Semtone below the Key note; the thrd of the domnant. From the Leadng note the Major and Mnor key lead out. 43. Is there any dfference n a leadng note and Key note? There s a dfference. 44. What s the dfference n them? The leadng note s stated above. aeres of notes progressng datoncally n a The key note means a scale or The frst note of the scale beng called key note. statement under separate head. certan order of ntervals See further 45. What s the name nf the leadng note n the four shape note method and what Is the leadng n the seven shape and round note ystems? Where Four Notes Are Used, Me. s the leadng note n th four note system, and s Is the leadng note In the seven shape and round note system, when eeven notes are used. In the four note system when you fnd m, f n the Major key, t wll be faw, one degree above m. IT m s on the lne, taw, the key note, wll be on the space above. If m s on the space then faw, the key note wll be on the lne above. If m s on the space then faw, the key note wll be on the rr.t lne above t. It t be n the Mnor key, la wll be the key note. It wll be located on the lne or space below the m. It s three degrees below the Major key. Where Seven Notes Are Used, Se or Te, Is the leadng note, and whenever you fnd s, If n te Major key, the key note, do, wll be the next lne or space above s, one degree above. If t be n the Mnor key you wll fnd te key note la n the next lne or space below s, one degree below p. and ths same rule s followed up as to each part of the tune, ettw tenor, treble, bass or alto. Wherever the Ml Is found on the staff n the four E«*e system as used t s S n the seven note system, whether t be a seven shape or round notes. The lowest Fa n the four note system sdo n the seven or round notes, as well as each octave above and below gves the same note. The lowest sol n the tune n Me four note system s called ra n the seven or round note system, and u

23 2 Each Octave, above and below, gve the same note. The other notes, faw, sol, la n the four shape notes are called by same names n te seven shapes and m the round notes as mey are n the our note books. 46. What are Rests n Musc? Rests n Musc are known by lengtns to the notes set out as above. marks of slence correspondng n Rest meanspause, Slence, 48. Ho,* many notatons ate now used n nrosc? It s u:.ac:.tccl: tha, there are Three Notatons br.t the: ars s] fltter tne same general system and prncple 49. How are these three nota.cms appled and what s :ac calk They are called FOUR NOTES, SEVEN SHAPES AND ROUND NOTES. 50. Explan the four note system when the composton or tune s wrtten n four notes, The head of the notes are shaped as follows: All ^ Faw ^ Sol ^ Lju 47, How are they represented and known? 5 Can all tunes be sung or played to these notes? They are represented by dfferent characters; named: whole re^t, Yes, M s the leadng note and governs the other three, when you fnd M f the notes are half rest, quarter rest, eghth rest, sxteenth gong up on the scale they proceed Ln rest and thrtysecond regular order There are also Dotted, Rest marks the same as Dotted notes, when { thus; M, Fa, Sol, La, Fa, Sol. La, M,. Gong down, M, La, Sol, Fa, La, Sol, Fa, M. you add a Dot, just after ether of the Rests t adds onehalf to ts length. Names and poston of each of the Rests on the Staff are as t 52. Explan when seven shaped notes are used? follows: I When seven shaped headed notes are used they are as follows: Gong up the scale they are Do, ^ Ra. ^ M, 4 Fa, ^ Sol. 9 La, g I S,? and Do, agan. Gong down, t:e order s reversed. These notes have for many years been called patent notes. It was I beleved that Jesse B. Akn obtaned a patent on them, but auer full Sembreve. Mnum. Crochet. Quaver. Semquaver. Demsemquaver.! nvestgaton t has been ascertaned that no patent was ever oban The Sembreve Whole Rest, Mnm half rest, Crotchet oaefourth. ed under the patent laws of the Unted States at Washngton, D. C. rest, Quaver eghth, Semquaver, Sxteenth and Demsemquaver I 53. Explan the round note system? thrtysecond rest. The round note system Is exactly lke the seven shape note sys s

24 tem except all of ts note heads are wrtten round e See page 6, 54, How do you tell the notes of four and seven shape? Tunes wrtten n four and seven shape note system, you can tell the name of the notes by the poston they occupy on the staff. And also by the shape of the head of the notes. 55. How do you tell round notes? When round notes are used you can only know the name of the Botes on account of the poston they occupy on the Staff. See page 6.. What Is a sound? Lesson I. A sound s anythng and everythng audble. It s nose, report, the object of hearng, a vbraton of the ar, caused by a collson of foodes or other means, suffcent to effect the audtory nerves. Sound Is the nose produced by all vbratng bodes. 2. What s a muscal sound and what s t called? t Is called n musc a Tone. fl. How s a. muscal sound or tone produced? It s produced by the Vbratons of sonorous substances, such as an Organ ppe, strngs, wre reede, etc., and the human voce. 4, What s the Human Voce jrbe* appled to musc? The voce when appled to musc consttutes the tomes or sounds, produced by the n sngng. Vocal Organs 5. What s the dfference between muscal sounds, or tones, and mere nose? ear. All sounds are the result of atmospherc vbratons affectng the Muscal sounds or tones are produced by Regular Vbratons, and dffer from mere nose, whose vbratons are rregular and confused. 6. How does the ptch of a muscal tone rse? The ptch of a muscal tone rses n proporton to the that produced It. RAPIDITY of the VIBRATIONS 7. How do we perceve tones? Tones may be perceved by the human ear rangng from about sx teen vbratons n a second to nearly forty thousand, more than eleven octaves. 8. How many octaves are used n musc? The best authortes tell us there ate used In musc. Seven only about Octaves. 9. In order to understand musc s t necessary to study the scence of accoustcs? The scence of 3

25 4 Accou stes s of profound value to any one who would gan an nsght nto the structure, art and scence of musc. Note: Teachers should see to It that ther pupls understand the law of accoustcs. It has been greatly neglected n gvng nstruc tons In musc lessons. 0. What s understood by the term vbraton? Vbraton s the tremulous moton of the ar by whch aound s produced, the sound beng grave or acute as the vbratons are few er or more numerous n a gven tme.. What does accoustc mean* Accouatlc means the scence of sounds; the scence treatng of the Dctonares Laws of Sound. For further defnton see Groves or Elsons Musc 2. What la the dfference between a muscal tone or sound or an ordnary sound? A muscal tone or sound dffers from an ordnary sound In ths. A muscal sound or tone s regular, smooth and even. Nose s r regular, rough and uneven; the frst gves joy, pleasure and satsfac ton to the hearng, whle the other has the reverse effect on the hearng and s gratng to the s^nv of hearng When two or more sounds are made at the same tme and fully agree wth each other and blend together, they are muscal and a successon of such sounds are sad to both produce melody and harmony When they are r regular, rough and do not blend togther so a to produce melody and harmony they are denomnated common nose; gratng sound.. What d*>tnet property Lesson II has every mucal tone or sound? As above sta:ed n has three; t may be >or.g or short; hgh or low; loud or soft. 2. Tones or sounds n musc beng lc.r.s or short, hgh or low, loud or soft, from ths arse how many departments or known propertes of musc? There are Three Departments, some musc wrters clam four thf^ departments. 3. Gve the names of the three department!. The frst s Rhythmcs. 2 Melodes. 3 Dynamcs. 4. What la rhythm jes? Rhythmcs s the dvson of They are usually treated only n Muscal Ideas or Sentences. nto regular Metrcal Portons, represents the regular pulsaton of musc. lates to all n musc regardng tme. It re

26 6. Of what does t treat? It treats of the length of muscal tones or sounds whlcn are repre sented by syllables or Characters called notes. Su<h notes are placed on the musc staff n each tune aa may be necessary to make the tune desred. Under ts provsons and subdlvblons It s to musc what tme Is to nature. 6. Does rhythmcs treat of tone lengths, notes and rests? Yes. 7. What are the varous Tone Lengths n common use called or flamed relatvely? Whole, half, quarter, eghth, sxteenth, thrtysecond, dotted whole; dotted half; dotted quarter; dotted eghth and dotted sxteenth. 8. How are they represented? They are represented by syllables of dfferent forms called Botes whch are Named accodng to the length each represent. See length of notes as heretofore stated. 9 In musc ther. are marks of rest, how do we reckon them? By dfferent characters heretofore gven. See paje 2. I Lesson III. MEASURES. How s musc dvded n relaton to measures? Musc s dvded nto Small Portons called "measures" whch are subdvded nto Accented and Unaccented Portons 2. wht s a measure? It s that dvson of tme by whch the movement of the musc s regulated. It s the space between two bar lnes on the staff, 3. Are there parts to the measure? Yes, the parts of a measure are manfest by regular counts, pulsaton or moton of the hand, called beats. 4 How are measures represented? By spaces between vertcal lnescalled bars, extended across the staff. 5 What s a double bar? A double bar n a drawn across the staff. <. What does t generally denote? Broad Bar. The begnnng and endng of a lne of poetry. 7. What s a close The Close conssts o two double broad bars drawn across the dtaff. 9

27 6 BAR. BROAD BAR. CLOSE. a I. What s beatng tme? It s ndcatng each pulsaton of a mtasarc by certan moton ot the hand, whle engaged n renderng anj composton u musc. keeps tme wth the musc. 9. What s a slur? A enrrcd lne eonneetlnc tw* «r more notes anon dfferent cures «( the staff, thus: %*. WUt la ft te? It U ft straght lme eouectug two «r wrc nctas nncn the nn 4* free of the staff.. What It the rale for applyng word when the slur or te oceurst one syllable of tee werde te a» hj notes * are ao con Apply mected. 2. What are rests! Fnll answer and example, frea under bead of Rests on pse Staffs when connected by a brace ar«called what? It s called a score. 4. What s the use of a dotf See example, pate three. It adds onehalf to the length of the note or rest after whch t s placed. See "Dotted notes" page How s the repeat made and what does t mean? It conssts ef dots placed n the space at the left hand of a bar. It and shows that the precedng passage s to be repeated. l"^3l^iil 6. When only a part of the ptetoa* passage to be repeated, how s t to be ndcated T By dots placed n the space* at the rght hand of a bar, m whch case, all between the two Bets of dots, s te be repeated. 7. What does the Bs mply7 That the passage eo marked s to be performed twce. 8. What does the hold or paust denote! That the tone ndcated s to be prolonged a reasonable tme loaf er than other notes. ^ 9. What s a Unson Passage? A passage Unson Passage. n whch two or more pftrta sns to the earne toft**. Fne. Bs D. ~l tp^^m^g^m 0. What Is understood by the letter* D. C. Da Capo. Close wth the frst stran. 2. What b the meanng of D. S. Dal Seyno. Return to sgn. C_T 22 What s a trplet? Three equal tones performed n the tme of two. 23. How do we know them? There are threp notes slurred or ted, or marked wth ft fgue S. 24 What do we understand by a Syncopaton. It s the commencng of a tone on an unaccented beat of a meas ure, and contnung t. nto the followng accented pulse, temporarly

28 Havng dsplacng the natural accent. SYNCOPATION. ^S 25. What about Intermedate tones? They occur between the regular tones of a key. 2«. In the major key whem do we ftd Intermedate teee? Between and 2, 2 and 3, 4 and J, < and T. Lesson IV. MODES OR MOODS OF TIME AND BIATING TIM*.. What are modes or moods of tme! It s a drlso of the meaaure ete Ue proper tme, satons and beats. eeaats, pul 2. Does the tme of a tune ever change frem that eat at the beglm»ing? If so, how U ths done? Ten, It often changes In some eempolton er tune. Whenever the ehange occcurred then s placed on the staff whatever mede t s, Ue fgures representng that partcular ftode ef tne. Dfferent Modes of tme. 3. How many modes of tme l there sm e rally used la musc? There are several modes, among them are the fellewlag: CenamoB, trple and Compound, etc. 4. How many modes ef common tme ere there? Generally three. 6. What are they called and how do we kaow themt We know them by the fractonal fgues placed at the beganlg *f * tune. 6. How do we know st mode of common tme! Two over two, pfl \\ p frst j dowa, second up. Has two beats t* E ejl ft~jj~j "^"f^] Havng a Bemlbreve,or the measure, I t^gz^ "J ta equvalent, thus: lor ft meemre aote. Ills rendered n three seconds to the measure. In some books t U called doubletme or twotwo tme, accented on frst part ef the measure, on the down beat. 7. How s the second mode known? By feur over. four, the same meaaure note ftft the frst mood, performed n two and onehalf seconds to the measure. Wheft the four note method s used, and has four beats to the measure, when aeven shape or round notes are used. If two beat* they wll toe down and up, f four beats, down, left, rght, up. In some boftk* It l called quadruple or fourfour tme, accented * the frst ad thrd parte ef the measure. t. How do we knew the thrd mode ef eosnaea tmer By the fgures Two over Four, Sung lm on# ad enekar seconds to the measure, havng two beats to the measure, down and up.. It t called n some of the books, doubletme, or twofour tme. Accented oa the frst part of the measure, havng a mnm for measure notes. TRIPLE TIME f. Explan about the frst and lecond moode»f trple tme. The flret mood of trple tme s known by three over two, Rendered la three seconds to the measure and havng a dotted, cembreve er three mnms to the measure, three beats to the measure, dowa, left, mp. Sometmes ths Is caned threetwo tme, accented on the flrat part ef each measure. 7

29 8 0. How do we know the second mod? of trple tme! The second mode of trple tme Is known by three over four,, two seconds to the measure, three beats, down, left, up. Accented on the frst beat n the measure, havng three Crotchets to the meas ure. % I.J. How about the thrd mode of trple tme? It Is known by three over eght Rendered In 4 seconds to the measure. Accented on the st part of the measure t has three beats. down, left, up. 4. How about the thrd mode of Compound tme? It Is known by nne over four. Has three beats to the meas ure, down, left, up, wth threequarter notes, or ther value to each beat. It s also called compound Trple Tme. Accented on the frst, fourth, and seventh parts of the measure. A_ _,._. _ _ _&; =J 5 Are there any other modes? Yes, there are also other modes of tme, as follows: COMPOUND. 2. How Is the frst mode of compound tme known? By the fgures sx over four, It has a dotted sembreve for measure notes, rendered n two and onehalf seconds, two beats to the measure, down and up, accented on frst and fourth parts of the measure. It s also called sxfour tme. fl 3 How about the second mode of compound tmet It Is known by sx over eght, One and onehalf secondb to the measure, two beats, down and up, accented on. the frst and fourth parts of the measure It has a dotted mnm for a beat note. They are not so frequently used by composers as those above men toned. 6. What are the Fractons, placed at the begnnng of * Compo ston called? They are called the Numerator and Denomnator. 7. What does the Numerator denote? The number of pulsaton n a measure. 8. What does the Denomnator denote? Tells us the knd of notes whch Is referred n to each pulsaton of the measure.

30 I j Lesson V,. ftvhat does the second department n mure <.ea o f Melodes. 2. What s Melodes? That department of vocal elementary nstructons whch relates.0 the ptch of tones. 3. What s ptch as appled to musc? The acuteness and gravty of any partcular sound. scentfcally Ptch can mo3t be defned as a rate of vbraton. Rapd vbratons means a hgh tone; slow vbratons _ 4. What s Datonc? Naturally precedng ncludng tones and semtones. ft. What s a deep tone. n the order of the degrees of a natural scale Datonc Scale? Tbe dfferent gradatons of tones of the scale or gamt arranged n a preparee order n the conformty to some partcular key. C. What s a Datonc Major Scale? See page 4 That n whch the same tones occur betwcn the second and thre\, seventh and eghth, ascendng, and between ffth and Mxth. and sec ond and thrd, descendng. 7. What s a Mnor datonc scale? Set exampu o.ulno JVlodt.cj the Datonc Scale. That n whch the same lones occur between tne second and thrd seventh and eghth, ascendng, and between flth ano sxth, and :ecou5 anc( decendug. 8. What s a scale? The successon ot tones upon whcb an> 9. What s a Chromatc Scale, Ulsc.* OuWt thrd See "Oh omatc Scale" A scale n whch all the tones, aeruedate anc Datonc occur ll successve order. 0. Why s ths scale called Chromatc? Because of the fact that the ntermedate tones were formerly wrt, ten n colos.. What are Accdentals. Sharps, Flats, or cancel used throughout a composton for the pur pose ot ntroducng ntermedate tones or a modulaton. 2. What s the rule for ther contnuance Accdentals contnue ther sgnfcance throughout the whch they occur.! 3. What s and 8 n any key called? The key tone or tonc 4. What s the dfference between a scale and a key* ; A scale mples a certan order of successon; whle the famly of tones of whch t n formed, called the key, may be used n anv poa \ sble order. 5. Wl:t other dflerence s there. J A scale must have ^fct tones, whle the key has seven. 6. What s the order o ntervals n the major key? Major seconds must occur between and 2, 2 and 3, 4 and 5, o and 6, t> and 7. Mnor seconds must occur between 3 and 4. and 7 and b. NOTE. Further explanaton of seconds explaned elsewhere. 7. What t; a, sgnature?! Sharps o flats placed at the begnnng of He composton are cat ed sgnatures whch ndcate the key ot the scale. 8. How many major keys are,aere :; general use: Thete ;.r; tl:.r.etn. 9. Name them( CC.D.A.S.Rrt.f._Bb ::.._.; b.an«gh. s

31 _ BlBOr,, X) to. What s a Mnor scale? A scale m whch the aur^u frem 2 to X, and from 5 to 6 are mnor. II. What s the order of Intervals In the mnor scale? Mnor seconds must occur between 2 and 3, 6 and C, 7 and S. Major seconds must occur hetween and 2, 3 and 4, 4 and 5. whle from 6 t» 7 must be an augmented second. 22. Should ths, erdar be observed la descendng? It should. SI. What are the fey«in U«mnor aealet A, B, B, r mnor, C {] mnor, G m_»r, D? m est, D mnor C nler. T auar, B», mlor, E mnor Lesson VI., How many tones form a scale? Eght tones arranged n a certan order forms a scale. 2. How are these tones arranged? They are arranged n an ascendng seres from One to Eght, thus, 2, 3,4,5,6,7,8 Ths forms a scale, f the dstance between three and four and seven and eght s only half as great as the other dstances between any two succeedng tones Of the decendng seres they run, 8, 7, 6, 5, 4, 3, 2,. 3, What are the large and small dstances n the scale called? For the sake of convenence they are called steps and halfsteps 4. How many steps and half steps arc there n the scale? There are fve whole steps hallsteps. 5. <;n you defne THE DIATONIC MAJOR SCALE and two The Datonc Major scale s a scale of eght prmary tones and seven ntervals fve whole steps and two halfsteps, the halfsteps occurng bc Itween 3 and 4 and 7 anda. Between all of the other numbers whole steps. occur. S^c f"."wny example HalfStep. Step. Step. Step. HalfStep. Step, 2 Step.. 6. Does every muscal tone have a name? Yes, every tone, t matters not how hgh or how low, t baars a name. The names of the tones of he scale are as follows; C D E F G A B Do Re M Fa Sol La S Do. Fa Sol La Fa Sol La M Fa.

32 Does UJ < O w CD z Q Z UJ O en < Lesson VQ. MINOR MODE of the DIATONIC SCALE. Step and a half. Half step. 5 Step Step. 3 Har stsp 2 Step. Step. 7 Step. Step. 4 Step. Half step. 2 Step.. the mnor keys have the same sgnatures of the major keys7 They do, they have no separate sgnatures. 2. Does every major datonc scale have a relatve mnor scale bearng [je same sgnature? They do F]xplan how ths s The sxth tone of any major key wll gve the Relatve Mnor Key Ths can be done by countng down a thrd from the major key note Ths s called a mnor thrd. 4. When s a scale sad to be related to another? When they are composed of the Same Identcal Tones 5 On what the major scale always cemmence? H. On what s called a mnor thrd or a step and a half above the mnor. On what does the mnor scale commence? A step and a half below the major. 7. Why are they called Major and Mnor Scales? < >n account of the above statements. In the Ascendng Mnor Scale from one to two s a step, frcm two to three a halfstep, from three to four a s»tlp, from four to fve a step, from fve to sx a halfstep, and from Sx to Seven an Aug mented Second, or step and a half, from seven to eght a halfstep. The seventh tone s obtaned by the use of a sharp. The decendng mnor scale s lke the ascendng scale except from eght to seven and seven to sx See example above. whch ntervals are whole steps.

33 22 Lesson VIII.. If a sharp Is placed n front of a note what effect has t? It s sad to rase the ptch of t a half step 2. If a flat s placed n front of a note, wll t lower the ptch of the note? It wll lower t a half step. 3. What na natural^ for3 It s to cancel the effect ot the flat or sharp and restore the effected note to ts natural or orgnal ptch. 4. where do we fnd ntermedate tones3 At the fve places n the scale where whole uteps occur 5. What are the names <f he«e ntermedate tones? They are named after the tone or note that les nearest to them thus; If you are ascendng the scale, they are named; Sharp one, sharp two, sharp four, sharp fve and sharp sx. Ifdecendng the scale they are named flat seven, flat sx, flat fve; flat three and flat two. Sharp one and flat two s the same tone, sharp two and flat three s the same tone, sharp four and flat fve s the same tone, sharp fve and flat sx s the same tone, and sharp Dagram of the Chromatc Scale. Halfstep. as r> Step. Tone. A 6 At. Step. Tone. G 5 sx and flat seven s the same tone. Chromatc Scale, ascendng and decendng Step F 4 Tone. ^ ^ v>» >?">. II Halfstep. E 3 Semtone. Names. Fa. Fe. Sol. Se. La. Fa. Fe. Sol. Se. La. Le. Me. Fa. Step. D 2 El. Tone.? 0 r># «II Names. Fa. Me. May. La. Lay. Sol. Saw. Fa. La. Lay. Ho Saw. Fa. ft Step. U Tone.

34 Domnant. Lesson IX. Tetrachords. What s a tetrachord? A fourth; Also system of four notes. Among the ancents, the extremes of whch were fxed, but the mddle tones are vared accordng to the mod. 2. What s a conjont tetrachord? Two chords or fourths where the same note s hghest of one and the low est of the othet 3 How was the tetrachord dvded? It was dvded nto two pans, the Upper and lower Tetrachord, each havng four tones smlar to the scale of today, 4 Can the scale be dvded as s now wrtten? It can; and partakes of the scale of the tetrachord svstem. 5. How s the octave or scale dvded nto tetrachords? In the followng manner; st, The frst tone of the scale s called the Tonc and s the key tone. The second s called the SuperTonc. The thrd s called the Medant. The fourth s called the Sub The ffth te called the Domnant. The sxth s called the SubMedant. The seventh s called the SubTcnc. The scale may be dvded nto two equal parts, each havng two steps and one half step. When so dvded the dvsons are called Tetrachords. The lower part s from One to Four nclusve, cr from Tonc to SubDomnnut. The upper part from Fve to Eght nclusve or from Dom nant to Tonc. Note: It s clamed by emnant muscans that our system of notaton came from the Tetrachords and th:t the present notes of the four note s\ stem, the seven notes, and the scale, are the offs::rc? of the n;.lent Tetradurdul Method. $ == 23 ^=:^ll Tonc Super Medant. Sub Dcmnant. Sub Sub upper tonc. Domnant. medant, tonc, tonc. 6. What s meant by Tonc? The tone upon whch the key s founded 7. What s meant by Supertonc? Tone next above the tonc. 8. What s meant by Medant? Three of the scale, the tone lyng mdway from tonc to domnant 9. What s meant by Subdomnant? Four;h tone of the scale. 0. What s meant by Domnant? The ffth of the scale, next n rulng power u fj.c.. What s meant by Submedant? Mnor tonc. The tone lyng downward mdway from tonc to subdomnant

35 24 SEVEN, the leadng notesubtonh plays an mportant part, t be ng the gateway from Major keys to Mnor keys Lesson X. Sharps and Flats as sgna tures and accdentals.. What s a sharp? A sharp s the sgn of elevaton. It s called a Sgnature sharp when placed at the begnnng of a pece of musc, or when placed on the staff n the change of the key n the composton, they change the ptch of notes 2. Whtn s a sharp a sgn of elevaton and not a sgnature? When t s placed before a note, t s then called an Accdental Sharp, and rases the ptch of the note a half step. A double sharp x rases the ptch of a note a whole step. 3. What s a flat? It s a gm. of depresson and when used at the begnnng t s called a Sgnature Flat. When used a the composton t s called an Accdental Flat. 4 Vhf»: effee has? V*n on ^ r.jte/ t lowers the ptch oft a half step Z double flat blowers t a step 5. What s a natural 5? A character to contradct a sharp or flat, t cancels ther effect and s call ed by some the cancel TABLE OF KEYS, of Sharps n the major and mnor. The < Iefs gve* the key of C major and A mnor. Natural Key. > Gve«the key of G Majorl *J Gve* the key of E Mnor. 2 *** Gve* the key of I > Major. **** 2 ** Gves the key of B Mnor. "?, ***** Gves the key of A Major. *** *** Gves the key of F ** Mnor. }*** f a **** Gves the key of E Major *+f**. A ***** Gves the key of C * Mnor * *" ^/// s ******** Gves the key of B Major. ***}f* 5 ****** Gves the key of G Mnor ** ***** 6 ******* Gves the key of V * Maor. ******** ** f ******* Gve* the key of I >* Mnn. " ******** * ******* Gve* the key nf C ** Major ******** * 7 *****)*> Gves the key of A * } Mnor tr *>*}***l*\s

36 . 5. Flats n the major \< G\^ the key nf F.Major.. h Gves the key of D Mnor. 2 Flats b b. Gve* the key of B b Major 2 rats b b Gves the key 3 Flats b b o. Gves the Key of G Mnor. of Eb Major and mnor 25 Sharp Law the key note wnuhl be on D 7. Sharp Law the k<> note would be on A. If the round nr seven snatu notes are used, the same key note law wll he u*e As above the key note s the same n 4 shape, 7 shape. or round notes By Flats. Major. 4 Shape Method 3 Flats b» b. Gve* the Ke> of C Mnor 4 Flat* b b b b. Gves the Key of A b Major. 4 Flats b b b b. Gve* the Key of F Jfn.n 5 Flats b b b b b. Gves the Key of D > Major 5 Flats b b b b Gves the Key or B b Mnor. 6 Flats b b b b b b. Gves the Key of Gb Major 6 Flats b b» b b. Gves the Key of Ul> Mnor. 7 Flats b h b b b b b. Gves the Key of C b Major. 7 Flats b b b b b b b. Gves the Key of Ab Mnor The natural place for Me n the Major Scale s on C, no sharp or flat, thus the Key note n Major would be as follows:. Sharp Faw the key note would be on G. 7 Sharp JS. Sharp Faw the key note would be on D Faw the key note would he on A 4 Sharp Faw the key note would be on E 5. Sharp Faw the key cote would be on B. 6. Sharp Faw the key note would he on F 7 Sharp Taw the k«y note would be on C The above e flor feur note method, If round or seven fthape head ed notee are meed. Do would be the key Bote, tn pece of Faw Mnor key, t would be A, mo sharp or flat. S&arp L»w the key note would be on K 2. Sharp Law the key note would be on B. ^ Sharp Law the key note wmjld be on F t. Sharp Law the key note would he on C 5. Sharp Law the key note would be on G. Flat Key of K Kan 2 Flat Key of F Faw 3. Flat Key of E Faw.. Flat Kv of A. Faw. Flat Key of U Fa* 6 Flat Key of G. Faw 7 Flat Key of C Faw. j If the seven Shape or round note* are used, the key note wll be Do n the place of Faw. I Flat Key of D Law! 2 Flat Key of G. Law! I I 3 Flat K"y of C. Faw 4 Flat Key of F. Law 5. Flat Key of B. Law 6 Flat Key or E Law. 7 Flat Key of A Uw. MINOR 4 Shape Method, If round or seven shape notes are u«ed. the same key note law wll be used as n the four note system Sharps and Flats. Locatng the Keys.

37 2k Four note system. t\a.*t followng questons apply to the keys. No sharps nor flats, gve the key n major and mnor 2 One sharp, gve the key n major and mnor. S Two sharps, gve the key n major and mnor. 4 Three sharps, gve the key n major and mnor. 5 Four sharps, gve the key n major and mnor. 6 Fve sharps, gve the key n major and mnor. 7 Sx sharps, gve the key n major and mnor 8 Seven sharps, gve key n major and mnor. 9 One flat, gve the key n major and mnor. 0 Two flats, gve the key n major and mnor. Three flats, j^ve the key n major and mnor. 2 Four flats, gve the key n major and mnor 3 Fve flats, gve the key n major and mnor. 4 Sx flats, gve the key n major and mnor. 5 Seven flats, gve the key n major and mnor. The followng questons appy to the key note and letter. Major Keys n Sharps. Four Note System. What s the key note and letter of one sharp? 2 What s the key note and letter of two sharps? 3 What s the key note and letter of three sharps? 4 What s the key note and letter of four sharps? 5 What Is the key note and letter of fve sharps? 6 What Is the key note and letter of sx sharps? 7 What s the key note and letter of seven sharps? Note. If seven notes are used, Do wll be key note n place of Fa. Mnor Keys n sharps. Four note system, What s the key note and letter of one sharp? 2 What Is the key note and letter of two sharps? 3 What s the keynote and letter of three sharps? 4 What s the key note and letter of four sharps? 5 What s the key note and letter of fve sharps? 6 What s the key note and letter of sx sharps? 7 What s the key note and letter of seven sharps? Note. If seven notes are used the same key note wll apply. Major keys n flats Four note system. What s the key note and lotter of one flat? 2 What L. the key note and letter of two flats? 8 What s the key note and letter of three flats? 4 What s the key note and letter of four flats? 5 What s the key note and letter of fve flats? 6 What s the key note and letter of sx flats? 7 What s the key note and letter of seven flats? Note. If seven notes are used, Do wll be n place of Fa. Mnor keys n flats. Four note system. What s the key note and letter of one flat? Z Whal s the key note and letter of two flats? 3 What s the key note and letter of three flats? 4 What s the key note and letter of four flats? 5 What s the key note and letter of lve flats? 6 What s the key note and letter of sx fats? 7 What s the key note and letter of se\en flats? Note. If seven notes are used, the same keynote wll apply.

38 What MAJOR KEYS Sharps. What lne or space s one sharp located? lne or space s two sharps located?.". What lne or space s three sharps located? 4 What lne or s space four sharps located? 5 What lne or space s rve sharps located? 6 What lne or space s sx sharps located? 7 What lne or space s seven sharps located? Flats. I What lne or space s one flat located? 2 What lne or space s two flats located? 3 What lne or space s three flats located? 4 What lne or space s four flats located? 5 What lne or space s fve flats located? 6 What lne or space s sx flats ocated? 7 What lne or space s st;\^n flats located? Mnor Keys. Sharps What lme or space * one sharp located? 2 What lne or space s Iwo sharps located? 3 What lne or space s three sharps located? 4 Wl:a lne or sp:ue s four sharps locate. I h V V: I lre crs] :kc s h\e sharps In. ;!cl" (I OCIr.t lne or spcee s sx sharps located?, What lne nr s.:ne s seven shur^s locted? Flats. What lne or space s one flat located? 2 What lne or spaae s two Mats located? 3 What lne or space s three flats located? 4 What lne or space s four flats located. 5 What lne or space s fve flats located? 6 What lne or space s sx flats located? 7 What lne or space s seven flats located? Note Sharps and flats are located on the same lne or space, regard less of the notaton, whether t he four shape, seven shape or round notes, n ether method the poston of sharps and flats are the same. TRANSPOSITION. The seven prmary tones that s the voce, represents Relatve Ptch. In EVERY KOALE, ONE s the key note. KEY, means the Ptch of the Scale. ONE, KEYNOTE, and DO, or FA; (n major and LA n mnor) means the same n the sense that they are appled, as occason may damand, to the lowest or fundamental tone of the Scale, on whch all the other notes or tones depend for ther on poston the Staff, For ther plch and for Iher scale relatonshp. ABSOLUTE PITCH Is fxed or statonary tones,and are obtaned by m.ans ofnst rments, and tv:j named from!_* frst sjven letters of the alphabet, and arj re >rvs H ed by [le lnes am sp.tces of te Start". 27

39 28 In our system of muscal notaton, the ptr h <J s assumed as?. &t3.lg pont, and all keyed nstruments, as pano*, and organs are sojs^ruztocl so as to play half steps between E and F, and B and C, and wt:oe s:eps be tween all the other letters. Therefore, when the sca_c s ba.e.l en C, the Clefs used to ndcate the poston and order cr ne letters.) are suffcent also to form ts sgnature, and the whte keys pay ^he order of ntervals requred to consttute the Major Datonc Scale, as represented on page 7. For ths reason,the key of ( s frequenly spoken of as the Natural Key. C Scale. r. / V fm V )) ft J a N II ts Fa. Sol. 2 La. Fa. 3 4 Sol. S Sa. 6 M. Fa. 7 8 C D K F G A B c Do. Re. M Fa. Sol. La. S. Do & 5 s f> B 9 & All other keys requre the employment of ether sharps or flats n the sgnature, as wll soon appear. When any other ptch than C s taken as One of the scale, t s sad to be Transposed. There are two systematc ways af transposng the scale. One s by ffths and the other s by fourths. To transpose the scale by ffths s to move t up or down FIVE DEGREES HIGHER FOUR DEGREES LOWER an I to transpose s bv fourths s to move t up FOUR DEGREES HIGER; or down FIVE DEGREES LOWER. Fve degrees above s the same as four degrees below, both leadng to the same pont n the Sealf thus:, : := Four degrees above s the same thng as fve degrees below, both lead ng to the same pont n the Scale, thus: In commencng a seres of transpostons of the Scale, whether by frths, or fourths, the frst transposton must be made from the key of (J, and thereafter from the last key obtaned. In transposng by ffths, sharps are used to form the new sgnature. In transposng by fourths, flats are used to form the new sgnature Sgnature sharps and flats affect all the notes of correspondng names, hgher or lower, unless contradcted by thenatural. The frst transpo ston of the Scale by ffths s from C to G. We smply take G as One of the Scale n a hgher posfon, thus : Change of key. From C, Clef Sgnature, to G,! " * Sgnature. ^^e=e4^ A c efs k E F to 0 s G A 3 4 B C a v & E F G.

40 From G, F> Sgnature to D, < Fftan.l Jt Jtgn.ture. In transposng the Scale by fourths, t must commence from C also. From C, Clef Sgnature, to F, B Sgnatnre. 29 I I I l 7 K D EF+tG A B Ij U From D, Ft and c> Sgnature, to A, F+t C> and D^ Sgnature. Mll III III S D EFfC A A BCttD EFJtGH C D E F I I I I I I F Q A(;BC D EF From F, B Sgnature, to BL, BL, and Ejj, Sgnature. I I I I I I I I I ^ ^r F G ALB BfeAG FEjjDGBL From A, Sgnature Tl> C# andg^.to E, Fj*. CJJ, G^ and Dj*. Sgnature, A BC*D E =? I I I I I I I I E F+tGtt A BCjfD^ E = From BL, Sgnature, BL, and EL,, to EL, Sgnature, BL, EL, aud AL. y^^=p^ EJ2D GBtpAjjG FEJ2

41 _ " _ ~ 30 From Ky. Sgnature. B;>. Ivjanrt A), to At. Sgnature, Bj. K>. Aj and IV,. V L _ I I I S ;S : ; _L j"e""f ~G > A A I, G F E [> n ^C B jj A jj DYNAMICS. What s DYNAMICS? It has reference to expresson and the dfferent degrees of power to appled to notes or syllables. 2 How may muscal tones be sung or played? They may be soft or loud, A From ths fact what arses. From the nature of muscal tones arses the necessty of the thrd de partment n the elements of musc, called "DYNAMICS whch treats ofthe force of the strengths of tones. 4 What s the tone produced by the ordnary exerton of the vocal or gans called? It s the medum or mddle tone, and t s called by the Italan word MEZZO. and s marked hy the ntal M. 5 What s the tone produced by some restrant of the vocal organs called? It s a soft tone and s called and s marked P. PIANO. 6 What s the tone produced by a strong, full vocal exerton called? It s loud lone and s called 2 be ands marked F. FORTE. 7 What s a tone produced by a small exerton of the vocal organs called? It s a Ion? softer than pano and s called PIANISSIMO. and s marked P. P. 8 What s atone produced by a stronger effort of the vocal organs than s requred for Forte called? It s called FORTISSIMO. 9 What s a tone whch s commenced, contnued and ended wth an equal*degree of power called? It s called an ORGAN TONE. 0 What s a tone commencng soft and ncreasng loud called? It s called Crescendo. It s marked Cres. or A tone commencng loud and gradually dmnshng to soft s called what? It s called Dmnuendo, and s marked hus; ~~^====^ 2 A tone consstng of the unon of Crescendo and Dmnundo a called what? It s called a Swell and s marked by a unon of Dm. an I Cres thus; o Note. The three precedng characters are frequently appl.j to passages of musc as well as to partcular notes. 3 What s an accent? A partcular stress of voce lad on s part of the measure. 4 Descrbe the dfference n emphass and accent. Emphass has reference to the words whch are sung to a pece of musc It conssts n a partcular ^tress of the voce upon emphatc words wthout regard to the rhymtcal accent.

42 SOLMIZATION Solmzaton s the applcaton of certan syllables or notes to mus cal sounds, the end proposed by t s, that tn* same name, nvarably appled to the same nterval, may naturally suggest ts true relaton and proper sound. The Italans use for ths purpose the character or syllables Do, Re, M, Fa, Sol, La, S, (The proper pronuncaton beng Doe, Rae, Mee, Faw, Sole, Law, See,) and they are appled n ths or der to the ascendng scale S, beng the leadng note. In ths coun &try and n England four of these notes or syllables only have been comomnly used, namely. Fa, Sol, La, M, the frst three beng repeat ed and M. beng the leadng note. However the Italan Method has been preferred by many composers and nstructors. Snce the shap ng the heads of notes n ths and the last Century there has been a great deal of musc wrtten n the four shape, and seven shaped head notes. Ths method s gettng to be qute popular especally n the southern and western States, and a great deal of t n the northern States, andthe use of the shape headed notes or syllables s largely on the ncrease all over the country, anl s much easer learned than where all musc s wrtten n round notes.. How many syllables or notes dd the Greeks have or use Hstory nforms us tha the Greeks had Four Syllbles denomnatons of notes, whch they appled to the tones of ther Tetrachord, as we assgn our, Fa, Sol, La, M, to those of our Octaves What was the names of these four syllables or notes? They were called. T<\ Ta. The, Tho, The Te, answered I le frst sound of the frst Tetrachord. 3. What about THE GUI DO SYSTEM OF NOTES? He adopted sx notes or syllables. 4 What dd he call them7 He called them Ut, Re, M, Fa, Sol, La. he took them from the Hymn r>. They of St Was Gudos notes readly adopted were used n John the Baptst. wee not, they were fr: t ntroduced n Itay Y.hat notes France Syllables called Pro, To, No, A. These were used n France for a lfrt e several centures f. What other notes wptp used Thcr* was ma:v df pt nt names gven or by whch the syllables werp raled at dfferent tmes. r,h2, and for some tme after that thej were called Vt, Re, My, Fa, Sol, La. The Amercans used exclusvely for awhle f ur nnt,.< C. H Graun employed Fa, Sol, La, M. Do, M, N, Po, Tu La, Be. 3

43 S 32 Notes or syllales have been called by many other names at tmes, one note only used other perods two, and as hgh as ff teen (5) notes or syllables have been brought nto composton. The followng example s gven that any one can see all songs can be sung or played n Four or Seven note*. The place of the syllable SI, accordng to the Italan method, and of M, accordng to the other method, la known by the sgnature, r. by the flats or sharps placed at the begnnng of the tune or stran. If the Bgnature be natural,. e., nether sharp nor flat, the syllable SI, or Ml, n the letter B. (accordng a we use the one method or the other), falls If the sgnature be one flat, Bb, S, or M, s on E. If the sgnature be two flat*, B, and Eb S, or M s on A If the sgnature be three flats. B, E,and Ab S or M s on D. If the sgnature be four flats, B, E, A and D b, S or M s on C. If the sgnature be one aharp, FjJ S or M s on. Fg If the sgnature be two aharpb. F, and Cj). or M s on CS. If the sgnature be three sharps^f, C, and G}, S or M s on GJ. If the agnature be four sharps, F, O, G, and Djf, S or M s on Djj The Voce n Sngng VOCAL ORGANS, LUNGS, ect. I. What organs are partcularly actve when one snga? The organs whch are partcularly actve n sngng are the vocal are the Vocal Organs. What have the lungs to do wth It and how are they arranged The Lungs, Into whch, and out of whch, the breath passes are two In number and beng spongelke n ther structure, may be expanded or compressed accordngly as they are Inflated or empted. 3. What proceeds from the lunga upwards! Prom each lung there proceeds upward a small tube. are called the Bronch or Bronchal Tubes. 4. What are the bronch or bronchal tubes? Tb^se tubes The bronch are composed of a number of cartlagnous rngs whch, lyng one above another, are eonnected by a membranous coverng and formng a sngle tube called the Wndppe. The wndppe Is con structed smlarly to the bronch, but s larger, Us dameter n adults beng from onehalf to threefourths of an Inch and Its length about four Inches. called the On the upper end of the wndppe Is attached what Is Larynx. 5. What Is the larynx? It s preemnently the organ of the voce It enlarges upward and s composed of varous cartlagps and acted upon by numerous mus cles. Among these cartlages s the Thyrod. wtaeh forms the pro

44 berance, commonly known as Adams apple. Wthn are two lga ments, called the vocal chords comng together somethng lke lps may be opened or closed at wll. In ordnary breathng they reman separated enough to allow the breath to pass n slence; when sngng they become closed and stretched somewhat so that as the breath Is forced through It compels them to vbrate and produce sound. 6 What Is the Glotts or vocal chords? The openng between the vocal chords s called thp glotts. At the top of the larynx Is a tongueshaped rng called the epglotts. 7. What does the epglotts do? It prevents the entrance of food or drnk. 8. What Is the Pharynx? It Is the cavty whch may be seen at the back of the throat, ex tendng from the roof of the mouth downward. One can dstend or contract It at pleasure so as to modfy the sound whch proceeds from the larynx. 9. What does the mouth do and how s It used n sngng? The mouth, by means of the lps, teeth, tongue and palate becomes the organ of pronuncaton. 0. What Is the Where s t stuated? Daphram? The daphragm s the muscle stuated just below the lmesthe d vdng wall between the chest and the lower abdomen. It s the pow er by whch one s enabled to control the breath. 33 Ths muscle grad ually forces out the ar nclosed n the lungs and a skllful snger ought to know how to drect t. t consttutes the most Important operaton In the art of sngng.. What about the body when engaged n sngng? The body should be when sngngst or stand erect, wth both feet upon the floor; hold the head up wthout turnng It to ether sde, slghtly project the chest and avod all unnatural motons. It l better to keep the body free from contact wth the back of the aeat when sttng. 2. What about Correct Breathng. Breathng Involves nhalaton by whch the lungs are Inflated and exhalaton by whch the ar Is emtted from them. Tones are pro duced durng exhalaton. Inhalaton should be noseless wth lps partly closed bo the breath wll not Interfere wth the sdes of the throat, whch s hurtful. Keep the shoulders n ther natural pos ton. Do not seek to hold the breath by closng the throat. The throat Bhould be kept open constantly. How and when should we breathe? Inhalaton should take place often enough to prevent exhauston of the breath and where t may not Interrupt the words or musc. 4. What s the rule of breathng whle sngng words? As a. rule n sngng *by words It may take place at the marks of punctuaton or after one of the more emphatc words between them. 5. On what does the Correct Delveryof the vuce depend?

45 34 A good delvery of the *.>ro n sl.trng not only depends on a cn rpet poston of the body and a complete cjntro of the breath but al so upon a favorable adjustment of the throat and mout. and frm acton of the glotts. 6. How about the throat and mouth n reference to the ptch pf tone For eery ptch there s a certan poston of the throat and mouth whch 3 most conducve to the formaton of a A Pure Tone. 7. What about contracton of the mouth or throat the charar Avod any unnatural contracton or dstenton of the mouth or throat; open the mouth freely enougc the tone by the lps or teeth. the nose cavtes. eu admt of no obstructon to Be careful not to drect the sound nto 8. Whle sngng what about me ^.anuncraton of words? Kvery word and syllable of a word should be pronounced correctly and speken dstnctly so V** they may be easly heard by those ls tenng Pronuncaton ** words buuld dot ^ways oe made accord ng to Webster but acordng " "* m«jflw ^ the worda as fol lows: WebsterMuscRecordStory Vocal dvson MuscRecord Story. What s»n nterval? INTERVALS. An nterval s the dfference of ptch between twr> tones From to 2. 3 to 4, 5 to 6. 6 to 7, 7 to S. or between 8 to one. or any other dstance between two tones What s prme? A prme Is the nar/c gven to two tones whcu u*olves but one degree as n representaton uf C. and C What s a second? An nterval whch nvolves two degrees scale from C. to D. as lepresented on the How many knds of seconds are there, and what are t..y called: Three, major second, Mnor second, and Augmented What s a Mnor second? A second as small as a half step. What s a major second! A second as great as a step. What Is an augmented second7 A second as great as a step and a What s a Thrd? half step. An nterval whch nvolves three degrees, as C. and E. How many knds of Thrds are there? second Three, Major Thrds, Mnor Thrds, and dmnshed thrds. What s a dmnshed thrd? A thrd as small a, two half steps. What s a mnor thrd? A Uuj;d as jreut a~ Wat s a major thrd? A thrd as great as two steps. ;What s a fourth? one step and onehalf step. An nterval whch nvolves four degrees, as C. and F, How many knds of fourths are there? Three, Perfect fourth, dmnsed fourth, and augmented fourf What s a dmnshed fourth? A fourth as great as one sttp and two halt steps What s a perfect fourth? A n.urth as great What s an augmented fourth? as two steps and onehalf *tep

46 So A lourth aa great as tnree atepe. What la a ffth? An nterval whch Involves degrees ae O. and G. How many knds of ffth are there? Three, perfect ffths, dmnshed ffths, and augmented ffth* What s a dmnshed ffth? A ffth as great as two step*, and two half «teps. What la a perfect Tfth? A ffth as great as three steps and onehalf step What s an augmented ffth? A ffth as great as four etep3. What s a BxthV An nterval whch nvolves sx degrees, as C. and A. How many knds of sxths ase there? Three, mnor sxth, major sxth, and augmented sxth. What s a major suth? A sxth as grta as four steps and onehalf step What s a mnor sxth? A sxth as great as three steps and two half steps. What s an augmented sxth? A sxth as great as fve steps. What Is a seventh? An nterval whch Involves seven degrees, as C. and B. How many knds of sevenths have we? Three, major seventh, mnor seventh, and dmnshed seventh What s a dmnshed seventh? A seventh as great as three steps and three half steps. What s a mnor seventh? A seventh as great as four steps and two half steps. What s a major seventh? A seventh as great as fve steps and onehalf step. What s an octave? An nterval whch Involves eght degrees, as C. and C. above How many klnda of octaves are there? Two, perfect and dmnshed uaavea What s a dmnshed octave? An octave as great as four steps and three half steps What s a pertect octave. An octave as great as fve steps and two half steps. What s a nnth? An nterval whch nvolves nne degrees, as C. and D., nne degree* above. a How many knds of nnths are there? Three, Mnor nnth, Major nnth, and augmented nnths. What s a mnor nnth? A nnth as great as fve steps, and three half steps. What Is a major nnth? A nnth as great as sx steps and two half steps. What s an augmented nnth? A nnth as great as lve steps and two half steps, am a.tep and half step MISCELLANEOUS.. What s a song? Song s ;t tune whch n a general ^ense covers all utterances wth.muscal.modulaton of the Voce, whether t s the human voce or that of the brds. I usually apples tu smple compostons, hav ng one or two perods and apples to sacred or secular words. 2. What s an anthem? A sacred composton, the words of whch are taken from Bble, prayer booka or other sacred wrtng. 3. What s a Motet?, A motet agnfes a vocal composton elmllar to the Anthem, but the worda are not taken from the Scrptures. Formerly * Motet wt a. crude counterpont added to * plan Chant. 4. What la an ode? A Greek word sgnfyng an ar or song; «. lyrcal composton of

47 36 greater length and varety than a song; resemblng the Canta. 5. WHAT IS A FANFARE? A short, lvely, loud, and warlke musc, of musc com posed of Trumpets and Kettle drums, also the name of the lvely lttle pece performed on huntng horns n the chase. 6. WHAT IS AN ETUDE? A composton whch s ntended or may serve for a study.. WHAT IS AN ARIA? An accompaned song for a solo voce. 8. WHAT IS A NOCTURNE? A pece of musc for performance n the open ar at nght. 9. WHAT IS AN ORATORIO? An oratoro s a sacred muscal drama, unaccompaned by scenery. 0. WHAT IS AN OVERTURE? Generally f t an ntroductory movement prefxed to an oratoro, and ntended to foreshadow the ncdent of the work.. WHAT IS A PRELUDE? An ntroductory to a pece of musc. If. WHAT IS A GALOP? A quck tune, generally 3. WHAT IS A JIG? A lght, brsk tune, generally n measure. 4. WHAT IS A RECITATIVE? n 2 over 4 measure It s a song that does not take the form of a melody, nether does t conform to the strct value of notaton, no fxed muscal Rhythm, but strves n ts Rhythm and suc cesson of tones, to mtate as far as possble the declama tory accents of speech. 5. WHAT ARE THE NAMES OF THE ECCLESI ASTICAL FORMS OF VOCAL MUSIC? The Chant, the Chord, the Hymn, the Sentence, the An them, the Motet, the Canta, the Mass, and the Oratoro. IS. WHAT IS A CHORAL? A smple sacred tune of one or more perods, desgned to be sung n unson by the congregaton, as an act of d vne worshp. 7. WHAT IS A CHANT? It conssts of words rected to muscal tones wthoul muscal measure. 8. WHAT IS A SENTENCE? A short Scrptural text set to Musc, t seldom extends beyond one or two perod? 9. WHAT IS A MASS? A secred composton for voces wth accompanment several movements, performed at the celebratons n the Roman Catholc Church. 20. WHAT IS A CANTA? A composton for voces wth accompanment consst ng of solos and Choruses. 2. WHAT IS A SONATA? An nstrumental composton usually dstnct movement? each wth a unty of ts own. 22. WHAT IS A GLEE? of three or four

48 J7 A onposton of three or mor \cues. ^c:r,e<ly ot ught and stcular character. It s of modern Englsh orgn. J3. WHAT IS A HYMN? * song of prase or thanksgvng to God. O one or two perods. 24. WHAT IS A DUET? A Chor tune A pece of musc wrtten for two voces, or nstruments. 25. WHAT IS A TRIO? A pece of musc wrtten for three voces or nstruments. 26. WHAT IS A OLARTET? A pece of musc wrtten for four voces or nstruments 27. WHAT IS A QUINTET? A pece of musc wrtten for fve v., Yes or nstruments. 2ft WHAT ARE THE NAMES Ol THE SECULAR VOCAL FORMS? The Ballard, the Song, the Salfgga, the C.Ve, the Modngal, the Operettu, the Opera, Bouffe, and tht_ Grand Op era.. "What s meter? METRE. Measure rersr arrangements of poetcal feet, or \atug and short syl lables In farce the successon <*f aecrota n *nastc. 2. "What l lam/we or Iambus A jwvtlcrm and metrcal foo, eon»atjn«< *" and one Iobjj aecwt In t5e syllable. rrae short not accrued. 3. TtTLat * an AB«pwt? A must* foot <v>h!gt*tdff at two short notes or svuatoles. and a Ion* The followng leles apply to the dtferm.n e;!: musc C. M. means common meter. <. slanz; of nur lnes n Lmbc meas ure The syllables of whch ar«8686 L. M. means long meter, four lne contanng egbt syllables j Iambc rut asure, each lne a.. S. M. short ntt^r, conssts of four lnes n Iambc ncasue, 66S6 M. Means Short Partcnar Metre, consstng of sx lnes n Iambc measure, but the syllables are as follows: \ r. M. Partcular mete(\ the Poem or words have ^peculartes o Irregulartes whkfa prevents t from be classfed, Such poems or words requre ther own specal tunes j. P. At Long Partcular meter, 6 lnes, In vhch Iambc measure, each lne con tamng eght syllables. M. H. Meter Hallelujah. A stanza of sl lnes n Iambc measure, The syllable* of whch be^ng 666fSS, C. Id. H. Common Meter.Halle] ujan. A utanaa of C lnes m a measmeaeure. syllable* C. P. M. Oommon partcular met«r. A stanaa of «u lnes, Iambc nre, the syllables In each beng C M. D. Common Meter Double. 8 lnes of Iambc measure. M T. Mean* meter 2s desgnated as 22 oonasttnfe of a etanan of four Uses n anapestc, each lme contanng 2 syllables Wetere 8 and 7s onsstfng of four lnes n trochac measure, syl lable* 8787 leters, onsstbg tn four lnee In anapestc. ueh lne contan ng sjlablr* JdoWre 7e consst "f four lnee In trochac nvahre, #&f contan ng ^even syllables. MKf x and apt ft * <on<st In n^ubara 7f f M«t«r G ard llf p^nn^hr consst of four luo ot aruvesuc me*a are the nunlcs ben?; HH.ll or sx u?e n lammc as follows 0 0 It 0Ull

49 m 33 Sgns Used n Musc. The followng are among the chef sgns n musc:. a dot above or l.c.ov; a not; or /est, sgnfes staccato. (It; (Star kato) Detached; dstnct, separate from each other. 2nd. A dot a after a not? or rcrt s a sgn of length. ^ A d?sh above or below a note sgnfes staccato, as above. "*"^ A slur bnd te s a curve drawn over or under two or more notes, sgnfyng that they are to be executed legato. A slur over two notes s called a short slur. In vocal notaton t covers a num ber of notes to be sung n one breath. It s mposble to gve ab solute rules for the executon of the slur. ;ons. There are so many excep.. A slur and dot above or below two or more notes, one dot to each note, ndcates that the latter have to be played somewhat detached. ^_^_ Sustan horzontal dashes above or below a seres of notes nd cates that they are to be sustaned, but not slurred. A dash wth a dot under t s called accentve and sustaned, ben pronuzato or marcato. m Wth a weghty and wellsustaned touch, pesante, 0 martellato. =C Crecendo. (It). (Kreshendo) Denotng of tone, and s often ndcated by the sgn. an ncrease power ^= Dmnuendo. < It. ) Idemenooendo). Dmnshng gradu ally the ntensty of power of the tone. > and < Rnforzando, accented. { It. ) ( rnfortsando ). Strengthened; renforced; a renforcement of tone, or expresson; ndcatng that ether a sngle note or chord, or several notes, are to be payed wth emphass, although not wth the suddenness of a forzando. A Porzando, or sforzato, accented A or s mean practcally the same, unless used together, when the frst has the stronger accent. =>la voc musc v^ould mean Vs:a d Voce (whch see) n n strumental musc t would also mean crescendo and dmnuendo (a swell mark), but t s sometmes used over a sngle note, or chord. n pano musc, n whch case t means resonance wthout suddenness * Upbow. j Downbow n voloncello musc., or II downbow n volnmusc. /^Hold*. a character ndcatng that the tme of the note, or rest s t«*«prolonged; To such length of tme as the drector, leader or performer may desre to gve the belt effect to the m\sc. ^ ^Segno. Repeat precedng measures. sgn above ndcated. X A sgn showng that the mue f to be repeated from the Is double sharp. g tt ppr *TT* *TP *T LL ** ^ ; ^ Redte. Repeat words. y Amercan ^ /Ts Thumb ( pftsmuse I. Breathngmark. Fngerng. Repeat sgns In dfferent arrangement* of mulc, ln srumental and vocal. Added lnes to call atenton to repetton dots. Bs s alas some tmes used as a ^ repeatmark. ** V\Uv Mordent and ** **** Praller. 90 Turns. An embellshment of fourfve or three notes beng made of the note above and the note below, the prncpal note. It s called the Grappetto n Italan. Came from the nume notaton of the dark ages, and showed the drecton of the progresson of the musc. A lne drawn through any sgn of embellshment s to denote ts nver son. The turn s genpm"y played rapdly, but some devaton s

50 3 W made at tmes, n very alow and expressve passages The turn takes ts rhythmc value from the note over or after whch t stands. The ntervals of the turn are most frequently semtone for the lower Interval rapd Trll: fy Conspts o" a tone for the upper. alteraton of the prnted note and the next note above, to the value of the prnted note. * * note. Ths sgn ndcates the contnuaton of the trll, or an octave Repeat fgure of eght notes I Repeat precedng fgure of sxteen notes. I I I Repeat precedng fgure of thrtytwo notes J Arpeggo. Imtatng of the harp, harpng, harp musc. Sgnfes sometmes n pano musc that two notes on dfferent staves have to be played wth one hand. A stave j A bar ~m A double bar. The coda mark. Frst tme of playng dsregard the sgn. Second tme (after D. C ) skp from ths sgn to the coda. Sometmes the sgn s also placed at the coda. Coda (It.) (koda). The end; a, few bars added to the end of a pece of musc to make a more effectve termnaton. From the Latn "Cauda"a tal The coda, orgnally a few added chords af ter the completon of the muscal form, was developed by some of the great masters, especally by Beethoven, nto a great summng up of the movement of the composton ; clmax of the entre wore. The fnal epsode of a fugue s called Coda. mo ma Prmo, Prma (prma vota ) do da Secondo, Seconda <=enn]a voltm Bf. M 20. Refers to Maebels metronome Ths or any other fgure ndcates to whch part of the pendulum the regulator s to h moved, and ths or any other note ndcates whether t beats halves quarternotes, or eghths, so nrany to the mnute. % IPed. These sgns refer to the panofortepedal. The frst s the onlyone now n use, and ndcates where the foot s to be rased after the pedal has been pressed down The second s sometmes found n German edtons. An Amercan,^, pedalmark, showng exactly how loaf to use the damperpedal jr~ yj *V Ity M CLKKH. or the notes on the staff to whch t s prefxed. Clefs are keys or characters used to determne the name of ptch 39 The Clef began n musc about 900; there were then no notes, but certan characters called neumes, wthout defnte ptch, Indcatng the rse and fall of the voce, and ts general progresson, through these a red lne was drawn and marked "F." The F Clef was the earlest Clef. Soon after, before 000, another lne, generally green, was drawn above t and marked "C." Orgnally all the clefs were letters, and all were movable. We now have "G" Clef, C Clef and F Clef. \^, (f: ^jf Tme jr Sgnatures Fgures or sgns n the form of a fracton, placed at the begnnng of a pece of musc to Indcate the tme that whch governs the measure of sounds n regard to ther contnuance or duraton. The speed of rhythm. The rapdty wth whch the natural accents follow each other. Notes. Rests. A Notes. lbe^bjj Rests. The foregong s the notes used n musc. A character ndcatng slence, repose or pause. breathng mark n some vocalses. ] Organmusc, pedal, notes so connected are to be played wth alternate toe and heel of same foot.

51 40 O. Thumb postons. A V Change toe on organ pedal. A^^^A Slde same toe to note. Brace: a character curved or straght, used to connect together to» composton as an embellshment. DICTIONARY OF MUSICAL TERMS. Accompaaament. A part added to prncpal one, by way of enhancng the effect of the composton. th«dfferent staves {+4. Grace notes: Ornamental notes, embellshments, ether wrt ten by the composer or ntroduced by the performer. Any note added Adago. (If.) (ahdahjo. ) A very atow degree of movement. Adageasmo. (It. ) (Ahdahjssneemoh Extremely slow Accent. Stress emphass or force gven to certan notes or chords, greater than upon the surroundng notes or chords. AdLbtnm. (Lats. ) adlbtm.) At wll; at pleasure In the dscreton of the peaformer. Affettuoso. ( It. ) ( Affettoooz5. ) Wth tender and passonate expresson. Ar. A short song. Melody, or tune, wth or wthout words. Agtato. It. ) Ajtato) Hurred, restless. Allagrement. (Fr, ) Allagrmant. ) Quckness. Wth Allegretto. (It.) (allegretto.) Rather lght and cheerful, but not as quck Allegro. (Fr. and It.) (allaygro.) lvely; a rapd movement. Allegrsslmo. ( It. ) (allagrbsmd. ) Ex. tremely quck and lvely. as allegro. Quck, AlSegno (It. ) (alaenyo.. ) Sgnfes that the performer must return to the sgn. Alt, (It. ) ( alt. ) Hgh. Apples to the notea whch le between "F" on the ffth lne of the treble staff and "G" the fourth added lne above. Alto, ( (It. ) alt5.) In vocal musc the hgh est male voce, sometmes called counter. Appetone. Between t tone and semtone. Andante. ( It. ) ( andante. ) A movement n moderate tme, but flowng eas ly and gracefully. Andantno. (It. ) ( andantend. ) ment a A move lttle slower than andante, some clam qucker than andante. Ara. (It. ) area. ) An ar; a song; a tune; sung by a sngle voce, ether wth or wthout accompanment. Aroso. ( It. ) ( areozo. ) Melodous, graceful; a short pece, In the style of an ara, but sympathetc n constructon. Arpeggo. ( It, ) ( arpedje6. ) Harpng, harp musc successon, mmtaton of the harp A Tempo. ( It.) (atempo.) In the regular tme. ATempoGusto. [It. ) [atempojoosts.] In Just strck and equal tme. Ballad. Bass. [Base. ] composton. A short and famlar song. Bassoon. [Germ, or Fr. ] Lowest part n a muscal A double reed Instrument of deep ptch wth a compass of about three octaves, from below "B" Flat. BaasSub. The lowest of an organ; the

52 An The..., ground Catch. A vocal pece Counter A name gven to a part sung or bass. n several parts of a humorous character. played aganst another ; hgh treble performed Bas9Vol, An old name for the vol, Bass In a female voce. Fddle, now often appled to the voloncello. Calore. [It ] [Kalor. ] Wth much warmth and anmaton. Conductor. ^ drector or leader of an orchestra Baas Voce. The lowest or deepest of male voces. or chorus. Beat The rse and fall of the hand or baton Cantable. [It.] [Kantable.] In a. graceful rngng style. Crescendo (It.) ( Kreaben,do.) Wth a gradually n markng the dvson of tme n musc. ncreasng quantty of tone. One of the prncpal graces n musc. Capo [It.] [Kap6.] The head or begnnng. Concert. A performance n publc of practcal Beat down. The fallng of the hand In beatng Cantante (It.) A part to be executed by voce muscan, ether n vocal; nstrumental or both. tme. Chant. A smple melody generally harmonzed DaCapo. ot D. C (It ) DaKapo. From the Beatng Tme. Markng the dvson Of the In four parts to whch lyrcal portons of begnnng; an expresson often wrtten at the measure by means of the hand, foot, or baton. scrptures are get. 2. To recte muscally; to end of the movement. sng. Beat Up. The elevaton of the hand or baton Dal Chant. Fr. Shant. The voce part; a song or Segno (It) Dal sany5, From the sgn, * In beatng tme. work melody; sngng. drectng repetton from the sgn. De Crescendo. Ben. (It.) Ban. Wll, good. Indcates that Chord. The unon of two or more sounds to the softest (It) possble de kreshendo Dmnshng sound. Bane. (It.) Ban the pa^age must be heard at the same tme. * executed n a clear, dstnct, and In a strongly Dshcato. It. delaka.t5 Delcately, smoothly. Chorus. A company of sngers; a composton accented manner. Dagrama (Greek.) sung by a number (Deagramma The ancent of voces. 2. By the Greeks scale, or «ytenf. of tones In musc. Breve. (Lat.) An accent note equal n length Greeks In olden tmes t wart a band of sngers Breves. and dancers. Dapason. (Latn > (Deapason.) (Eng HDeapasen.) " to two sem breves. Brllante (It.) brllante Brght Chromatc. Proceedng by semtones. Any, whole octave 2. A rule of scales by musc or chord contanng notes not belongng whch * adjuted the ppes of organs. Fr bnl.yanht. Brllant. " to the datonc scale. Expresson ndcatng a showy and sparklng Dlasonance A dscord; an nterval or chord Clefs. A n. performance. key. character to determne the dpleasng tothe ear. ptch of notes. Datonc. (Ger ) (Daton k.) Naturally; Bro. [It ] Vgor, anmaton, sprted. Coda, (It) Koda. A few measures added to proceedng accordng to the degrees of the the end of a Cadence, pece of musc [fr,] (Kadanhs.) A shake or trll; also beyond ts natural major and mnor scale, ncludng tonea a close n harmony. termnaton. and semtones only. I. A close n melody or harmony, dvdng Into Comma Komma The smallest of all the Demnuendo. (It) (Dmnooendo.) Imples that numbers or perods, or brngng t to a fnal ter sensble Intervals of atone. the quantty of the tone must be gradually mnaton. 2. ornamental passage. Composer. (Fr.) K6mpoza To compose musc. dmnshed. 4

53 42 Duet. Instruments. Fne. (It.) (feenay) A composton for two voces or The end; the termnaton. Foot. A certan number of syllables consttutng a. Terse. dstnct, metrcal, element n a Forte, or For or Smple f. (It.) ((F6rte.) Loud, strong. Fortssmo, or f. (It.) (Fortessem6.) Very loud. Fnge. (Lat.) (Fug.) \ Mght. The parte of musc follow each other n successon. Fnroso. [It.] [F6ore6s6.] Wth fre; furous vehement, mad. Galop. [Fr.] [Gal6.] A quck dance, generally n two four tme Gamut [It.] [Gamma.) The Gamut or scale, sometmes called Rudments of Musc. Gran. (It.) (Gran ) Great, grand, full, complete, pleasng. Grave (It.) (Grave.) A slow and solemn movement; also a deep low of sounds. ptch n the scale The lowest tempo n musc. Guda (It.) (Gweda.) The mark a. drect. Harmony. The arrangement of two or more unted sounds; the art of combnng sounds nto chords. Hexametre. In ancent poetry, verse of sx feet, the frst dactyl or spondees. four of whch may be ether The ffth always a dactyl and the sxth a spondee or a trochee. Intonaton. A word referrng to the proper eme.on of the voce so as to produce any requred note n exact tme. Interval. tones. The dfference n ptch between two Key. A scale, or seres of notes progressng daton cally, n a. certan order of tones and semtones, the frst note of the scale beng called the key tone. Key Note. The tonc or frst note of every scale. Largo. (It ) (Larg5.) A slow nd solemn degree of movement. Largato. (It.) In a smooth and connected manner. Lma (Gr) (Lmma. ) An nterval used n ancent Greek musc, major semtone. lessby a comma than a Ma. (It) (Ma.) Quck, but not too much so. Metre. Arrangements of poetcal feet or long Major.Greater n respect to nterval**, scales, etc. and short syllables n verse. The succe«>onw of accents n musc. Major Chord. An nterval havng more semtones than the mnor chord of the same degree. Major Datonc Scale. The scale n whch sem tones fall between the thrd and fourth and seventh and eghth tones, both n ascendng and descendng. whch the Major Seventh. tones and a thrd from the tonc n major. An nterval consstng of fve sem tone. Major Sx. A sxth composed of four tones and a semtone. Major Thrd. An nterval contanng two whole tones er steps. Medum. Low treble performed n a mans voce. Melodc. (It ) (Melodak.) Melodc Step. Relatng to melody. The movng of a voce or part from one tone to the followng one. to Melodes. Havng melody, muscal; appled pleasng sounds upon the ear. Mesto. (It.) (Mesto) Sad, mournful, melancholy. Measure. [Fr.] [Mazur] That dvson of tme by whch the ar and movement n musc are regulated. The spacebetween two bar lnes on the staff. Mezzo. (It.) (Mettso.) Medum, half. In a mddlng degree or manner, rather loud. Mnor. Less. Small; In speakng of ntervals, etc. Mnor Datonc Scale. Two knds; one when the semtones fall between second and thrd, and seventh and eghth, both n ascendng and Major Key, Major Mode. The mode or yca]e n descendng. In the other the semtones fall

54 43 veareen the second and thrd and descendng tnjsen the ffth and sxth and second and thrd. Mnor Key, or Mode, A cale n whch the thrd nole s a mnor thrd from the tonc. Mnor second. The smallest nterval n practcal use^ Mor Semtones. A semtone whch retans ts place or letter on the staff. Mner Semtone. tones and two sem tones. An nterval contanng four Mno Sxth. An nterval composed of three tones and two semtones. Mnor Vhrd. A datonc nterval contanng three semtones. Mode A partcular or consttutng sounds. Mode, Major. s major. When the thrd from key note Mode, Mnor. When the thrd degree from tae tonc forms the nterval of a mnor thrd. Mode, Ancent. The ancent Greeks and Romans scales or modes, key and ts relatve*. Modulaton. A modulaton nto some other than the orgnal key and.s relatves. Moods. tme. Mouth. ppe. Contans proportons of tme, modes of The openng on the front of an org".n Movement. The name gven to any porton or a composton under the ame measure of tme. Muet. (Fr.) (Mua> Mute. Mus. Bac. An abbrevaton of Bachelor of Musc Mus. Doc. Doctor of Musc. Muses. In mythology, the nne ssters goddesses who presded Musca (It.) (Moozeka. Musc. Muscal Grammer. composton. over the fne art. The rules of muscal Muscal Scence. Tne theory of musc. Muscal Terms. Words and phrases appled to passages n musc ndcatng the manner n whch they should be performed. Natonal Musc hstory of the natons. Natural. or flat. Musc dentfed wth the A character used to contradct a shar.j Natural Key. Those keys whch have no sharps or flats, and apples to C Major and A Mnor. Nota (It.) (N5ta.) A note. Notaton. The art of representng tones by wrtten or prnted characters. Note Characters. In muse. Representng tones or sounds Octave. An nterval of eght datonc sounds, tones or Opera. A drama set to muic for voces and nstru degrees. Organ. The largest and mot hsrnronous of all wnd nstruments. Pean. A song of trumph. Part The musc for each voce cr.etrur.ent. Passon Musc. the Savor and Hs death. Mathew. Mudc pcturng he offerng of Pause. A sembreve, rest, a hold. Perfect. and chords. Accordng to St. A term appled to certan ntervals Pes. (Lat.) Foot, measure, speces of verse. Phone. (Gr) (on ) A sound or tone. Phonetc Vocal, representng sound. Phonetcs. The cence of sounds, especally those of the human voce. Perod. (Eng.) Contanng a complete muscal sentence, at least two phrases. Phrase. A short muscal sentence, muscal thought Ppe of dea. Any tube of a reed. Ptch The acuteness or gravty of any partcular sound.

55 44 Plan Song. The name gven to old sacred songs. Prelude. A short ntroducton. Prme.. (Gr.) (Preem.) Twonotes appearng on the came degree of the musc stall". Psalm. A sacred song or hymn. Psalmody. p<salm.s. of (Vadruple. Fourfold. The practce or art of sngng Radcal Eass. The fundamental ba^s, the root the varou* chords. Reed. The flat pece of cane placed on the hack or mouth of the clarnet. Refran The burden of a song. Rhythm. (Eng.) )Rthm.) Dvson of muscal Idea or sentences nto proper portons, accent and regular pulsaton. Root. The fundamental note of any chord. Salter. (Ger.) (Salter.) Book, psalms. Sang. (Ger.) (Sang.) Song. Sanger. (Ger.) Sanger.) A snger. Scale. any mu^c «bult. Score. The successon of tones upon whch The whole nstrumental and vocal placed under each other n composton. Second Sharp. A sgn 3 An nterval of one degree. Relatve Keys. Keys whch only dffer by one Sofang. Sngng the notes of the scale to the sharp or flat, or whch have the monasylla bles appled to them by Gudo. same sgnature. loln. A wellknown strmged nstrument. Repeat. A character ndcatng that certan Solfeggo. (S6fepje6.) The voce accordng to Vrtuoso. (It.) (Vertoo6zo.) A perfo/mer upon measures or passages are to be rendered twce. some the rules of Solmzaton. nstrument. Repeat 8va. Repeat an octave hgher. Vocal Belongng or relatng to the human voce. Repose. (Fr.) (Raposhs.) The Solo.(Fr. and It.) A composton for a sngle answer ensnj v uj voce or an nstru ment. Voce. (It,) (Votshe. The voce. Requem. (Lat) (Raqnem.) A mass or muscal servce for the dead. Song. Vocal Voce. The sound or musc, expresson. sounds, produced by the vocal or gans n sngng. Resonance. Sound, reverberaton, echo. Sonorous. [S6n6rous.] An epthet appled to Voce Chest. The regster of the chest tones. whatever * capable of yeldng sound, full or Response. Answerng of the chor. loud sound; rch tone, muscal. Voce Part.3. The vocal paru; chorus parts. Retardaton Slackng; retardng the tme. Wnd. To gve a prolonged and vared Rest Character ndcatng slence. Tempo. [It.] [Tempo.] The Italan word for tme. sound, as. to wnd a horn. Thory of musc. Ths scence of musc. Thess. [GeT,] [Thass.] Down beat Ancent part of the bar. Tone. A gven fxed sound of certan ptch ToncSofa. A method of teachng vooal musc, Invented by Mss Sarah Ann Glover, of Norvch. Trll. Lke a shake or role, f r. Tro. [It.] [Treeo.] A tme of three pans for voce or nstruments. Unson. Sounds proceedng from an equalty n the num ber of vbratons made n a gven tme, by sonorous bodes, a tone whch has same Sgnature. (Eng.) Name gven to sharps and flats. ptch wth another. Sola. (Ir. (S6la.) Alone. Varatons. Repetton of «theme or subject In a new and vared aspect. Tetrchord. [Tetrakordo.] A fourth; a system of Wnd Instruments. «. general nanre for all four seconds. (In tncentsystem of.) Instruments, the sounds of whch are prolonscd by the breath or by the wnd of bellov/s. Zymbe. (Gr.) (Tsmfcl.) Cymtar.

56 Ths followng matter should have appeared n the lessons, but was overlooked. BEATING TIME. Beatng tme s ndcatng each pulsaton of ameasure by certan motons of the hand and s ap pled ndscrmnately to all knds of vocal musc. When the musc s set to, I, and J, t s called n some of the books "Comon Tme." In others, "Quadruple Tme." When the musc s wrtten n four shaped notes, generally there are"two beats" to the measure. "Down and Up." When"seven shaped headed notes or round notes"are used, generally "four beats" to the measure. "Down, left, rght, up," except n \, only "Two beats" n all of the books, "down and up." 2. "Trple tme," \, \, and n all of the books regardless of the shape of the notes have "Three beats* to the measure, "Down, left, up." 3. Compound or Sextuple measure, % \,,etc. When wrtten n "Four shaped headed notes, " usually "two beats to the measure," and when n "seven shaped headed round or notes," generally "two beats," but some of these have as many as Sx Beats, " to the measure, but all can be sung to Two beats" to tht measure. When two beats" down and up, when "Sx beats, "down, down, left, rght, up, up, or down, left, left, rght, rght,up. The dfferent manner of beatng tme s generally left to the leader, or drector of musc. SCALE EXERCISES. The SKIPS most readly taken occur between one, three, fve and eght, and theseare found llustrated n the precedng exercses. They may also be convenently practced from numerals wrtten n tabular form, applyng the proper tone and syllable to each numeral and sngng down each column n successon. It s hghly mportant that these skps be thoroughly learned and to nsure ths let the table be sung through for several successve lessons % t 8 3

57

58 ORTONVILLE. C. M. " John Newton Key of B flat. g^g^ ±=t =t=st Thy name s an ontment pourng forth. S. Solomon. 8. Thos. Hastngs Rearranged by B. F. Whte &*& : <20 lrzt=tt F^t l^ =t=t rtr. How sweet the name of Jesus sounds, It soothes hs sorrows, heals hs wounds, And drves away hs fear. In a belevers ear And drves away hs feal. SE3 Z&J/L =t=f *teb Z2±mS=t^T d=h=t ±p.zrz 5=t=P=rC ^=T=P=t 2. It makes the wounded sprt whole Ts manna to the hungry soul, And to the weary, rest. And cajms the troubled breast; And to the weary rest. f^m^ ^5 3=t tlf. p=r ^^ tt= Pt^4 =3^ T=t: ^a ^ t=fc 3. Dear Name! the rock on whch I buld, My never falng treasury flled Wth boundless stores of grace. My sheld and hdng place; wth boundless stores of grace, In the complng of the "Best Church Hymns," "by Rev. Lews P. Ben son, D. D., from 07 hymn books of 30,000 hymns, he only found 32 of the standard hymns n these hymn books appearng n 80 per cent, of them. Ths hymn stands No. of the 32 so selected and appears n 0 of sad hymn books. It s used n all Chxstendon, and s as pop ular wth the church people as Topladys "Rock of Ages." John New ton tv?"3 one of the best hymn wrters of hs day and few have surpass ed hm. He lved to he 82 years old and was a Hymn wrter o reputato and was a coworker wth Wllam Cowper. Thomas Hastng, Mus. Doc. was born n Conn Issued hs frst musc 86, moved to New York S32, where he publshed a number or musc books. He was the author of the musc of Topladys "Rock of Ages." He ded 872, and was one among the best wrters of Sacred musc n the U. S.

59 vaton,. " ~ 0 fly The spacous earth a " sus est cous 7^ MARLOW. C. M. JOS. HART, 762. Key of P. " The preparaton of the Prov. 6 : Jno. CheTham. by Lowet., Mason, 832. heart." s :t * N \Nzztz: ^m, Once more we come be fore our God, Once more Hs blessngs ask; O may not du ty seem a load, Nor worshp prove a task. 3. May we receve the word we hear Each 9M? btz *^«t^z AfV 3=3= d**fc 5E=E =F== 4+ mm. f. 0 <_ Fa ther, Thyqucknng Sprt send From heavn n Je name; To make our wat ng mnds attend, And put our souls 9 fjame. r\n?< :: r*=azzpz bttfctt 3: *n an hon heart ; And keep the pre treasure there, And never wth t part. N E3=t =t vt =t =c :fv: ft 4. To seek Thee all our hearts dspose, To each Thy blessngs sut; And let the seed Thy servant sows Produce a bundant frut. m\\ The orgnal ttle to ths hymn was " Before Preachng," as set out n the authots hymns, composed on varous subjects. Joseph Hart wrote a number of standard hymns. He was born 73 and ded about T768. In another part of ths book, on page 80, wll be found a bref sketch of the lfe and works of Lowell Mason. Many of hs tunes are yet used n congregatonal worshp of the dfferent denomnatons of the Unted States and other countres. Among some of them Dr. Davd R. Breed credts hm wth the followng : "Mssonary Hymn," 823; "Hebron," " Uxbndge," " " Laban," "Wesley," "Cowper," 850; Boylston," " " "Olvet," 832 ; Harwell," 840 ; Bethany, 858. He also arranged a large number of German melodes, namely Naom," 836"; "Ammoh Mendebrasj " " Scotch Ar," " War," 830; 839; Lscher," 84 ; Denns," 845 Gregoran," "Hamburg," " Olmutz," I824; Mozart, "Arel," 836; from Handel, "Antoch," 836. Copyrght, U08, by J. S. Ja PRIMROSE. C. M. Isaac Watts, 709. Key of A. fcfc M I The grace of God brngeth salvaton." Ttus 2:. ** S X Amz Chopn, 805. ±=t ± ± 2t tr^ ± tbtzt t± tt [. Sal O the joy ful sound, Ts pleasure to our ears; A sovregn balm for ev ry wound, A cor dal for our fears. IS8 **^ _ D..v _»>4 cnr _ mm nr\a en At VoMc Hnlf ^rtrtr lra }<3\r Rut fa. rc» hw rrro H _. 2. Bured n sor row and n sn, hells dark door we lay; But we a by grace d vne, " see a heavnly day. aj^^^le^eeg^gege :p=p: ft: :q=q: tzrfc =fct: 3. Sal va tonl let the ech rse S ^ round; Whle all the ar mes of the sky Con spre to rase the sound. Copyrght, 003, by J. S. James. II

60 ly " dol re Frst publshed n the authors " Hymns and Sprtual Songs," under the ttle of " Salvaton." Walter Shrley, t s thought, added the fourth verse to ths hymn 774. It appeared n "Lady Huntngdons Selectons," of whch he was at the tme edtor. Ths hymn s sad also to be approved and ndorsed by the leadng church denomnatons of Amerca. See " Natonal Hymn Book," page 4. Lyrcally speakng, t s correct, and has lterary excellence, far proprety, and sprtual reverence realty. Isaac Watts was born 674, and ded 748. He was a mnster n the Englsh Congregatonalst Church. Amz Chapn was born 768. He composed a good deal of sacred musc, and was a splendd muscan. NEW YORK TUNE. C. M. And Enoch walked wth God, and he was not, for God took hm."gen. 5 : 24. Wllam Cowper, 779. Key of B f?. Lowb,, Mason, about I 3=F 3=F 3=T PT*! * * *. O for a clos er walk wth God, A calm and heavnly frame, A lght to shne up on the road That leads me to the Lamb! 2. Where s the bless edness I knew, When frst I saw the Lord? Where s the soul freshng vew Of Je sus and Hs word? I EE fr 4 7JY» *~h 2t±5t 3. What peaceful hours I once enjoyed! How sweet ther memry stll! But they have left an ach ng vod The world can nev er fll. 4. Re turn, O ho Dove, re turn, Sweet messen ger of rest! I hate the sns that made thee mourn, And drove Thee from my breast. m S tztr. MS 5. The dear est dol I have known^ 6. So shall my walk Whateer that be, Help me to tear t from Thy throne, And worshp on!y Thee. be close wth God, Calm and se rene my frame ; So pur er lght shall mark the road, That leads me to the Lamb. SI FZ^ HHg m = :t=fc:: ll Wllam Cowper was born 73, and ded 8co. He was a coworker wth John Newton. Both Newton and Cowper were left motherless at an early age. Newton when he was seven, and Cowper when he was sx. Davd R. Breed, D. D., n hs work on the " Hstory and Use of Hymns and Hymn Tunes," says : Newton became a wld, dsbelevng blasphemer; Cowper an rresolute, desparng, wouldbe sucde. One was drven to Chrst by the volence of hs sns, the " other by the volence of hs sufferngs. Both, therefore, needed the grace of God, sought t, found t, and sane of t to the ages followng." Cowper frst became a lawyer, but abandoned t after a Dref practce. He became one of the most dstngushed poets n the Englsh language n the latter half of the eghteenth century. The orgnal ttle of ths hymn was " Walkng Wth God." The lfe and works of Dr. Mason are gven elsewhere n these pages. Copyrght, 908, by J. S. James. y II I

61 , al WEBB. 7s & 6s. D. wherrfore take unto you the whole ar.nour of God, that ye may be able to wthstand : th^ evl day, and havng done all, do stand."ep. 6; 3. O. Duffeld, l«".s. KeyofBZ. GEO. Jas. WEBB, 837..>:^:^~ :^ _^^_^ _t=:_t=q=_t ===^ ^^ n : 3=!=l== ^ <^~ «r Stand up, stand up for Je sus, Ye solders of the cross; Lft hgh Hs roy ban ner, It must not suffer loss: From 5 ^ l I, leges 0 m * t t bxr*~ >.! ^ tll^^d " < =3s,, z. Stand up, stand up fcr Je sus, Stand n Hs strength a lone; The arm of flesh wll fal you; Ye dare not trust your own: Put fc, b 3. Stand up, stand up for Je sus, The strfe wll not be long; Ths day the nose of bat te, The next the ve tors song: To gsfe«=t_l=±d==fs=se 5=5=*: =*=t ^T^ *~ ;t ±db Zfjj.J^:^^ P=S=I= * :_T=^=p_za j*s ^ =tz±: tc=t=t=t: _*nl 3IJm^ =H=»?F+ :S *j=q :_=^=jrj4±;q: ve fry unto ve fry Hs army He shall lead, Tll ev ry foe s vanqushed And Chrst s Lord ndeed. **? >** :j=qq=rqz^d q_^zqf^=^qqb=^bq p t00 40«Fr^JF jrff^r^m^l I 2fe?tn,±t: fcrtrjr tfzfca: [ Ths hymn was wrtten on the occason of the death of an ntmate frend of the author, Rr*v. Dudley A.Tyng, a con secrated young mnster of Phladelpha, who took actve part n a revval of that cty n 857. He met wth an ac cdent, hs arm beng caught n a cog wheel and torn off, and when at deaths door, he was asked f heh.dany mes. sage to send to the Y. M. C. A. wth whom he had worked n the revval. He repled, tell them "To stand up for Jesus." The Sunday followng Dr. Duffeld preached on the text ** "Stand therefore havng your lons grded wth truth and on the gospel armor, And, watchng unto prayr; Where duty calls, or danger, Be never wantng there. havng on the breast plate of rghteousness." From these crcumstances he composed thetymn. It was the outcome of a most glorous revval, and the death of ths young mn > rt II :j=j jb.kh,_4.zl 3== 4= ster was the prme mover and nstgator of the relgous wave. :=trt/nj Geo. J. Webb was brn n Salsbury, Wltshre, Eng., 805. He studed musc n Salsbury and was engaged hm that overcometh, A crown of lfe shall be; He wth the Kng of glory Shall a whle atfllmouth Church as regn eternally. organst. In 830 he made :^KV 5z5±±t=t=t Lga a voyage across the waters nto the Unted States, settled n Boston, and was leadng organst and mu^c teacher n that cty for some tme. He was assocate drector of the Boston Academy of Musc, wth Dr. Lowell Mason, and ded n Orange, N. J., n 887. Copyrght, 908, by J. S. James.

62 Rev. Isaac Watts. 79. Key of E fat. «ts> F>*=F WELLS. L. M. "Whatsoever thy hand fndeth to do, do t wth thy mght, for there s no work nor devce nor, knowledge, nor wsdom, n the grave, whther thou goest". ECCL. 00. ~f^ Isaeal Holdroyd..76. ^ :! l.lfe s the tme to serve the Lord, The tme t ensure the great reward ; And whle the lamp holds out to burn, The vlest snner my return. ttzszzen gsgj^ zp: I a lc3 bfczzzzzszz 2. Lfe s the hour that God has gven To escape from lell and fly to heaven ; The dav of grace, and mortals mav Secure the blessngs of the day m :~st=^s 4= zmlz^z =F5; zzfzl ^=S= 3. The lvng know that they must de, But all the dead forgotten le; Ther memon and ther sense > SS^fgzgz&z\z*~ ^SE&l. 3=*="? r «c* o ZT± T Alke unknowng am unknown. g jlsl^ Well? s one of the old tunes composed by the above author. It s cerned. Was a fne orator, polshed and eloquent mnster, and man of great always coupled wth the albove hymn. Holdroyd was born n Eng. C90, power, nfluence, and one among the greatest hymn wrters of the Englsh and was both d, composer and publsher of Psalmody. Hs chef col speakng people. He composed many orgnal hymns, most of whch are n lectons were publshed n 746. He wrote a Hstorcal Account of the standard hymn books of today. He belonged to the Englsh Congregar Musc and Dctonary of the same 753. In these sketches a number of tems wll be gven about the great hymn wrter. Isaac Watts. He was a very delcate man, as far as health was con tonalst. Hs age and other Incdents of hs lfe, wrtngs, and works, wll ap pear elsewhere u ths book.

63 REV. AGUSTUS TOPLADY =^ ztzzz =t*=. Rock of Ages, cleft for me, D, C. Be of s ;> the double cure Rock of Ages. I == FINE. 7s, 6 lnes. g< DR THOS. HASTINGS. 830.! L?t me hde myself n Thee. Let the water and the blood, From thy rven sde that flowed, Cleanse me from ts gult and power. Mfc3E ;fefe^=^ ±t ^=* 2. Not the labor of my hands Can fulfll the laws demands; Could my zeal no respte know, Could my tears forever flow D. C. All for sn could not atone; Thou must save, and Thou alone. D. C. 4. Whle I draw ths fleetng breath, When my eyelds close n death, When I soar to worlds unknown, See thee on Thy judgement throne, D. C. Rock of Ages, cleft for me, Let me hde myself n thee. ThU s one ot".tle Standard Hymns, n a book publshed called the Natonal Hymn Book of the Amercan Churches. Out of 29,000 hymns of the Baptst, CougregatonaUsts, Epscopalans, Lutherans, Methodsts, Presbyteran, and Reformed, t stands Number One. Also n The Beat HymnB by Rev. Lews F. Benson, D. D., of the Protestant churches of a selecton of 07 hymn books ths hymn, Rock of Ages, appears n 06 of the standard hymn bocks. It s one among the most popular hymns n all Chrstendom. Toplady, author of ths hymn, was born n Fernham, Eng Educated at Westmnster school and Trnty College. He had doctrnal debates wth Wesley and was a harsh and sharp com batant. He was sncere, a man of pety, physcally he was very fral. It s sad hs fery zeal wore out hs body. Hs health faled hm at 25. He possessed an ardent relgous nature. He ded n 778. Rock of Ages s sad to have been wrtten, after the author, durng a suburban walk, had been forced to shelter hmself from a thunder shower under a clff. It s sad that Gen. J. E. B. Slewart, the great Confederate Cavalry leader, was wounded n a battle n Vrgna dur ng the late war and beng carred lo a Rchmond Hosptal, called for hs mnster and requested that Rock of Ages be sung to hm. When the London Steamshrp was snkng nto the Ray n SCG, the passengers as the boat was snkng, sung Rock of Ages as the shp went down.

64 ROCK OF AGES. Wllam E. Gladstone, the great orator and statesman, translated ths It has toeen contended that the author of the hymn had n mnd df song nto another tongue. The tune to whch t s nseparably connect ferent passages of Scrpture when he composed the verses. Lne, ed called Toplady, was happly nspred by Dr. Thomas Hastng. The Rock of Ages, Isaah, 264. (Margnal Note) Jehovah s the Rook of hymn and musc are so blended as to make them nevtably one. Hast Ages. Cleft for me. Psalms 785. Verse, lne two, refers to Exodus ng was born n Washngton C. T. n 784. He gave hs lfe to church Verse, lne 3, St. John Gospel, 934. Verse four, lne two, musc. He wrote as many as 600 hymns, dyng In 872, at the age of wrote t; "Whenn my eye strngs break n death." It was altered 89. He wrote ths famous tune In 830. n 85 by Br. Cotterll. ST. THOMAS. S. M. Isaac Watts. " The Lord s mercful and gracous, slow to anger and plentous n mercy gf^jn ". Ps Wm. Tansur g^pejbj^f^el zsn. =^ l^zpz TPA 3 == t=t Tt^ =p =t:. My soul, repeat Hs prase, Whose merces are so great, Whose anger s so slow to rse, So ready to abate. *ft E ==t =p 3=3 ^ I a. emt. ( 2. God wll not always chde, And when Hs strokes are felt, Hs strokes are fewer than our crmes and lghter than our I & m S^ j2=l 3 ss 2 S^l 33 : tut 3. Hs power subdues our sns ; And Hs forgvng love, Far as She east s from the west, Doth all our gult remove. * mm m 3EE zzzz f=t= Ths Is taken from the authors Psalms of Davd, 89. =f=t t=t t=t :srt?z =^=^ ^=t In the same Psalm above referred to t s stated that "God hath not dealt wth us after our sns, nor rewarded us accordng to our nqutes, and wll re move the sns of those who fear hm, from them as far as the east s from the west." parts of ths book. Full hstory of Isaac Watts wll appear n other Some credt St. Thomas, to Aaron Wllams. Hubert P. Man beleved that Handel was the author of t. The Natonal Hymn Book, credts the tune to Wllam Tansur. He was born 669, ded 783. He was an orgaust, compo ser and compler, and wrote several works on the the theory of musc. He was born n Eng. ded at St. Neots. I

65 well Isaac Watts, 707 fese 4IH NINETYFIFTH. C. M. " Gve dlgence to make your callng; and electon sure: for f ye do these thngs, ye shall never fall." 2 Pet. ; 0. Key of A. Cox/roN.. When I can read my te mansons n M55x=z=r==r=rr: I hd It: ESjg g^q^^ the skes, ra *» WzfM^ m m S E?EE pf _l. When I an a I ;fe_ ft* r= * bd s fare sons n can read my clear To man well mw rn bd fare well F=P= 2 Should earth aganst my soul engage, And fery darts be hurled, fear, m 0 0 fear, the skes, To ev ry fear, And II PI t: Ill bd fare to ev ry fear, Ill 2zz±cz zzzzzmzz my my weep weep mmms ng ng eyes. ms g^g^s^f^jj ry fear, And wpe^ weep ng eyes. eyes r.jSZTZ l^^f^ Then I can smle at Satans rage, 3 There I shall bathe my weary soul And not a wave of trouble roll And face a frownng world. In seas of heavenly rest, Across my peaceful breast Copyrght, 909, by J. S. James.

66 rous vt vt to Hstory of "NnetyFfth." 9 The orgnal ttle of ths hymn was " Hope of Heaven " or "Supported Under Trals on Earth." It s N). 60 of Dr. Watts "Second Book of Hymns." Ths was one of the leadng hymns n the reform movement of Watts, Wesley and Whtfeld, and s one of the standard hymns of England and Amerca. In all the books at our command the musc to the above tune s credted to Colton, and we have been unable to fnd anythng defnte about hm. BURK. 7s & 6s. B. F. W. Key of P. " Chrst abolshed death and hath brought lfe and mmortalty to lght through the gospel. 2 Tm. : 0. B. F. Whte, r In /k* m \ m J I I : n If* *M. f * The *» lj t 0 < _.»_!_«_ I II.L F" 0Z0.. h glo lght of on Is spreadng far and wde And snners now are com ng Un the gospel tde. 3= $3^^ 9 l z. The glo ry of Kng Je h It±!t ^^=g^e 5=T: mrm~ t l sus Trumphant does a tnffc** m 3= =E fed _* F.ag_ Lbz To see the sants n It glo To see the sants n glo And snners crowd around =3 ee^ t Wth bt ter groans and cres. ±=q: t=ttd tm FsJ * q= l feb ry, And the angels stand n vt ng, And the angels stand n vt ng To welcome snners home, *= r^^ f Ifct v zmzt+z»rj \=_E3 *=± 3=32e ± ry, And the angels stand n * *= =t: t: ng, And the angels stand n rzqp :MnM qu 3"*a ng To welcome snners home. 3=^=F mz j ±: f=p * f=t EE The above tune appeared n the frst "Sacred Harp" that was publshed by B. F. Whte, n 844, and has remaned practcally the same n varous revsons from 844 to 870. It s a sweet old melody, and the words are chershed by many of the older people, as well as those that lke the oldtme sacred musc. Professor Whte ether composed the words, as well as the chorus to ths tune, or so changed them that no trace can be found of them except n other hnnhc that havp hcpn nrnted and nublshed snce the comrosne of the tme bv Mr. Whte.

67 " sed bor bor tful bor bor bor bor bor bor IO Key of El?. R. A. Glenn. " LABOR ON. When the chef Shepherd shall appear, ye shall receve a crown of glory that fadeth not away." Pet. 5:. Rearr. by h. W. James, 909. =fe 3 J±m^0Z 7 4^C»»#J ue S j F r y*/* v / y *</ L»»*^JNg 3Z±rz b*= Bl V? yv yvm v9 I know theres a home for the good that labor here,just beyond deaths valley, dark and cold; And the ones that reach that home so brght and far Shall a^ Srv\ A fr >V ^ :T3: N»r^ *0W^ 0P 5=^ * * =5=?=^ P ^^ * I** fl 99 Z *> ^^K\ =^ = = vv * *{ 2. I know theres a land that s beau and brght, Just beyond the Jordans turbd roar, And I soon shall pass beyond all mortals sght To ^ V f et ^ E E r c ~ c ^F^^FF^f ^M»»^\jpj^^*^*H j,j» rv *^*+\ ^ 3. There well never greve, but rejocng fac *+pyvg *T es see As we near, the brght e ternal shore, Where the angels wac wth crowns for you and me,wth CUOHUS L. D k. rc " m _N P \ n rm * % F r r P /* / P l~ J " y* / / V j ^ wear a, gltter ng crown of gold. Labor on, labor on, labor on, labor on For a crown n heaven you shall h \ k L_> _> * f* * ft fl \~ f* L b p la * P 7 a J *.! u r. J IS ;!*>! * ^ * ^ ^ ~ \J> t» t ^ / *^ prom Canaans hap py shore. Labor on, la bor on, For a crown In heaven you shall m p.. ff h p* Is p* k ^ _r N p» ^ k j j k a a\\ lr r Ij Ij! r f u *_ * LL 9t_ V v < L \j V** * J on, For a crown n heaven you shall them well dwell for ev ermore. Labor on, la bor on, la on, la ) K P :.*» IJ J T\^ tf \/. ^ h / " " J [^ L] / V y V II *^ wear. by and by. La on, la on, la on, la on, For a crown n heav en you shall wear. c k * j Vw P P * hh W^"b v j; ] u u L v J j V II on, la on, For a crown n heav en you shall wear. wear, La N N k k % : > )l v. K k. k. k. y, k k k. k k». J 0 F II / k T.L_r _ j r J j * lr p > / > L V B QT ** L III! V * wear, by and by. La bor on, labor on, labor on, labor on, For a crown n heav en you shall wear. W. James, author of the above tune, lves n Atlanta, Ga., at ths tme, 009. Mr. James has composed several other tunes, and hts songs are n all the dfferent song books. He s at present the secretary of the Douglasvlle, Ga., Sacred Harp Conventon, and attends all the conventons and large muscal gatherngs n hs reach. He s a great lover of sacred songs, and hs people on both sdes of the house are muscal for generatons back. Copyrght, 90P, hyj. S James

68 . O P. P. B. 8 Sweet Peace, the Gft of Gods Love. n " JNO Peace I leave wth you, my peace I gve unto you ". P. P. Blhorn, 8 PHIL. 47. " The peace of God whch p&ssetb. all understandng ". \^^^^^^^^^^^^^^^. There comes to my heartone sweet stran, A glad and a joyous refran, I sng t agan and agan, Sweet peace the gft of Gods love, M psp^^^f I^N ^ SN fn~!!r^~f~>^ 2. By Chrst on the cross peace was made, My debt by hs death was all pad, No other foundaton was lad For peace, the gft of Gods love.!=#= ; fe v *^^ vvl *t VHN K=^^=& :t^ >fc?jfct* *mtmt U=* l 3. When Jesus as Lord I had crowned, My heart wth ths love doth abound, In hm the rch blessng I found, Sweet peace, the gft of Gods love. 4. In Jesus for peace I abde. And as I keep close to hs sde, Theres nothng but peace doth abde, Sweet peace, the gft of Gods love. n CHORUS. 4 m m^ H ss^ff >" K rn I3CS =3tZ± :zs: zt^z±wz IB San VVNVVV^^ N\ *5# N t> s 0*! #* **. ^» *# Aj^JlP * J > L «I H «" ** ^^ ^ ^ ^ ^B^^ * * ^^ y «^ Peace, peace, sweet peace! Wonderful gft from above!.., wonderful, wonderful peace! Sweet peace, the gft of Gods love ( above I ) A v s $b* Jr3^"\~V *m**>*>^n ^ ^<c m t==l= *»< n. N 0000 $ NVVA &= =* S fr pj/ Irf?= =*= p ^ H ^ ^tc±3t Peter P, Blhorn was born 86. He s an Amercan composer, teacher and publsher of musc. A full hstory of hm s gven n Sankeys stores of Gospel Hymns, publshed n 906. He s one of the best gospel sngers n the Unted States and ranks among the leaders of the Evangelstc Songs Copyrght by J. S, James J909. I

69 . Oh, * vd ed sem ble ble tal " * 2 $_l Mrs. Dana (Shndler,) 840. Key of ; k : sng When cold u3 When the *f= up to me of heavn, When am and sluggsh drops Roll off my last momentcomes, Oh, watch my dy 0I J, a= «ttbhi=lt,iz=i SINQ TO ME OF HEAVEN. S. M. nor "I wll sng wth the Sprt." Cor. 4: 5. m _*!!_ to de, Sng songs of ho brow, Burst forth n strans ng face, And catch the brght It m joy raph Jno. Massengae, between 860 and 869. =f a d I sta cy, To waft my soul on hgh. ful ness, Let heavn begn be low. c gleam Whch on each feature plays. m e. ^ 4. Then to my ravshed ear Let one swett song begn, Let mu $c charm me earth, And greet me frst n heavn. 5. Then close my sghtless eyes, And lay me down to rest, And clasp my cold and cy ful hands Across my peaceful breast. 6. Then round my senseless clay As those I love, And sng of heavn, de lght heavn, My glorous home a bove. Pe ± m ttt = T 3pJt t: t: 3 Mrs. Mary Stanley Bunce Dana was born n Beaufort, S. C, 80, and ded n Texas, 883. Her husband ded whle they were on a vst to the Northern States. She frst marred Mr. Dana, and afterwards became Mrs. Shndler. She wrote several hymns besdes the above, and among them she wrote, on the death of her hus band, "I am a Plgrm and a Stranger." The hymn wrtten n 840 was on account of the death of a pous frend of hers. She was a great and good woman. Prof. John Massengale, sometme between 860 and 860, wrote the melody of the above tune. He was a Georgan, and composed many sacred songs n the "Sacred Harp," and other books. Copyrght,., I90P 908, t" hy J. T S. " James. * ARNOLD. C. M. CHAS. WBSItBY, 759. Key of AJZ. "There shall be a resurrecton of the dead, both of the just and the unjust." Acts 24: 6. P sp g 3 II. P. BREEDT.OVE, 867. IS 4=f 3t±t: :t=t = I Come, let us jon our frendsa bove, That have obtaned theprze, I And on the ea gle wngs of love To joys ce les ) rse; Let all the sants terrestral sng, Wth those n glo Sr SEJ : = =p fctzhfcfcz M (One fam ly, we dwell n Hm, One church above, beneath,, ( Tho we d by the stream, The narrow stream of f death; One army of the lv ng God, To Hs command we bow; a33 :p0, s W Jczzztz D. C.For all the servants of our Kng, In earth and heavn, D. CPart of Hs host have crossed the flood, And part :c=t =k=p= ISSI ~Ee "PF=F are one. are crossne now. Copyrght, 908, by J. S. James.!l^s^^=B

70 ers " ~ " The forgong s sad to be one of Chas. Wesleys best hymns, and one that can never de. It s clamed by some wrters of hymnology that ths s one of the fnest hymns ever wrtten. It frst appeared n the second seres of Funeral Hymns," 759. It orgnally contaned fve double stanzas. Chas. Wesley ded 788, three years before hs brother, John Wesley, then venerable wth age. He preached hs brothers funeral at Foundry Church, London, and after he had read a Scrpture lesson, bured hs face n hs hands and stood there n solemn and mpressve atttude for ten mnutes. He opened the hymn book and read n a most mpressve manner ths hymn of hs brother Charles, "Come, Let Us Jon Our Frends Above." The audence was deeply moved. John Wesley ded three years later. Breedlove was a musc teacher n Georga. He ded about forty years ago n South Georga. He was a member of the Southern Muscal Conventon from the tme t was organzed n 844 up to the tme of hs death. He was secretary of the conventon from 845 to 850. In the " Sacred Harp," compled by B. F. Whte and E. J. Kng, he s credted wth "Arnold" and ten other tunes. See further statement of hm n James "Bref Hstory of the Sacred Harp," page 3. 3 mm EVAN. C. M. "That by these, ye may be partakers of the dvne nature, havng escaped the corrupton that s n the world through lust."2 Peter A. Rev. W. H. Haverga,, 849. :_± zth± x Oh, for a heart to prase my God! A heart from sn set free; A heart thats sprnkled wth the blood So free ly shed for me. a b m ^ ^5EE3 ^ " a a " a a «^ a g a ~ " a sve, meek, My dear Redeem throne; Where only Chrst s heard to speak, Where Je sus regns a lone. z. A heart resgned, subms d=t=r M=H: JLe j::g^m:p 3. Thy na ture, gracous Lord, mpatt; Come quckly from a bove; Wrte Thy new name up on my heart, Thy new, best name of love. :8 y ll I r M The orgnal ttle of ths hymn was "Make Me a Clean Heart, O God." It s sad to be one of the fnest hymns Chas. Wesley ever wrote, and ranks along wth "A Charge to Keep I Have." It was publshed n "Hymns and Sacred Poems" of John and Chas. Wesley n 742. There were several changes made n the hymn by John Wesley. See hs collecton, 780. Rev. W. H. Haverga was born [793 and ded 870. He was an Englsh wrter of Psalmody, a muscan of great ablty, he was an advocate of the old style of wrtng and partal to standard melodes and tunes of sacred musc. Copyrght, JI08, by J. S. Janes.

71 IS ^ 2==*F.s_ 4 VARINA. C. M. D. "So Moses the.servant of the Lord led there n the laud of Moab, accordng to the word of the Lord." Deut. 34: 5. Isaac Watts, 709. Key of E[2. Arr. from C. H. Rnk by G. F. Root, 849. zq=zkc±\> "FT F=ral~r ~ 2t54,UL_~J_ 0.00 J 0 a frtv 7 \l $ \{)> <* r ~>^b± ^r^=jbf^feh 0 * «*? V u. Sweet felds beyond the swellng flood Stand dressed n lvng green, So to the Jews old Canaan stood, Whle Jordan rolled between. But tmorous mortals start and shrnk To M f^» *x: p. ^ ^ ± =53 ^Jt *! J AS ^=! 2. Oh, could we make our doubts remove, Those gloomy doubts that rse, And see the Canaan that we love Wth unbeclouded eyes! Could we but clmb where Moses stood, And 3=dnfzTft ftlk & &: H,; \ t\l * * \ n Thrf r> to: ^=fct* f*, *,, J :rj> 5E±\* _.>_: «JSl *Fa ^ «^M^ e t 2*^.^^^..^^ = t=t k,,t\ N, " f\ V k L k.k k k> ^J J 0^00 It] rnv * * If? B ^ ftl VI B =^ f cross ths narrow sea, YT7 0 # ^S=F^ And lnger, shvrng, on the brnk, And fear to launch away. K K IS s S Il.L.IISI_^_ ^, ^ p JM ll _J» J JU. vew the landscape oer, Not Jordans stream nor deaths cold flod Should frght usfrom the shore ^ *.. l» U, ff II.. JL»] j «J J t±=sjrep. J_>_pr _5J J ^ (m» k " * * _ *. Lr 5 r J v); >> r^ hr * J hfll ) $ *f «~»" P t> k? * VJ^ " k. * *».., k. *!.», k. n II L Fb^Ld fell Copyrght, 908, by J. S. James. Rev. Isaac Watts, the author of the above hymn, was born 674, and ded 748. Whle he was an Englsh Congregatonalst he was actve n the sudden reformaton of the Englsh Church, and was a strct Calvanst, and had sharp controverses wth the Wesleys. He was fral and feeble all of hs lfe, and never marred. All of hs hymns, out of the many hundreds he wrote, are consdered by hynologsts to rank among the best. He was a devout Chrstan, but very pronounced n hs vews. Dr. Geo. F. Root was born 820, and ded 895. He was one of the favorte Amercan composers. He wrote many war songs durng the Cvl War, as well as church tunes. He was a successful teacher, conductor and leader, and was sad to be one of the most lovable characters n the world of musc. Fanny J. Crosby, the great blnd hymn wrter of Amerca, was once hs pupl. He frst became a pupl of Dr. Lowell Mason, and soon advanced to teachng and lead ng chors. He drected the musc n Dr. Deems church n New York. In 852 he studed musc n Europe, returned to New York n 860, and founded the Normal Muscal Insttute. He removed to Chcago, where he spent the remander of hs lfe, composng and publshng musc. He ded n Mane 895.

72 I nal MY HOME ABOVE sfl M 9_f*E %F~U I love to thnk of that home above, In the glorous realms of lght, Of the pearly gates and the golden streets, In that land where there s no nght. Nfk rp 0 0»L# a AA 3=3=3=.tttt 3==*=* :3vA3=3 an 0^0rHM^ *. I love to thnk of my home above, Of that pure and ho ly clme,where the sorrows of earth can never come, But e ter fss 3=P= = Aa =! s\ * tp»00^9. joys wll be mne. ** = =5= 3 flq_mst dfck AA j* 00^00 ~L. t^v f»^ ^Hg vv 3. I love to thnk of my heme above, Of the angels forms so brght, Of the blessed ones there around the throne, In the land of pure delght. LL * CHORt jcs: E.t/ :^4"^ Z^Z^mZZZ0ZZ^ZZp^0Zzh^ZZ^^mZ=Sl^zrZZZ^\ tt^bl_cj ^^E_^_^L^..[ZL^.] :Cq=F I ~ ^ r^eefj_ ^HgSgggJE^M^Hfefeaj^Srgfl Home, sweet home! Home sweet, home! Home, sweet home! O say wll you meet me there, wll you meet me there, In that home above where all s love and joys beyond compare? _ # Home, sweet home! =3==3RE =t=t k k k fc* MZZZpZZZZW t: ttt I t =U=v=t: AA «. fkis ==3 IT * K 3=*=* L6HrW tt Happy home! Sweet home, O say wll you meet me there, In that home above where all s love and joys beyond compare? tt _J±d=. rl5,tz.ttzscu grjz lztt dull J tfc S Home, sweet home! Home sweet, home! Home, sweet home! O say wll you meet me there, wll you meet me there, In that home above where all s love and joys beyond compare? r_t_l=d: q_nqx_^ AA ^_J(_S,_^.^. vvt pzca0z :±zz±z±zz=zzx: ^<~^ +* a s *=*=* t=t q~t~ft 3 *=*[x=^«^eh ^j n * t=t tzttr=tfcl:2h Ths s of Professor Pollocks sw * melodes, and, when properly rendered, produces good effect. He was born n 853. See further remarks about hm under tune, "The Brght Forever." copyrght, 909, by j.s.ames.

73 our, sed sed 6 NORTHFIELD. C. M. Isaac Watts, 70. $ *** 3=3" Key of I "I say unto jou, hereafter ye shall see heaven open.*john : 5, Jeremah Ingaxs, 804. _^t =t=r±=u=;. How long, dear Savour, O how long Shall ths brght hour de lay? fesq:==e W4r 0 ^hzf 0Frf *^ 2 l S ±=t == j _Fq=q=ET==3=3 «F3», I4f\7. How Innrr rlonr long, dear Q \/ _ S.7v nr our, C\ O \\r\\\t how Inner long Qhnll Shall thc trrrhf hmv ths brght hour de lay? =? 3= m 3= 3=. How long, dear Sav O how long 3 t 3= m Shall ths brght hour de r> = 3= 3= t lay? Fly swft a round, ye 3= =S I h t t: : ==t t t =t I I:. How long, dear Savour, O how long Shall ths brght hour de lay? Fly swft a PW.Jwheels of 5= Ye t: tt t t =t= Fly swft a round, ye wheels of tme, And brng the prom day. day.. > round, ye wheels of tme, Fly Ft" T* I tme, And brng the sed day, tt ^E 3= =s S? 3= 3=* IEIeU m And brng_ the prom 3= wheels of tme, And brng the prom day, day. Wtzm swft a round, ye wheels of tme, And brng the prom sed day. day...^5 sed day. 3 day. the prom sed day.?h^ 2 From the thrd heaven, where God resdes, The new Jerusalem comes down, 3 The God of glory down to men Men, the dear objact of Hs grace, That holy, happy place, Adorned wth shnng grace. Removes Hs blest abode; And He the lovng God. Copyrght, 908, by J. S. James.

74 ble dren vtes 7 SOFT MUSIC. 7. 6, 7, 7 B. P. W. Key of F. "Sng songs of Moses and of the I*amb."Rev. 5: : B. F. Whte, 850. I $$ ~± :t=t:. Soft, 2. Jon, S_=E soft jon, mu sc s chl of steal sad ng, Sweet, sweet ness, S?nJ, send ln gers the stran; Loud, sor rows a way; Now, It. QTQ=^\m ujz ^ Q^Z^ZZZQl 3. Hope, hope, far and en dur ng, Joy, brght as the day; Love, love, heav =)»= 5 t.a=j zt loud now now chang t ng J===j=fa=q_=^^=Brj_J j^ I u 0 mng, Wak ng the ech oes ness, War ths beau t Jeremah Ingalls was born n Massachusetts 76 and ded 828. Between hs thrteth and forteth year le composed a number of tunes. In 804 he publshed a book, Chrstan Harmony," a collecton of hs own and other tunes; and among two of hs best were Northfeld, and New Jerusalem." Both of these tmes are set to the same hymn, "Lo, What a Glorous Sght Appears." "New Jerusalem* set to the frst verse, and "Northfeld" to "How Long, Dear Savour?" These two ereat tunes and hymns have been n most of the choce selectons snce they were composed. Ingalls was selftaught n musc. He taught for along tme n the States of New Hampshre, Vermont, and Massachusetts. The orgn of "Northfeld" s: Durng hs travels as a sngng teacher, he stopped at a tavern n the town of Northfeld for dnner. Hs dnner was very slow comng. He kept thnkng, "how long?" He fell nto the rhythm of Watts sacred lnes and the tune came wth t. He named the tune "Northfeld." He also compled several other volumes n musc. Isaac Watts was among the most numerous hymn wrters of the Englshspeakng people. He was an Englsh Congregatonalst. Born 674 and ded 747,* peal glad : =5 9fr=zt ng, Sweet ly n T=== you Ths s one of B. F. Whtes sweet melodes, and s hghly apprecated by a great many of the older people. It has been n the "Sacred Harp," composed by B. F. Whte, snce 850. For further sketch of Prof. Whte, see page 22.

75 scrbed flctonscome, low, 8 PENICK. C. M. M. SYKES, 857. Key of F. "Shall fnd re&t for your soul."jer. tmt 6: 6. M. SykbS, Montgomery Co., Ga., 857. b, k k h t I. Whle travlng thro the world be low, Where sore af My soul a bounds wth joy to know That I wll rest at home. 2. My souls de lght has been to sng Of glorous days to come, When I shall, wth my God and Kng, For ev er rest at home. S =S= Yes, when my eyes are closed n death, My bod y cease to roam, Ill bd fare well to And then I want these lnes to be In up on my tomb, "Here les the dust of 3=3= 3=S= all be And meet my frends at home. S. R. P. Hs sprt sngs at home. V U Pfe s =»=?= EfcE t ^a Car ry me home, car ry me home. When my lfe s oer; Then carryme to my longsought home, Where pan s felt no more. :fc Car ry me home, car ry me home, yr ^ 3 =. Efct v v</ * NN BE^ J _^ == H k ==!= 3= E*= vuas _y=fc ES 3 SI When my lfe s oer; Then carryme to my longsought home, Where pan s felt no more. But lttle s known of the author of ths tune whch s credted to hm n the Sacred Harp, page 387. He dsappeared several years ago. He was n the Southern Muscal Conventon along through the 50s, t was so clamed by Shell, Cgletree, Turner, and Rees, who were members of ths conventon. The tune was wrtten n honor of Prof. S. R. Penck, a devoted Chrstan man, and one who was very fond of musc. Hs brthplace and death are unknown so far as we are able to ascertan. It t clamed by some that Penck wrote the words. The last lne n the hymn would ndcate he dd wrte them. Copyrght, 908, by J. S. James.

76 Nrk I " THERES A GREAT DAY COMING. Because he hath apponted a day, n whch he wll judge the world n rghteousness by the t mau whom he.2th ordaned."acts 7:3. W. L. T. Key of G. W. L. Thompson, about 883. AA =twn 3=A :z.zzzz\zzzzkzz^z^±\zt^^zk±z^zzkzjzzzzzzsz^\ :: AV ~^^t^z±h FFF=F= ^^ WV9 *^ I. Theres a great day comng, a great day comng,theresagreatdaycomng by and by,when the sants and the snners shall be parted rghtandleft, Areyou I VJ\\A V \ \ \ vfcfkiva rvrv t3=3==*= t3=3= 2. Theres a brght day comng, a brght day comng,theres a brght day comng by and by.but ts brghtness shall only come to them that love the Lord, Are you 0* S>A S> # F^> A=3,p=3==A=^ ^feee,fee^f^.e^b a_^ a,_l^ >, tv f*^ ^ ^ ^J * :=j==t ==A==Pp ^ff Vt? 9 AA fv 3 ** ī 3. Theres a sad day comng, a sad day comng,theres a sad day comng by and by,when the snner shall hear hs doom,"depart, I know ye not," Areyou k ;k k =5=N kkr>^n \ * AH =S=S=A=A =3 P^Pt+Pr^f ht=tu=efc.fc &** ANANA ^j^^*^^ ^u^\r.zz^zzyzz^zz^z^csz±=^r:rrfrm ^*^= =j=j=4. ^>==s?^=?=s t^3== 3=fl tjsll p^^tefcj^^^^^^farh ready for that day to come? Are you ready? Are you ready? Are you ready for the judgment day? Are you ready? Areyou ready for the judgment day? *****^^* $^^^3F==== =^v=>»=^= ==7==;~^^ W. "rj 8r^ NMV, NAN= ^H *^r * II mz^m^^es ready for that day to come? Areyouready? Areyouready? Are you ready for the judgment day? Areyou ready? Areyouready for the judgment day? t^5 L^ * ^ ^~ E L * W L. Thompson, the author of the above musc and words, s connected wth the W L. Thompson Co., E.st Lverpool, Oho, and also the Thompson Musc Co., Chcago,. Mr. Thompson and hs company have composed, publshed, edted, and compled a great deal of very valuable musc, and one of the leadng tunes s, "Theres a Great Day Comng."

77 . Lo, rous rous lev The 20 NEW JERUSALEM. C. M. "And I John saw the holy cty, new Jerusalem, comng down from God out of heaven."rev. 2: 2. Isaac Watts, 70. Key of F. Jeremah Ingalls, 804. W^ =3= what a glo jtltrrt*: =r==; 35; sght appears To our be lev ng eyes! *!? == us HH 3= 3= 3= :q=3 ^ISll^B^ It 3= ± t The earth and seas are. Lo, what a glo JtEfcfk 3 sght appears To our be ng eyes! The earth and seas are passed a ==3= 3=3= I; The earth and seas are passed a way, And the. way, And _t 5M_S= m passed a way, And the. old roll ng skes ;... $= y «[== l=p=z t tut It Itl It The earth and seas are passed a the old roll n ^ the. way, And m earth and seas are passed a way, ng skes; And S 3= 3= p r^r. =t= t: It t: t t old roll ng skes ; The earth and seas are passed way, And tt FC 3= t: 3= old roll ng skes ; The earth and seas are passed a way, And the old roll ng skes, And 2 From the thrd heaven, where God resdes, The New Jerusalem comes down, 3 How long, dear Savour, O how long Fly swfter round, ye wheels of tme, That holy, happy place, Adorned wth shnng grace. Shall ths brght hour delay? And brng the welcome day! Copyrght, 908, by J. S. James. And the

78 sed read bear ton NEW JERUSALEM. Concluded. a, Ths s consdered one of Isaac Watts best hymns, especally n remndng one of Fruton Day. It pre sents a most exalted vson of the future lfe. It has been a precous hymn to the Chrstan people for over two hundred years. Ths hymn was wrtten n the palmy days of Isaac Watts, the great author of so many splendd hymns. The tune, " New Jerusalem," was composed by that dstngushed muscan, Jeremah Ingalls, of Massachusetts. He was born 764 and ded 828. He publshed several volumes of musc. He was a musc teacher for a long tme, and dd a great deal n the early perod of the Unted States n the nterest of musc. Further detals appear under the tune " Northfeld." NEW BRITAIN. C. M. "And Davd the kng came and sat before the Lord, and sad, Who am I, O Lord?"I. Chron. 7: 8. "Accordng unto the multtude ofthy tender merces blot out my John Newton Key of A?. transgressons."ps. 5: l. to Sfp= tzzzzml r \» IIH P r» & r pp :t=c I. A mazng grace! how sweet the sound, That saved a wretch lke me! once was lost, but now Im found. Was blnd, but now I see. 2. Twas grace thattaught my heartto fear, And grace my fears re leved ; How precous dd that grace ap pear The hour frst beleved! l m. Z j Ml S SHE g=s 3. Thro ma ny dan gers, tols, and snares, have al y come; 4. The Lord has prom good to me, Hs word my hope se cures; ==tt t=tj f*3t=± 3=*= F==#=FP= Ts grace has brought me safe thus far, And grace wll lead me home. He wll my sheld and por be As long as lfe en dures. 3= 3= It t :tn± tt t 3= Tt~V t 5. The earth shall soon dssolve lke snow, The sun for to shne; But God, who called me here be low, Wll be forever mne. The orgnal ttle of ths hymn In "Olneys Selectons" s "Faths Revew and Expectaton." John Newton lved n wckedness a long tme, but fnally turned to the work of hs Lord and Master, and entered the mnstry, and was a power as a preacher, poet, and hymn wrter. He expresses hs feelngs at the tme he wrote the above hymn, "Amazng grace, how sweet the sound, That saved a wretch lke me I He was born 725 and ded 807. He was a mnster n the " Church of England. We have been unable to fnd the name of the author of the melody of the above tune. There are numerous clamants of t, but after nvest gaton there are grave doubts as to who s really the author. copyrght, 900, by j. s. James. II II

79 ther r n cent t ITALIAN HYMN. 6s, 4s. Chas Wesley, 757. Key of G. Ths hymn s wrtten n mtaton of Englands natonal hymn, "God Save the Kng." Felce Gardn, 760. as 3= 0 =t 3= 3= Come, Thou al mght Kng, Help Thy Help,2. Come, Thou ^m nate Word, Grd Thy mght sword, Efe Our prayr ==3= 3. Come, ho Com fort Thy cred bear ths glad 3= === [=! 4. To Thee, great One and Three, nal be Hence, ev =3 tend; hour: m Fa glo Come, and Thy peo t: Thou who al mght ous, Oe r ous. Come, and pe bless, And gve Thy word = I g=3==p= =f±=^=j=[==*= =N=3 JEgj II regn success: Spr t ho l y art, Now rule ry heart, And neer ± ± ver us, An of days! ness, On us from Pdepart, t: Spr 3= of powrl P It =r=f 3=3= =t 3= 3= 3= 3= Thy sov regn maj es ty May we n glo ry see, And to e ter ty Love and a doref These words nvoke the presence and ad of the Godhead n order, and then ascrbes dvne prase to the Trune, beng wth dgnty of language and a sprt of devoton that justly gves t a foremost place among the hymns of all ages. Ths s the frst hymn n the hymn books of the Methodst Epscopal Church, South, annotated edton. It s doubted by some about Wesley beng the author of the hymn. It s put down by Dr. Thompson n hs " Natonal Hymn Book of Amercan Churches." Felce Gardn, author of the musc, was of Italan descent, and was an accomplshed muscan, and has wrtten some beautful tunes. Copyrght, 908, by T. S. Tames. I

80 sleep ful. REST. L. M. MARGARET MACKAY, 832. KeyofD. "Them also whch sleep a Jesus wll God brng wth them."i. Thess. =Ij«===== ju»h==t w :±=3>=Fq==:3=^^=f====3^ 35=p=q=a ZPZZZJZZPZZ^SZ 33 Wm. B. Bradbury, 844. I s > * \ r A! *. A sleep n Je susl bless ed sleep! From whch none ev er wake to weep; A calm and t\ ft V ral I /_ ^Jf.l «. rm * t N "^ ^ J, ^ j t %J MM H ^ * " ^ ^ ^ sleep n Je sus! oh, how sweet To be for such a slum ber meet! Wth ho y fl8a.h*** y w ^ n. /»» ^ P \ to *= " 0 0 * 0 r * _ 0 * : \j. %J V 3. A sus! peace rest! Whose wak preme ly blest; mw^ shall my le, Watng the summons from hgh. Copyrght, 908, by J. S. James. such blss ful ref uge be: r y Asleep n Jesus s one of the most popular funeral hymns. It was suggested to the author by an nscrpton she saw on a tombstone n the cemetery at one of the chapels n England. The song frst appeared n 832 n a manuel publshed n Ednburgh,Scotland. It orgnally had sx stanzas. The last two have been omtted. Margaret Mackey was born n Scotland 80, and was marred 820 to Leut. Col. Wllam Mackey, of lght nfantry. She was the author of two or three volumes, and was of very fne famly. She ded 887. Bradbury, a pupl of Dr. Lowell Mason, was one of the frst publshers of Sunday school musc. He was born 86 n York, Mane. Hs father, a chor leader, was one of the poneers of the country, and was a Revolutonary solder n 776. Wm. Bradbury lved on hs fathers farm, but moved to Boston, and went under the tuton of Dr. Mason, who persuaded hm to engage n the professon. Afterward he studed at Lepsc, and returned and began to compose sacred tunes. He ded at Mt. Clear, N. J., 863. He composed and compled ffty tune books of sacred and secular songs for chldren and adults. He ntroduced and mtated n some of hs works, the gay Swss ars, whch became very popular for Sunday schools. From hs works, Robert Lowry, W. H. Doane. and others started the publcaton of gospel songs, and the adopton of them by D. L. Moody gave them very wde crculaton. Bradbury was consdered one of the frst muscans of hs country, durng hs actve publcaton of the musc books composed and compled by hm. Rest s consdered one of the best sacred tunes.

81 nal lu lu jah, le le lu lu 24 Charles Wesley, 769. W m 3 m, /And I My / Shall I That Hz *{! O.Wth 4.{fe ^T&z m fef t: let soul jon on what that joy come HALLELUJAH. C. M. : Key of A fc>. Let me de the death of the rghteous, and let my last end be lke hs "Num. 23 Wllam Walker, about 837. ^ CHOKUS. FF=:^=r^^TT3==rn=====F3=TF==jn =E= ±=t=t II t 3= mt=t ths fee y fal, And let t fant or de; ble bod shall qut ths mourn ful vale, And to worlds on hgh, And Ill sng hal jah, And soar the bod ed sants, And fnd ts long sought rest, ds em ly blss for whch t pants, In my Redeem ers breast. 3 3=3= 3 * 0=* It =J=lt Ll9n,= =3= 0pzfzZ±z all my suf frngs here, If, Lord, Thou count me meetl rap tured host tap pear, And worshp at Thy feet! I And Ill sng hal jah, And gref, gve pan, Take lfe or frends a way, ease or fnd them all a gan, In that e ter day. 3= =c 3= *r := 3: 3=3= j_ tt 3= ===t: =3=3= youll sng hal le *= 3===3= 3 a youll sng hal F=!fee====f= S zszzzbszzz±: jah, m ee :=!=! cm And well all sng jah, And well all ^fe^ej le sng hal le ^e :p===*z=p== I F fpt t bt fz m When we all arrve I 3= 3= ^ ^ t=t jah, When we all ar rve t t=t: at home. ==!= ± rll The above hymn was publshed n the second seres of Charles Wesleys "Funeral Hymns." It orgnally had nne stanzas. Mr. Wesley was born n 708 and ded n 788. He orgnally belonged to the Church of England, but wth hs brother John, n connecton wth others, establshed the Englsh Methodst Church. Ths s one of hs standard hymns among thousands he composed. See full statement n reference to hm n other parts of ths book. Mr.Wesley composed over 6,000 valuable hymns. He was one of the founders of Methodsm, whch has proven to be one of the great churches. Wllam Walker was born and ded n South Carolna. He was a brothernlaw of Major Whte, who composed and compled the "Sacred Harp," and revsed the same several tmes. It was wrtten n 844. A few years prevous to ths tmeabout " 840 Mr. Walker and Mr. Whte composed the Southern Harmony," although Major Whtes name does not. appear as one of the authors cf ths book. The two men became estranged on acconnt of ths. Mr. Whte moved to Georga and composed the "Sacred Harp," and Mr. Walker contnued to publshed the "Southern Harmony." He afterward compled the "Chrstan Harmony,,r whch s now consderably used n parts of Georga, South Carolna, and North Carolna. He also publshed some other song and tune books. He was consdered a fne musc wrter, composer, and was well up n the professon. Copyrght, A09, by J. S.James.

82 deem ken ts frent feet tans eth est GEO. Robnson, 842. Key of P. ZEBULON. H. M. "Longng for the house of God. Ps. 84. Lowex Mason, 830. w t: ^ One sole bap mal One Lord be low, bove, One one hope ^ 3= ;= n ± 5=J 25 ^m 3. Head of Thy Church be neath! The the On her mem bers breathe; %t Mr J_g d 2* 2. Our fce One prest be fore the throne; The slan, the rs Son, ==3= ± = t t = S fn. One on ly watchword,love; From df tern pes though t One song ascsnd to 3= =3= 3 ^ * V 3t=d 3= =N=:F 3= vb Re er, Lord lone! And sghs from con trte hearts that sprng, Our chef, our choc of 3= 3= =3= t :t=3= Her bro frame re newl Then shall Thy per wll be done, When Chrs love and lve Jf=ztz 3=3= 3=3= 3= 3= t ^fc=n^^ga M tll Ths hymn frst appeared n a volumn enttled "Orgnal Hymns," 843, under the ttle of "Chrstan Fellowshp." Geo. Robnson was an Englshman, and probably a clergyman. He has not been suffcently dentfed as yet, and hence no facts of hs lfe can be gven. He contrbuted fve hymns to "Dr. Lefchlds Orgnal Hymn. The hymn above referred to, "Zebulon," s one among Dr. Masons sacred songs, and s characterstc n ts sweet melody as are the many tunes composed by ths forerunner of Amercan Sacred wrters. There have been several attempted changes n ths tune, but none of them seem to have mproved on the 0ngln Copyrght, IMS, by J. S. lames. ^

83 b lant ed 26 THE KINGDOM COMING. " And as ye go, preach, sayng, the kngdom of heaven s at hand."matt. 0 : 7. Mrs. M. D. C. S,ade, 87. Key of Et. PS =3^^ F3= {VN~ =5=3= r^k K :»_>n?h===:t::e 3=== Dr. R. H. McInTOSH, 87. "Art 5.TE r\" ==N=3=fr^==^=r=r===r=S=J E==Fr==3&=t==^3»..,. From all the dark places Of earths heathen races, Oh, see how the thck shadows fly! The voce of salvaton Awakes evry naton, Come b~a *N r~ s:n. r~ I AA ^^^L A\ JSN AA 3VA AA IsN AAl dtjmt: 3SA3. The sunlght s glancng Oer armes advancng To conquer the kngdom of sn; Our Lord shall possess them, Hs presence shall blessthem, Hs ^ ANz». ^ AA tr NN~ I k fr "4r» sr N"NI Nr S r Wth shoutng and sngng, And ju ^LM $ $ beau 3= rngng, Ther arms of re bellon cast down ; At last ev ry na ton, The Lord of sal va 9^ :t=t={c ^=3===t=F=3 3=t ton Ther vh 3 V= A=A= >=r=s==>a =A=A=A= A A A A AA= =t as === t =t 9 =t ver and help us, they cry. The kngdom s com ng, O tell ye the sto ry, Gods ban ner ex alt ed shall be! A d ^?^ ^ ty shall en ter them n +h *= m tt =t alt Kng and Re deem er shall crown. The kngdom s com ng, O tell ye the sto ry, Gods ban ner ex 2fe =t= :P= v v*> 3= EE shall be! v vh 3= Mrs. Slade has wrtten a great many hymns for dfferent composers of the Unted States. Prof. R. M. Mcntosh was born 836 and ded 899. He was an Amercan teacher and composer. He ded and was bured at Oxford, Ga. He was employed as nstructor of musc at the Methodst College at Oxford, Ga., for a great many years. He has wrtten and composed some of the leadng church hymns and tunes whch now appear n all of the church musc of ths country, and especally of the M. E. Church, South. He compled, composed and publshed a large number of tune books, perhaps the largest of any one n the State of Georga, except Prof. A. J. Showalter. copyrght, 909, by j. s. James.

84 dence ~M 9:k Z_a.. (Mr THE KINGDOM COMING. Concluded. 27 t: earth shall be full of Hs knowl edge and glo ters that cov er the sea I A earth shall be Hs knowl edge and glo ry, As == BOYLSTON. S. M. ters th.;t cov. fc, P Isaac Watts, 767. Key of C Whom have I la heaven but thee? and there s none upon earth that I desre besdes thee " Ps. 73 : 25. Loweu, Mason, 832. J «ll II UJ» 3 ^ ^ S N «> tv_ a. «Itt JJ»» a d tj lj u. a V \ JJ VI^A " 8* IN! * * *... l «. can not lve f Thou art all n all.. 3. a are; 4. a an gels blss ; a sus To Thee, to Thee call; Thou remove, For My God, my lfe, my love, 2. Thy shnng grace can chee Ths dungeon where I dwell Ts par a dse when Thou art here, If Thou de part, ts hell. ) II L * III T) *> r VU "^ B j ^ L 3 d s a4~ "3 Jl " " " 0 O M + 4 " " rj The smlngs of To Thee, and Thee Thy face, lone, How The am ble they Ts heavn to rest They st round n Thy Thne embrace, gracous.throne, And nowhere else but there. s. ) 4 L? IN " A Tl *> a J 5 /"J r yjrsr^rk J "I! ~ d d 3 Jm! ma ^ y 5. Not all the harps a bove Can make a heavn ly P ace, I, God Hs res remove, Or but conceal Hs ace... >. I..J <> n p\ L I. P la. P J 3 II._ J a M ^ P ^ ^!.:^ " ^ * r ^ f ~j rr 3 JJ U L LI L JJ g Orgnal ttle to ths hymn was" God All n All," n hymns of " Sprtual Songs," book two, publshed 707, by Dr. Watts. It s based on Psalm 73,25. It s clamed by some that ths tune was not orgnally composed by Lowell Mason; that t was taken from Plsbury. It s conceded, however, by most wrters, that at least the tune n ts pesenl shape was ether composed or rearranged by Dr. Mason among the large number of others he composed n 832. Copyrght, 809, by J. S. James. IB ll l

85 <* ^ 28 AYLESBURY. S. M. Rev. Isaac Wats. 79. Key of A mnor. "Oh, God s thy prase unto the ends of the earth. Thy rght hand s full of rghteousncs." James Greene. Ps "If ths God s our God, forever and ever he wll be our gude even unto death". Ps aep= * = =a^. Far as thy name s known, The world declares tly prase ; Thy sants, O Lord, before thy throne Ther songs of honor II zz:zpzr:jzzzfz =F3=; : t. === m =f :t=t== =t =F= 2. How decent and how wse! How glorous to behold Beyond the pomp that charms the eye And rtes adorned wth gold, =*= :e=ep rfege ^&Pcg:E±=?: F*= =t= 3. he God we worshp now Wll gude us tll we de, Wll be our God whle here below, And ours above the sky. "A. fa =t= t=& =p=pt SPS 3E =t rm^ =± ± Ths hymn s taken from a hymn book called "The Beauty of the Church," or "Gospel Worshp and Order." at has sx stanzas. The tune Aylesfoury s n the older song books and s a fne mnor peoe of musc. It s on page 28, of the Sacred Harp. And was composed by J ames Green. zazzzc^ rjsc MEAR. C. M. Key of F. Aaron Wjllams. 760 I?z E tszoz mm ZZ2ZZ?ZZ ===, SHSzg^^^fe z»z*z Wll God Forever &z. =pz a z^m hzaz Tzt cast us off; Hs wrath forever smoke, Aganst the people of Hs love, Hs lttle chosen flock? =P= =pqsc ^; trztz^o r=c 3Z=t There s two sources clamng the authorshp of ths tune. In one t posed by a Boston Mnster, (but do not gve hs name. There has been s credted to Aaron Wllams, who was born 734 and ded 776. but lttle change n the melody. B. F. Whte made slght changes In the tune s a Welsh ar s wthout dorbt. The Amercans clam an ear the tenor and treble some tme about It s one of the standard ler date for the tune, 726, that t s an Amercan tune, and was com melodes and has been for nearly 200 years. Copyrght by J. S. James 909.

86 =cs=a= =ra ELTHAM. 7s, D. 29 " For t Is wrtten, as I lve, ssyelh the Lord, every kuee shall bow to me, and every tongue shall confess to God."Rom It : Harret Auber, 829. Dr. Lowell Mason, 840. ~N Pv zqzz zzzzzr j».^a k I* *3V A &=?*+» 0 ====F=========F» Mb «F. =^= =»F===F=s==t=======F===l a bp^, A a vv vw v\r. Has ten, Lord, the glorous tme.when, beneath Mess ahs sway, Ev*ry na ton, evry clme, Shall the gospel call bey. _= zt :== =S=3fc? 3t ^ OrA3= wars and tumults Then be banshed gref 2. Then shall cease; and pan; Rghteousness, and joy, and peace, Undsturbed, shall ev er regn. AzzzzE^ A»# ^<lv =g=ft2 :=! ^HSE3==N=3=3=t3=J # ^ j^jzfjz3j^3z*^eg=l * =j= 3 >r00 ^ <; V *"* g=gg_ssh 3. Tme shall sun and moon obscure, Seas be dred aud rocks be rvn, But hs regn shall stll endure, Endless as the days of heavn. wm aaf a* av cz 99 P= m=9. azzazbz tt. 9* :t=t m * v v *vv 3SN3N zlzzzzzzzz AA, 0=^0=0=, y kbpb a jb bf Mghtest kngs Hs powr shall own, Heathen trbes Hs name a dore, Satan and ANN = =r m :?*Anf* AA g cz\zzz^zzz^zzzzz^zz^zjzcg zzrz^zzz^,»sf==b m h I n^fa H hs host orthrown, Bound n chans, shall hurt no more. ~\tn Then Thy spr t shall descend, Softnng ev ~0m 00 ry stony heart, And ts sweetness nfluence lend, All thats lovely to See hstory, page 3 v?? 9 * y =p=q: jt«= S Zfczfct =n=3= m m part 3W A=l= *! Bless we then our gracous Lord, Ev er prase Hs glorous name; All Hs mghty acts record, All Hs wondrous love proclam. vv<* 000 AAA A» v\jzzzzztz vv? =M * V V Copyrght, 909, by J. S. James. t p # ll

87 tered bles 0 ly 30 Hstory of "Eltham." (See page 29.) Some mnor changes were made n the above tune by L. W. James and J. S. James, but t has some very fne strans. Ths s one of Dr. Lowell Masons sweet melodes, and appears n Masons " Sacred Harp " of 834, but we have put t down as havng been composed n 840, sx years later, as t now appears n most of the publcatons. It s supposed that he rearranged t n 840. See further sketch of hm n other parts of ths book. Harret Auber, author of the above hymn was born n 773 and ded n [862 She wrote a volume of valuable hymns about 828, whch was publshed later. She was a woman of great pety and nfluence, and many of her hymns were used by the Reformers sprngng out of the Church of England. See further. sketch of her under tune, "Heavenly Gates." JEEEgEEE: =F THE CHRISTIANS HOPE.. We have our trou tc:=t=t ==== == = here be low, Were trav lng through ths world of woe To that brght world where loved ones go,where 2*fe zz4z z. Were fet and chaned up n clay, Whle n ths bod Ak._ p 0 :t=t=t=t :l: c 3, I feel no way lke gtt tng tred, Im trustng n Hs Ho y here we stay; By fath we know a world a bove, Where ztz*: zzzt=zz 3zz F$rzzzztzzT*zzz^zp > # 0 :<9^l:»TrF» """=? " # t=e P3w=*==p3 zfzgzpz. rzzztz Word To gude my wea ry AA =t : Key of G. "Lord Jesus Chrst, whch s our hope Tm.. H. A. Parrs, fP AA "Fr8 P» Krf, K» AAA_ tzzztzztzzfz feet above,where # # zztzzzztzzz\z all s peace and love, Where all s peace and love, To that brght world where loved ones go, Where all s peace and love. ZPZZp 3= I^zz^zcz^zzzzzzr^zz. Izz^zzzf^zzzzz^z all s peace and love, Where all s peace and love, By fxth we know a world above, Where all s peace and love. m Aa» A A z\zzz\^"z0zz^z4zzz^zzzz\ m 0 p0 rh A k ^rp ta laaa =? e~ 00P0 tzzzz\zz± tzzz±zzm*^ft t=t=t=f= all s peace and love, Where all s peace and love, To gude my wea ry feet above, Where all s peace and love. We have no data from whch to gve a hstory of H. A Parrs, author of the above tune, whch he composed n 907. Copyrght, ly(w, by J. S James. =t 9 y

88 CORINTH. L. M. 3 Rev. JOS. GRIGG " Whosoever therefore shall be ashamed of me and my words, also shall the son of man be ashamed". Mk J. MESSENGALE. g^y^fe^ tztzt v==_ ferf =J=tt= J=A=l=k zjzzzz =3 ll Jesus, And shall t ever be, A mortal man ashamed of thee? Ashamed of thee whom angels prase, Whose glores stne through endless clays? 3t I 2Ashamerl of Jesus! just as soon, Let mdnght be ashamed of noon; Ts mdnght wth my soul, tll le flee. Brght norungstar bds darkness j fms V jpz^zz t." ztzt. zz± ^e^; N A II P PJpt t f" f r* L. II r~~ ^* fa * T~ h U ^W 3 Ashamed of Jesus sooner far Let evenng blush to own a star: He sheds the beams of lght drvne Oer ths benghted roul of mne. 4Ashamed of Jesus, that dear Frend, on whom my hopes of heav en depend! no, when I blush, be tns my shame, That I no Ths hymn was orgnally composed by Jos. Grgg when he was but ten years old. n the authors publcaton It s one among the hymns selected n the Natonal Hymn was "Ashamed of Me." favorte hymns and the musc to whch t s Ths s one of the appled has some of the sweetest chords found n most sacred tunes. more revere Hs name. Jos. Fawcetr, one of the greatest orators and hymn wrters of London, was a nephew of Jos. Eoolt of Amercan Churches. It appears n the leadng Hymn books of Grggs. Grgg was born about 720, ded 768. the 7 denomnatons theren descrbed. The orgnal name of the hymn Ths tune s credted n the SACRED HARP to John Messengale. There s some doubthowever, about hs wrtng the musc,"yethe may have made some mportant changes n t. Sketches of hm are gven on other pages ofths book. Copyrght 908, by J. S.JAMKS.

89 32 Leanng On The Everlastng Arms. Rev. E. A. Hoflman. Key of "A" (Copyrght, by A. J. Showaltcr.). What a fellowshp, what a joy dvne, Leanng on the everlastng arms; What a blessedness, what a peace s mne, Leanng on the everlastng arms. s M S ^ ^m t*g0 *J 0.^4 ~ ^ > ^ ~ B B B. ^ ^ 2 Oh, how sweet to wahk n the plgrm way, Leanng on the everlastng arms; Oh, how brght the path grows from day today, Leanng on the everlastng arms. fetfarr^^ =&=*= Zt3*3t # =fe=?5=3= tljcfl^jljjjj^^^3 3=F=e S 3. What have I to dread, what have I to fear, Leanng on the everlastng arms; I have blessed peace wth my Lord so near, Leanng on the everlastng arms. REFRAIN. e 3 =&HW^^ s ^B^^^q^Sfl,Pjd< ^gh^ 6 ac F^ttjtjtt^ S USP0 m. S =p=f VvV^ rztsztzt 3* 3C3 Jcfe=s ands Leanng on Jesus, leanng on Jesus, Safee andsecarc from all alarms; Leanngon Jesus, leanng on Je*sus, Leanng on theeverlastns arms. Lean m 5 MP P I 0 C & th =t=th [ ^ M P~M T m m wr my «=^ Leanng on the everiastng arms. Gng, lean ng, Safe and secure frcm all alarms; Lean lean ng, m tm^ fc =fcft ggjj st & ztr\ l Leanng on Jesus, leanngon Jesus, Safe and securc from all alarms; Leanngon Jesus, leanngon Jesus, Leanng on the everlastng arms. * k. k_* h k. k_ h h h k.* k_. _k k._. gk k* kkv kkj k kktzzjzzr Zffzzpzzzpzrzrzazzzr l^zw IZZJZ I I / tf^t; *=ac tzzzl 9 :32= ZyZZtZZZZZrZlZZk.=SI s

90 L Fanne J. Crosby =r=r==fc=35= PASS ME NOT. Whosoever shall call on the name of the Lord, shall be saved. " Acts 22. Key of A Sat. jv 33 W. H. Doane =k^=* z^zzmzzzzt *M :=F=. Pass me not, O gentle Savor, Hear my humble cry; Whle on others thou art callng, Do not pass ne by. =fc =J4==t z*zzztzzzzzz: *^^Zm\L^gZZZ±ZZZZ^ Xzz*p 0 ^*\zzz*l_zf. =ra «# 2. Let me at a throne of mercy Fnd a sweet relef; Kneelng there n deep contrton, help my unbelef.^ =*S LtS~ t± J=3==fc^=fe==±3 T^ =fc =:3=3t ^E uszttz 3. Trustng only n thy mert, Would I seek thy face; Heal my wounded broken sprt; Save me by "thy Grace. 4. Thou the sprng of all my comfort, More than lfe to me, Whom on earth have I besde thee Whom n heaven but thee? rfc ^FS =fe Savour, Savour, Hear my humble cry; Whle on others thou art callng, Do not pass me by =f= 3=333 f*5 ^& 5E II =r= =t IL ==3= zszzsz:?_ $= rtr tz + Idl s s sad to Ibe one of the farvorte songs of Fanne J. Crosbys numerous Gospel Hymns. She was blnd from nfancy, She s about ; old, and wrote over 5,000 hymns whle (blnd. Her blndness was caused by the gnorant applcaton or a hot poultce to her eyes > was only 6 weeks old. She was marred to Alex Van Alstyne 858. She contnued, however, to wrte hymns under her maden name. a resdent of Cncnnat, He has composed a great deal of frst class sacred hymns and tunes.

91 34 Mrs. Sarah Fowler Adams. 84. NEARER MY GOD TO THEE. 6s and 4s. Br. Lowell Mason zgzl =r=t =R 42te3t 5 3=3 ^=g: B2 3E3=. Nearer, my God, to Thee ; Nearer to Thee! Een though t be a cross That raseth me, Stll all my song shall be, Nearer, m z&z =t =t=t *#3W zt :==fw ^^^^S 2. Thougto lke a wanderer the sun goesdown Darkness be over me, My rest a stone, =55 ztzzzzst ==t=f Yet n my dreams Ill be, Nearer, my God, to Thee, Nearer = #=*3^; 4 4^» zsw 3. There let the way appear Steps unto heaven; All that thousendest me. In mercy gven ; Angels to beckon me Nearer 4. Then wth my wakng thoughts Brght wth thy prase, Out of my stony gref! Bethel Ill rase, So by my woes to be Hearer = = = &*& ==p: ==t= =3= 5. Or f on joyful wng Cleavng the sky, Sun moon, and stars.forgot, Upward I fly, Stll all my song shall be, Nearer ^=Kt±= s*2 & The hymn, "Nearer, my God, to Thee," was composed by Mrs. Adams. She was born at Harlow, Eng. 805, ded there 848. At her funeral the hymn was sung, "When Falls the Shadow, cold n death." y God to Thee, Nearer to Thee! author of ths hymn seems to have come to us from a provdental & *5> source. Benjamn Fowler, edtor of the Cambrdge Intellgence, who was the father of Mrs. Adams, whle n jal 798, who was charged by Bshop Watson, of Eng. wth defendng the French Revoluton, crtcsng the poltcal course of the Bshop. Whle n jal some lades vsted hm, one of whom was Mss Elza Gould. She became attached to hm and eventually they were marred, and Sarah was born unto them. It ^r=p.. "fl s clamed that the crcumstances attendng the early chldhood of ther daughter Sarah, brought forth the noted and much beloved hymn.!z)z^ J Ths great hymn was on the lps of Presdent M<oKnley as be lay dy ng from the effects of a wcked murderers shot. It Is also remembered by many on account of the charge made toy the Rough Rders n the Spansh War, when the song was taken up and electrfed the whole J army of Amercan troops. The

92 NEARER MY GOD TO THEE. 35 Bshop Marvn, of the Methodst Church, was saved by t from help less dejecton whle n exle durng the Cvl War, hearng t sung by an old woman n a log cabn, n the State of Arkansas. There are many other ncdents connected wth the hstory of ths song. Mrs. Adams belonged to the Untaran church. It stands as one or the great standard hymns of all of tha Protestant Churches. It s No. 2 of "Best Church Hymns," of Dr. Bensons selectons, and s also In the Natonal Hymn Book of Amercan Churches. Dr. Lowell Mason, author of the tune Bethany, was one of the greatest and best composers of Sacred Musc, f not the very best, that ever lved n Amerca. Mason was certanly the founder of modern Sacred Musc. He was born at Medfeld, Mass., 792, ded at Orange, N. J He taught hmself the rudments of musc and was n charge of the Church Chor at Medfeld when he was G years old. In 82 he moved to Savannah, Ga., engaged as a Clerk n a Bank. He contnued to teach musc add n 827 returned to Boston and was made presdent of the Handel, Hayden Socety. 832 he establshed the Boston Academy of Musc, 835 the New York Unversty conferred upon hm the ttle of Doctor of Musc. In 837 he vsted Europe and studed musc, addng" great fame to hs already wde reputaton. He has wrtten a large number of works on musc and some of the hghest standard tunes are credted to hm. Many musc wrters concede to hm the honor of beng the founder of Amercan Sacred Musc, and Bethany Is one of hs standard Sacred Tunes. Copyrght by J. S. James 909. DENNIS, s. M. John Fawctt Slow and Soft. Key of F. J. G. Nagel Arr. by Lowell Mason zpzzptfz SrHlrS m ZZZL±Z. Blest be the te that bnds, Our hearts n Chrstan love; The fellowshp of kndred mnds Is lke to that above. 3= 3=== 5 jta S ^rrrj WW?=?*=3 =F P0 &, 2. Before our Fatherss Throne, We pour our ardent prayers; Our fears, ourrropes, our ams are one, Our comforts and our IzzSE 3= ^ =F ^j^^^^^^^m 3. From sorrow, tol, and pan, And sn, we shall be free ; And perfect love and frendshp regn Through all eternty. a^ :fee S es IS fhn*=ff^f & I == 3=== John Fawcett was an able Baptst mnster. He was greatly endear ed to bs people. He lved and ded at Wansgate, Yorkshre, Eng. Johann G. Nagel. a Swss musc publsher, composer and poet, was born 768. He composed mostly vocal musc for school and church use. He was a great muscan. Denns s a. German melody. "Brotherly Lx>ve" Is the ttle n the Authors Hymns. Dr.

93 mem ber the pure w 3rd cf grac, Remember Cal member cate Now Whle member els els els =fcj=*! 2. Re 3 Thou wondrous advo :&rf=r Zm 0ZZZf l\zr^» zzzzz 0P0 m04 e_js_:3_= Z. va wth God, yeld myself to Thee, 36 PISQAH. C. M. Rev. Rchard Burnham, 788. Key of At2. "Lord, remember me." Lone 23: 42. J. C. L.OWRY, 820. ZJlfrXZZ^ L*LZZWZZ0*Z. h zlzzpzl?z zczzztzz^tzt. P$lm. PF«0 3 ;^,gt I **t±zzzz =M_trjt3t=«:Eg^E^ ^ * < Je sus,thou art the snners frend, As such I look to Thee, n the bow of Thy love, O Lord, remem ber me. =3=3 JF, FP^?a==F3==r=J=^f 3=3==:;.: P^ ry, Re w z*z\zczzz* : :B 3zzz}zzz\T^pzzz0Zzzzrzzrz\Ez\z\z^0ZZ0Z\ ** F^jFj^^ all Thy dy TzzzzzZtz :p=*= =L=±=* LP* ~j= 3 :t=t ==E^====_^EE=j ng groans,and then remem ber Thou art sttng on Thythrone.O Lord, t me. &E}=tm remem ber me. :p=p=p: t=t=tek f=g=j=rfr 4. And when I close my eyes n deth, And creature helps all flee, Then, O my great Redeemer, God, I pray remember me. =fchmf" ZTZZPZZ 3====3= 0PP 00M :d: j ^ m0±00jm O Lord, re me. O Lord, remember me, Now n the bow SgE^SE3E^Eg=j=^g of Thy love, O Lord, remem ber ^0WyPg! =^l^ ^Hgs==^^^=^ss e^^^sfeh^segs^gsjj^^^ra^r^pe O Lord, re member me, O Lord, remember me, Now n the bow %zzz\^=2*j&^*r.^0zz*^^ of Thy love, O Lord, remem ber Ths hymn was frst publshed n the authors new hymn book of dverse subjects. He trusted n the grace of hs Master for an abdng place of hs mmortal soul. He was bured n Totenham Court Chapel n 80. J. C. Lowry was a muscan rf standng n hs day, and wrote a greal deal of sacred musc. The tme of hs brth and death we have not been able to ascertan. Copyrght, rju», by.s. lames. me. me.

94 ed ed.. L. L ed 0 WHY NOT T0=NIGHT? "Look unto me, and be ye saved." Elzabeth Holmes Reed, 825. Key of F. J. Calvn Bushev, y>J^ 4 a. a h.. J» F * m. a m. a l^efd a a a. a / j LL _ l 5_ u 5 ^ f ^ u 5 k. " T. a Bk l( r Q I k. J. L( L. O do not let the word de part, And close thne eyes aganstthe lght; Poor sn ner, hard en not your heart, Be saved, O tonght. r 4 rt) P*. \y ** *^ > ^ ^ > \ RI Ml J ^. J ^ z. To mor rows sun may never rse To bless thy long de lud sght; Ths s the tme, O then be wse, Be saved, O to nght. I 4 ^ ^ : s ; S "S K a a 7Sw^tf^UJjdWW F J^ * F j! n r W y,> V; <* *.»! nff ll!j * B U / tk. s \P a a ^ 3. Our Lord n pt y lngers stll, And wlt thou thus hs love requte? Renounce at once thy stubborn wll, Be saved, O tonght. c\ *. P K N c l 4 r b. H, w 0 dd d d ; y j y h J tj *" d hh m 4. Our bless Lord re fus none Who would to Hm ther souls unte; Be leve, o bey, the work s done, Be saved, O tonght. S4~ 3= MzndzMzzz* f>> S3=^ =*# u dfct =±t k^ jt_ ^:t y={ht O why not tonght? Why not tonght? Why not tonght? O do not let the word de part, = ^^ =t a m. am == =&3=*: N& p r " 0 a. =*3= MM^MM Zdztd F^ J... C fl H*r=$=r_;* j fc l4 ^ J* 3Ts T3 2 (w ^ W ^ * * ^ ^ ""d". ^ _"d". ^ v Fk h >r 37 And close thne eyes aganst the lght. l l wm O why not tonght? Why not tonght? Why not tonght? Why not tonght? Wlt thou be saved? Then why tonght? t, c n I T5>r r^ st=t rr z^tmw O why not tonght? O why not tonght? Wlt thou be saved? Then why tonght? kk!kk kkk k H V9 S=t=* OtZPZ dd~. tsr5" O why not tonght? Why not tonght? Why not tonght? O do not let the word depart, the word depart,and close thneeyes aganst the lght. Ths pleadng hymn of nvtaton to snners s a sermon n tself. It s well suted for revval occasons. Mrs. E. H. Reed was the wfe of Dr. Andrew Reed, and the daughter of a noted merchant n London. Her maden name was Holmes; born 794, marred 86, and ded 867. She wrote and contrbuted nne teen to her husbands hymn book of 84. Bushey wrote the melody to the above tune, and perhaps added the words to the chorus. Copyrght, 909, by J. S. James.

95 38 WINDHAM. L. M. Isaac Watts Key of E. Mnor mmm ^Iz^lpTp^r Matt. 7, 3. " Wd* s the gate, broad s the way that leadeth to destructon". Matt. 7, 4. Straght s the gate, narrow s the way that leadeth unto lfe.. =3= 3== P^ :== Danel Read ztza: 3 ====^. Broad s the road that leads to death And thousands walk lo gether there ; But wsdom shows a narrow path Wth here and.here travcler. * ll^l=r^}:?z=3^j^^ ::3=3===: :.=3t^* m :=r 2. ("Deny tn self, and take thy cross, Is the Redeemers great command; heavenly land. I 3=t I ;}=*=?: fe t*~d wsm zytzy z^zdj*zz^zz zhzz\z 3 The fearful soul that tres and fants, And walks the ways of God no more, Nature must count her gold but dross, If she would gan ths =j=rjj===.^:t"l==l=t t=3st I fs but esteemed almost a sant and makes hs own destructon sure. :p=z 33=. azz. :T3a: :P=f=l= :p= g=^ EEE es ±= 3Qm 4. Lord, let not all my hopes be van, Create my heart entrely new; Whch hypocrtes could neer attan, Whch false apostates never knew. Danel Read, the author of the musc was horn 757. He publshed the Amercan Song Book n 785. Columban Harmony 793. He also com pled and publshed several other selectons. He ded at New Haven, Conn. 83G. The musc frst appeared n the Amercan Sngng Book. He was the author of a number of standard tunes, Sherburne, Russa, Stafford, and other Psalmodes. He was an amercan composer. Dr. Watts at the tme he wrote ths hymn, was engaged n wrtng Church Musc, and a large number of hymns are dated about ths same tme, 200 years ago. Copyrght, 908. by J. S. James

96 " t===7:efi. J. W. V SOLO OR DUET. Lookng Ths Way. 39 "I am the resurecton and the lfe; he that belevethn metho he were dead, yet shall he lve." John 25. J. W. VAN DE VENTER ;= s ^ V svv **_ ^ ^ \r: * v b^ ^T\r~ j ^ * Err I. Over the rver faces I see, Far as the mornng, lookng for me; Free from ther sorrow, gref am dspar, Watng and watchng patently there 2. Father and mother, safe n the vale, watch for the boatman, wat for the sal, Bearng the love ones over the tde Into the harbor, near to rher sde. 3. Brother and sster, gone to that clme, Wat for the others, comng sometme; Safe wth the angels, whter than snow, Watchng for dear ones watng below. 4. Sweet lttle darlng, lght of the home, Lookng for someone, beckong come; Brght as a sunbeam pure as the dew, Anxously lookng, mother, for you. o.jesus the Savour, brght Mornng Star Lookng for lost ones strayng afar; Hear the glad message; why wll you rom? Jesus s callng, " Snner, some home." * CHORUS. fe= V:V^F" ::_, vn njj A^jtr " 3=0^ 3 ^"> s % ^+p v ^^l^j>^jbrf!=r3fv«?.l2ll,", t^ * l*z* _V vs f^ "vt7 P"" N ^NP ~fl * m ng ths way, yes, lookng hs way; Loved ones are watng, lookng rhs way; Far as the mornng, bn^t as tre Jav, Dear >j.es *: * L_. s = " r_* I "=r JJ. glory leakng ths way. > K.pt v k k. k. r>. s.:k.> m ^» y^9 3=z=EE====. ^t nttk.3 VH^l {* </**sm J. W. Van De Venter resdes n New York, and has for several years. He has composed some very fne hymns and tunes. He s the propretor of a notel and wrtes musc durng hs lesure hours. The above tune has some very sweet chords and s hghly apprecated by many people.

97 , " ~ " ~"~ 40 (Charles Wesley s :t=t=" Key B. Flat ZZ\ZZZ3. _l_. :=*f=j=*t:: Blow yc the trumpet blow, The gladly LENOX. Lev. 25: 25. Lews Edson t":.gkzzzpz solemn sound ; Let all the natons know, To earths remotest bound, =^EF3^3=l:F=r; r=^r==" == ^=3 l33=3=3=4=e=====] zzzzazz^tza_z_00^:\z?2lzz0 l:h #«= =fc 3223 == a a WA 2 Extol tre Lamb of God, The all atonng Lamb; Redempton through Hs blood Throughout the world proclam; 3 = h==;=3==; Z0ZZmztzZLZZJL 3 The Gospel trumpet hear. The news of heavenly grace; And saved from earth, appear before your Savors face; w. _,.,,,,^ SzlzszzEz^rzz I sut w.kvj» *^ n L==; tdzzmzjzzm±*zz0_j_ fmmmm\^ g The year of jublee s come; ^ ::*?:; *? =3= +PP MZZ^^4 IE zzzzdzj The year of jublee s come; The year of jublee s come; Return, ye ransomed sn k. kt k. k. t&tz t=±=l== " ners, home. ^ylj=: \zzczzzzzzzzhz ztzzzcz±zz±z\z czztz rztzz 3t: ^=^3333= Orgnal ttle to tls hymn was "The Year of Jublee." Publshed n the authors Hymn Book for the year 750. Some authortes have cred ted ths hymn to Toplady. Ths s ncorrect for the reason that Top lady was not born untl 840, and could have >been only 0 years old at that tme. Lews Edson was born 746 and ded 820. Was an Amercan composer of great ablty. Copyrght by J S.James I II

98 tals ers deem ers Key of F. Wzf Shep herds re ( News from the /No IA f gold man nor ger joce! re pur for lft gons SHEPHERDS REJOICE. C. M. D. 4 up your eyes, of the skes, /Thus Ga brel sang and straght a *\They tune ther harps to soft ly " The Lord * my Shepherd. P9. 23 ; L. P. BREEDLOVE. 2 And A send your fears a way, Savours born to P= Wzm day./ 2 Rearranged by B. S. Aken, 908.!: t=_= ZZ Je sus, the God whom =t=t= pe swad dlng bands, Nor roy al shn ng thngs, \ Hs era de stands, And holds the Kng of kngs. J Go, shepherd where the * nj^=h round The heavn ly ar mes throng, \ sound And thus con elude ther song. / Glo ry to God who t: ± ztz 3t 3t=t gels fear, Comes down to dwell wth To day He makes Hs en trance here, But not as monarchs do. =t= ± 3= =t = fant les, And see Hs hum ble throne, The tears of your eyes, Go, shepherd kss the Son. *= =t: ztz. =t=t =t regns a bove, Let peace sur round the earth, Mor =t shall know ther Mak =3== love At ther Re ll ===8 brth. These are part of the words taken from the tune " Oxford " n the " Sacred Harp," words orgnally appearng n the " Methodst Hymn Book," page 425. L. P. Breedlove composed several tunes whch appear n the " Sacred Harp." B. S. Aken resdes at present n Pke County, Ga.; s a fne snger and a great lover of musc. He s on the commttee of revson of the Sacred Harp," apponted by the Unted Sacred Harp Muscal Assocaton of 008. Mr. Aken s a member of the Baptst church. Copyrght, 900, by J. S. James.

99 rect.. rect rect rect 43 EXHORTATION. C. M. My voce llou sbalt hear n the mornng, O Lord, n the mornng wll I drect my prayer unto tbee."ps. 6: 3. W ^^^m. 3=f= (Lord I Pre 3E.sE =r=3= the morn ng at ng the Thou. Fa. I Up to the hlls where Chrst I Sn ners shall neer be Thy. EE /Thou 3\Sn B:r4 dlzsl QE :* art ners m mm a shall ±: God neer =rt\ j^ be fore be Thy p_: shalt hear My thers throne, Our voce.. songs. cend as and our com ===t 3= 3 =N=3=3= s gone To plead de lght, Nor dwell whose sght de lght,.tufcjt *» SZZZZ0ZZZZ, t=t=t = To Thee wll I d The Nor wck dwell I? for at ed at shall. Thy.. m ng hgh: plants, Hs sants, rght hand. J H] ch^ not stand; \ rght hand, / 0 =t =t: ll m ^"P JL+Z II my prayrs, To Thee lft up mne eye,. To Thee lft up mne eye..drzzdd ^=3=3==3==3==±: d U «* jt* * To Thee wll I d my prayrs, To Thee wll I d my prayrs, To Thee lft up mne eye. r»«t >"*t q«g mm *r tzzpz t=j=t: M^f: zm^zz^zmzz^zzip p,_j =: *}0 m h<w F^* To Thee wll drect my prayrs, To Thee lft up mne eye, msz zz*zzd ==3=3:p=. zxzzzdzzzdz*: m To Thee wll I d 0 I^q To Thee wll I drect my prayrs, To Thee lft up mne eye, To Thee wll Copyrght, 909, by J. S. James. H»^# my prayrs, To Thee lft up mne eye. =Et=======l=3 drect my prayrs, To Thee lft up mne eye.

100 well ble ble Hstory of " Exhortaton." C. M. 43 Ths hymn orgnally had " eght stanzas, and the ttle was, For The Lords Day, Mornng." It represents Dr. Watts dea of the Psalm above, and t s referred to n the works of hymnology as one of the standard hymns of ths gfted, fluent wrter. He was born n 674 and ded n 748. The composer of the melody s unknown. Ths tune frst made ts appearance n Whtes "Sacred Harp," but no trace has been kept of ts authorshp. Isaac Watts, 709. Key of F. 4 PRIMROSE HILL. ( Ths hymn represents securty and purty.) J=I^»=3^:"=!^pF/=T353=4V.7^3= ==3 ^=EEEE===^=? ^::yj?3. When I can read my t te clear To mansons n the skes,.. 2. Should earth a ganst my sou en gage, And f ry darts be hurled,. 3= zzczz?lzf^zz^rz^zz±=zz 8± :dzzzd Mzzddzzgzz^dzlzdz^ 3. Let cares, lke a wld deluge, come, Let storms of sorrow fall,.. 4. There I shall bathe my weary soul In s^.s vf he.tvnly rest,.. *c== S k. > =p=*= t=t=t: =V3= Z^Z0Z. bd farewell to ev ry fear, And wpe my weepng eyes, Then can smle at Satans rage, And face a frownng world, :3=h*=t.dzzdzz^z So but safe ly reach And not a wave of trou l===e:e=fclee / =5==?h=P my horre, My God, my heavn^ my all, roll Across my peaceful breast, 3 =P=F= zmzttz pf=^^ ZZMZ± ;p=*3e=: E3^E ry tllf*^ Ill bd fare well fear, bd fare ty Then I can smle Sa tans rage, Then I can smle at ZZ*ZZ ^^^^^^^^^9^S^^^^*^, N but safe ly reach my home So I but safe ly reach my home, My God, my heavn, my all. of trou ble roll, And not a wave of trou roll Across my peaceful breast. So And not ^TE5E=3c ^ njl. *Z k kk.!«) P» Xzzzgzzztzzzzz^zzzzrz ev ry fear, And wpe my weepng eyes. Satans rage, And face a frownng world. 0^0 :±r The orgnal ttle of the hymn was, "The Hopes of Heaven Our Support Under Trals on Earth." It appears n the authors " Hymns and Sprtual Songs," Book No. 3. Verse two, lne two, was orgnally wrtten " hellsh darts " nstead of " fery darts In the thrd stanza, ; may I" nstead of "so I." Ths precous hymn s held n hgh esteem wherever the Englsh language s spoken. It s appled to many dfferent standard tunes n the Protestant church hymn books. It s set to the tune of " Marlow," and arranged by Dr. Lowell Mason. It s one of the standard hymns, and so recognzed n the " Natonal Hymn Book," and by the leadng Protestant churches of Amerca. Author of the musc s unknown. cop!ght, 909, by J. S. James. =3= =5=3= ]

101 44 GATHERING HOME. 0s and 8s. In the dspensaton of the fullness of tme He mght gather n one all thngs n Ctrst, on earth and n heaveu.eph. 20. Mss Marana B. Slade. 87 TrftN jl=53«chorus. Dr. R. M. Mcntosh, 87. VNNN =*^m. Up to the Bountful Gver oflfe, Gatherng home! gathernghome! Up to the dwellng where Cometh no strfe, The dear ones are gatherug home. 2. Up to the cty where falleth no nght, Gatherng home! gatherng home!up where the Savours own face s the lght.the dear ones are gatherng home. Gatherng 3 Up to the beautful mansons above, Gatherng home! gatherng home! Safe n the arms of hs nfnte love, The dear ones are gatherng home. In 87. Dr. Mcntosh, whle engaged n teachng musc near Huntsvlle, Ala. receved a telegram announcng the death of hs sster, and whle watng ataelated tran to attendher funeral was medtatng over hs near relatves, who had recently departed fron ths to the Glory World, ths thought occured to hm We, are "Gatherng Home" and at once sung the two frst lnes of ths song, afterwards sendngthem to Mrs. M. B. C. Slade, of Fall Rver, Mas., who requested her daughter Marana B. Slade to fnsh the hymn. She added to the two frst lnes, whch Dr. Mcntosh had wrtten, the remanng part of the hymn, "Safe n the arms of hs nfnte love, ect, " and ts score of musc s cut on the tomb stone over Dr. Mcntoshs grave at Oxford, Ga. Copyrght by J. S. James 909

102 low There y~ sus shall a sus shall a dore, For ~ SARDIS. L. M. "There shall be no more death, nether sorrow, for the former thngs. SIS fnmn nn mw Come on, my (a\ In\r nl fel pl nrmc mmo AnH l»t grms,come, And let c all ll ho be hct hast * nrnr hnm* us _ I 3=t ====* 3z5 3=3= tndzez fe nnghome; are passed a Rev. 2 : 4. Mss Sarah Lancaster, 869. X M 3=3$sm P P We We soon shall land on 3=3=3= :3 =3=t3= ** = W :t=t lowp grms, come, And let us all be hast* nnghome; We soon shall land on yon blest shore, When Come on, my fel gg^ IBH^» > :fs= 0JP0 t=5=t =t=t t=t E=E! We soon shall land on yon blest shore, Where p.lns and sorrows k. k. I > O... k. k. n v / TT 00 :, r n II r T ID K l II n T " " " T III II \y >,j I II *^ soon shall land on yon blest shore, Where pans and sorrows are no more, There we our Je dore, For ev er blest blest. / ff j L II J n J n J T T 3 T. V a /» 0 _J_ J 3 ^. II II II yon blest shore, Where pans and sorrows are no more, There we our Je sus shall a dore, For ev blest, er blest / ff < n 3 T T I II j Ln " II «_ J J T \ \ "l * * «^ l< T A II w L ^ l~ II»/ pans and, sorrows are no. more, we our Je sus shall a er blest blest I. * rs k. CVS I" r h * r * I II ^ f P./ f* II C _L f r r r II «J5JUj.U are no more,... There we our Je ev er blest, blest. Mss Sarah Lancaster, from the best nformaton that can be obtaned, ded near West Pont, Ga., sometme after the war. She was a sweet snger, had a splendd voce, and was taught to sng by B. F. Whte and J= P. Reese. It s clamed by those who are n poston to know that she was partly aded n composng the tunes credted to her n the " Sacred Harp " by J. P. Reese. There are three tunes credted to her: The above, " O Sng to Me," and " The Last Words of Caperncus." She was a Chrstan woman wth a lovely dsposton, and was very popular among the members of the Southern Muscal Conventon and the Chattahoochee Sngng Conventon. copyrght, 909, by j. s. James. 45

103 trust len less 46 OLIVET. 6s, 4s. Rev. Ray Palmer, 83. "Look u nto me, and be ye saved, all the ends of the earth : for I am God, and there s none else "ISA. 45: 22. Key of EH Lowell Mason, 83. /. > B. r :!! : \! : AWk^ g rf m frtr >, * A tm \ \> 4 ^. My fath looks up to Thee, Thou Lamb of Cal va ry, Sav our d vne; Now hear me } ; l> l P rm v» 9 I \\) 4 J H P 0 "a ^ «0 4> z. May Thy rch grace m part Strength to my fant ng heart, My zeal n spre; As Thou hast J f P r* LBM 4! J ^ J J ] p \ Q a "rvc * * I P P J ^ " fw t r a 0 ^ *" 3. Whle lfes dark maze tread, And grefs a round me spread. Be Thou my gude; Bd dark ness c : r P0 ~ l p4 k. k. k. k. k. ff P fl J4 L_ L* fc> tr_j *f a m ^ ^ 5. When ends lfes tran sentdream, When deaths cold, sul stream Shall oer me roll; Blest Sav our, p whle fte 9!h I r^ pray, Take all my gult let may my love to Thee Pure, warm, and change t: me from ths day Be whol ly Thne, be elv ng fre. * 7 p ± 3= = to day, Wpe sor rows tears way, Nor let me ev er stray From Thee sde. then, n love, Fear and ds re move; O bear me Copyrght, 908, by J. S. James. m safe a bove, A ran somed *oul. II!!! HI

104 to er of my soul, Let me to Thy bos less 47 Ray Palmer was born 808 and ded 887. He was an Amercan Presbyteran. It s clamed that he possessed greater genus than most any other Amercan up to hs tme who had engaged n wrtng hymns for the Chrstan churches. Ths hymn was wrtten when he was only 22 years old. He had just graduated at Yale College. He was n bad health, and laborng under many dscouragements when he wrote the hymn. He sad, " recollect wrote them wth very tender emo tons, and ended the last lnes wth tears, wth conscousness of my own needs, wthout the slghtest thought of wrtng for anothers eyes." Dr. Lowell Mason met me on the streets of Boston and asked f I dd not have somethng to contrbute to a new tune and hymn book whch he and the Rev. Thos. Hastngs were soon to ssue, "Sprtual Songs for Socal Worshp," n 883. He took ths hymn from hs pocket and made a copy of t for Dr. Mason, who mmedately wrote the famlar tune called "Olvet." Dr. Mason and others n a few days Congratulated Dr. Palmer on ths hymn, and sad to hm, "You have wrtten many years and many good thngs, but we thnk you wll be best known to posterty n the hymn or words, "My Fath Looks Up to Thee." Ths s consdered Mr. Palmers best producton n all or hs wrtngs on hymnody. MARTIN. 7s. Chas. Wesley, 740. Key of F. "A hdng place from the wnd." FINE. SE EF^ _t t %fes q=3= dd~ r S. B. Marsh, r r d~.e^u 33 S f Je sus, Lov fly, om l Whle the near er wa ters roll, Whle the tempest stll s hgh! Hde me, O my Savour, hde, Tll the storm of lfe s past; f Oth uge have I none; Hangs my he!piess soul on Thee: er ref I. Leave, ah! leave me not a lone, Stll support and comfort me: J All my trust on Thee s stayed, All my help from Thee I brng; ( Wlt Thou not regard my call? Wlt Thou not ac cept myprayr?! ILo! I fant, I snk, fall! Lo! on Thee cast my care. ) Reach me out Thy gracous hand, Whle I of Thy strength receve, 3=3 dch M ll \~Z Safe n the ha ven gude; O receve my soul at last. Cov er my defence head Wth the shad ow of Thy wng. Hop ng a ganst hope stand, Dy ng, and behold I lve! Q " B h gll H=3 rzzdz ztzd m m\\ Chas. Wesley wrote over 6,000 hymns, and a great porton of hs hymns are used wherever a Protestant church s found. "Jesus, Lover of My Soul," s enttled to the poston of number one n all hymnody, and the entre Church wth absolute unanmty assgned to t the frst place, whle, n Dr. Bensons "Rock of Ages," t s the only hymn he puts before "Jesus, Lover of My Soul." Dr. Ells Thompson, n hs "Natonal Hymn Book of Amercan Churches," places ths hymn equal wth "Rock of Ages." S. B. Marsh was born 798 and ded 875. There s but lttle sad about hm as a muscan. The musc to ths tune shows that he had at least gathered all of the essental elements to gve to the world one of the standard melodes. It s equal to Topladys "Rock of Ages" and Olver Holdens "Coronaton." Copyrght, 908, by J. a James.

105 rous sred 48 DEVOTION. L. M. "To shewfortb thy lovngkndness In the mornng, and wth fathfulness every nght, upon an Instrument often strngs, and upon a psaltery: ISAAC WATTS, 79. KeyofBjZ. upon the harpwth a solemn sound."ps. 92: 23. AMARICK HALL, about 8. *^Ie==ee. Sweet s the day of sa cred 2. Then shall I share a glo "3= 3t =t=3= == 3 A^E sr ^^m z$z r rest; No mortal cares shall seze nyy breast; O may my heart n tune be found, part, When grace hath well re fned my heart, And fresh supples of joy are shed, 3=3= & 3=3= =t=t ±J±Z & t 3. Then shall I see, and hear, and know All I de ^E OE 3= =!= 3= I Lke Davds harp Lke ho ly ol, 2kt«t: of to sol emn sound, O may my heart cheer my head, And fresh sup ples that nal world of joy, And ev r and wshed be low; j^e And ev ry powr fnd sweet employ =! ef k =: tune be found, Lke Davds harp of solemn sound. joy are shed, Lke ho ly ol, to cheer my head. tztz ry powr fnd sweet em ploy In that e ter nal world of joyt BE =p PB The words as arranged n ths hymn, begn on the second verse of the orgnal hymn, the frst verse beng, "Sweet s the work of God my Kng." Orgnal name of the hymn was, A Song for the Lord s Day." Mr. Hall, the author of the musc, was born 78, and ded 827. He taught musc for several years, many of hs tunes are n the old tune books, among some of the names are "My Glory," "Canaan," "Crucfxon," "Harmony," "Hosanna," "All sants," (new) s sad to be hs masterpece. He was a good snger, and taught musc for a long tme n Massachusetts and other States. Copyrght, 908, by J. S. James. ll $ I

106 " ment 3 cys ed dans MERCYS FREE. 9, 6, 9, 8, 8, 8, 6. " Accordng to hs mercy, he saved us."ttus 3 : 5. L. P. B. Key of P. Leonard P. Breedlove A F _ r k /k4 p a a a. J P a * 0 l P P \ r rm" t ; *» c *l V)) f==j» c "d ^ > f Whats I Whch ths makes that me n keep my for soul mer s cy rs ng? cry ng, Is Is It t grace? Is t grace? \ grace? Is t grace? Ths work thats n my soul be D<, A_ r»* 3 n (J L *! 3 Hd 0 "3 rfrr! J " a _J j v\) \ p <3 "* <d.! J 0 sfree! Mer cys ( Great God of love, I can but won der, Mer cys 2 X free! \ Though Ive no prce at all to ten der, Mer cys free! Mer free! J Though mer cys free, our God s 49 tz\ t J * J b <J * n n f Ths truth, through all I And through the vale our of L. " L. p u * J d " " V. / r lfe shall cheer us, death shall bear us, Mer cys free! Mer cys free! \ Mer cys free! Mer cys free! J And when to Jor banks we t zfzzzpz. tt t: == ll S just, makes me strve all sn to shun, It plants my soul beneath the sun, Mer cys free! Mer cys free! :3= ± vrt t: Z3(=*3 9 And a soul should eer be lost, Ths wll tor the sn ner most, Mer cys free! Mer cys free! come, And cross the rag ng bl lows foam, Well sng, when safe ly land 3= 3= = home, Mer cys free! Mer cys free! L. P. Breedlove was a member of the Southern Muscal Conventon, and was one of the commttee apponted by sad conventon to add an appendx to the "Sacred Harp," and asssted n 859 n makng an addton to t. The tune and words of ths song are credted to Mr. Breedlove n that book. (See page 337.) We have no knowledge about hm except that he was one of the oldtme sngers ffty or sxty years ago. Copyrght, 909, by J. S. James. I

107 _._._.... _. _. "" ed EI^I 50 WHEN I AM GONE, os & 4s. M.,k M. H.. Turner, 852. g g % U a=e PP 99 9=? PISEI 9V =*±t P=F=3= ZpZZZW zbzz* MM (Shed not a tear oer your frends eariy ber, When I am gone, When I am gone;... e. ( Smle when the slow toll ng bell you shall hear, When I am gone, When I am gone, j Weep not for me as you stand round my grave, J Plant z ( Sng MMz ^ w *t& 3= =t f^nr T=5SJ PVr 4* fh P0 P0 3SN [2=fc Vzzz you a rose that shall bloom oer my grave, When I am gone, When I am gone; \ a sweet song, such as an gels may have, When I am gone, When I am gone./ Prase ye the Lord that Im freed from all care, #^*t=e=p=e===p= I * Fj yfm a^t =P=p: =*= *t f#3 I fljjff Thnk who has ded Hs belov m t ^ =P=F= S= = lv=n ZPZZZ± to save, Thnk of the crown all the ransomed shall wear, When I r knr"r :=3=!SfV Af 0+ P0 ky =t I! am gone, am gone. :: ** =P=^=tt: =t =t = HI Pray ye the Lord that my joys ye shall share. Look up on hgh and beleve that Im there, When am gone, I am gone. _ tttt >«r r rfc k r^ r = = r^ * k, r r rkm\. T ^f= =W=W =P=a: :f=p=p: *=S±st 99 zzzzz V= II But lttle s s known of Mr. Turner, the author and composer of the above tune. Chattahoochee Muscal Conventon from 850 to 860. He was a member of the Southern Muscal Conventon and of the

108 " m DUANE STREET. L. M. D. 5«For I hungered and ye gave me meat: I was thrsty and ye gave me drnk, I was a stranger and ye took me n, naked and ye clothed me."matt. 25: 35,.6. James Montgomery, 826. Key of A. l&fr3f~ I l== "==j==r*==*=^==r tf m =t=t "jp FP =E=E^E= Rev. George Coles, about 835. A poor wayfarng man of gref Hath often crossed me on my way; Who sued so humbly for re lef That I could never answer nay. 4 PP It=t ===3=eFe 3 z\z :3=3=3= =3 3 kk FP It=t EFJEEEEEEE 3 :r=ee^ee S 2. Then n a moment to my vew The stranger start ed from dsguse, The tok en n hs hands I kn^w, My Savour stood be fore my eyes. 3fl a ^m t=t tj# CHORIIS. ** yp~f==f P=4= p* ==4= ==t=t t=t: zff * * m t = == =t=t= :t=t. = H&F. I had no powr to ask hs name, Whther he went or whence he came; Yet there was somethng n hs eye That won my love, I knew not why. =e I had nopowrto ask hs name, Whtherhewentorwhencehecame; Yettherewassomethngnhseye That won my love, I knewnotwhy. =t== ±=t=t t=t JEcSE :t=t=t=*l 3=3: =*=*=* :«== pp t 4=4= PPP k zp. :t=t=g «^<< < t pp ±=4 4=4== ±zrzzrzzpz P^PP0tM It 3t=t I f J L! test h3 :»=P=3 :t=t: The orgnal ttle to ths hymn was " The Stranger." Ths hymn has been set to many dfferent tunes, but more mmedately assocated wth Coles "Duane Street " than any other musc. Ths s one of the standard tunes that stood the test many years, and s stll popular n many sectons of the country. George Coles was born n England, 702, and ded n New York Cty, 858. He was edtor of the " New York Chrstan Advocate " for several years. He was a muscan of notablty and a fne snger. In Montgomerys poems, " The Stranger " has seven stanzas. James Montgomery was a mnster, was born n Scotland 77, and ded n 854. He was an edtor and dd a great deal of lterary work. He publshed several volumes of splendd hymns, and was also a muscan. He was an Englsh Moravan, and poet. copyrght, 909, by j.s.james.

109 neath ful n n S3 WONDROUS LOVE. 2, 9, 6, 6, 2, 9. Key of Afe. w m 95± "For God so loved the world, that he gave hs only begotten Son, that whosoever beleveth n hm, should not persh but have everlastng lfe."john S: 6.?== p0 ±=4= ==t =p=p= ±=t. What wondrous love s ths! oh, my soul! oh, my soul! What wondrous love s ths! oh, my soul! 2. When I was snkng down, snkng down, snkng down, When I was snkng down, snkng down, dmp=: t=t p0 t=t # = What wondrous love s ths When I was snkng down P0 :t=t ztezzz 3. To God and to the Lamb I wll sng, I wll sng; To God and to the Lamb I wll sng; To God and to the Lamb, S7\ ^FrE :^f" 4. And when from death Im free Ill sng out, Ill sng out, And when from death Im free Ill sng out, And when from death Im free ErS That caused the Lord of blss To bear the dreadful curse for my soul, for my soul, To bear the dreadful curse for my soul. Be Gods rghteous frown Chrst lad a sde Hs crown, for my soul, for my soul, Chrst lad a sde Hs crown, for my soul. p P0 t I t t ==t t t ±t & pp S=E p0p ±=t EF=E= :t=t=t ~pk 3 H P0 t=t r=e*=h 3=T ;u p» d j H» t ==t Who s the great I Am, Whle mllons jon the theme, I wll sng, I wll sng, Whle mllons jon the theme, I wll sng. =! ff E=S _p» Ill sng and joy be, And thro e ter t ty Ill sng on, Ill sng on, And thro e ter t ty Ill sng on. The authorshp of the words and musc of ths tune are unknown. The words represent the great manfestaton of the love of God for the world, n gvng Hs only begotten Son to de for the world and that all who beleve n Hm shall not persh but have everlastng lfe. No greater love has ever been expressed n the world than ths. Ths tune s one of the strrng melodes of the old sacred songs and s yet loved and hghly apprecated by the church people n many sectons of the country. Copyrght, 98, by J. S. James. I

110 doms I HOME OF THE SOUL. 2s & 8s. 53 *In my Fathers house are many mansons: f t were not so, I would have told you. I goto prepare a place for you."john 4: 2. Mrs. Helen H. Gates, 865. Key of Efe. Phlp Phlps, 865. f\i F. f\ Pt f\, c,, IS f m^z :=!= =F=!; 4= H^=3== = 5JE ====EE====E=E wll sng you a song of that beau ful land, The a ;tt!=jc= 6 =s=g S=B way home of the soul, Where no brght jas JV *r m Al * =t n my ons and dreams Its per walls I can see, Tll I 2 O that home of the soul! 3. That un chang a ble home for 9P3^EEE=* BE K M 3= m^zwk^m 4. O how sweet t wll storms ev er beat the glt ter cy but thn ly * Kng of all kng n that Pv t you and for k k phpt^ Where Je Naz a reth beau ful land, So free from all sor #= It E 4\ fv 4VIN f stands; The row and pan, Wth ng strand, Whle the years of e ter n ty roll, Whle the years of e the vel Be tween the far ct nt\ and me, Be tween the far =s==t 0p =" gfc for ev He, And He hold eth our crowns n Hs hands, And He holdeth our == songs on our lps and wth harps our hands, To meet one Copyrght, 009, by J. S, Tames. t =K^ To meet one an

111 doms eth n er a l l HOME OF THE SOUL. Concluded. 4\ le ty roll; Where no storms ev er beat the glt ter ng strand, Whle the years of e ter 3= <3l ^ * and me; Tll I fan cy but thn ly the val tween the far ct crowns n Hs hands; The Kng of all kng _fct 4S for ev er s He, And He hold f ty P m roll. y and me. HI &m our crowns n Hs hands. S t=^ > v =F=F= =tz=tc =t=j= oth er a gan; Wth songs on our lps and wth harps n our hands, To meet one an oth gan. Phlp Phllps was born 834 and ded 895. He was an Amercan, "The Sngng Plgrm," teacher, and composer, also compler of sacred musc. He produced several musc books. Mrs. E. H. Gates was born 835 and ded 863. She was an Amercan, and a splendd hymn wrter. She resded at Elzabeth, N. J. "Plgrms Progress" sug gested the words of ths beautful hymn as well as the musc of the same. She was a member of the Presbyteran church. Key REVERENTIAL ANTHEM. of PS.»6, 8, 9, 0, 8. Afe. E. J. Kng, between 844 and 850. te?= = [E E5 ±W = tut =t=t It zt 4= : It Come n to Hs courts, Worshp the Lord n the beauty of ho fefe =Ff5=r=P=t: =p==; EEE PFt t =t=t F=P= E5: t Gve un to the Lord the glo ry due un to Hs name, Come n to Hs courts, Worshp the Lord n the beauty of ho m^t ^ d Copyrght, 909, by J. S. James. bfeiee 3 P kr 3 ness, ness, :p=p==

112 fore theearth. REVERENTIAL ANTHEM. Concluded. 55 & Fear before Hm nl the earth. He shall judge the people rghteously. Let the heavns rejoce, and the earth be glad be S==E s* :==* tzz tp Fear be Hm all. BEE* p0 aasgagafegba :3=H: kpk "P0 < o M==^: P d a g, TIE p=k= P=F 3=3: : g He shall judgethepeople rghteously. Let the heavns rejoce, and the earth be glad bem&= ES.==»M E^F2EEEE^EEE^EE^EFEFE T+^:tA r F==F^^ Fear before Hm all the earth. I & ^=r =x V*r F= ppt=t *=pp = t =t: W P=«=Ff t=t 4H fore the Lord. For He cometh To judge the world wth rghteousness and the people wth Hs truth. I W 3= 3=3:^ms 2=t p» == pp :s" :3(= :pp l :p=? fctt t fore the Lord. For He cometh To judge the world wth rghteousness and the people wth Hs truth. Iz_c=±±t I h For He cometh m& m 33" =f PPzdzzdz ESES lfegb Ths anthem was composed by Prof. E. J. Kng between 844 and 850. He was a member of the Mssonary Baptst Church, and a fne snger. He was the brother of a musc teacher, who once lved n Georga, by the name of Joel Kng. It s clamed he ded n Crawford County, Ga. te was also a musc teacher, re cevng nstructons and educated n musc by B. F. Whte. He s credted wth beng the author of twentystx tunes n the "Sacred Harp." He also asssted n revsng the "Sacred Harp" at one tme. He was a member of the Southern Muscal Conventon and of the Chattahoochee Muscal Conventon a number of years.

113 est tures y vne. 56 HAPPY DAY. L. M. Phlp Doddrdge, 755. Key of G. 3= "Rejoce n the Lord."Phl. 3:. E. M. Rmbault, about 850. mm =t=== m e == =7 t== JO happy day that fxed my choce On Thee, my Sav our and my God! I Well may ths glowng heart re joce, And tell ts rap all a broad, j Hap py day, hap py day, When Jesus washed my sns a way; E2F3 dd 0 d d === ==fee=fc S 4==3: =5:3==3=3=l: nt±5j /O happy bond that seals my vows To Hm who mer ts all my love! Let cheerful an thems fll the house, Whle to Hs al tar now I move./ Happy day, happy day, When Jesus washed my sns a way; s zztz 3=3: am j Ts done.the great transactonsdone: I am my Lords, and He s mne;! * \ He drew me, and I followed on, Charmed to confess the voce d J Hap s telee^et FP= > * M t===t :b^f^v ae==e= =3=== h===! S3 =t= py day, hap py day, When Jesus washed my sns a way; p^p =f=f=s: t=t I Hgh Heavn, that heard the solemn vow, That vow renewed shall da hear, \ 4 I Tll n lfes lat hour I bow, And bless n death a bond so dear, j Happy day, hap py day, When Jesus washed my sns a way; zz\zzzz\z U.0 * ==4=4= =t=3=t 3= ICI He taught me joc ng ev ry day, Hap how to watch and pray, And lve re =t py day, hap t=t=t=t py day, When Jesus washed my sns a 3==l=3= :3=3=3J== ==;=«:3=3=t == ==3=3=t t=t===t Ft=== M F«He taught me how to watch and pray, And lve re joc ng ev ry day, Hap py day, hap A""S=^=F=F=rr^F*P~=ff=*=f~P P^>=F~~fTS ^ I I I Copyrght, 609, by J. S. James. HH \^m\ way. E=lgll py day, When Jesus washed my sns a 4V_..._k_k k.. It=t t=t=t=t way. II II

114 Hstory of "Happy Day." 57 Phlp Doddrdge, D. D., was an Englsh Congregatonalst. He was born 702 and ded 752 of consumpton. He was a noted scholar, and was a Noncon formst as a mnster. He was for a long tme pastor of the Congregatonal church at North Hampton, and was a man of great power and nfluence. He composed some of the best standard hymns n the Englsh language. E. M. Rmbault was born n England 86 and ded 876 When he was sxteen years of age he was an organst n a Swss church. He became a sklled mus can, and composed a great deal of sacred musc. The authortes of Harvard College offered hm the poston of professor of musc n that nsttuton at one tme, but he declned. The fact of hm beng tendered ths poston s suffcent evdence to establsh hs hgh attanments as a professor of musc, for nune are offered ths poston except one who s sklled n the art and scence of musc. RETREAT. L. M. "I wll commune wth thee from above the mercy Ex. 25: 22. seat." Rev. Hugh Stoweu,, 83. Key of C. fl EE :f=3k Fs =f=3=3= :4=!=tt:fcF= ** tut: teet: ==P. From ev ry storm E4EE2 4=!==»! : s=f= I I Thos. Hastngs, 822. /T\ /T\ /T\ y wnd that blows, From evry swell ng tde of woes, There s a calm, a sure re treat: Ts found be neath the mer cy seat EE^EES 5n 3 :sl=: ta :E====t=t ~09 #3 4=3= <r\ /T\ tr\ II ^ 3=3==3=II^=F^j 4_Ib mml33q_jj s. There s a place where Jesus sheds The ol of gladness on our heads; A place than all besdes more sweet; It s the bloodbought mercyseat! 5 33 t 3= Ifct F zozzt m0>b 4 Pe =: fj=i ^ + 0P /Tv,T\ /C\ S 3. O let my hand for get her skll, My tongue be s lent, cold and stll, Ths throbbng heart forget to beat, If for get the mercy seat! m± 3=3=3= 3II d ^ ^j zz^zztz. t=t ^ p,\ ^^d~ tud $ \& \/ V/ Mr. Stowell was a mnster of the Church of England; born n the Island of Mann, 709. He was a great church member; composed a large number of valuable hymns, and ded 865. Fortysx of hs best hymns were publshed mmedately after hs death. Dr. Thos. Hastngs was born 784 and ded 872. He was an Amercan composer and wrter of church musc. He was a coworker wth Dr. Lowell Mason, and stood n the front rank as a composer of sacred tunes. Copyrght, 909, by J. S. James.

115 den Er=E_ 58 JERUSALEM. L. M. JOHN CENNICK, 743. Key of A Mnor. "Hope of eternal lfe, whch God, that cannot le, promsed before the world began Ttus = p# #=* EPl.r=P=fes*m J _^»! ; " Z J Je sus, my MHs all to heavn s gone, He whom fx my hopes up on; track see, and Ill pursue The nar row / The way the ho ly proph ets went, The way tll Hm I vew. road that leads from ban shment, of ho l ness, Ill go, for all Hs paths are peace. I The Kngs hghway 3EEE 3= /Ths s * I My gref / Then wll 4tlll pont s be E==EE=E === t= v =r^ td >: the way I long have sought, And mourned because I found t not; { a bur long has been, Be cause was not saved from sn. f tell ners a round, What the sn dear Sav our have found; \ to Thy ng redeem blood, And say, "Behold way the to J God." Im fr, s=ff P^PPPP v=p^/ ===P=3= tp *:fr Im on my journey home to the on myjourney home to the New Jerusalem, kkkkkblzzzkzvvz yvvvm ~*r± 0000 V=2fc=^r NferVN fl=tt=fj fr S >_fr_ SFt L >=t= 0PP0 F tt=* ZZZZPZ t=f tz*zzj gll Im on my journey home to the New Jerusalem, So fare you well, So fare you well, am gong home, So fare you well. _NN.4VN ^k_k_k_k 999 It F*=»=#= mt^a 3= ll New Jerusalem, Im on my journey home to the new Jerusa lem, So fare you well, So fare you well, I am gong home, So fare you well. <$= "t vvvv _fc p^ppp~pp VE*V^ I *v I =f=l l The orgnal ttle to ths hymn was "Chrst, the Snners Way to God." Cennck was born n England n 78. He joned the Methodst socetes of the Wesleys when he was seventeen years old, and afterward became a preacher. A dspute arose n hs church and he afterwards founded an ndependent church of hs own, whch was gathered nto the Whtfeld and Huntngdon connecton. Sometme after that he joned the Moravans, and spent the remander of hs lfe wth them. He ded n 755. He was a man of sncere pety, was a polshed poet and hymn wrter. Hs hymns were publshed n 74. He was the author of two great and wellknown hymns, "Chldren of the Heavenly Kng," and the abovenamed hymn. The stanzas n both hymns are regarded of the hghest standard of hymnetes. "Chldren of the Heavenly Kng" has found ts way nto the hymn books of the Amercan churches. Copyrght, 909, by J. S. James. ; ** + m 3 zfzzdzz 9 0pll

116 ble ly, self Key of A 2. m zzz^dzzz * HOLY MANNA. 8s & 7s. 59 "Worshp the Lord n beauty of holness."ps. 2fl: 2. "It s manna. Ths Is the bread whch the Jword hath gven you to eat."ex. 6: 5. ( Breth ren, \ we have Wll you pray wth / Breth ren, see poor \ Death s com ng, ========n===p3==3^=====3: z]zzzzszplzfzzzfz pzzzzpzzzz\zzzz\zz =5 It m P0 met all sn hell to wor shp, And a dore the your pow er, Whle we try to ners round you, Tremblng on the s mov ng, Can you bear to Lord, our God; \ Dreach the Word?/ All s van, un less the Spr t arnk of woe; let them go? ( See our fa thers, see our moth ers, 3 Let lfx&f SS P Of And the our preme Let us love each us love our God su us love and pray for sn ners, Tll our God makes I zzlz Ho ly chl dren :t: ===: One snk =S=p=p comes down, Breth ren, pray, and ng down, Breth ren, pray, and ho ho er, thngs too; new; =p= =p= stust ly ly manna manna Then Hell call k k =P5 3=t =j\v*vfr ^ ^ e p==p» g ^ ^ =E Hs ta Wll Wll I us home to heav en, I be showered be showered t: ===pj Itlt well st down; Chrst wll grd Hm t EES5E t ±: t t all all and serve us Wth sweet manna all ^ ^ zzmzzjzzp. ZCZZLZ. Ths s one of the tunes of long standng. It s page 59 n B. F. Whtes " Sacred Harp," and has been sung and played by church people n conventons and sngng socetes for almost one hundred years. It s suggested that the chorus may be successfully rendered to "Lord, Revve Us." From the best nformaton at our command we credt J. W. Moore wth the musc, who wrote and publshed an encyclopeda of musc known as "Moores Encyclopeda of Musc," wth an ap pendx ntroducng muscal events up to 876. It was frst publshed n 854 Mr. Moore was of the State of Vermont. Copyrght, 908, by J. S. James. a a round. round.!! Ill :!

117 t, de de de de de cold de de 6o HEAVENLY DOVE. C. M. Isaac Watts, Come, Ho ly Spr =t "I saw the Sprt descendng from heaven lke a dove, and t abode upon hm." John ; t: t II^ * : t, heavnly Dove, Wth all Thy qucknngpowrs; EfcE ^^^^E^^ Absalom Ogletree, st =t=t 0 e. Come, Ho ly Spr heavnly Dove, Wth all Thy qucknng powrs; Kn a flame of **\ ^«^=Z 4 $ * It=t zzjzzzdzz *q= H ztzzt. Come, Ho ly Spr t, heavnly Dove, Wth all Thy qucknngpowrs; Kn a flame of sa cred love, Kn fcles t=.t: zmz\z 3=m^. Come, Ho ly Spr =*=? =P=P=t t=t t, heavnly Dove, Wth all Thy qucknng powrs; Kn t=t I I I de a flame of sa cred love In these cold hearts of ours; Kn =Ex=E,tE = sa cred SIe=eIe= =t==t =t a flame of sa cred 3=3= 3=3= a flame of sa cred love, Kn a flame of S II love In these cold hearts of ours. jr=j=pt E^FJEEEEJEEETEJE fhd~ a love In these cold hearts of ours ; Kn s =E=fc a flame of sa cred love In these cold hearts of ours. ==3=3= =!== d*d 9 t=t pidle a flame of sa cred love In these cold hearts of ours; Kn de a flame of sa cred love In these :=P 3=P3= w&p^^m hearts of ours. Mr 4=t=4= It = #^r =t: Em="=== sa cred love In these cold hearts of ours; Kn a flame of sa cred love In these cold hearts of ours. 2 In van we tune our formal songs, Hosannas langush on our tongues, 3 Come, Holy Sprt, heavnly Dove, Come, shed abroad a Savours love, In van we strve to rse ; And our devoton des. Wth all Thy qucknng powrs ; And that shall kndle ours. Copyrght. 808, by J. S. James. II

118 * vne tan vne 6 The orgnal ttle to the foregong hymn was "Breathng After the Holy Sprt," taken from the authors hymns on "Sprtual Songs." There have been changes made n the hymns n some portons. It s one among Dr. Watts many hymns that has been handed down through all Protestansm, and s popular n alf denomnatons. Brown and Butterworth, n ther story of "Hymns and Tunes," gve much hstory concernng the words n ths hymn, and relate many ncdents con nected wth t. Prof. Absalom Ogletree s among the old Georga muscans of sacred musc. At ths wrtng, 008, he resdes n Spauldng County, and s nnetysx years of age. He taught musc many years, mostly n the song book known as the " Sacred Harp," by B. F. Whte. He s a fne snger, and has composed several hymn tunes n dfferent song books. Hs present physcal condton ndcates that he may be spared many years. LABAN. S. M. "For T have feept the ways ofthe Lord, and have not wckedly departed from my God."II. Sam. 22: 32. George Heath, 78. Key of C. Lowell Mason, 880. m =F=F= _k k_ I It j r ±. My soul, be on thy guard; Ten thousand foes a rse; m 3==3===* m$ *^bz. O watch, and fght, and pray; The bat te neer gve oer; Re The hosts of sn are press =t new the con flct ev ng hard To draw Thee from the skes. ry day, And help d * m m plore 4==t zfzzt &± t :t=t t II 3. Neer thnk the ve fry won, Nor lay thne ar mor down ; The work of fath wll not be done, Tll thou ob PPS^P^ zazz the crown. 3= zzrpzzzzfzzrpf_dz * p.=t 3=s p EFE t 3fc I 4. Fght on, my soul, tll death Shall brng thee to thy God; Hell take thee, at thy part ng breath, To Hs d a bode. Geo. Heath, the author of ths hymn, was an Englsh mnster, born 78 and ded 822. For a tme he was pastor of the Pressley church, at Honton. Devonshre. He was a very prolfc wrter, havng wrtten and composed one hundred and " forty hymns, and had prnted several edtons of the same. Laban," has dash and anmaton, and s well adapted to the hymn, " My Soul, Be On Thy Guard." It s one of the standard hymns of Amercan churches, and s also one 0 the leadng tunes. Dr. Lowell Mason always wrote fne musc. Hs manner of wrtng tunes brought about a reformaton n ths country n composng sacred musc. Copyrght, 908, by J. S. James

119 .(S der raels sus ~ al " ~ 62 CORONATION. C. M. " Thou shall be a crown of glory the hand of the Lord, and a royal dadem u the hand of God. " Isa. 62: 3. Rev. Edward Perronet, 779. Key of G. SE=" X All hal the powr of Je =t=3 z. Ye chos en seed of Is IezeP 3. O that wth yon lazzziz :4=f=[= sac red ==t n tt Q a /fa ") r :^ 4~, =3====j=====3=f===l=4==t:=f===3== F=pt=f==j=E»=FJz lj;ipee3e?3=g=i3=lgl Olver Holden, 793. "^=4=4" h m a, name! Let an gels prostrate fall; Brng forth the roy al a dem, And 3 3= llr : _ z # race, A rem nant weak ana" small; Hall ^L=3=fg=JJ!= m * ~ r throng We at Hs feet may fall! Well 0p =t=c fe I=T I F F P I p0 tf4«"««j F = t~l M l Well jon the ev er last ng song, And e Uf 4 4 : c p 0 a 3 JJ ( (! t._t. B "b_t ~r. II J crown Hm Lord of all, Brng forth the roy da a dem And crown Hm Lord. of all. I +t II, II L t II <r\ J J * > "5 "»\J 4 II \_\/ ITS P Hm who saves you by Hs grace, And crown Hm Lord of all, And crown Hm Lord n J tt Vj Q a *^ **\ II IV, m \ m f p. k II tv) * p ",j» p a ^ r 0 II L L L# jon the ev er last ng song, And crown Hm Lord of all, And crown Hm Lord. of all. FTP.3+ r P A J IJ " " L» <d IJ ^ p. ll p II of all. p ^ P L=d. V t L L=, JJ last ng song, And crown Hm Lord Copyrght, 909, by J. S. James, jon the ev er of all. crown Hm Lord Wel

120 ert to als don Hstory of "Coronaton." 63 Mr. Permnet was a bosom frend of Charles Wesley. He was an Englsh Methodst ard Independent, and composed a great many hymns. He was born n 726 and ded n 792. Ths hymn ranks wth the very best. Olver Holden, the author of " Coronaton," was a selftaught muscan; born n Massachusetts, and reared n the carpenters trade. Mr. Holden wrote a number of hymns and tunes, and publshed several books. The tune "Coronaton" has never been severed from the hymnof " Perronet." Whle a number of other tunes have clamed ts attenton, t seems to be nseparably attached to "Coronaton." It has, ever snce t was composed, been one of the strong melodes of dfferent churches of the country; and whle Dr. Davd Breed, n hs book on hymnology, as well as others, clam that the composton, as t s arranged, s far from beng a perfect melody and frstclass tune, t stll lves, and s one of the leadng church tunes of the Unted States. NASHVILLE. 8s, 8s, & 6s. "Thou Shalt be lke a watered garden, and lke a sprng ofwater, whose waters fal not." Jeremah Ingalls, 800. Campbell, translator, S0. Key of A. ^==f Jeremah Ingalls, = d~«pz*zzfz =SF=!= PP 0 3^= =P=S3= d~*\ =2=9 9=>^z The Lord n Hs garden come, The spces yeld ther rch perfumes, The sp ces yeld ther rch perfumes, The >2. O that ths dry and barren ground In sprngs of water may abound, In sprngs of water may abound, A frutful fr>yl *" =^==?4==l= pp0 jzt 4\~F«.4\ ± P0 td grow and thrve; sol be come; 3. Come, brethren, ye that love the Lord.Whotastethesweetnessof Hs word, Who taste the sweetness of Hs word, In Jesus ways go 4. The glorous tme s roll ng on, The gracous work s now be gun, The gracous work s now be gun, My soul a wtness B=± ^^+f t±t MrMzZ EtEEEEI 3=:l Our troubles and our tr I taste and see the par p P=f3j=; here Wll free For on ly make all manknd ry vne, From Jesus flows to ev ry vne, Whch make the dead re Hs foes, VVhle Jesus conquers all Hs foes, And makes Hs people :*:zs*=h:r± vve. one. 3=q: ppa=t: y«j3 y Ths was orgnally called "Garden Hymn It s sometmes credted to Wllam Campbell, author of Glorous Lght of Zon," " There s a Holy Cty, There s a Land of Pleasure." " Jeremah Ingalls was born n 764 and ded n 828. He was the author of several hymns, as well as composer of a great deal of musc. He was an Amercan, and publshed several volumes of musc. See page 7. copyrght, 900, by j. s. James. us rch er there, Wll on ly make us rcher there When we ar rve at home. as well ll as me, For all malknd as well as me, Who come to Chrst may lve. 3\ rk \. 4\f»» F 00+0 zm Z9ZZSZ. zdzztz M7I II Refreshng showrs of grace d vne From Jesus flows to The des blossoms as the rose,whle Jesus conquers all =^=4V: tjp ztz±*r

121 don 64 NOTHING BUT THE BLOOD OF JESUS. Outo hm that loved us, and washed us from our sns n hs own blood? " Rev. : 5. "And have washed ther robes, and made them whte n the blood of the Lamb." Rev R. L> K.y of G. " Wash me, and I shall be whter than snow. Ps. 5: 7. ROBERT LOWRY. m t: 4= = =t 4= 9VV + 4= 4= vvv I. What can wash a way my sn? Nothng but the blood of Je sus; What can make me whole a gan? Nothng but the blood of Je I ==a= 4= 4= 4=3=4= I==fL==±C ddd ths I see, Nothng but the blood of Je 0 sus; For my cleansng, d0 * a ths my plea, Nothng but the blood of Je 4= 4= =t for sn a tone, Nothng but the blood of Je sus. s ** sus. m sus; Naught of good that I have done, Nothng but the blood of Je sus. ^rs CHORUS. O precous s Thy flow, That makes me whte as snow; No t: :t I L =t=4= =P=P \9 9 9 J oth er fount I know, Nothng but the blood of Je sus. 3= 4S s rs 4S4SrS 4* *» :t=t =P 3= It :t=± 9ZZU. 99=9=9 t=t ^ 4= 4. Ths s all my hope and peace, Nothng but the blood of Je sus; Ths s all my rghteousness, Nothng but the blood of Je sus. X=\== X=tzzzt :t==t=4= : =!fc S=E^ Pd ztz dd =fv=rsn =r=t =t =t ^ ^ t~ =t =3=»t O precous s Thy flow, That makes me whte as snow; No er fount I know, Nothng but the blood of Je sus. I =t=t= bt=t =t= HI % E=E=EEr====v_ 4 *> V 9=

122 sh ~. U _ ~ Hstory of "Nothng But the Blood of Jesus." 65 Rev. Robert Lowry, the author of the foregong words and tune, was born n Phladelpha, Pa., n 826, and educated at Lewsburg, Pa. He ded n 899. He was a successful and fathful mnster of the Chrstan relgon, who was more wdely known as a composer of sacred musc. He s the author of many valuable tunes. Among some of hs much apprecated musc are the followng tunes: "Somethng For Jesus," "I Need Thee Every Hour," "Jesus Only," "One More Days Work For Jesus," "Where Is My Wanderng Boy Tonght?" and many others. Dr. Lowry became an actve Chrstan n hs seventeenth year. He was once professor n a college, and pastor of a church n Penfeld, N. J., up to the tme of hs death. He consdered preachng to be hs supreme functon. Musc was to hm a sde ssue. He was much loved by all who knew hm... and f I persh, I persh." " FAIRFIELD. C. M. "And sol wll go n unto the kng, When the kng saw Esther the queen standng n the court, that she obtaned favor n EDMUND JONES, 750. Key of A Mnor. ks sght: and the kng held out to Esther the golden sceptre that was n hs Esthkr 4: 6; 5: 2, hand." =y=r>3 rm" A a I M /T r n * " " _b *» ^_ P P P.. a P ^» * *. ^_. L * L J * «IMJ <* a I *.. k.. Come, hum ble sn ner, n whose breast A thou sandthoughts re volve, Come, wth your fear and gult oppressed, V A ^" * Lb Tr J P 0. I4 a a I rnv d l_ r * " r. d *«j n! 2. Ill go to Je sus, though my sn Hath lke a moun tan rose; know Hs courts, Ill en ter n, a a at J * b A Ij a III! r l r P J d P! P! f I go, I am re solved to try; For f I stay a way, I know V <» Et 3. can but per hy r r _ r^ * Lb»_ P I I n\v P r n j r k ^ n n II "v \^»j Q.. ^ Ij* v... And make ths last re solve, Come wth your fear and gult oppressed, And make ths last re solve. solve.. la.. ^ n V,. r II l_b P J II * rfvv c) "* ^ d p d J j! n II "V d P a n. D II Whatev er may op pose, I know Hs courts, Ill en ter n, What ev er may op P p III II J II * 0 p I P dad I " II \ 4 r»,; 4 I J. In II I must for ev er de, For f stay a way I know I must for ev er de. de. Edmund Jones was an Englsh Baptst mnster, born n 72 and ded n 765. He composed several mportant hymns, one of hs best s the above named. Nothng s known of the author of the musc. Search through many books fal to gve the name of the author. It s one of the old church tunes. 3 pose. pose.

123 less. ft. 66 LEAD ME, SAVIOUR. 7s. D. F. M. D. Key of >2. Lead me, 0 Lord, n thy rghteousness. p.5: S F M. Davs, z^z4rz*zzzztt ff t^rh _p p. : "ft ~ _L Ll^. Sr * P 0 0 a tl. Sav our, lead me, lead me, lest I stray, Gen tly lead me, lead me all the way; am safe, am.n! V \<>b t k J( L?4 ^ " n.» K 3 ^ P" rm b fl J J *, IS _Z] p r V )) V 4 P P d 0 mp > V P P p M 2. Thou the Refuge of my soul, of my soul, When lfe s stormy bllows roll, bl lows roll; am safe when Thou art 0 b 4 n. ^ k. r p ft v l. /Lb k * * v. * P* 4S J :*_! r /m f > b 4 * J P j cl 0 * P J j l W C4 P V ^ J d " J 9 3. Sav our, lead me, then at last, When the storm of lfe s past, To the land of endless K t):th 4 J n 4^ J N. P P III ^ b n fl * *»k _^rr" a 0 / ff* 4. Sav our, lead me, lead me, lest I stray, When the storm, the storm Of lfe s past, To CHORUS. the land the b l.». k. t r, ~ Lb "\ r d 0 d» l "* r \v b j!j * p f v ^F f * * safe when by Thy sde, would n, would n Thy love a >de. Lead me, lead me 5 J b s IS TO "t>^ ^* fc^hrt H * rs ^ K ^ay*9! 4S p *f T 5f * *, ~_ P~ rs, ">" J d^^tn?3^_ ~C * T ngh, Thou art ngh, All my hopes Thee on re ly, Thee re ly. Lead me, lead me, IS v K, ~ «I* * fh P vv I t m * * #^Pr day, Where all tears are wped a way. Lead me, lead me, lft3ft / \ b r r a * ]s 4 \>\"\ V 9 9 V L s ^ X " " " " \r k p d 0 d land of end day, Where all tears, all tears are wped Copyrght, 009, byj. S.James. Lead

124 tw LEAD ME, SAVIOUR. Concluded. 67 &b=t=* ====*=* rj~ftft d 0 TII ftft ft s kk k f* =[> k <=, :k4>_4~_4 rsrvr^h ^^=^=E^^EEEEE==*==f&E^EH ft 0 Sav our, lead me, lest I stray, lest stray, Gen downthestream of tme, streamoftme, Lead me, Savour, all the way, all the way. :fc5:=3=3===s_.v. (, :e====ee^ee^ee*ee5 =J±3 9 :3=3t=fc=N=3^ ^T 4SrS EEE ±= E=EftEE=,j Sav our, lead me, lest I stray, Gen tly down the stream of tme, Lead me, Savour, all the way, all the way nra=33=p====ft_=== =r^ =====EE$="^EEgE ftl :3==3>=^^=f=Vtg= drddzzz*z E^«SlE=l===5ll Sav our, lead me, lest I stray, Gen tly down the stream of tme, Lead me, Savour, all the way. 9^53 X. 0 0 rk_ yfr kk ====3== k k k k :» ""p=pmt,b g bt=p= \=P=3Vk 3=T *» 3==r ==4==t Savour, lead me, lest I stray, lest I stray, Gen tly down the stream of tme, stream of tme, Lead me, Sav our, all the way. EH Prof. F. M. Davs was born n 839 and ded n 896. He was an Amercan composer and teacher of musc, havng composed a large number of valuable hymns and tunes. When one of hs peces of musc s found t wll be seen at once that t s flled wth harmony and melody. He was a devoted Chrstan, always n the servce of hs Lord and Master. It s sad the above words fully represent hs relatonshp to the Savour. He ded n full fath of the salvaton of the good. Several years ago Prof. A. J. Showalter rearranged parts of the above tune, as t s here presented. The sentment of the words n ths beautful tune s a pleadng petton to the Savour.

125 rous b rous t 68 Rey. Wm. Wllams, 7/2. Key of D. ZION. 8s, 7s & 4s. Recevng the end of your fath, even the salvaton of your soul."pet. : 9. ffe PJ==^=^afe^g=jj j Oer the gloomy hlls of darkness, Look, my soul, be stll, and gaze; See the prom s 3 Az M^ 3=3= 3ft=lfc zdzfzzdz Thos. Hastngs, 830. ft=tsr=& ====r=3^f=r=^===r=f3=l ^EEt=PEE=g=»p==p=j es advancng To glorous day of grace; =========p^pnft,, ftftr EEE ^^^q lh I ===ft=3=3= E=c=zM= :3= ==.dzzzz3=^e3=3=^=^h~~^=n=h^^tr^l M^^l, p=n=j *,. Kngdoms wde that st n darkness, Grant them, Lord, the glorous lght; Now from east em coast to western May the mornng chase the nght; fe k. =np33k k."zzzzdzzzz^»=====^[t===?=^fl= :=E^EE=EEE=E====ErE=E 3. Fly abroad, thy mghty gospel, Wn and conquer, nev er cease; May thy lastng, wde domnons Mul IS 99 :t=t *.ft a V 9V 9 V It ply and stll ncrease; =b? 99 \dz\m M~=J=$ s. ;.\ ^ Is II q rm ff p 0 «^_ vy m k w ft S ft _.;... ~d J j _r d p II II II m m. p d 0 P Blessed ju b lee, Let thy glo morn ng dawn, Blessed ju lee, Let thy glo morn ng dawn. ft V tt m II * " JL f ft ftr: rm ff * J. ~l 3>$ ft II, V js S \ * Let re demp n tt V ffjt N. _ tl U p ~\ ton, Free ly pur chased, wn the day, Let re demp : > ton, ^ Free ly pur p chased, wn. I k y r \9% M^IeeIS? J v5 the day. * Sn s I?». N Z\ j ft P S II K 0 a d d ^^=a"j tn Sway Thy seep ter, Sav our, all the world a round, Sway Thy seep ter, Savour, all the world a round. fvtt k r l.ftu * P, 9 * II 3 W,j B J P* II bu^ 9 V * g II v Copyrght, 909, by J. S. James.

126 Hstory of " Zon." 69 Rev. Wm. Wllams was a Welsh Calvnstc Methodst, born n 77. He began the study of medcne, but took deacons orders, and was for a tme an tnerant preacher. He left the Establshed Church of England, and ded n 78. Ths hymn antedated the mssonary movement for many years. The hstory of Thos. Hastngs has been gven on page. He was one of the best tune wrters of hs day, and was an Amercan composer of sacred musc of wde reputaton. Key of Ftt Mnor. m I I tft THE GOLDEN HARP. L. M. "Yea, upon the harp wll I prase thee."ps. 43: 4. /Fare well, van world, Im gong home To play on the golden harp, j *\My Savour smled, and bds me come To play on the golden harp, ( n AzzwE 9^ _=== = t mp Z*ZZPZ ddr 3^ dl, / Sweet an gels beck on I To sng Gods prase n IT me a way To play on the golden harp, endless day, To p!ay on the golden harp, m pp :pp P r^rr» F===FJ fztzzvzzzz 9v PB J. P. REESE, about 858. EF& D. C. =H]J To play on the golden harp, To play on the golden harp ; 3= ftftf To play on the gold:en harp, mm rk E^H^SF^ =P=» tesl To play on the golden harp; ] D.C.I want To be where Jesus s To play on the gold en harp. Prof. J. P. Reese was born n Jasper County, Ga., n 828, ded n Coweta County, n 000, bured at Oak Hll Cemetery, Newnan, Ga. He composed many tunes and hymns, whch are publshed n dfferent song books. He helped revse the " Sacred Harp " n 869. There are 27 dfferent tunes n the " Sacred Harp " composed by hm. He was a musc teacher, and taught n many dfferent countes n Georga and Alabama. He was a strct member of the Baptst church. He was engaged n composng musc for over twenty years; belonged to the Southern Muscal Conventon from 845 up to the tme of hs death. He frequently mxed wth poltcans of hs secton, and was a regular correspondent of the Newnan papers from 855 up to the tme cf hs death. Reference s made to a more extended sketch of Prof. Reese n James "Bref Hstory of the Sacred Harp," pages 94QQ> nclusve. Copyrght, 909, by J. S. James.

127 70. Ka.o Watts. 707 t\*\ Key of F. *\ zz \ WEBSTER. S. M. ] _ I Come, wc who love the Lord, And let our jo/s b3 known; Jon ; a song ^^Vfel^ 2 Let those refuse to sng Who never knew our God; I I m. l ^zzl=sz=l\\ wth sweet accordcord And thus surround the throne. I3EES.I =ll m; of the heavenly Kng May speak thsr joys abroad. 0 0 _]_0_^_0 k.k 3 The God that rules on hgh, That all the earth surveys, That rdes upon the stormy sky, And calms the roarng sea l The orgnal name of ths hymn was "Heavenly Joys on earth" appeared n Watts Hymns on Spsrtual Songs. Theauthor of the tune "WEBSTER" s unknown, t havng appeared n a large number of song books for the last sxty years wthout beng credt ed to any one. There are certan clams hotever, that t may have been wrtten by Corell. We thnk ths s a mstake. The Tune may have been taken from a melody of Handel, but there s no certanty about t. Key of E. Mnor S. TRAVELING PILGRIM. L. M. H. REES. zzzzw. =p= > =* = 000 *~+~vm~0~\~>f~l."t»~p=p: I jzzaazlmzmrmzzjz^ Q EEEES.<_ =EL:I "J ==E 499 ===;t_=ee=e==. Farewell! van world, Im gong home, Where theres no more Monny clouds to rse. To the land, Where theres no more stormy clouds to rse. My.Savour smles and bds me come, Where theres no more stormy clouds to rse. To the land To the land I am bound, ~*T~ a_dmm^^±m^ :3=ft=l UUdr I Tftft PIj "P J v* r ^ wnm > j n 2. Sweet angels beckon me away, Where theres no more stormy clouds to rse. To the land Where theres no more stormy clouds to rse. To sng Gods prase n endle*> day, Where theres no more stormy cloud to rse. To the land, To the land I am bound

128 _ fore fore HOME Key of E. TO GOD ABOVE. "Whom havng not seen, ye love ; ye rejoce wth joy unspeakable and full of glory." Pet. : H 7 J. G. Land, 908. sf= zzz zzz Ik I _k_k EEEEfeEEEEEEEE t=t: ==*= t: zfztz [\ $&m The hll of Z on yelds A thousand sacred sweets Be zf2e= Tz *<= ===p=e=={ =t=tt=5 0P e t= n: The hll of Z on yelds A thousand sacred sweets Be we reach the heavnly felds, Or walk the gold Fr=>= tt=t 4==t en streets. 0 p tzpzzjzzmzzyzzf^z] =t=t str I LEJ we reach the heavnly felds, Or walk the gold en streets. k=ki 5Lftl== EtEE^ =EE^EEEEE=E :t=t E^ Seeee hk lt=f=== I k >==rfj_^_r: ^tee^e^^eteeeeeet!ct=f=t tr.fj= pt=t=e=_ te^k^== And evry tear be dred; Were marchng home to God above,where all s peace and love, Where all s peace and love." love. P0 3=3: 3=3=3= BB 2,4= F^^==rF=zz=:F3:^3==ftf==f P 90U pp EEEt=tEE==[=TEt=tEE^ Fj=t e0uh0^ And evry tear be dred; Were marchng home to God above,where all s peace and love,where all s peace and love. love. 9: ^a:3zesrf±*fujc^ce^=te==^g= Z <g; JPf=;,=F \\t=ajf=ch FPttP Then let your songs abound, t: It j=t: :pr=cft t :t=r=e t= =3= Hll J. G. Land, the author of the above melody, lves n the State of Alabama. He Is a fne leader of musc and has composed several tunes. Ths hymn, as t appears above, was taken from the tune, " Hll of Zon," on page 380 of the " Sacred Harp." Copyrght, 909, by J. S. Tame.

129 ! " " bles., J lent 72 BELLEVUE. us. Geo. Keth, 7x7. Key Df a(j. "He hath sad I wll never leave thee, nor forsake thee. In the S. H. ths tune s credted to 2. CHAMBERS. It was orgnally wrtten by Anna STEELE. / k C4 _ J L_ p ~P P P 3 J J \S\) * u J J ItYt ^ d * r ^ <d ^ ^ r ^ b. J. How frm 2. In ev a ry foun da con d ton, ye ton n ants sck of ness, the Lord, n health; Is In lad pov for your fath er tys vale, n or Hs ex eel word. a boundng n wealth; V \b I T,! / k rm" "<* J p ^ J 3 J P 0 0 «*l ) ^ ^J ^ ^ c tu 4 3! J ~h 3. When thro the deep wa ters I call thee to gc ; The rv ers of woe shall not thee 0 ver flow. " P Pk J a 4 <s r ~r I Jvl <d "3 J.. > k4! P 0 p h3v[v 5 JJ II 4 p _ J J P Tv v ). r ^ r! _ ^ *? ^ J V U. B * ^ * II II What At more home can and He a say broad, than on to you He the land, on hath sad, the sea You "As who thy un days to may Je de sus for ref mand, shall thy uge have fled. strength eyer be." / l> b f I P!!. 7 p tt l T) V p." <d ^ * 3 ^ " ^ N II A "J J B j \ \ For I vll be wth thee, thy trou to bless, And sane t fy to thee thy deep est ds tress. t? ).,> \y. P * a a P P II b VV "d "3 Tl ^ <a II Mss Anna Steele was a Baptst mnsters daughter. She was born 706 n England at Broughton Hampshre. She spent her lfe there, and ded 778. In 760 and 780 volumes of her work were publshed, n verse and prose, and many hymns, psalms, poems and tunes are credted to her. Chambers made a few alteratons n the above tune. The orgnal ttle to ths hymn was "Precous Promses. George Keth was an Englsh Baptst mnster, publsher and bookseller. He wrote a number of hymns. Some very hgh authortes clam that Robert Keene, a member of Dr. John Rppons church (Baptst) of London composed the above hymn. "How Frm a Foundaton " was the favorte of Presdent Andrew Jacksons wfe, and on hs deathbed he called for t. It was a favorte of General Robert E. Lee, and was sung at the funeral of hm, the greatest of all modern generals. Copyrght, 908, by J. t>. James.

130 naans le le THE OLD SHIP OF ZION. 73 " Key of E z. Holdng fath, and a good conscence; whch some havng put away c nng fath have made shpwreck."i Tm. : IS. F. W. CARTER, rearranged S50. tb$z*z fwhat shp \ And safe * ly I But f The wnds she may ==s======^ ths that wll land us on blow and the a ble to yfcr ^ =rz 4"^==I 2! SE I She I And 4{!! land yet tell ed she them rve that who a ble there, then, you are take us all home, Ca brght shore? bl lows may foam, land us all home, have gone to land be fore com ng N s It be stll you up, * a*rfore, more, do, too, O O O O O O O O glo glo glo glo glo glo ry ry ry ry hal hal hal hal. lu lu lu lu jah a :} jah jah!*»} hxz*zzz3z Ts the old shp of Ts the old v,!= shp V of N v Z Z on, N Nhal le lu, hal le lu, Ts the old shp of hal lu, hal the old shp of Z on, hal 4 m hal le lu jah. t\ 4\ 4\ ^ lu jah. :t=bt ll The hymn, "Voces Cryng Out n the Wlderness," s traced back as far as the "Amercan Vocalst." Both hymns and tunes have lost ther creators names, lke many others. They have left no record of begnnng of dates. In the old "Sacred Harp" ths tune s credted to Thos. W. Carter. Perhaps he may have made some changes n the tune, so as to credt hmself wth the changes, but the melody was wrtten many years before hs tme, and was among the old tunes that have stood the test through the ages. It s a very fne pece of musc to str the emotons of the people. Copyrght, 909, by J. S. James.

131 est 74 Jefferson Hascall, 86. Key of C. LAND OF BEULAH. C. M. "When he s old, he wll not depart from t." Prov Wm. E. Bradbury, 86. =0=^ Efct. My lat t=±=t Pa ====: tztzt :t=tt.t=t=t=zt r=>=r=k= Pf=l :r=tzr==,t==t=i :t=t=f sun s snkng fast, My race s nearly run; My strongest trals now are past, My trumph s be gun. 5= = 3=3 == 3=4 g^ Ej^=q=F ^FqHF bd===zte==?=3ts=^l CHORUS., as Ocome, angel band!come,anda 4 gv 9=90 I know Im nearngthe holy ranks Of frends and kndred dear, For brush the dews on Jordans banks,the crossng must be near. O come, angel band! Come, and a ;fc He m >=^ G0^90 t=t SPP =P=t :t=r=t F^ Pg PfHf EES :4=j=C 9!9 P=P= 990 z=±t=t=t! t=t 3. O bear my longng heart to Hm Who bled and ded for me; Whose blood now cleanses from all sn, And gves mevctory. 7BZZP =q==4?=p=p: j^^j^ htf± T 4=44=: ^Ssu F slssb round me stand! O bear me away on your snowy wngs To my mmortal home, O bear me a way on your snowy wngs To my mmortal home. == ==± Pg=W=S=j: HI 4=p= :t=t=t tzdzzzrxd =T===r[ z?z*zz*± p=s= I I :p^p: :t=t =r= ttt r=s=>= ==* :==3 P=JT :t=t :p=p.t=t round me stand! O be.r me away on your snowy wngs To my mmortal home, O bear me a way on your snowy wngs To my mmortal home. fa es b t r* <^ :x=r=r=,.r 3r=*=fcx;:E: zzzzpzzwzr; ====x: Copyrght, 909, by J. S. James. : * * 4=====f;4=4=4=4 w^sfv O come, angel band! Come, anda fapzzfn ±=± es! «** %B pzzzr. ===t ;n zzzzzl:

132 cle ther, Hstory of "Land of Beulah." 75 The foregong hymn was wrtten by Rev. Jefferson Hascall, of the Methodst church. It s sad that he wrote t n ffteen mnutes n the year 86. He was born n Thompson, Connectcut, 807. He also wrote the "Land of Beulah." It s clamed by those n poston to know that the hymn, "My Latest Sun s Snk ng Fast," once became a great favorte wth Bshop Marvn and A. L. P. Green, of the M. E. church, South. Wm. B. Bradbury was born 86 and ded 868. He was for a long tme engaged n the manufacture of panos. In connecton wth Geo. F. Root, Thos. Hast ngs, and T. B. Mason, he wrote, n 855, a valuable hymn and tune book, "The Shawn," of about four hundred pages. He also composed, compled, and publshed over sxty other musc books. Fanny Crosby s one of hs most famous pupls. Key of D[2, to===; PjrH~4" I WOULD SEE JESUS. C. M. D. "And they shall see hs face; and hs name shall be n ther foreheads." Rev. 22: 4 =T 4F, r d t=t zdzzzzzzdl I I would see Je sus when the flowrs Of joy a dorn ( When sun shne and when hope surrounds My path from day ==4== p g: ^ I would see Je When sun shne and =^= = m^ 4=t fjjgj5fc 2?=f2= m =z±h%z most G 4= sus when the flowrs Of joy when hope sur rounds My path 4==,+T2H a^ CHORUS. L. P. Breedlove, = ~d 0 my way; to I day. When frends cher sh SE 4== ==t a dorn from day zdzzzdz my way; to day. When frends I mzz ===^j cle mne, Then, Fa would I turn from all To lean a lone on Thne. And hearts en cr 3=4== :== 4Pfa =4 =t 4= fe *=tt ** ll cr mne, Then, Fa ther, would I turn from all To lean a lone on Thne. are near, And hearts en 4= 4==P It 4=E^=]\ 4= ==j=[:==k= =e=e = zzdzzdzz±\\ Ths s an orgnal song by Prof. Breedlove, made especally for the "Sacred In another Harp." part of these sketches wll be found other references made to Mr. Breedlove. Ths s an ongnal song, and f ever prnted n any book except the Sacred Harp," we have been unable to fnd t. It s supposed he also com posed the words as well as the musc.

133 est ed dens ers 76 Jos. H. GmoRE, 86. Key of A. HE LEADETH ME. L. M. % 7 E 4= "He leadeth thee n the way thou shouldst go."isa. 4*: 7. 4s Mrs. R. M. Mcntosh, about 86. N. He lead 2. Some tmes,3. Lord, &fc^f: eth me! O bless thought I O words md scenes of deep gloom, Some tmes would clasp Thy hand n mne, Nor ev :==T=^4=f=5==^: wth heavn ly com fort fraught! where E bow bloom; er mur mur or re pne; HE :.= II m 0 * I^====4I=h,5 What By Con e er wat tent, I ers what do, stll, ev wher oer er eer troub lot I led I z^zzz^zfezlt be, sea, see, Stll Stll Snce ts Gods hand that lead eth me ts Hs hand that lead eth me ts my God that lead eth me. ===H btzh ZtZZLZ A grp=4^, _ I? The author of the above words s a leadng composer and scholar of hgh attanments, and a mnster of the Baptst church. He was born 834, and educated prncpally at Browns Unversty, and was for a whle theologcal nstructor n that nsttuton, afterward professor of Englsh n the same nsttuton. He s well versed n rhetorc, logc, and oratory, and s very popular, especally n the mmedate country where he has done so much valuable servce n wrtng hymns, ltera ture, and n the mnstry. Mrs. R, M. Mcntosh, the author of the above melody, was the wfe of Dr. R. M. Mcntosh. Whle t s known she composed a large number of tunes, none of her musc has been publshed, so far as the wrter can ascertan, except ths tune. Mrs. Mcntosh was a lady of culture and nfluence, especally among the people of the Methodst church n Georga and surroundng States. She and her husband were promnent members of the Methodst church. He ded several years ago, and Mrs. Mcntosh ded n Atlanta, Ga. copyrght, 909, by j. s. James.

134 eth eth eth monous last lous eth eth ples lead 44= me, lead HE LEADETH ME. Concluded. 77 :p===f =3Bbbj L_ me; lead e== me, By Hs own hand He lead eth a 3E lead me; He lead =tf NINETY=THIRD PSALM. S. M. of \r. " By grace ye are Uph saved." 3=E * e me, By Hs own hand He lead eth me. Jeremah Ingalls, 805. P =P*P mff II. Grace I ts a charmng sound, Har to the ear! Heavn wth the ech o shall re sound, And all the earth shall hear. 2. Grace frst con trved the way To save re bel man ; And all the steps that grace ds play, Whch drew the wondrous plan. =fgf=g=s 3. Grace taught my wandrng feet 4. Grace all the work shall crown! = ==2=t Zdtz T 0=P =t=t S It ====! To tread the heavnly road; And new sup each hour Thro ev er ng days. It lays n heavn the top : I meet, Whle press ng on to God. most stone, And well de serves our prase. =»:: =t =t t Ths hymn s on " Salvaton by Grace," from the authors hymns, 755. The orgnal name of ths tune was " Kentucky." Phlp Doddrdge, D. D., the author of the hymn, was born n London, 702, over two hundred years ago. He was a great scholar of hgh attanments ; was ordaned to the Nonconformst mnstry ; was an Englsh Congregatonalst, and for many years pastor of one of these churches, from 829 to the tme of hs death, 852. He was a great pulpt orator and theologan. He composed many standard hymns and hghclass sacred musc. See sketch of Jeremah Ingalls under the tune " Northfeld." He s the author of some of the best musc of those who composed n hs day, and many of hs tunes are stll popular wth the church people, especally n the Unted States, and many of hs best productons are n the leadng tune and hymn books of today. Copyrght. 909, by J. S. James. II II

135 .. Sometmes 78 HE LEADETH ME. L. M. I I PI *=*= 4 = 4=4 H=x === 4=t hddt "I am the Lord thy God whch teacbeth thee to proft, whch leadeth thee by the way thou shouldest go."isa JOS. H Glmore, 86. Key of D. Wm. B. Bradbury, 863. Z&. 4=4= g» a ZZZZZL 5=jr=Pt 4=t =t =fs=sl. He lead eth me! O blessed thought! O words wth heavenly comfort franglt! Whateer do, whereer I be, Stll ts Gods hand that leadeth me. 4==t I I ^ * <* ^ ^ md scenes of deepest gloom, Sometmes where Edensbowers bloom, By wa ters B m 4=t ^ Tt± udr ^ fe=" 4====== :==s===b==^=^= ^=4==S=^T q=s=3 stll, oertroubled sea, Stll ts hs hand that lead ethme. = ZZZZdz ztzztzzpzz ZZpZZLZZZ^ZZZ; LTLzzzzlzzdzzzE: 04 mzzzz 3. Lord, would clasp Thy hand n mne, Nor ev er mur mur nor repne, Content, whatev er lot I see, Snce ts my God that lead ethme! m REFRAIN. S ==4=4 ^ dd kpp t = === k k 4=4=F =X P. kk k k k k k dd ==t ZdZZBZ 0 d~ ^: :=t=t=t * ^dl* SI He leadeth me, He leadeth me, He leadeth me, By Hs own hand He leadeth me, He leadeth me, By Hs own hand He leadeth me. A men. ^ 4=F ddr S^p ==t%=**\ 4=4 Wt P^B^ep :^^=fl 4=4 zazz* ddr p^p S «B* p\r^z^rppt* zzaz p d p 4=k =f==j =^gfe# P ^S=^^=^ =j] JLp^pLP_=nc=r=H He leadeth me, He lead eth me, He leadeth me, By Hs own hand He leadeth me, He leadeth me, By Hs own hand He leadeth me. A men.. m. *m KFb 44 =lfa=^ d00d === tdzzdzz m Copyrght, 909, by J. S. James.

136 tan Hstory of "He Leadeth Me. 79 Ths popular hymn was wrtten at the close of a lecture on the Twentythrd Psalm, delvered n the Frst Baptst church of Phladelpha. Prof. Glmore, of Rochester Unversty, New York, when a young Baptst mnster, n 86, supplyng a pulpt n Phladelpha, whle sttng n a parlor, wrote the words of ths hymn, supposed to be taken from the Twentythrd Psalm. He handed the same to hs wfe. She sent t to the "Watchman." Whle he was n a church n Rochester, not knowng the fact that hs wfe had sent the hymn away, he saw n a hymnal, "The Devotonal Tune and Hymn Book, 865," a copy of hs hymn. He s a leadng composer and scholar of hgh attanments; was born 834, graduated at Phllps Academy and Andover Browns Unversty, and was theologcal nstructor n Hebrew n later years, afterward professor of the Englsh language n the same Unversty. He s a master of rhetorc, logc, and a great orator. Prof. Wllam B. Bradbury, n 863, appled the musc to the words. Ths s one of Mr. Bradburys sweetest melodes of hs many sacred tunes, and one that has gone nto all of the revval meetngs of the Chrstan church and many others. It has been taken up by Blss, Sankey, Moody, and others who used the "Gos pel Songs and Hymns," and has swayed great congregatons. Mr. Bradbury was born 86 and ded 868. ARLINGTON. C. M. "Whosoever therefore shall be ashamed of me and of my words, Rev. Isaac Watts, 720. Key of G. of hm also shall the Son of man be ashamed, when he c holy angels." Mark ,eth nto the glory ofhs Father wth the Dr. Thomas A. Arne, 762. P@ I ± u It r. Im not ashamed to own my Lord, Or to defend Hs cause; Man ^ Xzzzv the hon lz or of Hs word, The glo m P9 ry of Hs cross. fc 3=== zwzzzz z==jl ±. 9^P z. Je sus, my Godl I know Hs name; Hs name s all my trust; Nor wll He put my soul to shame, Nor let my hope be lost. ;F^±^ >_._k_p>_ >=M =V=r= 4= = 9= 4=t It 4= 4= II ;o II P.. Dr. Thomas Augustne Arne composed "Arlngton." He was born n London, 70. He studed at Eton, and, though ntended for the legal professon, gave hs whole tme to musc. When twentythree years old he began to wrte opera for hs sster Susanna, who became a great favorte among the Englsh people. He was engaged as a composer n 859, when he receved from Oxford hs degree of Doctor of Musc. Later n lfe he turned hs attenton to oratoro and other forms of sacred musc. He was the frst to ntroduce female voces n chor sngng. He ded n 878, chantng hallelujahs, t s sad, wth hs last breath. The tune "Arlngton" clngs ts name to a Boston street, and the beautful chmes of Arlngton Street church (Untaran) annually rngs ts musc on specal occasons, as t has snce the bells were tuned. "Arlngton" was the favorte tune for the above hymn. Dr. Watts was born 674 and ded 748. He belonged to the Englsh Congregatonal church. See sketch on page 7. Copyrght, 909, by J. S. James.

137 sh ed ful deem est ed ahs 8o FROM GREENLANDS ICY MOUNTAIN. 7s, 6s, D. REGINALD HEBER, 89. Key of E)?. " Go ye therefore, and teach al! natons."mark 28; 9. Lowelt. Mason, 823. p It lz t: It. From Greenlands cy mountans, From In das cor al strand; Where Afrcs sunny foun tans Roll down ther gold en sand; From 4=T m3=q=ql l *^lp =* ^ p ** jp lp 2. What though the sp m tt=t =*p cy 3. Shall we, whosesoulsare lght =S L=3^^ HAzztz.pZZZZfZ l t ± ± breez es Blow soft oer Ceylons sle, Though ev ry pros pect pleas es, And on ly man s vle ; In r======c====rz=x===zq,,=:===j=xr=j==j == a S lt t Wth wsdom from on hgh, Shall we to men be =P ef Kt=t:=t t nght The lamp of lght de 4. Waft, waft, ye wnds, Hs sto ry, And you, ye wat ers, roll, Tll lke a sea of glo ry, It spreads from pole to pole ; Tll HE S many cent tw w=$ t ny? Sal tll an an rv er, From many a lm y plan, They call us de lv er Ther land from er rors chan. van wth lav q=h 4* knd blnd ness Bows down to wood and stone. ness The gfts of God are strown ; The heath en n hs *= = tt p M 4= va ton! O sal va ton! The joy ^ b_±; sound pro oer our ransomed na ture The Lamb for sn clam, Tll earths re mot ners slan, Re Copyrght, 909, by J, S. James. er, Kng, Cre na ton Has learned Mess a B rlk _t name. P tor, In blss re turns to regn. II

138 vde, *vruj tal Hstory of " From Greenlands Icy Mountan. S Regnald Heber, D. D., was born 783 and u!ed 826. He belonged to the Church of England. He was an Amercan, and Bshop of Calcutta. He was the son of a clergyman of the same name; was reared at Cheshre, England, and educated at Oxford. He wrote fftyseven valuable hymns, among one of hs best was the precedng one. He was also a poet, and wrote books on ths subject Lowell Mason wrote the musc to ths hymn n Savannah, Ga., when he was a clerk n a bank, n 823. It s clamed that the jonng of the hymn and tune together was provdental. A lady, havng receved and greatly admred one of Hebers lyrcs from England knew no musc that would ft the metre, sent them to Lowell Mason, and n half an hour he wrote the musc and returned them to the lady. It came to hm naturally on readng the poetry. The song flashed through hs mnd lke lghtnng, and he wrote and composed the musc as f by magc. Mr. Mason sad that he made no effort at all n ths composton. It was the natural mpulse flowng through hs mnd that dctated t. He was born 792 and ded 872. He was an Amercan composer, wrote many valuable books, and was the most able composer of sacred musc of hs tme. He was a Doctor of Musc, and stood hgh the world over as a muscan. BROWN. C. M. " By hm therefore let us offer the sacrfce of prase to God contnually, that s, the frut of our lps gvng thanks to hs name."heb. : 5 Chas. Wesley, 769. Key of C. Wm. B. Bradbury, 840. It. It _k_k_ t: t IS :t= :t V ===== ES»t t=t 4= t:.. Era ttzzz*zz I +. Come, let us jon our freuds above That have obtaned the prze And on the eagle wngs of love, To joys ce les rse. II Wz 4=t ^ =jeq=^3=j=b=^q=^f=,===q=f ^p=fp^pppf^^^^ 4^FgTH 9 B Let all the sants ter res tral sng, Wth those to glo ry gone; For all the servants of our Kng, In earth and heavn, are one. J* =N=I 0P 9 PP ::t=:t =tt 3. O that we now mght grasp our Gude! O that the word were gvn! Come, Lord of hosts, the waves d ===g=^fe=;^±fl And land us all n heavn! =e _*r_v: ===t=t=fe===p=3=f=t=f==f= ==4=4= J] 0 Ag JJ Chas. Wesley was born 708 and ded 788. He was an Englsh Methodst, and was one of the greatest hymn wrters n the world, and hs hymns have a general crculaton n all denomnatons. Wllam Bradbury was one of the most prolfc musc composers that has ever lved n Amerca. He was born 86 and ded 868. More extended notce s gven elsewhere n the sketches of the authors of the musc and hymns. Copyrght, 909. hy J. S. James.

139 . t ful ther t o d ute ~ _._ ther ts t t l2 I SWEET BV AND BY. "And f I go to prepare a place for you, I wll come agan and receve you unto myself, that where I am there ye may be also."john 4: 3. Dr. S. F. Bennett, 874. Key of G. Joseph P. Webster, \=4v 9V ^ ^ 3j===SE====. Theres a land that s far er than day, And by fath we can see t a far, For the Fa 2. We shall sng ~^ 0» 4* f* * X *^ N^" on that beau z4zzztz 4 3. To our boun Fa ful shore The mel p ous songs of EEE a bove We wll of fer our trb the blest, ^ a=* IS our spr of prase For the glo I *# t =S=4=: t=*z wats o ver the way,.^.^ shall sor row no more, 4=== r ous gft of Hs love, zhzzhczzz zzzzt To prepare us a dwellng place there. In the sweet by and by We shall meet on that beau t r ar 0 L, * 0 p I *u r f< t_, dtdr * L =jfj w w?.=gt== u 9< vv =tm NN *> rs PS *F^ m t =fe ZSZZZZPZ _:* m 9 ZAZZ^Z S 99 4\r 0 f k J ft I P&* ffcl ^>" _±_ Nor a sgh for the blessng of rest. In the sweet by and by We shall meet on that beau =* 9 And the blessngs that hal low our days. In the sweet by and by We shall meet on that beau ^"fl IS R K K K )tf t jf ^ ^ # * 0 0~"0 P f P * * [f ]/ * * D 4* I tfy 9 & L y y_l ty j* Copyrght, 909, by J. S. James. ful ful =X ful

140 " ~ 4S t t ful ful ful Sweet By and By. Concluded. S3 h h 0~ 0 IS IS kt,. 9 k k. k. k _ P k " a ^ BvH V\) t» v L 9, f Ffp Sl "* * ffts shore n tt JL \ by and by, by and by, by and by, by and b U We shall meet >n that beau shore. : : I I v r> _l_ * I II!> * rm \S\) A P\ II r. II " f d 0 0 O shore, In the sweet by and. n tt ft 0! > v II II j r t _. rts P h T <V u / T r s a * A JJ JJ _ by +# * We shall meet on that beau»shore. shore by and by, In the sweet by and by, by and by, by and by, We shall meet Dn that beau t shore. **#T r y IV V P ~K K > f*," B r J J _. "I ~r I II P 4 IS B!/!/ L II S. F. Bennett was born n 836 and ded n 898. He moved to the West n 86, and settled n Elkhorn, Ws., where he practced medcne. Joseph P. Webster was born n New Hampshre n 89, and for a long tme was connected wth the HandelHaydn Socety of Boston. He removed to Indana n 85, and to Elkhorn, Ws., n 857, where he ded n 875. He publshed the "Sgnet Rng," a popular song book n 874, when "Sweet By and By" began ts great advent of popularty. In musc the two men had been workng Webster was a muscan of consderable note, and Bennett was a physcan, who also possessed muscal talent. as partners, Bennett beng a ready verse wrter, whle Webster was a fne composer. They composed a great deal of sheet musc. Webster was feeble and often melancholy. He went nto the offce of Dr. Bennett wth a frownng face, and the Doctor sad to hm, "What s the matter?" He repled, "Nothng; I wll be all rght by and by." Bennett sad, "Why not wrte a song of the Sweet By and By?" After thnkng a mnute, Webster sad, "If you wll wrte the words I wll wrte the musc." Bennett mmedately wrote the words, and n a short tme (the same day) Webster composed the musc, and today t s known all over Chrstendom. Its popularty, however, was made unversal by Sanky, and those who have made the "Gospel Songs and Hymns" famous n the Unted States and other countres.

141 84 Key of Btt CAMBRIDGE. C. M. "Blessed are the pure n heart, for they shall see God."Matt. 5: 8. Dr. John Randell, 790. The Lord wll hap Efe==T : =t== On con trte hearts be stow; Then tell me, gra 4* b: m be =t a z. I hear, but seem steel ; aught s felt 4== H=t P It 3. Thy sants are com know, And love Thy house S ^= =t=t r=e^ 4= =t===t==?= S^=E==g ll God, oth ^fcs 45^ H m con trte heart, con trte heart, or no! A con trte heart, or no! or no!. To fnd I can not feel, To But == " T=t 0 0 fnd I can not feel, To fnd I can not P< =t=4 t t t=t I h = fnd no com fort there, But fnd no com fort there. But fnd no com fort there.. ==t It= =t I hpp P ==f F===== IHH We have been unable to fnd out anythng about Dr. John Randell, the author of the above musc, although t s one of the standard tunes, and s placed on page 4 n the " Natonal Hymn Book of the Amercan Churches," by Robt. Ells Thompson, S. T. D. It s over one hundred years old, and has very fne chords. The words used are taken from the "Sacred Harp," page 387, by B. F. Whte, copyrght, 909, by j s. James.

142 For ered ant L John Iceland, 833. Key of F Mnor. Im^s when shall I *\A And from the flow U gggs JJ r When shall I And wth f But now * \ Hs prom CHORUS. I be de my bless ed am s es THE MORNING TRUMPET. " There shall be a resurrecton of the dead, both of the just and unjust." Acts 24:5. zz^pzzzzpzzzpzzz^ez Fr 9W PPs 99 :t: 5^ M 3 Je foun sus, And regn wth Hm a bove, And shall hear the trumpet sound tan, Drnk ev erlast ng love, And shall hear the trumpet sound lv From ths Je sus Drnk end sol fath t\... der, My ful A v van world of less pleasures r\ y N And shall hear And shall hear the trumpet the trumpet Captans gone be fore, Hes gvn me my or rghteous crown Hell gve, And Hs val sol fr± sound sound =l5==fe=e ders, bds ders e a. F. Whte, 847. that that that morn that morn lfb SE me ne er gve ter nly shall 85 :t=tt morn ngr morn ng? m * * k Tl Bun. a P a * E * b II X V m, y \L p m p JS p p P p II rns ff * * r. \d r, v r & \r j \S\) ]j Ij II. v y I L.JJ f, Shout, O glo ry! For I shall mount above the skes, When I hear the trumpet sound n that morn ng. n0 tt Bat. tt a r» a a M a, k, "JJ. / "j r P p p? F W J s *l ws t. r *»Jj F p r ^ J j U. V)) 9* \j 9 y \j,d u d.jj / Shout, O glo ry! I shall mount above. the skes, When I hear the trumpet sound n that morn ng. ^^X±r u * JJ. P a v. r p _ J P Il J "t. *J P 7 T J m m,j f!, * Jf JJ. «^ U L/ 9 ^ 9 l John Leland was born n Massachusetts n 754 and ded n 844. He was a Baptst mnster, laborng mostly n Vrgna and Massachusetts. Hs lfe and wrtngs were publshed n 845 by Mss L. F. Green. Hs two noted hymns were, "O When Shall I See Jesus?"and "The Day s Past and Gone." For further hstory see "Bound for Canaan." B. F. Whte, author of the musc, composed and compled the "Sacred Harp" n 854. It was revsed three tmes. He also composed a great deal of the musc n the "Southern Harmony." An extended sketch of hs wrtngs and compostons s gven on page 22. ng? ng? o er; lve.

143 n versal self 86 CHART.BS WEST.BY, 739. Key of G. MENDELSSOHN. 7s. D. 9 " Behold, angels mnstered unto hm " Matt. 4:.»p= ==4sp]=: J. L. F. MENDELSSOHNBARTHOI.DY, 840. == 0 0 tzztzz ======= Hark! the herald angels sng, "Glory to the newborn Kng; Peace on earth, and mercy mld, God and snners reconcled! " Joy ful all ye natons rse, 4== =tt:;=»=,94>»ppe=fj===ei===== I====I=F===!=f=TH ^zp=r5e==!3tt=at.lj *= " ZZZZrz 4=4 r 2. Chrst, by hghest heavn adored.chrlst, the everlastng Lord; Late n tme behold Hm come, Offsprng of a vrgns womb; Veled n flesh the Godhead see ; ==3= Z%Z,.0^k 4= t===zc Cz^Bzd 4=44 4=4=4: drd^d #0=0=4=. 4== 4=4= ± :== zl& zdzzaz >pp ^ 4=4= :t=t=t 3. Adams lkeness, Lord, efface; Stamp Thne mage n ts place; Second Adam from a bove, Renstate us n Thy love Let us Thee, thot lost, regan /C\ /7\ 0 P P _ k r=t=tp k a na \, It 0 H t: P~t zzaz w =t "ppp ==t :t=t=t: 4= c=t= Jon the trumph of the skes; Unversal naturesay, "Chrst the Lord s born today," U nature say, "Chrst the Lord s born to day. :» 4=7== ====4=#?F«= = 4=4== dd p 4=t :t=k_ t=t=t ==?==ts==?=jj ===l=s^^^ll Hal! thncarnate De ty, Blessed as man wth men t appear, Jesus, our Immanuel.here! Blessed as man wth men t appear, Je sus, our Immanuel,here! ^ If =tf I 00p =4 PPP0 tpz*2 PP :=±= :t==t Thee the Lfe, the heavnly Man; O to all Thyself mpart, Formed n each be levng heart I O to all Thy mpart, Formed n each be levng heart! PPP k*^. t=t==., **«> * *r r^ F*kt l r rput=p=t kk = t t ± t: t: tt II Ths hymn of Charles Wesley, dated about 739, has been altered several tmes n some partculars, but ts present shape s almost dentcal wth the frst roducton of the Mendelssohn s a favorte muscal hymn. nterpreter of the hymn. It s taken from J. L. F. MendelsshonBartholdys cantata. He was one of he great masters; born 809 and ded 847. Copyrght, 909, by j. s. jamea. les pz!. =

144 I lght, Samue, Stennett, 7 SF. It= Key of F. S kk PP U=t NEW JORDAN. C. M. "Thne eyes shall behold the land.isa. 38* 7 A. M. CAGI.E, ==fF4=4= ] S = = :d==: :*rjt:s* p tzztzzt. ppp 4PP tt y ztzzdz On Jordans stormy banks I stand, And cast a wshful eye To Canaansfar and happy land,where my possessons le. O K rppps TPrPPP PrP»P P Pr^ t k kttk k _*rprrx4_k. t=t =t?f===^=f^^r=r=f^±± rft IbAzzz^z ^T_PPT_PT. ^^^P=P=P=T= ±=r^=t:=r=r=pezj ± O the transportng ^EES P ptp ^ I I I 9 ±=t±t On Jordans stormy banks I stand, And cast a wshful eye To Canaansfar and happyland.wheremypossessons le. =):=f== SE t=t =t=t jfcj S+ ;=? r t 4s s rse =P=P pp M It peppkn It VrS==?± Pkk =t=t 4===k==jP===t==4T=^?=P= ==t=t fc==c :»^==^j==t==»ft== t=t=t x=f o 87 3fe ^= ==t=t :t=t KPH^PBg=g ==t =t=t =tt m the transportng, rapturous scene,that rses to my sght! Sweet felds arrayed n lvng green, And rvers of de lght, And rvers of delght, lght. It=t _. >_ rapturous scene,that rs =3=^* =fe I :k7=pptf=^====fk=^krtp=^^ Lp rnjpppjr\ t [ **r+n>tl""~p m r ][\\ es to my sght! :p=p= 4= dj :p===^q==t=4=tpp=r==p=^r=pj4=p^ P >^=th^h tpf^^^h^t=fi:g>lrtf:^^ ^^Hg^t^pF^H^Il the transportng, rapturous scene,that rses to my sght! Sweet felds arrayed n lvng green, And rvers of de :t===5=gd=^^ ==== 4Ffe wk kf==pjr; 7 :^t:t And rvers of delght. lght. rkt ttz gll See hstory of Samuel Stennett under tune, "Promsed Land." Professor Cagle lves n Alabama, and s a lover of the old sacred songs. He s a good leader and a fne snger, and s loved by the musc people. Copyrght, 909, byj. S. James

145 He 88 Isaac Watts, 707. s* s k* tt Key of A AIN. S. M. D. "When two or three are gathered together n my name there am I n the mdst of them. " Matt. 8: 20. Arcange,o Corell. 4==t=t=t p p». ^= *^=tlp*tt" 4==3=^ 2. Let those re fuse to sng Who nev er knew our God, But servants of the heavnly Kng May speak ther joys a broad. :rt 4HF &z wm PP7=w ^0=0P0=Zt ±5 ff 4= =n =!== ======= 44 It 4PPpv p\v0 zdzzmz 4== = *=tt = t. Come, ye that love the Lord, And let your joys be known; Jon n a song wth sweet accord, Whle ye surround the throne, Whle t=t=fc y=as 3. The God that rules on hgh, That all the earth surveys, That rdes up on the storm y sky, And calms the roarng seas, And =c J=^lx==?= s:2 t5l=± I f * t=t: 4. Then let our songs a bound, And ev ry tear be dry; Were marchngthro* Immanuels ground To far er worlds on hgh, ==kpk_4= ht#»l. g^ =fc==y:t: Hss ye surround the throne, Whle ye surround the throne, ^===E4==d===f=Ps, :4=? zd May speak ther joys a broad, S=^==P=^==g==^=E^=^5 fefeg =p4=4==r===pl====ttt ======afefe==fl n a song wth sweet accord, Whle ye surround the throne. fsn ==** #L 00 #S#L# "TV^T S=S3=?=SI s^=g May speak ther joys abroad, But servants of the heavnly Kng, May speak ther joys a broad. === *^ PS calms the roar ng seas, And calms the roar ng seas, That rdes up on the storm y sky, And calms the roarng seas. <S" 4S =4= 9=9~.p=pzzt: z± t: To far er worlds on hgh, To far erworldsonhgh, Were marchng thro Immanuels ground To farer worlds on hgh.. Isaac Watts was born 674, and ded 748. He was an Englsh Congregatonalst was one of the greatest hymn wrters n all Chrstendom. Other statements n regard to hs lfe and works can be found n other parts of ths book. The Italan tune of "Am" s one of the old fugue peces of musc, fourfour tme. Corel was a master volnst, and wrote a great deal of voln musc. He was born 653 and ded 77. He was sad to be a senstve artst, and was one among the greatest muscans of hs day. Copyrght, 909, by J. S. James

146 SWEET CANAAN. 8s & ps. 89 " I wll gve unto you to possess t, a land that floweth wth mlk and honey."lev. 20: 24 Rev. John Mofftt, 829. Key of F. Rf,v. John Mopftt, 829. rk k r=5 rk r«^ pfc. L b^ P! J a a [ fd.il vv e r d _p_p l! l^u "» \d!, V.! fo who llm bound wll far come Ca and naans go land wth to me, see, I 9 am bound am bound ) > f^ P l _P=..+_ j L n*> L p = Ao p\r b d J p d j J J! d V U t "^ ^ a *. *f /Ill jon those who have gone be fore, am bound for the land of Ca naan; 2l I Where sn and sor row are no more. I am bound for the land of Ca naan. j O Ca naan, sweet for for the the land land of of Ca Ca naan; naan. J O Ca naan, sweet, ** r b 9 \ 0 a [ a * k II., :, *ll. a a rbj t=~7 r rk k rp n r rk I * *Lb \ P P P P \Z p I! P a a " a k J P p P JJ rm" j j 9 P p, r p ; u Z JJ * "V 9 9 > \d \,\ d 9 t JJ f " V Canaan, Im bound for the land of Ca naan; Sweet Canaan, ts my hap py home; I am bound for the land of Ca, 0 IN * rt P r P X II A_ b P J f.! a * J J P l J II fto P J P d P P IM; a L L a II t ^ ^ * * II f Canaan, Im bound for the land of Ca naan; Sweet Canaan, ts my happy home; I am bound for the land of Ca naan. " P t t k k r k. II j :j J J J J / II [, 9 9 f Ml I a Fl & U d Ml. V II II The orgnal name of ths song was * O Canaan, Brght Canaan." John Wesley tred to change t and appled t to another song, " How Happy s the Plgrms Lot." It would not be changed from the old ar. One of the old verses was, " If you get there before I do, I am bound for the land of Canaan. Look out for me I am comng, too; I am bound for the land of Canaan." The orgnal chorus n the song was " O Canaan, Brght Canaan." It s an undenable fact that n the early days of ths song that many souls were born nto the kngdom of God under the sound of the crude woodland song. About 850 E. J. Kng made a few changes n the tune and n the words, changng " Brght Cannan " to " Sweet Canaan." Wth a few exceptons the tune s as t was orgnally wrtten. Copyrght, lfod, by J. S. Jamee. naan.

147 lent ous ^ lent uels ~ ^ lent oo THERE IS A FOUNTAIN. C. M. "In that day there shall be a fountan opened to the house of Davd and to the nhabtams of Jerusalem for and for uncleanness."zech. 3:. Wllam Cowper, 779. Key of C. Lowell Mason, 832. ttt JL " k k.. J K ^^ k k k n H r^pp. v )) 4 J a a j V.\ r ~ k j K ^ ^ K fto fl \a r! a,d J Ij P J u Ij r Ij j a P a f vens; And snners, plunged beneath that flood, Lose all ther gulty stans.. There s a fountan flled wth blood Drawn from Imman I, V k II A_ 4 P h I*"*! P r < (TO fl la J J II J! III! a a a \ CU4 ^ ^ J ^ I ^ ^ J ^»! IJ»/ 4 ^ P Tt *. The dy ng thef re joced to see That fountan n hs day; And there may, though vle as he, Wash all my sns away. V p P, ^ ^ /_ 4 ^ J k J jfl \ k > k f k r t=. rm fl n d J P P J a n J d a fstl *r y * " J P! J a. a j 0 0 W Ij / 4." 3. Thou dy ng Lamb! thy prec blood Shall nev er lose ts powr, Tll all the ransomed Church of God Are saved to sn no more. r» 4 p k *. k III P,, _J.4! J p, J J J ^^T^ ^ ^! ^ ^ 4 ^ F. C_ LL _., * _. p 4 ^ T II V U L U 0 4. Then n a no ber, sweeter song, Ill sng thy powr to save, When ths poor lsp ng, stammrngtongue Les slent n the grave. P a =*=*= =*= % *^m E ^ 4=t a a P t: ± P 9 I I 47 Lose all Lose all ther gult ^ 0s Wash all my sns a > y stans, way, ther gult y stans, And snners, plunged beneath that flood, Lose all ther gulty stans. 4 4SH= 4=t 4= II Br Wash all my sns a way, And there may I, though vle as he, Wash all my sns away. EE ]~rr"xj==^ == d0 m4±\ ±. ap = =t=t = Are saved to sn no more Are saved to sn no more, Tll all the ransomed Church of God Are saved to sn no more. Les s ± n the grave, Les A :3=n=ftFe =C 4 3 = ztzzzzt :l n the grave, When ths poor lsp ng, stammrngtongue Les s Copyrght, 909, by J. S. James. n the grave.

148 . f * rse rse P round l ons ons ~ Hstory of "There s a Fountan." 9» Ths hymn was wrtten by Wllam Cowper n 779 for John Newtons cottage prayer meetngs, and s found n the " Olney Hymns." It s one of Cowpers best hymns. Wllam Cowper was one of the most popular poets and letter wrters of the Englsh language. He was born 7^ and ded 800. He was a member of the Church of England. Hs father was Rev. John Cowper, and a Chaplan to George II. He spent ten years n Westmnster school. He then read law, but after a very bref practce abandoned t for lterature. He was a scholar and hstoran. Among hs hymns were the followng: " God Moves n a Mysterous " Way," O For a Closer Walk Wth God," " Ts My Happness Below," "My Sole Possesson s Thy Love," " Hark, My Soul, It s the Lord." Dr. Lowell Mason commenced to compose musc when he was very young. He has left numerous books of sacred musc; and Amerca owes to hs efforts some of ts greatest productons. A great many of hs tunes appear to be smple, but they are flled wth melody and harmony, and as tme passes by t only lends ts ndorsement to the wsdom he possessed as a muscan. He was born n 792 and ded 875. He was an Amercan. B. F. W., about 842. Key of G. t n I ft fl 4 TI fl T K. V *. ^ ** J My breth :en, ^ X How ma ny " r all, foes " LOOK OUT. P. M. Be not deceved; God s not mocked: for *vhatsoever man sovretn, that shall he also reap." Gal. 6 : 7. B. F. Whte, 842. on you bound to a n p l I P "II p d a I call, A and op pose Whore watng look to a you; \ con found you. J The gos pel calls on Z walls, Shako 0 fr, la P a a /L *!. P* m /Tv A. a P a A " ^ ] 4 lt P! P V v t J. * ^ l >J T d My breth ren, X How ma ny all, foes on you bound to I call, A and cp pose Whore watng d look to a round you; con found you. J The gos pel calls on Z walls, Shake Pv#~fl"" k ^ b. f k.84. P _. ~* r r ^* I \ llc u u a a =P off your sleep and slum ber; ^^ p l.^ ^.!L =!5 " =t =FP= ZLZZZT and pray, well the day, Tho we are few ± G =4= =s* Z =t 4= off your sleep and slum ber; rse and pray, well wn the day, Tho we are few 4 44= :t m zc: = tt =t= =c II n ber. As fas as we can asertan Major B. F. Whte composed the musc and the words to the above hymn. Ths tune has also been regularly prnted n the Sacred Harp " n each edton snce 844, as well as n several other books. It has some very sweet chords and strans, and presents a strong appeal to those " who profess relgon to wake up to the gospel sound. It stands very much as t dd when frst composed. Further statement of B. F. Whte on page 2J. II

149 ders ~~ s 92 TELTHA.:! C. M. S M. D., 908. Key of A. Endure hardness as a good solder of Jesus Chrst."2 Tm. 2: ; S. M. DENSON, 908. See M a^. Bold sol ^Ml. t S fzzzpzzzz. Tzztzf. ZtZ all on you I call, Although you are but few; When youvedonealistandfast,andkeeptheglorousprze n vew., The tme draws ngh n MFESE m^m M 3. My soul s rs ZtZZtZZZtltL H when you and I must cross bold Jordans flood;* On wngs of love well soar above, And scale the mount of God. ;=±=,=p=eg±==s==p=f tttsl t=t SS?==ff3 m ng whle I sng Towards the blssful goal, I feel the love of Chrst my Kng Now runnng thro* my soul. mm. feee _p_ +04S =P=t I^IrS 4=4 dfcfe P lt=t=t ~rrt P _k_.rk_ :r t=t= pp: ±=t rl4 t=t=?=s= ffz=?ts When youve done all stand fast, When youve done all stand fast, When youve done all stand fast and keep the glorous prze n vew. vew. 2 43p. 4=" 4=t =J=t=t 43 I l Il fll y On wngs of love well soar, On wngs of love well soar, On wngs of love well soar above, And scale the mount of God. God. 2 f ^4=BZ QzzzzzzzzpzzEz S=EE a=p =P=P=p^kl±=t. ==4=: t=t 4= f=t ~P rl V etz\z. t: =4=4= 4= Sfz _j._p. P P 9 a = *jztzzzt &. a# PTT HUI I I I I feel the love of Chrst, I feel the love of Chrst, I feel the love of Chrst my Kng Now runnng thro my soul. soul. 3 Mt: krb k b kr _ I I E k =fz=s: g I fcm^ *V t=t wm The words of ths tune were arranged by Prof. Denson, n 908, at hs home n Helcan, Ala., where he resdes at the present tme. See further sketch paga no "I learned the ar of the above pece of musc from the Rev. L. p. Denson, of Arbacoochee, Ala. Copyrght, 909, by J. S. James.

150 ute der eth " WORK, FOR THE NIQHT IS COMING. 7s & 6s. X must work the work of hm that sent me, whle t s day: the nght conetb, when no man can work."john Anne L. vv>,ker, 860. Key of F. Lowex Mason, 860. X=S <j It 4= ===4= Work through the mornng hours; Work whle the dew s sparklng, Work md sprngng flowrs; ~N 3 fc4 &d S 3. Work, for the nght A^zzzzzhzzzhzzh BSE S=4==t =g=t= =g=t==t Fll brghtest hours wth la bor, Rest comes sure and soon. t: t: fr t ng, Un the sun set skes, Whle ther brghttnts are glow ng, Work for daylght 4= t=* ^= f=3 a * zzzzp K=f= :4 dd~ rht: =B=t=t t: =p= 4= 4 ± t IjfcZt ±: ±=4= Workwhen the day grows brght er, Work n the glowng sun; Work, for the nght s com ng, When mans work s done. H m: *pt z zdz 4= 4= 4 ^EjESfelfl =a~v Gve ev ry fly ng mn Somethng to keep n store; Work, for the nght s com ng, When man works no more. 4= zsttz E ddt: t. 3=^4%=fl Work tll the last beam fad eth, Fad to shne no more; Work whle the nght s dark nng, When mans work s oer. == t: b Anne L. Walker resdes n Canada. She wrote and publshed a volume of hymns n 868. Among them was "Work, For the Nght s Comng." Further facts about her lfe and wrtngs are unknown. Ths s one of Dr. Lowell Masons tunes, and s used n Protestant churches all over the world. The tune s very popular wth the dfferent church denomnatons. Further notce s gven of Dr. Masons wrtngs and muscal works n other parts of ths book. Copyrght, 909, by J. S. James. 9

151 " " le lu 94 RELIGION IS A FORTUNE. 7s & 6s. " The rghteous shall go nto lfe eternal " M rt..", 0. y+to fs la P a _p a * ** a. n p! fm 4 P a!. a V )) 4 U* f 9 { O when shall I see Je sus, And regn wth Hm a bove? Shout glo ry, hal le, hal le lu lf ( And from the flow ng foun tan, Drnk ev er last ng love? Shout glo ry, hal le, hal K FINE. le lu tt} / ffo r Ps 7 * n j r : r J Tv a a a J J J r! J J d d * a ( ^ J A t J 9 ^ a, z f When shall I be de lv ered From ths van world of sn, Shout glo ry, hal le, hal le lu And wth my bless ed Je sus Drnk end less pleas ry, hal le, hal ures n? Shout glo p».wrt e> : le lu ft} " " PS k PrfA f\ PS r 000 * I ^ n p f I r p :f *# 99= \ 4 9=c99 9 9= L«5 L^= Ly9 le D. C.Re lg tune, And heav le, hal en s a home, Shout glo ry, hal jah, CHORUS. D. C. J>. k k k +r a r h p t P k k.". P #» / s. _." _ r r p WS *! j f J J J A P " P IJ., ^ "II j 4 l*v!! ^ ^ 9 9 ^ 9 / / 9 N a f II J. When we all to heav en, We wll shout a loud and sng, Shout glo ry. hal le, hal. le lu jah. K r H / *f p\, _j* II l" r * " r f f. B f r P k P. II ft. * J p. 4.!..!. P P ^ J I 4 II u W!j U* U ^ J T" II f When we all get to heav en, We wll shout a loud and sng, Shout glo ry, hal le, hal lu jah. I ft K» JTT " * u Pa TIP I a S Ps J p p p r p k r II II a Es * t* ^ 4 V =u V V 9 L4 4» John Leland was born n 754 and ded n 844 He was a Baptst mnster, and composed hs own hymns. He was also the author of several tunes. Some persons clam he was very eccentrc. He traveled all the way to Washngton from Cheshre, Mass., to carry Presdent Jefferson a cheese weghng,450 pounds. He went through the country on an ox team, and preached all along wherever he could get an audence. He was a good man; and t s sad on hs deathbed he quoted the words of ths hymn, "O When Shall See Jesus?" Rev. Wllam L. Wllams was a Welsh Calvanstc Methodst; born n 77. He studed medcne, and was for a long tme an tnerant preacher, havng left the Establshed. Church. He ded n 78. He s generally known n hstory under the name of Wllam Wllams, but some of the books put hm down as W. L. Wllams He wrote a great many strong and forcble hymns, as well as composed some splendd melodes. Copyrght, 909, by J. 3 James.

152 . wth " _ H. G. SpafforJ. Key of G \ fzd^zd^ IT IS WELL WITH MY SOUL. Serve God wth all your soul. Deut P. P. Blss. ^zz^zzazrzz^ zz. When peace lke a rver attendeth my way, W.ea sorrows lke sea bllows roll: Whatever my lot, Thou halt taught rue to say, :> a* Azmz ====!====!==== { =jfrt" r=4t= 2 Though satan should buffet, tho, trals should come, Let ths blest assurance control; That Chrst hath regarded my helpless estate, > ~:<L.*Z z?zzt S=. «w 3. My oh, the blss of ths glorous W thought My sn not n part but n whole, Is naled to Hs cross and I bear t no mora, zzz±ztta~±azz:z\d fr ^FR *=J... r _S T., ^ ^frf""^^ ^^^Z?^"^^ 4 4. And, Lord, haste the day when the fath shall be sght, The clouds be rolld back as a scroll, The trump shall resound, and the Lord shall descend,c\ CHORUS. At, T T,, zr r r, \ =p &=.:> ^z.z[zjzzzzzzz:zt:zzz\zzz^lzlzzzzwzzzzzlzzzzzzzz r%u=z*z\r z:rz*lza_zzpzz^zfr:^zzzzzz^zz0 It s well, t s well wth my sonl. :=r5: Wz^^g^m?>=? *:^fl^fe.^^zzfe^^ ZZ^^:^l= ;^:^fe#::^rk^zo And has shed Hs own blood for my soul. It s well.. =;>*=;?.»=? p :p^p^ lrj! Prase the Lord, prase the Lord, oh, ray soul. my soul II s well, t * well wth my soul. zrzzr. Z <2I zrzdz *=W ZJZZZZZZ It s well wth my soul, M Sg 5S^gSj^g^gEjJ=l=3 "Even so " t s well wth my soul.

153 less fore lev pe est 96 HAPPY MATCHES. 8s, 8s, 6s, or C. P. M. Lady Huntngdon, 764. t " Draw ngh to God and he v of A. Key. When Thou, my rght =t=fc ngh to you, and purfy your heart, ye doublemnded." Jamrs 4: 8. =t= eous Judge, shall come To take Thy ransomed peo t B. P. Whte and E. J. Kng, 844. IL^zA. ** Pk =ts=t=t home, Shall I among them stand? s =4= 4==4=: =t=t= Pp ===^= p^ #* to meet Thy peo pe now, Be Thy feet wth them to bow, Though vl k k ZrZZZpZZMZ r 3bE PZZfZZZZZZZtZ ±: t zzzfaedzz 4= It 3 O Lord, pre vent by Thy grace, Be Thou my ly hd =t=t Shall such a worth But bear the perc of them all; ngplace, In ths the accepted day; p k _ P = worm as I, Who sometmes am frad to de, Be found at thy rght hand? t=t PP z z!zz±z ppp pkpp t=t. I r g^l^^a ng thought, What f my name should be left out, When Thou for them shalt call? mm tle m :t t I ll Thy pard nng voce let hear, To stll my un be ng fear, Nor let me fall, I pray. Lady Huntngdon (Countess) was born n 707. Her maden name was Sellna Sherly. She was marred 728 to Theophlus, Earl of Huntngdon, Afth whom she lved happly untl hs death, n 746. She was one of the most pous, noble, and benevolent women whose name adorned the Chrstan Church. She supported by her large ncome the cause of the Methodsts, whch was so ably presented by John and Charles Wesley. George Whtfeld was one of her many chaplans, n connecton wth whom may be sad to have founded the Calvanstc branch of Methodsm. She was an earnest Chrstan worker all her lfe. She ded n 79. The above hymn portrays unaffected humanty of a Chrstan character. She was one of the great women havng unbounded nfluence n her day. Sketches of B. F. Whte and E. J Kng are gven n other parts of ths book. Copyrght, 906, by J. S, James.

154 dren Has knd ly as ly tant THE LONE PILGRIM, us & 8s. 97 "For f we beleve that Jesus ded and rose agan, even so them also whch sleep n Jesus wll God brng wth hm." Thess B. F. W. Key of D?. B. F. Whte, n&^ =m 3. The cause 4. He wan 5 C tell hs ons and chl ons fare well; a tve ngh; ^PEP ;] most dear; To weep not for hm, now hes gone; =t=t fe &= fr who for hm now mourn, and sank to the tomb, The same that led hm through the scenes most se vere ss fr How sweet he sleeps here a lone." The tears are all wped from hs eyes. In. far Hs soul ds re gons they dwell. flew to man sons on hgh. I Skfr fr=fr I ted hm home. These words and tune were composed by Major B. F. Whte at the grave of a frend who had once lved n Georga, and who had gone West and ded. Major Whte vsted there, and whle at the grave wrote the words and musc to the above hymn. The grave was n the lone prares, and the words show the nwardness of hs great heart, and the feelng he possessed for a departed frend and former companon.

155 nal lv ton, " suf fe ent 98 Char.es Wesley, 774. Key of G. HARWELL. 8s & 7s. I The desre of all natons Bhall come."hagga : 7. Lowell Mason, 840. :*$=& fr&f. zz^zzz^zfrzz ZZ9ZZZ9Z tzzzfr 9V tzfrzzdzzdz Wfr. Come, thou long ex pected Je sus, Born to set Thy people free; From our fears and sns release us, Let us fnd our rest n Thee: s ===== ^ 4fr^ frr I a d~ m ~N4\\ fr *Ffr dd~ dz d =r 2. Born Thy peo g:f=5=r IEE pe to de :*::*: l fr=fr p # frfr stust E 00 dd " zfrt^ V9 0 d P" and yet a Kng; er; Born a chld. Born to regn n us for r\n Aaa ev frfrfr er, Now Thou gracous kngdom brng: t ^ I P3* fr A * PW h ^* h fr 0 0 rfrfe =a: ~» p p ^ p 99 tzzzfr 4Va V9 Israels strength and conso la Hope of all the earth Thou art; Dear desre of evry na ton, Joy of ev frfrr fr* P~ha 4\f frfr a fr* Z0frEz±z 9=^pS frfr ^fczf^: By Thne own e ter "fr fr" =E= zfettt ps : Spr NH* 0 a :f=f= t=p v y / a== ==fr^=frfr=t ry longng heart. d d Xu0dd tbt E^fe 4\N < ^ * dt^ I p PFpfrfr t, Rule n all our hearts alone; By Thne all»» KK 999^99 Copyrght, 909, by J. S. James. mer t, =0~ ============^B=r,== 99 ** a 9±_ throneị Rase us to Thy glorous 4\a0 l

156 , a±k " N fore 4S~J tal Hstory of " Harwell." 99 The words to ths hymn have remaned unaltered as they were orgnally composed, "Hymns for the Natvty of Our Lord." Revs. Charles and John Wesley were the founders of Methodsm. Charles Wesley was one of the greatest hymn wrters n the hstory of the world. He shared the honors of Englsh hymnody wth Dr. Isaac Watts. He has wrtten some of the most strrng hymns publshed n the hymn books of Protestantsm. They are orgnal, evan gelcal, sprtual, and mmortal. He was born at Epworth, Lncolnshre, December 8, 708. He was the eghteenth chld, and the youngest son of a famly of nneteen. Hs father was Rev. Samuel Wesley, clergyman of the Englsh Church. Hs mother came from a very dstngushed famly. Her maden name was Susanna Ansley, daughter of Rev. Samuel Ansley, LL.D., a very learned and Nonconformst mnster n London. It s sad that Mrs. Wesley had great gfts, and brought remarkable success to bear n tranng her chldren. In 726 Charles Wesley was elected to Chrst Church College. He soon departed from the methods of the Church of England, and began to lay the foundatons of Methodsm. After takng hs degree he remaned as tutor n the college untl 735* when he accompaned hs brother, John Wesley, on a msson to Georga, when he was ordaned to Englsh presthood by Bshop Gbson, of London. From 739 to J7S6 he was actvely engaged wth hs brother John tneratng through Great Brtan. Hs consttuton was too feeble to contnue ths work. He wthdrew from actve servce, and spent the balance of hs lfe n retrement. In 77 he removed to London, and ded March 20, 788. He wrote over 6,000 hymns, and many of them have been receved by all denomnatons, and sung the world over. Among some of hs great hymns are: "Jesus, Lover of My Soul," "Hark, the Herald Angels Sng," "O For a Thousand Tongues to Sng," "I Know That My Redeemer Lves," "Ye Servants of God, Your Master Proclam," "Hal the Day That Sees Me Rse," "Our Lord s Rsen From the Dead," "Come, Thou LongExpected Jesus," "A Charge to Keep I Have," "Arse, My Soul, Arse," "Snners, Turn, Why Wll Ye De?" "Love Dvne, All Love Excellng," "Depth of Mercy, Can There Be?" "Solders of Chrst, Arse. The above hymns have found ther way nto the "Natonal Hymn Book," by Robert Ells Thompson, S. T. D. "Harwell" s one of Dr. Lowell Masons standard tunes. HOME OVER THERE. "These are they whch came out of great trbulaton, aud have washed the D. W. C. Huntngdon, 870. Key of A. robes, and made them whte n the blood of the Lamb." Rev. 7: 4. T. C. OKane, about 87. r tt tt * k h * U ff*" A r fr fr P rj fr ff I /"{ 4 J. m,j^n frf fr j fr J J _T _P I rm * p 9 9 \ p "T * ^ * * J ^ rl "V 4 Ij B J.. O t lnk of the home o ver there, By the sde of the rv er of lght (o ver there),where the sants all mmor and far, r ttfc V <tlf 9 A. ff * fr fr fr fr I &* 4 zz * fc fr fr =s h N 4fr_R_J DS 4J & ^zfr «. o t lnk of the frends o ver there, Who be us the jour ney have trod, Of the songs that they breathe on the ar, k *. n tt ft fr fr y Buff 4 ~] fr ^!S I IJ _ L^ fr a_ C * J _P P ±=P a J P P P P a J I rm * 9 AA * V * ^!, Ij J <d <U 4 J 9 Td II!j!j f 0 3. Ill >oon be at home o ver the re, For the end of my jour ney see (o ver there); Many dear to my heart o ver there r fr ) «**» fr C P a a. a \ a a. a a r^ a P a a fr pj p. _p ff 9 J J! fr! u 9 l 9 " a ff 4 «rf ^ P P P 9 9.* \ 9 5 U Z p P 9 9^ P P Copyrght, 90fl, by J. S. James. ]

157 M ver there, O thnk of the home o IOO M HOME OVER THERE. REFRAIN. $^^^tmzzzmmm Mz4 Are robed n ther garments of whte. == ddr a m + In ther home n the pal ace of God" vv~ m ver there, ~fr= Are watchng and watng for me. (o ver there.) O [w? 99 Z9±PZZZP. fr^frfr Concluded. ver there, ver there, O O sr5 *s Xbr5 t=fr ver :fc : JE^^B O thnk of the home o ver ± Vzzfr. ver there, O thnk of the home o ver sp»* m"mm 99 P^AP Z99 *p\\ O ver there, ~V n *^*d h r; I 99 I : /r\.tt ~ +fjy>ti P * I fr a, k 5 P k P k /L ff a J 9 HP II rm tf j P ^ ^ ^ ^ US ny / ^ *%frw l ^ 9 there, o 9 ver there, O ver there, O ver there, O thnk of the home o ver there. / fff fr fr 7 L f * x!^ e n k, II * ff ^J. * *. I j l «II y J II a *^ there, o ver there, o ver there, O ver there, O vr there, O trnk of the home o ver there. n tt * fr k V ttjtff s> II JL n a j _j II rm *,!. 9. I r u VW u> K II there, o ver there, O ver there, O ver there, O thnk of the frends o ver there. r\tt ff I r«. II ^l*lrf a a * fr "* " * fr P J a II *r f* J JJ V l* ^ L V 9.V ll ^3 V 9=± =9 VI Rev. D. W C. Huntngdon was born n Townsend, Vt., 830. He graduated from Syracuse Unversty, and receved the degrees of D. D. and LL.D. from Genesee College n 888. He resdes n Lncoln, Neb. He s a mnster of the Methodst church. Ths tune was composed by T. C. OKane, who was born n Delaware, Oho, 830. He s a great hymnst and splendd muscan. The tune has many sweet chords, and has many fugue features n the chorus, whch are consdered well arranged. When rendered by the voce of a multtude n Ml concert t s nsprng, and makes the buldng tremble wherever sung, remndng us of the glorous home of the people of God. 9 V

158 nal A. S. ElEFER. Key of F. "To everythng there s a season, and a tme to every purpose hhilt heaven."eccl. 3;. THE MORNING LIGHT. fr *, D. E. DORTCH. 3=j=3=K±.. Pm. p.eeprv.jv^fj^p=p J \zpzz]zz zz?zzm±p ^Icsffl \zzz*zzz±±lzfr^ 9 z\dz±zjzzfrzzz\zzzzzaz*zz\zz±zz, ttzzzzz^zfzz9z^9zztzztz\±t. O thenghtof tme so<>n shall pass awav, And the happy golden day wll dawn,when the plgrm staff shall be lad asde, And the kngly crown put on. ^tht^=4^ MS &z*hvnz ~t^ =» ZCJZzrzrZfrS :fr ZZ*LZZPrPZt3ZZZfrZ$ZZztLZJ > +=0=0*^ 2. O the happy day that shall gld the hlls, When the Lord shall come to earth agan, O the happy hearts that shall welcome Hm When He comes once more to regn. ^^lesbg^^aap^^^^^^^^^^^ S 3. What a joyful tme when the earth shall gleam In the lght of an e ter day,when the sants shall sng unto Chrstther Kng In the golden glad array. ^a^aza^^a=zaz^v^v^t:=r=cr.^^tt= «= = frzlzzzt 3=P=t=t fr^p4^^r4fr=q=4=f4:k zzzfczzrzzzrzzztpzzrzzfrzzzrzzzz Lfrr^ 9zzzr, ±% 99\9999 fr. m =?=p=f =mw ztzfr 09r m We are watchng now for the mornng lght, For the New Jerusalem to come;weare watngstll for the Savour Chrst,Wb.o shall call Hs chldren home; «fr=p=pz 99 pv ZZZZZZZZ^Z^ZZZCZZjZ I vr** a a a Igl We are watchng now for the mornng lght, For the New Jerusalem to come; We are watng stll for the Savour Chrst,Who shall call Hs chldren home. ^=% Xzzfrzzfr 99rtfr=t ZZ9ZZZ9Z * m=r.4 *70fml4frP,EZ\ ^_ ut 9 YPd 9Y *d d d.^pp 44fr 4S» =4 =± == Sll A. S. Kefer, of Sngers Glenn, Va., was once connected wth The Joseph Funk Co., n Rockngham County, Va. In 868, he publshed a musc book called the "Song Crowned Kng." He was also nterested and concerned n the publshng of another book, called "Chrstan Heart." He composed a great deal of musc and wrote a good many hymns. He was an author, composer, teacher and publsher, as well as drector n large muscal assembles and conventons. Rev. D. E. Dortch was born n Tennessee n 85, and educated n the common schools of that State. He had talent for musc, and could play well on the voln n early boyhood. He commenced actve teachng of musc n 874, and n that year wrote hs frst compostons. In 877 he publshed hs frst book. He has composed and compled eghteen or twenty addtonal hymn and tune books, and hs tunes are consdered uptodate. He s a mnster of dstncton and nfluence and of hgh character. He resdes n Columba, Tenn. copyrght, 909, by j.s.james.

159 02 OLD HUNDRED. "Sng, O ye heavens, shout, ye lower parts of the earth: break forth nto sngng, ye mountans, O forest, and every tree theren."isa. 44 Bshop Ken, 66. Key of G. Gun,. Franc, 64. I Hl± PB ±=P God, from whom all bless flow; Prase Hm, all here be low; frefr d Wfr zzozz» God, from whom all bless flow; Prase frz.zzpzz zdzz here be low; 5 Prase Prase t=t Hm bove, heavn tzz&z ly host; Prase Fa ther, Son, and Ho ly Ghost! Hm bove, ye heavn host; Prase Fa ther. Son, Ho ly Ghost! Copyrght, 909, by J. S. James. qsc n ^^m

160 doms naans gan?]" pel Hstory of "Old Hundred." 03 Bshop Ken was born n Great Brtan n 637 and ded n 7. He was educated at New Oxford n 762, and eghteen years later Kng Charles the Second apponted hm Chaplan to Prncess Mary of Orange, and before hs death made hm Bshop of Bath and Wells. He was a great orator, mnster, and poet. Kng James the Second mprsoned hm for refusng to sgn the Declaraton of Independence. He mnstered to Charles the Second n hs last moments. Hs "Manuel of Prayers," n whch hs hymns were publshed, appeared n numerous edtons up to the tme of hs death. The musc of "Old Hundred" s generally credted to Gul. Franc, of France, who s sometmes called Wllam the Frenchman. He founded a school n Geneva, n 54, where he was Chapel Master for some tme. He ded n 570. Some clam the musc of " Old Hundred " some of Luthers melodes, whle others attrbute t to Bourgeos. It s generally conceded, however, to Wllam the Frenchman. It s one of the oldest tunes n the books, and has been used throughout Chrstendom for over 300 years. CLAMANDA. L. M. D. Key of E Mnor Ifthe Lord delght n us, then he wll brn] us nto ths land, and gve t to us." n ft y ft *. " a r*" A. n rm 4 p «~_L ", 4 d 7 pa l< U 4 L* zzpzz f m=n^w m f Say, now, ye love ly I Ye who have fled from ** so cal band, Who walk the way to Ca land; \ So plan. Say, do you wsh to turn Say, now, ye love ly so cal band, ±*t n_ ZZjjZf.. lyt zbzdz fr=tl ZZZ\ZZZZZ\ZZZZS. apzzzjzz fo have you ventured to the feld, Well armed wth hel met, sword and sheld?! I And shall the world, wth dread a larms, Com pel you now to ground your arms? \ O have you ventured to the feld, 0P0 P=*Z ±==^E I ^ m Azz ZTfr frfrfrzzl ft fr ^ fr frzzfr. fe P* Cat l Who walk the way to Canaans land, Ye who have fled from So doms plan, Say, do you It It wsh to turn ^^ JSt Zd* Well armed wth hel met, sword, and sheld? And shall the world, wth dread a larms, Com you now to ground your arms? P0.a.Z z :fr ffr te P «w frz fr t: t: fr t Ths tune s on pge 42 of the " Sacred Harp " as t was publshed n 844. Lke some other tunes, we have been unable to fnd any trace of ts hstory or the words n the tune. It s a great favorte among the older people who sung t from thrty to ffty years ago. It contans some very fne chords, and s often requested to be sung n conventons and other muscal gatherngs, especally by those who use shaped note books. gan? F=4^ mzm tt t

161 cheer ng tent ng dous ence ds hold deed est ng n ter 04 GREENFIELD. 8s. "Whom have I n heaven but thee? and there s none upon John Newton, 779 Key of G. earth I desre besde thee."ps. 73 fr I How te and tasteless the hours When Je ger sus no Ion I I Sweet prospects, sweet brds, and sweet flowrs, Have lost all ther sweetness to zal 25. " The presence of Chrst affords delght "ACTS 3 25 see! fr frzfr Lous Edson =*= = me; The mdsummer sunshnesbutdm, The fr T>P 9 fr frzzztzzzfr. zrzlzzwz ==fr fr j Hs name yelds the rch perfume, And sweeter than mu sc Hs pres pers es my gloom, And makes all wth me /Con wth be Hs face, May all to Hs pleas ure 3 \ No chang es of sea son or place Would make a ny change n fr=frzfrz fr=fr Pgfgg I *: Hs re voce; joce; I should, were He always thus ngh, Have \9~ fr fr fr sgned; \ re my mnd; J Whle blessed wth a sense of Hs ove, F= PPPPPPr6> I t f My Lord, f n I am Thne; If Thou art my sun and my song, \ 4"lSay, why do I langush and pne? And why are my wn ters so long? / O drve these dark clouds from my sky, Thy fr =t=t=t felds strve n van to look gay; But when I am hap py Hm, De cem bers as pleas ant as May. p pge noth It It t: fr fr J L ps= t fr fr. to wsh or fear; No mor tal as hap py as My sum mer would last all the year. fr fr====fr fr=fr fr fr pal toy would ap pear, And prs ons would pal a ces prove, Je m ± h It It ±: => soul pres ence re Or take me to Thee up on Copyrght, 809, by J. S. Tames. hgh, Where wn fr fr fr sus would dwell wth me there. fr=fr= and clouds are IS

162 t son fore son ~ ed " A ~ Hstory of * Greenfeld/* 05 Ths wdelypopular hymn, on " Delghts n Chrst," was taken from " Olney Hymns," n 770. John Newton was one of the best Englsh hymn wrters. Born 725 and ded 807; belonged to the Church of England. Lous Edson was born 748 and ded 820. He was an Amercan, and wrote some very valuable musc. If he had never wrtten any other tune but "Greenfeld" t would stand as a monument to hs name throughout all ages. THE LOVELY STORY. " Now s my soul troubled, and what sh all I sa y? Father, save " me from ths hour : but for ths cause came I unto ths hour Jno. 2: 25. E. J. Kng, about 850. Key of G. E.J. Kng, 850. trfa.^* a : {He k ll n n "l * t l^ sg_ p " I n P A^ sto ry most love ly suffered the torments rn of tell, hell alt Of Je prse); \ s us (O wondrous sur That sn ners, vle sn ners, mght rse; / He left Hs ex 8s a bode, When...! J V ttf* JL n III n rm * T l V)) 4 \f a a j a J J " II... J rt E /O dd my dear Je thus bleed, And pt y a ru ned, lost race? sus I O whence dd such mer cy pro ceed, Such boundless com pas and grace? J Hs bod y bore angush and pan, Such rv+* ^ * fs. III Ip. k h k r r r ^ jvtf" I a P Il r P A I "~ r ^ L" _ zd *Ajzzz Lt P * o 4 [J" d p _, «II ^ k y k a n II Tv J " " J J J La A T V I P II v II man by transgres was lost, Ap peas ng the wrath of a God, He shed forth Hs blood as the cost., spr most sunk wth the load, A short tme be He was slan, Hs sweat was as great, drops of blood. P p fff k h P> f8 J n a P w M * ^ P P a! J III! P J II II k k. I 4^ 4=4^u It s not known whether Professor E. J. Kng composed or rearranged the words to the above tune. He was a fne snger, taught musc n many countes of Georga, and wrote some acceptable hymns and tunes. A sketch of Mr. Kng s gven elsewhere n ths book.

163 er brad cour bles «als ten God ed, 06 ECSTASY =fce " They shall be satsfed abundantly wth the fatness of thy house : and thou Shalt mate them drnk of the rver of thy pleasure."ps. 36 : 8 John Leland. Key of E Mnor. T. W. Carter, about 844. I / When you meet wth trou I Grd on the gos pel ar It HH t=p! t And tr on your way, Then cast your care on Je sus, And dont forget to pray. mour Of fath, and hope, and love, And when the com bats end Hell car ry you above. j I fr=z. t=fr m f O do not be ds 2"\Ne ther wll He up zaz \W^ 0 had wngs n r V ft A_ mp4* t :E 444: ffr aged, For Je sus s your Frend; And f you lack for knowedge Hell not refuse to lend. you, Though of you re quest; Hell gve you grace to con quer, And take you home to rest. w U a E t=t=* l way and be And Id prase. 4= fr 4*=fr J Q Hs brght a bode. I wngs I would fly way and be at rest, God n Hs brght a bode. It 3=== = *> It It t: II IIS m The words, as appled to the hymn n ths book, are the two last verses of the hymn, "O When Shall I See Jesus?" The orgnal hymn was wrtten by Rev. John Leland, who was born 754 and ded 844. He was a Baptst mnster, and was a great frend of Presdent Thomas Jefferson. He wrote hs own hymns, and dd not use those of other composers. He was popular among hs people, but had many peculartes. Further notce of hm appears under " the tune, Bound for Canaan." But lttle s known of Professor Thomas W. Carter outsde of the musc credted to hm n the "Sacred Harp." "Ecstasy" s supposed to have been composed by hm some tme before the frst revson of the "Sacred Harp," n 844 or 845. He s credted n that song book of composng " Augusta," Florence," " Exhortaton," " Banquet of Mercy," " The Old Shp of Zon," " Lttle Chldren," and " Ecstasy." He was a member of the Southern Muscal Conventon from the tme of ts organzaton untl after the war, and was also a member or the Chattahoochee Muscal Conventon from the tme t was formed untl after the war. We have been unable to learn the place ol hs brth or death, or secure a sketch of hs lfe. Copyrght, 909, by J. S. James.

164 ... for. for... for PRESENT JOYS. L. M. 07 Rearranged by A. M. C., 908. " Confdence n God."Ps A. M. CAGLE, ble =SS PP :^zzm^zfrzzzzd^fr tzzztzzt. frfrz fr.. We thank the Lord of heavn and earth,who hath pre served us from ItntllSH our brth, Ezzfr ^fr= tl frzzfr. 2. How shall we halt our task fulfll? We thank Thee for Thy mnd and wll, Efrzzzzfr ^^ >* ^s^ r tr k.x r PPfrzfr Ezzztt. t=3fet z9±czaz 4= 4= 3. Redeemed us oft from death and dread, And wth Thy gfts our table spread. :k=js= fptkkt4fptt: v:4fk kkktyj^t=pp(n:^_» t=t=^=f:.& Z Zta._?_Z3ZZX. tztzztzzt. For present joys, for For present joys, for blessngs past,.! Z3Z3SS stm LZZZ^lfr For present joys, for blessngs past. And 4= m fr k k t=fr For present joys, for blessngs past,. And for the hope of > =Tz + =f=t blessngs past,. *fks r==fcn rp** :t=4=p=p: :mmrr\l=4==l^^=^m==l=p^p=; 0P =P=4 PZZ& t ztfrr. SSI And for the hope of heavn at last, For. present joys, blesj ngs past, And for the hope of heavn at last last.»j ^fr==zzzzzzz\xzz^rzz^=zzz=zzz^ And for. the hope of heavn at last, For present joys, bless ngs past, And for the hope of heavn at last. last. PkT ^ fnr tko hnns nf hpnvn for of heavn at last. last, the hope zkxz heavn at last, See sketch of A. M. Cagle under tune, "New Jordan. For present joys.. k k fr bless ngs past, And for the hope of heavn at last, last. e. kf^pk =FpH=k=4=RL.J_^k = ZStZfr m For... present joys, for bless ngs past, And for the hope of heavn at last. last. Copyrght, 909, by J. S. James.

165 o8w. f. M. Key of G. LET US SING. I k zfzzzzzzztz. Meet n "a bouse not made wth hands, eternal n the heavens."2 Cor. 6:. fr=fr t t: t: z\zezz^zzz\\zz fr=fr I fr W. F. Mooke, 867. :p^ptp ±=t=t Shall we ev er meet at the house, at the house, Then to make the cho rus rng at the house of God? = l jp=fr ^p fr p4 IzzEfrzzzzztzzzlzzzl z\zz}zzzzz}zzzzzfrz Ezzfrfrfr I p P ^^ =:frfrzg^ Shall we ev er meet > K I I tzzzfr. fr t H fr===? m house, at the house, Then to make the It I I t: :E cho rus rng at the house of God? 4= W 0 fr x X\4 4ZZZZfr. f=t s=gl frzzfr Zdzzt =r=t fr.i t=r u P0 m Let us sng, Sweetly sng,. At the house then well sng, Sweetly sng at the house of God. Let us sng, 4= fr=fr E=S p d ~l^ ^ r * d Sweetly sng, sng, At the house then well sng, Sweetly sng at the house of God. m PaFa 4 s. fr It P It Let us sng, Sweetly sng, sng, At the house then well sng, Sweetly sng at the house of God. I Copyrght, 009, by J. S. James. fr=fr fr I ^a I

166 " less cous _ Hstory of "Let Us Sng." 09 W. F. Moore was the frst Presdent of the Tallapoosa Sngng Conventon n 867 and 878. He lved at ths tme n Alabama. He was, n 866, at the Chattahoochee Sngng Conventon, n Pauldng County, Ga. He was a very fne leader and fond of vocal musc. He was also a member of the Southern Muscal Conventon from 850 to 870. He composed several songs n the " Sacred Harp." The tme of hs brth and death are unknown to us. Ths song s partly the melody of the old tune, " Let Us Walk n the Lght of God." RETURN AGAIN. 8s & 7s. Wlt thou not revve us agan that the people may rejoce n thee? Ps. 85: 6. John Newton, 779. Df F.. Wm. L. WllAIAMS, 85. Key CHORUS. a_! v\! P* Sn Ltr* J J a a a a a * " P P! J F l RTJ. p p 9 r P. a a! P 9 9 ^!j Ij. J a \y f Sav our, vs I All wll come t to thy plan des o ta la ton, Grant us, Lord, ton, Un thou gra ran! \ a gan. J Lord, re vve us! ord, re vve re turn a / >> IL k r, u fl p! a fv ^. d~d u P^T a P a Wj. _Uf d! _l Sr \! j \ ^ J f Keep no Ion ger at a ds ance, Shne up on us from on hgh! \ I Lest, for want of Thy as ss tance, Ev ry plant should droop and de. ( Lord, re vve us! ord, re vve k k f* P P n. k L }.. 4 " r ^ f! V _ b 3. a j j F I ;. rvv d. P4 9 9 \ 9 9 jy Ht 4* All our help must come from Thee, Lord, re vve O re vve us! All our help must come from Thee. ^^^El^f^>EFJE Ea= ^=gpat^^^^zjzf^ytfrfl v^. y+ =X=9 ;?r V 9 our help must come from Thee, Lord, re vve F* \0frXm f j A N :TI o fr gm 9 It m # $= All our help must come from Thee. * rv tt fr ] The orgnal ttle to ths hymn was, " Prayer For Revval." It appeared n Olneys collecton. Rev. Wllam Wllams (7778), a Welsh preacher and medcal doctor, left the Establshed Church, and wrote fne melodes and hymns. He was a man of great energy and power, and splendd revvalst and mssonary. John Newton (725807) belonged to the Church of England. Hs father and mother ded when he was young. He was a mnster, and one of the fnest hymn wrters. He composed many splendd and valuable hymns, whch are publshed n all the leadng hymn books where the Englsh language s spoken. He was an assocate of Wllam Cowper. Other sketches are gven of hm n ths collecton. Copyrght, 909, by J. S. James.

167 al al no REV. Edward PERRONET, 779. Key of G. CLEBURNE. "A royal dadem In the hands of God."Isa. 62: 8. fk V P a P ==^= It ztzzx V=EZ. ztzzzczzzzjzz All hal the powr of Jesus name, Let angels prostrate fall, Brng forth the roy da S. M. DENSON, 908. t00f==r=ypp0p pfej a dem, And crown Hm Lord of all. fr=rztz^^zzz^mzz^zwm And crown Hm Lord of "zzl" "^*Syfe=g= And crown Hm Lord of all, Hal?$::x,I; lzzzzz. all, Brng forth the roy m PP0PpFs.fe=H da a dem, And crown Hm Lord of Hm who saves you by Hs grace, And crown Hm Lord of all. ap.,. w J zzz^wzzzzzl p all. all. 2 m ^sh^ T=0=4*z tm Ezzzfrfr Ths great hymn was wrtten by Rev. Edward Perronet about 779. It was frst publshed about that tme, and has clamed the attenton of many tunes. It s closely connected wth " Coronaton." See further statements about Perronet under tune " Coronaton," page 62. Professor S. M. Denson resdes at the present tme n Wnston County, Ala. Hs father was a Methodst preacher and spent most of hs lfe n Georga Alabama. Professor Denson and has been teachng musc for nearly forty years. He taught schools at many ponts n Georga and Alabama, and has taught of people thousands to sng and play musc. Seaborn M. Denson s a fne leader and drector of musc, and has composed a large number of hymns and tunes. He has a wfe (whose maden name was Burdett) and a large famly of chldren, all of whom are fne muscans. Mrs. Denson often leads and drects the musc before conventons Copyrght, 909, by J. S. James,

168 Hstory of "Cleburne." Concluded. n and large muscal gatherngs. All of ther chldren are advanced n musc, and several of them are engaged n teachng musc. Professor Denson and hs wfe both compose musc, and there are several of hs tunes n ths book. He has done a great work n the teachng and composng of musc for the last eghteen years. No famly can be found who so much love musc as the Densons. They belong to all the prncpal muscal conventons and assocatons n Georga and Alabama. He s a member of the Methodst church, hs wfe and chldren are members of the church and are dong a great work for the Masters cause n the secton where they lve. A perusal of Professor Densons musc n ths volume wll gve a good ndex to hs muscal genus. See the followng tunes: " Heavenly Kng," " Campmeetng Song," " The Great Provder," "Arbacoochee," " Tentha," " The Lfe Boat," " Glorous Day." " Gone to Rest,",YHome n Heaven," "Jester," " Mt. Psgah," " McKay," "Casander," "Consolaton," "Cagle," " Wnston," " Plgrms Hope," " Rejoce/ and "Cullman." A :P=S=F Ezzfr. frfrfrfrl fr XZZZtZZZZZZ 4=4TP wake, ye sants, and sng the song Of Moses and the Lamb, Wake, evry heart and ev ry tongue, To prase the Savours name. s== Izz^Sz ZzzfEEtzzztz = khkl tzfr. FPF==Fft=Ft P000P4^ frfr t±rt je=s g^^gpfl Sng ev rytorgne And prasathe Savours name, Ther sweetest songs of prases to the Lamb. Lamb. 2 p0 4 4 X=fr=t Ezzfr H PRAISE THE SAVIOURS NAME. C. M. " J. G. L., 908. Key of E Mnor. Sng; unto the Lord a new song, and hs prase from the end of the earth."isa. 4: 0. J. G. Land, fr Ezzzfr. :t=c=t=t fr X fr A wake, ye sants, and sng the song Of Moses and the Lamb, Wake, evry heart and ev ry tongue, To prase the Savours name. 0^P Yes, wake ev ryheart, sng ev rytonjraeandprasethe Savours name, Let angels rase ther sweetestsongof prases to the Lamb. Lamb. " N P 9 z^^zzzezz^^ t=t ±=t ^l^ll Professor J. G. Land, the author of the above musc and words, lves at ths tme n Alabama. musc. He often attends muscal conventons n hs own State. copyrght, 009, hj j s james. He s a good eader and drector and s a great lover of

169 . Peace, le le lu le jah, vd 2 THE GREAT PROVIDER. " But seek ye frst the kngdom or God, and hs rghteousness, and all these thngs shall be added unto you." Samuel Eckng, Eghteenth Century. Key of K Mnor. S. M. Denson, 908. W=W=WZ_ troubled soul, thou need not fear, Jesus says He wll be wth you to the end; The great Pro er stll s near, Jesus ±. tzzx. PPPm. t ". ^H frfrfrfr frszjrz * AV. The Lord, who bult the earth and sky, In *%A tzzfr I =pjsc * PP 9 9 d9 S=fe says He wll be wth you to the end. Hal m zz zzz zzz^zzjzzzt, zazzzzz^zzzpzz and receve n k k Jzzr*zz$frf\:_p^ dzzzzzjztczl. sus ffnr zmzzmz name ffr=fr pp hzzhzzzhzzhz 4\A : t=fe. Hal V9 99 Vzzzz9z lu?zzt. jah, Hal zpzfrz jah, Hal k \ :==? t*rzz?s. A= dd ==W JZZZZLZZZZpmjZZ&. 4 ddbazzaczzazfrzb dd PPP LU 9=fr X=X s Hs promse all may tru ly clam, Ask tzzfr mercy stoops to hear one cry; k k \*<, PP lu jah, and Hes promsed to be wth you /ou to the end. end. fxk kk kk. ZZ9ZZZZ9Zs 99 u=%wm ;g=e^ff^s lu and Hes promsed to be wth you to the end. end ^gflr] The hymn above was frst publshed n the authors hymn book, on "Grace, Fath and Repentance." It was composed before the nneteenth century. It as used n 806 by Rev. James Haxley, tnerant preacher, n hs travels through Lousana n ts early settlement See complete hstory n No. 48 by Tllet, jblshed 889. Sketch of Professor Denson on page 0. copyrght, wo9, by j. s.james.

170 mortal mortal Samuel Stennett, 787. McKAY.* C. M. D. And he showed me a pure rver of water of lfe, clear as crystal, proceedng out of the throne of God and the Lamb. Key of A Mnor. ^=_ fp Pa+ zvezzfrl ^^trj,,^.^ rpff zpfrt 0=PP*0 frzfr:, p fpp^aj", Lr=gggg P P, H S. M. Denson, 908. m O the transportng, rapturous scene,that rses to my sght! Sweet felds arrayed n lvng green, And rvers of delght. There =F4=S r^»^d ^ PS t=m&z^^ O the transportng, rapturous scene.that rses to my sght! Sweet felds arrayed In lvng green,and rvers of delght. B_r" ~m Ps~* rm s r» s ~rn»", *s P~rm! s* rb =r» "3 EE There genrous fruts that There genrous fruts that nev er ztzzzzfr. fal On trees m Fp p PpP Pa Pa =t=s3= PTP^t: ± m grow, There rocks and hlls and brooks and vales Wth mlk and honey flow. flow. 2 fr n * t zztztd pd ddz t==xzzzzzz ^Stll! On trees m mor tal grow,. There rocks and hlls and brooks and vales Wth mlk and honey flow. flow. 2 I I I t I genrous frutsthat nev er fal On trees m sghgg PPa grow. There rocks and hlls and brooks and vales Wth mlk and honey flow. flow. r*^<~mms * Xzzfr t: m ** rp *^K "I \~ m Ths s the second and thrd verse of the hymn, "On Jordans Stormy Banks I Stand." The hymn was wrtten by Samuel Stennett, and was named the " Promse Land " n " Rppans Selecton." Some clam t s an mtaton of Dr. Watts " There s a Land of Pure Delght." The author was an Englsh mnster, bor:. n 727 and ded n 795. He composed a great many hymns. See sketch of Professor Denson on page no. la honor of Rev. S. M. McKay, ofclay County, Alabama. Copyrght, 903, by J. S. James.

171 " "4S. M. Denson, 908. Key of G. GONE TO REST. C. M. A\= Azzzzzz Be fathful unto death and I wll gve thee a crown of lfe."rev. 2: 0. S M. Denson, 908. IzzzztzzzTzzz^z tfp0 pt.~i FpppeFp0ppF 5pp d0f Death has been here and borne a way A ss ter* from our sde (our sde),just n the mornng of her day, As young as we she ded. X3 frfrz^z fr=frfr frfrfrfr frzfr a^afp ^ ^4 ^a^!^ fr z. Not long a go she flled her place, And sat wth us to learn(to learn), But she has run her mortal race, And never can re turn. l^fr frx zmsfrzlzzzr frlfrlfr fr=frx I I 0 a t*±"l dzzzzz*zz± :dzz ±zmzz zd± Ezfr U mfr=zzfr&=& _5 ++w\ 3. Per haps our tme may be as short, Our days may fly as fast (as fast), O Lord, mpress the solemnthought,that ths may be our last. ^=^E eee e E fr. fcztztj tzzfr r a a a a B>H P t4 h I pph tzzfr m t====g g 4. We can not tell who nextmay fall Beneath Thy chastnng rod (Thy rod),one must be frst, O may we all Prepare to meetour God. HP P* tfrfrfrl. frfrn \ I I It *? fsfrmhll As young as we she ded (she ded), As young as we she ded (she ded), Just n the mornng of her day, As young as we she ded. fr fr=frfr ^E And nev er can re turn /return), And never can return (return), But she has run her mortal race, And never can re turn. ^4=^a^=^=a=4^F^r:::z:==zP:k:F:Q=^H=F:^ f^fx=fr*5f:000^ffrfr=!fr&&frfrn II ** Thf +Kd m,,, Ko m>r Incf fn,.r Ur*\ TVt tv,c m,,, Ka n,. ^4 /~.,.,*l <~\ I ~A!m ~.,, tl.,,.! l U*. TLL. L_ I. * ^p That ths may be our last (our last), That ths may be our last (our last), O Lord, mpress the solemn thought,thatths may be our last. cpk k k rk k k_» m _r: > K K *VpVt=t=t V* tff^ =$= It fcrtzt fr t II Prepare to meet our God (our God), Pre pare to meet our God (our God), One must be frst, O may we all Prepare to meetour God. The words to ths tune were composed by Professor Denson n memory of hs nece, Mss Dela Denson, who ded Aprl 4, 908. She was a Chrstan grl. He named the tune "Gone To Rest," a beautful thought. Use father, mother, or brother, to sut. Copyrght, 909, by J. S. James.

172 f* lvered ceve low to _±=± CAGLE. 7s. WILLIAM COWPER, 779. Key of F. «For I am not come to call the rghteous, but snners to repentance." Matt. 9 : 3. zaz SlE tut zs fzzpzz I I I zzzzzn: "5 S. M. Denson, E^^a. Hark! mysoul, t s the Lord, Ts the Savour, hear Hs word, Je sus speaks and speaks to thee, Say, poor snner, lovetlnume. me. 2 frfrfrz Zdzzzdz mm tzzfr. tzzfr tzzfr zdzzzd: 3= Z5t= l^^^^fsegae^e^g^^^^^gg^g de thee when bound, And when wounded healod thy wound, Sought the wandrng, set thee rght,turned thy darkness n I 4= m SEz I I p>4+=4 t=fr. ddr frzfr fr=x lght m I Wllam Cowper was born n 73 and ded 800. He composed many hymns, was a strong mnster and an able poet. See further sketch of Mr. Cowper n other parts of ths book. See remarks about Mr. Denson on page 30. copyrght, 9W, by j. s.james. PPtzzfrzzztz? : I WINCTON. 8s & 7s. Henry F. Lyte, 832. Key of A. Let hm deny hmself, take up hs cross and follow me."matt S. M. Denson, 908. FINE. D. O. jfo a> frf P p ly*~^~p I fr P " m "f.^ ZZ^ZZZZZZZZEZZZZZtXaZZ rl ^ J ^ U=l L=H 3ka=rH d< ^ 3_ *g U J., 3 ^ SESE ESS f Je sus, my cross have tak en, All to leave and fol Thee; \ \ Naked, poor, despsed,for saken, Thou, from hence, my all shall be: / Yet howrch s my con d ton, God and heavn are stll my own! Persh evry fond am b ton All Ive sought or hoped or known; ~~^~ r**: r^~rr r~p*,»n P t fl ~p~ f Zft tzzrzzfzzmz ZZXZZZ9Z Pk Pafrfr II #$f _ zszazdz f Let the world de spse and leave me, They have left my Savour, too; \ 2"\Human hearts and looks de me, Thou art not, lke them, untrue; J Foes may hate, and frends dsown me; Show Thy face and all s brght. 3 And, whle thou shalt smle upon me, God of wsdom, love and mght, m^^^^^^m^^ ZfrZ =p4f=pi t=zpzzd3 II Henry Francs Lyte, a clergyman of the Church of England, was born n 793, ordaned mnster n 88, and ded n 847. See sketch of Professor Denson on page no. copyrght, 909, by j. s.james.

173 n6isaac Watts, 707. Key of All. THE PILGRIMS HOPE. L. M. Sfe? " Blessed are the dead who de n the Lord." Rev. 4 : 3. pp PPPFp^p 9ft & PPP kp PP Z9Z9 ^=9=fr Z9ZZZ9ZZZZ9 499=9 l. Why should we start and fear to de,whattmrous ter $ m. S _N k.^h!^z^t s *r<t=±: jtttr&= :l2s44tz ^Tjj,M=k, fsls : B 0*0 VN!fe =S^E _ _f±e3_3 kkpk IN (N fs fs ft^ tzzt 9*9 S±±=t= asa aa 99 ^m S. M. Denson, 908. I>. C. for Chorus. worms we mortals are, Death s the gate of endless joy, Andyet we dread to en there. r ^ N a ae5 2. Thepans, thegroans, thedyng strfe, Frght our approachng souls away, And weshrnk back agan to lfe,fondof our prson and our clay. AN P0 =9=fr: CHO. Were gong home to heavn above, To sng of Chrsts redeemng love,when we get home to that brght shore,we shout were home tft de no more. m^ kjk k k ksk k k =P=pt t==9fr± IS II I ^ m 99. Shepherds, M zzaz v*qp tzzzfzzfr t g^== tzfrzzfzz l«z*t= =f=ffr frzfrzzfzx SgJ rejoce, lft up your eyes And send your fears away, News from the regons of the skes, A Savour born today. day. 2 a* T A^B :f^e Al: M 4=4 ==jp als It»?=== Xzzzsz a^flll^ f==t P=W 2. Je sa tzzpzzfr sus, the God whom angels fear, Comes down to dwell wth you, k k tfrfrfr News from the regons of the skes,. A Savour born today. day. 2 ztzzzmzzr. zfrzzt mm =?=F== &Z ±3tlZt tut Today He makes Hs entrance here,but not as monarchs do. do. The orgnal ttle to ths hymn was "Chrsts Presence Makes Death Easy." Full sketch of Dr. Watts s gven n other parts of ths book. He was born n 674 and ded n 748. He was one of the greatest mnsters n the world. See hstory of S. M. Denson on page 30. copyrght, 909, by j. s. James. rejoce, c. M. Key of A... l "Our Lord Jesus, that great Shepherd of the sheep, through the blood of the everlastng covenant."heb. 3: 20. S. M. DENSON, pzzw. 5E Pfrpz W= =fr PP :^ b8 ==t tzt Today He makes Hs entrance here, But not as monarchs do. do. These words are taken from the "Sacred Harp," tune of "Oxford," page 306. See hstory of S. M. Denson, page no. Copyrght, 909, by j.s.jame*. sll

174 er Is rs ed, don ng Powkr, 852. " I wll sng prafses Rearranged by S. M. Dsnson, 908. CASAN DER. Key of A. 7 S. M. Denson, 908. any beng." 2* INK. I Ho san \No mu D. CThe an na to Je sus, my souls sc so charm ng, no love gels n glo ry re peat flled wth pras s so warm the glad sto =E es, Come, O my dear brethren, and help me to sng; ng. It gves lfe, and com fort, ar.d gladness wth ry, Of love whch n Je r^nr w== lt ~fr=fr ===3 99 I Ho san na for ev er, Hs grace 2*lHs love s un bound ed, and hell D. CTo see them u nt ng tru lke a rv s con found ly de lght sus s made known to A4S S man. 2 jgl IS ng andspread.ng all ver ts banks: And sn ners are drnkng and gv ng of thanks. / ng, And pray ng for par thro* Je blood. s»jtej 9=9 g t ^ 9=Y m Ho pm san l rng ng, ==== ZTjV O how I love sng ng, Theres noth ng so sweet as the sound of Hs :sm I n= :P^ 4==\^ Ho san na to Je mm sus, my soul, how t pleas es To see sn ners cry fr ng and turn ttr. II xzpzzz: 9 to God. Professor W. T. Power, so far as can be ascertaned, composed the orgnal hymn n 850. It was changed by Professor Denson n 008 so as to conform to the above. See sketch of Mr. Power under " Royal Band" n ths book. See also sketch of Mr. Denson on page no. copyrght, &09, by j. s. James. frn

175 n8 HOME IN HEAVEN. C. H. GABRIEL, 908. Key of G, " We have a buldng of God, an house, not made wth hands, eternal n the heavens."2 Con. 5:. S. M. Denson, 908. fa F^^"^"""^" I ^>~!Vr S " " r gr_,n4\nk 0P00. F A > 0000 zzzztzzffrzzz^fr tzfrztpzr 99 t=yzz9r I. There s a home n heavn for me,by and by, by and by, Where my Savour I shall see,by and by.by and by, And among that ransomed cborwth my brght aod golden lyre,i shall Q=frl^p=p=p=p=p,^ ^ s k 4=f frfrfrnt*!^ dd d d *>p ** ~FPn P^^hPK 000 % d a\ 99 d^d s,»rn frfr 000 4=4\ S=S NVAN jyhvnk,n{r ^r^laral^^..^ 0ddd r=~d +V4VA "Nta fru p^p d>d 4S4\4V4V Ma ^^^^^~ zhzhz d0**rdddd** 2. In thac cty of the blest, By and by, by and by, I shall know eternal rest, By and by, by and by, Wth my Savour on the shore, I shall sorrow nevermore, For all m p p p pt 4^ ** 4V4\P>.4\fk tfr >M^^K^fcFS4^pkIk4k^k_ra 000 P0 paaaawapzzaz± 99=9 ~9== zazazass 99 y Ofrtfr9zz\ I grr^r Fne.^ CHORUS. PfP SPUB: I m Hf=fl 4 j~ 9rt H^9^9^9^s 99 sng and never tre, By and by, by and by, p=fr=^=a=^^ S N 4fasg 9g fr s =* at 0P0sT4 4 ^=VSF weepng shall be»t== v=== zzzzzh 4^:tol^* d*d~0 Pm Rl^ ft ^ *P~P oer, By and by, by and by, By and by, ^99 I *fc =&: ^99 The words to ths tune are by C. H. Gabrel. zw By and by, by and by, I shall sng and never tre, By and by, by and by, >^a fr=% by and by, See sketch of Professor Denson on page no. Copyrght, 909, by J. S. James. For =S= >^9r Am* >"* \N rx._ dydddpfr ^^rv 99 Pfra 9±fr all weepng shall be oer, By and by. 4V4VV4V PP r* rftftftft dl, >> ; p

176 I CONSOLATION. L. M. "And beng made perfect, he became the author of eternal salvatou unto all them that obey hm."heb, 5: 9. Samuel Medley. Frst publshed n 800. Key of G. fa \AZ tt fr=p EtfM mm pp fr±zz4 tzzfr frzfr S. M. Denson, 908. up tzzztz === zzzzzzzfzzzzzz m. I knowthatmy Redeemer lves,what comfort ths sweet sentence gves, Helves, He lves,who once was dead, He lves, my everlv ng Head. I fl I F^^^T^^a^F" p 4 I rfrfrj m P I p a a P a p p ^~ fr ^ 2. He lves to bless you wth Hs love; He lves to plead my cause above; He lves my hungry soul to feed; He lves to help n tme of need. 0P EFJ 444 FPIFPP~\ 0 a t=x =FJ Azz t=x ^ <^fr 3. Helves to crush the fends of hell; He lves and doth wthn me dwell, Helves to heat and keep me whole, He lves to gude my feeble soul. m= ^r^f 4. He lves, all glo =cef= :f== fr=frl=4fr=^. pz=pzz tut W m fe=sg ry to Hs name, He lves, my Jesus, stll the same, O the sweet joy ths sentence gves, I knowthatmy Redeemer lves, CHORUS. k. k. *. 2 *** X=fr fr fr Shout on, pray on, were ganng ground, t~ r X=fr pjp P0. *kj r «kl gje3e ljee E fl Shout on, pray on, were ganng ground,the deads alve, the lost s found. lost s found. 3= Shout on, pray on, were ganng ground, The deads a lve, the lost s found. lost s found. 2 P P P I PJfr 4=* d+p 35 S^M\ Shout on, pray on, were ganng ground, The deads alve, the lost s found. lost s found. 2 F=F: Szzzzzm PJc tzzfr. EESfeEE? II The words n the above hymn were frst publshed n " Medleys Hymns " n 800. It orgnally contaned nne stanzas as t appears n ths tune. It was changed by Professor Denson to sut the tune. Mr. Medley was a Baptst mnster, born n England n 739 and ded n 799. The hymn was composed the same tme, about 784. He had 230 hymns n hs book. copyrght, 909, by j. s.james.

177 , X I I hovah hovah ter n n " 20 S. M. D, 908. Key of A. T*X&=W\ fe 2=EEE==E: CULLMAN. C. M. "And God shall wpe away all tears from ther eyes."rev. 7: 7. ^^MMIt I. When Paul was parted from hs sns, It was a weepng day, But Je _^J^ == ==7 ^ S P ZJZ g\gg g. ;s m. =2pz It pgggsag S. M. Denson, fell sus made all the amends, And wped all tears away. way. 2 44===F=t ^g^5= J: &z= ^E^HSl=^=lfaE^ zpzzrsz :s_rt 2. In heavn they meet agan wth joy, Secure, no more to part, Where prases ev It K=t It Ta. j C pea prl^ p*r Schvs j_pj_0 US lul ry tongue employ, And pleasures fll each heart, heart. 2 ts >: t CSI m^^ The above tune s named for the County of Cullman, Ala. When Professor Denson frst settled n Alabama after leavng Georga. The words were arranged t: :Erj=E±^=Erj3EEEsEl lel :rcur 3y hm. See page 0. Copyrght, 909, by J. S. James. SIDNEY. C. M. D. H A PARIS 908. Key of F. " I am the good shepherd: the good shepherd gveth hs lfe for hs sheep."john 0:. WHIT. DENSON, 908. rv P P r r r = k k, rk 4= zwzl p=?=p=l PPPP W PPd H== fe^=^ 9t 8E=te:t=tt ± I 9 f My Shepherd wll supply my need, Je s Hs name, \ tn pastures green He leads me on, Besde the lvng stream. / Wth lovng kndness Thou hast drawn My wandrng heart to Thee. Wth knd compasson send me on To e ter ty. 2 w "ft :^S fdr ^5l 2 FINE. rr\ D c d d J d ^PPga^pE^^ggfl Ss t±z PT P I T :j^~w zzfrzaz *P~ ^F^hhrFH ZdfZf zfrz^tz Iflrlll /My Shepherd wll supply my need, Je s Hs name, In pastures green He leads me on, Besde the lvng stream. / Wth lovng kndness Thou hast drawn My wandrng heart to Thee. Wth knd compasson send me on To e ty. N apfr^^k^fk _> _ kf4=ftj *r> *=>^Fr^h^F^rfcHVsr^ ztzzfr. m The words to ths tune were arranged by H. A. Pars. The wrter s not suffcently nformed to make any statement about the composer of the musc and words of the tune. They both resde n Alabama, and are very actve n dspensng musc n the north part of the State. Denson s related to the Denson famly n Alabama, all of whom are muscans. copyrght, mob, by j. s.james.

178 jl4 thers thers long le le le lu lu S. M. D., 908. Key of A. How shall we escape, JESTER.* 7, 6, 6, 4. f we neglect so great salvaton."heb. 2: 3. S. M. Denson, A=Z9Z <9 $A f, ** fe*= ^: If our ffa want 9 9 ^= It wzzwzzzzr 9==9l a a. a r a a rp r fd I be long to ths band, Hal go, Why dont they come a long? \* P tt ^m Pa p_ l9 ^==S==S=^ long? I be to ths band, Hal jah. pz^ezl ^ 3LE J=tc X Hal jah, jah, be long to ths band, hal PjHII jah. ^:3_n :p=t^=zs S m sa 4^ s^: Hal jah, hal =P=p=F= =^==== k k rk. rk ± =^E:p=8=^C==g=«jah, k P^3=H^SSj be long k I 9. The above words were composed by Professor Denson n ther present shape. See sketch of the professor on page no. If our t fa want go, Why dont they come a jah. lttrfrhrt:: rk k*k :===^^=p^scg^] f"t pd) CHORUS. "= to k ths band, hal le jah. :=«?P=F==P^E fj 9 b=\=rf~d & t Pn honor of Professor N. D. Jester, of Frankln County. Ala Copyrght, 900, by J. S.James. fuse mothers, brothers, or ssters for both verses.

179 tlst, de,22 W>WZ m= zzzzhzazza ~4^frfr zelzzzzzzdz^ BAPTISMAL ANTHEM. Matt, l:. B. F. Whte, P It I In those days came John the Bjptst, preachng n the wlderness of Ju And say ng, Re ZfZZZZC In those days came John the Bap 4=4=F t=t *r\ : B" Pa 9 Pe 4=4=4 ±3t5t preachng n the wlderness of Ju de N^ zpzzpz P=P*r~ m. fcz pp frfr 9=9 s And sayng, ^=p^ r^mt. SH^rl^ And sayng, ~ =pz frzzfrzzfr tzzfrzfr ztzzfr: S pent ye, For the kngdom of heaven s at land. For ths s He that was spoken of by the prophet E V b P rd a r r p II IN Is r * " r* k II JL b rm"» "*». ^ ^.3 ^ ^ * J _L s j L T P P P a J P hpf^j* 9 L U " V pent ye, Ife^E :rs== "I^ For the kngdom of heaven s at hand. _t drdr For ths s He that was spoken of by the prophet E ^=P= q=4=4=^=^p4=4=4=f= ^^~n Ip pp p I sa sa as, B. F. Whte was born n Spartanburg, S. C, 800, and ded n Atlanta, Ga., 870. He marred a Mss Golghtly n 825; moved from Spartanburg to amlton, Harrs County, Ga., n 842. Hs wfe ded n 877. He has many relatves n Georga. Most of hs chldren and ther descendants lve n ths state, and nearly all of them are muscal. Hs father and grandfather were both named Robert. Hs grandfather lved to be 04, and hs father 02 years ld. Major Whte, as he was called on account of beng a major of the mlta, met wth an accdent by fallng on Sprng Street n Atlanta, from the effect of vhch he ded n eght days. He was a strct member of the Mssonary Baptst church for almost all hs lfe. He frst compled the "Sacred Harp" and Tune Book of Sacred Songs" n 844 It s clamed that Major Whte and hs brothernlaw, Wllam Walker, wrote the Southern Harmony" n four haped notes, the same as used n ths book and the " Sacred Harp." Walker and Whte marred ssters. It s sad Walker carred the manuscrpt North 0 have t publshed, and that Walker and the publshers managed to deprve Whte of any nterest n the " Southern Harmony," and faled to gve hm credt or any of the compostons or complatons ot the same, although Whte dd most of the work. On account of ths treatment Whte and Walker became.stranged, and Whte moved to Georga, and brought out the " Sacred Harp," whch has been revsed several tmesn 850, 859, 869. At present t has 480 >ages, and contans a large number of standard hymns and tunes of sacred musc whch were n exstence before 869. In 845 Major Whte organzed the Southern

180 ng, custs BAPTISMAL ANTHEM. Concluded. 23 I & say \frz\az±z 4=4=4 PK^^ l :^l zpzpzzz^+z ng, The voce of one cry ng n the wl derness. :^=^ fzzzzazzzz^z*z7zzpzzzzzz] 44 a d frzzfrzfrz say The voce of one cry m^zzs LZZZZPZZZfrZ fc=fct= S pp V* f=t.ppp tzzfrzzfr. Pre pare ye the way of the Lord, make Hs paths straght. And ths same John had hs Z=z^fr:zzzz^zt.pzzzfrAzzfrzzzzPZ ng n the wl derness, Pre pare ye the way of the Lord, make Hs paths straght And ths same John had hs Nfv Nh t3t: dzzzzt^zzzzzmfrd. 4F, l=fr *d~r~ **=*= =P=F: ^ pppt: t=t rament of cam els har, And bound wth a leathern gr rament of cam m^ zfrztt =P=t sp? fr=r EEE^ zazzzazzzpz els har, k And bound wth fea leathern gr m ^ de; and hs meat was lo custs and fr zzfrzfrcrztzzzzzzzzzzzz zzmzza: de; and hs meat was lo k = PI 99 and It It wld hon ey. = 4= 3 hon ey. ll Muscal Conventon, and was presdent from that tme untl 862, and agan n 867. The conventon s stll n exstence, and has been ever snce t was organzed. All of the tunes n the "Sacred Harp," whch were not mmedately composed by Mr. Whte, were carefully examned and corrected by hm. He was selftaught n musc, and t came to hm naturally to sng; and he composed some very valuable hymns, tunes, odes, and anthems. The abovenamed anthem has been n all the edtons of the "Sacred Harp," and n many other song and tune books. Major Whte was for several years connected wth the county affars of Harrs County, Ga., and held the offce of Clerk of the Superor Court. He also publshed a newspaper n that county called the " Organ," n whch many of hs compostons, and those of other persons connected wth hm n that day, appeared. Hs work n composng and complng the " Sacred Harp" was of such extreme mert the book s used as much or more than any other tune book n the Southern States. Those that were compled or prnted at the same tme as the "Srcred Harp" have generally become obsolete. It stll lves, and n recent years has seemed to come nto more wdely and extended use than ever. A full sketch of the lfe and character of Major B. F. Whte and hs famly, and the musc book he wrote, can be found n a bref hstory of the " Sacred Harp," compled by J. S. James n 904.

181 " " tan ful thers 24 Key of F. & Azz / My Chrs frends, n bonds I Your frendshps lke a draw PARTING HAND. L. M. "But as touchng brotherly love ye need not that I wrte unto you, for ye yourselves are taught of Gol to love one another." Thess Jeremah Ingalls, 8 fr=l=f zzazzt. P on jon n \ ng hand, md./ Your compnys sweet, your un of love, Whose hearts n sweet est ng band, Yet we must take the part on dear, 3= 4=4=44 P=P~ AEAZ z*zzzaz zzazzfr j How sweet the hours have passed \ How loath we are to leave SaSS SE /And snce t s Gods ho "\ln sweet sub ms son, all m Your words de lght How would cheer my droop a way, Snce we have met to sng the place Where Je sus shows Hs sml to my ear, fr=fr== dzpzzsz ly wll We must be part ed for as one, Well say our Fa wll and pray; ng face. / O could I stay wth frends so knd, UH 4== =*=t 4=P a whle; be done./ My youthful frends, n Chrstan tes, 4=4 3=Sf ± I Yet when I see that we must part, You draw lke cords a round ess = ; _tst ng mnd, But du ty makes me un derstand ^ fr =S= fr fr=t Who seek for man sons n the skes, Fght on, well gan the hap 4 How oft Ive seen your flowng tears, And heard you tell your hopes and fears, Your hearts wth love were seen to flame Whch makes mc "lope well meet agan. Ye mournng souls, lft up your eyes To glorous mansons n the skes, O trust Hs grace, n Canaans land Well no more take the partng hand. fr 5 And now, my frends, both old and young, hope n Chrst youll stll go on, And f on earth we meet no more, O may we meet on Canaans shore. I hope youll all remember me If you on earth no more see, An nterest n your prayers I crave, That we may meet beyond the grave. Copyrght 909, by J. S. James. 4=4=44 9 4= ZpZZZZ0Z Xzc. Thatwe must take the part =4=q my heart. fr ng hand, fr py shore, Where partngs wll be known no more. 6 O glorous day, O blessed hope, My soul leaps forward at the thought, When on that happy, happy land. Well no more take the partng hand. But wth our blessed, holy Lord, Well shout and sng wth one accord, And there well all wth Jesus dwell, So, lovng Chrstans, fare you well. II II

182 P P Hstory of "Partng Hand." 25 Jeremah Ingalls was a natve of the State of Massachusetts, born n 764 and ded n 828. In 804 he publshed a book called the " Chrstan Harmony." The present tune, "Partng Hand," was composed a year before that. He was a musc teacher, and traveled through the States of New Hampshre, Vermont, and Massachusetts Among some of hs leadng tunes n exstence are " Northfeld " and " New Jerusalem." A more extended shetch of Ingalls s gven under the tune of " Northfeld." It may be that Ingalls wrote the words to the " Partng Hand," as well as to compose the musc. He usually wrote the words to hs own tunes. JOURNEY HOME. C. M. R. F. M. M. Key cf G. "A house not made wth hands, eternal n the heavens."2 Con. 5:. R. F. M. Mann, 868. atfo =t m j=m^^sm] who wll come and go wth me? Im on my jour ofa=rt~ ==X=frp=CdZ P=Fp==*^q» p rfr frzzzfr. zzzzzzlzztzzzzzzzz ney home, Im bound far Canaans land to see, Im on my journeyhome. ;^=g^[=g^^g O who wll come and go wth me? Im on my jour ney home, Im bound far Canaans land to see, Im on my journeyhome. P rt. ^Prt r^rrskrpr...dpt ^, 4PI F ^FMFk.Ft=r=rFs=azF:^=F^ fl * Lord. come and go wth me? For Im on my jour ney home, Home, sweet home, Bless the Lord. 2 M r. r*"" I r p y p 6 a d LA p r^.\^l l; )/ o x=. 4=4 :t SI o come and go wth me? For Im on my jour ney home, Home, sweet home, Bless the Lord. Lord. 2 P a P CV^* (=. k k b. f^ Itt r!»j a 9 T. P t~rm. L p % * l 4 t L L. l R. F. M. Mann s the author of the above hymn. He was sad to have had a very strong voce, a good snger and was a musc teacher. He was a Georgan, lvng near Mlledgevlle, where he ded several years ago, dseased n body and mnd. He was a member of the Methodst church, and hghly respected by all who knew hm. He was also a member of the Southern Muscal Conventon and the Chattahoochee Muscal Conventon. He has seventeen tunes credted to hm n the " Sacred Harp." Copyrght, 909, by J. S.James.

183 26 Isa.ac Watts, about 70. Key of A. M t^4 frarfrz WALDIN. L. M. " Blessng for bs goodness to the soul and body."ps. 03: 7. e t. t r= John R. Bryant, Bless, M m 3=^ ft pf z. Let m * ev my soul, the lv ng God, Call home thy thoughts that rove broad, ry k k U Let all the "t fe land ej :tp= ZmZZTZZrZZZ powr con fess, Let B zazzzzzazzz k the earth Hs k r b powrs wth The work and shp fr =\ et =?= My heart and tongue shp s«mb II $ JoH^Ull

184 Hstory of "Waldn." 27 Ths tune was composed n 882 and publshed n the December (883) Number of the "Muscal Mllon," by Professor A. J. Showalter, who was at that tme correctng harmony for Adlne S. Keffer, ^edtor of the abovenamed paper. Professor Bryan was born n Newton County, Ga., 86. He was educated n the common schools of that county, fnally completng hs muscal educaton at Emory College under the late R. M. Mcntosh, n 887. He has composed nearly twelve hundred gospel and Sunday school songs. A great many of them are publshed n varous tune books. He marred Mss Mame Johnson, and s at present lvng n Atlanta, Ga. The above hymn s one of Dr. Watts frstclass compostons, and ranks among the standard hymns of the country. THE ROYAL BAND. 2s & us. W. T. P. Key of E Mnor. Hosanna to the son of Davd: Blessed s he that Cometh n the name of the Lord; Hosanna n the hghest." Matt. 2: 9. W. T. PowrR, 850. l 9 t Pbbba : B, I r 44±24t tii. E^~4y4^J^LJl_EgE f Ho san na to Je sus, my souls flled wth prases, Come, O my dear brethren, and help me to sng; X No mu sc socharmng.no look s so warmng.lt gveslfe, and comfort, and gladnesswthn. / Hosanna to Jesus, my souls flled wth prases, Come, AN \ S^ JtUt 4444* «<Nft,Y= =_T zfrzzzzpzzkz^zzzfrfr _ _* *frzz±z±zzz l*bba l^pzfrzfrzzzpzzzdzz l 9 Ly v v v g4^^ nothng so sweet as the sound of Hs name; The angels n glo» sx ^49 ^ IN ft fn ft fr jjpj ry re m=+\ 3 te vvv /Hosanna s rngng, O how love sngng, Theres nothng so sweet as the sound of Hs name; \ The angels n glo ry repeat the glad sto ry Of love whch n Je sus s made known to man. j Hosanna s rngng, O how I love sngng.theres O my dear brethren, and help me to sng; No musc so charmng, no look s so warmng, It gves lfe.and comfort, and gladness wth n. N4N fcn At\ 4\NN pp *=P 99=^^99 peat the glad sto ry Of love whch n Jesus s made known to man. >,AN 4kN=H J: Lttle s known of W. T. Power. He was a member of the Southern Muscal Conventon for several years, and also a member of the Chattahoochee Sngng Conventon. He only composed ths one tune and hymn, so far as we have been able to ascertan. Nether have we found the tme of hs brth, or where and when he ded. He was a teacher; and taught musc n and around Georga and Alabama for several years.. m

185 lght, ". P=dr>^Fl es to my sght! Sweet felds arrayed n lvng green, And rv 28 THE PROMISED LAND. C M. Thne eyes shall behold the Kng n hs beauty: they shall behold the land that s very far off."isa. 83: 7. Samuel Stennett, 787. Key of F Mnor. Arr. by Mss M. Durham, about 840. zzzzaz 2:sEI=: J3SE ^ff^^^^f^^^^^t^^l. On Jordans stormy banks stand, And cast a wshfuleye, To Canaans far and happy land, Where my possessons le. =** =nz PZZPZ z. O the, trans portng, raptrous scene That rs 3. Flled wth de t: :S g s 4= lp zzfr f * zzazzzmzpzt fr zp p^_vfp^#=^^^p^^^^^phii^^ *F r 4 tq44^^ep=r=pr^fj7^ 4 B_ p B BH *=! PB ~.FB T==^+Iz~ ==J==P^^rz=g=pEr^tzr^b^ tj \ zzzzzd p»» d~ ers of delght! my raptured soul Would here no Ion ger stayl Though Jordans waves around me roll, Fearless Id launch away. CHORDS +*&, tzzfrxt l N* :*X=tt=PjP: I am bound for the promsed land, I am bound for the promsed land, O who wll come and go wth me? I am bound for the promsed land. *=S ^ 4=# 3* fr P0 Pp AA^X=0j zazrz frfr j_? ddd Ha am bound for the promsed land, I am bound for the promsed land, O who wll come and go wth me? I am bound for the promsed land.» m ZZzZzl^ZZZdz \zztzzmzb PPpfr zpzzzaz dda+dii 49=49 :zzz P~ Ezzzt dzzzzzzzz;: dd Samuel Stennett was one of the most nfluental and hghly respected mnsters of the Dssentng persuason n England, and was a confdant of many of the dstngushed statesmen of hs tme. Doctor of Dvnty was bestowed upon hm by the Aberdeen Unversty. He composed and publshed thrtyeght hymns. Besde ths, he wrote and publshed theologcal works. He ded n London n 795. Ths tune s credted to Mss M. Durham n the " Sacred Harp," as t appears on ths page. We have been unable to fnd out anythng about her, and whether or not she arranged the tune for the " Sacred Harp," and made changes n t. The melody of ths tune, and ts man features, can be traced back for over one hundred years Copyrght, 909, by J. S. James.

186 trnes le lu ble Augustus Topjujy, 776. Key of G. Rock of ages." Isa. 26: 2J. Word s and musc b y J. C. Brown, 908. rtl \ ^ h IT N 3 L " a a Tl 00 m,, d d~ V *. Rock of ges, dear to me, All I have p. s _ pffr. 0* v ** I gve to Thee; Satan worketh evry day To wthe. a* l j. r raw me from Thy way; fv.*f«l ^». «k k r> k /ft* Tl a a 0 «P P 0 P #**# ^ y y / " / E 9 9 d Ij U* j.a k a :?44tPP._,g+El SbVh 2. Mon ey lov ers more stay God, On Thy peo pe they have trod; Theyll be hum wth Thy rod, And ther tongues confess to God; Vl *. k pf tt*l f\ 00 r s a h 4 r Tl J J J *. ^ a t 9^=>~ a J n " j a / M f T J^ 3. Mans false doc all shall fall, And Thy lght shne oer us all; Keep me tll Thy kngdom comes, And Thy wll nearth be done;.^ h p*.9. p I 7 v a flu > 9,> \j \y u _,j. a a " / ]/ U _ j_, L j T_ A*4\ vy S l Keep me by Thy powr, O G 3d, In the way that Thou hast trod; Keep me tll Thy wrath s oer, Safe, secure, for ev ermore. Lead fe the lght of ^a ^ a z7=9zz9frt 99 9~ 99 II day In the straght and narrow way; Keep me tll Thy wrath s oer, Safe, secure, for ev ermore. ZZZZZZZWZCefrpfr0^0P7f==n tzzfrz zzzzzzr4czzz=zzzz^tzzzzzzzzz9zz^zzzzz\] I *:»PP 4^ 4"= \.d99 ==frs When the bloodwashedthrong Thoultbrng, Let me meet and wth them sng; Hal jah to the Lamb, Peace on earth, goodwll to men. prfr frzu^z Jfr+fr 9 9tr =P=0 fr 9 HIPIZ m *=9 Professor J. C. Brown s a son of S M. Brown, who composed a great deal of musc durng hs lfetme. Several of hs tunes are n the " Sacred Harp " and other books. He has composed musc for several years, and has wrtten many hymns, beng a great lover of sacred musc. He has lved n Haralson County, Ga., a greater part of hs lfe, but lves at the present tme (009) at Buchanan, Ga. He s qute feeble, and has been afflcted for several years. He s a good man, and hghly respected by all who know hm. The words n ths hymn have been rearranged by Professor Brown for the above hymn. The orgnal words were composed by Augustus Toplady n 776. See page 6 of ths book. Copyrght, 909, by J. S. James.

187 " I3<>J. C. B. Key of C. PRAYER OF SAINTS. 8, 7, 7, 7. ^Ep4 Whosoever shall call on the name of the Lord shall be saved."acts 2 : 2. J. C. Brown, 908. ^rfk^^^^s^k^^^^^tf^lj e=fy c c=^pp=ff 9 p t=f F O blessed Sav our, hear our prayr, Help us, Lord, the cross to bear, Sheld and strengthen, bless and gude, Lord, n us do Thou abde. P P I tzzrzfr. pp tzzt zfrztzzz Lord, we are weak but Thou art strong, All our help must come from Thee, Keep us safe from lust and sn, Lord, be wth us to the end. 4=4l=H^4rFK=^4=t=El =4^4Ik3Ik: " * a lazz?z F s I I g Fp B *7\ /TN I \ zfr. Azfrz PP tut PP *p!zzztz= PP \ I 9t p a_ gfegg^^ggge^) p ;gkj=^^=4^e^ppz=r:p&=jj * VI I 3. Well prase Thy name for matchless grace, When we see Thee face to face, When we reach the heavn above, Where theres naught but peace and love. j==q44=:p4 TTT~ l \A ^"»=^=Fa I P.. rf=4*~*~rt^bah,j rr.». ^N^~n»4FP==4 r 3=f: 3nt_r~r^^_ r_r. ^r =:t 35 II See sketch of Mr. Brown on page 29. J. C. B. Key of G. ^frw 4\a vt frx Copyrght, 909, by J. S.James. JESUS IS MINE. 6, 4, 6, 4. J. C. Brown, 908. " Beleve on the Lord Jesus Chrst and thou shall be saved," Acts 6 : J ZZZfrfrt ^^j^gfggsggg_^ tt^^cj^ssssa. Fade, fade each earthly joy; Jesus s mne. Break evry tender te; Jesus s mne.dark s the wlderness,absent the restngplace,jesus alone can bless; Jesus s mne. rnm^m *«4>^bF 2. Tempt not my soul away; Jesus s mne. He s my only stay; Jesus s mne. Pershng thngs of clay, Born but for one brght day, Pass from my heart away; Jesus s mne. ^=r^:r:^:z>qp_t^p4=f^^ 3L.B_p4_>~q_fvr =J.a?B tb 44=4,MT, ^*<»t F =Jarp»4rf^^=JFll 4>t Tlz fra :=P= zpzdz zzzz^lzzfrzlzzzt: :zx^s^zffrz9z ^==r= ncte Words of the above rearranged by Mr. Brown. See sketch on page 29. copyrght, qob, by j. s.james. zlzzfrzl^zzzzz^zejzzfrzlzzzzzhtzzzzzz^ Farewell, ye dreams of nght; Jesus s mne. Alve s a dawnng lght; Jesus s mne. All that my soul has tred Left but an achng vod,jesus has satsfed, Jesus s mnezmz^t^zp^. P9 St±I

188 ful ful ~ els, ~ ~ F. C. Perry. Key of D. P E ± 4$. Let us sng w tz. May our pras 9 9 9T = our joy lays 3 ztz^fe PRAISE HIS NAME FOR EVERMORE. "And he balh put a new song n my mouth, even prase unto God." Ps. 0: 3. to the Lord n grate fraj=3;pk^kk^kfj=^ =^==tef z^zzzz^zzdzpzzzzz^zzz^zzz^d ZTZZPjZZZdz prase For Hs love, so full and free, Shed on reb * *; F s:f" *k N 4 5^ M \ _JI 5 h 3 J. C. PERRY, about 885. such as we. dr^dd^ ^F ^ffd^dr^^d 4==&=fclm t5====wl==fr±==*f*> ^.^=fr=!==xf====x=^f=frt= * ^F^=fr^*==*=l=^=^^*=fr^^ en rng Wth the mu sc 3. Lo, the courts of heav an?fp==s=* H 0p Xzzzfr gels brng, Hosts of earth and sky u nte, Pras ng God both day and nght. f Sound Hs prase oer land and sea, sound Hs prase oer land and sea, Let t float across the lea, let t float across the lea, m^m^^m \Sng Hs prase from shore to shore, sng Hs prase from shore to shore, Prase Hs name for evermore, for ev er more.. pfc=_s: EzZZZ&ZZ. +pj 4n4 *^ kk 99 & es nev er end; May each prayr and song ascend To the throne of God abbove, For Hs wondrous works of love. =4 4= I Sound Hs prase oer land and sea, Let t float.. I Sng Hs prase from thore to shore Prase Hs name. «f 4I^4ft ^k=4 :_ _ ** frzf, Z E ==44444^4 zdzzmz fr =l: *^ across the J Sound Hs prase oer land and sea, sound Hs prase oer land and sea, Let t float across the lea, let t float across the lea, I Sng Hs prase from shore to shore, sng Hs prase from Bhore to shore, Prase Hs name for evermore, 9"j 5?=k== ae ZZZZZfrZ&ZZLl.k.k._k. ^ pik. _fr==5== t kk^ zz: 0z\fr lea, _t 9 k kk k k l_=_l~t c for ev er P 00 0 ==t= t: 9<for ev er more 2 ^dz^zr^ F. C. Perry and J C Perry are connected wth the Perry Brothers Musc Company,.publshers, of Chattanooga, Tenn.. and Waco, Texas. They publshed a song book, called th Uplftng Songs," by F Clark Perry. James B. Harrs, J. A. McPbal and W. L. Conaway, as well as other publcatons, whch are now scattered throughout the country. F. C. P_xry and J. C. Perry are ready musc wrters, and have ther songs and tunes n a large number of musc books.

189 ter. l L AFTER THIS MANNER PRAY YE. fanthem.) «32 G. B. D., 908. Key of F. "After ths manner therefore pray ye." Matt 6: 9. G. B. DanEI,, 808. / l _l P r f m 4 [ t* a a a a * P p J. * a t >tm «r t ^ J C " d. *.»* \l JL.! _r... I. I J Af ter ths man ner therefore pray ye: Our Fath er whch art n heavn, Hallowed be thy name. Thy kngdom come.thy / 4»_ M 4 Lb^ J ] II TT p! " _ * * a < \ a P a a d \ y 4 ^ P p ^ d *d 2 d ^. ^ ^L ^. * _J U4Ja I N. _. a 0*0 I <. 4 p n B a P P m d p P \P h_. ft T7 4 L L In " «* " * Af ths man ner therefore pray ye: Our Fath er whch art n heavn, Hallowed be thy name. Thy kngdom come. *^.. k k t=. fl k k I., 4 J. «J m P k P d?_. * d p * r I ll L 9*E=E 4== =#«=* :p=t: F* wll be done n earth, as t n heavn. Gve us ths day our da 4>^\ = 44 4p*4I± t: fr t %= 4=t mzz^^^zzz==m n earth, as t s n heavn. Gve us ths f»p 9 mzm^ day our da N p4=t: ^ ly bread. And forgve us our debts, as 0. ly bread. And forgve us k~ 4= our == S The words of the above anthem are taken from the nnth verse of the sxth chapter of Matthew, whch words were used by Chrst n drectng Hs dscples how to pray, and followng these words s what s called the "Lords Prayer." " Professor G. B. Danell has composed and wrtten the words of several tunes. Ths anthem and one other, Home n Glory," prnted elsewhere n ths book, are two of hs tunes, composed n 008. He has successfully taught sngng schools at ntervals for some tme. He s a member of several sngng conventons, and was one of the orgnal organzers of the Unted Sacred Harp Muscal Assocaton. Mr. Danell enjoys musc, and often leads n the large sngng assembles n Georga, and n the varous conventons throughout the country. He does not follow musc as an occupaton, but labors for a lvng to support hs famly. He s one of the commttee engaged n the revson of B. F. Whtes "Sacred Harp." He lves at present n Atlanta, Ga., and s a member and clerk of the Prmtve Baptst church n that ctv. Mr. Danell s 48 years of age, and belongs to a very numerous and nfluental famly, a number of whom resde n Georga and other States. Seven of hs grandfathers brothers were Prmtve Baptst mnsters. Copyrght, 909, uy G. B. Danell. debts, Br

190 ta ta ^ $^ $. 9* AFTER THIS MANNER PRAY YE. Concluded. *33 for gve our debt ors. n to temp ^ ^~ N <d ^ \pj for gve our debt ors. And lead us not, And lead us not ^= 44= S~ s s fr. 499 I tzzzzfr. 4^=*= ton, * * ± t frfr. to temp ton, but delv fr=fr=z^ 99 tzzzfr zz9zzttzz II from e vl: For thne s the kngdom, and the pow er, for ev er and ev er. men andamen Nf 4 4VP4P ^33 z±=± *rn ES3 = :p p r. tzzzzfr. from e vl: For thne s the kngdom, and the glo ^Tfr^rxz 44=44: 99 [^===4, =F* ry, for ev er and ev er. er II I: II

191 ~ our, ed ed, : t t ful 34 THE BEAUTIFUL HOME IN GLORY. Arranged and chorus by G. B. D. Key of E Mnor. Receved up nto glory. " T M. 3: 6. G. B. Danell ! I 0 *m r** 7mm l"^; ) ** d \ A a * j Je sus, my all, to heavn s gone, To that home, beau t ful home n glo ry.l \He whom fx my hopes up on, In that home, beau t ful home n glo fy./ ( tt. k 0 tt 4 / T *.ll ) I _l rm ( 4 _ J a. p o f a vr 3 #" n U tt. Vj ^ k k N A. * J j j n r rm * J * j * a 4 ^ l a \>)) ^ I f Hs track see, and Ill pur sue, To that home, beau t ful home n glo I The nar way, tll Hm vew, In that home, beau t ful home n glo row Z:\ k rvtt fl J.B4 > «p J>P p 9 I 4 47 r r " J L b! = 9 u_j 9 9 _v_ "3 T=:\ j WT^ a I.I I " We wll shout and sng round our Sav bless Kng, When we reach our beau 4= ful home 44 4=44= 9 We wll shout and sng round our Sav our, bless t: s I =T t=5f glo HI H 5H. 44 ll Kng, When we reach our beau :r="=k==e home glo tz = _t Ths hymn, "Jesus, my all to heaven s gone," was wrtten by John Cennck, and Is found n the authors "Sacred Hymns," 743, under the ttle, Followng Chrst, the Snners Way to God." There has been several changes n some of the verses n the hymn snce t was composed, or addtons to the words, whch were composed by Professor Danell, "To that home, that beautful home n glory." The chorus was composed In 908, the tme of the composton of the musc. See sketch of Mr. Danell under tune "After Ths Manner Pray Ye, on page 33. Copyrght, 909, by Geo. B. Danell. y

192 flam P k. l " & dous " 0LNEY. 8s & 7s. 35 "The fountan s Chrst."Zek. 3:. "We shall receve the blessngs from the Lord, and rghteousness from the God of ha salvaton."ps. 2J 5. Rev. John Robnson, 758. Key of F. Francs Fred. Chopn, 835. «"F_2 " j., IW J! P fr a p J_4 0 a frtv A J P P^4J d p v> ; ^ * P ^ J W J x f Come,Thou Fount of I Streams of mer cy, ev nev ry er blessng, ceasng, Tune Call my heart to for songs of sng loud H rkv rk Thy grace; \ est prase. J Teach me some me lo son net, e; ^ cl~ k k f»^ ~" \/Lb r A a P r J A P P p fnv J A p J a r a I ~ ; Z vy ^ p L " * P * * a <J Sung by ng tongues a bove; Prase the mount Im fxed up on t Mount of Thy re deem ng lovel V,""* l > J. L.b* ^ J I _n M f [ a rm" 4 j J a m n ; J ^ M a 9 ^ Tl. *f P a /Here Ill rase mne e ne zer, Hth er by Thy help, Im * come; ) X And I hope, by Thy good pleasure, Safe ly to ar rve at home. }" Je sus sought me vhen a stran ger, 0 C\ kt k a * p.. k., t p,k ^ * a a j b 4 \ d a *W j d ^>L P =. 9 I I! V ^ I /Lb P J I fzz, J a J. jrl II fnv a J a v\) ^ n ^ J J «*! ^ J * ^ ^ * a a 9 J <n II f p * p a a Wandrng from the fold of God: He, to res cue me from danger, In ter posed Hs pre cous blood. "P _ " * I l ^ J k P t^ II /! r r^p a II 9 b «J * "f "J IP II ZSttZZ Chopn was born n 809 and ded 849. He was one of the great masters of musc. Hs last words were sad to hs attendng physcan, "Now my death strug gle begns." He remaned conscous to the last, and added, "God shows man rare favor when He reveals to hm the moment of the approach of hs death. Ths He shows me do not dsturb me." John Robnson was born n Norfolk, Eng., 735, and left an orphan. He was converted under preachng of Whtfeld, and ordaned to the Methodst mnstry. He later joned the Baptst, then the Independent, and fnally became a Untaran. He ded 790. Copyrght, 908, by J. S. James.

193 " 36 HUMBLE SINNER. C. M. D. Edmund Jones, 750. Key of A. m PPztzzfr We wll serve the Lord."Josh. 2 : 5. D. D. Wax,!,, 908. IzZZTZZfr. tut 44 A=P=Pztzzfr 9 Ppr=rn 4Pfrfr=p= zzzzpb t Come, humble snner, n whose breast A thousand thoughts revolve,come,wth your gult and fear oppressed, And mak ths last re solve : 44 :4=4= ^^ = 4== zt: ^=^Eq=q=a4=^=h=l4== 4=4=pS4=444^=vFq===^q=4=F^J ^^^^^^^fr^^^. ±4=44 zzpzzjlz 0 Come, humble snner, n whose breast A thousand thoughts revolve, Come,wth your gult and fear oppressed, And make ths last re solve: Edmund Jones was a mnster n the Englsh Baptst church. He was born n 72 and ded n 765. He composed a large number of hymns. The above s consdered one of hs best. Mr. Wall lves at ths tme (908) n North Alabama. He s actve n the cause of musc, and has done much valuable work to advance the same. Copyrght, 909, by J. S. James.

194 , There " mor tal f nte vdes dan. P. sh J p R.. S>^ Key of G Mnor. s3;6p " PH4* ah a k P H9rz 9 / F FAREWELL TO ALL. L. M. Prepare to meet thy God." Amos 4: 2. FINE. fr 9 4a a a ; a ^zwe^zzk frends,both old and hope And now, my young, n Chrst youll stll go ">n; / \ And f on earth we meet no more, O may we meet on Canaans shore. \ D. CAn nterest n yeur prayrs ^g crave, That we may meet beyond the grave. I hope youll all remember me, If you fr 37 Reese, 852. D.C. " PP^pTPJ :k=k=t=fc zzzzzwm on earth no more see. ^sga &sg = Fl * INF"! rffrf P* P=F XZZZZuZZ n: zfrfr^zzzt^ g=4gtc4j] Professor J. P. Reese composed a large number of tunes n the "Sacred Harp," as well as n many other books. He was also a correspondent for muscal journals and secular papers. He was born, 828 n Jasper County, Ga., and ded at hs home, near Newnan, 900. He was bured n Oak Hll Cemetery, Newnan. An extended hstory of hm s gven n James " Hstory of the Sacred Harp," pages 94 to 99; also on page n ths book. 6j Copyrght, 909, by J. S. James. Isaac Watts, tel sm Key rfe&eba BALERMA. C. M. ed thee to see t wth thne eyes." Dedt. 34: 4. #r Robert Smpson, 800. Rearranged by B. F. Whte, 858. r, rg of B 2. 9»r(9 + SI n s a land of pure delght, Where sants m regn: In day excludes the nght, And pleas ures ban pan. There ev er last ng sprng abdes, And nev er wthrng flowrs: Death, lke a nar row sea, d Ths heavnly land from ours. zaz fr frzzzzzz^tz It It ttfc ^S^*^g] 3. Sweet felds beyond the swellng flood Stand dressed n lv ng green; So to the Jews old Ca naan stood, Whle Jor rolled between. 4. Could we but clmb where Mo ses stood, And vew the landscape oer, Not Jordans stream, nor deathscold flood, Shouldfrght us from that shore. rsrhpff trp ^F^^FF~^P:^g=4g4=^fr: *FeHPFh^"F? t= t 4t feleelll The orgnal ttle to ths hymn was " Prospect of Heaven Makes Death Easy." It was wrtten by the author at hs home n Southampton, whl? sttng at a parlor wndow lookng over the waters and beautful scenery. It s clamed that the vew across Southamptons waters, n the drecton of the Bundant, Isles of Wght, s suggestng n ts exquste magery of the far land of the beyond. Ths hymn also suggests the leadng of the chldren of Israel to the banks of the rver Jordan, whch stream separated them from the promsed land, that God had long before promsed to the chldren oflsraew The crossng of the rver Jurdon has ever been an mage of the glorous home of the good n heaven. Robert Smpson was born n 792 and ded n 832. He was a Scotchman, and composed a great many valuable tunes. See sketch of B. F. Whte on page 22. Copyrght, 909, by J. S. James.

195 " 38 Key of F Mnor. M M fm M s«^ fr ARBACOOCHEE. C. M. D. Typcal of Chrsts love for the church. Isa. 63: 9. S M. DBNSON, 908. PP ztzzfr frzzt ggj^ff^hg ztzx PrM ^Azz *** =P Behold the love, the generous love, That holy Davd shows, Behold Hs knd compasson move For Hs afflcted foes,when they are sck, When =S pfa* *zz*zl. w\ofrfr ^gb^esfejjjp 44 When they are sck Hs p=^~"f>t=4==f=?«s==4l!r4=4ts=^c=44=h Pe 44 =s=s Z4Z»ZPZ tr t fes^^s Behold the love, the generous love, That holy Davd shows, Behold Hs knd compasson move For Hs afflcted foes, When they are sck Hs soul complans, Pkkr fr X=frP P= =P tfr Xzfr fr I I I w I I u= they are sck Hs soul complans, And seems to feel the smart, \pu rr= 4=4 d d d jtr*td zfrzazza ^" m The sprt of the gospel regns, And melts Hs pous heart, And melts Hs pous heart, heart 2 EjEE they are sck Hs soul complans,and seems to feel the smart.the sprt of the gospel regns, tf 8^33 44 ===3 4=S p=p= tzzfr. Wfr soul com plans, And seems to feel the smart, zdzzt st fc?4*4 zfzzfrza :p=p4 :p=t :P^* pzp. ffnt m ptpp It tt :t± t±e B^HB ±=n. The sprt q=p4 dfrdz ^jj^asftss^ rtsj.^^nd melts Hs pous heart, And melts Hs pous heart heart. t4 tz?z 4*4L PPp4J I 3. tt: ±t t tr s of the gospel regns, And melts Hs pous heart,and melts Hs pous heart, heart " ^ 2.. ^_a+ P=p. fr H And seems to feel the smart.the sprt of the gospel regns, And melts Hs pous heart, And melts Hs pous heart, heart. The words n ths tune are the same as those n the tune " Sardna," n B. F. Whtes " Sacred Harp," on page 296. The words are great favortes of Wy. J. James, who resdes n Tallapoosa, Ga., and who s a great admrer of the old sacred songs. See sketch of Professor Denson on page no. Copyrght, 900, by J. S. James.

196 ful ture " " " I FILLMORE. L. M. 39 Key of F. REES, 868. and sng Thy mght Great God, let all my tune ful powrs a a a r, P PrP.. 4=44 :p=4= 44 y name; Thy hand re volves my cr clng tzzzfrz frzzzfrzz hand re volves my cr clng ^jr3==p_^ =. =Sp4^fefe frx 9 I I ^= t ±=Pm fr fr tll x== Thus wll I sng tll UZZ^LZfr tzzzfr ztz It fr=x Great God, let all my tune powrs a and sng Thy mght y name; Thy 9 ^ frzzzfr 4=44 ttr frzzzfrz 9 fr hours, Thy hand from whence my be ng came. Thus wll I sng nature cease, Tll ak^» 4 = fr\ fr It 44 :p=a=444j It ttfrzzfrfr: wm 0 zfr I ^~4 hours, Thy hand from whence my be ng came. Thus wll sng tll n. Fe.^krPfr ZZZZZZZTfr fr*fr= =t* m cease, Tll sense and language 0 Thus wll sng tll na ture cease, Tll sense and Ian guage John P. Rees, the author of ths tune, was born n Jasper County, Ga., 828, and ded n Newnan, Ga He was Presdent of the Chattahoochee Sngng Conventon and Presdent of the Southern Muscal Conventon for years. He composed a large mumber of sacred tunes, whch were publshed n dfferent books. He composed a large number of tunes and ntended to comple a book, but ded wthout dong so. He helped to revse the "Sacred Harp" twce, and has a large number of tunes composed by hmself n that book. "Fllmore" s a strrng song, and s greatly enjoyed n conventons and sngng socetes. Copyrght, 908, by J. S. James. ES

197 _ J dore, _ P 40 FILLMORE. L. M. Concluded. h frzzz y ^ / language S fr na ture cease, Tll sense and v language are no more, And aft er death Thy boundless grace Through ev fa f3 frfrj ==34 4=t 44=4! m And aft er death Thy boundless grace Through are no more, And aft er death less grace Through last y^ ztzzzzxz: X=fr 4=t: ev er r=p== zzzfrzzzzfr are no more,. And aft er death Thy boundless grace Through ev er last ng years a k L P """ fabp PTX p p L= LP k P* W t am 9\ =* " k y=upp dore,. *! > "^ 4 ^ ^ ng n I fl "» \\ er last ng years er last ng years a dore. ^~ r. 4f a a. a " k r a D L b r ll r ll rm ]/ la* ^ * ll V)) %J ev er last ng years a dore,. k a P 4 Lb P j P " P P a r* J a n 0 II r TV" P \ fr \l P J ^ P kj U* j ^ II f years a Through a dore ev er last ng years a t.. b B.»" k rt k P " _ * L a d ^ II " "«J J

198 THE BRIGHT FOREVER. 4 So he brngeth them unto ther desred haveo."ps 07 Chas. Edw. : POU.OCK, about 878. CHORES WP t^^m^m^^^m Theres a sweet, a brght forever Just beyond the jasper sea, When we cross that golden nver.wth the dear ones we shall be. O the sweet, the brght forever,0 the A 3E 4\&, *=^ xt:z^z$\zz=±z\z^^zt^ 3. We shall see our precous SavourWhen He comes Hs own to clam,0 well bask n Jesus favor.sngng glory to the Lamb. O the sweet, m, the tbe brght forever.o ran the k.k k.k k. ^U4^k4f^k_k_k.[l4_k4Ik^t4^ r2^^a\9j.\\ 9\ Fg= jrft^ F^F^^"=F^^^^Fpvpp«!Fl fr 4Wt*0=0=: sweet, the brght forever,just beyond the jasper sea, just beyond the jasper sea,when we cross the g atg3 2. Theres a sweet, a brght forever, Where no sorrow eer can come; Ts across yon golden rver, Jesus has a glorous home. O the sweet, the brght for JJ 9^99994 y jjl ^gygl vjj y Len rver, when we cross the golden rver,wth the dear ones we wll be. /T\ PVf\sweet, the brght forever,jn3t beyond the jasper sea, just beyond the jasper sea, When we cross the golden rver, when we cross the golden rver, Wth the dear ones we shall be. rmt j kkskfclksk. pxrf^~ Professor Chas. Edw. Pollock s a ready composer, and s sad to be a fne drector of musc. He has wrtten a great many valuable hymns and tunes. He often wrtes hs own hymns. Hs musc s found n many of the hymn and tune books for the past few years. A glance at hs musc wherever seen readly convnces one that he s an able composer. The tune, The Brght Forever," measures up to the usual order of ths gfted muscan. The very name to the tune s nsprng, and add to t the words appled to the melody wll produce great results f rendered n the proper sprt. He s an Amercan composer, mostly of Sunday school and church musc. He was born n 853.

199 : ~ ed ter 42 PLEYELS HYMN. CM. (Second.) " Power belongeth unto God; also unto thee, O Lord, belongeth mercy; for thou renderest to every man accordng to hs work."ps. 62:, 2. He^n Mara W,uams, 790. Key of Et>. Ignaz J. P,eye 83. SE ^PT 0^0 0p w feml Whle Thee I seek, protect ng Powr, Be my van wsh es stlled; And may ths con se crat P a ap ~*± 0*0 SI 4*P atzzfr trtf 0P hour Wth bet 4444T4. frfr P 44 hopes be flled. m fcrfe fr fr fr =SP4=4q If4 tdd> frfrfr 4=4=4 d^p pt^p =fe ^Xdfrzdz^ P=44=C44lr^q^3 4 Pl (4 l~=y &P4,0 ap>fj p m\ m40 d~ h P s 9 **~, ca_.a_r_^a_c^ 0ZZJ.ycp 4=F m s.. In each event of lfe, how clear Thy rulng hand I see! Each blessng to my soul more dear, Be cause conferred by Thee. Rrfr2K frf" > k ^t>\>4: fr fr \ra #yl> 7 P fa rh» ph "Ft pft k b k.ke.s r * sff _l fth p h fr H fr raa*. *y : \ VJJV J+ Tl ^^fr7ft arp P^j J p ^Fpt fjr*jj^h *kj^ Thy love the powr of thought bestowed; To Thee my thoughts would soar: Thy mer cy oer my lfe has flowed; That mercy a dore. =SF: l==g 4= IJp4444Hq4I4rf44=4B #^d 4=4= 4t ^ «^ N ** 7 jfetb 3 4=4 *Sr Wr ZPfr* ^^^FT3 In ev ry joy that crowns my days, In ev ry pan I bear, My heart shall fnd delght n prase, Or seek re lef n pray r. fr x m x SE ±t 0s0 S Copyrght, 909, by J. S James. a ^m

200 est to Hstory of "Pleyels Hymn." M3 The author of ths hymn wrote two volumes of poetry n 786, whch were publshed about that tme. There were three verses n place of two n the orgnal hymn, from whch these two are taken. Mss Wllams was born n England n 762. Her poems were publshed when she was twentyone years old. She vsted Pars n 788, at a perod of great trouble, war beng waged between England and France at that tme. She was arrested on suspcon of beng a foregner, and an advocate of the Grondst cause, and mprsoned. She was not released untl 794. From ths tme untl her death she lved partly n England, but mostly n France, and ded n Pars n 827. She composed ths hymn whle n prson. Ignaz Joseph Pleyel, author of the foregong musc, was born n 757 and ded n 83 n Pars. He was the twentyfourth chld of a vllage schoolmaster. He commenced the study of musc when very young. He studed under Haydn, who often spoke of hm as hs best and dearest pupl. He was reared n Austra, and composed a great deal of musc, and stood hgh as a muscan. Charles Wesley, 753. Key of G Mnor. IDUMEA. C. M. "A tme to be born, and a tme to de,"eccl. 3; 2. A. Davdson, 87. m ss x ± ± ==t ztfrm And am born to de? To lay ths bod y down! And must my trem blng spr t fly In a world unknown? d. A land of deep shade, Unperced by hu man thought; The drear y re gons of the dead,where all thngs are for got! las ±X P==frZ =* } ±44 I 3. Soon as from earth I go, What wll become of me? E ter nal hap pness or woe Must then my por ton be! 4. Waked by the trump ets sound, I from my grave shall rse; And see the Judge wth glo ry crowned, And see the flam ng skes! mm se PPfrX The orgnal ttle to these words was "And Others of Rper Years." See hstory of Charles Wesley on page 99, and on other pages of ths work. He composed over 6,000 hymns, and ths one was among hs favorte hymns. No trace can be found of A. Davdson, author of the musc. fr BI

201 44 HEAVENLY KING. 7s. John Cennck, 742. Key of F. "To God only wse, be glory through Jesus Chrst forever.rom. 6: 27. S. M. Denson, 907. gtzdz Xfrfrz dr^dp as. Chldren of the ELEE Azz E t t=4t tzzfr ddr I 00 It fr ^m heavnly Kng, As ye journey sweetly sng; Sng your Savours worthy prase, Glorous are Hs works and ways. =dhfr zffrznfr*zzpz± fr± m u Pd tzzfr. ~ fr=xdd 4=4: :dzzd: Srf tt fr p kr I h 44 m ^m z. O. ye banshed seed be glad; Chrst our ad vo cate s made: Us to save our flesh assumes, Brother to our soul becomes. 4= 4=4 fr=fr I ddt 0d p=p~ $ m tzfr Mzzzz 3=ff ^ We are travelng home to God, In the way our fa thers trod, They are happy now and we Soon ther hap e= m= j^^afeagaef^gj p frx 0^0 m ness 4=r fr at ful stand, On the borders of our land; Jesus Chrst, our Fathers Son, Bds us un dsmayed go ^ tzzfr. pdfr zpzzdz fr =P shall see. m frtislll The above hymn was frst publshed n 742. Some changes n the words have been made. It orgnally had twelve stanzas. John Cennck also composed other hymns, one of them beng., "Jesus, My All to Heaven» Denson s Gone." He was born n 78 and ded n 755; was a Methodst mnster. See sketch of Professor on page no. Copyrght, 909, by J. S. James. on. ffl

202 ton, lu lows le lu lu lu lu le J. J. R. Key of F. w SWEET AFFLICTION. 8s & 7s. D. " In the world ye shall have trbulatc : but be of good cheer: I have overcome the world."john 6: 33. CHORUS. jfct I^EEcE rat*! ;; John J. Rosseau, 752. mm^ d^at MS { the floods of sus whs pers trb con la ton, Whle the bl oer me la ton, And supports my fant ng roll, soul. Hal le mm$m jah, Hal le mzzm 0 =zt { Kg=t the floods of sus whs pers Ezzzzfr trb con la Whle the bl lows la ton, And sur ports my o er fant me roll, \ ng soul. J Hal le lt! jah, Hal frzzzfr lu jah, jah, Hal m zzoz jah, prase the Lord, jah, Hal &=* ± ± ZT!ZdzP_ frsz lu jah, Hal le t zm **± Hal le lu jah, prase the Lord, le jah, Hal lu jah, Hal le jah, prase the Lord. fr fr m^fr t: t t. tt = = fr* ^ ^z jah, prase the Lord. 4=4= "» 9" \ ^8 The orgnal name of the above tune was " Greenvlle." It was composed by John J. Rosseau. It s sad that the tune was orgnally "Love Serenade," wrtten about 752. It was commonly known for a long tme as "Rosseaus Dream." He was an unbelevng phlosopher, muscan and msguded moralst. It te clamed that he heard the melody of ths tune n hs dreams, and t was sung by a legon of angels. He was born n Geneva, Swtzerland, n 72 and ded n 778. He never knew hs mother nor the affecton or nterest of hs father, or other relatves. Ths song stll survves and has passed down through the ages, and almost every chld n Chrstendom has heard the strans of "Greenfeld," "Rosseaus Dream," and "Sweet Afflcton." Copyrght, 909, by J. S James.

203 c. 46A. M. C, 908. Key of E z. NEW HOPE. "Greater love than ths hath no man."john 5: 3. A. M. CAGLE, 908., Q > a " j^. p. A. b ^ mm ~ rftr 4 r a a : _ tt~ h K \f Je sus, what shall do to show How much love Thy charmng name? r ~* * Im; ** a a T " r! ^tt z^zp a p d, k Let my whole heart wth rapture glow Thy r rk kp:f a a p P~ THf3_ [>_> r k»fr:k4k4rhr r = F=U _L_ I p n *",j ** r \ A I v 4»5 «/ Je sus, what shall I do to show How much I love Thy charmng name? Let my whole heart wth rapture a a p p *, n " (^ 3 P P )! * a. K J ^ ^ r> 4 r f a L TTI * P 4 # o glow fr^zzzzfr P> p p 7 Lr k ^ _l k z^zzfrfrz frfrfrl > E E E tutntut boundless goodness to proclam. Lord, f a dstant glmpse of Thee. Can gve such sweet, such TOT^~=H. "pr r» tm^r "S r 4 > 44 44^ #^4^~~A^fr& J =J~F ^a 3 ^=fr PPt=r=f=t frtr % Bzzfr 0 p 0 tzzfr ==P^[J Ezzrzt g=^ X r IglF4444=4=44^= ^J =PPP s 4&4=44r3 d=f=r= It It Thy :^d^ Lord, f a dstant glmpse of Thee can gve such sweet, each boundless goodness to proclam. Lord, f a dstant glmpse of Thee. Can gve such sweet, such 9g^ =^ 44= P=p=F0 m P p p p k p_ k b. I. p. L L. L_ 7 I ll 7 * I P... Lord, f a dstant glmpse of Thee Can Copyrght, 909, by J. S. James. gve such sweet, such

204 l NEW HOPE. Concluded. 47 Professor A. M. Cagle lves at the present tme (908) n Alabama. See further sketch of hm under the tune, " New Jordan." SAVE, MIGHTY LORD. was John Cennck, 743. receved up nto heaven, and sat at the rght hand of God." Mark 6: 9. Key of F Mnor. CHORUS. 2 9* J. A. AND J. F. WADE, 854. Rearranged by J. S. J., 909. p" 2am /Jesus, ray all, to heavn s gone, Save, mghty Lord, IHewhom I fx myhopesupon, Save, mghty Lord. /O PP frzlz tzzfr frfrz ( The way the ho ly prophet went, Save, mghty Lord, \ \ The road that leads from banshment, Save, mghty Lord. J O 2 save, save, mghty Lord, And send convertng power down, Save, mghty Lord. *=j=4== SM: 4 PzlAz tztz^zdrzd frezzfrzzzt IS m save, save, mghty Lord, And send convertng power down, Save, mghty Lord. m\\ k k kkt=t=r=f frf^ I I I t_fc :p4=t ( The Kngs hghway of ho ness, Save, mghty Lord, 3* ( Ill go, for all Hs paths are peace, Save, mghty Lord. /O save, save, mghty Lord, And send convertng power down, Save, mghty Lord. John Cennck was born n 78 and ded n 755. He was an Englsh Moravan, and publshed the above words n 743, twelve years before he ded. " The name of the song was, O Save." We have changed t to, "Save, Mghty Lord." Further notce s gven of hm n other parts of ths book. J. A. and J. F. Wade lved n South Carolna when they composed the above pece of musc. They composed several other songs n the "Socal Harp," publshed by John G. McCurry, n 855. We can get no further trace of them. They were probably brothers. Copyrght, 909, by J. S. James.

205 dol val val Phlp Doddrdge, 755. Key of A.. MARY BLAIN. C. M. We love hm bacause he frst loved us. I John 4 9. Rearr. by G. B. DANIELL and J. S. JAMES, 909. ^4^= ^3 =P=P= frfp 44 ztzzfr. H=t t=t 44=tt Do not I love Thee, O my Lord? Behold my heart and see, And turn each curs ed Mx==444Z4qp=l :4fJEE^ Ife=np4j44]=rZZZZfr «^TI^J4I>=J4I3t4}Ep4I^IIX: t out That dares to r Thee. 4\ r 44=4 0 3_Hr=:34I5L4l4 4 t^0=fr=^m z. Do not I love Thee from my soul? Then let me nothng love; Dead be my heart to evry joy When Je sus cannot move. ll 5r=t *44t It44t te= tt t: = t= :t: ±4±: fr La 9r 3. Thou knowst I love Thee, dearest Lord, But O I long to soar Far from the sphere of mor tal joys And learn to love Thee more. =P=P= =* =t fr 4*44*4 M I ±=t. I t SE t: t t I I tt love, I love, I love, love my Lord, And turn each curs ed dol out That dares to r val Thee. 4= = =44t 4== e fr 0 a P P * # zt h I t44_t44lt44=t= Z^ZZzl \m I love, love, I love, I love my Lord, And turn each curs dol out That dares to r fr=fr fr 3 t Ft t: t t The ar of " Mary Blan " s an old melody of antebellum days. The notes were frst appled to get any data about hm n order to gve a more extended sketch. He asssted John G. McCurry n complng the "Socal Harp. Mr. McCurry was publshed n 855. Thee. to t by Henry F. Chandler n 854. We have been unable lved at Amandavlle, Hart County, Ga. Hs book, the "Socal Harp," Phlp Doddrdge, the author of the words, was born n London n 702. He was an Englsh Congregatonalst, and ded n 752. He spent most of hs days as pastor n New Hampton. He was a man of wde nfluence and reputaton, and the author of many hymns and poems. Copyrght, 809, by J. S. James. II

206 Isaac Watts, 707. z&k. Plant ed 2. Joned n Key of A z. 44 fr=ffr Chrst, the lv bod y may AVON. C. M. "Chrst ded for the ungodly." Rom. 6: 5. Vne, be; Ths One ff to ajlxfl ==^ 3. In aprayr, 6 ef fort, tears s: day, wth one ward lfe atols, One dorn be fr=w==== 49 Hugh Wrr.soN, 8th Century. fr fr fr cord, take; Our One selves, be our gude; Taught by 4. Com plete us, whom grace hath called, Thy glo rous work thou, m^m ^ t <d Zzt± 5. Then, when mong the sants lght Our ful spr ts shne, Shall thems tfrfrr frzfr I #= fr hum ble fath heart; one heavn Spr fr and ly joy, hope We In yeld to Thee, ry bos 35 O om Lord. wake. I kzfrfr zztzpz Bmn whom the Church earth And Church n heavn are m> & =P=P :n Lamb of God, be Copyrght, 908, by J. S. James. 55E ^zzzazzt Z=~M fabde. Thne. ;n HI wth our Isaac Watts s the author of the above words. They appeared n the authors hymn book of "Spr tual Songs" n 707. The orgnal ttle to the hymn was "Godly Sorrow Arsng from the Sufferng of Chrst." In verse three the author wrote, "When God the Maker Ded." Dr. Watts was one among the most extended and popular hymn wrters of the Englshspeakng world. He was born 673 and ded 748. He was an Englsh Congregatonalst mnster. Hugh Wlson, the author of the musc to the above hymn, was born 764 and ded 824. He was a Scotchman, born n a Scotch vllage, and was a shoe maker by trade. The musc of ths hymn posed some tme n the eghteenth century. was com

207 ~ \ J cous ly to leve to out tal 5 J. H. S. Key of G. m fr ONLY TRUST HIM. C. M. "Take my yoke upon you, and learn of me; and ye shall fnd rest unto your souls. Matt. : 29. Rev. J. H. Stockton, about 870. frfr =P=44 =t4=t zfreztz fr=fr=t. Come, ev ry soul by sn oppressed, Theres mercy wth the Lord, And He wll surely gve you rest, By trust ng n Hs Word. 4=44=t fr I4=C4 z&z dd~ d d ^rt 2. For Je sus shed Hs pre blood Rch blessngs to be stow; Plunge now n l=fr 4=4t the crmson flood That wash es whte as m fr fr Zfr. 4=4= fr 4= frfr ^^ snow. 3. Yes, JeJ sus s the Truth, the Way, That leads you n rest; Be =t S n Hm wth r*k 4 de 4=r= N^^^t lay, And you are ful ly blest. :t44 4. Come then, and jon ths ho ly band, 4nd on to glo ry go, To dwell n that ce les land, Where joys mmortal flow. CHORDS. jjf ^ ff P h II PI J J " K p I J P k. * A II L V\) II ; SI 9 Pm II ^ On ly trust Hm, on ly trust Hm, On ly trust Hm now; He wll save you, He wll save you, He wll save you now.!\ ft "Ytr x ^ / p ~* rm r\ "*" l J 4 A ft ; v\) II < * * <S rj. J y \ J JJ " f 0 d a a a a a ^ ^ * pa a p r) dz dz ^ 0 If a f"! II ~* A. a a IS a r\ I j j II fm 0 A ~ r A A m. j ^ J 0 Ill P At. II a a p a J 00 a a On ly trust Hm, on ly trust Hm, On trust Hm now; He wll save you, He wll save you, He wll save you now. r\.l* p *. &..».». k. p p p p p. p p r^ t P II.b r r r r J j _ s II 9 ^ ^ ^ [ III * 9 >< ^ ^ ^ L JJ P X L L t JJ Rev. J. H. Stockton was a Methodst mnster. He wrote the musc about 870, as also the words. Ths was one of the great favortes of Sankey. It was sung n many of ther revval meetngs Moody and n England and Amerca, and s now placed n most of the standard hymn books of ths country and many foregn Countres. Copyrght, 908, by J. S. James.

208 . t, «... 3,_C_^_(:_^ nal DUKE STREET. L. M.»5 Isaac Watts, 79. Key of Efe. "0 prase the Lord all ye natons; prase hm all ye people,"ps. 7:. J. HaTTon or Wm. Reeve, 700. zsorpa r r~ fr, /a.b.t 0 rrtr IA UP r ^ 0 M. From all that dwell be low the skes, Let the Cre a tors prase a rse; 4 X.b ** rnv 4 <)J * J J J a. A, _.a., * I l! ~d a * " < > y 4., A.b I * n "!» m r rm ^ 4 ^ "ll ^ d rj lly 4 J 2. E ter nal are Thy mer ces, Lord, E ter truths at tend Thy word; p F n JJl/ ^ * ^ k. P Y f> ^ r r P t? I 4 r ^ I I I t!=t 4=t Se I Let the Re deem sung Through ev ry by ry tongue. a 4=44= & fr 2fe Sn Thy prase shall sound t :4= 4tl It 4=4=q shore k a,, a_ MW = shore, suns shall Lttle s known of John Hatton, who s credted by a number of hstores as composng "Duke Street." The bographcal ndex of the "Angelcal Hymnal" cred ts hm as beng the author of "Duke Street." He resded at Warrngton, afterward at St. Helena, and then n Duke Street n the town of Wndle. He composed several hymn tunes, and ded 793. He was a Presbyteran; and tradton says he was klled by beng thrown from a stage coach. Ths s one of Isaac Watts standard hymns, and s regarded by Robert Elson Thompson, S. T. D., n hs "Natonal Hymn Book," as beng one of the uptodate hymns of the Amercan Churches. Copyrght, 908, by J. S. Janes. It k fr lt It and fe set P II II

209 " well, lu ah * n ng 52 Suffer lttle chldren, A SISTERS FAREWELL. and forbd them not, to come unto me ; fbr of such s the kngdom of heaven For n the resurrecton they A J. McL, 905. Key of F. 3? zk!l4 k k rbangels of God n heaven."matt. 9: 4; 22: A. J. McXendon, 905. P=fr Ezzzfr Fare dear brothers, fare you well, Pray do not weep for me, Im go ng home wth Chrst to dwell Throughout e ter f ty. Dear ss ter, thou art left alone, But thou art knd and true, And whengodc" calls you to come home, I hope to meet you, too. Azzfr 4=4== 4= frfrfrz=fr ddd 444jt 4 Dear fath er, youve been knd to me, When I was young and wld, But now, dear fath er, do not weep, For gve your lov chld. " """* J" "*" *~~~ ~ r"~ " J~ :~ ev 4 My lov ng moth er, fare you well, But do not fear a larm, The Savour dear er near To sheld you from all harm. fr m fr=fr =t=t =4_^ zzdzz tfrzzzfr frzzzzfr fr=t *=fr lpp fprr m frxfrfr When I gethome to that brght world, And meet my Savour there, And all the loved ones gone before, Gods Ill no more shed a tear. Thus well surround the great whte throne, And dwell forev er there. And sng prase thro endless days, From sorrow, pan, and care. o Yet :p=t 4=4" may we all to geth er meet, And shout, and prase, and sng Hal le then to our God, Our Savour, and our Kng. may we meet and be complete Wth all the bloodwashed throng, And cast our crowns at Jesus feet, And sng redemptons song. R; =** z zh fr t frx = ==P 4=4" Xfrfrzzz = tzzzfr zdzzzmz pdp Professor A. J. McLendon, who s the author of the above tune and words, wrote the same n memory of Bertha B. Brantly, youngest"! daughter of Mr. and Mrs. J. D. Lamnack. Professor McLendon, at ths tme (909), resdes. Carroll County, Ga. He has composed several tunes, and has successfully taught a number of sngng schools. He s a member of the Chattahoochee Sngng Conventon, and for srme tme was ts presdent. He helped to organze the Unted Sacred Harp Muscal Assocaton several years ago. He loves musc, and often leads the great muscal conventons of the country. Copyrght, 90", by A J. McLendon. II n

210 I I Mrs. A. D., 908. Key of G. tzzzzfr " KELLER. C. M. D. For ye yourselves are taught of God to love one another."thess 4: 9. FINE. CHORUS. ^ ^ 53 Mrs. Amanda Denson, 908. t=t =t=t IUI My Chrstan frends to whom I speak, I have a crown n vew. I know there s a par Ut [3E3s a dse, The sants all bd us come. f7\ Mm My sn ner frends, now wll you seek, How stands the case wth you? know there s p r a dse, The sants all bd us comeịll D. C.And He who regns rules earth and sky, O heaven s my home. Mrs. Denson s a fne snger and leader, and often attends the sngng conventons wth her husband, and engages n both sngng and teachng. maden name was Mss Burdett, and she comes from a muscal famly. copyrght, *», by j. s.james. Words rearranged by T. J. Denson, 907, I wll sng JASPER. unto the Lord as long as I lve."ps. 4 E kkk *fr ZPZM^ZLZZZIZZZZZZZMZZZPZZZ3. l I = I I" = <Jr~ h ~n t Great God, let all Thy tuneful powr Awake and ^ng Thy prase. Ill sng Gods prase thro endless days,and lve for evermore. 9:=t 2zAz zzzzzzzdzzzl I I T^K* rl P B rp arb. ^^^4za±^j T ^ II I L I I I. frx =d=px p:p: ZWZZaZZZpz pfrfrztgzzwzzzwz L l_n Ll :t4t4r: ll Ll frz I l_j l_li 3 T_L^L Great God, let all Thy tuneful powr Awake and sng Thy prase. Ill sng Gods prase thro endless days,and lve for evermore frxfrfrt Z±fr ±45 =F3 SI T. J. Denson, 907. CHORUS. Her ^ Behold the love the ~Apppt_t=S rvarppp.t_rk_k_q_ k6r kk = fr S m t tfr fr==== fr ddfr Copyrght, 909, by J. J. James. Behold the love the Savour showed When H»

211 less less leve 54 JASPER. Concluded. 0p ztzzzt e??3 lalpl :a44p t: 4PIfZI ISltl rrk k k k k, hold the love the Sav our showed when He ded upon the cross for snners, And who soev er shall beleve on Jesus* word Shall t: kpfk k X frvfrfr=zp9fr == frzzzfr =*T=3 t=t=t frfrz Behold the love the Savour showed when He ded upon the cross for snners, *N r r»k ==44= ^ 4 mrp 4^t b5 k tzzzfr tzzfrzfr IS Savour showed when He ded. the cross for snners, And who soev er shall be on Jesus* word Shall ded. on the cross for snners, t=fr pp t=xpp frfr m p0 X. zczzzfr. It rut t frzzfr!h lve, and sng Hs prase a bove, Thro end days to come, In heavn above, where all s love, To lve for ev er more. more. a 0. a ~ " avrb = m? tzzfr frzfrfr fr ddr dd^ifeu and sng Hs prase a bove, Thro end days to come, In heavn above, where all s love, To lve for ev er more. more. tee IP444P4 =44t H ==4=44 frzdzzzmz =

212 neath neath hold hold dom The Hstory of "Jasper." 55 Professor T. J. Denson resdes at ths tme (009) n Wnston County, Alabama. He has been sngng ever snce he was a small boy. He was taught musc by hs older brother, S. M. Denson. He has probably taught more sngng schools and more people to sng than any teacher n Georga or Alabama. No man lves who loves musc more than Tom Denson, as he s usually called. He and hs brother^ S. M. Denson, have taught sngng schools all over North Alabama and n several of the countes n Georga. They have establshed a number of sngng conventons n North Alabama. Hs father was a Methodst preacher, and was hmself a muscan. T. J. Denson and hs brother, S. M. Denson, marred the Msses Burdetts. The Burdetts were also a muscal famly. Tom and hs wfe both lead the musc n conventons, and the great muscal gatherngs wherever they go. They have several chldrenboys and grlsand they are all well up n musc, some of whom are teachers and compose musc. Professor and Mrs. Denson are members of the Mssonary Baptst church; ther chldren also belong to the church. It s truly clamed that the Densons cannot be beaten n sngng. All of them can sng or read musc at sght regardless of notaton, whether shape or round notes. T. J. Denson s presdent of several sngng conventons n Alabama. He has several tunes n ths book, and has composed a great deal of musc. Key of F. = fset =aees No more be e from the oppresson of man. Ps. 9: 34. r*k PPztzfr No more be t the oppressve hand Of tyran fr =^44= the oppressve hand Of tyran LIBERTY. Stephen Jenks, 803. ES^U^! ny ny we t: we groan, *rp fr=e MM =t frfrzfr F* TrFk=Ppfrzzzfrzzzfrzzzfr It4=t It =t4_t^4 frfr=fr =^t Be Be Be a hold the sml ng, happy land, Be ^=p=k=q =?4_444J the sml ng, happy land, Be hold the smlng, S = ES3Eg t frfr frzfrzzfr. t=f PP tfrzd^frzfr. ±=frt. tzzfr. It a] ** hold the sml ng, happy land, Be the sml ng, happy land; That freedom calls her own, that free dorn calls her own. ZZLZZjZ^Pfr \0 a a. d^t ZdzztmZZa±Z j I L: 4±t: ^ P ~j fe hold the sml ng, happy land, That freedom calls her own, that free calls her own. P r?. 0 p r L II» II II II ^ t / k P d P ll happy land, That free dom calls her own Stephen Jenks, of New Canaan, Conn., publshed the " Delghts of Harmony " n 805. Twentysx of the tunes n ths book were composed by hm, and the work was publshed by subscrpton. He removed to Thompson and ded there n 856. He was a ready composer. Copyrght, 909, by j. s. James.

213 wake, ers ers ers 56 SAMOEr, MBDI.SY, 787 B LOVINGKNDNESS. fe t zdzdz fcfc ^zz± frfrz A my soul, to joy ful lays, And sng my great Redeem t Efc S s= A S4?4=4 z_5jcl^. Nft A_^,_ tdz PP ddr =J Z&99 PZZfZ wake, my m 9999 "Joy unspeakable and full of glory." Pet. : T. J. Denson, 908. prase, my xt+t pp great ZZ^frzhz* CPZ±ZZZ±Z±Z 9^= " V m Mr* 9 I 9zfr TPfrfr. soul, to = * zzfrfr drd kkkjoyful lays, And sng fr=*z my great Redeem I k^n 4 f k=pk zzztt =5= pa z9zfrfr9z He just m S m =p=p fr=t: Redeem prase; He just ly clams a HI ddr zzazzzpz. ers prase, my great Redeem prase; He just ly clams a IllTT * X fr^ frfr tzfr ly clams a song from me, Hs lovng kndness, O how free, O how free. k IS A4NN Ifellfc 44 EW IVAPAn pp^ 4t4t Hpp~* song from me, Hs lov ng kndness, O how free, Hs lovng knd &f 40Z0Z tzzz9z9zfrzv. ZZ9X XzzOz He just ly clams a song from me, Hs lovng knd *=* *z+dd fr song from me, Hs lov > $s fr ftftnn 44 4Vh\ _TIlN zvz ng kndness, O how free, Hs lovng knd zzfzzzzfzzzzt Hee^I _& ness, O how free, O how free. 443 ^44E S_ES3 how free, O how free. l O how free. 2 IIS! O how free. 3 ness, O how free, O how free. O how free. Ths hymn was composed by Samuel Medley, as hs thanksgvng song, wrtten soon after hs converson. He was a Baptst mnster, born n England n 738 and ded n 799. He wrote 230 hymns, some of the best are the followng : " Awake, My Soul, to Joyful Lays," " I Know That My Redeemer Lves," "O Could I Speak The Matchless Worth," "Mortals, Wake, Wth Angels Jon." See sketch of T. J. Denson, page 55. copyrght, sto, byj. s.james.

214 deed, deed, _ als ly B. J n tt Rev. E A. Hoffman. Key of G. " JESUS IS A FRIEND.»57 There s a frend that stcketh closer than a brother."prov. 8:24 GEC. HOI.SINGBR. ; J+ a L ^ m P m n k m a k P _ rm r J Ij P L r * II) 4 Ij ^ r _L L Ij ^ II L J j_ Is your soul wth sn dstressed? Do you sgh for peace and rest? Chrst alone can gve you rest, On ly trust n... sus. { L 7»T\ * d J J J J J 444 I r J K *^ r ff 4 h IS ll <y n fath a lone To the mghty Sav our. 2. Would the world n s ren tone Lure you from the Lord you own? Heed not, clng / ff 4 P I y [_ Tl» a T a n _J " f P _: a \ T 9 *\ * Ij P \ y ** ^ "9 ^. T3 =» *^ " 3. Have you sorrows man fold, Tr more than can be told? These but pur fy the gold, Whle you trust n Je sus. rvj+fl K K fc. k t. k N k k k k * k ^ k k *f*r* r P a r ~ a J t <9 L r" P 9 III j/ R 4 / ". l_ J IREFRAIN. Je sus s =5=f u^pmee fr fr. fr It. deed, He can help n tme of need, On frend n 4= t t=t=4t It. A frend n deed, a frend n ly trust n Je frzfr 3* m I$4l5l 9 p0 X x zt =m m us f Je A frend n deed, a frend n deed, He can help n tme of need, On trust n Je sus s a frend n sus. XzzX: r=44np=r: t: t 3=fr XzzX =: s. ±* Geo. B. Holsnger, the author of the above tune, s a teacher of wde reputaton, author, and composer, and a great artst of musc, was born n Pennsylvana n 85. He was educated n the common schools of that State. He studed musc n the normals wherever convenent under the nstructons of the followng emnent muscans: B. H. Everett, Dr. H. R. Palmer, A. J. Showalter, Geo. F. Root, and others. He taught musc successfully twentyfve years, and composed a great deal of valuable musc. Hs tunes are found n many of the leadng publcatons of the day. He s a fn; drector, teacher, and composer. For a long tme he was connected wth the musc department of Brdgewater College. Hs home s n Vrgna. Rev. E. A. Hoffman s a gfted poet and hymn wrter. He has had a great deal to do wth the musc world, and s a mnster, composer, and teacher of musc. He s a Presbyteran, was born n Pennsylvana n 839, and began ns muscal career n 860, a year before hs mnstry. He has edted, composed, and compled over forty song books. " I Must Tell Jesus " s consdered one of hs best songs, and s used all over Chrstendom. Copyrght, 909, by J. S. J.mes. sus.

215 us safe ths nght, Secure from all our fears; May angels guard... us whle we sleep, Tll morn And 58 LOGAN. S. M. John Leland, 835. Key of E Mnor. "Whose bulder and maker s God "»Heb. : 0. T. J. Denson, 908. I * m x=t I EE The day s past and gone, The evenng shades appear; O may we all?=4"4 4 KP^ It remember well, The nght of death draws near: ZZZZZSZZCpZZZZpZ m *> Effl *4R* Pa* Itlt t±t E==" t=±t fr frzzz z. Lord, keep zzaez mm 4444t B" jwt:b F^EE ^kk_ 44*4 tzzfr s I frfr xeec! y ^ 3=^] ng lght appears. m f^=444== frx F=rfa^kajjp44= 4=t "T5 st=t=t fr 9*9 And when our days are past, And we from tme re move, And we from tme re move,. 0 w P r > frfr =t=t t L, \j j,. J T4444L4 And when our days are past, And we from tme re move, And we from tme re 4= 4_4t frfr fr fr=x r»jb And when our days are past, And we from tme remove, And we from tme re ^3^= :pp _ pp P=fr frfr h frtfrzz: And when our days are. past, we from tme remove, And we from tme re move. Copyrght, 909, by J. S. Jmt, move,.

216 move, O may we n Thy bosom rest,the bosom of Thy love.so death wll soon dsrobe us all,of what we here possess.of what we here possess, sess. a 9 9 a. apa frfr kk_ :t4t =fr F~~Tr 00 P^ff^^^ gapfr= tzfrfrz?z sfe^gy;^ IB HI a frfr frfrfr ^A=d a. O may we n Thy bosom rest.the bosom of Thy love, So death wll soon dsrobe us all,of what we here possess.of what we here possess, sess. 2 P= 44l =p ^4_k P0 PP ^0=fF p=fra It I zfrt PPt4±: IrS^l :frtz frfr John Leland was a Baptst mnster, born n 754 and ded n 844 See sketch on pages 94 and 06. See also sketch of T. J. Denson, page 55. LOVE. c. M. D. WlIXIAM COWPER, 779. Key Of G. "And Enoch walked wth God."Gen. 5: 24. T. J. DENSON, 908. P^P^^r^^P^^^P^LJ G rrrg 0 9J0 P Plaa Ih J O for a closer walk wth God, A calm and heavnly frame, \ LA lght to shne upon the road, That led me to Hs name. /Where s the blessedness I know.when frst I saw the Lord.Where s the lore refreshngvew.of Jesus and Hs word. m frfr I XX frfr frfr :4I JlaPgft~T~l~TT? =3= Xzzfrfr zzzpzz^: zdzzdzz± J O for a closer walk wth God,A calm and heavnly frame, \ I A lght to shne upon the road, That led me to Hs name. /Where s the blessedness I know,when frst I saw the Lord/Where s the love refreshng vew.of Jesus and Hs word. TTft r f T r44r^^j[g^jbprjpl^^^pr^g^fl Wllam Cowper was born n 739 and ded n 800. He was one of the most beloved of Englsh poets. Ths sufferng man was also a true Chrstan and ded n fath,th of salvaton through the atonement of Jesus Chrst. See full sketch of Mr. Cowper under tune " New York" page three. See sketch of Professor Denson on page 55. Copyrght, 909, hyj. S.james. II

217 6o T. J. D., 908. Key of G. SEEK THE LORD. ( Anthem.) Seek ye the kngdom of God."LUKE 2 : 8. T. J. DENSON, 908. j=p=apgfp apg 9^ 99 s fr a^a apa 99 X k«99 99 Seek ye the Lord, seek ye the Lord, seek ye the Lord, whle He may be found, Call ye upon Hm whle He may be found, Call ye upon Hm whle He s near. >B * Mv p* fr 99 4V4= It 4V= d z\z 3 3EE Afr frx=9? Zfr & 0=P=~ ** P0 HV4V l=fr de X >N Seek ye the Lord, seek ye the Lord, seek ye the Lord,whle He may be found, Call ye up on Hm whle He may be found, Call ye upon Hm whle He s near. ^m^zztzl^zzlfrzzzjzztzzfr > frfrz frfr ga._t5gj^eb 00p y I L. m m 99 P000 Pafrfrfr frfr tjth^t >>> frl frfr frafr Z9z9~ 99 Let the wcked forsake hs way, Let the wcked forsake hs way, Let the wcked forsake hs way, And the nnrghteons man hsthots, And let hm retnrn unto the Lord, and A4V fr frfr*~ X=l ;?Sg 2SE*=^ X tdzfrdz 0PB d\& Xz F*= frt 444t 44jrfprMJ ^4^4f_BE=4B4 aaa Pa g4ti4*m~l Ph f 4>,4V s frfrxzzgzlr. :?=E43^^^»p[^Th^^^t!!^^ Let the wcked forsake hs way, Let the wcked forsake hs way, Let the wcked forsake hs way, And the nnrghteons man hs thota, And let hm return unto the Lord, and *=E=!^ r44t4t: zs PPP FP=P tt Copyrght, 909, by J. S. fame!. frfr <pptt 499 ttzt

218 t t t_» #Cp_e 0 :4=t4^rJc^fcE44_4pT;C4tzpt=tU: SEEK THE LORD. Concluded. 6.P* r=g= 99 P0 j He wll have mercy upon hm, And He wll have mercy upon hm. Go to our God, for He wll abundanmy pardon. Seek ye the Lord, seek ye the Lord, 44.=*q4s4Vr 4S4! fzfrxzhzzzzfrzsfzzzzzzzzzf+^ftzzrz zt^azzjzz^ )>4444^ 4 r=_rj=4_t3 a a00 At* lfr=p=.fzzffrzfrzfx t P 9fP zzpzz9z zfrfrzfr. ^t_t=^=4n=g frfrfr ^Z^ZE^zfrzZZm Pzfrzz* frz 00P0 P0 4N4s 4= =P=F=. r 99I 99 He wll have mercy upon hm, And He wll have mercy upon hm. Go to our God, for He wll abundantly par PPk ^tp rrcrfr P PPm 6Pz: :k_kk_k S44k4CI P>" 99 == tfrzz^^^frzle^,, l Professor T. J. Denson, the author of ths tune lves n Wnston County, Alabama. See further sketch of hm hm on page 30. I I mmm HI don. Seek ye the Lord, seek ye the Lord. COMING TO THE CROSS. REV. WM. MCDONALD. Key of G. "Let hm deny hmself, and take up hs cross, and follow me."mark 8: 34. Wm. G. Fscher, 868. rt. m D. C. for CHORUS, D.C. am trust ng, Lord, n Thee, Blessed Lamb of Cal vary, Humbly at Thy cross I bow, Save me, Je sus, save me now. The above hymn was wrtten n Brooklyn, N. Y., whle Mr. McDonald was pastor n that cty. The hymn was frst sung at a natonal campmeetng, held n Hampton, Mass., n 870. It has been translated nto many languages, and sung all around the globe. The words were nseparably attached to Mr. Fschers tune, " I Am Comng To The Cross." The name has been changed several tmes, as follows : " I Am Trustng, Lord, In Thee," " Am Trustng, Lord," and other names. We have gven t the name, " Comng To The Cross." Wm. G. Fscher was born n Baltmore, Md., n 835. He wrote many sweet melodes, and has held many postons whch requred the best muscans of the country to occupy. Some of hs best compostons are: " Love To Tell The Story," "Whter Than Snow," "The Rock That Is Hgher Than," and many others. copyrght, 909, by j. s. Tamo.

219 . Sometme.. l62 THE LIFEBOAT. "Lord make lne to know mne end, and the measure of my days, what t s, that I may know how fral I PS. 39: 4. am." A. N. and M. M. Brahan. Key of A. T. J. DENSON, S. M. DENSON, 908. Wt^ "PPP ara a p±ptlt pppp frzzyz tzfrt PP a_a_of zpzzpfp Pfrpzzpz PP. We are floatng down the stream of tme, We have not long to stay; The stormy clouds of darkness Wll turn to brghtest day; Then let us all take conrage, For u#o *~ n N Nrf\ Nr. rn * n rnr~ k*r rz ^ fr jfhu. frfr =43 444^ A rm.a PPaP^ PPp 4^PP ^MzrfrzA tzfrzza Xfrl ±z±_* 000 we have felt dscouraged, Andthott all n van, For us to lead a Chrstan lfe, And walk n Jesus name; But then we heard the Master say: "I 4_j4sr=t4=4 tzzfr 3. The lfe boat soon s comng, By the eye of fath I see, As she sweeps thro the waters, To rescue you and me, And land us safely n port, Wth krk 9$M k k krk k k rk k kttrfc^kr^r k krk " k k, kr k ^_ rk kk krk k Bt ate 9 IfrVzEzfr frxfrt S tt=t 9 T=fr~t>tv Xzzr. Zmfr frfr frfr M PPPPk4P ^tp=pp==bppjpp+ M m=fr*d rn _,,. P^^ll u pp :pp pzzpz pp 444]r4^r_T_4p^ pptzfz 00P a?#j P J X _ 99=9,,. 6?" F " r we are not left alone, The lfeboat soon s comng To gather the jewels home. Then cheer, my brother, cheer,our trals wll soon be oer, Our loved ones we wll p3^ppft.444p_ea~aapppgpf.... ff N [N,IS N IV frmh h TII^_44vI4444^LnEtl4lhltatlEt h~ tfrfrtzzfr 4=4 ^0 4V4\MV4=J #*P=] tt 9=9999 wlllend a helpng hand, If you wll only trust me, I wll gude you to that land." Then cheer,my brother, cheer,our trals wll soon be oer.our loved ones wll be S4444tfS:.tr4\\ fzztszrazzazmzfzzaz frfr A^Az fr t4t m MzzX=X=frtfr m z fv^fp8! m ^ zzzfzfzu^lpzttzt B pp frendswelove so dear, "Get ready," cred the Captan, "0 look, she s almost here." Then cheer, my brother, cheer, Our trals wll soon be oer, Our loved ones we wll zf Vl!l9999 kk kkzfrczzt PK kkk frfrz k klrrkrk jkkrjk *;_44attf s 5^4* 999 ; 9 9 k^kkfrfrmzzpe.azzzaztzzzfrz

220 ""......, " ** mut Wll t THE LIFEBOAT. Concluded. PCPPP pp ppmeet, Wll meet on the golden shore.wsre plgrms and were strangers here,were seekng a cty to come,the lfeboat soon d comn To gather the jewels home. L Ipt==L_/ _t_ J_. =t/_?_/. frf t4.4:_^_t 9, fr 9C9XX *4\4\,Kp q S^Sflj^I^^ AAzAz 0000 ^0=0=00=0^00= Ce000=00000dJZ00 XX.*aafr %m 63 = meet, Wll meet on the golden shore. Were plgrms and were strangers here,were seekng a cty to come, The lfeboat soon s comng, To gather the jewels home. REV. JOHN LBX.AND, 833. FOR CANAAN. " v«see hm not, yet belevng ye rej.jcewut joy unspeakable and fall of glory."pet. : S. J_$. J. KING, CHOItUS._ >T\ ^^sfy^hs BOUND kkztzz± tt 9 fr = P^ P 9=:9^9d9^xEfr9:fr9** frzl It.: tkk fc t: t4p_t:^ Pa_a_ 99^9 s See sketch of T. J. Denson on page 55, and also of S. M. Denson on page 30. Professor John R. Bryant s the author of the orgnal ar of ths tune. It s presented now as wrtten by S. M. and T. J. Denson. 0P0 fr t: 5 mmt^sm, sketch, on j O when shall see Jesus, And regn wth Hm above, X And from the flowng fountan Drnk everlastng love. J ImonmywaytoCanaan,Pmonmy waytooaoaan.imonmyway tooanaan.tothe new Jerusalem. m* * fr l mfr p.2 ttt TCqt IIS Gt0 =::: T T T k"^ " _4l_4qf=q=4^I^4t>^E; PfatfFaaPfrl^^F frafr 2 j) T I \JJUa. ( When shall I be delvered From ths van world of sn 2 J And wth my blessed Jesus, Drmk endless pleasures n. jln on my way to Canaan, Im on njy my way to Oanaan, uanaan.lm Im on my mj way tooanaan.tothe new Jerusalem. PPp SzzZfr as* frfr tfr gg^^jggl^^^jsghggjj I But now I am a solder, My Captans gone before. * I Hes gven me my orders, And bds me not gve oer. J Im on my way to Canaan, Im on mywaytooanaan.imon my way to Canaan, To the new Jerusalem. The orgnal name of ths song was " Evenng Song." Rev. John Leland was born n 754 and ded n 844. He was a Baptst preacher. In 80 he took a preachng tour from hs home n Massachusetts to Washngton wth hs Cheshre cheese, and made hs name natonal on account of that trp. He wrote hs own hymns. He composed the hymn, "The Day s Passed and Gone, The Evenng Shades Appear." The farmers of Cheshre, Tor whom he was pastor, conceved the dea of sendng the bggest cheese n Amerca to Presdent Jefferson. Mr. Leland offered to go to Washngton wth an ox team wth t, and preach all along the way, whch he : dd. < The cheese weghed,450 pounds. He ded wth brght hopes of rest n the glory world. t Kng made materal changes n the tune, and rearranged t about the year 846 He prepared t for the "Sacred Harp." See Copyrght, 009, by J. S. James. page 55

221 lows 64Howard Payne, 823. Key of E Z. SWEET HOME, n, u, n,, 5, " We rejoce by fath n hope of the gloy of God. Rom. 5: 2. Sr Henry Bshop, about P =4t h 4444 m frfr ZLZZZfr Mdscenesof confuson and creature complants, How sweet to my soul s communon wth sants; To fnd at the banquet of mercytheres fr S^ferS frz zpzfraz fr Pa frfr 2. Sweet bonds that unte all the chldren of peace, And thrce precous Jesus, whose love cannot cease; Though oft from thy presence n sadness I ^^Efzffzpzzpz j>vkt=tl ater fr P P :f=j=p" :t4±_4t ^g^ zfrfr Hf*k P t==ri 3. I sgh from ths bod y of sn to be free, Whch hnders my joy and communon wth Thee; Though now my temptatons lke bl may CHOKUS. 44= e a a dpp0\0 0 nd*~ frfr. fr ^L^ d* 9 p a app 9 pgglll Bzzfrz* ff room, And feel n the presence of Jesus at home. Home, home, sweet, sweet home; Pre pare me, dear Savour, for glo p3bjgj sbk fr roam, I long to behold Thee n glo PSf =K=^ _ =t "E~T~ K t=t=t fr ry, my home. 44 zszl p^p X Pa 9 dfrftai 9 k^kljg. I ry at home. Home, home, sweet, sweet home; Pre gl^ pare me, dear Savour, for glo ry, my home. foam, All, all, wll be peace when Im wth Thee at home. Home, home, sweet, sweet home; Pre pare me, dear Savour, for glo ry, my home. " Sweet Home," accordng to the older hstores, was composed by John Howard Payne, beng one of the ars of hs opera, " Clar, the Mad of Mlan," used by hm n London n 823. It s asserted by Mackey, an Englsh poet, that Sr Henry Bshop, an emnent muscan, composed the musc, and that the ar of ths tune was of Sclan natonalty. It s certan, however, that John Howard Payne was the author of the words, " Md scenes of confuson, etc." He was an Amercan, born n New York n 79 He was a snger of great ablty, and wrote many theatrcal tunes. It s clamed by some, and t seems on good authorty, that he wrote the musc of " Sweet Home " n 823, as well as the words, when he was hmself homeless, wthout frends or money, and among strangers, restng, temporarly, n an attc n Pars. Hs fortune after ths tme, however, mproved, and he was apponted by the Unted States Government as Consul to Tuns, where he ded n 852. He began hs usefulness as a clerk when 3 years of age, and edted a newspaper at that age n New York. He entered the theater n 809, after whch tme he vsted, n that capacty, Boston, Phladelpha, and Baltmore. In 83 he carred hs theatrcal troupe to England, and frst appeared at Drury Lane Theater. The publshers of " Sweet Home " cleared 2,000 guneas n two years. In 832 more than 00,000 copes had been sold. In he edted a London perodcal, " The Opera Glass." Returued to Amerca n 832, and n 84 he represented hs country as consul. In.85 he was reapponted. The Unted States has erected a monument over hs remans at the Cemetery St. George, Tuns, and a bust has also been placed n Prospect Park, Brooklyn. There are many other ncdents of great nterest about hm. Copyrght, so?, by j. s. James. l

222 dan, I H. R. P. Pg= Key of 4=k4±r*> bpb P=P= I 99^,. Yeld not to temptaton, for yeldng s 2. Shun e vl companons, bad language ds 5. To hm that oercometh God gveth a YIELD NOT TO TEMPTATION. " Pray, lest ye enter nto temptaton." sn, Each vctry wll help you some other to Gods name hold n revrence, nor take t n crown, Thro fath we shall conquer,tho often cast "0^0 t, t=9fr frzzz^frfrz^&z ± Dr. H. R. PAI.MER, s wn, Fght manfully onward, dark passons sub due, van, Be thoughtful and earnest, knd hearted and true, down, He who s our Savour, our strenght wll ;enew, Look ever to Jesus, Hell carry you through. AsktheSavo^lrtohelpyou,Comfort,strengthen,andkeepyou,Heswllngtoadyou,HewlIcarryyouthro^ NA dr^dr. AN4NI L4q:f_t4===*f:4=44{= ^^^ frfr=tfrzb 4=5U S NNA^ tfd" m zhzfrtzh dzzzdzzdzz td^lfrp9 PkPkkfrfrfr Look ever to Jesus, Hell carry you through. Ask the Savour to help you, comfort, strengthened keep you, He s wllng to ad you, Hell carry you thro. 3_ 4 frfr =sb=ds SeT 4\4S4N4>. P.Pt ^ tzzfr ZJZZfr tzzzzt APPPP frfr * 0^yppppp\p^p 99JZ9Z.9 999=9 9999^^ Dr. H. R. Palmer was born n New York State n 8)4. Hs father and mother were excellent muscans, and hs early tranng was exceptonally good. He was an author, composer, drector, lecturer, and publsher of musc, and was an exceptonally fne scholar. Hs muscal attanments were second to none n the country. He has flled many postons that none except accomplshed muscans could occupy. He receved the degree, Mus. Doc, from the Unversty of Chcago n 883. In composng and renderng musc he exemplfed the hghest degree of genus. " Yeld not to Temptaton," s sad to be one of hs best sacred tunes. However, all of hs musc was consdered of the very hghest standard. He wrote, Theory of Musc," " Pano Prmer," " Dctonary of Muscal Terms," " Dctonary of Musc and Muscans," and many other standard works. He ded n New York n 008. Copyrght, 909, by J. S. James. II ^Vf=f4fP» 4=tfl

223 66 Kev, of P Mnor, yt FUNERAL ANTHEM. REV. :3. FaP4>F4444r"TTH Wm. Bulngs. fr t": PPtufrzfrzffrzfr. 4tl==t _ptan=: PPP pp PP 9 I4I=l ^E from heavn sayng unto me,"wrte from henceforth, wrte from henceforth, wrte from henceforth, Blessed are thedead that fcdzd: frfr \fr 4444=4: ±± S43t d0 frfrfr as t$fr a B=W=T ppp q^r P=P=P frzfrfr tzzzfrfr =t=t t. 44 frfr heard a great voce from heavn sayng unto me,"wrte from henceforth, wrte from henceforth, wrte from henceforth, Blessed are the dead that zlz fr fr 4=fj!z44 444JPdd frfrzzfr zfr The words n the above pece of musc are taken from Rev. T4 : 3. Wllam Bllngs was born n Boston n 746 and ded there n 800. He s bured n the old Granary buryng ground n the cty of hs brth. He was selftaught n musc. He was crtcsed by many muscans and musc wrters, and whle he dd " not beleve so much n rules, he wrote some very fne musc. Hs frst book was, New England Psalm Snger," the next was called "Bllngs Best." He publshed several other books and wrote and natonal tunes composed many that strred the people of the Unted States. Many of hs tunes stll reman n the note and hymn books of the dfferent churches. " Easter Antnems," " Heavenly Vson," " Rose of Sharon," and many other anthems, known to many people of the South, were composed by hm. Copyrght, 909, by j. s. Jumea.

224 .._ " a. _. ten der tant les low low,,m a a r.%. a a ^ 0~rn a a s FUNERAL ANTHEM. Concluded. 67 BB T = It ^ISl! from ther labors, from ther labors And ther works whch do follow, follow, follow, whch do follow, followthem, Whch do fol ja.3: <? them." a» s^.e^^^^^^^s^^a _S3::t=t^ ==: apapp PPzzzzzzt: W.0 p_p SE^ dd ^t^ttntl from ther labors, from ther labors And ther works whch do follow, follow, follow, whch do follow, follow them * ==r=3jgzzq444b444 Pk IC4 Xzzt =t=t C=t4B44P4r m =hn= THE BLIND GIRL. There shall be no nght there ; nether lght of the sun far the I,ord God gveth them lght. J. M. AND J. C. B. Key of C. $= Alfr p^j t: t Hll f Mother, they say the stars are brght, And the broad heavns are blue; \ t I dream of them by day, by nght, And thnk them all lke you. J I D.C Yet ther sweet m ges a rse And blend wth thots of thee.? f know not why, Jt but of t x can not wm Whch do fol them. bm^m% J. M. and J. C. Brown, 908. D.C. = I t zm II touch the ds skes, The stars neer speak to me. X: m pp [=z 4 X It Xl v And when hear the voce thnk Of thee, far lands I dream That heavn s lke of blss; j to ths.} When my sad heart to thne s pressed, My fol D.CSweet pleasures warm my beat ng heart, And ths, I say, s heavn. 44 SE m ± S *& 9 4X t t t t: (O mother, wll the God above Forgve my faults lke thee? \ Wll He bestow such care and love On a blnd grl lke me? I Dear moth er, leave me not D.CLead thy blnd daughter to the throne And stay n yon sky. k 4PI "Prpr 2=fe :: ep3e ffs See sketch of J. C. Brown on p:ge 29. a all forgvn, It ±4=t lone, Go wth me when I II ll mb r fr. It II

225 . Whle " 68 DUKE.* 7s & 6s. Count t all joy when ye fall nto dverse temptatons; knowng ths, that the tryng or your fath worketh patence. " Jaues : 2, 8. II. F. McW., 907. Key of C. M F. McWHORTER, 907. * Prd b=t =wmbtp^ I t^frr, ~m rp ^5 Ett4k tut It I PP 00 Zfrfr r^e === :pp tut 4444 leg] fmxturesof joy and sorrow, I daly do pass thro, \ X Sometmes Im n a valley and snkng down wth woe. (Sometmes lam exalted, and upon eagles wngs I fly, I rse above my troubles.and hope to reach the _ " """" sky. g^i^^g^ fz^mfrfrfrfr^mm^wx^&zrs. pp frx rfrfr frzzl s f Mxtures of joy and sorrow, I daly do pass thro, Sometmes Im n a valley and snkng down wth woe. Sometmes I am exalted, and upon eagles wngs I fly, I rse above my troubles and hope to reach the sky. ms a=pgs apt=p4 E=fr M Xfr z*=z X SSr=rp= =P=P X. zzzfr frfr "pt~pt frzzfrz " The above tune was composed by Professor McWhorter n honor of Welcome Duke." For further sketch of Professor McWhorter see tune " Kerr," on page log n ths book. Hs present address s Frut Hurst, Alabama. " Respectfully nscrbed n honor of " Welcome Duke." Key of A. P M ff KERR.* 8s & us. " Prepare to meet thy God."Amos 4: 2. M. F. McWhorter, p \spsp4fr a 5 frzztzt zazazz =a=p tt fl Wf^fM sorrows encompass me round,and endless dstresses I see,astonshed I cry.can a mortal be found,surrounded wth troubles lke me.surroudded wth troubles lke me? 2. O may I prepare for that day,when Chrst shall descend from above.be flled wtb Hs presence.go p P > 5N 7^r:**rg a k L. k ^llfrffrzfr frfrzfr frzzmzzz "Wrtten January 6, 909, n honor of A. A. Kerr. Copyrght, 909, by J. S. James. away To the anna of my heavnly love,to the arms of my heavnly **~ fr** lp K krbh^k pfcr 4»=tgt II

226 ators ators nal ter ter nal Hstory of "Kerr." 69 The words to the above tune are taken from Floyds " Prmtve Hymn Book," and are connected wth the tune, " Endless Dstress," by Rev. Edmund Dumas. The above tune, " Kerr," was composed by Professor M. F. McWhorter n memory of hs frend, A. A. Kerr. Mr. McWhorter resdes at the present tme n Cleburne County, Alabama. He has been engaged n the teachng of musc n Alabama and Georga for twenty fve years, and s well up n musca fne teacher, leader, snger, and composer. He s presdent of the Cleburne County Sngng Conventon, and a member of all the sngng socetes n hs secton. He s on the commttee to revse the " Sacred Harp," and helped to organze the Unted Sacred Harp Muscal Assocaton. ETERNAL ARE THY MERCIES. Key of F. "The earth, OLord, s full of thy mercy."ps. 9: 64. B. O. McWhorter, I s It44t tzzfr mz. rut ==. 5= T r =t=p*t /From all that dwell below the skes, Let the Cre prase a rse; \Let the Redeemers name be sung.thro ev ry land, by evry tongue. J E ter nal are Thy merces Lord; E vv jfcpt ±=± wm :j=j=p^g P P t _t±l I t± II nal truth attends Thy word. = ZWZZJL 44.dzzdz 4== 4444=4 frzzfr. 0 mzzz* HH zzdzzzzdz! p=p= 3BE ^&^a tzzfr. tzzfr frzzzlzztpz lt44_t «* 9 # f From all that dwell below the skes, Let the Cre prase a rse; I Let the Redeemers name be sung.thro evry land by evry tongue. J E ter are Thy merces, Lord; E frz4frfr LZZZZZt = truth attends Thy word. frfr lll Mr. McWhorter lves n Atlanta at ths tme (ooo). He s a son of Professor M. F. McWhorter of Fruthurst, Ala. Hs people are all muscal, and he s a fne leader and snger. He s a young man, twenty years old, and just begnnng to compose and wrte musc. The tunes n ths book bearng hs name are some of hs frst efforts. The words n ths tune are taken from " Schenectady," n the " Sacred Harp."

227 _ P. ed r ton P " ours " ours 70 AT THE SAVIOURS RIGHT HAND. E. R. Latt«Key of F, " He that abdeth n me, and I n hm the same brugeth much frut."john 5: 5. GSO. B. HOLSINGER., I 0 c e R T m ff l P 3 Ab" _P > P ry P ba 0 \~ a a a lj P P P P J^L ^ JW P=\ /WvCy d P 7 BP f fl rp., 9, u,d r P P HP r fl vp r l m; TS!j ~9.!j!j C, Ij d d d 9 \J 9 9 L9 "99 9. In the day of all days, when the world shall be judged, And the chaff from the wheat shall be thoroughly fanned,andthe rghteous shall shne as the / b* ff 2 p k* r ^ r n > {S r«ff S p p p p p p p p ff ff p ff p p p M m^ht3^^v^^jn^mj^^ *»+HA ^r444w4^l V \f z. But the wck who wll not re pent and beleve, And wll nev er lve up to the Masters command, Shall be placed on the left as un 0, p k s \\ WW. * W f P! U KI ^ K rt IS P k N p»> p k!s P A. b" ff IS k \ n, : I W p4 w _#_._. r_» # P J f «N K j P N J fftr «_p a m J HW * «I. J J P a a 4s a Ha J Ha P IV " h* n U* I ; U!v \j * 0 P * \ * \d\0 f 3. We are jour eyng on to e ter n ty now, On thebanksof the Jordan wesometmeshaiistand,shallwefear to pass o verthe ^fr^t h, * a.. t 9 bs. 9, 9. VTS 9 9 U ^ k W L/ V 9 \j r, J a u 9, 9, n D stars n the skes, And the rplac es shall be at the Sav >. CHOKUS. K j p H I 4, _r r a lt\", 9. \. :j.j 9 ^999rd ^ a Q " I 9 9 d d I j p b" fl / / t a * P r I L I r* rght hand. Let me fnd a place wth that hap py band, Let,! I IL ^ h n P P \ j L b P ff * 5 j zfr ^ ^ ^! J! a. I I T! _P J _p J^ld p d d, j j p a r p j $ v p p p 0 0 r ^ M M p ^ < I V ^ J f " 9 worth y to be Wth the chl dren of God place ff r* \ P : *,. "V.. \. P.._.»» 7 Lb _p A, d = p j V\f p p I j r F d p ^ fl P J * : J J \ \\l \l ^ ^ 9 / 9 I Jl 9 I L dark rollng flood, Lest our por be not at the Sav rght hand? Let me fnd a place wth that hap py band, Let wth K, S k P ^ ^ L. I k. / b A ft 9, r,. ^ ^ 9 9 \ > 9 I r r a d a I " 9. j j See hstory of George Holsnger under tune of "Jesus Is a Frend." Much more could be sad commendng hm than set out under that tune. E. R. Latta was a muscan of consderable experence, and wrote the above hymn, as well as many others. He was an expert muscan, hymn and poetry wrter.

228 "" " AT THE SAVIOURS RIGHT HAND. Concluded. 7 _» V r* p II A. b :a a. Tjt P frfrz " J II rm" ^ v r l U* J a B ^ P P II "V 9/999 d ft 5 j J.I / me fnd a place wth that hap py band,who shall ev er a bde, a bde at the Savours rght hand, abde at the Savours rght hand. P n^j^ r. ^ s n.r f>. & r I II s "rnv fl P t J ff P P l fl j P d d J * P IS IS II "V II f " "» a 0 0 er a bde abde at the Savours rght hand 0 I H o P» _ s n s h II /. r» 0 *... * J J* a!j r : rm * ll a 9 V 9 \j r ^ J J a V )!j a. 0 fj Id d M M * P P IP %j me fnd a place wth that hap py band, Who shall ev er a bde, a bde at the Savours rght hand, abde at the Savours rght hand. P k k k 9= * k k P p L k ll r r ^ II t> WW!, :, ;, a a a H UJ! ft L :,., a a a " UJ / r \\ f / II HAPPY LAND. A. Y., 830. Key of F. " w. Then shall every man have the prase of God." fes fr 99 Andrew Yotjng. 830ṁ I. P=P=*? P p ftzzzzftz p pp; zfrfr V&<f There s a happy land, far, far a way, I X Where sants n glory stand.brgnt, brght as day, ] O how they sweetly sng, worthy s our Savour, Kng, Loud let Hs prases rng, Prase, prase for aye. 4* t 499 \^mm f Come to the happy land, come, come away, \ X Why wll ye doubtng stand, why yet delay? / O we shall happy be when from sn and sorrow free, Lord,we shall lve wth Thee, blest, blest for aye, ^SsSfel 99 M :5FF=:"[p44pr:?E; > to ( Brght n that happy land beams evry eye, ), I Kept by a Fathers hand, love cannot de, (Then shall Hs kngdom come, Sants shall share a glorous home, And brght above the sun we regn for aye. It s thought that Leonard P. Breedlove made some changes n the treble of the musc, and rearranged the chorus. The ar of "Happy Land" came from the Hndoos, and s beng hummed n the Pagan temple, and has been sung all over the world wherever mssonares have roamed. The muscan, Samuel Wesley, some tme n 840, tred to substtute: another melody to these lnes, but There s a happy land seemed to carry forth ts own name, and cannot be supplanted by another melody. Copyrght, 909, by J. S. James.

229 tent cue the pershng, Care for the dyng; Jesus s merc sh 73 Key of * RESCUE THE PERISHING. FANNY J. CROSBY, 869. " Wherefore he s able also to save them to the uttermost that come un o God by hm"heb. 7 : 25. W. H. Doane, 869. IN IN A4Nftrrfe +LP ^ >* j ^ S3 NV N4Nlazaz :4=s p p NjV frfr ^ Fdp P^^ * p P ^ r=w^dd 99= =3 from sn and t.e grave; Weep oer the errng one, Lft up the fallen, xw=. Res cue the pershng, Care for the dy zfr± zfrzfr.*** ng, Snatch them n pt d. Tho they are slghtng Hm, Stll He s watng, Watng the pen y > N ddd q h,nls >N" dddu# d 4Nf daf za=zj=zr^vfrd^p d0 p d chld to receve; Plead wth them earnestiy, Plead wth them gently, *N fcjv: dr^p ddd 4NPP4N 4s IN IN SI *: 99 fr=frt* ^L^s ^^P CHORUS. D. k. P m rs p k. hp a II a a a X b k ^ k. t «t k ffsf * p, * r j * J * ^ * J * *! P P r. Pl P. r P II _ "y d a a B d d d 9 d 4. * 94 U " Tell them of Je sus, the mghty to save. Res ful, Jesus wll save. D, K... I... IL II A b p P T m ^ "«!» > l> N P P P IN s P p IN II fm j «. J CJ II J * d a bt 000*0 a a a _" P j a J d d a a J II f 0., U,) R, p PI rn a \ P II Jfk p m, a J 4a a a * " P * k k A n II ~* (f\\ J *. P d ^ a J * \X) II d y 9 L d 9 9* 9 d II He wll forgve f they on ly beleve. cue the per Res ng, Care for the dyng; Jesus s merc ful, Jesus wll save. \ ^YVf r 0 P :!! fr p p p b P U* 9 ^ ^ ^ P a a r u II II II j A t J_ ja9 Fanny J. Crosby s known as the blnd poet, havng wrtten over sx thousand hymns. She became blnd when sx weeks old. See further hstory of her under tune, " Pass Me Not." W. H. Doane was born n Connectcut n 832, and was educated at Woodstock, Conn. He belongs to the Baptst church. He wrote hs frst song n 848, and was sad to have dedcated t to hs schoolmates. Hs frst book was publshed n 862, another n 864 In 867, t s clamed, he sold over three hundred thousand copes. Snce then he has composed many other peces whch have obtaned great popularty. He s one of the best known Amercan composers who have made great success n the muscal world. copyrght, 909, by j. s. James.

230 lay to " vest vest "~" " de de GO YE FORTH AND LABOR. «73 J. B. Vaughan, dv^4n^j4 frfr M. Go ye forth and labor In the feld away, For the gran s ready, It s rpe today; Hear the Master callng, Heed Hs blest command, Do notlonger stand. J. M. Perce. Key of A?. =vt3r^~ + &4 It ẇ^m^^=== m^^^^^^m^^m^zt^z^ " Thy work shall be rewarded."jer. 3 : 6. zfszzzzzbzr rr. a jvfv I^S^^^^ll^rf:^^S xfr v5tzazzzt z^zzz frdzzzl P^P a" a JP Psfr_._,. ^^ p.,.*,.,, rt 2. Go ye forth and labor, There s work to do, Plenteous the harvest, Yet the labrersfewjo "en then wll you hasten? Lend a help: helpng hand, Do not longer dle stand, Xztfrfd zffr»,z^^zzzfzr=j :4_z4_«_r5"5. zzczzzrzztpzzzp.:.0 c mm 3. Go ye forth and labor,gather n the gran, Labor for the Master, Twll not be n van; Go ye forth and labor, Jon the happy band, Do notlonger A N4N^ krpks rkk k P & PN......_ r.y*a 9arm r 9=9*rKZ==t :Z_445llB4 ^l±mzzxz^frz^zzzzzzhc^fr^fr frjpz%l Zfrlfrfr 00 0 m. pp CHORUS. zfrzfrzsfrfrfr d 3 m*3_ 44=44=_?_CI 99 4=S N* s v+ V ^p stand. :pm»a :9=frfr=9fr=lm ** Go and work, yes, go wthout delay, In the har feld thats far away, Hear the Masters voce callng us come to day. & Zfr fr=frfr 0^4 dvjn j44j±dl _ a a ^ ^ a Go and work, yes, go wthout delay frz ==t b^z^fr 09 Le 4NP4P 00=dZZat±± = 000 Zfr APAA H ( NP 00.PZZZZSfrzZfrZKZZfr In the har vest feld thats far away,hearthe Masters sweet voce callng uscometo day. 4N N, m ra \ 3. \ IN 4Sl n := _=_.B._4p45.jf4 9d\ P.!aP~FPj:aIP^,dW Z9zzzzzz9 9 *9 m GoTrZZZ. wthout de In the har vest feld away, far away, Hear the Masters sweet voce callng us come aad work today. kk IS pzzpzzzzr \W E^jV^zaq k», prkk k ftis Tn /TV 4^4=JS *dr zzr* 4 ztzzzazzfrzeaz tzztz =44 4«4_^I4_4 4 I Go and work, yes, go wthout delay, In the har feld thats far away, Hear the Masters voce callng us come to day. Professor J. B. Vaughan, author, composer, teacher, and publsher, was born n 860. He s practcally selftaught n musc. Hs frst effort as an author was n assstng Professor A. J. Showalter n publshng " Glad Tdngs," n 884. The A. J. Showalter Company publshed perhaps hs frst book, " Our Wreath," snce whch tme he has publshed hs own musc, and has wrtten and compled about twenty books. He stll contnues to wrte and compose musc. Some of hs favorte books are: "Wndows of Heaven," "Promsed Day," and several others. Professor Vaughan s a ready wrter, and possesses a strong muscal talent. Hs tunes present an ndvdualty whch few composers possess. He has a fne voce, and s a splendd drector and leader of large choruses, classes, and muscal gatherngs. He s located at Athens, Ga.

231 .) ~ s es of Chrst my Kng,Thro e ter _.JZ " * nal s R ". ly 74R. K. C, 885. Key of Bfe. STANDING ON THE PROMISES. fct\z\>a f" ft 7$rf l rl fl r V_4_4TJ4TJNT*!*& He hath promsed us eternal lfe. John R. Kelso Carter, 885. k fr. L. ZZ\ _j j, N P IN P 4P r 4= d P P 0. Standng on the proms a ges let Hs prases rng; Glory n the hghest I wll shout and sng,!! C". IS»«ft P P K P s rm" " " 4 PpppplP _ P J KPN / a fl a ^ fl _<?!... " b II, u ft IN a a J rs p p._jj sp U.da pplr! a! u a d. Standng on the proms es that cannot fal, When the howlng storms of doubtandfear assal; By the lv ng word of God I shall preval,,! 0 *.... v ft.. IS P IS IS P P vf b ** P P N P P &. P rza4 ^^^rv^^r,^l rfr P a P _P ff P ff J * a jj ; 00 0 a _" _" a a d d p 0 Jr =r y. < 3. Standng on the proms es nowcansee, Perfect, present cleansng n the blood for me; Standng n the Lb erty where Chrst makes free, " Ll. l4* P." P. V," P \ IS IS S IS zr V 9 9 \ 9 \ 9^ T Tl ^ u S_u 6 9 u 9 4. Standng on the proms es of Chrst the Lord, Bound to Hm e ter nal ly by loves strong cord; Overcomng da wth the Sprts sword, chorus. s p P p, fc fc fc»\ fc fc R rl rl P P IL IL I * fc R R VKPKrtty.s P It b A A P IN p 5 J JN ft f< 7 P P P * * * * m a a a P P P a r l Standng on the prom es of God. Standng, standng on the prom es of God my Savour: Standng on the proms es of 0 Il II V IL II IL X_ b * B k ILIS PP k "IP P P P l l ^BpffpB^K fftr J _p P h p ^ ft ft * IJ H * P R p s 000s 0»a a m "V p p _pl h» J jn J _ J\J n J JN J f d. W P P P P & B..... B B B B B TT ^, ff In A_ w P P. j..... P a P,,.. n. Ia r " p 0 a. a a. a.. a rm" j vj P B 9 d d P f~\\ R l 9 9 V I 9 9 "v 9 \, 9 d?d d fd d Td, B l 9 9 p Standng on the \rom s es of God. Stand ng, Stand ng, Standng on the proms es of 9 P P P l IS p P P "* j N P N l.. f. l.. k. p 7 b r 9 j 9, * A 47 A [/ ^. t ^. ^ A r.9999 Z% # 9 9 * * 9 99fr The author of ths hymn s an evangelst and resdes n the State of Calforna. He has composed several other good tunes and hymns.

232 ed s s s l STANDING ON THE PROMISES. Concluded. P^4V ^ ^ 75 God my Savour; Standng, standng on the prom ^ rs=?= m z I God my Savour; Stand Stand J. C. B., 908. ze es of God my Savour; Im standng 4544*tS LET US GO FORTH. fr=fr 4^ ^ Pva; l r. Slent, lke men n solemn haste, Grd wayfarers of the waste,we pass out at C.We pass along the narrow road That leads to lfe, to blss, to God. Ar FP*=F «PP ±I4III4LI4r4±44±4IlE4ll II U 4k p S=4s P=P= k p ^4NPzfrfr9frrfr Ra PP I ^^^4^_L43=g=^ frfr L 4 a mjrlml to. 2. We cannot and we would not stay, We flng a sde the weght and sn. Resolved the ve CRest on the splendor of the prze That leads to lfe, to blss, to God. SzZZ^ 4kr»4rk44K4 frfrfrzrztz See sketch of J. C. Brown on page 39 under " New Rock of Ages." ^frfrfr S :t44t on the prom es of God. VV dfrfr^ I $9 9 9 Im standng on the prom es of God. m 000 aj 9^9 99?y SO J. C. Brown, 908. D. C. M Ptt^ 3=3. tt the worlds wde gate,turnng our backs on all Its states t=fr =7*=S p44p:.t==t zlfr ppf 0p =t pp ±=t= ry to wn, We know the per PaBFf^ rt", PP=H IS but our eyes II

233 ly ful te J sus saves, Je less less. r 76 PRISCIU.A J. Owens, 880. Key of G. JESUS SAVES. " Beleve on the Lord Jesus Chrst, and thou Shalt be saved."acts 6: 3] k k k k Wm. J s KlRKPATRICK, 880. k V ttl p P P P P P P P P P p. A. k. R ft p fl.fl a P ff IS P. P m JS rm A T P "5 V V 4 ^ ^ * 9 " md a. ^ We have heard the joy sound, Je sus saves; Spread the t dngs a!l around, Je sus saves, Je sus saves; 0 ft p A "» j P s : IN TH7 # P: "!J P P ff J P <> I P P»J d a a I J J J»J. VB. * d d». u a a 4. fr=;. =?{. Zk?0 a a ^ 2. Waft t on the roll = ng tde, Je sus saves, Je sus saves; Tell to sn ners far and wde, Je sus saves, Je sus saves; "(J So K N P 00 o v S / ~* ^ N S N v 7 k j* P v B rm 4 ^ ff p a ^ j 6 A v * r 9P. a _ vl 4 ^N L «r * p p 3. Sng above the bat strfe, Je sus saves, Je sus saves; 0*0 0 By Hs death and end lfe, Je sus saves, Je sus saves;.. rw«l L..6. s s R R R «. 9 L, P f P 9 \ \\ p p n n, _.. n Is R 90LTST^^*L!3_ " " 9 A IT u ** ^ VL^ T^L>=*L,5 L _ L J99U! HBS p k; P P P f» PLN a II 4 L P R IN P r l _. _ lj p l.. P, m a JJ ^ J J 4 p Ly a y d 0 r r r, t o \ 9, +I \ U 9 9 y!j w 9 j >5 ly h Bear the r ews to ev ry and, Clmb the steppes and cross the waves; Onward, ts our Lords command, 9^\ Je sus saves, Je sus saves. l v *r P P N P P A. p p P P n k R R P ft R R R r p r JJ rm R P d 4] \ \) J _p 4 P Ol * «l W a 4^ ll. a a. a u 0.0 a Sng, ye s lands of the sea, Ech b lee, Je sus saves, Je o jack, ye o cean caves; Earth shall keep her ju sus saves. f^,. I \ I j 9 IL k N Ll a m \ n P Rl II L7 P k. k k. k r^ ^ ^ * n LJ J J II rm 4 T r 9. vy. ^ fd d fd II ^ L 9, 9 9, 9 9 F^5g4=gEL_v$#*N= r Sng t soft through the gloom,when the heart of mer cy craves; By Hs death and end lfe, Je sus saves, Je sus saves. r! # 7s C P P S\ P P p h» ^.,_k_k^_fl. k Pff... J^ s s r c 9, a a H j P a J j *» * 3. Ij "J JJ P P P V P P M / V "P f ~LJ M y ft V j *> ly J N 9 p ^ ry Professor Wm. J. Krkpatck s a teacher and composer of wde reputaton. He was born February 22, 838. He joned the Methodst church when 7 of years age, and after whch he devoted hs tme to sacred musc. He had the best nstructors, and has composed many hymns, tunes, and sweet melodes. Hs frst book was "Devotonal Melodes." He has been engaged a great deal of the tme n manufacturng ndustry. Hs name s a household word n nearly all of the Chrstan famles of the Unted States, and he has musc n all the leadng tune books. He s a man of great power and nfluence. Copyrght, 909, by J. S. Jameg.

234 "The gospel Invtaton." Rev. 22: 7. W. H. G., 908. Key of Bfe. ROLLING ON. lhgil 9 Wfr&~s? «_ S& The tme s H^r= 3fr zzzwmm _C=t zpzzzz* swft =9=fr ly roll ng on, roll ng a ; B ttt: on, "* P=0 P 9Zfrj. Wm. H. GuTHERY, 908 frzzzfr. roll ng on, When we wll have part on earth, And now, my frends, both old and young, let us all serve the Lord, And when God calls all to come rl r P F>r^rP P Pa j^v I t: Pl ±: ±44± ==t 99 X 4=t 99 X=fr. 77 It ftzfrzfr m pfrmtfrfrmfr^ 99 ZZW=P X. 99 m tzzfr Hll Part on earth for ev er more. Called us all to come, called us all to come, all to come,and be made free from our sns. m frzzzzfr fr fr IPal^ IS^Sfl Well go home to heavn a bove. frzt^r^^r> 3* 4=t Wz Yes, God has called us all to come, And be made free from our sns. ^hf^ppphfrpk p^ fl=t p pf* JJ glpc4:^4^4t4cpe4t;r:r=g:r^t=t:ftepr p^frp r rjeze=^j Called us all to come, called us all to come, all to come, Wllam H. Guthery composed the above tune, and rearranged the words n 008. He lves n North Alabama, and attends all the leadng muscal gather ngs, conventons and socetes n that secton of the country. He s a fne snger and a dear lover of musc.

235 .. n " I7» ETERNITY. W. H. G., 908. Key of P. "To obtan salvaton wth eternal glory." 2 Tm. 2: 0. Wm. H. Gothery, 908. U 4 " _ II la 4! / k4._,* I a a J P p P p j P J P p a a r s. f*r ««" P f ; P d p J v~y 4 9 t 9 t h J* Dd Je sus de that we mght lve? Yes, He s our sal va ton now. And let us all be ^ A. >4. n. _l_l J _JN J J A \ V. s. J P J rrvr * J P J P * ^ a a a J J < y 4 ^ * P. J <d!. * "«J p.j. 9. 0= And now, my frends, both old.. and young, The day of our sal va tons near, And let us all be ready then to.k4._ P s. a y f b «>. 4. a». k_ k * P c k J p ^ ^ a P ^ m. " " 9 * * " 0 p : 9 *=f=f tzttzzfrz And let us all be ready then to go and be wth Hm n heavn,there He wll keep us safe throughout eter n ty. 4s pfrzazzaz tzzfr HS^SS ±=±:fe^=b P t HI frfr 4=44 FT* T z^ _a_43± t: PzzzzzzXEzJ ready then to go and be wth Hm n heavn, There He wll keep us safe throughout.. ^r 4=4= zdzzzdzfrzzx :a_4t=t go and be wth Hm n heavn,. frfr ty. ty. ty. m Wllam H. Guthery composed the above tune and hymn. He belongs to the Cullman County (Alabama) Conventon, as well as to several other muscal assocatons n North Alabama, and attends all the leadng muscal assocatons n hs secton. He has composed several tunes and hymns, and s engaged n extendng the art and scence over the country where he lves. He has many frends among muscal people.

236 lu HEAVENLY GATES. 7s, D. 79 " Lft up your heads, Oye gates; and be ye lfted up, ye everlastng doors; and the Kng of glory shall come n."ps. 24:7 Note.If the Coda be sung the last note of the tune must be omtted, and the small note before the Coda takes ts place. Mss Harret Auber, 828. Key of G. Rearranged by R. J. DeLay, : H CHORUS. D. C. <J> Coda. % ~ lpfgppf. _ frxl ffrlxl^ffrffrfr^f^^xxfxfrfr a*wf^ fr tfrzzzz^z s pp I*4t Xfrfj Wde, ye heavnly gates unfold.olosed no more 07 death and sn: Lo, the conquerng Lord behold, Let the Kng of glory n. /Hark! the angel host nqure, "Who s He, almghty Kng?" O o I bb» 99 y ( He,who Gods pure law fulflled,jesus,the ncarnate Word. ) " ( He,whose truth wth blood was sealed, He e heavens allglorou3 Lord, f Hark! the angel host nqure,"who s He, almghty Kng?" 9000 mx L[ L=_l_ m ZZLZZZZL zfrzfrl. l \\. >* r^^ztzt Pzzt ±=± m D.CHark.agan, the answerng chor,thus n strans of trumph [Omt ] sng Halle lujah, halle,, The hymn of the above tune s based on Psalm 24. The hymn was wrtten, or, at least, partly wrtten, from the best sources we can gather, by Mss Harret L. Auber. She was born n London n 773 and ded there n 862. She was an Englsh lady, and publshed a book of poems, enttled " Sprt of the Psalms." All her hymns are consdered frst class, and receved the endorsement of Duffeld, and also of Brown and Butterworth. The above and foregong tunes were rearranged R. J. by DeLay and J. S. James. The orgnal author we have been unable to fnd. Its orgnal name was " Eton," and has been changed n ths book to Heavenly Gates." Professor R. J. DeLay resdes at ths tme (909) n Gwnnett County, Ga. He has composed several tunes heretofore, and f he has had them publshed t s unknown to us. He s a fne leader and drector of musc, and attends the muscal conventons and other gatherngs, and s especally fond of the old sacred songs. He has a strong, smooth tenor voce, and can reach the hghest notes or strans wthout nconvenence. No one loves sacred songs better than he. Professor DeLay s one of the orgnal promoters of the Unted Sacred Harp Muscal Assocaton, and one of the orgnal promoters of the Sacred Harp class n Atlanta. t Copyrght, 909, by J S.james. jah.

237 fore 80 BLESSED HOME. " And shewed me that great cty, the holy Jerusalem, descendng out of heaven from God."Rev. 2 : 0. W. C. D. Huntngdon, about 870., Melody by J. E. Bgby. Arr. and har. by A. J". Showa/ter, 905. pm %z m frfr N t»m jyn,, N **, 44 pp = MZZpZCMZf Pj^ 99frt 99Hfr 99 pk frzfr9z 9rI. O thnk of a home ov er there, By the sde of the rv er of lght, Where the sants, all mmortal and far, Are robed n ther garments of whte. q44=^4=4^^p4444n4#t4^_4^=f:^p. A 4 M^p^AfrArr.AfrA^ rafr a.. O thnk of the frends over there,who be ~W ^4==_Sn=4=% rfch 4A^p tzzt z<j* fr *S us the journey have trod;of the songs that they breathe on the ar, In ther home n the palace of God. ;^^^^^ggj^3a 3. My Savour s now ov er there; There my kndred and frends are at rest; Then away from my sorrow and care, Let me fly to the land of the blest. tfr 99 frdzzzzfrz ~N_N 5W $ b k 99 NK $ ==== fsfr =fr =fr frzzzrzdznf^" zzzzzm 4. Ill soon be at home over there, For the end of my journey see; Ma ny dear to my heart over there Are watchng and watng for me. CHORUS. b^kk ^=s^^^=rf^f^f==j^f==f^p^ Blessed home, happy home, N :4eS_ How long, how long to be there ; Blessed home, happy home, I \» *rfe :d=tj>a44at frr N, J?bfrzzzzwfr ZJfr :=4^L4J4E?±bEEt4 *»^p4i^4^p_4?r^=prrsfl Z%Z^XzzZZZZZZZlZZZ>9ZZZ^X=9=^SzA\ 4=5 E5?J How I long, how I long to be there. I9frX t_v_ _l \Xzzz99==9 F Blessed home, happy home, How I long, how I long to be there kkkwpqf 99 Blessed home, happy home, How long, how long to be there. =r==fern S ~^p Blessed home, happy home, How long, how I long to be there ; Blessed home, happy home, How I long, how long to be there. &^j^ Tkkk kk" z^zjzftfrzzzzzzft: tzfr= Zzzzz9&zzzzzz^ k. kk k k4i 4 Copyrght, 909. by J. S. j ames. fr * ==^ 99. S 9fzz 9rr 9 9~9\ 44p4=j4I.I7:r _ Efc 9rfrtZZZrzfr9MZZZ0Z

238 Hstory of " Blessed Home." 8 Dr. W. C. D. Huntngdon was born n 838. He resdas n Nebraska, and s a Methodst mnster. See sketch of hm on page 00. * There are two tunes n ths volume from Professor Showalter. The above, Blessed Home," whch he almost made new n 005. The other tune on page 32, "Leanng on the Everlastng Arms," for want of space, we dd not gve the hstory of Professor Showalter n connecton wth " Leanng on the Everlastng Arms," for ths tune s the equal, f not the greatest, n popularty of any tune ever composed by ths gfted muscan. Professor A. J. Showalter, teacher, author, edtor and publsher, was born n Rockngham County, Va., n 858. He spent hs early chldhood n the Old Domnon, n the Shenandoah Valley. Hs father, John A. Showalter, was a natve Vrgnan, and hs mother, Susannah (Mller) Showalter, traces her ancestry to Germany. They were both muscal. Hs father was a musc teacher, and was consdered frstclass n the professon. He was a man of hgh standng, Chrstan character, and strong relgous convctons. Professor Showalter receved hs tranng n prvate schools taught by hs father and others. He has had the very best muscal educaton and nstructon that was possble to obtan from the muscal conservatores and normal schools n the Unted States. After completng hs studes and establshng hs reputaton as a teacher, n 895, he went abroad and studed the methods of the musc teachers and schools n England, France and Germany. When only 4 years of age he began hs career as a teacher, by assstng hs father. He taught sngng schools n many countes n Vrgna and West Vrgna, snce whch tme he moved to Georga and settled n Dalton, where he now resdes, 909. For the last 20 years or more, he has taught normal schools n almost every Southern State. Thousands of people have receved nstructons n hs normals and other muscal gatherngs. The fact s, hs reputaton as a musc teacher n all branches, and especally n sacred musc, extends all over the Unted States. He has composed some of the best sacred musc now used n all Chrstan branches of the Church, and especally n the South. He has composed and compled over sxtyfve dfferent musc books. He s presdent of the A. J. Showalter Publshng Co., Dalton, Ga. In connecton wth ths, he publshes a musc journal. He has composed and publshed more sacred tunes than, any other muscan n the Southern States. The fact s, he s one of the largest contrbutors to the advancement of art and scence of musc who has resded n ths country snce t was frst founded. He contnues to teach normal schools and compose musc, whch requres hs entre tme. He s a lberalsprted man, has done almost more than any other ndvdual south of the Mason and Dxon lne, for the cause of musc. The musc people regardless of notaton or class, love hm everywhere He was the drector and manager of the largest gatherng of sngers that has ever met n the Southern States, at the allday sngng at the State Far, n Atlanta, Ga., 905, where fve thousand voces responded to hs call, and left a memorable day n the hstory of gospel songs. Professor Showalter s an Elder n the Presbyteran church and stands hgh n the councls of hs denomnaton. He s extremely lberal to all denomnatons, and a strong supporter of the Chrstan people everywhere. " The tune, Leanng on the Everlastng Arms," has met the apprecaton of nearly every Chrstan home n the south, as well as to spread ts wngs over countres wherever Chrstanty s preached and gospel songs sung. "Blessed Home," as arranged by Professor Showalter, s another melody that s lke unto " Leanng on the Everlastng Arms." It s sung, played, and enjoyed by all Chrstan people.

239 der, P I S. M. Denson, 908. M. D., 908. Key of F. RESURRECTED. P. M. " And they ascended up to heaven n a cloud."rev. : fr^^z mz sfrfrtz ^zzgzzzwzzzzpwzz^zzzg fr. 99 9=9 It ZZZZZZZfrZZZLAArSEzZZl 9 9 m My * fathers gone to vew that land, My fathers gone to vew that land, My fathers gone to vew that land,to wear a starry crown. m fr 4= *^mfrmm*^m& My fathers gone to vew that land, My fathers gone to vew that land, My fathers gone to vew that land,to wear a starry crown. 4= _** dd ^99 NN 4=4= S= =====& : Xzfr *** _*f* zfrfr 4444 t 94 zazzz t 9 4 s= 99 CHORUS. n 2.., Zt 0 N K_ p r P s *l II A. b!. IL p a p P J a P P II rm" 9 B a r Lb a a a 0 a \9 Ij 9 II " vy d II II A way 0 ver yon der, a way 0 ver yon der, A way 0 ver yon der, To wear a star ry crown, crown. a /_, ^ IL f fcl IL "f* ^ II Lfcr^ r c a. J P P _T * r 3V _! J " J II J _J n a a J B J! B II Vy ^ ^ ^,d \ t ^ JJ, >! r ; " 4 Lb P to"* Z \7 tr p II r a P a P 9 ~d 7 p I II B 9 9 Yd. Tj 9 ^! "3 II P a !, : A way 0 ver yon der, a der, A way 0 ver yon To wear a star ry way 0 ver yon crown, crown. 2 *.. P p l>. p... p!. P * k k k.!" f* a Ij P 0 Ij * P a a a 9 *l : L9 LL l9 The words of ths hymn were arranged by Professor Denson n 908, and appled to the musc composed at the same date. See sketch of hm on page 30. * Use mother, brother, and Bster for other verses. Copyrght, 909, by J. S. James.

240 Xj. ^ ^ GLORIOUS DAY. I wll sng wth the sprt, aud wll sng wth the understandng." Cor. H: Ij. 83 S. M. Denson, 908. S. M. D., 908. Key of F. FJM J^.». 8. w kk Rr m±$^&^zwg%^$s^mms&p^m My souls delght has been to sng of glorous days to come, to come,when shall wth my God and Kng forever rest at home, At home, at home, forever rest at home.! ^^Sg j.jrf3^=#5=^^^^^^^ls=sls^e a k. * * ^jkkkr ta The words and musc to the above tune was composed by Professor Denson. See sketch of hm on page no. MOUNT PISQAH. n, n, n, 9. S. M. D., 908. Key of C. " He was carred up nto heaven." Luke 2 : 5. S. M. Denson, 908. k.4 klk. kk klk k k kjk kkk :f==lk:fk:kk.k4k kkk+kk^l^fej^l^ijl h sx\=\zzzzz\ _ : j44 4Jpaar =4^ :p= 4^c 4 zz ^p»pe± =:24^»T"P_r " =^ D, C. for Chorus. PrPPPP PtPt, ±0= r^^e^^^^jrb^l^l^^g^ My fathers found a home n that new brght world, My fathers found a home n that new brght world, My fathers found a home n that new brght world,o my fathers found a home at last. w^^fr^^z^mmm^ztmsz^^mzfrm^ CHO. Wth angels and the Lord he wll lve alway, Wth angels and the Lord he wll lve al way, Wth angels and the Lord he wll lve alway, O my fathers found a home at Last. :2^^fL*_fj^^f^^=^#^4 :^:===#===p=^==45e =^ * & *» 0t*=\fr=f». pfpj.f_e*34f4p_ l*pp.pfppp+sfg:f g(:pppa 4^5 / > >! ^! Words arranged by the author n 008. See sketch of Professor Denson on page no. l*e father, mother, sster, or brother, as occason may requre. 9 9

241 84 E. A. H. Key of G. hjzjtm=t==q^aw^tfct?3e= " ENOUGH FOR ME. Into the holest by the blood of Jesus." Hed I2VI ph rrt N REV. E. ==)==t Hoffman, about j 0^~000E0±\l &«Sj P^F^^g^^ ^^^ggi^^,.o love surpassng knowledge,*} grace so full and free.l know that Jesus saves me, And thats enough for me. And thats enough for me. And thats enough for me, L^S0~0000 u 2. O wonderful salvaton, From sn He makes me free, feel the sweet assurance, And thats enough for me. And thats enough for me,and thats BDOugh for me, F3F 3. O blood of Chrst so precous, Ponred out on Calvary pzpzzzp_rzzfrzz\ " We shall receve the blessngs from the Lord."Fs. 24: 5. Rrv. Robert Robnson, 758. Key of G Mnor. Rearranged by T. B. Newton and S. W. Everett, 908. w Pl D. C. for CHORUS, usng small notes. ^a^^^^^jgj 4". 0m feel ts cleansng powr,and thats enough for me. And thats enough for me,and thats enough for me, mm ppzfrtz \ =F=f J^^MH==r==r=F==^===tf===TRJ^ 0000 fr ZLZZZfrtztztztzfrzAz zffr±z±z*zztfrz±tz5zzzzztzezfr zfrzxz z!lzcp»*+^m Rev. E. A. Hoffman, the author of the above musc, was born n 839. He was educated n the publc schools of Phladelpha, and began preachng n 86. He s a Presbyteran. Hs frst muscal composton was publshed n 860, and hs frst musc book appeared 868, snce whch tme he has edted and asssted n complng over forty dfferent song books. Many of hs songs appear n books and are popular wth the people. He s not a fne muscan but a mnster of dstncton. RESTORATION. zfrxztzzzfrzrl 4\ 4=4=4 IWzfZ ddzp fr frzzzzz+zdzz* dd~^ ±:. Come,thou Fount of ev ry blessng, Tune my heart to sng Thy grace; Streams of mercy, nev er ceas ng, Call for songs of loudest prase. 2. Teach me some me lodous son jjk^r IJ~?j~** frfr D. C. net, Sung by flamng tongues above; Prase the mounto fx me on tmount of Gods unchangng love. F N rprf. ab Fp=rmmfrfm=0d^nF=F=J^=r>= p p zzpzzzmzplzfr I,. "4= tzzzzzzzzzzzzp. ^! L=H=I4*IFf. q4iqi4mt4n.tr: wll arse and go to Je sus, He wll embrace me n Hs arms; In the arms of my dear Sav our, O there are ten thousand charms. 3Stm frzzzzzz Yp fee fr^ fr===e: Xfrz II

242 " 9 Hstory of "Restoraton." 85 Ths hymn of Rev. Robert Robnson was for a long tme used n connecton wth the tune * Nettleton," composed by J. W. Wyatt, n 82. It s also found n connecton wth a large number of tunes and melodes. Mr. Robnson was born n England n 735. He was converted under the preachng of Whtfeld, and was ordaned a Methodst mnster. He afterward became a Baptst and then an Independent, and fnally a Socnan. He ded n 797, Ths tune was rearranged by Professor T. B. Newton and Dr. S. W. Everett. Professor Newton s from Mlton County, Ga. He has been teachng musc n Georga and adjonng States for ffty years, and he s a. great admrer of the old "Sacred Harp" songs. Hs choce of notaton s tunes wrtten n four shaped notes. He has a fne voce, perfectly clear and mellow, and sngs every tme opportunty presents tself. He s almost n perfect health and s 72 years of age. He has taught thousands of people to sng, and no man can be found that enjoys musc better than he. He has spent hs lfe n the feld of musc. Dr. S. W. Everett resdes n Newton County, Georga. He, too s a fne snger, and hs choce s the four shaped notes, yet he sngs out of all books. Both Proft sor Newton and Dr. Everett are strct members of the Prmtve Baptst church. Both of them helped to arrange the Unted Sacred Harp Muscal Assocaton, and bslong to many other muscal conventons and socetes. THE WONDROUS CROSS. Isaac Watts. Key of G. God forbd that I should frlory, save n he cross of our I.ord Jesus Chrst."Gal. * : 4 T. W. Lofton, ft 9 I A. 4 ap P k... _ P_ P, n * J B^ n II rm f j a m9\,ft,ft 3 hp*, H T j 9 5 JJ "V 4 s 9 \j 9, , 9 9!,!, 9 fd t JJ y f 9 Pm 9 When I survey the wondrous cross, On whch the Prnce of glory ded, My rchest gan I count but loss, And pour contempt on all my prde. V 4 A 4 _." p s. P P n. ft II rm fr^= 4 A Afr xr J r p 4 ^ ^ J^ p t II v y 4 ^ * r^ ^ J JJ f 0 a 0 O " O a k. k. _ t. M ra ^ v +r 4 tm\ ^ * s [^ 5 ^ rm 4 V* t^^pbt^pw frm^p frfr II pf\0 a a. 0 hm.. m A II vy 4^ v d. 9 ^ 9 ll» 9 When survey the wondrous cross, On whch the Prnce of glory ded, My rchest gan I count but loss, And pour contempt on all my prde. c\hjt p Ps k.r JV. k. k ft. B p p. p> p «.. «. p ^ Jl.R4 r r^ r L j*4j "5 G± r 9 a a J ~ a \ / r 5 " y S fc 9^9 9 J_ * u 4 V * II L < H ] ^9>]d9) V~ We have gven a hstory of Isaac Watts on page 4 and 2 of these sketches. Professor Lofton of Alabama, the author of the above tune, s a fne drector of musc, has a splendd voce, and composes musc wth ease. He s a great lover of the old sacred songs. At the present tme, 909, he s engaged wth Prof. J. L. Whte n revsng the " Sacred Harp," whch wll be dstrbuted n a few months.

243 ~9fr0J 86 SWEEPING THROUGH THE GATES. Arr. by J. I* M. Ke} of G. "Open ye the gaus. t^at the rghteous nalo whch keepeth the truth may enter n. ISA. 26: 2. J. L. Moore, about 889. y»rf. ^^F^K^=>4^^:[:K4k_zK». k._^4^:k^». z^ppzp.r^zpz^^kla_h _ tzz7z4*zz*zzhzz^zzt Jtzz* fr \9frfrfrfr9/X999=9fr^?L9. 9^9=994^9fr9=9X\ 9=9 9~ 99=Z99lH^S. I am now a chld of God, Ive been washed n Jesus blood, lam watchng and Im longng whle I wat; Soon on wngs of love Ill fly.to a home beyond the sky, :_5r_l^x=5=^^ P.+ 4NH t=fr :4l444?II34:E^^.:E4lt?4tjlll4P4E!tt^^ *.<$ the blessed Lord of lght, Now uphold me by Hs mght, And Hs arms enfold and comfort whle wat; I am leanng on Hs breast, O the sweetness of ths rest! A7 4SNA4S AA :ab=a=&4===a==t5b=l^^^ tzzl^zlltzdfrzfrlpfr?^ NA A?^> B^P 3. I am sweepng thro the gates,where the blessed for me wat, Where the weary workers rest for evermorejwherethe strfe on earth s done,and the crown of lfe s won, B^A= ZfrzAzz Azzzpz t. NNVN ===4= :n 4t54::: ^ 4T4 ^ ^^^ 9999* J ap43hs 3J pp., 9 htl4>l: zp=t Apkk==44=l I I I I J I 99^99= 4. Burst are all my prson bars,and soar beyond the stars,to my Fathers house.the brght and blest estate; Lo! the morn eternal breaks, And the song mmortal wakes, D. S.In the blood of Calvrys Lamb, Washed from evry stan am, FINE. CHORUS. D. S. "Ttrsk kkt JFt= Arpvf4V_*_A_ N, =S4AfIN4N4> aa N * *p±p^ 4^ ja^ ^ f\ >,, k kkk 9=9=9=frZZZ 99 ^±±^:?*]] 9frZJM Halle lujah! am sweepng thro the gates. Sweepng thro the gates, Yes,Im sweepng thro the gates, Sweepng tvo the gates,yes, Im sweepng thro the gates. ^ztfr^frpz^zz^zzzfl^ipzr^l m dzjfph^, Z999gZf, L. * *~» tua nln.n. r,t fva.t.. O the glory of the ct y.rt Ua.fnral just before! Sweep ngthro the gates, JzZZZZZ^Z±%ZZ^ZZ*ZZ$ZZZZZZZZZZ99Z\zZl^*\ p p.^pj:jszzpzzzzpzzzpz^zpzz p.pp^f z±$ P0 ^^^frffrfrt9.ft,frp ^PFg^^fPP^P^PP 0=0=f0 0^0^00 To my welcome, as Im sweepng thro the gates. Sweepng thro the gates, Yes, Im sweepng thro the gale3, Sweepng thro the gates, Yes, Im sweepng thro the gates. 4VA, A NN AN A 0T00a arrr ^ 4\ < ^ A ^ =?*Fv>N==S: > f\ JSav aasaaa a Ba. a a \ a±jt sal VyK Sweep ngthro the gates. k k* k"k k k I m Washed n Jesus blood, Im sweepng thro the gates. Sweepng thro the gates, Yes, Im sweepng thro the gates, Sweepng thro the gates,yes, Im sweepng thro the gates, Halle lujahl I am sweepng thro the gates.

244 self lar n ed ed Hstory of " Sweepng Through the Gates." 87 J. L. Moore s a Georgan by brth and at the present tme, 909, s a resdent of Bethlehem, Georga. He has been studyng, composng, wrtng and publshng musc for many years. He s a fne leader, drector and composer, has a splendd voce, and s well up n the art and scence of hs professon. Mr. Moore has publshed several books, and publshes a new note or song book every year or two. The above tune was used by hs permsson, and s consdered uptodate. Rearr. by E. J. Kng. Key of A. THE BOWER OF PRAYER. " Thne own frend, and thy fathers fend, forsake not." Prov. 27 : 0. Rev. John Osborn, 85. mm I «fs zp=w 4=4= 4= PPrm^m J I FFPF fr* ztzzzzz To leave my dear frends, and wth neghbors to part, And go from my home, t afflcts not my heart, Lke thoughts of ab z. Dear bowr, where the pne, and the pop <^ m have spread, And wove wth the branches a roof oer my head; How oft have I sec fr fr pp X tt p ztzzzt 3 The ear ly shrll notes of the nght * sent knelt I gale That dwelt n my bow er I observed as my bell, To call me to m ± ztzzzfr frzfr ng on my the for a day, From that bless retreat where Ive chos Ifrtfrl 4=4 t =t=± pprfrzzfr Efe frfr 2 m en to pray, Where Ive chosen to pray. pray. e 4==j: f frfr I F ^ 33 J, h 3 3_= 3 3L ^ ^ h» Ll> ^L L_ I I ji!_ 0 0 t\ green there, And pour out my soul to my Savour n prayr, To my Savour n prayr. prayr 2 _^_^r^4^^ze5=r=?^^=^h^p=rtr~p " *> Fd El r rr+^q= tr ± ==frv=frr^ rr tfr h m +" \r xfr du ty, whle brds of the ar Sang anthems of prases as I went to my prayr, As I went to my prayr. prayr. John Osborn was born :n New Hampshre and belonged to the Chrstan denomnaton. It s sad that ths tune was orgnally arranged from a flute nterlude n one of Haydns themes. The warblng notes of the ar are full of heart feelng, and, usually, the best avalable treble voces sng t as a solo. In complng ng the t " Sacred Harp," E. J. Kng made slght changes n the words and notes, but not enough to gve hm credt for the above tune. Copyrght, 909, by J. S. James.

245 den den en re tred, en re tred, son son sve ly 88 MURILLOS LESSON, us. Aa IHPtZ2z.zz9zzz9: =0=l 9 9 ^fr^fr.azzdrjz z^^e^zm /As down a lone val ley wth ce dars oerspread, From wars dread con fu I pen strayed,") I The gloom from the face of far heav The wnds hushed ther murmurs, the thunders expred; j Perfumes as of AA, /As down a lone val ley wth ce dars oerspread, From wars dread con fu I pen sve ly strayed,! I The gloom from the face of far heav The wnds hushedther murmurs, the thunders expred; f Perfumes as of ^t. > 2 k fg FT^trfk ^FfF4Fffr= $fr "" \ k»rh:»fr>\zytfr^z 4S =k S^E A zmzz0zzz4_ r~ffc ^"H^ p^ft^rfr 4SMfrzfrfrpfr=PPlf4I?EEt=&4I4: g g^eg :4== jva ZZ^ZZZ^zfrfrZZZ±Zzf±ZZZZ±^0_0_0. zzaz±zmzzzzztzazzzzezzm±pzzzzpzzz± E a a a^j_^4^ii^rj^ ^EL^ll=lftr^^^^^rtl^fa l=4sk^?_^e^±l_e^ flowed sweetly aiong, A voce, as of an gels, en chantng ly sung, A voce, as of an gels, enchant ng ly frpxp0 mfrfr=fc E AA 0A/fv"^. vg=^ ** ="T ^"^T ^ ph a a a N^ t*rzzzpzz^zzzpfrzzzzpzza* 0»4 a af*i S;<4a* flowed sweetly along, A voce, as of an gels, en chantng ly sung, A voce, as of an gels, enchant ng ly K== ^ zzfrzzftz Z99 ^rzrsr\ztp=tp\z!» _ =(:? ztfrp ^tfrr *frrf 99= PPft fczfrt. fc A. Copyrght, 909, by J. S. James.

246 lum lum ba, MURILLOS LESSON. Concluded. 89 gpeflz JzzA^j fzfrzz» 0 A0A sua smg, Co ^^k. Co ba, Co lum to glo 0^ The queen of the world and the chld of the skes. N *d Fp p~ Aa PzzzMz frfrtfr^frz^ ba, Co lum ba, to glo The queen of the world and the chld of the skes. PjjE^_J^>rrFTEk3,^I=I44I^ p pe F>pp* l \? pf \f ffh 00fryt9ft\= a p F y II It s hghly probable the composton of the above tune, musc, and words were suggested to the author from the hstory of Murllo, the great Spansh artst and panter. He was born n Sevlle, Span, n 68, and was one of the greatest artsts n pantng relgous desgns n almost any country. He receved numerous mportant commssons, and was acknowledged as the head of the great art school. In 648 he marred a lady of fortune. He then mantaned a handsome establsh ment, and hs home was the resort of people of taste and fashon. In 660 he founded the Academy of Sevlle, of whch he was presdent. He fell from a scaffold n Cadz whle at work on an altar pece for the Church of the Capuchns. He returned to Sevlle, and n 662 ded from njures receved n the fall. In early lfe he panted many pctures llustratve of humble lfe, whch were mostly scrptural and relgous peces. Many of hs works are found n England, Italy, Span, France, and other countres. Murllo was preferred n the Spansh schools on account of hs orgnal characterstcs n art. It s sad hs drawngs always represented a mellowness and softness whch was rarely seen by other artsts. It s also clamed that near Sevlle there were valleys of cedars whch overlapped each other, and, at certan seasons of the year, these cedars were perfumed wth wld flower vnes and presented not only beautful pctures, but the sweetest ncense of odor from the flowers. Murllo often repared to ths delghtful place, from whch he drew many of hs artstc pantngs, or at least he got the outlnes from ths beautful secton of the country. Some years before hs death t s clamed that he worked four years n pantng and drawng outlnes of twelve lfesze pantngs of Abraham, Moses, Vrgn Mary, Chrst, St. John on the Isle of Patmos, and other pantngs of scrptural character. One of these pantngs he sold for " $25,000. Murllos Lesson " has nternal evdence of ether beng composed by an Amercan, or the changng of the last part of the words so as to make one beleve that t was ntended to apply to Amerca.

247 " ed P IOO ONLY WAITING. W. G. Irwn, about 875. Key of Afe. Watng for the comng of the I,ord Jesus Chrst."ICor. : 7. J. H. Fu,MORE, about 87). te I am watng for the mornng Of the blessed day to dawn, When the sorrow and the sadness Of ths weary xz^^m lfe re gone. AN A \ dfrzt NN ANFT w = 4=4= K^^ *r*ph ZZAZZZPlZP T54S*, ddr X zlzfrfrzzztzzazzzpz z*zzzz4z frzfr "fr* :;5 0d 0 3. Watng for the golden ct y, Where the ma ny mansons be, Lstnng for the happy welcome, For my Savour callng me. ^mfrfrfrrle!, m CHORUS. \frzz0zzzzzpzz N4SAA ^^ Pp 99=9=9=9 zzfczzfr * 9 9 I 9 V fc APs NN A*, _J L ts;2 a s=s=sf A^ mrddt 0 9 " a* b a a» # 2. am watng, worn, and weary Wth the bat te and the strfe, Hopng when the war has end To receve» crown of lfe. PPPP P P P zzfrzzfczfr I am watng, watng, watng, On ly watng, watng, watng, Tll ths weary, weary, weary, Lfe s oer, lfe s oer. I 8bfr zzrzztzzfzz =99 9_ f_ Wzzzfr. fr $ & =A 4= es ** m djr^zzdfrfrz I am watng, watng, watng, on ly watng, Tll ths wea ry lfe s oer. thjvlrfsr zzazzzpfrfrzazzpz I am wat Tll ths wea ng, on ly watng, ry lfe s oer. James Henry Fllmore was born n 849 and s stll lvng. school musc. He s a ready composer of church songs. Ik k ^Ik Ik Ik k B B B B B ^ 9^ =9=9 PP=P4 He s an Amercan composer, and has wrtten a great deal of excellent church and Sunday

248 ng, ng our our A.b m) a P P P P F(j y ONLY WAITING. Concluded. p ^ N ^ II p J J J J "* d S II II / II : \ \ On ly wat wat ng, wat ng For my welcome, for my welcome From my Sav on the oth er shore. _,!s k s n ttrji P J II rm" * ^ s h. s * II j r r* P J II k/ * v * ^ d. ^~ 0» a b t, ft,> r ^ m A b P f 0 frtt frr*a\ j u p\ r Ij IV > U 9 f 9 On ly wat for my welcome From my Sav on the oth er shore. k r» ^ * m m * ~* b j y L P r* II / J d K II II ".J L^y j V * y V J. C. B 90S. Key of Bg. 9 P0r «99 AEz PETITION. "Lord, love me." Matt. 5: 25. CHORUS. r9p0 frzfc 9zz.Z f[s==p= ltzzzzftz UL^ ^ l> [^_l =9 f Jesus, my Savour, my loved One so brght, If I have found favor now n Thy sght; I Jesus, my Shepherd, my close Frend and all,then n dstress unto Thee I now call; J Ther. donottnrn Thy face nor leave mb,lead me thro sore trals safe home to Thee. " f I know I have fe ry tr als to bear, Lord, send ThySprt to comfort me here; \ \ Strengthen, establsh,and settle Thou me, Frmly unmoved n Thy love I may be; J Then do not turn Thy face nor leave me,lead me thro sore trals safe home to Thee. 3 J. C. Brown, 908. repagll r^ ^ P\gPp\g±Ig#^4^f^=!^Tp_^pp_mPjt 0\9>±f90PT :m^ ^ frfr frfc 9fr=.\t=fr9 99 zzz^zzzz^zfrzfr.l 9P0 l 99 gsl 2^ ^f^ 99 / Whlehereonearth my desre thus shall be To do Thy wll untl Thou call for me, \ 3"\ And when my lfe to Thy Sprt s flown,lord,may I reap joy wth Thee on Thy throne; J Then do not tarn Thy face nor wave me, Lead me thro sore trals safe home to Thee. PP 99 ^gsag See sketch of Professor Brown on page 29. ZZ9f trnw Copyrght, 909, by J. S. James.

249 oth 92 Fanny J. Crosby, 864. fe Glo Key of A.. GLORY TO GOD IN THE HIGHEST. " Unto God and our Father be glory forever and ever."phl. A: 20. Wm. B. Bra.dburv, t4* ==== ±4* P=P4 ra ry to God n the hgh est! Glo ry to Godl Glo ry to God! Glo ry to God n the t J" f 4 IjJ J 4 k * * k, Jf ff jj ^ R R *. * *~ K " IS _s P= It ff~x p Glo to God the hgh est! Glo to Godl Glo ry to God! Glo ry to God Iaz.& 4* =t =r=t= s n tt/" V ftj+ff /J * J (m *T J "3 ^ _J J J ^ * * V \l hgh est shall be our song today.. An ±*g === hgh est shall =t P frzzfr: frzzfr SEMICHORUS or DUET. er years rch mer ces prove Hs cease less care and boundless love; So ^ fr=fr zzfrpz m It EE our song today. &. O may we un brok a. m a a a 4Jptfr*^*. x en band A round the throne of Jesus stand, And Fanny J. Crosby s the most prolfc wrter of Sunday school hymns that Amerca has ever produced. She has wrtten over sx thousand hymns; some clam as hgh as nne thousand. She was born n 823, and has been blnd snce she was sx weeks old. She s now very old, and belongs to the Methodst church. Further sketches of her are gven n other places n ths book. Wllam B. Bradbury was born n 86 and ded n 868. He composed and publshed over sxty dfferent musc books. Fanny J. Crosby was engaged n musc work wth hm for several years. Further sketch of hm s gven n another part of ths book. Copyrght, 908, by J. S. Jamea.

250 es rase Our glad and grate ful song of prase. Glo =,*= GLORY TO GOD IN THE HIGHEST. Concluded.»93 full cums. 4t4*I =fc= *,«= our loud est voc fr It It ry to God n the hgh 4=4= ==4= S N^ Zjz4^ zfrzzfrzfr P0. frzzpfrt zfrzztzcz fr there wth an gels and the throng Of Hs redeemed ones jon the song. Glo ry to God n the hgh est! s zftzzfrz m est! Glo ry, glo pp t ry, glo ry, glo JL fzfrzzzzq44:f: :e_^&_^_f ry, Glo ry be to God on hgh! ^lsl God on hgh! = AzzzAzzzfrfr ZLZZZfrZlZ ll n mk^zzfrrz^frz pp II the hgh est! 9zzZZ^jfrZZfrE \] zazzt fr m 4=llf_F^r_S j Glo ry, glo ry, glo ry, glo ry, Glo ry be to God on hgh! God on hgh! 2 :L= pp= II ~fr= f: T* II

251 nal lot lot " I tal tal 94E. J. Kng appled words, S59. Key of G. CANAANS LAND. C. M. D. $ 4*s Heaven s my home." Isa. (6:. Amarah HALt, 80. 4== 4=t fr.zzzzfrz. t=fr frfr p I fr for a breeze of heavn ly love To waft my soul away To that ce les fr=fr 4=4=44 44=l=f=t frfr d d d 6 world a bove, Where pleasures neer decay. p zzzzzzzz^tzdz 4=4= *Td a 6 P O for a breeze of heavnly les love To waft my soul away To that ce 5^m zfrzzfr 4= a a A P ^ 0^P 2 FFF tzztztfr ztfrfrfr Ztfrfr frfr world a bove, Where pleasures neer decay. =a=4p=:p: teebt PB 3e 4=g= ±==f= t=4==t frfr E ter Spr t, degn to be My p here be low, To steer thro lfes tempestuous sea, Where stormy wnds do blow. r, ft V ff ll A. I III M rm m 4 n p J 4 A "^ ^ d 4 JJ p o * a / a a 0 I $w frfrfr 4=F=S==fl= zzfrffr^^ zzzzzzpzlzrzjs^zzz^zzzzr d0 m 44 pfrfr ter nal Spr t, degn to be My p frzzz zfrzfr zz^zzrzztffr frwpzazfr fr m m here be low, To steer thro* lfes tempestuous sea, Where stormy wnds do blow. fr=fr frzzfr IH tfr. Ee I Copyrght, 909, hy J S.James.

252 a dse flctons fles Hstory of "Canaans Land." 95 Hall was born n Massachusetts n 785. He was a farmer, and manufactured straw bonnets, kept a hotel, and taught a sngng school. Musc was only an avocaton, however, and he was an artst n hs way. He composed a number of tunes. From the best nformaton that can be had, he was almost selftaught n musc. Some of hs tunes have come down through all the dfferent note books, among them, "Mornng Glory," "Restoraton," "Hosanna," "Harmony," "Zon," "Devoton," and a number of others. E. J. Kng was an assocate of B. F.Whte n gettng out the "Sacred Harp," and helped revse t once or twce. He has several songs n that book. It s thought that he added the chorus, as well as appled the words, of "Canaans Land," and changed ts name by addng "Land to Canaan," makng the tune "Canaans Land." SEND A BLESSING, os & us. " Hereafter ye shall see heaven open, and the angels of God ascendng and descendng upon the Son of man "John : 5. John Gambold, 748. Key of F. B. F. Whte and L. L. Ledbetter, about 867. Rearranged by G. B. Daneu,, asssted by J. S. James, 909. ZZdZZZPZ Pr^ #^ =P=4pI zzftfrzftzz frfrzzzzzt tzzfr. 99 The tme for such tr wth me now s oer; \ To dwell Im de on ter^mned that happy ground. /Send a blessng, [? tell me more of ths worlds van store, coun try found where true joys a bound, ^^ ^ 4=444: dddz J_l ^fa =S==4 : * a a zlaz f The souls that be leve n Par lve, And me n that number wll Jesus receve, \My soul, dont de lay, He calls thee a way, Rse, follow thy Savour, and bless the glad day. jr= 44=4=4: Send a Send a blessng, Send a m f Great spols I shall wn from death, hell, and sn, Mdst outward af shall feel Chrst wthn; \ 3" \ And when Im to de receve me Ill cry, For Je sus hath loved me, can not tell why. j Send blessng, Send a f==44 m frfr :E_& 999 Ij, I lv ^_U±g lv L^_.L_L^,L! vu w " yl= V^zzzzzzzzzzzztV ^Jzzzztzzzz II blessng, Send a blessng, Send a blessng, Send a bless ng, just now, just now, just now, Send a blessng just now. NN Zfrfr rx d^dr drp z*= zzbzfr H :. bless ng, Send a blessng, Send a bfessng, Send N a bless ng, just now, just now, just now, Send a blessng just now. *fm: *kt. *k^ fr sp= It = = \m Ths hymn s taken from the authors works of 748. It orgnally contaned 4 threelne stanzas. Dr. Gambold was a bshop of the Moravan or Unted Brethren church. He was born n South Wales n 7, and educated at Oxford. He entered the mnstry of the Church of England, but joned the Moravan church n 742, and n 754 was made a bshop among them. He wrote several prose works, and edted a volume of hymns whch was publshed n 748. He ded n 77. Ths and "Thee We Adore, Eternal Lord," are consdered hs best hymns. Ths tune s credted to B. F. Whte and L. L. Ledbetter n the " Sacred Harp," and supposed to have been composed or rearranged by them about 867. Copyrght, 908, by J. S. James.

253 I zfraz m Nfr rs tfcfr &z4frttzfr I. BAITZEIX..J want to be a worker for the Lord, I want to love and trust Hs holy word, I want to sng and pray, And be busy evry day In the vneyard of the Lord. 96 I. B. Key of Ab, I WANT TO BE A WORKER. "The laborers are few."matt. 8: 87. ^^^4LV4fcJv_VN: s f\ fs IS frfr ^ ^ ^ frfr ftftft *** zlzzpfrsfrxfr I \A4VN ftftft I I P I ±A0 4 a a a a p 44er a. "n ft n \ \ ft ft + H 0L00 Pfrf 00 *=** L *^ZmZ4f=X:m4 ^* JIawJ4 MfazZfrdfrXZ J ^b. a ad. I want to be a worker evry day, I want to lead the errng n the way That leads to heavn above, Where all s peace and love, In the kngdom of the Lord. 3. I want to be a worker strong and brave, I want to trust n Jesus powr to save, All who wll truly come Shall fnd a happy home In the kngdom of the Lord.» k k k k k kkk, r&» I ft 999 pzizpz _»_ a_0_f_a_ fr=t k k k k k k k P P PP :t44t Z9=9fr9fr Z9=9=9=9 frt tiif ^±z$=^_zrzzr2r.zzzzr^ ^frfrp4^a=jfrfrp^p P P ^^W^^V^^P.Fh^^r^TPF=4=J^^v=^^==f ^ ^ 9 9 U ^ j9 ^ Ll J9 wll work, I wll pray In the vneyard, n the vneyard of the Lord; I wll work, I wll pray,i wll labor evry day In the vneyard of the Lord, In the vneyard of the Lord. ft. ft"frr r.. ft~frr E ns^rtft V4\4VAfr=t m,. =j==h \h=frzzzf zfrzkzh^] pfr JZ~\\ ftv a4 ~ 3a *4 SH= j.ftjpjap j ^m ^ =jp=aaaaaaa=hj= L dta_4rl0=m0a * w4*fr4d^o wll work, I wll pray In the vneyard, n the vneyard of the Lord; I wll work, I wll pray, I wll labor evry day In the vneyard of the Lord. yfue 4= 99 ZZAPz FFFFKrPa== s* 9999 mmwmmewzmm I wll work, I wll pray In the vneyard, n the vneyard of the Lord; I wll work, I wll pray.l wll labor evry day In the vneyard of the Lord, In the vneyard of the Lord. Stfe kr^krkkkk k kkrk kkkkks 99 XfrXzfrft 9z9zj frfr 9 P kk PZfr^ kakkkk 99 tfr 9^9 kkk k 9999 Sfr 99 tztzlm

254 ~ S. NEW PROSPECT. C. M. 97 W. S. T., 866. Key of G "Yea, sath the Sprt, that they rest from ther labors."rev 4 : 3. Rev. W. Turner, 866. l fll, A. =ttb a Frv\ 4 4 T =T^B 3 J 0 9 l u a P 4 J, a ; 9a g 9 F \ [, (! I j I and of rest, forjthee sgh ; When wll the mo ment come When shall lay my ar mor by, And dwell n (\ tt V tfl n a P A. ~? r rm! frl ^ V 3 y 4!»/ a T^_a a k P a A 4~ p a 4 a 0 a O and of rest, for thee I sgh ; When wll the mo ment come When I shall lay my ar mor by, And dwell n k L r»^! ~ j ^ p an Vr r k n JffJ a fl! ^!. r ~d* T " a P p a D 4 L>aP= I ^3 = Le) ^ Lsg P.ZZ0Z 3* \fm ZPzd a m ^st mm W. S. Turner was the son of J. R. Turner and was a Methodst mnster. Hs father was for many years a sngng teacher, and composed several tunes. He and hs son, n ther lfetme, composed and prepared a large number of tunes, ntendng to publsh a note and song book, but they ded before t was completed, and the manuscrpt was lost or burned. J. R. Turner was born n Hancock County, Ga., n 807, ded n Carroll County, Ga., and was bured at Wesley chapel, Methodst church. W. S. Turner, the author of the above tune and words, ded at Fort Valley, Ga., n 8g. He composed a large number of hymns and tunes, and was an tnerant preacher. For a full sketch of Professor J. R. Turner and Rev. W. S. Turner we refer to James bref hstory of the "Sacred Harp," pages 9 and 37. Copyrght, 909, by J. S.james. peace at home And dwell n peace at home. When shall lay my ar mor by, And dwell n peace at home. =44 = Wm Hge p*l "3 m m0. peace at home, And dwell n peace at home, When I shall lay my ar mor by, And dwell n peace at home. 0P Ah r m

255 " f nte " sh 98 Isaac Watts, 709. Key of F. sll 9 r 7 "J 4=4= SWEET DAY. C. M. D. Thne eyes shall behold the land." Isa. 33: 7. k r )~rp **~rz\z. There s a land of pure de lght where sants m mor tal regn, In m T. J. Denson, == fr=n day excludes the nght,and pleasures ban zfrfr pan, frfrfr B 2=fe 2. Sweet felds beyond the swellng flood stand dressed n lv ng greeny So to the Jews old Canaan stood,whle Jordan rolled be tween! fr =t=pk=f==tj. Lfh,\ *=\fr + Thshymn of Dr. Watts stands n the Rev. Lews Bensons complaton of the best church hymns ymnsof An Amercan Churches, No. 87, of a vast number of hymns of the seven leadngdenomnatons of the Unted States. It s consdered one of the best, and heartly approved by all Chrstan denomnatons. Further detals of the hymns of Dr. Watts appear elsewhere n ths book. Sketch of Prof. Denson appears on page 55. Copyrght, 909, by J. S. James. j2 ItBtfr8! Iff!7*! 0w I m "Wm. Hunter, D.D., 838. Key of G. IM GOING HOME. ffrfr Arr. by Rev. W. McDonald, about 850. My heavnly home s brght and far.nor pan nor death can en ter there. Im gonghome, Im gong home, Im gong Its glttrng towrs the sun outshne; that heavnly manson shall be mne. To de no more, to de no more, Im gong 5& d I *> % II l I u j Jm j! j j j PAf*. p aj p e) p p p 5 My fathers house s bult on hgh, Far,fat above the starry sky, Im gonghome, Im gonghome, Im gonghome Whenfrom thsearthly prs on free, that heavnly manson mnesnall be. To de no more, to de no more, Im gonghome m home to de no more, home to de no more. to de no more, to de no more. Let oth ers seek_ a home below,whchflamesdevour,orwavesoerflow, Im gonghome, Im go nghome,im gonghome to de no more, Be mne a hap per lot to own A heavnly manson near the throne. To de no^more, to de no more, Im gonghome to de no more. ^ S=^M m r r P>P«zfrzzfrfr frfr Wm. Hunter, author of the words n the above tune, was born n Ireland, 8. He came to ths country when a youth. He composed a large number of hymns. The above hymn s supposed to have been composed about 838. He publshed hymns n 838, 845, 85, and 860. He belonged to the Methodst Epscopal Church. He ded n Rev. Wm. McDonald was a Methodst mnster. He was born n Belmont, Me., 820. He was consdered an able preacher. He was statoned n varous town and ctes n the Northwest n 870. He entered the Evangelc work and was a great advocate to Chrstan holness. He edted for a long tme " Chrstan, Wtness." He s the author of seven church musc books and varous other volumes.

256 sre sre sre Key of F. ^mtm 3 Ts my de Ts my de f=t " BY FAITH I SEEK. The prayer of fath shall save." James 5: >5 fr 0. H. HANDI.EY, 908. a S * a PZZfrtzztrtPPp & wth" God to walk, Tll the warfare s oer, And wth hs chl dren pray, Tll tme shall be no more. ec tx 5=*4 r3r_=re #=p=: zztzzfr frzfrz wth God to walk, Tll the warfare s oer, And wth hs chl dren pray, Tll tme shall be no more. Ts my de k, M jv ^~P~n z=rr\ >.. N =,, k = 0 p fz rfff tzzfrztdz ± H X=l= l.^, zfr: ==g^==g L_J H H _, =s wth God to walk, Tll the war fare s oer. And wth hs chl dren pray, Tll tme shall be no more. 99 ddr =^= 4= * k Sr k k k"^ =EE I fr mx * Yet O by fath I seek a land of rest, A heaven pre pared for me. fr I seek a place n heaven bove, Yet O by fath I seek a land of rest, A heaven pre pared E E Zfrfr for me. I II 3=4=B fr fr fr I aeek a place n heaven a bove, Yet O by fath I seek a land of rest, A heaven pre pared for me. Prof. O. H. Handley, the composer of the above tune, resdes n North Alabama. He s a great belever n the old melodes wrtten n four shape notes and n the oldstyle of wrtng harmony. He has composed other musc before, but none of hs tunes have ever before been publshed, f so t s unknown to the wrter. He s a frst class leader and drector of musc. IB

257 200 REVIVE US AGAIN. J. J. Husband. Wm. P MacKAY, lsl). Key of G. "Wlt thou not revve us agan." P^. <_ HO ItlS. 4 g^. p&fefjw?% frzfr ;^ % t=t=b Ml=V t ^zzfr^fr 9 We prahtlu God.for the Sonso Thy love, For Jesus who ded, and s now gone above. Hallelujah, Thne the glory,hallelujah,a men. re vve us a gan. s x 2. We [lra^l* lhee,0 < :<k.,lor Thy sprt of lght,who hath shown us our Savour ; and scattered oar Dght. Hallelujah, Thr Thne the re glory,hallelujah,amen. vve us a gan, fr: \ H ^ I j ** m =!=!: Igg^S^ 3. All yjory and prase tu the Lamb that was slan; Who has borne all oar sns, and has cleansed eve? stan. Hahslujah, Thne the glory, Halleluj ah, amen. re vve us a 3?J [_Jfe t *»< =t tt Prof. Wm. P. Mac Kay composed the words to the above tune n S66 :; t was wrtten for the " Gospel Hymns," and frst publshed publ; wth them. The tune, " Revve us agan" was composed by Jenkns Husband, who was born n England, 760. He came to the Unted States about 790, settled n Phladelpha, Penn., where he taught musc, and was Clerk of St. Pauls P. E Church. He ded n 825. The tune was composed between 80 and 825, the ex act date s not known. DENSON. 7s. M. F. M. Key of F. " By gract yearesved."e. 5. F.,M. MCWHORTER, 906. t > ==! It h^ _.! 4= == xm. mz=zm frfr Oh to grace how can t be, That a snner vle as me. Can pro clam a Savours name.and be saved through the same. >^ ^EJ^^^^^^ fr :4= =4= ^4a Oh for grarl to love Thee nure,and the Savours name a dore. Would I could from sn be free, Oh, dear Lord, remember me. <Jh to grace how can t be, that a :=T y^frfr re/f^gts^s \t p=p frfr fzzfr mm fr fr ner vle as me, Can proclam a Savours name, and be saved through the same. Ml^l. gan. w,44.^ :rp_: frczzzz Idzz.d \frz x Oh, for grace to love Thee more, and the Savours name adore. Would I couldfromsn be free, Oh, dear Lord, remember me. The above tune s named n honor of Profs. S. M. & T. J. Denson, who resde n Wnston county, Ala. Prof. McWhorter receved nstructons n musc from them and named the tune for them. Copyrght, 909, by j. s. James.

258 = the Newton, 789. Key of A. hrzzztzlzzfrzzfrzfr v^ t44t :r===a; A maz WONDERFUL GRACE. For by grace are ye saved through fath" Eph, 28. Nf^t"fn >t~i W3 20 J L. Moore. =p44a4 t? 4=t ng grace! how sweet the sound, That saved a wretch lke me once waslost, but now am found.was blnd, but now I see. p±p&=? :. tj z, Twasgracethattaughtmy heart to fear, Andgrace myfears re leved; How pre cous dd thatgrace appear, The hour I frst be leved. $*., : r * ar*. (V ^94\ ^ 9 \t IV a=p= zzp=zwz Zg=Z0 Sft tsz =3 zfzfr ^ TV == ap fr PP a "h = " 9 9 0m = 9 9 a p Thro ma ny dan gers,tols and snares.i have al ready come, Ts gracehasbroughtme safethusfar, And grace wll lead me home. S =*BU?=3, X=X zazzzaz frz frfr zpzfrpz X =P=F= 4 ^4 fr~ UL^? S Yea.when thsflesh and heart shall fal, And mor tal lfe shall cease; I shall possess wth rnfvrvfvhs *# A4N 4N zfr_z*zzhz fr vel, A lfe 04H* fr ddof joy and peace. At L m L_=^_l. Twas wonderful,wond,erful, wonderful grace.twas wonderful,wonderful,wonderful grace,twas wonderfulrwonderful, wonderful grace.that saved a wrech lke me. Prof. J. L. Moore, the author of the above tune, lves at ths tme, 909, at Bethleham, Ga. He s well posted n musc, has been teachng for many years n Georga and adjonng states. He has composed some very fne sacred musc. Has publshed several books and contnues to wrte hymns and compose musc from year to year. He s a fne drector, teacher and composer, and s greatly nterested n hs professon, and has made qute a as a reputaton musc man. He also has a turn for the classc musc, but hs am s to gve to the world sacred songs and tunes.

259 202 JACKSON. L. M. Jesse Mercer, 825. Key of G. " They were strangers and plgrms on the earth. " Hub. : 3. M. F. McWhorter, 908. \r a="4 F z. When Trm\o efr^lt.fr^frjszzz I am a stranger here be low, And what I am s hard to know, I am so vle, so prone to sn, I fear that Im not born a gan. gan. tfrmmfrrt!b I experence call to mnd, My understand ng s so blnd, All feelng sense seems to be gone, Whch makes me thnk that I am wrong.wrong. s? myself out of the way, My thoughts are often gone astray Lke one alone I seem to be, Oh, s there an y one lke me? me? t^^r^ * m A sketch of Prof. McWhorter, the author of the above tune, appears on page 69. Jesse Mercer, the composer of the words, was a Prmtve Baptst mnster, who resded at Washngton, Ga,, or at least the words were frst publshed n hs hymn book n 830 called the " Cluster, " on page 337 R H DAVISand T.S.TERRY, S09. ^g^fr^rrzz^l^f HEAVENS MY HOME. ls. Keyof G. "In heaven we look for the Savour, the Lord Jesus Chrst." Phl.3: CHORUS. /?\ /7\ J fp=ftt999 W9l9fr=ftY9fr\z ^ 94Y9r99JfrJ\ frfr* I fr _L XV4f9^=9fr99ZZf9==ZZZ^ ( Cornwall my dear brethreo, and help me tosng,im gong to Jesus, Hes Heavens great K^Heaveusmyhon^Heavensmy home,im gong to Jesus,For Heavens my borne. He ded to atone for the sns of the world; Hs banner s flyng.hs sals are unfurled. a. _ /TN /T\ ^Z\_ H^.nfrfrfrb Z9 r ^\< *3^^frfrttfrr^^^^V^f^^^^ \ Whle here n the valley of conflct I stay,oh,gve me submsson.and strength as my day, Heavens my home.heavens my home, Im gong to Jesus,For Heavens my home. In all my afflctons to Thee,would I come, Rejocng n hope of my glorooshome. C\ 9! NM^ Afr zrrfrz tf.4.=4f:fh=t frfr*!* d_d ~Pz %*< W Sl9 999."^ vzzft9m.4z SS&^L^^lS^^f^S I ld^.tkjr.l Lord, n Thy beautes toshne,no more as an exle n sorrow to pne; Heavens my home,heavensmy home, Im gong to Jesus,For Heavens my homo. 3 j And n lly dear mage arse from the lowb,wth glorfed mllons lo prase Thee at home.,zz_*t ZJy ^=^4^[y_T^^^^^I^^:^EEl ^ ^=F^C^^I4b=l ^44g4^_^E^4^4^H

260 (Hstory of "Heavens My Home." ) 203 The precedng tune, appearng on page 9 of the "Sacred Harp," s supposed to have been composed about 869. It s credted to R.H. Davs and J. S. Terry, buthte s known of ether of them. They were promnent n the sacred muscal conventons and socetes from S50 up to the early seventes. We have been unable to get any data about them snce that tme. The tune here presented s practcally as t appears n the above named book, a few mmateral changes are made, to carry out the seemng ntenton of the musc. Key of A. CITY OF GOLD "He showed me a pure rver of water oflfe."rbv. 22:. J. H. CHASTIAN, 908. Pr.,^^^^^^^_^^^B^r&.Sgg^j zzpzzpz. O r,9.0p=9~ 99 l 9 P^= ver therver the rver of death,lttle Frances has gone from our sde,yet we can see her n snowy whte robes,as she crossed oer the rvers cold tde. FSE rd ZPfrfz PF P 4 4 zfczz9 fl *t< = *=* ^.pfrfrfrp ggg. O ver the rver.the rver of death.lttle Frances has gone from our sde, Yet we can see her n snowy whte robes,as she crossed oer the rvers cold tde. gg 4^^ 5E ZZZZZZZ9XWz9^===±=fr=*/4fr9===zE^^ frw m Angels we saw not that carred her oer.nether could we the cty behold, Yet o ver there she s watng for us n the brght ct Angels we saw not that carred her oer,nether could we the cty behold,~ Yet o ver there she s watng for us n the brght ct Vfrmt ^zftz H m = :p =p=*= =9 frzfr 99 fr= IfrW P=K Z99 + *=*? 99 * =99 zftz zz9=7fr=ft=7 mm y of gold. wz\zm y of gold. Prof. T. H. Chastan lves n Carroll County, Ga., at ths tme, 909. He s a strct member of the Prmtve Baptst Church, and has been for many He has been years. teachng sngng schools for forty years or more. He s specally fond of the old melodes, and prefers the four shaped system of notaton. He has been a member of the Chattanoochee Muscal Conventon over forty years. He s a good leader and drector and greatly loved by hs muscal brethren. He has composed a good deal of fne musc. He sngs n all books, but prefers the four shape tunes. He often attends the great muscal gatherngs n hs reach. Copyrght, 909, by J. 5. James fr

261 . May lent 204 DAVIDSON. L.M. M. F. M, 907. pfrpzz frfr=frz fpfrpzzzfr zfrzzfrfrzzztz pzzzpzz I =t=t=±t= : M. F. McWhorter, 907. fffr=tz frfr I. May grace support my tremblng heart.and causethepangsof deathdepart.may mercy ev er more abound,thatdyng snners may be crowned. fe + zfrzfrw^zfr^zzzzz^. pppp. F=r==F=tn t=fr =*=F= z\z =t: II 2. Oh, for the glo rous,gracous plan Of savng lost and ru ned man, So lost and runed by the fall,that none but Thee can be a toll. m^mfrfr^mx^zfrmfr^frj frfr mm dzzzdz fr fr^^fr^ fr^fr m grace support my tremblng heart, And cause the pangs of death depart. May mercy ever more abound That dy =t== tm m fr X ng sn ners may be crowned. dd frzx a,. Oh, for the glo rous,gracousplan Of savng lost and runed man, So lost and ru ned by the fall,that none but Thee can be a toll, See sketch of Prof. McWhorter on page 69. Dr. S. F. Smth, about 820. Slow and aoft. MOUNT VERNON. Lowell Mason, between 830 and 840. zfrzzbz I ==!= ^E 4F==E=t44 t=f=4t=f= S. Sster, thou wast mld and love ly, Gentle as the summer breeze, Pleasant as the ar of evenng,when t flows a mongthe trees. 2. Peaceful be thy s slumber, Peaceful n the grave so low: Thou no more wlt jon our number, Thou no more our songs shalt know. 3. Dearest sster, thou hast left us, Here thy loss we deeply feel, But ts God that hast be reft us, He can all our sor rows heal. 4. Yet a gan we hope to meet thee,when the day of lfe s fled,then n Heaven wth joy to greet thee.where no fare well tear s shed. IS 4 _ pp=f=p==p===e=r4f=_j ~l : ;<="=t=e^[===t=_eee±e^=== =!==)= === ~m? fr ^ZzP Dr. c F. Smth was an Amercan Baptst mnster, born 808 and ded 895. He wrote some very fne hymns. Some of them are: " My Country, ts of Thee," "When..ne Harvest s Past and the Summer s Gone," and the above hymn. It was composed on the death of a young lady, and supposed to have been com posed between 830 and 840. The tune has been arranged n ts present form by Prof. T. B. Newton and M. D. Farrs, 909. See hstory of Lowell Mason under the tune, " Marlow," page 2.

262 ants u. For fr kmkp " Allelua : for the Lord God omnpotec S. D., 909. Key of F. ^ THE MARRIAGE IN THE SKIES. C. M. 205 regneth. Let us be glad and rejoce and gve honor to hm : for the marrage feast of the Lamb has come." Rev. 9: 6, 7. Mrs. Sdney Dknson, wfe of S. M. Denson, 909. t t: mm =k=p= ffr t4b tzzztzfr. fr: O rng the bells of heaven hgh, The marrage feast has come, The j lorous jub lee s ngh, The sants are gong home; The mghty pennants X^ZLZZZfrLZZZZZ^ZLZ fr pflp=4=4+ S = 4= :4 e 4= t X _S ^ ^^Cng s muster ng Hs guests, I see Hs glorous band; see the shnng habt Of faroff Beulah land; They come,theycome on mz^s^^^^^^m^^^a^^ 3. From cloud to cloud, from dometodome,the myrad army cres,the marrage of the Lamb has come,the marrage n the skes; Come, brng the lnen 4. The brdegroom, too, methnks I seewhle myrad voces rng, Chefest among ten thousand, He, Imman =a= el, my Kng; Thrce blessed are they who IrD Fne.. >T\D. 8. ISjI m:dxl*tt! Pzzdzzz^z frzfcfr n of the skes Are wavng n the ar, And oer the gates of Zon rse The battlements so far. frz The battlements so far so far, The battlements so far. /7S..? 0 P ^* P* wnes of lght, I hear the bugle blast, I know the regn of sns dark nght For evermore s past. For ev ermore s past,. For evermore s past. *k r"yfrz P=p: ** tjdwh onh f>onn Thft wa^hnc tmula nrpnnw Th* oarm^nte cr\p.fm Hre Qlvrw shf»f»n.th#» hrhal rnhf» <Jn whte and clean.the weddng gneate prepare,the garments gleam lke slvry sheen,the brdal robe so far. The rt7.^rrrrrrrt^lfrzzzz :kkkk=k kt ^Fbsf^^k ~zp.zz*zhzzzfrf: wzfrz. frfrx 9 9 frzftzzzzlzczzzfrzz^zzztzzzzzz brdal robe so far, The brdal robe so far. ZZdfr JkP m m hear the call, A mghty angel cres, Haste to the supper of the Lamb, The marrage n the skes. The marrage n the skes, the skes, The marrage n the skes. Mrs. Denson, the author of the above tune and musc, has been muscal ever snce chldhood. She was a Mss Burdett before her marrage. She often asssts her husband n teachng musc schools, and attends the conventons and other muscal gatherngs n North Alabama. She leads and drects the same, and lectures on musc and relgous subjects. She s a good woman, and s laborng fathfully for the church and for the cause of relgon. Mr. and Mrs. Denson have several chldren, who are splendd muscans. She s a great favorte among muscal people, and s never happer than when drectng a large sngng conventon. She s a good composer, as well as a fnger snger. copyrght, 909, by j. s.james.

263 vne, 206 I AM THINE, 0 LORD. Fanny T. CROSBY 873. Key of Ab. "But God forbd that t should glory save n tbecrossof our Lord JesusChrst " Gal.6: 4 W. H. Doane, 873. Mrfe^r^to==p==s^4KF=f=====^^ ff^4^p^frzfrzzfr E^j A razzzzp=zzfazzzza=pfrzl:^xlzz^ LZPZ^MzzlLzfzzfrffrz] am Thne, O Lord, I have heard Thy voce, And t told Thy love to me ; But I long to rse n the arms of fath And be closer drawn to Thee. 4=4==!==!= *V* + 2. Consecrate me now to Thy servce, Lord, By the powr of grace dl ^fr=^0^^0r0=fr=4 0^0 l m& tfr :f^=t=^fth^^^p TTfT=j 0 p==0 %t0=azj. J. ^~p 00=0= Let my soul look up wth a steadfast hope, And my wll be lost n Thne. fr==. 2*bSEQ m tzfrzfr ^fr*z\zzz4^lfrfrfr =0z 4 4 tzzzfrfrz EBfc dzzzdr P * 3. O the pure delght of a sngle hour That before Thy throne spend,when I kneel n prayr and wth Thee, mylord,lcommuneasfrendwthfrend. **& :=F=4= x zl*x app34t ±44t I d^ v.v 4^=^4tt zpzfrzfr 53 EHES_ 4. There are.depths of love whch I cannot know Tll I cross the nar row sea,there are heghts of joy that may not reach Tll I rest n peace wth Thee. W Ifr Nf**rN NN m P5B± ^«^<M =F=4= ±_± == ztzzs tfc: F=4=F=T= ^ S ^ =SF=F I Draw me nearer, nearer, nearer, blessed Lord,To the cross wherethou hast ded;draw me nearer, nearer, nearer, blessed Lord,To Thy precous, bleedng sde. ^. /TV ^====Fq=====F444^I4I=44I44=FI44I44II=FI4I^4==F4=^ fr 3 M«v =S=S =4= 4zz*zzztzz&:z4z4z±zz\. Mv _ =«rt M ap SBI Draw me near mfrhzztftz :t er, ddrdr I Azr 44 0rl nearer, blessed Lord,To the cross wkerethou hast ded; Draw me nearer, nearer, nearer, blessed Lord,To Thy precous, bleedng sde. 04 ztzhz ~a! t: dttts: pp rpm It NV ANk 0 PS» d m t Draw me nearer, nearer, nearer, blessed Lord,To the cross wherethou hast ded; Draw me nearer, nearer, nearer, blessed Lord,To Thy precous, bleedng sde. Copyrght, 909, by J. S. James.

264 Hstory of "I Am Thne, 0 Lord." 207 Fanny J. Crosby was the most prolfc and popular Sunday school hymn wrter n Amerca. She was born n New York n 823 and ded n She began wrtng poems when eght years old, and at the age of ffteen she entered the nsttute for the Blnd, n New York Cty. She spent seven years there as a pupl and eleven as a teacher. In 884, she publshed a volume, enttled " The Blnd Grl," and other poems, and n 88S, another book of poems. She was converted n 85, and joned the Methodst church. In 859 she was marred to Mr. Alexander Van Alstyne, who was also blnd and a teacher n the same nsttute. Ther lves were congenal and helpful to each other; but as a hymn wrter she sgned her maden name as long as she lved. In the year of her marrage she ssued another volume of poems. She was employed by Wllam B. Bradbury the last four years of hs lfe. The frm of Bglow & Man then engaged her to wrte three hymns a week the year around. She wrote over four thousand Sunday school hymns. Dr. W. H. Doane composed ths tune about 883. He s a member of the Baptst church. Fanny Crosby was a close frend of hs, and they often met and talked over ther relgous experences, musc, and the battle of lfe. He has wrtten many valuable tunes and hymns, most of whch he sold over three thousand copes. Mr. Doane s a Doctor of Musc, and resdes most of hs tme n Cncnnat, Oho. Among some of hs standard peces are, " The Old Story," " Pass Me Not," " Draw Me Nearer," " Near the Cross," and many others. Dr. Doane s beloved by thousands of people. HAPPY HOME. C. M. "It any man wll come after me, let hm deny hmself, and take up hs cross daly, and follow me."luke 9: Thomas Shepard, 692. Key of Et2. Mrs. M. D. Fakrs, 909. pfe! e *t=? sr.fr. 00 frfrr Must Jesus bear the cross alone,and all the world go free? frezmzpzz f=lfr fr frfrzzfr Pa t: zfml s^n No, theres a cross for evry one,and theres a cross for me,and theres a cross for me. frfr frs =AP tdzpzzzzmzdz zzdzzz pnfjpp PP LPIIIL^ P0^ 33= tfrfrt frfr How happy are the sants above,whoonce went sorrowng here,but now they taste unmngled love, And joy wthouta tear, And joy wthout a ==5= afeg BflP pl.frzzzzzzz^zfrlfrzz^fzzzzzzzz^^p.zzfrzzfrzzrzpr. S 0ra 000%P ]444q_r_rq_^,_.. : 44^mLa ww J rzs0zzpzzpzzzzzzzzzzzzzp?z^mz^zjzzzzzzzzzzzzzzz fr.f0= P=*Ptzrzzfrfr tear. flfrlll 3. The consecrated cross Ill beartll death shall set me free, And then go home, my crown to wear,for theres a crown for me.for theres a crown for me. f2 * T =^l T k TBBTkP jpjp ^ K II 3_Se zpxfr fzt^zzpzp^ tztztz frtz tltltlt He II Mrs. Farrs, whose maden name was Belcher, s the wfe of M. D. Farrs, whose name s mentoned elsewhere n these sketches. She was born n 866, and at the present tme, 909, resdes n Atlanta, Georga. The above tune s her frst Nature has composton. gven her a sweet, clear voce, whch has been well cultvated and preserved. She s always happy when among muscal people. She loves all sacred musc, however, and s very partal to the old standard* hymns and melodes. Besdes beng a fne snger, she also plays well on nstruments. The above hymn was taken from the authors " Pentental Cres," n 692. Ths s one of the oldest hymns as t orgnally stood. The frst lnes were org nally wrtten, " Shall Smon bear thy cross alone, and other sants be free?" It s over three hundred years old, and yet_t s one of the greatest hymns of the present age, and appears n all the standard hymn books of ths and other countres.

265 \> d; L j. ~ 208 JAMES. 7s, 6s. 0. BERNARD OF Cr,UNy, Twelfth Century. JOHN MASON NEALE, 857. Key of E 2. "The holy cty, new Jerusalem, comng down from God out of heaven. M. D. Farrs, 909. c >. k k M ( r^~. * a "^ 0f L..! P A.b.. * 7 7 a Wp^ft 9 V V. Je ru salem the gold "^ a ap a 0^0f a~pa»ap P?f0000 a!!.!,, :, en, Wth mlk and hon ey blest, Beneath thy con templa ton, Snk heart and voce op frfr± 0,( N * k \ " A. b «J f IL fl p I IL *I rm U A 4 J J /!V P \!> v\) *n p ~ a a j «J J 4 " ^^ p. A * d p ^ " " V k f \ ^ ^ ^ : *. A. b "» " P a r r «!» c :!, )" rm >u r J PT^ a; p ^ H P m ^ a a a. a a v w rs a. > J J P P * «/ 9*9 9 d. There s the throne of Dav And there, from care re leased, The song of them that tr umph, The shout of them that feast; jj.j! U k k k k k tz I ^ j ^ r» «N r a * 9W = I99A9 L L<_ =r=^=s= =9Z ^ 4\AN ; ==F=. a a a 0.0J 0Pa4 v ft 9 ztz a a I know not, O know not, What joys a wat us there; What ra d frzzfr 4SNIV p P =< 4s ance of glo =P=^=S ry, What blss beyond m pressed; com pare. ==P Nfr 4=3 E Zfrffr py p=d jp *p «P I A ^ fr PZZZPZZZMZ frft>n 5= a P *N abt = a p And they who, wth ther Lead er, Have conquered n the fght, For ever and for ev er Are clad n robes of whte. 3 B=K= ^j,\nn 4lNK frn d d 4 «H> v* _=_jj l\a99 Copyrght, 900, by J. S. James. p a

266 b ed t " JAMES. Concluded. 209 br^p.pp. W**tfrfrfrfrr :t \f a! "===^~B»Jr^t* "a \ntfrzrfr P v^^e3 ~TfH tfrz trtrtrfc^ fr L? =* * a t +=^ +7,, T4 Af^r frm f They stand, those halls of Z on, All ju lant wth song, And brght wth many an gels, And all the martyr throng; X The Prnce s ev er wth them, The daylght s se rene, The pastures of the bless Are decked n glo rous sheen. / b. f 2 l. Ik S p IL h d «? II, * 4 f. Im" L ^ P w f / L v V 2 /O sweet and blessed country, The home of God e lect, O sweet and blessed country That eager hearts ex I Je sus, n mercy brng us To that dear land of rest, Who art wth God the Fa ther, and spr ev pect, er blest. / ).,. k k k k l. P f*\r s p\ h n t k PP a a 4^, *=> jj kkwjjr r y a""a~a~,*j ^MKfa tt_n_l^_/_fcj. L It,. t^hi. L JJ Rev. John Mason Neale, D. D., was born n 88, and was graduated at Trnty College, Cambrdge, n 840. He was a prolfc wrter, and the best known hymns among hs publshed works are hymns for chldren and anthems for Easter. He was a mnster of great reputaton, and ded n 866. The words n ths hymn were wrtten n a crude way by Bernard Cluny n the twelfth century. Parts of t s over seven hundred years old. M. D. Farrs, the author of the above musc, resdes n Atlanta, Georga, at the present tme, rooo. He wrote musc fourteen or ffteen years ago, but the above s hs frst effort for several years. He s especally fond of the old sacred melodes, and the wrtng of four staffs and four shaped notes. Wth a small number of others, he establshed the frst Sacred Harp class n Atlanta, Georga, n 900, whch has grown nto thousands of people. Mr. Farrs s well up n musc, and he s a possessor of a very fne voce. He s a splendd leader and drector of large classes and conventons. Hs father was a musc teacher, and ded n 897. He taught musc, off and on, for over a half century. He taught n the " Sacred Harp," by Lowell Mason, the " Southern Harmony," the " Mssour Harmony," the " Sacred Harp," by B. F. Whte, and other books. M. D. Farrs has not contnued teachng musc consecutvely, but occasonally taught a school. He helped to organze the Unted Sacred Harp Muscal Assocaton. He s on the commttee to revse the " Sacred Harp," and s one of the managers of that assocaton. He plays on the voln and other nstruments.

267 _.. *... As wth * 4 20 THE GREAT ROLLCALL. acy Freer Shaeebr, 909. "And before hm shall be gathered all the natons."matt. 5; NNN t At the soundng of the trumpet (of the trumpet), I Shall we hark wth rapturous longng (rapturous longng), 2 ; Rom. 4 : 0 ; Cor. 5 : 0 ; Rev. 2 : 20 ztzzjzzzjzzzrzzzdzzz^z ppp ^^ zzztfrx. When lfes work at last s oer (last s oer), To the callng of the roll (of the roll), S. M. and T. J. Denson and J. S. James, 909. S pptzzfr. 9=9= And we gather n that Or shall we be fearful. a a ~ "" a J Shall we meet the Savour gladly, lor as we stand there shall we know I^M j Come, then let.. do our du ty,.. I For the tme. not far ds tant., As He stands We have faled outstretched arm, to serve the Lord, Shall we Only feel.. wor.....zf.. we ve done our shped Hm half fv* _*=* _ft=±z_v * ^ ^ we jour.when we gath Fwk k krz:\frzzfrzzzfrzzfr ney on the way, That our meet er, one and all, We must hark N~N dd dddd frfrfr^z CHORUS. V a *l H n! H P P P P P * J P a!! * J! F /mf J J J r <,, r j p *. a a Pa ^ a vy / [/ ft ft 9 9 here we never met be cr cle (n that crcle), W tremblng (fearful, tremblng), L fore (met before ), \ <e some gulty frghtened s )ul (frghtened soul). J We shall gather, we shall gather, we shall gather, ng may be en to that 99 dd r, l ^ f^ k P p k" A.b p P P p P P* rm" n J J h n J J r\ s. d d J u a a!: «/ a... <a ~ " ^ p p. p ^ p * d d 9 0 no causefor alarm,) ^ read Hs precous word, j ^^.. V ^ k h A. b P * P! " P P rm J d a ^ d J a Vy d 4 m f a j,.d p 9 a j \d l P trumpet And an swer that great roll call, / We shall gath J P * P J a a... t_v [\... n L. P k r k " =J 9 tr a, a!! * F d d l.s P!! =» Y Utk_L_k Copyrght, 909, by J. S.James. * P

268 P THE GREAT ROLLCALL. Concluded. 2 r^ftnj \!. ) k k k k \, \ \ A** r *k P P a m n J p * a ^ ^ p l "V d d Ij Ij II 9.. r r f V v We shall gather one and all, one and all, We shall gather, we shall gather (we shall gather), At thesavoursgreatrollcall(greatrollcall). o r* ^ P k p k r k k n, II X_ tr J ^ J P J p P P k II rm a a J J d P P IS p \ J * s J J n s PM II " " ^ ) * 4. ^ P <d ^ P "W ^ P P ±W. 0 0 ^ ^ d 0 a a»j V rm j "V 9 ft 9 gath er one and all, We shall gath er, we shall Sav ours great rollcall. k fc k k P ^ k fc fc N ** fc P J., r r r r p a f I! k k. b * Ij a «t,, a a *., I j j a 0 a N^pfl v 9 9 >9_< 9 9 l^99 Jl The above hymn was wrtten by Lacy Freer Shaffer, of Atlanta, Ga. Mr. Shaffer s a ready wrter of poems, of whch he has wrtten a large number. Sometme n the future he ntends publshng a book of hs own compostons. An nspecton wll show they are frstclass. Mr. Shaffer was a boy edtor n Dakota before the terrtory was admtted as a State n 886. He was a member of the conventon adoptng her consttuton on becomng a State. Before he was twenty years old he studed the poetcal works of Longfellow, Whtter, Meredth, Holland, Burns, Bryant, Shakespeare, and others. He has been engaged twentyfve years as edtor and publsher, and for ffteen years has resded n Atlanta, Ga. It s beleved the above composton wll prove qute a favorte. The hstory of S. M. Denson appears on page no and of T. J. Denson on page 55 n ths book.

269 tnt ed to 22 SOME DAY. H. S. R., 909. Soft. #p f=e &zzd3: " Through the grace of Ue r.ord Jesus Chrat we shall be saved."acts 5 :. H. S. REB9B, 909. dzzdz pp d9 uzrd PP P P tzzzzfcz sg Some day the slver cord wll break, And I no more as now shall sng, But O the joy when, shall wake Wthn the palace of the Kng. fr : es8e = ^99^9 fea^fe^^sl^ ^ddd * ±^^~ vvjr* dpd. Some day my earthly house wll fall, I cannot tell how soon twll be, But ths" I know, my all n all Has now a place n heavn for me. "P f P J: r N *& IS _g 3. Some day when fades the golden sun Beneath the ros y gjttt^tk. k 4S* Z99PP3 PP 9PP 994 r Pzzfr 4 99 ^04 >ri V ~ r. a Nr. N. 7r: N~ k 4^F^=====4==44Fk=p==T==pFk" ^^^zzzzzzbfrzrfrrzfrzzz^dzzzzzdzzrjzzzzr^frzfr^ West, My blessed Lord shall say, well done, And I shall enter n nra NNr... fs"nr m rest. k k4=k=pkk4=k p ==PFk^k^=gFk=kk^Fk^ 4. Some day, tll then Ill watch and wat, my lamp all trmmed and burnng brght, Then when my Savour opes the gate, My soul to Hm wll take ts flght. P=^^:^gE 4^gBg=^ m PP* zzfz tzzfr I And I shall see Hm face to face, And sng the story saved by grace, And sng the story saved by grace, And sng the story saved by grace. pf ^S *fr A4 3 tz?drdr ^jj^l^r^f^r^3^^^fasr3^^ tt S3 q==?==fs F== S ZJ=54 pfrfr ^s^a And I shall see Hm face to face, And sng the story saved by grace, And sng the story saved by grace, And sng the story saved by grace. SeS * ^^ fc dd~ 4= zdzzzzdm frzzzdzfr. pk f==frffrfr==frl=^=y\ dd t=^ t=p=^=4

270 ed Hstory of "Some Day." 3»3 Rev. H. S. Reese was born n Jasper County, Ga., 827, and s now lvng at Turn, Ga. He s a mnster of the Mssonary Baptst church, and has been preachng over fftyfve years; has baptzed thousands of people, and has marred hundreds of couples. He s a twn brother of Professor J. P. Reese, deceased. He contrbuted fourteen tunes to the "Sacred Harp," and composed a number of other frstclass tunes. The frst tune he composed was "Trav elng Plgrm," on page 70 of ths book. He wrote " " Some Day "n hs eghtythrd year, and says : I love musc, and would leave a legacy of sweet musc to be sung by others. When ths falterng tongue s slent n the grave, yet n heaven, musc wll be my eternal theme." HEAVENLY Key of G. m zztt *! *=t= " PORT. Walk n love as Chrst also loved us." Eph. 5 : 2. At. and chorus by J. E. Eason, 909. xxfrt pd On Jordans stormy banks stand And cast a wshful eye.. ZZLZZZtzzzztfrz N?«Nr k srn fr 2. I love my bless 0 a zzftfr To Canaansfar and happy land,where my possessons le. txfcr= fc~=s:4 jsr Savours name, I love Hs blessed cause; I love to sng and thnk of Hm, In that brght world above. «3s pp jh pppvpi 3. Well stem the storm, t wont be long, The heavnly port s ngh,... CHORUS.. zszzbzzz PrP^S" fcfc K ppfr=fr Well stem the storm, t wont be long, Well anchor by and Xzzzfr frfrtzfr. how I love Je sus, how I love Je how I love Je sus, Because He frst loved me. ^~ _t 3=44 how I love Je I love Je sus, how I love Je sus, Because He frst loved me. %m 3=*= ztzzzfr It fr tt=t t: _4=F= fr pts!] Professor J. E. Eason resdes at ths tme ( 909) n Carroll County, Ga. He has been teachng musc for several and s a fne years, leader and drector. He s a member of the Mssonary Baptst church and of the Unted Sacred Harp Muscal Assocaton, and also a member of the commttee of revson of the "Sacred Harp." He s dong great work n hs secton for musc. copyrght, 309, by j, s.james. m by. II

271 B_k.kBL_B.B. From FROM THE CROSS TO THE CROWN. 24 " F. L. E., 895. Key of A. Ye shall receve a crown of glory that fadeth uotoway " Pet. 5:. T. L. En.AND, 896. fafc±hfee Zfrfr *EEfcfc±E_^Efc±StE^:[lES leete^jj ZZ?ZZ^%=9==fr 9% 99 tfrftfrfr ytlkkmt Itl 9~9fr9 ttzzh s= kk^k frfr V9. Look away from the cross to the gltterng crown, From your cares,weary one, look away;there s a home for the soul, where no sorrow can come,and where pleasures can M. WSZzfrz, Z4ZZP z^zrrzzz^lpfrzzzzrrrrzzzzzzzzz z^ j$zzjrzzpr,tez\\z^^ * ^ ^ m m. 2. Tho the burdens of lfe may be heavy to bear, And your crosses and trals^evere; Theres a beautfu.hand that s beckonng come, And no heartaches and ^lz^frrzzz.rszz^zzzzl=fr=\%^ S^=fe=^=^====^ 3. Md the conflcts, the battles, the stmggles.the strfe, Bravely onward your journey pursue; Look away from the cross to the gltterng crown, That s watng n 7^a/lKfcfcrfcfcfcfckk SAI k k kakkkk klkrk k^krhlkfckk~ kkkkkkf\?""^ kk k k~ M zf9=$ffr9=?9=^4 4^=l=9=9 mmm frzftfr=fr!^=r9^^ k_k_.k_kk. >^fc++k>k3n I8>*L_4I Z 9frS. I ka. fr fc=v4fr=\:fr9 nev er decay. Weary one,look away from the cross to the crown,from the cross to the gltterng crown,glttrng crown.from the cross to the gltterng crown. I$5?f~~ ~"~ "** rnn ns*vmfc :~ " r :r?srzrtfv EJZ 0^0LgJL00jZ 0MJZZZ # #_Ca_B._BJ_Bl^._J3 LlL,^HI #_#_^_^.s,_ JJ u sghngs are there. $mzwzmm 3=g: 99 heaven for you. Look a way, Look a way,. fess^i V* tnr I*r^ll> ^z^zzszfrzzfzzzzzzzzrzzzzzzfr &4* zz^z^bzzzzzz^zzzzz\ 4=^=44=4 PPfrPd^frg m kkkkk k 9 fr the cross to the gltterng crown, From the cross to the gltterng crown. 2. r^fcfc "fc I fkjsjkf,,. ft Sk*^h kk rfc fc Professor F. L. Eland, author of the above musc and words, lves at ths tne (qoq) at Myrtle Sprngs, Texas. He was for sometme connected wth The Zon Publshng Company, of Fort Worth, as manager. He has composed musc for several years. The above tune s consdered one of hs best songs. It s a favorte by many sacred song mssons. We publsh t n th.3 b;nk bv request of some of ts admrers. N. B.The Treble should be sung on same tone as the Tenor, 4 tones below ts present poston. Dd not dscover mstake n tme to alter plate. J. S. J.

272 der der I AM I A SOLDIER OF THE CROSS? C M. 25 Isaac Watts, 709. Key of F. " Edu:e hardshps as a solder ofjesus Chrst."2 Tm. : 3 G. B. Dahsu, 909. = M fr Am I a sol fc fc. ==F _r It fr frpszez ztzzfr: zpzzfr It frfr fr & of the cross, A follower of the Lamb, And shall I fear to own Hs cause, Or blush to speak Hs name, ^=2 Zzzfr M Pmb fr=bz I Xzzfr. tzzfr 2fe* n=zl & p^p AEzAz m frh ~ =Sz Am I a sol 44= =! 4=4 =!=4= n *^t A* g^fcrttrtr^a of the cross, A follower of the Lamb, And shall fear to own Hs cause, Or blush to speak Hs name, s zfrz^zz^z frfr zpzzzzpztpfrp. f?*mfr fr=pz=p zpzzpz 4==tltt I I I I I I s Or blush to speak Hs name, Or blush to speak Hs name, And shall I fear to own Hs cause, Or blush to speak Hs name? ==4=4 zztza m*zm t^tzfrp m wm x Zfrfr Pzpztfr^fr. m fr Zfrfr frzzdzz Or blush to speak Hs name, Or blush to speak Hs name, And shall fear to own Hs cause, Or blush to speak Hs name? r. fc fc A ^z fc fcrfc fe==j;4tj ztfrzrfrrfrpzzzzz :p=^=p4:t=t pzfrpz :f===m==et fr^=p=0t. fr=fr= zfrzfrz tzzfr. fr tzfr frfrz gzwzzz tfrdz ==t fl k b, k j=fe== ZZfrfr j^g Br khk=p E^ fr=zfrzzfr *=± tzzfr ZdzzzBl Orblushto speak Hs name, Or blush to speak Hs name, And shall I fear to own Hs cause, Or blush to speak Hs name? :bk kpfc" z 4=4" El k k 4= fk b k fc= tzrfr jzzdz frfrfrz frfr d *J I ======F===4=p=fc4fll ^0^p\=AfrZxm The words to the above tune were composed by Isaac Watts. See sketch and hstory of Geo. B. " Danell, author of the musc of After Ths Manner Pray Ye," page 32. Copyrght, 909, George B. Danell.

273 JV 9! _.. ==r=. eth L..?. " 2l6 THE LAMB OF GOD. (Anthem.) Key of F. MATT 3:; John : 29. J. S. James, , ^ K rm.4 J vv 4 * Ij! Ij d, 9 9» In those days came John the Baptst preachng n the wlderness cryng, "Behold the Lamb of God whch taketh away the sn of the world. 9 :»== ^~ f^ = k k k k k ="" k k k \f !"."." ^ ^z^ <z~.. "s ^~ =l_^ a f* o 4 k ^ a m P a / L4!S J p * p 7 p J J = * J J <! k P P j P a a ft 9 \j 9 V\) 4 4!j!j f d d \!j!j!ji 9 \ r 9 fd... d In those days came John the Baptst preachng n the wlderness cryng, "Behold the Lamb of God whch taketh away the sn of the world. >. "s = k k k k a hf"..^ aa k fl p p\>. k. k k [=* k p PLZL _fc )., 4 P P vis r 9 b. 4 j j Ij * * " u jv L a 0, \ j, ; ] ^ ^? ys > "=4 3 IS d /r\ /TV = k k ft Q IS s fj t 4444 s s s M r / rr r r P *». lrv\" a a J 0 J d *> p IV 9 L.. L tr /T\ Behold the Lamb of God whch tak eth away the sn of the world, Whch taketh away V, A_ rr J III rm" a d "d d a "V ~a! * ^ ^ P / /5S "S «s. U a V 4 k k f. jfh4 _r* _js s. V., " p* ^ " r r k p IS P P P\ r * rrrv 4 ~ Z J : 4 JsJ 4avy *t 4 4 < J ^, <d^^rvv** ^ ^ 3 /_ N P P\ a p k TO" ALU l^ IV fd.f f A L L L L p f d Behold the Lamb of God whch tak a way the sn of the world, ^ f*> = k p ^ N ^ ^ J P ; a kl ^ d a [4AAaJ= =3=4^ Behold the Lamb Copyrght, 909, by J. s. James. Whch taketh away =~

274 Ifcfc dzrdzz ZZBZZPZ fr. Whch taketh away AAAft THE LAMB OF QOD. kr?s t*zr9z Pa jp=a= 99 9=9 9J^9=9 9zfr Whch taketh away,whch taketh away the sn a * 9?\ PB= fr=9_zz <c\ Concluded. n n *, *, tt JJ /t\ <\ rr\ n\ 27 mwm the sn of the world. of the world, Whch taketh away the sn of the world. 4s 4S4 4S=U PP PP^j the world 4^ A4S4S ^slsl /7\ /T\ ft\ RI ztzzzfr 99=99 of the world.whch taketh away the sn of the world. 00 /T\ rt\ rr\ rt\ rt\ _ 99 Z ^L frfr.dzzfr of the world, The words, "In those days came JoRn the Baptst preachng n the wlderness," s found n Matthew 3:. The same words appear n Mark : 4, 5, and n Luke 3 : 2, 3. By some t s clamed ths matter was foretold n Joshua 4: 0. In Danel 2 : 44 tha kngdom preached by John was prophesed to be set up. A vson of t was seen by Danel. See 0: 7. Ths was told to hm. John : 29. The remanng words n the above tune appears: " Behold the Lamb of God whch taketh away the sn of the world." Agan, n verse 36 of the same chapter, John says, "Behold the Lamb of God." Ths s also referred to but n dfferent words n Romans : 3; Gaatans 4: 4; Hebrews 2:, 4, 6, 7. copyrght, wo, by j.s.james. Dr. S. Smth, about 844. Key of C *T M^^^ pp P fyes.my natve land, I love thee, AH thy scenes lovethem well, I Frends, connectons, happy country, Can bd you all farewell? / CAN I LEAVE YOU? Arr. by John P. REESE, 852. m m tzzfr tzzfr: m Can I leave you, Far n heathen lands to dwell? m* 4= f* mm # Mz: dzhdzzzt j* WM Yes, my natve land, I love thee, All thy scenes I lovethem well, Frends, connectons, happy country, Can bd you all farewell? Can I leave you, Can I leave you, Far n heathen lands to dwell? gjps^eg; FpP t: mt= It ppt=tm Dr. S. F. Smth, the composer of the above tune s also author of "My Country, Ts of Thee." These words were composed for mssonares. Dr. Smth was a Baptst preacher, and dd a great deal of mssonary work. He edted a mssonary paper, and composed a great many hymns, and was a fne wrter of prose. He was born n Boston 808 and ded n 898. See sketch of J. P. Reese n other parts of ths book.

275 my ", 2l8Rev. E. A. Hoffman, 899. Key of Afe. MY JESUS IS ABLE TO SAVE. Sfe^ frfrzfr $frzz4z4z=pz He s able to save to the uttermost."hkb. 7 : 25. B. B. Beau, 899. Used by per. t=±4=i^flfc=l=&f=^4ap ^psep^tes^^a. From danger and doubt,from sorrow and fear My Jesus s able, s a ble to save; When trouble and care and tral are near, My Jesus s a ble to save. rpp =^ NJs±4lS ~^\fr~zwx=frfr^^^fr==m YZzfr^^frzZzzzzzzzzzrSzdlzd^frzfrz Pm a m J* I. I. ^IJ ±=fe4± tdz AA4= a. a ^» a f=n :4== 4=F= fe_> ttfrlfrfr A^t*Pfch4p4j44I ^=s==^t!^""=j=. The tempter may strve my soul to ensnare, But Jesus s able, s a ble to save. For refuge I flee to Jesus n prayer, I know He s able to save. 3. No matter how dark wth evl the hour, My Jesus s a ble to save, For Hs s the kngdom, glory and powr, My Jesus s able to save. krk^kkk^ rv., /% kpk^kkk k p fl n \*< k, SA fs k k k. kk. a I ^ C rp * * * ^"TT!k.kk k js?! N r _; P rkfc. *=J tt tfrfrfr. V*L^t" 9fryH 9~ fr=$xfrfrfr ^frfrtfrfr^ ^=frvfr== ZztzZLZZZ9 ^zzz^zzzzzfrfrx^zyz PPPA 4. O trust n Hs grace, aboundng and free, For Jesus s a ble to save, And never dsmayed, dscom ftted be, For Jesus s a ble to save. REFRAIN. ls fzz?zzz\^zfzz$ ^rzzzw$p=p^ My Jesus s a f9949\ arp~~!?~ 7~^~ 4 9f 99^9 fct ±_t= * P=S pzzzpzzfpk SptP zkzfr Xzzhzzzrzz I. p^ =F=^pPhp==j fr ha 33 frzz9frzfr. 9Z9==%Z9Zf =a=pp Xfr I 949 rt. 9 /#/ f^^^mmfrxsmm ble, s able to save, my Jesus s a ble, s able to save,hs grace s so free t reaches een me, My Jesus s able, s able to save. r^s4s4s==af=g=^==^4==ff=^=^=jr=4====^ jt^^j=g^&^j4vp&zs^: =L5=S 300 pfrtz^tl p=fp My Jesus s a ble to. save, _a a. ztzzzfr: ^^M9frzzfZTzz9Zzz\zt^zzzzz9 l3_zzzr0:z\frztlzfczz79.t zfrzfrfr frfrz*»n ft* *»«fc=3cf±<t* apa F=4rf==: V^F 9dtl=»frfrp dfr ^t^=a= v ys N4S ±^_ =s=^^*^ 0.4 K43 m=3zez: Jesus s a ble to save, Hs grace s so free t reaches een me, My Jesus s able to save pp.pz0zz0z tzfczfcfr. k kkkkfrfrzz 999^9 ^:m^f":p:zp4»4a.srb4444:4jj ^PI 9 994, L^.._^ J My Jesus s a ble, s able to save, my Jesus s a ble, s able to save, Hs grace s so free t reaches een me, My Jesus s able to save..

276 self Hstory of " My Jesus Is Able To Save." 29 See sketch of Rev. E. A. Hoffman, the author of the words, under the tune, "Jesus Is a Frend," page 57. Professor B. B. Beall, the composer of the musc, resdes at the present tme (009) near Douglasvlle, Ga. He has composed and compled the followng books: "Brght Beautful Bells," 000; "G:ms for the Sunday School," 902: "Joyful Lays, No. song...," 003; "Joyful Lays, No. 2," 905; Bealls,, Gospel Songs, No.," 907. He commenced composng musc n r8cjo. He began teachng musc In 892, and has contnued ever snce. Professor BeaTl s a very competent muscan. He frst took lessons from hs mother, who was a daughter of S. M. Brown, who composed several tunes n the "Sacred Harp" and other books. He also receved nstructons from F. P. and W. F. Morrs, T. N. Beall, hs brother, Professor A. J. Showalter, of Dalton, Ga., and Edwn Moore, of New York. He graduated and holds dplomas from the last two named. Mr. Beall took the frst honors n the ShowalterMoore Normal Muscal Insttute at Mayfeld, Texas, n 898. There were about one hundred composers and teachers n ths nsttute. Professor Beall keeps rght n touch wth the leadng muscal publcatons n ths and other countres. He s a fne leader, drector and snger. He was born at Dallas, Ga., May 25, 874. Mr. Beall s a consstent member of the church. FLEMING. C M. "In whom we have redempton through hs blood, forgveuess of sns accordng to the rches of hs grace."bph. : 7. Isaac Watts, 707. Rearr. by J. M. Sweeney and J. S. James, 909. D. C. za==* M xfr 4=4 >=K ZdzfrtZ zmzdz I A las, and dd my Sav our bleed? And dd x my Sovregn de? I Would he devote that sac red head For such a worm as I? / Was t for crmes that I have done, He groaned up on the tree? D.C. Amazng pt y, grace unknown, And love be yond de gree. fc Z^fr fr=4frl: mm gzzzzsjzs. m # 4= m mmmz jtztzt ^mtm /Thus mght I hde my blushng face, Whle Hs dear cross appears; \ I Dssolve my heart n thankfulness, And melt mne eyes to tears. /But drops of gref can neer repay, The debt of love I owe; D. CHere, Lord, I gve my away, Ts all that I can do. lpe^g >^F^= m ====F4 ttt: fr fr t na The orgnal ttle to the above hymn was, Godly Sorrow Arsng From the Sufferngs of Chrst." It was frst publshed n Watts " Hymn Book No. 2." " It orgnally contaned sx verses. It s found n all the prncpal hymn books n ths and foregn countres. See sketches of Isaac Watts elsewhere n ths book. Professor J. M. Sweeney resdes at ths tme (909) at Forest Park, Ga. He s a fne snger, leader, and drector of musc, and s a great lover of the old sacred songs, but uses all song books. He s a member of the Unted Sacred Harp Muscal Assocaton and many others. Copyrght, 909, by J. S. JameB.

277 our our ly lev 220 CONFIDENCE. L. M. D. J. R. T., 858. t> fr, Slow. PPP :**tzuz Repentance toward God, and fath toward our I*ord Jesus Chrst."Acts 20 : 2 t F? ( A way, my un be lev ng fear; My Sav doth not yet ap pear, 4=4= 3= /A way, my un be ng fear; I My Sav doth not yet ap pear, P^0 m :t: Fear shall n me no more have He hdes the brghtness,of Hs P=4= I yfe pp place; \ face;/ But Fear shall n me no more have He hdes the brghtness of Hs place; \ face ; j But J. R. Torner, about 868. p=p frfrz. shall I therefore let Hm go, shall I therefore let Hm go, Pftm^ t=tz s Xz ±_±: t=t I tf I t*zzze fk PZZPZZZZPZZ tzzfr: US! ttzfr ZfrPZt E^Ep^Qf^pPP d Xfrz. zfrfr And base ly to the tempt* er yeld? No, n the strength of Je sus, no, I t$s r» s \ m ") r t r f**j tfrfr ffle =UJ And base to the tempt =P=e P=aP nev er wll gve up my sheld. g&gg] er yeld? No, n the strength of Je sus, no, nev er wll gve up my sheld. m$m = P^ESE t ^ * frfr ^^ ss Professor James R. Turner, author of the above words and musc, was born n Hancock County n 807, ded n 874, and bured at Wesley Chapel, Vlla Rca, Ga. He was the father of W. S. Turner, who s the author of some musc n ths book. He was a fne snger, leader, and teacher. He taught musc n Georga and Alabama for more than forty years, and helped revse the " Sacred Harp " n 858. He was a great and good man. Hs son, W. S. Turner, and hmself composed musc, and ntended to publsh a song book, but ded before dong so. A full hstory of J. R. Turner appears n James "Bref Hstory of the Sacred Harp," pages 995. He was a member of the Chattahoochee Musc Conventon from the tme of ts organzaton n 852 up to the tme of hs death. He gave the wrfer hs frst nstructon n musc. We prnt the above tune just as t was orgnaly composed by hm. Copyrght, 909, by J. S. James.

278 Mason. Chambers. McLendon.. Showalter. Danell Danell Davdson Van Baltzell INDEX OF TUNES AND COMPOSERS Name of Tune Author Pace After ths Manner Pray Ye 32, An Corell 88 Am I a Solder of the Cross Danell 25 Arbacoochee Denson 38 Arlngton Arne 79 Arnold Breedlove 2 A Ssters Farewell.. 52 AttheSavoursRghtHand.Holsnger 70 Avon Wlson 49 Aylsbury Greene 28 Balerma Smpson and Whte 37 Baptsmal Anthem Whte 22, 23 Beautful Home n Glory 34 Bellevue and Steele 72 Blessed Home 80 Bower of Prayer Osborn 87 Bound for Canaan Kng 63 Boylston Mason 27 Brown Bradbury 8 Brght Forever Pollock 4 Burk Whte 9 Blnd Grl Brown 67 By Fath I Seek Handly 99 Cagle Denson 5 Cambrdge Randell 84 Canaans Land Hall 94 Casander Denson 7 Chrstans Hope Parrs 30 Cty of God Chastan 203 Cleburne Denson 0 Clamanda Unknown 03 Comng to the Cross Fscher 6 Coufdence Turner 220 Consolaton Denson 9 Coronaton Holden 62 Cornth Messengale 3 Cullman Denson 20 Davdson McWhorter 204 Denson McWhorter 200 Denns and Nagell 35 Name of Tune Devoton Duane Street Duke Duke Street Author Hall Cole McWhorter Hatton or Reeve Carter Mason Ecstasy Elthan Enough for Me Hoffman Eternty Guthery Eternal s Thy Merces, Lord, McWhorter Evan. Haverga... Denson.... Exhortaton Unknown Farewell to All Reese Farfeld Unknown Fllmore Reese Flemng Swnney and James From Greenlands Icy Mountans Mason From the Cross to the Crown Eland Funeral Anthem Bllngs Gatherng Home Mcntosh Glorous Day Denson Glory to God n the Hghest, Bradbury Golden Harp Reese Gone to Rest Go Ye Forth and Labor.Vaughan Great Provder. Denson Greenfeld Edson Hallelujah Walker Happy Day Rmbault Happy Home Farrs Happy Matches Whte and Kng Happy Land Young Heavenly Dove Ogletree Heavenly Port Eason Heavenly Gates Delay Heavenly Kng Denson Heavens My Home..Davs and Terry Harwell Mason He Leadeth Me Bradbury Page , , Name of Tune Author Page He Leadeth Me Mcntosh 76 Holy Manna Moore 59 Home n Heaven. Denson 8 Home Over There Okane 99, 00 Home of the Soul Phllps 53 Humble Snner Wall 36 Home to God Above Land 7 Idumea 43 Italan Hymn Gardn 22 It Is Well Wth My Soul Blss 95 I Want to Be a Worker 96 I Would See Jesus Breedlove 75 I am Thne, O Lord Doane 206 Im Gong Home McDonald 98 Jackson McWhorter 202 James Farrs 208 Jasper Denson 53, 54 Jerusalem Unknown 58 Jesus s a Frend Holsnger 57 Jesus s Mne Brown 30 Jesus Saves Krkpatrck 76 Jester Denson 2 Journey Home Mann 25 Kngdom Conng Mcntosh 26 Keller Denson 53 Kerr McWhorter 68 Laban Mason 6 Labor On James 0 Land of Beulah Bradbnry 74 Lead Me Savour Davs 66, 67 on Leanng the Everlastng Arms Showalter 32 Lenox Edson 40 Let Us Go Forth Brown 75 Let Us Sng Moore 08 Lberty Jenks 55 Lfe Boat Denson 62 Logan Denson 58 Lone Plgrm Whte 97 Lookng Ths Way de Vender 39

279 . Hastngs Newton Index of Tunes and Composers Contnued Name of Tune Author Look Out Whte Love Denson Lovng Kndness Denson Lovely Story Kng Marlow Cheatham & Mason Martn Marsh Mary Blan James & Danel... McKay. Denson Hear... Wllams Mendelsshon Mendelsshon Mercys Free Breedlove.. Mornng Trumpet Whte... Mornng Lght Dorth Mt. Psgah..Denson. Mount Vernon.. Mason Murllos Lesson. Unknown My Home Above..Pollock My Jeaus s able to Save Beall Nashvlle... Ingalls Nearer My God to Thee. Mason New Brtan Unknown New.... Hope Cagle New. Jerusalem Ingalls New... Jordan Cagle New..... Prospects.Turner New York, Tune Mason Nnety Ffth.. Colton Nnety Thrd Psalm Ingalls Northfeld Ingalls Nothng But the Blood of Jesus, Lowry Old Hundred. Franc Old Shp of Zon.... Carter Olvet Mason. Olney Chopn Only Trust Hm Stockton... Only Watng Fllmore Ortonvlle. & Whte O Why Not.. Tonght Bushey Partng Hand. Ingalls Pass Me Not Doane. Sykes Petton. Brown.... Plgrms Hope Denson... Psgah Lowry. Pleyels Hymns (Second) Pleyel Paec Name of Tune Author 9 Prase Hs Name Forever More. Perry 59 Prase the Savors Name Land 56 Prayer of Sants Brown 05 Present Joys Cagle 2 Prmrose Chopn 47 Prmrose Hll Unknown 48 Promsed Land Durham 3 Rejoce Denson 2S Relgon s a Fortune Wllams 86 Rescue the Pershng Doane 49 Rest Bradbury 85 Restoraton... Everett 0 Resurrected Denson 83 Retreat Hastng 204 Return Agan Wllams 88 Reverental Anthem Kng 5 Revve Us Agan Husband 28 Rock of Ages Hastng 63 Rock of Ages Dear to Me 34 Rollng On 2 Royal Band Guthery Power 46 Sards Lancaster 20 Save Mghty Lord Wade & James 87 Seek the Lord (Anthem) Denson 97 Send a Blessng, Whte, James Darnal 3 Shepards Rejoce, Breedlove & Akn 8 Sdney Denson 77 Sng to Me of Heaven. Messangale 6 Soft Musc Whte Some Day Reese 64 Standng on the Premses... Carter 02 St. Thomas Tansur 73 Sweet Afflcton Rousseau 46 Sweet Bye and Bve Webster 35 Sweet Canaan Mofft 50 Sweet Day Denson 90 Sweet Home Payne and Bshop Sweet Peace The Gft of Gods Love, 37 Blhorn 24 Sweepng Through the Gates Moore 33 Teltha Denson 8 The Beautful Home n Glory, Danell 9 The Brght Forever Pollock 6 The Bowers of... Prayer Osborn 36 The Blnd Grl... Brown 42 The Chrstans Hope Parrs Page Nome or Tune Author 3 The Golden Harp Reese The Great Provder Denson 30 The Great Roll Call..Denson & James 07 The Lamb of God James 2 The Lfe Boat Denson 43 The Lone Plgrm Whte 28 The Lovely Story. Kng 6 The... Kngdom Comng.Mcntosh 94 The Marrage n the Skes..Denson 72 The Mornng Lght Dortch 23 The Mornng Trumpet Whte 84 The Plgrms Hope Denson 82 The Old Shp of Zon Carter 57 The Royal Band Power 09 The Promsed Land Durham 54, 55 There s a Fountan Mason 200 There s a Great Day Comng, 6 Thomson 29 Travelng Plgrm Reese 77 Varna Rnk & Root 27 Waldn Bryant 45 Webb Webb 47 Webster Unknown 60 Wells Holdroyd 95 When I Am Gone Turner 4 Wndham Read 20 Wnston Denson 2 Wondrous Love Unknown 7 Wonderful Grace Moore 22 Work For the Nght s Comng, Mason 74 Wondrous Cross Lofton 7 Yeld Not to Temptaton Palmer 45 Zebulon Mason 82,83 Zon Hastng 89 I98 ANTHEMS 64 After Ths Manner Pray Ye.Danell Baptsmal Anthem. 86 Glory to God n the Hghest. Bradbury Jasper Denson 34 Funeral Anthem Bllngs 4 Reverental Anthem Kng 87 Seek the Lord Denson 67 The Great Roll Call.. Denson & James 30 The Lamb of God James Pafe

280 INDEX TO FIRST LINES AND COMPOSERS...Danell..... Kng... Wesley... Denson... Unknown.. Cennck..... Wesley.. Doddrdge Frst Lnes Authors Alter ths manner therefore pray ye Aks and dd my Savor bleed," Watts All hal the power of Jesus name Perronett Amazng grace how sweet the sound Newton Am I a solder of the cross.watts And am I born to de Wesley And let ths feeble body fal Wesley A poor wayfarng man of gref Montgomery Asleep n Jesus, blessed sleep McKay And now my frends both old and young Reese Away my unbelevng Turner As down a lone valley wth Unknown At the soundng of the trumpet... Shaffer Awake my soul n joyful lays Awake ye sants and sng the song Medley Land A story most lovely I wll tell Behold the love, the generous love Denson Bless O, my soul the lvng God Watts Blest be the te that bnds Fawcett Blow ye the trumpet blow Bold solders all on you I call Broad s the road that leads to death Watts Brethren we have met to worshp Chldren of the heavenly kng. Come all my dear brethren Davs Come every soul by sn oppressed Stockton Come humble snner n whose breast Jones.Wesley Come let us jon our frends above Come on my fellow plgrms, come Lancaster Come thou almghty kng Wesley Come thou fount of every blessng Robnson Come thou long expected Jesus Come we who love the Lord Watts Come ye that love the Lord. Watts Come holy sprt Heavenly dove Watts Death has been here and born away a sster Denson Dd Jesus de that we mght lve Do not I love Thee O my Lord Fade, fade each earthly joy, Jesus s mne Farewell dear brother, fare you well McLendon Farewell van world I am gong home Reese Far as thy name s known From all that dwell below the skes Watts From all the dark places Slade From danger and death From every stormy wnd that blows Stonewall

281 . Kng. Brown Thompson Smth Moore..Cowper.... Young Davs v Index of Frst. Watts. Watts. Ingalls. Brown.,.... Denson..Watts, Reed...,,, Frst Lnes Authors Lfe s the tme to serve the Lord Look away from the cross to the crown Eland Lord n the mornng thou shalt hear my voce Lo what a glorous sght appears Watts Md scenes of confuson. Payne Mxtures of joy and sorrow. My brethren all on you I call Whte My Chrstan frends n bonds of love Mother they say the stars are brght Must Jesus bear the cross alone My Chrstan frends to whom I speak Sheppard Denson My fathers gone to vew that land Denson My fath looks up to Thee Palmer My God my lfe my love Watts My latest sun s snkng fast Hascall My shepherd wll supply my need Parrs My soul be on thy guard Heath My souls delght My soul repeat hs prase My fathers found a home n that new brght world, Denson My souls delght has been to sng Denson My Heavenly Home McDonald May grace support McWhorter Nearer my God to thee. _, Adams No more beneath the oppressed hand Jenks O. blessed Savor hear our prayer Mofftt O, do not let the world depart. O for a breeze of Heavenly love Kng O for a closer walk wth God Cowper O for a heart to prase my God Wesley O happy day that fxed my choce : Doddrdge Once more we come before our God Hart One soul baptsmal sng. Robnson On Jordans stormy banks I stand Stennett O sng to me of Heaven... Shndler O tell me no more Gambold O love surpassng knoweledge. Hoffman O the nght of tme soon shall pass away Kefer O the transportng rapturous scene Stennett O who wll come and go wth me Mofftt O who wll come and go wth me,.,., Mann O blessed Savor hear our prayer Brown 0 when shall I see Jesus Leland O thnk of the home over there Huntngdon O thnk of a home over there Huntngdon O love surpassng knowledge Hoffman and Composers Contnued Page Frst Unc Author.?.*: 5 O for a breeze of heavenly love O tell me no more of ths worlds van store Gambod O land of rest for thee I sgh Turner Oh to grace how can t be McWhorter 200 hlls of darkness Wllams 68.,. 64 Over the gloomy 68 Over the rver, the rver of death Chastan O rng the bells of heaven hgh Denson Over the rver faces I see Van Deventer Pass me not, O gentle Savor Crosby Prase God, from whom all blessngs flow Ken Peace troubled soul thou need not fear Eckng 2 82 Planted n Chrst the lvng kng Watts Rock of ages cleft for me Toplady 5 27 Rescue the pershng Crosby 72, 74 Rock of ages dear to me Toplady Shall we ever meet agan Salvaton O the joyful sound Watts 2 83 Stand up, stand up for Jesus Duffeld 4 7 Soft musc s stealng Whte 7 83 Shepherds rejoce, lft up your eyes 4, 83 Sweet s the day of sacred rest Watts Shed not a tear over your frends early ber Turner Savor lead me lest I stray 66.,, 34 Say now ye lovely socal band Savor vst thy plantaton Newton 09 89, 99, 25 Seek ye the Lord, seek ye the Lord Denson Standng on the premses of Chrst my Kng Carter Slent lke men n solemn haste Some day the slver cord wll break Reese 22 3 Sweet felds beyond the swellng flood Watts 4 56 Sster thou art mld and lovely The glorous lght of Zon Whte 9 25 There comes to my heart one sweet stran Blhorn 87, 28 Theres a great day comng 9 2 The hll of Zon yelds 7 95 Theres a land that s farerthan day Bennett There s a fountan flled wth blood 90, 0 There s a home n Heaven for me Gabrel 8 3 Theres a sweet and brght forever 4 89 Theres a happy land far, far away 7 25 The tme s swftly rollng on Guthery To leave my dear frends Kng 87 94, 63 There s a land of pure delght Watts Ts my derre wth God to walk The Lord nto Hs garden came Ingalls The Lord wll happness devne 84

282 ..... Index to Frst Lnes and Composers Contnued Frst Lnes The day s past and, gone. Up to the bountful gver of lfe Slade When peace lke a rver When I can read my ttles clear Whle travelng through ths world below Sykes We have our troubles here below What a fellowshp, what a joy dvne Wll God forever cast us off When I can read my ttles clear What s ths that n my heart s rsng. What wordrous love s ths What can wash away my sns What shp s ths that wll take us all home Work for the nght s comng Authors..Leland Spafford Watts Parrs Hoffman Watts Breedlove Lowry Walker Page Frst Lnes Authors 58 When thou my rghteous Judge shall come Huntngdon 44 Whener you meet wth troubles Leland 95 We thank thee Lord for heaven and earth Cagle 8 Why should we start and fear to de Watts 8 When Paul was parted from hs sns Denson 30 Whle thee I seek protectng power Wllams 32 We are floatng down the stream of tme Denson 28 Whle sorrows encompass me around 43 We have heard the joyful sound Owens 49 Wde ye heavenly gates unfold Auber 52 When I survey the wondrous cross Watts 64 We prase thee O God for Jesus who ded MacKay 73 Yeld not to temptaton Palmer 93 Yes my natve land I love thee Smth Page METRICAL INDEX C. M. Am I a solder of the cross Arnold Arlngton Avon Brown Bellerma Cansander Coronaton. Cambrdge Cullman Exhortaton Evans Farfeld Gone to rest Hallelujah Heavenly dove Happy home Idumea Ijand of Beulah Mary Blan Marrage n the skes Mear Marlow... Nnetythrd Psalm New Brtan New Jerusalem Northfeld New York Tune.. C. M.Contnued. Page 25 New Jordan 2 New Prospect 79 Ortonvlle 49 Only trust Hm 8 Psgah 37 Pleyels second. 0 Prase the Savors name. 62 Prmrose 84 Penck 20 Rejoce 42 The promsed land 3 There s a fountan 65 Teltha 4 C. M. D. 24 Arbacoochee 60 I would see Jesus 207 Canaans Land 43 Humble Snner 74 Love 48 Snepards Rejoce 205 Sdney 28 Varna 2 Keller 77 McKay 2 S. M. 20 Aylsbury 6 Boylston 8 Denns. P««S. M.Contnued 3 Laban 97 Logan.. Nnetythrd Psalm 50 St. Thomas 36 Sng to me of Heaven 42 Webster Ill S. M. D. 2 An 8 P. M. 6 Resurrected 28 Lookout 90 Home n Heaven 92 The brght forever Lookng ths way 38 H. M. 75 Lenox 94 Zebulon 36 L. M. 59 Consolaton 4 Cornth 20 Duke Street 4 Devoton 53 Davdson 3 Fllmore Farewell to all 28 He leadeth me 27 He leadeth me 35 Happy day...., L. M.Contnued Page 6 Jackson. 58 Journey home 77 Jerusalem 7 Old hundred 2 Partng hand 70 Present joys Retreat 88 Rest Sards 82 Travelng Plgrm 9 The golden harp 8 The Plgrms Hope 4 Wells 39 Wndham Waldn 40 L. M. D. 25 Clamanda... Duane Street 9 6s. 4s 3 Italan Hymn 5 Nearer my God to thee, 48 Jesns s mne 204 Olvet 39 7s 37 Cagle 78 Martn 76 Prase hs name forevermore 56 Heavenly Kng Page

283 Contnued v 7bContnued P««e Denson 200 7s, 6s Burke 9 Duke 68 James 208 Rock of Ages 6 Relgon s a fortune Webb... 4 Work for the nght s comng 93 7s, 6s, 6s, 4s Jester 2 7s, 6s, 7s, 7s Soft musc 7 7s D. Lead me Savor 66 Eltham At the Savors rght hand A ssters farewell 52 Bound for Canaan 33 Blessed Home 80 By fath I seek 99 Ecstasy 06 Enough for me 84 Eternal are thy merces Lord 69 Eternty 78 From the cross to the crown 24 Go ye forth and labor 73 Glorous day 83 Happy land 7 Home n Heaven 8 Home to God above 7 Home over there 99 Metrcal Index Contnued, 8s, 7s, 4s 7s D. Page Heavenlv Gates 79 Mendelsshon 86 7s, 6s, D. From Greenlands Icy Mtns 80 8s Greenfeld 04 The lovely story 05 8s, 7s Sweet afflcton Harwell 98 Olney 35 Return agan 09 Wnston V I want to be a worker 96 I am comng to the cross 6 It s well wth my soul I am gong home 98 I am thne Oh Lord Jesus saves Lovng kndness 56 Lberty 53 Leanng on the everlastng arms 32 Labor on 0 Let us sng 08 Lookng ths way 39 My home above 6 Mt. Vernon , 7s, 7s, 7s Page Prayer of sants 30 8s, 8s, 6s Nashvlle 63 8s, 8s, 6s, or C. P. M. Happy Matches 96 8s, 9s 89 8s, ls Kerr 68 8s, ls Home of the soul 53 9s, 6s, 9s, 8s, 8s, 8s, 6s 49 0s, 4s When I am gone 50 INDEX TO TUNES WITHOUT METRES. 3. Nothng but the blood of Jesus 64 Only watng 90 Why not tonght 37 Petton 9 Prase hs name forevermore Pass me not 33 Rock of ages dear to me 29 Revve us agan 200 Rescue the pershng 72 Rollng on 77 Save mghty Lord 47 Standng on the promses 74 Sweet bye and bye 82 Sweet peace the gft of God g love Sweepng through the gates. 86 The beautful home n glory. 34 0s, 8s Pjrc Gatherng home 44 0s, ls Send a blessng 95 ls Bellevue jmurllos Lesson 88 ls, 8s The lone Plgrm 97 ls, ls, ls, 9s Mt. Psgah 83 2s, 9s, 6s, 6s, 2s, 9s Wondrous love 52 2s, ls Casander 7 Royal band 27 The Kngdom comng 26 The Chrstans hope 30 The mornng trumpet 85 Theres a.. great day comng 9 The mornng lght 0 The great provder 3 The brght forever 4 The lfe boat 62 The blnd grl 67 The wondrous cross 85 The bower of prayer 87 The great roll call 20 Wondrous grace 20 Yeld not to temptaton. 65 INDEX TO COMPOSERS AND THEIR TUNES Aken, B. S 4 Arne, Dr. Thos 79 Baltzell, I 96 Blhorn, P. P Bllngs, Wm 6 Bshop. Sr Henry 64 Blss, P. P 95 Bradbury, Wm. B. 23, 74,78, 8, 92 Breedlove, L. P 2, 4, Brown, J. M 67 Brown, J. C 29, 30,67, 75, 9 Bryant, John R 26 Bushey. J. Calvn 37 Cagle, A. M 87, 07, 46 Carter, F. W.73 Carter, R. K 74 Carter. T. W 06 Chambers, Z 72 Cheatham. John 2 Chopn, Amz 2 Chopn, Frances Fred 35 Cole, Rev. Geo 5 Colton, 8 Corell, Ancongelo 88 Danel, G. B 32, 34, 48, 95 Davdson, A 43 Davs, F. M 66 DeLay, R. J 79 Denson, T. J.. 60, 59, 58, 56, 53, 62 Denson, Wht 20 Denson, Mrs. Amanda.. 53

284 . 58,.3, 54, 2,.85,,. 9, Page Beal, B. B...., 28 Danell, G. B Denson, James & Denson 20 Denson, S. M..92, 0, 2, 3, 4, 5, 6, 7, 8, 9, 20, 2, 38, 44, 62, 82, 83 Doan, W. H 33, 206, 72 Dortch, D. E 0 Durham, MsB M 28 Eason, J. E Edson, Lews 40, 04 Eland, F. L 24 Everett, S. W, 84 Farrs, M. D 208 Farrs, Mrs. M. D 207 Fllmore, J. Henry 90 Fscher, Wm. G 6. Franc, Gnl.. 02 Gambold, John 95 Gardn, Felce tl Greene, Jas. 28 Guthery, Wm. H L...77, 78 Hall, Amarck 94, 48 Hatton, J 5 Hastngs, Dr. Thos I, 6, 57, 68 Index to Composers and Ther TunesContnued. Page Haverga, Rev. W. H 3 Hoffman, Rev. E. A 84 Holden, Olver 62 Holdroyed, Israel 5 Holsnger, Geo. B 57, 70 Ingalls, Jeremah 6, 20, 63, 77, 24 James, L. W. 0 James, J. S..20, 47, 48, 95, 26 Jenks, Stephen Kng, E. J. 96, 05, 63, 94 Krkpatrck, Wm. J 76 Lancastes, Mss Sarah 45 Land, J. G 7, Ledbetter, L. L 95 Leland, John 95 Lofton, T. W 85 Lowry, J. C 36. Lowry, Robert 85, Mann, R. F. M 25 Marsh, S. B 47 Mason, Lowell 3, 25, 27, 29, 34, 35, 46, 6, 80, 90, 93, 98 Massengale, John 2, 3 Mendelsshon, J. L. F 86 Mcntosh, Dr. R. M 26, 44., 68 Mcntosh. Mrs. R. M 76 McLendon. A. J. 52 McWhorter, M. F. McWhorter, D. O 69 Mofftt, Rev. John 89 Moore, J. W 59 Moore, W. F 08 Newton, T. B 84 Nogel, J. G 35 Ogletree, Absalom 60 Okane, T. C 99 Palmer, Dr. H. R 65 Parrs, H. A 30 Perry, J. C 3 Phlps, Phlp Pleyel, Ignaz G Pollock, Chas. Edw. 5, 4 Power, W. T 27 Randall, Dr. John 84 Read, Danel 38 ReeBe, J. P 69, Reese, S. H 70, 22 Reeves, Wm 5 Rmbault, E. M 56 Rnk, C. H 4 INDEX TO COMPOSERS OF HYMNS Root, G. F Adams, Sarah Fowler. 34 Denson, Mrs. A. Heath, Geo 6 Auber, Harrett... 29, 79 Denson, Sdney Heber, Regnald Baltzell, 96 Denson, S. M 92, 4, 20, Hoffman, Rev. E. A 32, 57, 84 Bennett, Dr. S. F 82 2, 82, 83 Hunter, Wm 98 Blhorn, P. P Denson. T. J 53, 60 Huntngdon, D. W. C 99, 80 Brahan, A. N. & M, M 62 Doddrdge, Phlp 56, 77, 48 Huntngdon, Lady 96 Breedlove, L. P 09 Duffeld, G 4 Ingalls, 63 Brown, J. C.30, 67, 75, 9 Eckng, Samuel 2 Irwn, W. G 90, 96 Burnham, Rev. Rchard. 36 Eland, F. L 24 Jones, Edmund 65, 36 Cagle, A. M 07, 346 Fawcett, John 35 Kefer, A. S 0 Carter, R. E 74 Gabel.C. H 8 Keth, Geo 72 Cennck, John 34, 44, 47 Gambault, John 95 Ken, Bshop 02 Chastan, J. H 203 Gates, Mrs. Helene 53 Kng, E. J 05,87,94 H Clungly, B 208 Glmore, Jas. H 76, 78 Lancaster, Sarah 45 Cowper, Wllam... 90, 5, 59 Glenn, R. A 0 Land, J. G Ill Crosby, Fanne J 33, 72, 92, 206 Gregg, Jos. 3 Latter, E. R 70 Newton, John Danel, r B 34 Guthery, Wm. H 77, 78 Leland, John , 63, 58 Davs,! I 6f> Hart, Jos 2 Lousa, E 5 Davs & Terry 20 Hascall, Jefferson 74 Lowery, Robert 64 4 :..... Rosseau, J. J 45 Showalter, A. J 32, 80 Stockton, J. H 50 Steele, Anna Sykes, M 8 Tansur, Wm 7 Thompson, W. L 9 Turner, J. R 28 Turner, M. H 50 Turner, W. S 97 Van De Venter, J. W 39 Wade. J. A. & J. F 47 Wall, D. D 36 Walker, Wm 24 Webb, Geo. Jas 4 Webster, Jos. P 82 Wllams, Aaron 28 Wllams, Rev. Wm. L 94, 09 Whte, B. F,9, 7, 85, 9, 96, 97, 22, 37, 95 Wlson, Hugh 49 Young, Andrew 7. Lyte, Henry F IIS Mann, R. F. M.200, 25 Medley, Samuel 56 Mercer, Jesse 202 McDonald, Rev. Wm 6 McLendon, A. J 52 McKay, Margurett 23 MaKay, Wm. P. 200 McWhorter, D. O 69 McWhorter, M. F 68,204 Mofftt, Rev. John 89 Montgomery, Jas 5 Moore, J. L 86 Moore, W. F 08 Neale, John Mason 208, 2, 04, 09, 20 Owens, T. J 76 Palmer, Rev. Ray 46, 65 Parrs, H. A 20

285 22, Vltl Index to Composers of HymnsContnued Page Payne, Howard 64 Perce, J. M 73 Perronet, Rev. Edw 62, 0 Perry, F. C 3 Pollock, Lousa E 5 Power, W. T 7, 27, 3 Reed, Elzabeth Holmes 37 Reese, J. P 37, 27 Robnson, Geo 25 Robnson, Rev. John AFFLICTION. Whle sorrow encompass me around 08 BLOOD OF JESUS. What can wash away my 6ns 04 I am now a chld of God 86 CONSECRATION. My latest Sun s snkng 74 Whle thee I seek protectng power 42 Must Jesus bear the cross alone Away my unbelevng fear 220 CONSOLATION. He leadeth me O, blessed thought 76, 78 CHRISTS SECOND COMING. When thou my rghtous Judge shall come 96 Come thou... long expected Jesus 98 O the nght of tme soon shall pass 0 I am watng for the mornng 90 CHRIST ON EARTH. Sheherds rejoce, lft up your eyes 4, 6 In those days came John the Baptst 26 EXHORTATION. O, do not let the world depart 37 If our fathers want to go 2 Come on my fellow plgrms O, who wll come and go wth me... Come all my dear brethern and help us to sng Look away from the cross to the gltterng crown FAITH. My fath looks up to thee 46 On Jordans stormy banks I stand 23, 28 How frm a foundaton 72 Page Robnson, Robert 84 Rosseau, John J 45 Shaffer, Lacy Freer 20 Sheppard, Thos 207 Shndler, Mrs. Dana 2 Slade, Mss Marna B 44 Slade, Mrs. M. D. C 26 Smth, Dr. S. F 204,27 Spafford, H. G 95 Stennett, Samuel 87, 3, 28 INDEX TO SUBJECTS Stockton, J. H.50 Stowell, Rev. Hugh 57 Swney and James 29 Sykes, M. 8 Tansur, Wllam 7 Thomson, W. L 9 Toplady, Rev. Augustus 6, 29 Turner, M. H 50 Turner, W. S 97 Watts, Isaac.2, 5, 7, 8, 4, 6, 20 l, 28, 38, 42, 43, 60, 70, 79 I know that my Redeemer lves 9 My Shepard wll, Supply 20 Planted n Chrst the lvng hope 49 My Chrstan frends to whom I speak 53 Mother they say the stars are brght 67 Standng on the promses 74 FUNERALS, DEATHS, REST AND MEMORIALS. Shed not a tear over your frends early ber 50 There s a land that s farer than than day 82 Come let us jon our frends above 2 O thnk of a home over there Asleep n.. Jesus 23 Death has been here and born away a sster 4 Broad s the road that leads to death 38 And am I born to de, 43 Over the rver faces I see 39 The day has passed and gone 58 Up to the bountful gver of lfe 44 I heard a great voce from Heaven Sweet s the day of sacred rest. Over the rver of death Alas and dd my Savor bleed GOSPEL. My brethren on all you I call Bold solders on you I call.. Say now ye lovely socal band Rescue the pershng care for the.. dyng. In those days came John the Baptst cryng GLORY. Sweet musc s stealng Over the gloomy hlls of darkness And let ths feeble body fal , 26, 49, 5, 37,48, W** 85, 98, 25 Walker, Anne L 93 Wesley, Chas... 24, 2, 3, 22, 40 8, 86, 98, 24, 43, 47 Wllams, Helen Mara 42 Wllams, Rev. Wm 68 Whte. B. F 97, 9, 9, 8 Young, Andrew. 7 Van de Venter, J. W 39 Vaughn, J. B 73 What shp s ths that wll take us O, when shall I see Jesus Hosannah, to. Jesus Great God let all my tuneful powers awake Glory to God n the hghest GRACE Amazng grace how sweet the sound Gaace ts a charmng sound Amazng grace how sweet the sound Some the slvery cord wll break HOME AND HEAVEN. Theres a home for the. good. Farewell van world I am gong home O sng to me of Heaven O, who wll come and go wth me Sweet felds beyond the swellng flood There s a home n Heaven for me I love to thnk of the home above Oh, land of rest for thee I, sgh How long dear Savor, O how long There s a sweet brght forever Whle travelng n ths world below My Heavenly home s brght and far The earth and sea has... passed away Oh, rng the bells of Heaven I wll sng you a song Jerusalem the golden HOPE. We have our troubles here below. The hlls of Zon yelds On Jordans stormy banks I stand From danger and doubt

286 , 9., >., Page HOLY SPIRIT. Come holy sprt Heavenly dove 60 Hark my soul t s the Lord 5 O for a breeze of Heavenly love 94 Happy land There s a land of pure delght 37, 98 There s a happy land. 7 JUDGMENT DAY. There s a great day comng. O when shall I see Jesus 63, 85 The Lord nto hs garden came 63 In the day of all days. 70 At the soundng of the trumpet 20 JESUS. How sweet the name of Jesus I would see Jesus when the flowers 75 Stand up for Jesus 4 I am not ashamed to own my Lord 79 Rock of ages cleft for me 6 Jesus I my cross have taken 5 Come thou almghty Kng 22 Rock of ages dear to me 29 Jesus shall t ever be 3 Jesus s mne 30 Leanng on the everlastng arms 32 Chldren of the Heavenly Kng 44 Jesus my all to Heaven s gone 58 Jesus my all to Heaven has gone 47 Md scenes of confuson 64 We have heard the joyful sound. When I survey the wondrous cross LOVE. My God, my lfe, my love 27 Come we who love tje Lord 70 Blest be the te 35 Come ye that love the Lord 88 What wonderous love s ths 52 Jesus my all to Heaven has gone 34 Come thou fount of every blessng 35 Behold the generous love 38 Jesus what shall I do to show my love 46 LIFE. Lfe s the tme to serve the Lord 5 Farewell dear brother, farewell We are floatng down the stream of tme 62 Slent lke men n... 5 Dd Jesus de that we mght lve 78 Index to SubjectsContnued My souls delght has been MERCY. What s ths that n my soul s rsng From every stormy wnd that blows. MISSIONARY. From all the dark places From Greenlands cy mountans Hasten Lord, the glorous tme Work for the nght s comng Blow ye the trumpet blow Go ye forth and labor I want to be a worker for the Lord Yes my natve land I love thee PEACE. There comes from my heart one sweet.... Hark the herald, Angels sng When peace lke a rver... Peace troubled soul thou need not fear PRAISE. My soul repeats ts prase Prase God from whom all blessngs flow O for a heart to prase my God One soul baptsmal sgn Far as thy name s known Nearer my God to thee Let us sng our joyful lays Awake my soul to joyful lays PRAYER. Pass me not, O, gentle Savor Savor lead me lest I. stray Jesus thou art a snners frend The Lord wll happness dvne Whener you meet wth troubles.... Savor vst thy plantaton Bless O my soul the lvng God O blessed Savor hear our prayer After ths manner pray ye And now my frends both old and young O for a closer walk wth God Jesus my Savor. O tell me no more of ths world. Ts my desre wth God to walk... Am I a solder of the cross... PARTING HAND. My Chrstan frend n bonds of love.. POWER. A poor wayfarng man of gref Tmrc Great God let all thy powers awake 53 SALVATION. Salvaton, O the joyful sound 2 A story most lovely I tell of Jesus. 05 I am comng to the cross 6 Wde ye Heavenly gates unfold 79 O, love surpassng knowledge 84 To leave my dear frend 87 I am thne O Lord 206 REGENERATION. When I can read my ttles clear 8 O, happy day that fxed my choce 56 There s a fountan flled wth blood 90 We thank thee Lord of Heaven and earth. 07 I am a stranger below 202 RESURRECTION. I come to the place where the loan plgrm. 97 WThen Paul was pa.ted from hs sns 30 My fathers found a home My fathers gone to vew that land 82 REPENTANCE. The glorous lght of Zon 9 Come humble snners n whose breast.. 65 Why should we start and fear to de 6 Come humble snner. REJOICING. All hal the power of Jesus name 62 Shall we ever meet agan 08 O the transportng rapturous scene 3 O rng the bells of Heaven 205 TEMPTATION. My soul be on thy guard 6 Is your soul wth sn dstressed 57 Yeld not to temptaton 65 Mxtures of joys and sorrows 68 TIME. Tme s swftly rollng on 77 TRIALS. In the floods of trbulaton 45 WALKING WITH GOD. O, for a closer walk wth God 3 WANT OF FAITH. Wll God forever cast us off 28 How tedous and tasteless the hours 04 WORSHIP. Once more we come before our God,... 2 Brethren we have met to worshp. 59

287 25 25 Index of Scrpture, Name of Book, Chapter and Verse, cted n the Varous Tunes. Chapter. Veree. Pnze. Chapter. Verse. Page. Chapter. Verse. Page. Chapter. Verse. Pare. Geness, IS Proverbs, Exodus, Levtcus, Cornth Ecclesastes, Numbers, Dent IS Song of Sol Cornth Isaah, Mark Jushua, Samuel, S 0 20 Chron Esther, Gallatans, Luke, Psalms, Ephesans John, Phlpans, Jeremah Thessa , 2 42 Ezekel, Amos, Hagga, Tmothy, Zacharah, BOOKS OF THE NEW TESTAMENT Tmothy, Matthew, , Acts, Ttus, Hebrew, !! IS Romans, Chapter, Verse. Pasre James, Peter, Peter, John Revelatons, Of the foregong llt, t wllap pear that there s two hundred and twentynne ctatons of Scrpture reference representng; the dfferent words or hymns n the tunes con taned n ths book, and the cta tons comprse nearly all of the books n the Bblet both old and new testament.

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