Na al an-nabi Sallallaho Alaihi wa Sallam

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2 Na al an-nabi Sallallaho Alaihi wa Sallam ALLAH IS BEAUTIFUL! OUR PROPHET MUHAMMAD AND HIS BELONGINGS ARE BEAUTIFUL! EVEN OUR PROPHETS SANDAL NA AL IS BEAUTIFUL! Sallallaho Alaihi wa Sallam In Arabic the Prophet s Sandal is known as Na al an-nabi Sallallaho Alaihi wa Sallam. The Prophet Sallallaho Alaihi Wasallam wore a special kind of sandal, the two strings of which were drawn between the blessed toes. These sandals (Na al), became likewise an amulet full of baraka particularly strong against the evil eye. Were they not worthy of all admiration and veneration, for the Prophet Sallallaho Alaihi Wasallam had touched the Divine Throne with them during his heavenly journey, so that they became; The Vertex Of The Crown Of The Throne Markaz é Ahle Sunnat N.I.S. Noori 2 Razvi N.I.S. Maslak é Ala Hazrat

3 The Prophet s Sallallaho Alaihi Wasallam Sandal is an amulet full of bliss, peace and serenity. At time of stress and grief one should place it on their heart and eyes for its luminous effects. It is a cure for the ill, pathway to relief for those in anguish, healing for the pregnant woman at time of birth, strong against the evil eye, and a symbol of security and protection for ships at sea, property from loss, house from burning, caravans from hostile attacks. People would use the Sandal image for the before mentioned reasons and also for a means of achieving immense blessings in the stations of this world and the hereafter. There are lots of beautiful literature on the blessed sandal, poetry in praise and honorary literature. ( Raddi Allaho Ta ala Anho ) Hazrat Abdur Rahman Jami had this unique quality of expressing his love and veneration in poetry which we shall highlight in a bit. Raddi Allaho Our master Hazrat Abdur Rahman Jami Ta ala Anho writes that all heavenly beings rubbed forehead of their intention on RasulAllah s Sallallaho Alaihi Wasallam Throne rubbing Sandals. He also Sallallaho Alaihi Wasallam writes that the heavenly tree Tuba had rubbed its head at the Prophet s sandal and thus reached highest honour, and he repeatedily expresses the feeling that the thread of the soul is nothing but the string of RasulAllah s Sallallaho Alaihi Wasallam sandals and that cheek of the longing lover resembles the fine Ta ifi leather of which these sandals were made: Sallallaho Alaihi Wasallam do the lover s cheeks not hope to be touched by the Prophet s Holy Feet thus to obtain every conceivable bliss. Choon Soo e Mun Guzar Aari, Manne Miskeen Zanaa Daari Fida-E-Naqsh-E-Nalainat, Kunam Ja Ya Rasulullah Sallallaho Alaihi Wasallam! When You Pass By Me; Then Even In My Immense Poverty, Ecstatically, I Must Sacrifice My Soul On Your Blessed Sandal Ya Rasulullah Sallallaho Alaihi Wasallam! Het Briljante en Schitterende Licht van Bareilly Sharief, De Verkoeling voor de ogen van de Ullema, De Mujaddid é Azam van de Eeuw, De Imaam Abu Hanifa van zijn tijd, De Ghaus ul Azam van zijn tijd, de Zoette de Honing de Roos uit de Geurige Tuin van de Geliefde Profeet Sallal laho Alayhi Wa Sallam, De Geliefde, De Onbetwiste & Hoogbegaafde Leidsman van de Soennitische gemeenschap, Huzur Aa la Hazrat, Imaam é Ahlé Sunnat, Asik é Rasoel Sallal laho Alayhi Wa Sallam, Mujaddid Deen-o- Millat Hazrat Imam Ahmad Raza Khan expressed his love and devotion towards the blessed Sandal of The Supreme Prophet, The Imam of the Prophets, Sayyiduna wa Maulana Sallallaho Alaihi wa Sallam Muhammadur Rasoolullah in following words: Jisay Teri Saf-E-Niyal Sai Milay Do Niwalay Nawal Se Wo Bana Kai Us Kai Ugaal Se Bhari Saltanat Ka Udhaar Hai The One Who Received Two Morsels From Where You Leave Your Shoes; Becomes So Great, That An Entire Kingdom Would Survive On His Mere Spittle! Markaz é Ahle Sunnat N.I.S. Noori 3 Razvi N.I.S. Maslak é Ala Hazrat

4 The poets, many of them from North Africa and Spain, described these blessed sandals or expressed their longing for them. Thus an Andalusian poetess, Sa duna Umm Sa d bint Raddi Allaho Ta ala Anha Isam al Himyarriya begins one of her poems with the words; I Shall Kiss The Image If I Do Not Find A Way To Kiss The Prophet s Sallallaho Alaihi wa Sallam Sandal. Perhap s The Good Fortune Of Kissing It Will Be Granted To Me In Paradise In The Most Radiant Place, And I Rub My Heart On It So That Perhaps The Burning Thirst Which Rages In It Maybe Quenched. The North African historian al Maqarri devoted a voluminous book to the subject of the Prophet s Sallallaho Alaihi wa Sallam sandals, its more then 500 pages contain not only prose and poetical texts but also drawings of the blessed sandals as they were used by people as a protective talisman, for it protected one s house from fire, caravans from hostile attacks, ships from disaster at sea and property from loss. Around the turn of the present century Hadrat Yusuf Nabhani Raddi Allaho Ta ala Anho, the collector of eulogies for the Prophet Sallallaho Alaihi wa Sallam, sang in one of his poems: Verily I Serve The Image Of The Sandal Of Mustafa So That I May Live In Both Worlds Under Its Protection [Sa d] Ibn Masud Was In The Service Of His Sandal. And I Am Fortunate By Serving Its Image. I Dust The Sandal Image With The Whiteness Of My Beard. Since The Prophet Sallallaho Alaihi Wa Sallam Fastened The Band That Passed Between His Toes. It Is Not For The Image That My Heart Is Longing. Yet It Yearns For The One Who Wore This Sandal. We Are Lowered By Awe To Honour This Sandal. And Whenever We Lower Before It We Are Raised. So Place It On The Highest Shelf! For Indeed In Reality It Is A Crown And Only Outwardly A Sandal Markaz é Ahle Sunnat N.I.S. Noori 4 Razvi N.I.S. Maslak é Ala Hazrat

5 History of Drawing the Image of the Blessed Sandal: From those who drew an image of the blessed Sandal, approved its miraculous blessings and served it from the Hadith Raddi Allaho Ta ala Masters were Ibn Asakir Anho Raddi Allaho & his student Badr Fariqi Ta ala Anho, Hafiz Zayn al-din Iraqi Raddi Allaho Ta ala Anho & his son, Imam Sakhawi Raddi Allaho Ta ala Anho and Imam Suyuti Raddi Allaho Ta ala Anho from the east. It is well known that the following scholars of Morocco were foremost in drawing the image (Ar. Mithal/Naqsh) since they did not have the real thing, Ibn Marzuwq Raddi Allaho Ta ala Anho, Abu Bakr Ibn al-arabi Raddi Allaho Ta ala Anho, Hafiz Abu al-rabee, Hafiz Abu Abdullah bin al-ibar, Ibn Raddi Allaho Ta ala Anho, Rashedd al-fahri Ibn Raddi Allaho Ta ala Anho Jabir Aashi, Ibn al- Raddi Allaho Ta ala Anho Bara al-tuwsi, Abu Raddi Allaho Ta ala Anho Is haq al-undlusi. Ibn Asakir Raddi Allaho Ta ala Anho took it from the Raddi Allaho Ta ala Anho Moroccan Ibn al-haaj and all hadith scholars thereafter took it from him. Raddi Allaho Ta ala The tribe of Ibn al-hadeed Anho preserved the Sandals and then they were kept in Jami ah Ashrafiyyah, Damascus. Moroccan travellers such as Raddi Allaho Ta ala Anho Ibn al-rasheed came to Damascus and drew images to take back for the people. May Allah enlighten their graves with His light and reward them for their efforts. Ameen! Markaz é Ahle Sunnat N.I.S. Noori 5 Razvi N.I.S. Maslak é Ala Hazrat

6 The Blessings and Benefits of Na lain Sharif (Blessed Sandal): The Great Muslim theologians have listed many benefits and blessings in keeping and venerating a copy of the Nalain Shareef. Some of these are listed below. 01.The person will be safe from the harms of the cruel, wickedness of the Satan and from the bad sight of the enviers. 02.The pain of childbirth will be eased for eased for the woman who keeps it with her at the time of delivery. 03.The person who always keeps a copy of it with him will have respect in the sight of creation. 04.He will have the opportunity to see the Blessed Green Dome Qubbat al Khadra. 05.He will have the honour in seeing the Holy Prophet Sallallaho Alaihi wa Sallam in his dream. 06.His property or wealth will be safe in a place where the Nalain Shareef is kept. 07.A person s needs will be met when he prays through the waseela of the Nalain Shareef. 08.A person who keeps the Nalain Shareef for a particular reason will have his wishes fulfilled. 09.The person will be safe from thieves, calamities and dangers such as drowning. 10.The disease and ailments go away when the Nalain Shareef is placed over the affected part. 11.Success and deliverance were gained through the Nalain Shareef in oppressive times. (The Blessings are not limited to the list above but are also obtained when in other circumstances as well.) Markaz é Ahle Sunnat N.I.S. Noori 6 Razvi N.I.S. Maslak é Ala Hazrat

7 Verse 1: Woh Sarwar E Kishwar E Risalat Jo Arsh Per Jalwah Gar Huye Thay Naye Nirale Tarab Kay Saaman Arab Ke Mehman Kay Liye Thay. وہ سرور کشور رسالت جو عرش پر جلوہ گر ہو ے تھے نئے نرالے طرب کے سامان عرب کے مہمان کے لیے تھے When The Supreme Prophet Went To His Journey To The Divine Throne Of Allah, There Were Very Special Arrangements Made To Welcome The Unique Guest From Arabia Verse 2: Bahaar Hai Shadiyan Mubarak Chaman Ko Aabadiyan Mubarak Malak Falak Apni Apni Lay Main Yeh Ghar Ana Dil Ka Boltay Thay. بہار ہے شادیاں مبارک چمن کو آبادیاں مبارک م لک فلک اپنی اپنی لے مہں یہ گھر عنادل کا بولتے تھے It Was Springtime; There Were Echoes Of Salutary Greeting In The Dales; Then Angels And The Skies Were Singing Happy Songs In Their Own Way Like The Nightingales. Verse 3: Wahan Falak Per Yahan Zameen Main Rachi Thi Shaadi Machi Thi Dhoomein Udhar Say Anwaar Hastay Aatay Idhar Say Nafhat Uth Rahay They. وہاں فلک پر یہاں زمیں میں رچی تھی شادی مچی تھی د ھومیں ا دھر انوار ہنستے آتے ا دھر سے نفعا ت ا ٹھ رہے تھے On The Heavens Above And The Earth Below There Was Festive Celebration; The Dazzling Lights Came Down Smiling And The Fragrant Perfumes Went Up On This Occasion. Verse 4: Yeh Jowt Parti Thi Unkay Rukh Ki Kay Arsh Tak Chandni Thi Chhatki Woh Raat Kiya Jagmaga Rahi Thi Jagah Jagah Nasab Aainay They. یہ ج وت پڑتی تھی ا ن کے ر خ کی کہ عرش تک چاندنی تھی چٹکی وہ رات کیا جگمگارہی تھی جگہ جگہ نصب آئنے تھے The Light Emitted By His Radiant Face Created A Moonlight Near Allah s Throne; The Night Was Resplendently Lit Through A Multitude Of Mirrors And Brightly Shone. Verse 5: Nayi Dulhan Ki Phaban Main Kaaba Nikhar Kay Sanwara Sanwar Kay Nikhra Hajar Key Sadqay Kamar Key Ik Til Main Rang Lakhoon Banao Key They. نئی د لھن کی پبھن میں کعبہ ن کھر کے سنورا سنور کے ن کھرا حجر کے صدقے کمر کے ا ک ت ل میں رنگ الکھوں بناو کے تھے The Kaaba Dressed Herself Most Immaculately To Welcome Her Bridegroom With Pride; The Black Stone Looked Like A Beautiful Mole On Her Charming Body s Side. Markaz é Ahle Sunnat N.I.S. Noori 7 Razvi N.I.S. Maslak é Ala Hazrat

8 Verse 6: Nazar Main Dulha Key Pyaray Jalway Haya Say Mehrab Sar Jhukaye Siyah Parday Kay Moun Per Aanchal Tajaliye Zaat E Bahat Say Thay. نظر میں د ولھا کے پیارے جلوئے حیا سے محراب سر ج ھکائے سیاہ پردے کے منھ پر آنچل تجلی ذات بحت سے تھے With Bashful Looks The Niche Lowered Her Upright Head In Sheer Delight; The Covering Black Curtain Gracefully Moved, Saturated With The Divine Light. Verse 7: Khushi Kay Badal Umand Kay Aaye Diloon Kay Taoos Rang Laye Woh Naghma E Naat Ka Samaan Tha Haram Ko Khud Wajd Aa Rahe Thay. خوشی کے بادل آمنڈ کے آئے د لوں کے طاو س رنگ الئے وہ نغمہ نعت کا سماں تھا حرم کو خود وجد آ رہے تھے The Clouds Spontaneously Advanced And The Hearts Engaged In A Peacock Dance; To Honour The Prophet In A Creative Stance The Kabaa Gazed At Him In A Lyrical Trance. Verse 8: Yeh Jhooma Mizab E Zar Ka Jhoomer Kay Aa Raha Kaan Per Dhalak Kar Phuhaar Barsi To Moti Jhar Kar Hatiem Ki Gaud Mein Bharay They. یہ ج ھوما م زا ب زر کا جھومر کہ آرہا کان پ ر ڈھلک کر پھ وہار برسی تو موتی جھڑکر حطیم کی گود میں بھرے تھے The Golden Ornaments Of Meezaab Gently Moved Towards The Ear From Her Forehead; When It Drizzled, The Raindrops Gathered Like Pearls On Hateem s Welcoming Bed. Verse 9: Dulhan Ki Khushboo Say Mast Kapray Nasim E Gustakh Aanchloon Say Gilaf E Mushkeen Jo Oerh Raha Tha Ghazal Naafe Basaa Rahay Thay. د لھن کی خ وشبو سے مست کپڑے نسیم گستاخ آنچلوں سے غالف مشکیں جو ا ڑ رہا تھا غزل نافے بسا رہے تھے The Bride s Body-Fragrance Intoxicated The Surrounding Breeze And Her Own Garment; When The Perfumed Curtain Furled, The Gazelles Rushed To Store Its Unique Scent. Verse 10: Pahariyoon Ka Woh Husn E Taz een Woh Oonchi Choti Woh Nazo Tamqeen Saba Say Sabzah Main Lehrein Aateen Dupatay Dhani Chunay Huye Thay. پہاڑیوں کا وہ حسن تزہیں وہ ا ونچی چوٹی وہ نازو تمکین صباسے سبزہ میں لہریں آتیں دوپٹے دھانی چنے ہوئےتھے The Happy Hills Smiled And Their Elegant Tops Stood Out In Space; Like A Maiden s Head-Scarf The Shoots Of Green Grass Rhythmically Moved With Grace. Markaz é Ahle Sunnat N.I.S. Noori 8 Razvi N.I.S. Maslak é Ala Hazrat

9 Verse 11: Naha Kay Nehroon Nay Woh Chamakta Libaas Aabay Rawan Ka Pehna Kay Mauj E Chariyaan Theen Dhaar Lachka Habaab E Tabaan Kay Thal Takay Thay. نہا کے نہروں نے وہ چمکتا لباس آ ب رواں کا پہناں کہ موجیں چھڑیاں تھیں دھار لچکا حباب تاباں کے تھل ٹکے تھے The Fresh-Looking And Well-Clad Rivers Ran Through The Well-Trimmed Bowers; It Was A Rare Visual Feast Of Stormy Waves, Rushing Waterfalls And Bubbling Showers. Verse 12: Purana Purdag Malgaja Tha Utha Diya Farsh Chandni Ka Hajoom E Taringah Say Kosoon Qadam Qadam Farsh Baadily Thay. پ رانا پر داغ ملگجا تھا ا ٹھا دیا فرش چاندی کا ہجوم تار ن گاں سے کو سوں قدم قدم فرش بادلے تھے The Old White-Floor Of Moonlight Was Removed As It Was Not Satin-Free; The New Green-Floor Consisted Of Gardens And Flowers As Far As One Could See. Verse 13: Ghubar Ban Ker Nisaar Jayein Kahan Ab Uss Rah Guzar Ko Payein Hamaray Dil Huriyoon Ki Aankhein Farishtoon Kay Par Jahan Biche Thay. غبار بن کر نثار جایئں کہاں اب ا س رہ گزر کو پائیں ہمارے دل حوریوں کی آنکھیں فرشتوں کے پر جہاں بچھے تھے More Precious To Us Than Our Lives! Where Is The Blessed Prophet s Blessed Pathway, On Which Our Humble Hearts, The Heavenly Damsels And Wings Of The Angels Lay. Verse 14: Khuda Hee Day Sabr Jaan E Purgham Dikhaoon Kyun Kar Tujhay Woh A alam Jab Unko Jhurmat Main Lakay Qudsi Jinaah Ka Dulha Bana Rahay Thay. خ دا ہی دے صبر جان پر غم د کھاو ں کیوں کر تجھے وہ عالم جب ا ن کو ج ھرمٹ میں لے کے ق دسی جناں کا د ولھا بنا ر ہے تھے The Moment Was Indescribably Exciting, When The Angels, Pure And Wise, Gathered Round Him And Dressed Him As The Bridegroom Of Paradise. Verse 15: Utaar Ker Unkay Rukh Ka Sadqa Yeh Noor Ka But Raha Tha Baara Kay Chand Suraj Machal Machal Ker Jabeen Ki Khairaat Mangtay Thay. ا تا ر کر ا ن کے ر خ کا صدقہ یہ نور کا بٹ رہا تھا باڑا کہ چاند سورج مچل مچل کر جبیں کی خیرات مانگتے تھے The Light Emitted By His Face Was Distributed Among The Beggars With Generosity. The Moon And The Sun Begged Most Eagerly For This Bright Charity. Markaz é Ahle Sunnat N.I.S. Noori 9 Razvi N.I.S. Maslak é Ala Hazrat

10 Verse 16: Wohi To Ab Tak Chalak Raha Hai Wohi To Joban Tapak Raha Hai Nahanay May Jo Gira Tha Pani Katoray Taaron Nay Bhar Liye Thay. وہی تو اب تک چھلک رہا نہانے میں جو گرا تھا پانی ہے وہی تو ج وبن ٹپک رہا ہے کٹورے تاروں نے بھر لیے تھے The Same Luminous Water Still Shining In Their Bright Path, Which The Stars Had Gathered In Their Cups From His Overflowing Bath. Verse 17: Bacha Jo Talwoon Ka Unkay Dhouwan Bana Woh Jannat Ka Rang O Roghan Jinhoon Nay Dulha Ki Payi Utran Woh Phool Gulzar E Noor Kay Thay. بچا جو تلووں کا ا ن کے دھوون بنا وہ جنت کا رنگ و روغن جنھوں نے د ولھا کی پائی ا ترن وہ پھول گلزا ر نور کے تھے With The Surplus Sole-Washed Water Paradise Was Painted Bright, Those Who Wore His Used-Clothes Became Flowers, Of The Garden Of Light. Verse 18: Khabar Yeh Tehweelay Maher Ki Thi Kay Rut Suhani Ghadi Phiray Gee Wahan Ki Poshaak Zay-Bay Tan Ki Yahan Ka Jorha Badha Chukay Thay. خبر یہ تحویل مہر کی تھی کہ ر ت س ہانی گھڑی وہاں کی پوشاک زیب تن کی یہاں کا جوڑا بڑھا پھرے گی چکے تھے The Sun Revealed The News That Allah Almighty s Beloved Messenger Was Soon Expected To Come Back After Meeting His Creator. Verse 19: Tajaliy E Haq Ka Sehra Sar Per Salat O Tasleem Ki Nichawar Do Roya Qudsi Paray Jama Kar Kharay Salami Kay Waastay Thay. تجلئی حق کا سہرا دور و یہ ق دسی پ رے سر پر صلواۃ و تسلیم کی نچھاور جما کر کھڑے سالمی کے واسطے تھے The Wedding Crown Of Allah s Light Was On His Head Amidst A Blissful Prayer; The Angels Stood On Both Sides Of His Way To Present A Salute Of Honour. Verse 20: Jo Hum Bhi Waan Hotay Khaq E Gulshan Lipat Kay Qadmoon Say Ley Tay Utran Magar Karein Kiya Naseeb Main To Yeh Naamuradi Kay Din Likhay Thay. جو ہم بھی واں ہوتے خاک گلشن لپیٹ کے قدموں سے لیتے ا ترن مگر کریں کیا نصیب میں تو یہ نا م رادی کے دن لکھے تھے Had We Been There, We Would Have Sought For Some Charity; How Could That Happen, When We Were Destined To Live This Life Of Poverty? Markaz é Ahle Sunnat N.I.S. Noori 10 Razvi N.I.S. Maslak é Ala Hazrat

11 Verse 21: Abhi Na Aaye Thay Pusht E Zeen Tak Kay Sar Hui Maghfirat Ki Shallak Sada Shafa at Nay Di Mubarak! Gunaah Mastana Jhoomtay Thay. ابھی نہ آئے تھے پ شت زیں تک کہ س ر ہو ئی مغفرت کی شلک ص دا شفاعت نے دی م بارک! گناہ مستانہ ج ھومتے تھے He Had Hardly Sat On The Saddle That The Journey Of Salvation Ended At A Glance; The Salvation Itself Congratulated Him And The Sins Engaged Themselves In A Dance. Verse 22: Ajab Na Tha Rakhsh Ka Chamakna Gizaal E Dam Khurdasa Bharhakna Shuaein Bukay Urha Rahi Theen Tadapte Ankhoon Pay Saieqay Thay. عجب نہ تھا شعاعیں بکے رخش کا چمکنا غزا ل دم غور وہ سا بھڑکنا ا ڑا رہی تھیں تڑپتے آنکھوں پہ صاعقے تھے It Is Understandable Why The Prophet s Horse Startled Like A Frightened Deer; The Rays Of Light Dazzled His Eyes And The Lightning Flashed Too Near. Verse 23: Hujum E Umeed Hai Ghataao Muraadein Day Kar Inhein Hatao Adab Ki Baagein Liye Badhao Malaika May Yeh Ghul Ghule Thay. ہجوم ادب ا مید ہے گھٹا و م رآدیں دے کر ا نھیں ہٹا و کی باگیں لیے برھاو مالئکہ میں یہ غلغلے تھے The Clouds Gave Alms To The Beggars And Made Sure There Was Enough Room; The Angels Held The Reigns Respectfully And Welcomed The Bridegroom. Verse 24: Uthi Jo Garde Rahe Munawar Woh Noor Barsa Kay Raaste Bhar Ghiray Thay Badal Bharay Thay Jal Thal Umand Kay Jangal Ubal Rahay Thay. ا ٹھی جو گر د ر ہ منو ر وہ ن ور برس ا کہ راستے بھر گھرے تھے بادل بھرے تھے جل تھل امڈ کے جنگل ا بل رہے تھے The Dust Of The Luminous Path Rose Up Like The Clouds Of Light; The Space Overflowed With Rain And The Whole Way Was Exceptionally Bright. Verse 25: Sitam Kiya Kaisi Mat Kathi Thi Qamar! Woh Khak Unkay Rah Guzar Ki Utha Na Laya Kay Miltay Miltay Yai Dagh Sab Dekhnaa Mitay Thay س تم کیا کیسی م ت کٹی تھی قمر! وہ خاک ا ن کے رہ گزر کی ا ٹھا نہ الیا کہ ملتے ملتے یہ داغ سب دیکھتا مٹے تھے O Moon! You Should Have Brought Some Dust From The Prophet s Way; You Would Have Got Rid Of Your Spots By Rubbing It On Them For A Day. Markaz é Ahle Sunnat N.I.S. Noori 11 Razvi N.I.S. Maslak é Ala Hazrat

12 Verse 26: Burraq Kay Naqsh O Sum Kay Sadqe Woh Gul Khilaye Kay Saaray Rastey Mehaktay Gulban Lehakte Gulshan Hare Bhare Lahlaha Rahe Thay. ب راق کے نقش س م کے صدقے وہ گ ل ک ھال ئے کہ سارے رستے مہکتے گ لبن لہکتے گلشن ہرے بھرے لہلہا رہے تھے The Hoff-Prints Of The Buraq Filled The Entire Way With Flowers; In No Time All Over The Place There Were Fragment Orchards And Bowers. Verse 27: Namaz E Aqsaa Main Tha Yehi Sir Ayan Houn Ma ani Awwal Akhir Key Dast Basta Hain Piechey Hazir Jo Salatanat Aagay Kar Gaye Thay. نماز اقص ی میں تھا یہی کہ دست بستہ ہیں پیچھے س ر عیا ں ہوں معن ی آول آخر حاضر جو سلطنت آگے کر گئے تھے The Divine Wisdom Of Aqsa Prayer Was To Unfold The Secret Of First And Last; All The Prophets Prayed Behind Him, Though They Had Actually Lived In The Past. Verse 28: Yeh Unki Aamad Ka Dabdaba Tha Nikhaar Har Shaiy Ka Ho Raha Tha Nujoom O Aflaak Jaam O Miena Ujaltay Thay Khangaaltey They. یہ ا ن کی آمد کا دبدبہ تھا نکھار ہر نجوم و افالک جام و مینا ا چھالتے شے تھے کا ہو رہا تھا کھنگالتے تھے The Dignity Of His Arrival Brightened Up Everything Immaculately; The Stars, The Skies, The Cups And The Containers Cleaned Smartly. Verse 29: Naqab Ultay Woh Mehr E Anwar Jalaal O Rukhsaar Garmiyoon Per Falak Ko Haibat Say Tap Charhi Thi Tapaktay Anjum Kay Aablay Tha. نقاب ا لٹے وہ مہ ر انور جالل ر خسار گرمیوں پر! فلک کو ہیبت سے تپ چڑھی تھی ٹپکتے انجم کے آبلے تھے When He Advanced, His Unveiled Sun-Like Face Shone With Glamour; The Sky Felt Over-Awed And The Stars Became Dimmer And Dimmer. Verse 30: Yeh Joshisha Noor Ka Asar Tha Key Aabay Gohar Kamar Kamar Tha Sifaey Rah Say Phisal Phisal Kar Sitare Qadmon Pay Laut tay Thay. یہ جو ش نور کا اثر تھا کہ آ ب گوہ ر کمر کمر تھا صفائے رہ سے پھسل پھسل کر ستارے قدموں پہ لوٹتے تھے The Overflowing Light Filled The Path With Luminous Water; The Stars Slipped Time And Again And Fell At The Feet Of Allah s Messenger. Markaz é Ahle Sunnat N.I.S. Noori 12 Razvi N.I.S. Maslak é Ala Hazrat

13 Verse 31: Barhaa Yeh Lehraa Kay Behr O Hiddat Key Dhul Gaya Naam E Raige Kasrat Falak Key Teloon Ki Kiya Haqeeqat Yeh Arsh O Kursi Do Bulbule Thay. بڑھا یہ لہرا کے بحر و حدت کہ د ھل گیا نا م ریگ کثرت فلک کے ٹیلوں کی کیا حقیقت یہ عرش و کرسی دو بلبلے تھے The Ocean Of Unity Surged Forward And Washed Sands Of Diversity; Forget The Dunes Of The Sky, Just Two Bubbles Were Allah s Arch And Kursi Verse 32: Woh Zill E Rehmat Woh Rugh Key Jalwe Ke Taare Chupte Na Khilne Paate Sunehri Zarbaft Udi Atlas Yeh Than Sab Dhoop Chaoon Ke The. وہ ظ ل رحمت کے جلوے کہ تارے چ ھپتے نہ کھلنے پاتے س نہری ذربفت ا دی اطلس یہ تھان سب دھوپ چھاو ں کے تھے His Sun-Like Merciful Face Eclipsed The Stars That Shine; The Moonlight And Starlight Looked Like Shadows In His Sunshine. Verse 33: Chala Woh Serve E Chamaan Ghiramaan Na Ruk Sakaa Sidra Say Damaan Palak Jhapakti Rahi Woh Kab Kay Sab Aeno Aan Say Guzar Chuke Thay. چال وہ سر و چماں خراما نہ ر ک سکا س درہ سے بھی داماں پلک جھپکتی رہی وہ کب کے سب این و آں سے گزر چکے تھے When The Unique Bridegroom Advanced Even The Lote Tree Failed To Hold Him Back; In The Wink Of An Eye He Went Beyond This And That Range Of The Track. Verse 34: Jhalak Se Ik Qudsiyoon Per Aayi Hawaa Bhi Daman Ki Phir Na Payi Sawari Dulha Ki Dur Pohnchi Baraat Main Hosh Hi Gaye Thay. جھلک سی اک ق دسیوں سواری د ولھا کی د ور پر آئی پہنچی ہوا بھی دامن کی پھر نہ پائی برات میں ہوش ہی گئے تھے The Angels Felt That A Glimpse Had Flashed Through Their Sight And Mind; The Bridegroom Went Far Ahead But His Companions Were Left Behind. Verse 35: Thakay Thay Ruhul Amin Key Bazu Chuta Woh Daman Kahan Woh Pehloo Rikab Chooti Ummeed Tuti Nigah E Hasrat Key Walwaley Thay. تھکے تھے ر وح اال میں کے بازو چھٹا وہ رکاب چھوٹی ا مید ٹوٹی نگاہ حسرت کے دامن کہاں وہ ولولے تھے پہلو Gabriel s Wings Got Tired And He Could Not Accompany The Divine Guest; The Prophet s Stirrup Slipped Out Of His Hands Though He Tried To Hold It To His Best. Markaz é Ahle Sunnat N.I.S. Noori 13 Razvi N.I.S. Maslak é Ala Hazrat

14 Verse 36: Ravish Ki Garmi Ko Jis Ney Socha Dimag Say Eik Bhabuka Phoota Ghir ad Key Jungle Main Ik Phool Chumka Dahar Dahar Payr Jal Rahe Thay. روشن کی گرمی کو جس نے سوچا دماغ سے ا ک بھبو کا پھ وٹا خر د کے جنگل میں پ ھول چمکا دہر دہر پیڑ جل رہے تھے He, Who Reflected On The Prophet s Speed Suddenly Found His Mind Aflame; All The Trees In The Woods Of Intellect Started Burning With Shame. Verse 37: Jiloo Main Jo Murgay A qal Uray Thay Ajab Boouray Haloon Girtay Partay Woh Sidrah Hee Per rahay Thay Thak Kar Charha Tha Dam Tewar Aa Gaye Thay. ج لو میں جو م رغ عقل ا ڑے تھے عجب ب رے حالو گرتے وہ سدرہ ہی پر رہے تھے تھک کر چڑھا تھا دم تیور پڑتے آگئے تھے The Birth Of Intellect Flying Ahead Of The Prophet Ended In A Miserable Plight; They Could Not Go Beyond The Lote Tree In Their Insurmountable Flight. Verse 38: Qavi They Murgaan é Waham Kay Par Uray To Urnay Ko Aur Dam Bhar Utha ee Seenay Ki Aisi Thokar Kay Khoonay Andesha Th oo ktay Thay. قوی تھے مرغان وہم کے پ ر اڑے تو ا ڑنے کو اور د م بھر ا ٹھائی سینے کی ایسی ٹھوک کہ خو ن اندیشہ تھوکتے تھے The Strong-Winged Birds Of Superstition Flew But Soon Lost Their Breath; They Sustained A Fatal Blow On Their Chests And Fell Down Bleeding To Death. Verse 39: Suna Yeh Itnay Mein Arsh E Haq Nay Kay Lay Mubarak Hoo(n) Taaj Waley Wohi Qadam Khair Say Phir Aaye Jo Pehle Taaj E Sharaf Tere Thay. س نا یہ اتنے میں عرش حق نے کہ لے مبارک ہوں تاج والے وہی قدم خیر سے پھر آئے جو پہلے تا ج شرف ترے تھے At The Moment Of Allah s Throne Heard The Angels Raising A Salutary Uproar; How Nice To Welcome Back The Same Auspicious Feet, Which Graced Us Before. Verse 40: Yeh Sunkay Bay Khud Pukar Uthaa Nisaar Jaoon Kahan Hain Aaqa Phir Unkay Talwoon Ka Paoon Bosa Yeh Meri Aankhon Kay Din Phire Thay. یہ سن کے بے خود پ کار ا ٹھا نثار جاو ں کہاں ہیں آقا پھر ان کے تلووں کا پاو ں بوسہ یہ میری آنکھوں کے دن پھرےتھے On Hearing This, The Devotee Exclaimed, Where Is My Master? How Lucky That My Eyes Will Again Kiss The Soles Of Allah s Messenger! Markaz é Ahle Sunnat N.I.S. Noori 14 Razvi N.I.S. Maslak é Ala Hazrat

15 ش Verse 41: Jhuka Tha Mujre Ko Arsh E Aala Gire They Sajde May Bazme Bala Yeh Aankhein Qadmoon Say Mal Raha Tha Woh Girde Qurbaan Ho Rahay Thay. جھکا تھا م جرے کو عر اعلی گرے تھے سجدے میں بز م بالہ یہ آنکھیں قدموں سے مل رہا تھا وہ گر د ق ربان ہو رہے تھے Allah s Throne Knelt Down To Welcome, The Angels Fell Again Into A Prostration It Rubbed His Eyes On His Feet; They Showed Their Utmost Veneration. Verse 42: Ziyaein Kuch Arsh Per Yeh Aaein Kay Sari Qindielien Jhalmalayeen Huzoor E Khurshid Kiya Chamaktay Chairagh Moun Apna Dekh Tay Thay. ضیائیں کچھ عرش پر یہ آئیں کہ ساری قندیلیں جھلمالئیں حضور خورشید کیا چمکتے چراغ م نھ اپنا دیکھتے تھے Such A Bright Light Shone That All The Candles Flickered; The Lamps Felt Ashamed When The Sun Itself Appeared. Verse 43: Yehi Sam an Tha Kay Paikay Rehmat Khabar Yeh Laya Kay Chalai Hazrat Tumhari Khatir Kushada Hain Jo Kalim Per Band Raastay Thay. یہی سماں تھا کہ پیک رحمت خبر یہ الیا کہ چلے حضرت تمہاری خاطر کشادہ ہیں جو کلیم پر راستے تھے In This Atmosphere The Messenger Of Mercy Came Respectfully To Say; Those Ways Are Open For You Today, Which Were Closed For Moses One Day. Verse 44: Ba dhaie Muhammad [ Sallallahu Alayhi Wasallam ] Qareeb Ho Ahmed Qareeb Aa Sarwar é Mumajjad Nisar Jaoon Yeh Kiya Nida Thi Yeh Kiya Samaan Tha Yeh Kiya Mazay Thay. بڑھ اے محمدﷺ قریب ہو احمد قریب آ سرو ر م مجد نثار جاو ں یہ کیا ندا تھی یہ کیا سماں تھا کیا مزے تھے Move Forward, O Muhammed! Come Nearer, O Ahmed, My Beloved. What A Lovely Call It Was And What A Joyful Atmosphere It Created! Verse 45: Tabarakallah Shaan Teri Tujhi Ko Zaiba Hai Bay Niyazi Kahien To Woh Josh E Lan-Tarani Kahien Takazay Wisaal Kay Thay. تبارک ہللا شان تیری تجھی کو زیبا ہے بے نیازی کہیں تو وہ جوش ل ن ت رانی کہیں تقاضے وصال کے تھے O Allah, All Praise Be To You; You Are Undoubtedly Carefree; Once Moses Insisted To See You; Here You Became Anxious To See. Markaz é Ahle Sunnat N.I.S. Noori 15 Razvi N.I.S. Maslak é Ala Hazrat

16 Verse 46: Khirad Say Keh Do Kay Sir Jhukaa lai Gumaan Say Guzray Guzarnay Walay Pare Hain Yahan Khud Jaihat Ko Laalay Kisay Bataye Kidhar Gaye Thay. خ رد سے کہدو کہ سر ج ھکا لے گماں سے گزرے گزرنے والے پڑے ہیں یہاں خود جہت کو اللے ک سے بتائے کدھر گئے تھے Let Intellect Bow Its Head, Because It Has Traveled Beyond Imagination; Direction Itself Is Baffled And It Cannot Dare To Imagine His Destination. Verse 47: Surag Aino Mataa Kahaan Tha Nishan E Kaifo Ielaa Kahan Tha. Na Koi Rahi Na Koi Sathi Naa Sang E Manzil Naa Merhalay Thay. س راغ این و مت ی کہاں تھا نشا ن کیف و ا لی کہاں تھا نہ کوئی راہی نہ کوئی ساتھی نہ سنگ منزل نہ مرحلے تھے Who Could Answer Where Or When? Who Could Tell Us What Or How; There Was Neither Any Companion Nor Any Milestone Between Them And Now. Verse 48: Udar Say Payham Taqazay Aana Idhar Say Mushkil Qadam Barhana Jalal O Haibat Ka Saamna Tha Jamalo Rehmat Ubhaartay Thay. ا دھر سے پہیم تقاضے آنا ا دھر تھا م شکل ق دم بڑھانا جالل و ہیبت کا سامنا تھا جمال و رحمت ا بھارتے تھے Allah Greatly Encouraged Him Though His Pace Was Humbly Slow; Grandeur Checked Him But Grace Inspired Him Steadily To Go. Verse 49: Barhay To Lekin Jhi-Jhaktay Dartay Haya Say Jhuktay Adab Say Ruktay Jo Qurb Unhi Ki Ravish Pay Rakhtay To Lakhoon Manzil Kay Fasilay Thay. بڑھے تھے تو لیکن جھجھکتے ڈرتے حیا سے جھکتے آدب سے ر کتے جو قرب ا نھیں کی روشن پہ رکھتے تو الکھوں منزل کے فاصلے تھے He Advanced Hesitantly With Feelings Of Respect And Humility; Allah Led Him On This Endless Journey With An Exceptional Agility. Verse 50: Per Unka Barhna To Naam Ko Tha Haqeeq tan Fail Tha Udhar Ka Tanazuloon Mein Taraki Afzaa Danaa Tadalla Key Silsilay Thay. پر ا ن کا بڑھنا تو نام کو تھا حقیقتہ ف عل تھا تنزلوں میں ترقی افزا د ن ی ت د لی کے سلسلے ا دھر کا تھے The Prophet s Motion Was Nominal; It Was All Done By Divine Will; Whenever He Slowed Down, Allah Commanded Him To Come Nearer Still. Markaz é Ahle Sunnat N.I.S. Noori 16 Razvi N.I.S. Maslak é Ala Hazrat

17 Verse 51: Hua Yeh Aakhir Kay Aik Bajra Tamoojay Bahrey Hoo Mein Ubhra Dana Ki Goodi Mein Unko Lekar Fana Kay Langar Utha Diye Thay. ہوا یہ آخر کہ ایک بجرا تمو ج بح ر ھ و میں ا بھرا د ن ی کی گودی میں ا ن کو لے کر فنا کے لنگر ا ٹھا دیے تھے At Last A Barge Emerged From The Ocean Of His Personality; It Took Him Near Allah s Lap And Untied The Anchor Of Morality. Verse 52: Kisay Milay Ghat Ka Kinara Kither Say Guzra Kahan Utra Bhara Jo Misle Nazar Tarara Woh Apni Aankhoon Say Khud Chupay Thay. کسے ملے گھاٹ کا کنارا کدھر سے گ زرا کہاں ا تارا بھرا جو مثل نظر طرارا وہ اپنی آنکھوں سے خود چ ھپے تھے Who Could See This Ocean s Shore? It Was All Speed And Surprise; He Leapt Like Sight And Became Hidden From His Own Eyes. Verse 53: Uthay Jo Qasray Dana Kay Parde Koi Khabar Dey To Kiya Khabar Day Wahan To Ja Hee Nahin Duee Ki Na Keh Kay Woh Bhi Na Thay Aray Thay. ا ٹھے جو قصردنی کے پردے کوئی خبر دے تو کیا خبر دے وہاں تو جا ہی نہیں دوئی کی نہ کہہ کہ وہ بھی نہ تھے ارے تھے When The Secrets Of Nearness Were Unveiled, Who Knows What The Reality Was? There Was No Room For Otherliness; Don t Say He Wasn t; He Really Was. Verse 54: Woh Baag Kuch Aisa Rang Laya Kay Guncha O Gul Ka Faraq Uthaya Girah Mein Kal liyoon Ki Baag Phoolay Guloon Kay Takmay Lagay Huay Thay. وہ باغ کچھ ایسا رنگ الیا کہ غ نچہ و گ ل کا فرق ا تھایا گرہ میں کلیوں کی باغ پھولے گلوں کی تکمے لگے ہوئے تھے The Garden So Blossomed That The Buds And The Roses Looked Very Charming The Unblown And The Fully-Blown Flowers Became Equally Inviting. Verse 55: Muhito Markaz Mein Faraq Mushkil Rahe Na Faasil Khutoot E Wasil Kamaan E Hairat Mein Sir Jhukaye Ajeeb Chakar Mein Da eray Thay. محیط و مرکز میں فرق مشکل رہے نہ فاص ل خطوط واص ل کمانیں حیرت میں سر جھکائے عجیب چکر میں دائرے تھے To Differentiate Between The Circumference And The Centre Was Difficult; The Arches Bowed And The Circles Felt Giddy As A Result. Markaz é Ahle Sunnat N.I.S. Noori 17 Razvi N.I.S. Maslak é Ala Hazrat

18 Verse 56: Hijab Uhnay Mein Lakhoon Parde Har Aik Parday Main Lakhon Jalway Ajab Ghari Thi Kay Waslo Furqat Janam Kay Bichray Galay Milay Thay. حجاب ا ٹھنے الکھوں پردے ہر ایک پردے میں الکھوں جلوے عجب گھڑی تھی کہ و صل و فرقت جنم کے بچھڑے گلے ملے تھے Millions Of Veils Disappeared Revealing Endless Oceans Of Luminosity; It Was Strange Union Of Lights Which Symbolised Diversity In Unity. Verse 57: Zabanein Sukhi Dikha Kay Mojein Tarap Rahi Thien Kay Pani Paein Bhanwar Ko Yeh Zofay Tashnagi That Kay Halqay Aankhoon Mein Par Gaye Thay. زبانیں سوکھی د کھا کے موجیں تڑپ رہی تھی کہ پانی پائیں بھنور کو یہ ضعف تشنگی تھا کہ حلقے آنکھوں میں پڑ گئے تھے The Waves Showed Their Parched Tongues And Wriggled In Search Of Water; The Whirlpool Fainted With Thirst And Its Eye Stared Farther And Farther. Verse 58: Wohi Hai Awwal Wohi Hai Aakhir Wohi Hai Batin Wohi Hai Zahir Usi Kay Jalway Usi Say Milnay Usi Say Uski Taraf Gaye Thay. وہی ہے او ل وہی ہے آخر وہی ہے باطن وہی ہے ظاہر ا سی کے جلوے ا سی سے ملنے ا سی سے ا س کی طرف گئے تھے He Is The First And The Last; He Lives In The Absence And The Presence; His Own Hidden Light Went To See His Own Visible Existence. Verse 59: Kaman E Imakan Kay Jhutay Nukto Tum Awwal Akhir Ki Phair Mein Ho, Muhit Ki Chal Say To Pucho Kidhar Say Aaye Kidhar Gaye Thay. کمان امکاں کے جھوٹے نقطو تم او ل آخر کے پھیر میں ہو محیط کی چال سے تو پوچھو کدھر سے آئے کدھر گئے تھے O Dots On The Arch Of Probability! Why Do You Guess The First And Last? Ask The Track Of The Circumference, Where Did The Process Begin In The Past? Verse 60: Udhar Say Theen Nazray Shah Namaz ain Idhar Say Inaam E Khusravi Mein Salam O Rehmat Kay Haar Gundh Ker Glue E Pur Noor Mein Paray Thay. ا دھر سے تھیں نذرشہ نمازیں ادھر سے ا نعام خسروی میں سالم و رحمت کے ہار گندھ کر گلوئے پر نور پڑے تھے Here Allah Gave His Beloved Messenger A Gift Of Formal And Ritual Prayers, He Also Honoured Him With Garlands Of Durood, And Salaam s Regal Flowers. Markaz é Ahle Sunnat N.I.S. Noori 18 Razvi N.I.S. Maslak é Ala Hazrat

19 Verse 61: Zabaan Ko Intezar Guftan To Gos Ko Hasrat E Shunidan Yahan Jo Kehna Tha Keh Liya Tha Jo Baat Sun ni Thi Sun Chukay Thay. زبان کو انتظار گ فتن تو گوش کو حسر ت ش نید ن یہاں جو کہنا تھا کہیہ لیا تھا جو بات س ننی تھی س ن چ کے تھے The Tongue Was Anxious To Speak And The Ear Was Eagerly To Go Very Near; Mysteriously And Silently He Said What He Wanted To Say And Heard What He Wanted To Hear. Verse 62: Woh Burj E Batha Ka Mahpara Bahishat Ki Sair Ko Sidhara, Chamak Pay Tha Khuld Ka Sitara Kay Iss Qamar Kay Qadam Gaye Thay. وہ برج بطحہ کا ماہ پارہ بہشت کی سیر کو سدھارا چمک پہ تھا خلد تھا ستارہ کہ اس قمر کے قدم گئے تھے Then The Distinguished Guest Was Taken To Paradise Soon; The Stars Of Paradise Felt Honoured To See The Glory Of Their Arabian Moon. Verse 63: Suroor E Maqdam Ki Roshni Thi Kay Tabishoon Say Mah E Arab Ki, Jina Kay Gulshan Thay Jhaar Farshi Jo Phool Thay Sab Kanwal Banay Thay. س رور م قدم کی روشنی تھی کہ تابشوں سے مہ عرب کی ج ناں کے گ لشن تھے جھاڑ فرشی جو پھول تھے سب کنول بنے تھے The Arabian Moon Was Accorded A Glorious Welcome Joyfully; All The Heavenly Flowers Became Daffodils And The Chandeliers Shone More Brightly. Verse 64: Tarab Ki Nazish Kay Haan Lachakiye Adab Woh Bandish Kay Hill Na Sakiye, Yeh Josh E Ziden Tha Keh Poday Kasha Kish E Arah Kay Talay Thay. طرب کی نازش کہ ہاں لچکیے ادب وہ بندش کہ ہل نہ سکیئے یہ جوش ضد ین تھا کہ پودے کشا ک ش ار ہ کے تلے تھے The Spirit Of Ecstasy Edged Him On But The Sense Of Humility Checked Him Modestly; A Real Conflict Of Emotions: To Advance Or Just To Stay There Reverently. Verse 65: Khuda Ki Qudrat Keh Chand Haq Kay Karoroon Manzil Mein Jalwa Kar Kay, Abhi Na Taroon Ki Chaoon Badli Keh Noor Kay Tarkay Aa Liye Thay. خ دا کی قدرت کہ چاند حق کے کروڑوں منزلیں میں جلوہ کر کے ابھی نہ تاروں کی چھاو ں بدلی کہ نور کے تڑکے آ لئیے تھے Allah s Omnipotence Be Praised!His Truthful Moon Shone at Millions of Stations on His Way Even When He Returned Home By Dawn Before The Starlight Faded Away. Markaz é Ahle Sunnat N.I.S. Noori 19 Razvi N.I.S. Maslak é Ala Hazrat

20 Verse 66: Nabi E Rehmat Shafi E Ummat RAZA Pay Lillah Ho Inayat, Isay Bhi Unn Khal atoon Say Hisa Jo Khas Rehmat Kay Waan Bate Thay. نبی رحمت شفی ع ا مت! رضا پہ ہللا ہو عنایت اسے بھی ان خلعتوں سے حص ہ جو خاص رحمت کے واں بٹے تھے Take Pity On Raza, O Our Intercessor And Allah s Messenger Of Mercy! Grant Him A Small Share From The Gifts Distributed During The Meraj Journey. Verse 67: Sana E Sarkar Hai Wazifa Qabool E Sarkar Hai Taman na, Na Shayari Ki Hawas Na Parwah Radi Thi Kiya Kaisay Kafiye Thay. ثنائے سرکار ہے وظیفہ قبول س رکار ہے تمنا نہ شاعری کی ہوس نہ پر وا ردی تھی کیا کیسے قافیے تھے My Mission Is To Praise The Prophet; My Aim Is To Achieve His Pleasure; The Poetic Rhymes And Refrains Have No Value; Mustapha s Love Is My True Treasure. Na al an-nabi Sallallaho Alaihi wa Sallam Markaz é Ahle Sunnat N.I.S. Noori 20 Razvi N.I.S. Maslak é Ala Hazrat

21 It is not for the image that my heart is longing. Yet it yearns for the one who wore this Sandal. We are lowered by awe to honour this Sandal. And whenever we lower before it we are raised. So place it on the highest shelf! For indeed in reality it is a crown and only outwardly a Sandal Shaykh Yusuf al-nabhani Markaz é Ahle Sunnat N.I.S. Noori 21 Razvi N.I.S. Maslak é Ala Hazrat

22 An Andalusian poetess, Sa duna Umm Sa d bint Isam al Himyarriya begins one of her poems with the words; I shall kiss the image if I do not find A way to kiss the Prophet s sandal. Perhaps the good fortune of kissing it Will be granted to me in Paradise in the most radiant place, And I rub my heart on it so that perhaps The burning thirst which rages in it maybe quenched. Books on: The Sandal of the Prophet (sal Allahu alayhi wa sallam) 1. Imam Abu Ishāq Ibrahīm ibn Muhammad ibn Khalaf al-sullamī, famous as Ibn al-hājj, who collected that which many poets and authors had written in praise of the sandals. 2. Imam and hadith master Abū al-yumn `Abd al-samad ibn `Abd al-wahhāb Ibn `Asākir of Damascus (686 AH), who was buried in the Baqī` cemetery [in Madina], authored a treatise called A Sketch of the Sandal of the Prophet (Allah bless him and give him peace) (Timthālu Na`l al-nabiyy), which is published. 3. The great mujtahid Imam Sirāj al-dīn `Umar ibn Raslān al-bulqīnī. 4. Imam Shams al-dīn Muhammad ibn `Īsa al-muqri, whose book was titled A Joy For Eyes By Verifying The Matter of The Sandals (Qurrat al-`aynayn fī Tahqīq Amr al-na`layn) 5. Imam Abū al-`abbās al-maqqarī of Tilmisān, who died in Egypt, wrote the most expansive work on the issue, An Opening From The Most High In Praising The Sandals (Fath al- Muta`āl fī Madh al-ni`āl). This work is published, and has three abridgements. The first is by Radiyy al-dīn Abu al-khayr al-qādirī; the second by Abū al-hasan al-dimintī; and the third by Shaykh Yūsuf al-nabahānī (Allah have mercy on them all). 6. The author of the work Collected Pearls from the Bewildering Design and the Unique Exposition on the Characteristics of the Depiction of the Sandals of the Messenger of Allah (Allah bless him and give him peace) ( al-la ali al-majmū`a Min Bāhir al-nizām wa Bāri` al- Kalām fī Sifat Mithāl Na`li Rasūl Allāh), who was one of the scholars of Cordoba, as mentioned by the historian Abū Sālim al-`ayyāshī in his famous travelogue. Markaz é Ahle Sunnat N.I.S. Noori 22 Razvi N.I.S. Maslak é Ala Hazrat

23 Markaz é Ahle Sunnat N.I.S. Noori 23 Razvi N.I.S. Maslak é Ala Hazrat

24 Markaz é Ahle Sunnat N.I.S. Noori 24 Razvi N.I.S. Maslak é Ala Hazrat

25 Markaz é Ahle Sunnat N.I.S. Noori 25 Razvi N.I.S. Maslak é Ala Hazrat