Major Artists of the German Reformation. Lucas Cranach (Wittenberg)
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1 Major Artists of the German Reformation Hans Holbein Lucas Cranach (Wittenberg) Albrecht Durer
2
3 Holbein Dance of Death Alphabet 1538
4 Expulsion of Adam and Eve from Garden of Eden
5 Death and the old man Job as text
6 The Knight
7 Death and the King
8 Death of a high priest -- Quotes from OT Psalms
9 Holbein Erasmus 1516
10 Holbein Erasmus 1523
11 Holbein Madonna of Mercy with Basel Mayor Jakob Meyer and his Family (dead wife & two sons) 1526 Still doing Catholic paintings
12 Holbein Allegory of the Old and New Testaments 1535 Reformation theme of Law versus Gospel
13 Holbein Henry VIII 1540
14 Holbein Anne of Cleves married and separated 1540 The Flemish mare (sent to a convent)
15 Holbein Thomas More Chancellor of England 1532 Executed 1535
16 Albrecht Durer 1498 Self portrait At 26
17 Durer Self Portrait as Christ 1500
18 Adam and Eve 1508
19 Durer Apocalypse Series 1498 from Book of Revelation
20 Durer Apocalypse series 1498
21 Durer Four Horsemen of the Apocalpyse
22 The beast with the lamb's horns and the beast with seven heads
23 The whore of Babylon
24 The Lamb of God
25 Durer Knight, Death and the Devil 1513
26
27 Durer Erasmus 1526
28 Durer St. Anne, Virgin and child 1513
29 Durer 1526 Four Holy Men Foreground: John and Paul With Peter and Mark (a Lutheran style religious painting)
30 Lucas Cranach the Elder Self portrait 1550 Cranach lived in Wittenberg and became the chief artist of the Lutheran Reformation
31 Cranach Adam and Eve 1528
32 Luther 1535
33 Katerina von Bora Luther s wife and former nun
34 Cranach Frederick the Wise with Luther, Melanchthon and Cranach (to left of Frederick)
35 Cranach Mass of St Gregory 1550
36 Why would Cranach -- the major artist of the Lutheran Reformation -- paint a traditional picture of the Mass of St. Gregory for the Archbishop of Mainz, Albrecht of Brandenburg, to whom Luther had sent the 95 Theses against Indulgences? Here is a statement by the Reformation historian Eamon Duffy: A close friend of Martin Luther, Cranach more or less singlehandedly invented the visual vocabulary for Luther's rebellion against the Catholic church. Cranach charted his friend's evolution from wild-eyed monk to magisterial reformer in a stream of portrait prints and panel paintings. His mass-produced images made Luther's the most familiar face in 16th-century Europe, and became the definitive icons of the new religion. And yet, at the height of his activity as Luther's publicist, he was working equally hard on lucrative commissions from the most powerful Catholic ecclesiastic in Germany: Cardinal Albrecht of Brandenburg, the very man whose blatant sale of indulgences had driven Luther to protest in the first place. Friendship, art and ideological purity were all very well, but for Cranach, business was business. Eamon Duffy
37 Cranach Weimar Altarpiece 1555 Luther and Cranach on left with John the Baptist
38 Cranach Last Supper with Christ and Judas, plus 16 th C. Lutheran figures 1565 Cranach Last Supper of the Reformers
39 The Beautiful Madonna of Regensburg
40 Reformation woodcut Ridiculing shrine of the Beautiful Madonna of Regensburg
41 Thomas Murner (Catholic) The Great Lutheran Fool (cover illustration for Murner s book)
42 Polemical woodcuts and pamphlets from Reformation Germany called Flugschriften and sold as single sheets, some with text included, others just a title
43 Monstrous Births as Omens The Papal Ass of Rome 1523
44 The Monk Calf of Freiberg 1523
45 Cranach The Pope as Antichrist
46 Law and Gospel
47 Hans Sebald Behem 1524 Complaint of the godless against Luther
48 1524 Luther on right with peasants; godless Catholic clergy on left
49 Light of the Gospel chasing away Catholic clergy True repentance before God versus Papal moneychangers in the temple
50
51
52
53 Hooded clergy disguises ravening wolf eating sheep
54 Images of Luther in woodcuts from 1520
55 Cranach Luther 1520
56 Luther 1521 with Doctor s cap
57 Luther 1520 Woodcut published with Babylonian Captivity
58 Hans Baldung Grien Luther 1523 Inspired by the Holy Spirit
59 Catholic graffiti
60 1525 Title page To German New Testament Luther at his desk Hans Beham
61 Hans Holbein the Younger Luther as German Hercules 1523 Luther wearing lion s pelt with club = Hercules. Pope hanging from his nose, On ground, defeated: Aristotle, Occam, Peter Lombard, Duns Scotus
62 Luther as Junker George at Wartburg
63 Luther 1535
64 Durer Melanchthon 1526
65 Melanchthon 1560 (the Reformation took its toll )
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