The Tiger, The Brahman And The Jackal

Size: px
Start display at page:

Download "The Tiger, The Brahman And The Jackal"

Transcription

1 The Tiger, The Brahman And The Jackal By T. James Belich greenroompress.com

2 Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-english languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Green Room Press. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Green Room Press. Questions concerning other rights should be addressed to Green Room Press. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Green Room Press. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. AUTHOR CREDIT: All groups or individuals receiving permission to produce this Work must give the author(s) credit in any and all advertisement and publicity relating to the production of this Work. The author s billing must appear directly below the title on a separate line where no other written matter appears. The name of the author(s) must be at least 50% as large as the title of the Work. No person or entity may receive larger or more prominent credit than that which is given to the author(s). PUBLISHER CREDIT: Whenever this Work is produced, all programs, advertisements, flyers or other printed material must include the following notice: Produced by special arrangement with Green Room Press. COPYING: Any unauthorized copying of this Work or excerpts from this Work is strictly forbidden by law. No part of this Work may be reproduced, stored in a retrieval system, or transmitted in any form, by any means now known or yet to be invented, including photocopying or scanning, without prior permission from Green Room Press. Copyright Green Room Press Printed in the United States of America All Rights Reserved

3 THE TIGER, THE BRAHMAN AND THE JACKAL BASED ON AN INDIAN FOLK TALE By T. James Belich

4 2 THE TIGER, THE BRAHMAN AND THE JACKAL THE TIGER, THE BRAHMAN AND THE JACKAL By T. James Belich ADAPTED FROM A FOLK TALE OF I NDIA Original tale found in Indian Fairy Tales, edited by Joseph Jacobs (1892) SYNOPSIS: A Brahman comes upon a tiger in a cage. Filled with pity, he releases the tiger, but the moment the tiger is free from his bonds, he advances, intent on filling his empty belly with the holy man. Just in time, the Brahman convinces the tiger to spare him if he can procure someone who would agree with his decision to free the beast. The Brahman rushes off to find someone to support his decision, but who else on earth would un-cage a starving tiger? Just before he loses all hope, he comes across a fuzzy-headed jackal who can't quite wrap his mind around the Brahman's plight, and they go back to the tiger together to decide the Brahman's fate. CAST OF CHARACTERS (2 female, 4 either, 0-2 extras; gender flexible, doubling possible) FARMER (m/f)... May be double cast with Buffalo, Fig Tree or Road. (Non-speaking) TIGER (m/f)... (65 lines) HUNTER (m/f)... May be double cast with Buffalo, Fig Tree or Road. (Non-speaking) BRAHMAN (m/f)... (172 lines) BUFFALO (f)... May be double cast with Farmer or Hunter. (32 lines) SACRED FIG TREE (f)... May be double cast with Farmer or Hunter. (32 lines) ROAD (m/f)... May be double cast with Farmer or Hunter. (31 lines) JACKAL (m/f)... (50 lines) PROPS A cage

5 T. JAMES BELICH 3 PRODUCTION HISTORY The Tiger, the Brahman and the Jackal was first performed by the Hodge- Podge Players in the Twin Cities, Minnesota on June 12th, 13th, and 14th, It was directed by Jaron Burdick with the following cast: FARMER... Emily Swora TIGER... Kevin Whitby HUNTER... Thomas Leeper BRAHMAN... Justin Adelmann BUFFALO... Sandy Carlson SACRED FIG TREE... Katherine Juul ROAD... Carl O'Brian JACKAL... Katrisa Bohne

6 4 THE TIGER, THE BRAHMAN AND THE JACKAL AT RISE: The lights fade up onto a remote corner of the countryside, deep in the heart of India. The set may be very minimal, if desired, relying more on costumes than scenery to set the locale. We hear a sudden cry of fear. A FARMER enters, runs across the stage, and exits. A TIGER enters, slowly, with the air of a predator hunting its prey at leisure. The TIGER follows the FARMER and exits. The situation repeats itself until the FARMER returns with a HUNTER and mimes to him the situation. The HUNTER nods confidently and reassures the FARMER that all will be well. The FARMER exits while the HUNTER sets up a cage DS and baits it with appropriate bait for a TIGER, such as a sheep or goat. As the TIGER returns, the HUNTER hides and imitates the sound of the animal used to bait the trap. The TIGER enters the cage and pounces on the bait. The HUNTER quickly shuts the cage and looks upon his handiwork with satisfaction. As the HUNTER exits, the TIGER struggles in vain to escape from the cage. Time passes, and the TIGER finally falls to the ground, exhausted and overcome with grief. He begins to sob and is heard by a poor BRAHMAN who has just entered from US. BRAHMAN: Hello? Are you all right? TIGER: Who's there? The BRAHMAN crosses DS to the cage and sees for the first time that he is speaking to a tiger. BRAHMAN: (Startled.) You're a tiger! TIGER: Please, Mr. Brahman, let me out! BRAHMAN: I'm not so sure that's a good idea... TIGER: But I've been trapped in this cage for days without food or drink. I'm starving... BRAHMAN: That's what concerns me. TIGER: I beg of you, let me out of this cage! BRAHMAN: To be frank, Mr. Tiger, you would probably eat me once I did. The BRAHMAN crosses US and starts to exit.

7 T. JAMES BELICH 5 TIGER: (In great despair.) Mr. Brahman, please! I promise not to eat you. If you release me, I will be forever grateful and serve you as a slave. I swear it upon my stripes! BRAHMAN: I'm more worried about your teeth. TIGER: You have my word, Mr. Brahman. But if you leave me here I'll die. BRAHMAN: (Turning back to the TIGER.) Don't think I don't feel sorry for you, Mr. Tiger. It pains me to see a creature in such distress, but... TIGER: Well? BRAHMAN: Well, you're dangerous, and I don't believe I can trust you. (The TIGER begins to cry even louder than before. The BRAHMAN crosses back to the cage and tries to console the TIGER.) Please don't cry, Mr. Tiger. TIGER: (Wailing.) No one ever trusts a tiger! That's how I ended up in this cage to begin with. Even tigers must eat! BRAHMAN: I suppose that's true... TIGER: But eat even a sheep here and there, and people think you'll be after their children next. I'm not a bad tiger, Mr. Brahman. BRAHMAN: No, no, of course not. TIGER: And I've never eaten a child. (Slight pause.) Except once. And truly, Mr. Brahman, I thought it was a monkey. BRAHMAN: I'm sure it was an honest mistake. TIGER: Oh, it was! But no one believes there can be an honest tiger. (He continues to cry.) BRAHMAN: There, there, Mr. Tiger, it's all right. (Pause.) If I let you out... TIGER: Yes? BRAHMAN: Do you promise not to eat me or anyone else? TIGER: Oh, yes, Mr. Brahman! You have my word never to harm you. BRAHMAN: (To the audience.) I suppose, in good conscience, I can't just leave him here to starve. Can I? TIGER: (To the audience.) Of course he can't! BRAHMAN: (To the audience.) Should I let him out?

8 6 THE TIGER, THE BRAHMAN AND THE JACKAL The BRAHMAN ad-libs with the audience as necessary in order to elicit a response. In the end, he decides to agree with those who say he should let the TIGER out of the cage. The TIGER may also participate in the audience interaction in an attempt to win the audience over to his side. BRAHMAN: You're right. (To the TIGER.) Very well then, Mr. Tiger. The BRAHMAN lets the TIGER out of the cage. The TIGER joyfully leaps out of the cage, and the BRAHMAN takes a few steps back. TIGER: Mr. Brahman, how can I ever thank you? BRAHMAN: It was nothing. You didn't deserve to suffer like that. Well, goodbye, Mr. Tiger. (He starts to exit US, but the TIGER crosses in front of him.) I really should be on my way. The TIGER advances on the BRAHMAN, pushing him back DS. TIGER: So soon, Mr. Brahman? I was hoping you'd join me for some dinner, to celebrate. BRAHMAN: That's very kind. Perhaps another time. The BRAHMAN tries to exit, but he is again blocked by the TIGER. TIGER: No need to be in such a hurry, Mr. Brahman. Do stay. BRAHMAN: I'd love to, but I really must be going. The BRAHMAN attempts to run away, but the TIGER seizes him. TIGER: You fool! What keeps me from eating you now? After all that time cooped up in a cage, I am very hungry. BRAHMAN: But you gave me your word! You promised to be my slave. (The BRAHMAN tries to order the TIGER.) Down, tiger, down! TIGER: (Laughing.) Only a fool trusts the word of a tiger. BRAHMAN: (On his knees.) Please, Mr. Tiger, I spared your life. I beg you to spare mine.

9 T. JAMES BELICH 7 TIGER: And what about my dinner? If I don't eat something soon, I'll die of hunger. BRAHMAN: Can't you find something else to eat now that you're free? Please? Slight pause. TIGER: Well, you did do me a great kindness, Mr. Brahman, and I do feel that I owe you some small favor in return. BRAHMAN: I hoped you'd see it that way. I'll just be off then. The BRAHMAN again tries to leave but is caught once more by the TIGER. TIGER: I will make you this promise, Mr. Brahman. You may ask any three things you wish what they think of my actions. If you can find someone who agrees with you, then I will let you go. BRAHMAN: Why should I believe that you'll keep this promise? TIGER: (Advancing on the BRAHMAN.) Or we may begin my dinner at once. BRAHMAN: Any three things you said? TIGER: Any three you like. BRAHMAN: I see. All right. (To the audience.) If I could trouble you again for just a moment... TIGER: Not them! BRAHMAN: Why not? TIGER: They don't count. BRAHMAN: (Pointing to someone.) Not even this person? Surely if ever there was someone who could judge our dispute fairly and equitably... (The TIGER growls.) Perhaps I should try someone else. TIGER: No humans, Mr. Brahman. BRAHMAN: But... TIGER: And no tigers either. We wouldn't want our judge to be biased, now would we? BRAHMAN: Of course not. (To the audience.) As if I'd be foolish enough to trust another tiger. TIGER: I'll be waiting, Mr. Brahman.

10 8 THE TIGER, THE BRAHMAN AND THE JACKAL Laughing, the TIGER exits USR. The BRAHMAN begins to journey across the stage, from right to left, transitioning to a new location as he searches for someone to take his side. If desired, a light change may be used to aid in this transition. A BUFFALO enters from USL and begins to slowly walk in a circle as she turns an invisible well wheel. When the BRAHMAN sees her he tries to attract her attention. Throughout this scene the BRAHMAN attempts to stay in sight and out of the way of the nearly constantly moving BUFFALO. BRAHMAN: Excuse me. Excuse me, Miss Buffalo? BUFFALO: What? Can't you see I'm busy? BRAHMAN: I was wondering... What are you doing? BUFFALO: (Continuing her circular motion.) I'm turning a well wheel. What does it look like I'm doing? BRAHMAN: Why? BUFFALO: To pump water for my owners. BRAHMAN: It doesn't look like much fun. BUFFALO: It's not. But it's better than starving, Mr. Brahman. (Slight pause.) What exactly is a Brahman anyway? BRAHMAN: It's an Indian holy man, sort of like a monk. BUFFALO: (Referring to the audience.) Do they know that? Because I didn't know that. And if I didn't know that, how can you expect them to know that? BRAHMAN: I don't know. I have more important things to worry about at the moment. The BUFFALO stops. BUFFALO: Oh? Aren't things going well at your monastery? BRAHMAN: I'm not from a monastery. BUFFALO: You said you were a monk. BRAHMAN: I said a Brahman was like a monk. BUFFALO: Aren't monks supposed to take a vow of silence? BRAHMAN: I'm not a monk! BUFFALO: Whatever you say. Can I get back to turning my well wheel now? BRAHMAN: Well, I had something I needed to ask you.

11 T. JAMES BELICH 9 BUFFALO: Right now? I'm a little busy. The BUFFALO resumes her circular walk. BRAHMAN: It's very important. BUFFALO: All right, but is this going to take long? Because if I don't get enough work done, I don't get fed. BRAHMAN: I'll try and keep it brief. You see, I helped this tiger out of a cage, and then... BUFFALO: You let a tiger out of a cage? Are you crazy? BRAHMAN: No, but I felt sorry for him and so I stopped to help. BUFFALO: Weren't you afraid he'd eat you? BRAHMAN: Yes, but he promised not to. BUFFALO: (Stopping again.) And you believed him? BRAHMAN: Well, he was crying and looked so pitiful... (He points to the audience.) Besides, they said I should. BUFFALO: Don't they teach you anything at your monastery? Sorry! Not a monastery! (She starts walking again.) So what happened when you let the tiger out? BRAHMAN: He said he was going to eat me. BUFFALO: What did I tell you? Never trust a hungry tiger. BRAHMAN: I was trying to do the right thing. BUFFALO: So what does this have to do with me? The tiger obviously hasn't eaten you, so what's the problem? BRAHMAN: But he's going to, unless I find someone who agrees that what I did was right. BUFFALO: You mean that you're going to go back to the tiger? BRAHMAN: Well, yes... BUFFALO: Why? The tiger can't eat you if he can't find you. Why not just run away? BRAHMAN: I suppose I could, but... The BUFFALO stops and turns to the audience. BUFFALO: (To the audience.) Do you think he should go back? (She ad-libs with the audience until they agree that, no, the BRAHMAN should not go back to the TIGER. To the BRAHMAN.) You see?

12 10 THE TIGER, THE BRAHMAN AND THE JACKAL BRAHMAN: But I have to go back, on my honor as a Brahman. Otherwise I'm no better than the tiger. BUFFALO: Suit yourself. Let him eat you! The BUFFALO begins to walk again. BRAHMAN: But he won't eat me if you take my side. BUFFALO: That's what you think. BRAHMAN: Look, just tell me if you think it was right for the tiger to break his promise after I freed him. BUFFALO: Did you think he was going to thank you? We're talking about a tiger! They eat people! And buffalo too, so you'd better not tell him where to find me. The BRAHMAN crosses directly in front of the BUFFALO. BRAHMAN: But I helped him! BUFFALO: So what? (The BUFFALO pushes the BRAHMAN aside and keeps walking.) For years, I gave my owners all the milk they could drink, but did they show me any gratitude? No! As soon as the milk ran dry, they set me to work turning this well wheel day after day fed only on garbage. BRAHMAN: That's terrible! BUFFALO: Exactly! Helping others will always get you somewhere terrible. BRAHMAN: That's not true. BUFFALO: Sure it is! Look where it got you. BRAHMAN: I hardly think you'll end up in the stomach of a tiger if you help me. BUFFALO: Oh? Who do you think the tiger will be after if he doesn't eat you? BRAHMAN: I promise not to tell the tiger where to find you. (He crosses to the BUFFALO and tries to stop her.) Will you please help me? The BUFFALO pauses for a moment. BUFFALO: Well...

13 T. JAMES BELICH 11 BRAHMAN: If you do, then maybe I can do something to help you. The BUFFALO pushes past the BRAHMAN again and continues walking. BUFFALO: Considering the mess you got yourself in the last time you tried to help someone, no thanks! BRAHMAN: Now, that's not fair... BUFFALO: Besides, I don't know that I want to have anything to do with someone who consorts with tigers. BRAHMAN: But... BUFFALO: Sorry! BRAHMAN: Fine, I'll try someone else. It's not as if everyone I meet will side with the tiger. BUFFALO: We'll see... The BUFFALO exits USR and the BRAHMAN journeys across the stage as before. The SACRED FIG TREE enters from USL, unseen by the BRAHMAN. BRAHMAN: (To the audience.) If you ask me, this entire situation is highly unfair. I save the tiger's life, and for my kindness, I become his next dinner, having to beg for my life when he should be thanking me for his. It's not fair at all. FIG TREE: Do stop your whining, Mr. Brahman! BRAHMAN: Oh! Excuse me! I thought I was alone. (He crosses to the FIG TREE and tries to take her by the hand.) Perhaps you can help me... The FIG TREE pulls away from the BRAHMAN. FIG TREE: Please! Don't touch the leaves! BRAHMAN: I'm sorry, but I could really use your help, my good tree. FIG TREE: (Haughtily.) Is that how you address the sacred fig tree? A Brahman should know better. BRAHMAN: (Bowing to the FIG TREE.) Forgive me, I didn't mean any disrespect. FIG TREE: (Crossing DS.) I should certainly hope not.

14 12 THE TIGER, THE BRAHMAN AND THE JACKAL The BRAHMAN follows the FIG TREE. BRAHMAN: It's just that I'm a little distracted at the moment and didn't notice what kind of tree you are. FIG TREE: (Shocked.) What? Not notice? Not notice the sacred fig of India? Upset, the FIG TREE crosses the stage as she speaks, while the BRAHMAN follows and attempts to apologize. BRAHMAN: Look, I'm really sorry... FIG TREE: (Continuing.) Not notice how I tower above all other trees? Not notice my perfect figs, the like of which fruit is unparalleled in the vegetable kingdom? BRAHMAN: What I meant was... FIG TREE: (Turning on the BRAHMAN.) You shock me with your ignorance, Mr. Brahman, and were I not a tree of bountiful mercy and patience, I would banish you at once from my presence. BRAHMAN: Then may I offer you my most humble apologies, oh magnificent tree of the sacred fig. Slight pause. FIG TREE: I accept your apology, Mr. Brahman. You may be on your way now. The FIG TREE gestures him off. BRAHMAN: Actually, if you have a moment... FIG TREE: I do not. (She takes CS.) I am currently occupied with matters of great importance. BRAHMAN: Such as? FIG TREE: Being admired. (She gestures to the audience.) Just look at the crowd of devoted followers that has gathered in order to bask in the gentle shade of my graceful leaves.

15 T. JAMES BELICH 13 During the rest of her conversation with the BRAHMAN the FIG TREE focuses less on him and more on showing off for the audience. BRAHMAN: I don't think they've come just to see you. FIG TREE: Of course they have! (To the audience.) You may continue to gaze upon my leafy splendor. (Pause as the FIG TREE basks in the audience's appreciation. She then realizes that the BRAHMAN isn't leaving. With a sigh.) Very well, what did you require of me, Mr. Brahman? BRAHMAN: Your opinion. FIG TREE: Ah! You were wise to come to me, the sacred fig of infinite wisdom. Continue. BRAHMAN: It has to do with a tiger... FIG TREE: (Bored again.) You would bother me with such a trivial affair? BRAHMAN: But I haven't explained it yet. FIG TREE: There is no need, Mr. Brahman, I saw it all from here. BRAHMAN: You did? FIG TREE: Certainly. The sacred fig sees all. Slight pause. BRAHMAN: And? The FIG TREE crosses DSR to show off for the SR side of the audience. FIG TREE: I don't think that you have anything to complain about. BRAHMAN: (Shocked.) What? How can you say that? FIG TREE: Clearly anyone with sense will know that it is foolish to trust a tiger. If you had just consulted me to begin with... BRAHMAN: But I saved the tiger's life! FIG TREE: And did you expect him to do you a good deed in return? BRAHMAN: Well, yes. FIG TREE: Then you are more foolish than I thought. Why, look at me. I graciously give shade to everyone who passes by, and how am I rewarded? People tear off my branches to feed their cattle. (Indignant.) Their cattle!

16 Thank you for reading this free excerpt from: TIGER, THE BRAHMAN AND THE JACKAL by T. James Belich. For performance rights and/or a complete copy of the script, please contact us at: GREEN ROOM PRESS, INC. customerservice@greenroompress.com

WHAT WOULD GRISSOM DO? By Leon Kaye

WHAT WOULD GRISSOM DO? By Leon Kaye WHAT WOULD GRISSOM DO? By Leon Kaye Copyright 2007 by Leon Kaye, All rights reserved. ISBN 1-60003-278-8 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This

More information

THE TIGER IN THE PIT By John Byrne

THE TIGER IN THE PIT By John Byrne THE TIGER IN THE PIT By John Byrne Copyright 2011 by John Byrne, All rights reserved. ISBN: 1-60003-621-X CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This

More information

THE MOST HUMAN. By Catherine Rhoden-Goguen. Copyright 2018 by Catherine Rhoden-Goguen, All rights reserved. ISBN:

THE MOST HUMAN. By Catherine Rhoden-Goguen. Copyright 2018 by Catherine Rhoden-Goguen, All rights reserved. ISBN: THE MOST HUMAN By Catherine Rhoden-Goguen Copyright 2018 by Catherine Rhoden-Goguen, All rights reserved. ISBN: 978-1-60003-979-9 CAUTION: Professionals and amateurs are hereby warned that this Work is

More information

OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton

OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton Copyright 2015 by Bradley Walton, All rights reserved. ISBN: 978-1-60003-815-0 CAUTION: Professionals and amateurs are hereby warned that this

More information

THE TWISTING TURNING DEATH MACHINE By Alan Haehnel

THE TWISTING TURNING DEATH MACHINE By Alan Haehnel THE TWISTING TURNING DEATH MACHINE By Alan Haehnel Copyright 2003 by Alan Haehnel, All rights reserved. ISBN 1-932404-02-3 CAUTION: Professionals and amateurs are hereby warned that this Work is subject

More information

NORMALCY By Bobby Keniston

NORMALCY By Bobby Keniston By Bobby Keniston Copyright 2013 by Bobby Keniston, All rights reserved. ISBN: 978-1-60003-727-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work

More information

FLOWERS FROM OUR FATHER By Carl L. Williams

FLOWERS FROM OUR FATHER By Carl L. Williams FLOWERS FROM OUR FATHER By Carl L. Williams Copyright 2011 by Carl L. Williams, All rights reserved. ISBN 1-60003-620-1 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to

More information

DEAR, I JUST WANT YOU TO KNOW...WE NAMED OUR SON AFTER AN OBSOLETE COMPUTER

DEAR, I JUST WANT YOU TO KNOW...WE NAMED OUR SON AFTER AN OBSOLETE COMPUTER DEAR, I JUST WANT YOU TO KNOW...WE NAMED OUR SON AFTER AN OBSOLETE COMPUTER By Bradley Walton Copyright 2015 by Bradley Walton, All rights reserved. ISBN: 978-1-60003-833-4 CAUTION: Professionals and amateurs

More information

I M NOT NORMAL By Camila Vasquez

I M NOT NORMAL By Camila Vasquez I M NOT NORMAL By Camila Vasquez Copyright 2016 by Camila Vasquez, All rights reserved. ISBN: 978-1-60003-858-7 Caution: Professionals and amateurs are hereby warned that this Work is subject to a royalty.

More information

GLOWING WITH ADVENT. by Gail Gaymer Martin

GLOWING WITH ADVENT. by Gail Gaymer Martin GLOWING WITH ADVENT by Gail Gaymer Martin Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

ANGELO AND ANGELICA, ANGEL APPRENTICES. by Christine Ferguson

ANGELO AND ANGELICA, ANGEL APPRENTICES. by Christine Ferguson ANGELO AND ANGELICA, ANGEL APPRENTICES by Christine Ferguson Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected

More information

A CAPITAL C-H-R-I-S-T-M-A-S. by Gail Gaymer Martin

A CAPITAL C-H-R-I-S-T-M-A-S. by Gail Gaymer Martin A CAPITAL C-H-R-I-S-T-M-A-S by Gail Gaymer Martin Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

ADVENT ANGELS. by William Dohle

ADVENT ANGELS. by William Dohle ADVENT ANGELS by William Dohle Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the

More information

SHIP OF FOOLS By Patrick Gabridge

SHIP OF FOOLS By Patrick Gabridge SHIP OF FOOLS By Patrick Gabridge Copyright 2000 by Patrick Gabridge, All rights reserved. ISBN 1-931000-28-X CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty.

More information

MY FORENSICS COACH IS NOT A JELLYBEAN By Bradley Walton

MY FORENSICS COACH IS NOT A JELLYBEAN By Bradley Walton By Bradley Walton Copyright 2013 by Bradley Walton, All rights reserved. ISBN: 978-1-60003-706-1 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work

More information

IN A WEEK S TIME. by Marilyn D. Bacon

IN A WEEK S TIME. by Marilyn D. Bacon IN A WEEK S TIME by Marilyn D. Bacon Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

368 FRIENDS By Bradley Walton

368 FRIENDS By Bradley Walton 368 FRIENDS By Bradley Walton Copyright 2011 by Bradley Walton, All rights reserved. ISBN 1-60003-602-3 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This

More information

HARK THE ANGEL SANG OFF KEY. by Ann W. Yeager

HARK THE ANGEL SANG OFF KEY. by Ann W. Yeager HARK THE ANGEL SANG OFF KEY by Ann W. Yeager Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

A WORLD OF CHRISTMAS CUSTOMS. by Gail Gaymer Martin

A WORLD OF CHRISTMAS CUSTOMS. by Gail Gaymer Martin A WORLD OF CHRISTMAS CUSTOMS by Gail Gaymer Martin Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the

More information

ADVENT ANTICIPATION. by Linda Allen

ADVENT ANTICIPATION. by Linda Allen ADVENT ANTICIPATION by Linda Allen Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of

More information

THE MAGIC OF MADNESS By Jules Tasca

THE MAGIC OF MADNESS By Jules Tasca THE MAGIC OF MADNESS By Jules Tasca Copyright 2001 by Jules Tasca, All rights reserved. ISBN: 1-931805-04-0 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty.

More information

OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton

OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton OUR FORENSICS TEAM IS GETTING NEW UNICORNS By Bradley Walton Copyright MMXV by Bradley Walton, All Rights Reserved. Heuer Publishing LLC in association with Brooklyn Publishers, LLC ISBN: 978-1-60003-815-0

More information

THE SKY IS FALLING By Patrick Gabridge

THE SKY IS FALLING By Patrick Gabridge THE SKY IS FALLING By Patrick Gabridge Copyright 2003 by Patrick Gabridge, All rights reserved. ISBN: 1-932404-58-9 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a

More information

THE REVENGE OF RAINBOW SHEEP

THE REVENGE OF RAINBOW SHEEP By Bradley Walton Copyright 2014 by Bradley Walton, All rights reserved. ISBN: 978-1-60003-764-1 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work

More information

THE CASE OF THE EMPTY TOMB. by Kent Syverson

THE CASE OF THE EMPTY TOMB. by Kent Syverson THE CASE OF THE EMPTY TOMB by Kent Syverson Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

CHRISTMAS SPIRT? LET S HEAR IT! by Tilda Balsley

CHRISTMAS SPIRT? LET S HEAR IT! by Tilda Balsley CHRISTMAS SPIRT? LET S HEAR IT! by Tilda Balsley Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

BETHLEHEM SPEAKS. by Rochelle Pennington

BETHLEHEM SPEAKS. by Rochelle Pennington BETHLEHEM SPEAKS by Rochelle Pennington Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

THE LAST PROMISE By Mia Karr

THE LAST PROMISE By Mia Karr THE LAST PROMISE By Mia Karr Copyright 2012 by Mia Karr, All rights reserved. ISBN: 1-60003-671-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work

More information

I M NOT OKAY. By Bradley Walton

I M NOT OKAY. By Bradley Walton I M NOT OKAY By Bradley Walton Copyright 2011 by Bradley Walton, All rights reserved. CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected

More information

THE BURDEN. by Greg Sullivan

THE BURDEN. by Greg Sullivan THE BURDEN by Greg Sullivan Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United

More information

THE housekeeper. by ROBERT FROST. adapted for the stage by WALTER WYKES CHARACTERS RUTH CHARLES JOHN

THE housekeeper. by ROBERT FROST. adapted for the stage by WALTER WYKES CHARACTERS RUTH CHARLES JOHN THE housekeeper by ROBERT FROST adapted for the stage by WALTER WYKES CHARACTERS JOHN CAUTION: Professionals and amateurs are hereby warned that The Housekeeper is subject to a royalty. It is fully protected

More information

PUT ASUNDER. by Craig Allan Pospisil

PUT ASUNDER. by Craig Allan Pospisil 1 PUT ASUNDER by Craig Pospisil Contact: Bruce Miller Washington Square Arts 310 Bowery, 2 nd flr. New York, NY 10012 Ph: 212-253-0333, ext. 36 bmiller@washingtonsquarearts.com. Copyright 2006 www.washingtonsquarearts.com

More information

MEAT AND POTATOES. By Kathleen Nelson

MEAT AND POTATOES. By Kathleen Nelson MEAT AND POTATOES By Kathleen Nelson Copyright MMX by Kathleen Nelson, All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC ISBN: 978-1-60003-540-1 CAUTION: Professionals

More information

NEVER CALL ME A LADY By Rusty Harding

NEVER CALL ME A LADY By Rusty Harding NEVER CALL ME A LADY By Rusty Harding Copyright 2015 by Rusty Harding, All rights reserved. Heuer Publishing LLC in association with Brooklyn Publishers LLC ISBN: 978-1-60003-818-1 CAUTION: Professionals

More information

THE AWFUL SILENCE OF GOD. by Donald M. Stewart

THE AWFUL SILENCE OF GOD. by Donald M. Stewart THE AWFUL SILENCE OF GOD by Donald M. Stewart Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

A LIVING ADVENT CALENDAR. by Judy Gattis Smith

A LIVING ADVENT CALENDAR. by Judy Gattis Smith A LIVING ADVENT CALENDAR by Judy Gattis Smith Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

LAST RIGHT BEFORE THE VOID

LAST RIGHT BEFORE THE VOID LAST RIGHT BEFORE THE VOID A ten-minute dramedy by Jonathan Dorf This script is for evaluation only. It may not be printed, photocopied or distributed digitally under any circumstances. Possession of this

More information

PRESIDENT S DAY By A.J. Ferguson

PRESIDENT S DAY By A.J. Ferguson PRESIDENT S DAY By A.J. Ferguson Copyright MMXVIII by A.J. Ferguson, All rights reserved. CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully

More information

SHOW AND TELL CHRISTMAS. by Mary Ann Smith

SHOW AND TELL CHRISTMAS. by Mary Ann Smith SHOW AND TELL CHRISTMAS by Mary Ann Smith Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

THE SKY IS FALLING A One-Act Comedy Play

THE SKY IS FALLING A One-Act Comedy Play THE SKY IS FALLING A One-Act Comedy Play by Patrick Gabridge Brooklyn Publishers, LLC Toll-Free 888-473-8521 Fax 319-368-8011 Web www.brookpub.com Copyright 2003 by Patrick Gabridge All rights reserved

More information

A scene from WHEN WE DEAD AWAKEN. by HENRIK IBSEN. adapted for the stage by WALTER WYKES. CHARACTERS RUBEK: A sculptor IRENE: A former model

A scene from WHEN WE DEAD AWAKEN. by HENRIK IBSEN. adapted for the stage by WALTER WYKES. CHARACTERS RUBEK: A sculptor IRENE: A former model A scene from WHEN WE DEAD AWAKEN by HENRIK IBSEN adapted for the stage by WALTER WYKES CHARACTERS : A sculptor : A former model CAUTION: Professionals and amateurs are hereby warned that When We Dead Awaken

More information

I LL ALWAYS KNOW WHERE YOU ARE

I LL ALWAYS KNOW WHERE YOU ARE TEN-MINUTE MONOLOGUE By Mariah Olson Copyright MMXIV by Mariah Olson All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC ISBN: 978-1-60003-7344 Professionals and amateurs

More information

JOGGING WITH MY WIFE

JOGGING WITH MY WIFE TEN-MINUTE MONOLOGUE By Bradley Walton Copyright MMXIV by Bradley Walton All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC ISBN: 978-1-60003-765-8 Professionals and

More information

THE BABY KING. by Mary Joyce Love

THE BABY KING. by Mary Joyce Love THE BABY KING by Mary Joyce Love Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of

More information

THE death of the hired man

THE death of the hired man THE death of the hired man by ROBERT FROST adapted for the stage by WALTER WYKES CHARACTERS CAUTION: Professionals and amateurs are hereby warned that The Death of the Hired Man is subject to a royalty.

More information

NORMALCY A TEN MINUTE MONOLOGUE. By Bobby Keniston

NORMALCY A TEN MINUTE MONOLOGUE. By Bobby Keniston A TEN MINUTE MONOLOGUE By Bobby Keniston Copyright MMXIII by Bobby Keniston All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC ISBN: 978-1-60003-727-6 Professionals and

More information

PERFORMANCE RIGHTS AND ROYALTY PAYMENTS:

PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: FALLEN By Tom Akers Copyright MMXVII by Tom Akers, All rights reserved. ISBN: 978-1-61588-395-0 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is

More information

THE ANGELS SPEAK. by Galen R. Hackman

THE ANGELS SPEAK. by Galen R. Hackman THE ANGELS SPEAK by Galen R. Hackman Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

A scene from WHEN WE DEAD AWAKEN. by HENRIK IBSEN. adapted for the stage by WALTER WYKES. CHARACTERS RUBEK: A sculptor IRENE: A former model

A scene from WHEN WE DEAD AWAKEN. by HENRIK IBSEN. adapted for the stage by WALTER WYKES. CHARACTERS RUBEK: A sculptor IRENE: A former model A scene from WHEN WE DEAD AWAKEN by HENRIK IBSEN adapted for the stage by WALTER WYKES CHARACTERS : A sculptor : A former model CAUTION: Professionals and amateurs are hereby warned that When We Dead Awaken

More information

NO WAY AROUND BUT THROUGH BY SCOTT CAAN

NO WAY AROUND BUT THROUGH BY SCOTT CAAN NO WAY AROUND BUT THROUGH BY SCOTT CAAN DRAMATISTS PLAY SERVICE INC. NO WAY AROUND BUT THROUGH Copyright 2012, Scott Caan All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that

More information

The Clutches of a Cult

The Clutches of a Cult The Clutches of a Cult Turning in my chair to grab a paper clip, I caught a movement with the corner of my eye. Someone was at my office door, nervously twisting a piece of paper in her hands. As I turned

More information

ADVENT ATTITUDES. by M. K. Boyle

ADVENT ATTITUDES. by M. K. Boyle ADVENT ATTITUDES by M. K. Boyle Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the

More information

BETTER LIVING THROUGH REINCARNATION

BETTER LIVING THROUGH REINCARNATION BETTER LIVING THROUGH REINCARNATION TEN-MINUTE PLAY By Molly Campbell Copyright MMVII by Molly Campbell All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa The writing of plays is a means of livelihood.

More information

Miracle Baby. The Original Stageplay. Cleveland O. McLeish

Miracle Baby. The Original Stageplay. Cleveland O. McLeish Miracle Baby The Original Stageplay Cleveland O. McLeish Copyright 2018. The Heart of a Christian Playwright. All Rights Reserved. Cleveland O. McLeish/The Heart of a Christian Playwright have asserted

More information

AM I GUILTY? by Audrey Surma

AM I GUILTY? by Audrey Surma AM I GUILTY? by Audrey Surma Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the

More information

WHO'S IN CHARGE? HE'S NOT THE BOSS OF ME. Reply. Dear Professor Theophilus:

WHO'S IN CHARGE? HE'S NOT THE BOSS OF ME. Reply. Dear Professor Theophilus: WHO'S IN CHARGE? HE'S NOT THE BOSS OF ME Dear Professor Theophilus: You say that God is good, but what makes Him good? You say that we have been ruined by trying to be good without God, but by whose standard?

More information

Miracle at Christmas Camp

Miracle at Christmas Camp Miracle at Christmas Camp By Gregory Banks Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment.

More information

A 26-Week Discussion Guide for Families

A 26-Week Discussion Guide for Families A 26-Week Discussion Guide for Families Jesus Calling Book Club Discussion Guide for Families 2015 by Sarah Young All rights reserved. No portion of this book may be reproduced, stored in a retrieval system,

More information

A STAR IS BORN. by Wallace N. Davis

A STAR IS BORN. by Wallace N. Davis A STAR IS BORN by Wallace N. Davis Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of

More information

HEAD GAMES A DARK COMEDY IN ONE ACT. By Brian Feehan. Copyright MMXI by Brian Feehan All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

HEAD GAMES A DARK COMEDY IN ONE ACT. By Brian Feehan. Copyright MMXI by Brian Feehan All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa A DARK COMEDY IN ONE ACT By Brian Feehan Copyright MMXI by Brian Feehan All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa Professionals and amateurs are hereby warned that this work is subject

More information

FirstDraft. PlaybyYaleUdof

FirstDraft. PlaybyYaleUdof FirstDraft PlaybyYaleUdof ACT ONE The court is dimly illuminated by one overhead light., seated behind the press table, studies some notes. Seated behind the lamp at the Officials' table is., PAULA and

More information

THE GAMES PEOPLE PLAY. by Mary Ann Smith

THE GAMES PEOPLE PLAY. by Mary Ann Smith THE GAMES PEOPLE PLAY by Mary Ann Smith Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

The Altar is Ready, But Where's the Sacrifice?

The Altar is Ready, But Where's the Sacrifice? The Altar is Ready, But Where's the Sacrifice? We are now in the twenty-first century. Christ has already come into the earth realm in the flesh, died for our sins, rose again on the third day, and He

More information

A Christmas To Remember

A Christmas To Remember by Bill Price What Who When Wear (Props) These are monologues delivered separately by each character. Appropriate for preparation for the Christmas season. Themes: Christmas, Angels, Mary, Joseph, Shepherds

More information

THE TRUE ROYAL. by Beth Troop

THE TRUE ROYAL. by Beth Troop THE TRUE ROYAL by Beth Troop Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the

More information

THE MISPLACED CHRISTMAS

THE MISPLACED CHRISTMAS THE MISPLACED CHRISTMAS By Cheryl Harrison Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment.

More information

I SAW HIM. by Emily Pardue

I SAW HIM. by Emily Pardue I SAW HIM by Emily Pardue Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United

More information

Stable Relationships: The Innkeeper and His Wife by Susan Greenwood

Stable Relationships: The Innkeeper and His Wife by Susan Greenwood Stable Relationships: The Innkeeper and His Wife by Susan Greenwood What Who When Wear (Props) Mary and Joseph arrive in Bethlehem. They have exhausted all possibilities for lodging and are knocking at

More information

BREATH & IMAGINATION DANIEL BEATY THE STORY OF ROLAND HAYES DRAMATISTS PLAY SERVICE INC. A MUSICAL BY

BREATH & IMAGINATION DANIEL BEATY THE STORY OF ROLAND HAYES DRAMATISTS PLAY SERVICE INC. A MUSICAL BY BREATH & IMAGINATION THE STORY OF ROLAND HAYES A MUSICAL BY DANIEL BEATY DRAMATISTS PLAY SERVICE INC. BREATH & IMAGINATION Copyright 2016, Daniel Beaty All Rights Reserved CAUTION: Professionals and amateurs

More information

3-God's Plan for Mankind. Laurence Smart (www.canberraforerunners.org)

3-God's Plan for Mankind. Laurence Smart (www.canberraforerunners.org) 3-God's Plan for Mankind Laurence Smart 8-3-2017 (www.canberraforerunners.org) Video Clip God's Original Plan [35:25] The following quotes are important points from Myles teaching session Rulership God's

More information

WE, THE WITNESSES. by Wayne Fowler

WE, THE WITNESSES. by Wayne Fowler WE, THE WITNESSES by Wayne Fowler Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of

More information

WWJD-TV PRESENTS... by J. Eric Jackson

WWJD-TV PRESENTS... by J. Eric Jackson WWJD-TV PRESENTS... by J. Eric Jackson Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

Pastor's Notes. Hello

Pastor's Notes. Hello Pastor's Notes Hello We're focusing on how we fail in life and the importance of God's mercy in the light of our failures. So we need to understand that all human beings have failures. We like to think,

More information

Skits. Come On, Fatima! Six Vignettes about Refugees and Sponsors

Skits. Come On, Fatima! Six Vignettes about Refugees and Sponsors Skits Come On, Fatima! Six Vignettes about Refugees and Sponsors These vignettes are based on a United Church handout which outlined a number of different uncomfortable interactions that refugees (anonymously)

More information

GHOSTLY TRINKETS By Charron Contival

GHOSTLY TRINKETS By Charron Contival GHOSTLY TRINKETS By Charron Contival Copyright 2000 by Charron Contival, All rights reserved. ISBN 1-931000-17-4 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty.

More information

SANDRA: I'm not special at all. What I do, anyone can do. Anyone can do.

SANDRA: I'm not special at all. What I do, anyone can do. Anyone can do. 1 Is there a supernatural dimension, a world beyond the one we know? Is there life after death? Do angels exist? Can our dreams contain messages from Heaven? Can we tap into ancient secrets of the supernatural?

More information

THE HISTORY of the World

THE HISTORY of the World THE HISTORY of the World By Jeri Horn and Vicki Wertz Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without

More information

Our Father Who art in Heaven... Hail Mary full of grace... Hail Mary full of grace... Hail Mary full of grace...

Our Father Who art in Heaven... Hail Mary full of grace... Hail Mary full of grace... Hail Mary full of grace... Our Father Who art in Heaven... This painting of Jesus' Baptism comes from Korea. It feels like morning with the mist on the Jordan River. There is a little breeze making the riverside grass bend. Musical

More information

A NEW DRESS By Julie Riggs

A NEW DRESS By Julie Riggs A NEW DRESS By Julie Riggs Copyright 2007 by Julie Riggs, All rights reserved. ISBN 1-60003-288-5 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work

More information

COUNT SPATULA. A short comedy by Keegon Schuett

COUNT SPATULA. A short comedy by Keegon Schuett COUNT SPATULA A short comedy by Keegon Schuett Inspired by the novel Dracula by Bram Stoker This script is for evaluation only. It may not be printed, photocopied or distributed digitally under any circumstances.

More information

WISHING MOON. By Shawn Deal

WISHING MOON. By Shawn Deal WISHING MOON By Shawn Deal Copyright MMXVIII by Shawn Deal, All rights reserved. ISBN: 978-1-61588-423-0 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This

More information

BROADCASTING CHRISTMAS! by Marti Kramer Suddarth

BROADCASTING CHRISTMAS! by Marti Kramer Suddarth BROADCASTING CHRISTMAS! by Marti Kramer Suddarth Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright

More information

IT S ABOUT TIME. by Wallace N. Davis

IT S ABOUT TIME. by Wallace N. Davis IT S ABOUT TIME by Wallace N. Davis Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

THE SPIRITS OF CHRISTMAS

THE SPIRITS OF CHRISTMAS THE SPIRITS OF CHRISTMAS By Rebecca Somoskey Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty

More information

Elisha and the Miracles 2 Kings 4:1-36

Elisha and the Miracles 2 Kings 4:1-36 Fall 2016 ~ Primary Lesson #8 Elisha and the Miracles 2 Kings 4:1-36 Learning Objectives 1. The children will examine the stories of Elisha and the miracles with the widow, the Shunammite woman, and the

More information

CHRISTMAS MORNING LIVE! by Nancy Moore

CHRISTMAS MORNING LIVE! by Nancy Moore CHRISTMAS MORNING LIVE! by Nancy Moore Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

I M STUCK IN A ROUND OF SERIOUS DRAMATIC INTERPRETATION AND I REALLY HAVE TO PEE

I M STUCK IN A ROUND OF SERIOUS DRAMATIC INTERPRETATION AND I REALLY HAVE TO PEE INTERPRETATION AND I REALLY HAVE TO PEE By Bradley Walton Copyright MMXIV by Bradley Walton, All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC ISBN: 978-1-60003-767-2

More information

Piety. A Sermon by Rev. Grant R. Schnarr

Piety. A Sermon by Rev. Grant R. Schnarr Piety A Sermon by Rev. Grant R. Schnarr It seems dangerous to do a sermon on piety, such a bad connotation to it. It's interesting that in the book The New Jerusalem and Its Heavenly Doctrine, after laying

More information

HOLY MOSES! Dramatic Publishing Woodstock, Dlinois. Londo~ England. Melbourne, Australia. A Musical Comedy. Music and Lyrics SEAN HARTLEY.

HOLY MOSES! Dramatic Publishing Woodstock, Dlinois. Londo~ England. Melbourne, Australia. A Musical Comedy. Music and Lyrics SEAN HARTLEY. HOLY MOSES! A Musical Comedy Book by BOB KOLSBY Music and Lyrics by SEAN HARTLEY Dramatic Publishing Woodstock, Dlinois. Londo~ England. Melbourne, Australia *** NOTICE *** The amateur and stock acting

More information

The Apostle Peter in the Four Gospels

The Apostle Peter in the Four Gospels 1 The Apostle Peter in the Four Gospels By Joelee Chamberlain Once upon a time, in a far away land, there was a fisherman. He had a brother who was also a fisherman, and they lived near a great big lake.

More information

A PLAGUE OF MIRACLES. David Schreiber. Copyright 2011 by David Schreiber.

A PLAGUE OF MIRACLES. David Schreiber. Copyright 2011 by David Schreiber. A PLAGUE OF MIRACLES by David Schreiber A PLAGUE OF MIRACLES by David Schreiber David Schreiber dave@davidschreiber.net davids@truedave.com Copyright 2011 by David Schreiber. All Rights Reserved. Cast:

More information

Life Change: Where to Go When Change is Needed Mark 5:21-24, 35-42

Life Change: Where to Go When Change is Needed Mark 5:21-24, 35-42 Life Change: Where to Go When Change is Needed Mark 5:21-24, 35-42 To most people, change is a dirty word. There's just something about 'changing' that doesn't sound appealing to us. Most of the time,

More information

leftover hobby materials, childhood knick knacks, home made root beer bottle capper, bicycle pump, sleeping bag, tools, old TV remote.

leftover hobby materials, childhood knick knacks, home made root beer bottle capper, bicycle pump, sleeping bag, tools, old TV remote. Less-Stress Living July 31, 2016 I well remember that moment, when I signed my first mortgage. It was not much money by today s local housing costs. But it felt like I was signing my life away. I mean

More information

Philip, Deacon and Evangelist (Acts 6:1-8; 8; 21:8) By Joelee Chamberlain

Philip, Deacon and Evangelist (Acts 6:1-8; 8; 21:8) By Joelee Chamberlain 1 Philip, Deacon and Evangelist (Acts 6:1-8; 8; 21:8) By Joelee Chamberlain Today I thought I'd tell you about a man named Philip. Would you like that? Now, the Bible tells us about two good men named

More information

SID: It s Supernatural. SID: HEIDI: SID: HEIDI:

SID: It s Supernatural. SID: HEIDI: SID: HEIDI: 1 SID: Hello. Sid Roth here. Welcome to my world where it's naturally supernatural. Throughout history many believers have experienced the tangible presence of God, but it kind of comes and goes. My guest

More information

Pastor's Notes. Hello

Pastor's Notes. Hello Pastor's Notes Hello We're looking at the ways you need to see God's mercy in your life. There are three emotions; shame, anger, and fear. God does not want you living your life filled with shame from

More information

THE ROAD TO CHRISTMAS. by Mary Ann Smith

THE ROAD TO CHRISTMAS. by Mary Ann Smith THE ROAD TO CHRISTMAS by Mary Ann Smith Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws

More information

A LENTEN JOURNEY. by Linda Allen

A LENTEN JOURNEY. by Linda Allen A LENTEN JOURNEY by Linda Allen Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the

More information

KING DAVID. (...and Bathsheba )

KING DAVID. (...and Bathsheba ) KING DAVID (...and Bathsheba ) DRAMATIS PERSONAE SAUL JONATHAN ABNER SAMUEL DAVID MICHAL ABIGAIL ABISHAG BATHSHEBA SOLOMON JOAB ABISHAI NATHAN ELIAB ABINADAB SHAMMAH AMNON ABSALOM URIAH SHIMEI First King

More information

Daniel Davis - poems -

Daniel Davis - poems - Poetry Series - poems - Publication Date: 2009 Publisher: Poemhunter.com - The World's Poetry Archive () 1 All I Have Strain my chaos, turn into the light, I need to see you at least one night, Before

More information